Chapter III: Part I: A Parable (2)

George Jacob Holyoake, of England, tells how in the days of utter poverty, his believing mother asked the Lord, again and again--on her knees, with tears streaming from her eyes, and with absolute faith in Jesus' ability to keep His promise,--to give her starving children their daily bread. But the more fervently she prayed the heavier grew the burden of her life. A stone or wooden idol could not have been more indifferent to a mother's tears. "My mind aches as I think of those days," writes Mr. Holyoake. One day he went to see the Rev. Mr. Cribbace, who had invited inquirers to his house. "Do you really believe," asked young Holyoake to the clergyman, "that what we ask in faith we shall receive?" "It never struck me," continues Mr. Holyoake, "that the preacher's threadbare dress, his half-famished look, and necessity of taking up a collection the previous night to pay expenses showed that faith was not a source of income to him. It never struck me that if help could be obtained by prayer no church would be needy, no believer would be poor." What answer did the preacher give to Holyoake's earnest question? The same which the preachers of today give: "He parried his answer with many words, and at length said that the promise was to be taken with the provision that what we asked for would be given, _if God thought it for our good."_ Why then, did not Jesus explain that important _proviso_ when he made the promise? Was Jesus only making a half statement, the other half of which he would reveal later to protect himself against disappointed petitioners. But he said: "If ye ask anything in my name, I will do it," and "If it were not so, I would have told you." Did he not mean just what he said? The truth is that no historical person in his senses ever made such extraordinary, such impossible promises, and the report that Jesus made them only goes to confirm that their author is only a legendary being.

When this truth dawned upon Mr. Holyoake he ceased to petition Heaven, which was like "dropping a bucket into an empty well," and began to look _elsewhere_ for help. [Footnote: Bygones Worth Remembering.--George Jacob Holyoake] The world owes its advancement to the fact that men no longer look to Heaven for help, but help themselves. Self-effort, and not prayer, is the remedy against ignorance, slavery, poverty, and moral degradation. Fortunately, by holding up before us an impossible Jesus, with his impossible promises, the churches have succeeded only in postponing, but not in preventing, the progress of man. This is a compliment to human nature, and it is well earned. It is also a promise that in time humanity will be completely emancipated from every phantom which in the past has scared it into silence or submission, and

"A loftier race than e'er the world
Hath known shall rise
With flame of liberty in their souls,
And light of science in their eyes."

THE CHRISTIAN DOCUMENTS

The documents containing the story of Jesus are so unlike those about Lincoln or any other historical character, that we must be doubly vigilant in our investigation.

The Christians rely mainly on the four Gospels for the historicity of Jesus. But the original documents of which the books in the New Testament are claimed to be faithful copies are not in existence. _There is absolutely no evidence that they ever were in existence_. This is a statement which can not be controverted. Is it conceivable that the early believers lost through carelessness or purposely _every_ document written by an apostle, while guarding with all protecting jealousy and zeal the writings of anonymous persons? Is there any valid reason why the contributions to Christian literature of an inspired apostle should perish while those of a nameless scribe are preserved, why the original Gospel of Matthew should drop quietly out of sight, no one knows how, while a supposed copy of it in an alien language is preserved for many centuries? Jesus himself, it is admitted, did not write a single line. He had come, according to popular belief, to reveal the will of God--a most important mission indeed, and yet he not only did not put this revelation in writing during his lifetime, and with his own hand, which it is natural to suppose that a divine teacher, expressly come from heaven, would have done, but he left this all-important duty to anonymous chroniclers, who, naturally, made enough mistakes to split up Christendom into innumerable factions. It is worth a moment's pause to think of the persecutions, the cruel wars, and the centuries of hatred and bitterness which would have been spared our unfortunate humanity, if Jesus himself had written down his message in the clearest and plainest manner, instead of leaving it to his supposed disciples to publish it to the world, when he could no longer correct their mistakes.

Moreover, not only did Jesus not write himself, but he has not even taken any pains to preserve the writings of his "apostles," It is well known that the original manuscripts, if there were any, are nowhere to be found. This is a grave matter. We have only supposed copies of supposed original manuscripts. Who copied them? When were they copied? How can we be sure that these copies are reliable? And why are there thousands upon thousands of various readings in these, numerous supposed copies? What means have we of deciding which version or reading to accept? Is it possible that as the result of Jesus' advent into our world, we have only a basketful of nameless and dateless copies and documents? Is it conceivable, I ask, that a God would send his Son to us, and then leave us to wander through a pile of dusty manuscripts to find out why He sent His Son, and what He taught when on earth?

The only answer the Christian church can give to this question is that the original writings were purposely allowed to perish. When a precious document containing the testament of Almighty God, and inscribed for an eternal purpose by the Holy Ghost, disappears altogether there is absolutely no other way of accounting for its disappearance than by saying, as we have suggested, that its divine author must have intentionally withdrawn it from circulation. "God moves in a mysterious way" is the last resort of the believer. This is the one argument which is left to theology to fight science with. Unfortunately it is an argument which would prove every cult and "ism" under the heavens true. The Mohammedan, the Mazdaian, and the Pagan may also fall back upon faith. There is nothing which faith can not cover up from the light. But if a faith which ignores evidence be not a superstition, what then is superstition? I wonder if the Catholic Church, which pretends to believe--and which derives quite an income from the belief--that God has miraculously preserved the wood of the cross, the Holy Sepulchre, in Jerusalem, the coat of Jesus, and quite a number of other mementos, can explain why the original manuscripts were lost. I have a suspicion that there were no "original" manuscripts. I am not sure of this, of course, but if nails, bones and holy places could be miraculously preserved, why not also manuscripts? It is reasonable to suppose that the Deity would not have permitted the most important documents containing His Revelation to drop into some hole and disappear, or to be gnawed into dust by the insects, after having had them written by special inspiration.

Again, when these documents, such as we find them, are examined, it will be observed that, even in the most elementary intelligence which they pretend to furnish, they are hopelessly at variance with one another. It is, for example, utterly impossible to reconcile Matthew's genealogy of Jesus with the one given by Luke. In copying the names of the supposed ancestors of Jesus, they tamper with the list as given in the book of Chronicles, in the Old Testament, and thereby justly expose themselves to the charge of bad faith. One evangelist says Jesus was descended from Solomon, born of "her that had been the wife of Urias." It will be remembered that David ordered Urias killed in a cowardly manner, that he may marry his widow, whom he coveted. According to Matthew, Jesus is one of the offspring of this adulterous relation. According to Luke, it is not through Solomon, but through Nathan, that Jesus is connected with the house of David.

Again, Luke tells us that the name of the father of Joseph was _Heli;_ Matthew says it was _Jacob_. If the writers of the gospels were contemporaries of Joseph they could have easily learned the exact name of his father.

Again, why do these biographers of Jesus give us the genealogy of Joseph if he was not the father of Jesus? It is the genealogy of Mary which they should have given to prove the descent of Jesus from the house of David, and not that of Joseph. These irreconcilable differences between Luke, Matthew and the other evangelists, go to prove that these authors possessed no reliable information concerning the subjects they were writing about. For if Jesus is a historical character, and these biographers were really his immediate associates, and were inspired besides, how are we to explain their blunders and contradictions about his genealogy?

A good illustration of the mythical or unhistorical character of the New Testament is furnished by the story of John the Baptist. He is first represented as confessing publicly that Jesus is the Christ; that he himself is not worthy to unloose the latchet of his shoes; and that Jesus is the Lamb of God, "who taketh away the sins of the world." John was also present, the gospels say, when the heavens opened and a dove descended on Jesus' head, and he heard the voice from the skies, crying: "He is my beloved Son, in whom I am well pleased."

Is it possible that, a few chapters later, this same John forgets his public confession,--the dove and the voice from heaven,--and actually sends two of his disciples to find out who this Jesus is, [Footnote: Matthew xi.] The only way we can account for such strange conduct is that the compiler or editor in question had two different myths or stories before him, and he wished to use them both.

A further proof of the loose and extravagant style of the Gospel writers is furnished by the concluding verse of the Fourth Gospel: "There are also many other things which Jesus did, the which, if they should be written, every one, I suppose that even the world itself could not contain the books that should be written." This is more like the language of a myth-maker than of a historian. How much reliance can we put in a reporter who is given to such exaggeration? To say that the world itself would be too small to contain the unreported sayings and doings of a teacher whose public life possibly did not last longer than a year, and whose reported words and deeds fill only a few pages, is to prove one's statements unworthy of serious consideration.

And it is worth our while to note also that the documents which have come down to our time and which purport to be the biographies of Jesus, are not only written in an alien language, that is to say, in a language which was not that of Jesus and his disciples, but neither are they dated or signed. Jesus and his twelve apostles were Jews; why are all the four Gospels written in Greek? If they were originally written in Hebrew, how can we tell that the Greek translation is accurate, since we can not compare it with the originals? And why are these Gospels anonymous? Why are they not dated? But as we shall say something more on this subject in the present volume, we confine ourselves at this point to reproducing a fragment of the manuscript pages from which our Greek Translations have been made.[Footnote: See page 57.] It is admitted by scholars that owing to the difficulty of reading these ancient and imperfect and also conflicting texts, an accurate translation is impossible. But this is another way of saying that what the churches call the Word of God is not only the word of man, but a very imperfect word, at that.

The belief in Jesus, then, is founded on secondary documents, altered and edited by various hands; on lost originals, and on anonymous manuscripts of an age considerably later than the events therein related--manuscripts which contradict each other as well as themselves. Such is clearly and undeniably the basis for the belief in a historical Jesus. It was this sense of the insufficiency of the evidence which drove the missionaries of Christianity to commit forgeries.

If there was ample evidence for the historicity of Jesus, why did his biographers resort to forgery? The following admissions by Christian writers themselves show the helplessness of the early preachers in the presence of inquirers who asked for proofs. The church historian, Mosheim, writes that, "The Christian Fathers deemed it a pious act to employ deception and fraud." [Footnote: Ecclesiastical Hist., Vol. I, P. 247.]

Again, he says: "The greatest and most pious teachers were nearly all of them infected with this leprosy." Will not some believer tell us why forgery and fraud were necessary to prove the historicity of Jesus. Another historian, Milman, writes that, "Pious fraud was admitted and avowed" by the early missionaries of Jesus. "It was an age of literary frauds," writes Bishop Ellicott, speaking of the times immediately following the alleged crucifixion of Jesus. Dr. Giles declares that, "There can be no doubt that great numbers of books were written with no other purpose than to deceive." And it is the opinion of Dr. Robertson Smith that, "There was an enormous floating mass of spurious literature created to suit party views." Books which are now rejected as apochryphal were at one time received as inspired, and books which are now believed to be infallible were at one time regarded as of no authority in the Christian world. It certainly is puzzling that there should be a whole literature of fraud and forgery in the name of a historical person. But if Jesus was a myth, we can easily explain the legends and traditions springing up in his name.

The early followers of Jesus, then, realizing the force of this objection, did actually resort to interpolation and forgery in order to prove that Jesus was a historical character.

One of the oldest critics of the Christian religion was a Pagan, known to history under the name of Porphyry; yet, the early Fathers did not hesitate to tamper even with the writings of an avowed opponent of their religion. After issuing an edict to destroy, among others, the writings of this philosopher, a work, called _Philosophy of Oracles,_ was produced, in which the author is made to write almost as a Christian; and the name of Porphyry was signed to it as its author. St. Augustine was one of the first to reject it as a forgery. [Footnote: Geo. W. Foote. Crimes of Christianity.] A more astounding invention than this alleged work of a heathen bearing witness to Christ is difficult to produce. Do these forgeries, these apocryphal writings, these interpolations, freely admitted to have been the prevailing practice of the early Christians, help to prove the existence of Jesus? And when to this wholesale manufacture of doubtful evidence is added the terrible vandalism which nearly destroyed every great Pagan classic, we can form an idea of the desperate means to which the early Christians resorted to prove that Jesus was not a myth. It all goes to show how difficult it is to make a man out of a myth.

VIRGIN BIRTHS

Stories of gods born of virgins are to be found in nearly every age and country. There have been many virgin mothers, and Mary with her child is but a recent version of a very old and universal myth. In China and India, in Babylonia and Egypt, in Greece and Rome, "divine" beings selected from among the daughters of men the purest and most beautiful to serve them as a means of entrance into the world of mortals. Wishing to take upon themselves the human form, while retaining at the same time their "divinity," this compromise--of an earthly mother with a "divine" father--was effected. In the form of a swan Jupiter approached Leda, as in the guise of a dove, or a _Paracletus,_ Jehovah "overshadowed" Mary.

A nymph bathing in a river in China is touched by a lotus plant, and the divine Fohi is born.

In Siam, a wandering sunbeam caresses a girl in her teens, and the great and wonderful deliverer, Codom, is born. In the life of Buddha we read that he descended on his mother Maya, "in likeness as the heavenly queen, and entered her womb," and was "born from her right side, to save the world." [Footnote: Stories of Virgin Births. Reference: Lord Macartney. Voyage dans 'interview de la Chine et en Tartarie. Vol. I, P. 48. See also Les Vierges Meres et les Naissance Miraculeuse. P. Saintyves. P. 19, etc.] In Greece, the young god Apollo visits a fair maid of Athens, and a Plato is ushered into the world.

In ancient Mexico, as well as in Babylonia, and in modern Corea, as in modern Palestine, as in the legends of all lands, virgins gave birth and became divine mothers. [Footnote: Stories of Virgin Births. Reference: Lord Macartney. Voyage dans 'interview de la Chine et en Tartarie. Vol. I, P. 48. See also Les Vierges Meres et les Naissance Miraculeuse. P. Saintyves. P. 19, etc.]

But the real home of virgin births is the land of the Nile. Eighteen hundred years before Christ, we find carved on one of the walls of the great temple of Luxor a picture of the _annunciation, conception and birth_ of King Amunothph III, an almost exact copy of the annunciation, conception and birth of the Christian God. Of course no one will think of maintaining that the Egyptians borrowed the idea from the Catholics nearly two thousand years before the Christian era. "The story in the Gospel of Luke, the first and second chapters is, "says Malvert, "a reproduction, 'point by point,' of the story in stone of the miraculous birth of Amunothph." [Footnote: Science and Religion P. 96.]

Sharpe in his Egyptian Mythology, page 19, gives the following description of the Luxor picture, quoted by G. W. Foote in his _Bible Romances,_ page 126: "In this picture we have the annunciation, the conception, the birth and the adoration, as described in the first and second chapters of Luke's Gospel." Massey gives a more minute description of the Luxor picture. "The first scene on the left hand shows the god Taht, the divine Word or Loges, in the act of hailing the virgin queen, announcing to her that she is to give birth to a son. In the second scene the god Kneph (assisted by Hathor) gives life to her. This is the Holy Ghost, or Spirit that causes conception....Next the mother is seated on the midwife's stool, and the child is supported in the hands of one of the nurses. The fourth scene is that of the adoration. Here the child is enthroned, receiving homage from the gods and gifts from men." [Footnote: Natural Genesis. Massey, Vol. II, P. 398.] The picture on the wall of the Luxor temple, then, is one of the sources to which the anonymous writers of the Gospels went for their miraculous story. It is no wonder they suppressed their own identity as well as the source from which they borrowed their material.

Not only the idea of a virgin mother, but all the other miraculous events, such as the stable cradle, the guiding star, the massacre of the children, the flight to Egypt, and the resurrection and bodily ascension toward the clouds, have not only been borrowed, but are even scarcely altered in the New Testament story of Jesus.

That the early Christians borrowed the legend of Jesus from earthly sources is too evident to be even questioned. Gerald Massey in his great work on Egyptian origins demonstrates the identity of Mary, the mother of Jesus, with Isis, the mother of Horus. He says: "The most ancient, gold-bedizened, smoke-stained Byzantine pictures of the virgin and child represent the mythical mother as Isis, and not as a human mother of Nazareth." [Footnote: Vol. ii, P. 487.] Science and research have made this fact so certain that, on the one hand ignorance, and on the other, interest only, can continue to claim inspiration for the authors of the undated and unsigned fragmentary documents which pass for the Word of God. If, then, Jesus is stripped of all the borrowed legends and miracles of which he is the subject; and if we also take away from him all the teachings which collected from Jewish and Pagan sources have been attributed to him--what will be left of him? That the ideas put in his mouth have been culled and compiled from other sources is as demonstrable as the Pagan origin of the legends related of him.

Nearly every one of the dogmas and ceremonies in the Christian cult were borrowed from other and older religions. The resurrection myth, the ascension, the eucharisty, baptism, worship by kneeling or prostration, the folding of the hands on the breast, the ringing of bells and the burning of incense, the vestments and vessels used in church, the candles, "holy" water,--even the word _Mass_ were all adopted and adapted by the Christians from the religions of the ancients. The Trinity is as much Pagan, as much Indian or Buddhist, as it is Christian. The idea of a Son of God is as old as the oldest cult. The sun is the son of heaven in all primitive faiths. The physical sun becomes in the course of evolution, the Son of Righteousness, or the Son of God, and heaven is personified as the Father on High. The halo around the head of Jesus, the horns of the older deities, the rays of light radiating from the heads of Hindu and Pagan gods are incontrovertible evidence that all gods were at one time--the sun in heaven.

THE ORIGIN OF THE CROSS

Only the uninformed, of whom, we regret to say, there are a great many, and who are the main support of the old religions, still believe that the cross originated with Christianity. Like the dogmas of the Trinity, the virgin birth, and the resurrection, the sign of the cross or the cross as an emblem or a symbol was borrowed from the more ancient faiths of Asia. Perhaps one of the most important discoveries which primitive man felt obliged never to be ungrateful enough to forget, was the production of fire by the friction of two sticks placed across each other in the form of a cross. As early as the stone age we find the cross carved on monuments which have been dug out of the earth and which can be seen in the museums of Europe. On the coins of later generations as well as on the altars of prehistoric times we find the "sacred" symbol of the cross. The dead in ancient cemeteries slept under the cross as they do in our day in Catholic churchyards.

In ancient Egypt, as in modern China, India, Corea, the cross is venerated by the masses as a charm of great power. In the Musee Guimet, in Paris, we have seen specimens of pre-Christian crosses. In the Louvre Museum one of the "heathen" gods carries a cross on his head. During his second journey to New Zealand, Cook was surprised to find the natives marking the graves of their dead with the cross. We saw, in the Museum of St. Germain, an ancient divinity of Gaul, before the conquest of the country by Julius Caesar, wearing a garment on which was woven a cross. In the same museum an ancient altar of Gaul under Paganism, had a cross carved upon it. That the cross was not adopted by the followers of Jesus until a later date may be inferred from the silence of the earlier gospels, Matthew, Mark and Luke, on the details of the crucifixion, which is more fully developed in the later gospel of John. The first three evangelists say nothing about the nails or the blood, and give the impression that he was hanged. Writing of the two thieves who were sentenced to receive the same punishment, Luke says, "One of the malefactors that was _hanged_ with him." The idea of a bleeding Christ, such as we see on crosses in Catholic churches, is not present in these earlier descriptions of the crucifixion; the Christians of the time of Origin were called "the followers of the god who was hanged." In the fourth gospel we see the beginnings of the legend of the cross, of Jesus carrying or falling under the weight of the cross, of the nail prints in his hands and feet, of the spear drawing the blood from his side and smearing his body. Of all this, the first three evangelists are quite ignorant.

Let it be further noted that it was not until eight hundred years after the supposed crucifixion that Jesus is seen in the form of a human being on the cross. Not in any of the paintings on the ancient catacombs is found a crucified Christ. The earliest cross bearing a human being is of the eighth century. For a long time a lamb with a cross, or on a cross, was the Christian symbol, and it is a lamb which we see entombed in the "holy sepulchre." In more than one mosaic of early Christian times, it is not Jesus, but a lamb, which is bleeding for the salvation of the world. How a lamb came to play so important a role in Christianity is variously explained. The similarity between the name of the Hindu god, _Agni_ and the meaning of the same word in Latin, which is a lamb, is one theory. Another is that a ram, one of the signs of the zodiac, often confounded by the ancients with a lamb, is the origin of the popular reverence for the lamb as a symbol--a reverence which all religions based on sun-worship shared. The lamb in Christianity takes away the sins of the people, just as the paschal lamb did in the Old Testament, and earlier still, just as it did in Babylonia.

To the same effect is the following letter of the bishop of Mende, in France, bearing date of the year 800 A. D.: "Because the darkness has disappeared, and because also Christ is a real man, Pope Adrian commands us to paint him under the form of a man. The lamb of God must not any longer be painted on a cross, but after a human form has been placed on the cross, there is no objection to have a lamb also represented with it, either at the foot of the cross or on the opposite side." [Footnote: Translated from the French of Didron. Quoted by Malvert.] We leave it to our readers to draw the necessary conclusions from the above letter. How did a lamb hold its place on the cross for eight hundred years? If Jesus was really crucified, and that fact was a matter of history, why did it take eight hundred years for a Christian bishop to write, "now that Christ is a real man," etc.? Today, it would be considered a blasphemy to place a lamb on a cross.

On the tombstones of Christians of the fourth century are pictures representing, not Jesus, but a lamb, working the miracles mentioned in the gospels, such as multiplying the loaves and fishes, and raising Lazarus from the dead.

The first representations of a human form on the cross differ considerably from those which prevail at the present time.

While the figure on the modern cross is almost naked, those on the earlier ones are clothed and completely covered. Wearing a flowing tunic, Jesus is standing straight against the cross with his arms outstretched, as though in the act of delivering an address. Frequently, at his feet, on the cross, there is still painted the figure of a lamb, which by and by, he is going to replace altogether. Gradually the robe disappears from the crucified one, until we see him crucified, as in the adjoining picture, with hardly any clothes on, and wearing an expression of great agony.

THE SILENCE OF PROFANE WRITERS

In all historical matters, we cannot ask for more than a _reasonable_ assurance concerning any question. In fact, absolute certainty in any branch of human knowledge, with the exception of mathematics, perhaps, is impossible. We are finite beings, limited in all our powers, and, hence, our conclusions are not only relative, but they should ever be held subject to correction. When our law courts send a man to the gallows, they can have no more than a reasonable assurance that he is guilty; when they acquit him, they can have no more than a reasonable assurance that he is innocent. Positive assurance is unattainable. The dogmatist is the only one who claims to possess absolute certainty. But his claim is no more than a groundless assumption. When, therefore, we learn that Josephus, for instance, who lived in the same country and about the same time as Jesus, and wrote an extensive history of the men and events of his day and country, does not mention Jesus, except by interpolation, which even a Christian clergyman, Bishop Warburton, calls "a rank forgery, and a very stupid one, too," we can be reasonably sure that no such Jesus as is described in the New Testament, lived about the same time and in the same country with Josephus.

The failure of such a historian as Josephus to mention Jesus tends to make the existence of Jesus at least reasonably doubtful.

Few Christians now place any reliance upon the evidence from Josephus. The early Fathers made this Jew admit that Jesus was the Son of God. Of course, the admission was a forgery. De Quincey says the passage is known to be "a forgery by all men not lunatics." Of one other supposed reference in Josephus, Canon Farrar says: "This passage was early tampered with by the Christians." The same writer says this of a third passage: "Respecting the third passage in Josephus, the only question is whether it be partly or entirely spurious." Lardner, the great English theologian, was the first man to prove that Josephus was a poor witness for Christ.

In examining the evidence from profane writers we must remember that the silence of one contemporary author is more important than the supposed testimony of another. There was living in the same time with Jesus a great Jewish scholar by the name of Philo. He was an Alexandrian Jew, and he visited Jerusalem while Jesus was teaching and working miracles in the holy city. Yet Philo in all his works never once mentions Jesus. He does not seem to have heard of him. He could not have helped mentioning him if he had really seen him or heard of him. In one place in his works Philo is describing the difference between two Jewish names, Hosea and Jesus. Jesus, he says, means saviour of the people. What a fine opportunity for him to have added that, at that very time, there was living in Jerusalem a saviour by the name of Jesus, or one supposed to be, or claiming to be, a saviour. He could not have helped mentioning Jesus if he had ever seen or heard of him.

We have elsewhere referred to the significant silence of the Pagan historians and miscellaneous writers on the wonderful events narrated in the New Testament. But a few remarks may be added here in explanation of the supposed testimony of Tacitus.

The quotation from Tacitus is an important one. That part of the passage which concerns us is something like this:--"They have their denomination from _Chrestus,_ put to death as a criminal by Pontius Pilate during the reign of Tiberius." I wish to say in the first place that this passage is not in the _History_ of Tacitus, known to the ancients, but in his _Annals,_ which is not quoted by any ancient writer. The _Annals_ of Tacitus were not known to be in existence until the year 1468. An English writer, Mr. Ross, has undertaken, in an interesting volume, to show that the _Annals_ were forged by an Italian, Bracciolini. I am not competent to say whether or not Mr. Ross proves his point. But is it conceivable that the early Christians would have ignored so valuable a testimony had they known of its existence, and would they not have known of it had it really existed? The Christian Fathers, who not only collected assiduously all that they could use to establish the reality of Jesus--but who did not hesitate even to forge passages, to invent documents, and also to destroy the testimony of witnesses unfavorable to their cause--would have certainly used the Tacitus passage had it been in existence in their day. _Not one of the Christian Fathers_ in his controversy with the unbelievers has quoted the passage from Tacitus, which passage is the church's strongest proof of the historicity of Jesus, outside the gospels.

But, to begin with, this passage has the appearance, at least, of being penned by a Christian. It speaks of such persecutions of the Christians in Rome which contradict all that we know of Roman civilization. The abuse of Christians in the same passage may have been introduced purposely to cover up the identity of the writer. The terrible outrages against the Christians mentioned in the text from Tacitus are supposed to have taken place in the year 64 A. D. According to the New Testament, Paul was in Rome from the year 63 to the year 65, and must, therefore, have been an eye-witness of the persecution under Nero. Let me quote from the Bible to show that there could have been no such persecution as the Tacitus passage describes. The last verse in the book of Acts reads: "And he (Paul) abode two whole years in his own hired dwelling, and received all that went in unto him, preaching the kingdom of God, and teaching things concerning the Lord Jesus Christ with all boldness, _none forbidding him_." How is this picture of peace and tranquility to be reconciled with the charge that the Romans rolled up the Christians in straw mats and burned them to illuminate the streets at night, and also that the lions were let loose upon the disciples of Jesus?

Moreover, it is generally known that the Romans were indifferent to religious propaganda, and never persecuted any sect or party in the name of religion. In Rome, the Jews were free to be Jews; why should the Jewish Christians--and the early Christians were Jews--have been thrown to the lions? In all probability the persecutions were much milder than the Tacitus passage describes, and politics was the real cause.

Until not very long ago, it was universally believed that William Tell was a historical character. But it is now proven beyond any reasonable doubt, that Tell and his apple are altogether mythical. Notwithstanding that a great poet has made him the theme of a powerful drama, and a great composer devoted one of his operas to his heroic achievements; notwithstanding also that the Swiss show the crossbow with which he is supposed to have shot at the apple on his son's head--he is now admitted to be only a legendary hero. The principal arguments which have led the educated world to revise its views concerning William Tell are that, the Swiss historians, Faber and Hamurbin, who lived shortly after the "hero," and who wrote the history of their country, as Josephus did that of his, do not mention Tell. Had such a man existed before their time, they could not have failed to refer to him. Their complete silence is damaging beyond help to the historicity of Tell. Neither does the historian, who was an eye witness of the battle of Morgarten in 1315, mention the name of Tell. The Zurich Chronicle of 1497, also omits to refer to his story. In the accounts of the struggle of the Swiss against Austria, which drove the former into rebellion and ultimate independence, Tell's name cannot be found. Yet all these arguments are not half so damaging to the William Tell story, as the silence of Josephus is to the Jesus story. Jesus was supposed to have worked greater wonders and to have created a wider sensation than Tell; therefore, it is more difficult to explain the silence of historians like Josephus, Pliny and Quintilian; or of philosophers like Philo, Seneca and Epictetus, concerning Jesus, than to explain the silence of the Swiss chroniclers concerning Tell.

THE JESUS STORY A RELIGIOUS DRAMA

We have now progressed far enough in our investigation to pause a moment for reflection before we proceed any further. I am conscious of no intentional misrepresentation or suppression of the facts relating to the question in hand. If I have erred through ignorance, I shall correct any mistake I may have made, if some good reader will take the trouble to enlighten me. I am also satisfied that I have not commanded the evidence, but have allowed the evidence to command me. I am not interested in either proving or disproving the existence of the New- Testament Jesus. I am not an advocate, I am rather an umpire, who hears the evidence and pronounces his decision accordingly. Let the lawyers or the advocates argue _pro_ and _con_. I only weigh,--and I am sure, impartially,--the evidence which the witnesses offer. We have heard and examined quite a number of these, and, I, at least, am compelled to say, that unless stronger evidence be forthcoming, a historical Jesus has not been proven by the evidence thus far taken in. This does not mean that there is no evidence whatever that Jesus was a real existence, but that the evidence is not enough to prove it.

To condemn or to acquit a man in a court of law, there must not only be evidence, but enough of it to justify a decision. There is some evidence for almost any imaginable proposition; but that is not enough. Not only does the evidence offered to prove Jesus' historicity, already examined, fail to give this assurance, but, on the contrary, it lends much support to the opposite supposition, namely, that in all probability, Jesus was a myth--even as Mithra, Osiris, Isis, Hercules, Sampson, Adonis, Moses, Attis, Hermes, Heracles, Apollo of Tyanna, Chrishna, and Indra, were myths.

The story of Jesus, we are constrained to say, possesses all the characteristics of the religious drama, full of startling episodes, thrilling situations, dramatic action and _denouement_. It reads more like a play than plain history. From such evidence as the gospels themselves furnish, the conclusion that he was no more than the principal character in a religious play receives much support. Mystery and morality plays are of a very ancient origin. In earlier times, almost all popular instruction was by means of _Tableaux vivant_.

As a great scenic or dramatic performance, with Jesus as the hero, Judas as the villain--with conspiracy as its plot, and the trial, the resurrection and ascension as its _finale_, the story is intelligent enough. For instance, as the curtain rises, it discloses upon the stage shepherds tending their flocks in the green fields under the moonlit sky; again, as the scene shifts, the clouds break, the heavens open, and voices are heard from above, with a white-winged chorus chanting an anthem. The next scene suggests a stable with the cattle in their stalls, munching hay. In a corner of the stable, close to a manger, imagine a young woman, stooping to kiss a newly born babe. Anon appear three bearded and richly costumed men, with presents in their hands, bowing their heads in ecstatic adoration. Surely enough this is not history: It does not read like history. The element of fiction runs through the entire Gospels, and is its warp and woof. A careful analysis of the various incidents in this _ensemble_ will not fail to convince the unprejudiced reader that while they possess all the essentials for dramatic presentation, they lack the requirements of real history.

The "opened-heavens," "angel-choirs," "grazing flocks," "watchful shepherds," "worshiping magicians," "the stable crib," "the mother and child," "the wonderful star," "the presents," "the anthem"--all these, while they fit admirably as stage setting, are questionable material for history. No historical person was ever born in so spectacular a manner. The Gospel account of Jesus is an embellished, ornamental, even sensationally dramatic creation to serve as an introduction for a legendary hero. Similar theatrical furniture has been used thousands of times to introduce other legendary characters. All the Savior Gods were born supernaturally. They were all half god, half man. They were all of royal descent. Miracles and wonders attended their birth. Jesus was not an exception. We reject as mythical the birth-stories about Mithra, and Apollo. Why accept as history those about Jesus? It rests with the preachers of Christianity to show that while the god-man of Persia, or of Greece, for example, was a myth, the god-man of Palestine is historical.

The dramatic element is again plainly seen in the account of the betrayal of Jesus. Jesus, who preaches daily in the temples, and in the public places; who talks to the multitude on the mountain and at the seaside; who feeds thousands by miracle; the report of whose wonderful cures has reached the ends of the earth, and who is often followed by such a crush that to reach him an opening has to be made in the ceiling of the house where he is stopping; who goes in and out before the people and is constantly disputing with the elders and leaders of the nation--is, nevertheless, represented as being so unknown that his enemies have to resort to the device of bribing with thirty silver coins one of his disciples to point him out to them, and which is to be done by a kiss. This might make a great scene upon the stage, but it is not the way things happen in life.

Then read how Jesus is carried before Pilate the Roman governor, and how while he is being tried a courier rushes in with a letter from Pilate's wife which is dramatically torn open and read aloud in the presence of the crowded court. The letter, it is said, was about a dream of Pilate's wife, in which some ghost tells her that Jesus is innocent, and that her husband should not proceed against him. Is this history? Roman jurisprudence had not degenerated to that extent as to permit the dreams of a woman or of a man to influence the course of justice. But this letter episode was invented by the playwright--if I may use the phrase--to prolong the dramatic suspense, to complicate the situation, to twist the plot, and thereby render the impression produced by his "piece" more lasting. The letter and the dream did not save Jesus. Pilate was not influenced by his dreaming wife. She dreamed in vain.

In the next place we hear Pilate pronouncing Jesus guiltless; but, forthwith, he hands him over to the Jews to be killed. Does this read like history? Did ever a Roman court witness such a trial? To pronounce a man innocent and then to say to his prosecutors: "If you wish to kill him, you may do so," is extraordinary conduct. Then, proceeding, Pilate takes water and ostentatiously washes his hands, a proceeding introduced by a Greek or Latin scribe, who wished, in all probability, to throw the blame of the crucifixion entirely upon the Jews. Pilate, representing the Gentile world, washes his hands of the responsibility for the death of Jesus, while the Jews are made to say, "His blood be upon us and our children."

Imagine the clamoring, howling Jews, trampling on one another, gesticulating furiously, gnashing their teeth, foaming at the mouth, and spitting in one another's face as they shout, "Crucify him! Crucify him!" A very powerful stage setting, to be sure--but it is impossible to imagine that such disorder, such anarchy could be permitted in any court of justice. But think once more of those terrible words placed in the mouths of the Jews, "His blood be upon us and our children." Think of a people openly cursing themselves and asking the whole Christian world to persecute them forever--"His blood be upon _us and our children_."

Next, the composers of the gospels conduct us to the Garden of Gethsemane, that we may see there the hero of the play in his agony, fighting the great battle of his life alone, with neither help nor sympathy from his distracted followers. He is shown to us there, on his knees, crying tears of blood--sobbing and groaning under the shadow of an almost crushing fear. Tremblingly he prays, "Let this cup pass from me--if it be possible;" and then, yielding to the terror crowding in upon him, he sighs in the hearing of all the ages, "The spirit is willing, but the flesh is weak," precisely the excuse given by everybody for not doing what they would do if they could. Now, we ask in all seriousness, is it likely that a God who had come down from heaven purposely to drink that cup and to be the martyr-Savior of humanity--would seek to be spared the fate for which he was ordained from all eternity?

The objection that Jesus' hesitation on the eve of the crucifixion, as well as his cry of despair on the cross, were meant to show that he was as human as he was divine, does not solve the difficulty. In that event Jesus, then, was merely acting--feigning a fear which he did not feel, and pretending to dread a death which he knew could not hurt him. If, however, Jesus really felt alarmed at the approach of death, how much braver, then, were many of his followers who afterwards faced dangers and tortures far more cruel than his own! We honestly think that to have put in Jesus' mouth the words above quoted, and also to have represented him as closing his public career with a shriek on the cross: "My God, my God, why hast thou forsaken me?" was tantamount to an admission by the writers that they were dealing with a symbolic Christ, an ideal figure, the hero of a play, and not a historical character.

It is highly dramatic, to be sure, to see the sun darkened, to feel the whole earth quaking, to behold the graves ripped open and the dead reappear in their shrouds--to hear the hero himself tearing his own heart with that cry of shuddering anguish, "My God! my God!"--but it is not history. If such a man as Jesus really lived, then his biographers have only given us a caricature of him. However beautiful some of the sayings attributed to Jesus, and whatever the source they may have been borrowed from, they are not enough to prove his historicity. But even as the Ten Commandments do not prove Moses to have been a historical personage or the author of the books and deeds attributed to him, neither do the parables and miracles of Jesus prove him to have once visited this earth as a god, or to have even existed as a man.

Socrates and Jesus! Compare the quite natural behavior of Socrates in prison with that of Jesus in the Garden of Gethsemane. The Greek sage is serene. Jesus is alarmed. The night agony of his soul, his tears of _blood_, his pitiful collapse when he prays, "if it be possible let this cup pass from me,"--all this would be very impressive on the boards, but they seem incredible of a real man engaged in saving a world. Once more we say that the defense that it was the man in Jesus and not the god in him that broke down, would be unjust to the memory of thousands of martyrs who died by a more terrible death than that of Jesus. As elsewhere stated, but which cannot be too often emphasized, what man would not have embraced death with enthusiasm,--without a moment's misgiving, did he think that by his death, death and sin would be no more! Who would shrink from a cross which is going to save millions to millions added from eternal burnings. He must be a phantom, indeed, who trembles and cries like a frightened child because he cannot have the crown without the cross! What a spectacle for the real heroes crowding the galleries of history! It is difficult to see the shrinking and shuddering Savior of the world, his face bathed in perspiration, blood oozing out of his forehead, his lips pale, his voice breaking into a shriek, "My God, my God, why hast thou forsaken me!"--it is difficult to witness all this and not to pity him. Poor Jesus! he is going to save the world, but who is going to save _him?_

If we compare the trial of Jesus with that of Socrates, the fictitious nature of the former cannot possibly escape detection. Socrates was so well known in Athens, that it was not necessary for his accusers to bribe one of his disciples to betray him. Jesus should have been even better known in Jerusalem than Socrates was in Athens. He was daily preaching in the synagogues, and his miracles had given him an _eclat_ which Socrates did not enjoy.

Socrates is not taken to court at night, bound hand and feet. Jesus is arrested in the glare of torchlights, after he is betrayed by Judas with a kiss; then he is bound and forced into the high priest's presence. All this is admirable setting for a stage, but they are no more than that.

The disciples of Socrates behave like real men, those of Jesus are actors. They run away; they hide and follow at a distance. One of them curses him. The cock crows, the apostate repents. This reads like a play.

In the presence of his judges, Socrates makes his own defense. One by one he meets the charges. Jesus refused, according to two of the evangelists, to open his mouth at his trial. This is dramatic, but it is not history. It is not conceivable that a real person accused as Jesus was, would have refused a great opportunity to disprove the charges against him. Socrates' defense of himself is one of the classics. Jesus' silence is a conundrum. "But he answered nothing," "But Jesus as yet answered nothing," "And he answered him never a word," is the report of two of his biographers. The other two evangelists, as is usual, contradict the former and produce the following dialogues between Jesus and his judges, which from beginning to end possess all the marks of unreality:

_Pilate_.--"Art thou the King of the Jews?"

_Jesus_.--"Sayest thou this thing of thyself, or did others tell it thee of me?"

_Pilate_--"Art thou a King?"

_Jesus_.--"Thou sayest that I am a King."

Is it possible that a real man, not to say the Savior of the world, would give such unmeaning and evasive replies to straightforward questions? Does it not read like a page from fiction?

In the presence of the priests of his own race Jesus is as indefinite and sophistical as he is before the Roman Pilate.

_The Priests_--"Art thou the Christ--tell us?"

_Jesus._--"If I tell you ye will not believe me."

_The Priests_.--"Art thou the Son of God?"

_Jesus_.--"Ye say that I am."

In the first answer he refuses to reveal himself because he does not think he can command belief in himself; in his second answer he either blames them for saying he was the Son of God, or quotes their own testimony to prove that he is the Son of God. But if they believed he was God, would they try to kill him? Is it not unthinkable? He intimates that the priests believe he is the Son of God--"Ye say that I am." Surely, it is more probable that these dialogues were invented by his anonymous biographers than that they really represent an actual conversation between Jesus and his judges.