Chapter III: I (1)

Not even the Irishman's passion for originality is strong enough to resist the common impulse of human nature to follow the course of the sun; he must migrate westward like the Saxon before him, and it is surely remarkable to find a theater holding out against a social tendency to which an Irishman succumbs. When a flood of new thoroughfares submerged old theatrical London in the last years of the nineteenth century and created a new theaterdom farther west; when the barbarous hoardings of the Strand Improvement obliterated so many resorts of leisure, and, like the people of Croton, the London County Council diverted a stream of traffic to flow where once was the Sybaris of Holywell Street and the Opera Comique; when the Lyceum and the Adelphi changed the quality of their wares; when Terry's became a cinema palace and His Grace of Bedford sold Drury Lane overnight--the Vanity was almost the only theater that preserved its position and its character. The peak of Ararat was not more welcome to the water-weary eyes of Noah than to patrons of a theater as old-fashioned as the Ark was the sight of that little island upon which the Vanity maintained itself amid the wrecks and ruins of the engulfed Strand. Close by, as if to commemorate the friendly rivalry of Church and Stage, upon another island St. Clement Dane's cleft the traffic of Fleet Street long after Temple Bar had been swept away; and it was agreeably appropriate that the church where Doctor Johnson, our greatest conservative, was wont to bow his head before the slow grinding of God's mills should have for company in a visible protest against the illusion of progress that monument of English conservatism, the Vanity Theater. More secure upon its island in the Strand than the Eddystone Lighthouse upon its rock in the Channel, the illuminated portico of the Vanity blazed away as brightly as it ever did before the destruction of the mean streets that used to obscure its glory. Not far off, the Savoy Hotel served as prologue and epilogue to its entertainments; and no alliance between one of the new theaters in Piccadilly and the Ritz or Carlton could yet claim to have superseded that time-honored alliance between the Vanity and the Savoy.

In the early 'seventies the sacred lamp of burlesque, as journalists moved to poesy by their theme have it, was lighted at the Vanity, and in the waning 'eighties the gas-lamp of burlesque, with nothing but an added brightness to mark the change, became the electric bulb of musical comedy. Time moved slowly at the Vanity; tenors grew hoarse and comedians grew stiff, but they were not easily superseded; many ladies grew stout, but the boards of the Vanity were strong, and even the places of those dearly loved by the gods who married young were only taken by others equally beloved and exactly like their predecessors; puns disappeared gradually from the librettos; the frocks of the chorus exaggerated the fashion of the hour; very seldom a melody was sufficiently novel to escape being whistled by the town; but in the opening years of the twentieth century the Vanity was intrinsically what the Vanity had been thirty years before and what no doubt it would be thirty years thence. The modish young men who applauded "Miss Elsie of Chelsea" sat in the stalls where their fathers and in some cases their grandfathers had applauded "Hamlet Up to Date." The fathers vowed that the Vanity had deteriorated since the days when mutton-chop whiskers were cultivated and the ladies of the chorus flirted bustles on the outside of a coach-and-four; but the sons were quite content with the present regime and considered jolly old John Richards as good as any impresario of the 'eighties. Unless the standard of beauty had universally declined at the dawn of the new century, that opinion of youth must be indorsed; it is doubtful if twenty more beautiful girls than the Vanity chorus contained in the autumn of 1903 could have been found in any other city or in any other country, and certainly not in any other theater. When a few years after this date John Richards was knighted for his services to human nature and applied to the College of Heralds for a grant of arms, a friend with a taste for Latin robbed Propertius for the motto and gave him _Tot milia formosarum_, which, though lending itself to a ribald translation of "The foremost harem of smiling Totties," was not less well deserved by John Richards than by Pluto, to whom the poet addressed the original observation.

Dorothy, by spending in complete seclusion the two months before rehearsals began, prepared herself to shimmer as clearly as she could in the shimmering galaxy that was to make "The River Girl" as big a hit as "Miss Elsie of Chelsea." She declined to accompany her family to the seaside in August, being sure that August at Eastbourne would be bad for her complexion; therefore she remained behind in Lonsdale Road with the cook, who by the time Dorothy had finished with her began to have ambitions to be a lady's maid. Nothing is more richly transfigured by unfamiliarity than the empty streets of a London suburb in mid-August, when their sun-dyed silence quivers upon the air like noon in Italy. At such a season the sorceress Calypso might not have disdained West Kensington for her spells; Dorothy, dream-haunted and with nothing more strenuous than singing-lessons and fashion papers to impinge upon the drowsy days, lived on self-enchantment. She never sent Lord Clarehaven the promised photograph, not did she even write him a letter; after deliberation she had decided that it would be more effective to appear upon his next horizon like a new planet rather than to wane slowly from his recollection like a summer moon. To write from an address at which it would be impossible to renew their acquaintance would be foolish. Besides, with such a future as hers at the Vanity was surely bound to be, did one Clarehaven more or less matter? He had served his purpose in demonstrating the ease with which she could reach beyond other girls; but, as Mary, the cook, had observed last night in recounting her rupture with the milkman, "plenty more mothers had sons," and if Clarehaven arrived impatiently at the same conclusion about the supply of daughters, that was better than exposing herself to the greater humiliation of being taken up in an idle moment and as readily dropped again. Dorothy's imagination had been touched by reading of three Vanity marriages that were now sharing the attention of the holiday press with giant gooseberries and vegetable marrows of mortal seeming. The younger son of a duke, the eldest son of a viscount, a Welsh baronet had, one after another, made those gaps in the Vanity chorus, to fill one of which Dorothy had been chosen by the provident Mr. Richards; she accepted the omen, and made up her mind that for her it should always be marriage or nothing.

It would be unfair at this stage in Dorothy's career to accuse her of formulating any definite plan to win a coronet, still less of casting her eye upon Lord Clarehaven's coronet in particular; but during these sun-drenched August days she did resolve to do nothing that might spoil the fulfilment of the augury. Left to herself, and free from the criticism of friends or relations, it would have been strange if Dorothy's estimate of her own powers had not been rather heightened by so much lazy self-contemplation. One day she had met an acquaintance marooned like herself upon this desert isle of holidays, and on being asked what she was doing in London at such a season, had replied truthfully enough that she was just looking round; but she did not add that she was looking round at herself in a mirror. This cloistral felicity lasted as long as the lime-trees in West Kensington kept their summer greenery; at the end of August the leaves began to wither, the rumble of returning cabs was heard more often every day, and the first rehearsal of "The River Girl" was called. Dorothy's seclusion was over; of the girls who passed through the Vanity stage-door that August morning there was none so fresh as she.

"How odd," she thought, "that only this time last year the notion of going on the stage had never even entered my head."

Dorothy had paused for a moment on the threshold of the theater, and was listening while the door swung to and fro behind her and syncopated the dull beat of the traffic in the Strand to a sort of ragtime tune. How different these rehearsals were going to be from those of last year in the Lisle Street club-room, and how right she had been to escape from the provinces so quickly.

From the first moment Dorothy felt more herself in the Vanity than she had felt all those six months of touring. She was, of course, stared at and criticized, but she was never acutely conscious of the jealousy that had glared from the eyes of her companions in the provinces. The beauty of her rivals in this metropolitan chorus only made her own beauty more remarkable; she, being the first to recognize this, accorded to her associates such a frank and such an obviously sincere admiration that she gained a reputation for simplicity, which the other girls ascribed to innocence. From innocence to mystery is but a short step in an ambient like the Vanity, and without a Lily or a Sylvia to tell the other girls too much about her, Dorothy developed the mysterious aspect of herself and left her innocence undefined. At the Vanity there was none of the destructive intimacy of touring life. Nobody ever saw the ladies of this chorus in polychrome on the wet platform of a Yorkshire railway station; nobody ever saw the ladies of this chorus tilting with a hatpin at pickled onions; nobody, in fact, had any excuse for being disillusioned by the ladies of the Vanity, because, being individually and collectively aware of their national importance, they were never really off the stage; indeed, except occasionally in their bedrooms, perhaps, they were never really behind the scenes. The fancy of a casual observer, who lingered for a moment at the stage-door to watch the ladies of the Vanity tripping out of their hansoms, was as much stimulated by the sight as the fancy of the regular patron who from the front of the house was privileged to observe them tripping on to the stage. They were brilliant butterflies by day and gorgeous moths by night; though nature forbids us to suppose that they never were caterpillars, their larval state is as unimaginable as the touch of time that worked the metamorphosis.

Dorothy did not allude to the chrysalis of West Kensington from which she had just emerged, nor did she mention more than she could help the caterpillar existence of touring. True to her native caution, she avoided committing herself to any sudden friendships that might afterward be regretted, but she fluttered round all the girls in turn, and with Miss Birdie Underhill and Miss Maisie Yorke, two members of the sextet sung from punts in the first act, she made a tolerably high excursion into the empyrean. Birdie and Maisie were tall blondes of the same type as herself, but, being some years older, they were beginning to think that, inasmuch as they had not been able to find even the younger son of a baron whose attentions conformed to his title, they ought to accept the hands of two devoted and moderately rich stock-brokers who had long and patiently admired them. Perhaps it was the first faint intimations of maternity demanding expression that led these two queens of the chorus to hint so graciously to Dorothy at the inheritance they designed for her. To pass from butterflies to bees for a metaphor, they fed her with queens' food (prepared by Romano's) and taught her that the drones must either be married or massacred--even both if necessary. Dorothy was too wise to think she knew everything, and, being acquisitive rather than mimetic, she gained from the two queens the cynicism of a wide experience without subjecting herself to the wear and tear of the process.

Lest a too exclusive attention to Miss Underhill and Miss Yorke should leave her stranded when they quitted the chorus, Dorothy frequented equally the company of a very lovely brunette called Olive Fanshawe, who was certainly the most popular girl in the dressing-room and of a sweet and gentle disposition, without either affectation or duplicity. Apart from the advantage of being friends with a girl so genuinely beloved, Dorothy was attracted to Olive Fanshawe's ivory skin and lustrous dark hair; that would set off her own roses and mignonette to perfection, and she was glad when Olive proposed that perhaps later on they might share a flat. She decided, however, to stay at home during the winter, or at any rate until she should have obtained a more prominent place in the chorus and be justified in launching out on her own with some prospect of practical homage in return.

Dorothy's early confidence in herself had been slightly shaken in the first six weeks of "The River Girl," because Clarehaven had not once been to see her, or, if he had, had never written to tell her how lovely she looked on the banks of a scene-painter's Thames. If he still took the least interest in her, he could easily have found out where she was, and it was significant that she had seen nothing of Tufton, either. Dorothy began to be afraid that those two days at Oxford had vanished from Clarehaven's memory; so, lacking as yet any great incentive to make the best of herself off the stage, she decided not to waste money either on a flat or on winter clothes. No address out of Mayfair would suit her, and no furs less expensive than sables would become her fair beauty. At nineteen she need not be in too much of a hurry, and she should certainly be wise to wait until the springtime would provide her with the prettiest frocks for much less outlay. As for taking a flat, why, anything might have happened by the spring.

Dorothy's plans, however, were precipitated by the behavior of her father. It appeared that a friendly archdeacon had warned Mr. Caffyn privately of the forthcoming sale of some church schools in the center of a large maritime town in the west of England in order that a cinema theater might be erected on their site to the glory of God, the profit of His Church, and the convenience of His little ones. The archdeacon drew Mr. Caffyn's attention to the clause in the contract by which the morality of every performance was secured, and strongly advised him to follow his own example and invest in the theater. Mr. Caffyn, who was not of a speculative temperament, felt that, though he should be unwise to risk brewery stock profitable enough at a date when the Liberal party had scarcely yet swelled the womb of politics, he was being offered an excellent opportunity to add to his wife's income, which was not yielding more than three and a half per cent. upon her capital. It was on top of this important decision that Dorothy came back from the theater one foggy November night to be met by her mother in the dim hall of No. 17.

"A most terrible thing has occurred," Mrs. Caffyn whispered. "Hush! Don't disturb Cecil. Tread quietly. The poor boy is tired out with working for his Christmas examinations, and father might hear us."

To Mrs. Caffyn the drawing-room seemed the only fit environment for an appalling problem the day had brought her, the only atmosphere that could brace her to confront its solution, but Dorothy, who was cold after her nerves by drinking the fresh tea brought in for a late arrival. Dorothy came down-stairs, rather cross at having been disturbed from her afternoon nap, and Mr. Caffyn, a Cenci of suburban prose, confronted his wife and daughter.

"I have seldom felt such a fool," he began upon a note of pompous reminiscence that whistled in his mustache like a wind through withered sedge on the margin of a December stream. "I have _never_ felt such a fool," he corrected himself, "as I was made to feel this afternoon by my own wife and my own daughter. I go to your bank," he proclaimed, fixing his wife's wavering eye--"I go to your bank, and there, in the presence of my eldest son, I ask to see Mr. Jones, the manager, with a view to improving your financial position."

"How kind of you, dear," she murmured, in an attempt to propitiate him before it was too late.

"Yes," Mr. Caffyn went on, apparently not in the least softened by the compliment. "In your interest I abandon for a whole hour my own work--the work of the society I represent, although, mark you, I knew full well that by so doing I should be kept in the office another whole hour after my usual time."

Dorothy looked sarcastically at her wrist-watch, and her father bellowed like a bull on the banks of that stream in midsummer.

"Silence, Norah!"

"Are you speaking to me?" she inquired. "Because if you are, I'd rather, firstly, that you spoke to me without shouting; secondly, that you didn't call me Norah; and thirdly, that you didn't say I was talking when I was only looking at my watch."

Mr. Caffyn, throwing up his head in a mute appeal for Heaven to note his daughter's unnatural behavior, swallowed a crumb the wrong way, the noisy attempts to rescue which allowed his wife a moment's grace to dab her forehead with a handkerchief; her tears, like the crumb, had chosen another route, and the fresh tea was excessively hot.

"Where was I?" Mr. Caffyn demanded, indignantly, when he had disposed of the crumb.

"I think you'd just got to my bank, dear," his wife suggested, timidly.

"Ah yes! Well, Jones and I were going into the details of your investments, and I was just calculating what would be the amount of your extra income should I consent to your investing your capital in accordance with the advice of the Archdeacon of Brismouth, when Jones, who I may remark _en passant_ has been a friend of mine for twenty years and should know better, calmly informs me that without consulting your husband you have withdrawn five hundred pounds from your capital in order to fling it away upon your daughter. I thought he was perpetrating a stupid joke; but he actually showed me a record of this abominable transaction, and I had no alternative but to accept his word. I need hardly say that any chance I might have had of finishing off my work at the society vanished as far as this afternoon was concerned, and so"--here Mr. Caffyn became bitterly ironical--"I ventured to permit myself the luxury of a hansom-cab from the offices of your bank to the corner of Carlington Road, where the four-mile circle of fares terminates, and now, if you please, I should like an explanation of this outrage."

"The explanation is perfectly simple," Dorothy began.

"I was speaking to your mother, not to you. The money is hers."

"Precisely," said his daughter, "and that is the explanation."

"Dearest child," Mrs. Caffyn implored her, "don't aggravate dear father. We must admit that we were both very much in the wrong, particularly myself."

"Not at all," said Dorothy, quickly cutting short her father's sigh of satisfaction at the admission. "Not at all. We were both absolutely in the right. The transaction was a purely business one. Mother has allowed me twenty-five pounds a year since my seventeenth birthday."

"Mother has allowed you?" echoed Mr. Caffyn. "Even if we grant that this sum was technically paid out of your mother's income, you must understand that it should be considered as coming from me--from me, your father."

"You and mother can settle that afterward. It doesn't invalidate my argument, which is that such a lump sum is likely to be more useful to me at the beginning of my career on the stage than an annual pittance--"

"Pittance?" repeated Mr. Caffyn, aghast. "Do you call twenty-five pounds a pittance?"

"Please don't go on interrupting me," said Dorothy, coldly. "I'm now doing a calculation in my head. Twenty-five pounds a year is five per cent.--"

"Five per cent.!" shouted Mr. Caffyn. "Your mother was only getting three and a half per cent."

"Oh, please don't interrupt," Dorothy begged, "because this is getting very complicated. In that case mother owes me, roughly, about another two hundred and fifty pounds. However, we'll let that pass. You are both released from all responsibility for me, and if you both live more than twenty years longer you will actually be making twenty-five pounds a year out of this arrangement. In twenty years you'll be sixty-eight, won't you? Well, there's no reason why you shouldn't live to seventy-two, and if you do you'll make one hundred pounds out of me. So I don't think you can grumble."

"Dear child," sobbed Mrs. Caffyn, "I don't think it's very polite, and it certainly isn't kind, to talk about poor father's age like that. Let's admit we both did wrong and ask him to forgive us."

"I am not going into the question of right and wrong," replied Dorothy, loftily. "It's quite obvious to me that you have a perfect right to do what you like with your own money and that I have a perfect right to avail myself of your kindness. Father's extraordinary behavior has made it equally clear to me that I can't possibly stay on in this house; in any case, the noise the children make in the morning will end by driving me away, and the sooner I go the better."

"I forbid you to speak to your parents like that," said Mr. Caffyn.

Dorothy could not help laughing at his authority, and he played his last card:

"Do you realize that you are not yet of age and that if I choose I can compel you to remain at home?"

"I don't think it would be worth your while," she told him, "for the sake of five hundred pounds, which in that case you'd certainly never see again. I don't want to break with my family completely, but if I find that your prehistoric way of behaving is liable to spoil my career, I sha'n't hesitate to do so."

Dorothy guessed that she had defeated her father; Mrs. Caffyn, too, must have guessed it, for she suddenly gasped:

"I think I must be going to faint."

And by summoning the memories of a mid-Victorian childhood she actually succeeded. Luckily her husband had eaten most of the cakes; so that when she was rescued from the wreck of the tea-table and helped up to her room only one sandwich was adhering to her best gown.

II

It is hardly necessary to say that Dorothy did not confide in the girls at the theater what had happened at home, but she let it be generally understood that she was now looking out for rooms, and she talked a good deal of where one could and where one could not live in a flat. About a week later Olive Fanshawe took her aside and asked if she was serious about moving into a flat at last; and, upon Dorothy's assuring her that she was, Olive divulged under the seal of great secrecy that a friend of hers, a man of high rank with much power and influence in the country, was anxious to do something for her.

"He's a strange man," she told Dorothy, "and though I know you'll think it's impossible for anybody to want to look after a girl in a flat without other things in return, he really doesn't make love to me at all. He gets tired of society and political dinners and the Palace."

"The Palace?" Dorothy repeated.

"Buckingham Palace. You didn't think I meant the Crystal Palace?" said Olive, with a laugh.

Dorothy, with Debrett for a footstool, when she chose to treat the volume thus, was offended by this raillery, and explained that she had only wished to know whether she meant St. James's Palace or Buckingham Palace.

"Darling, I was only teasing you.... Well, my friend wants to have a place where he can lunch quietly sometimes or have tea and forget about the cares of grandeur. You won't mind if I don't tell you his name, will you?"

Dorothy did mind extremely, but inasmuch as she had affected an air of mystery about herself and her origin, she felt she could not reasonably object to Olive's secrecy.

"He told me to find another girl to live with me," Olive continued, "and he said he would pay the rent of the flat and find all that's necessary in the way of decorations and furniture. I've been waiting such a long time for the right girl; I thought you didn't want to live up in town or I should have suggested it sooner. He's seen you from the front, and he admired you very much and couldn't understand why I didn't ask you at once."

Dorothy was struck by Olive's frankness and still more was she struck by her incapacity for jealousy. She could not think of any other girl who would have been so obviously pleased as Olive was to hear a friend admired by their own man. Three months at the Vanity had made Dorothy chary of believing the assertion that there was nothing more between her and the mysterious great one than good-fellowship, because she was quite sure by now that all men expected more, and her judgment of Olive's character led her to suppose that Olive would be too kind to refuse him more. However, that was her business, and since there was evidently going to be a simulation of complete innocence about the transaction, no offer could have suited her better.

"My dear Olive," she said, "nothing could be nicer for me, and of course I happen to be one of the few girls who would or could understand that there is nothing in it. What a pity the weather's so wet for house-hunting."

"That's what the great man said, and he told me to hire an electric brougham until I've found the place I want."

"Of course," said Dorothy, as if the idea of searching for a flat outside an electric brougham, a rare luxury in those days, was inconceivable.

For a fortnight she and Olive glided here and there along the dim, wintry streets, until at last they noticed that the stiff Georgian houses at the far end of Halfmoon Street bulged out into an efflorescence of bright new flats, which on inspection seemed to provide exactly the address and the comfort they required.

"It's an awfully good address," said Dorothy. "Clarges Street would have been a little nearer to Berkeley Square, but...." She forgave the extra block or two with a gesture.

"It's so quiet," added Olive.

"And really not far from Devonshire House, though from Stratton Street we should have overlooked the garden."

"But we can take San Toy for her walks in Green Park." San Toy was Olive's Pekinese spaniel.

"I shall have my bedroom in apple green," Dorothy announced. "Apple green with rose-du-barri curtains; and you'd better have cream with cafe-au-lait in yours, unless you have eau-de-nil and sage.... I think the fourth-story flat was the nicest."

"Yes, it's more romantic to be high up," Olive agreed.

"And the light is better for one's dressing-table," Dorothy added.

In dread of a maternal attempt to bring about a reconciliation between herself and her father, Dorothy had hoped to avoid spending Christmas at home. But the flat could not be ready until February; so, partly to keep her mother quiet, partly because she was a little apprehensive of the paternal prerogative with which Mr. Caffyn had threatened her minority, she consented on Christmas morning to be kissed by his mustache. Perhaps he was more willing to forgive her owing to his wife's conduct of her financial affairs having provided an excuse to transfer them into his own hands.

Dorothy's absence from the last Christmas gathering at home had not sharpened her appetite for this kind of celebration, and she did not at all like the sensation of being in the bosom of her family; Gulliver was scarcely more disgusted by the Brobdingnagian maids of honor. Seizing the occasion to impress upon her younger brothers and sisters her disapproval of any inclination to boast about having a famously beautiful sister at the Vanity, she was mortified to learn that her career was regarded by the juniors as a slur upon their social standing. Cecil informed her bluntly that in his society--the society of industrious scholars at St. James's--actresses were regarded with horror, and that though an unpleasant rumor had pervaded the school of Caffyn's having a sister on the stage, he had managed to stifle such deleterious gossip. It seemed that the traditions of the preparatory school responsible for Vincent's budding social sense strictly forbade any allusion to family life in any form whatsoever; at Randell's _all_ relatives were regarded as a disgrace, and only last term a boy had been called upon to apologize for the extraordinary appearance his mother had presented at the prize-giving. Another boy, whose father was reputed to belong to the Royal Academy, had been forced to allay with largess of tuck the hostile criticism leveled against a flowing cravat his parent had worn at the school sports. As for sisters, Vincent affirmed, their very existence was regarded as a shameful secret; but a sister on the stage ... he turned away in despair of words to express what a humiliation that would bring upon him were it known. Agnes and Edna assured Dorothy they had far too many enthralling topics of conversation already to bother about her; but when one or two of the mistresses had inquired how she was getting on and had regretted that she was not acting in Shakespeare, they had certainly not revealed that she was now called Dorothy Lonsdale, because the real Dorothy was also an old girl; so that even if one of the mistresses in an unbridled moment should visit the Vanity, she would search for Miss Norah Caffyn upon the program and come away no wiser than she went.

Meanwhile, the decoration and furnishing of the flat went on in strict accordance with Dorothy's ideas, since she had better taste than Olive, who, besides, was too much afraid of spending another person's money. Dorothy had not yet been introduced to the great man, but she was sure that he would like Olive to have all she wanted, or, in other words, all she herself wanted. They moved in during February, and it was arranged that the first Sunday evening should be dedicated to the entertainment of their benefactor, who had returned to town for the opening of Parliament. About six o'clock on the evening in question Dorothy rose from a deliciously deep and comfortable Chesterfield sofa, looked round her affectionately at her own drawing-room aglow with chintz and daffodils, and in her bedroom, when she sat down in front of a triple mirror to do her light-brown hair before dressing for dinner, apostrophized her good fortune aloud, and admired herself more than ever.

Dorothy acknowledged to herself that Olive's great man surpassed her preconception of him kindled by dressing-room legends; at first she had been inclined to criticize her friend's occasional ventures into political prophecy as self-importance or girlish credulity; but as soon as she saw the source of them she admitted that this time Olive's romanticism was justified. Their guest was a tall, grizzled man, more military to the outward eye than political, and he treated Olive with just the god-fatherly manner she had led Dorothy to expect. She made a good deal of fuss over him in the way of finding cushions for his head and mixing his cocktail with extra care; but nothing in her obviously sincere affection conveyed a hint of cloaking another kind of emotion. Although the great man preserved his own anonymity, he talked so freely about people of whom Dorothy had often read in the papers that his absorbing conversation soon made her forget the strain upon her curiosity to know who he was. He approved of the way the flat had been decorated and complimented the two girls on their good taste, all the credit of which Olive at once ascribed to her companion. About eleven o'clock the great man passed his hand over his eyes in a way that seemed to hint at a deep-seated, perhaps an incurable, fatigue, and announced that he must be going to bed.

"Though, unfortunately," he added, "I must write one or two letters first at my club. Happy children," he said, turning to them in the hall and holding a hand of each. "We must try to meet next Sunday evening; but I'm dreadfully busy, and I may not be able to get away."

Turning up the collar of his fur coat, he told Olive not to ring for the lift and walked very wearily, it seemed to Dorothy, down the stairs of the flats.

"I don't want to be inquisitive," she said, when they were back in the drawing-room still haunted by the ghost of an excellent cigar. "But I should like to know who he really is."

"Dorothy," her friend begged, "it's the only stipulation he's made, and I don't think it would be fair to break it."

"You don't trust me," Dorothy complained.

"My dear, it isn't that; but I certainly should have to tell him that I told you, and I'm sure he wouldn't like it. After all, we ought to be very grateful for this jolly flat where we're perfectly free and have nothing to bother about. Remember what happened to Psyche."

Dorothy was inclined to add "and also to Fatima"; but since she could not pretend that the great man did in any way remind her of Bluebeard and since the flat undoubtedly was delightful, she did her best to restrain her curiosity, even though sometimes it irritated her like prickly heat.

"It's a pity he had to go away to write his letters at a club," she said.

"But he couldn't write from this address."

"No, but we could keep some plain paper for him," said Dorothy. "And that reminds me, what is your crest?"

Olive looked alarmed.

"I don't think I've got a crest," she said. "My father's a solicitor in Warwickshire."

"Warwickshire?" repeated Dorothy. "That's an odd coincidence. I wonder if he knows Lord Cleveden."

Olive shook her head vaguely.

"He knows a good deal about Warwickshire; in fact, he's writing a book called _Warwickshire Worthies_. He's been writing it for years. Does Lord Cleveden come from Warwickshire?"

"Of course," said Dorothy, and then after a minute with a far-away look she added, "So do I."

"Oh, Dorothy, then there really is a mystery? I thought it was only dressing-room gossip."

"You have your secrets, Olive. Mayn't I be allowed mine? Though I suppose I haven't any legal right to it, I am going to put my crest on my note-paper, because I like the motto. It's a bugle-horn, and the motto is _J'y serai_. I needn't translate it for you, as you went to a convent in Belgium."

Olive laughed affectionately at her friend's little joke, and they decided to reap the full advantage of a quiet Sunday by going to bed early.

"He's a great dear, isn't he?" said Olive by the door of her room.

"Oh, a great dear. How horrid it is that a man like that would be so misjudged by the world that he has to keep his name a secret. But, of course, I understand his point of view. I've had some experience of family pride, and it's a tremendous thing to be up against. However, it will be all the same a hundred years hence. Good night, darling. Your great man is a great, great success."

"I'm so glad you like him, Dorothy dear."

"I like him immensely."

Just before Dorothy got into bed she called out to her friend, who in a dressing-gown of amber silk hurried to know what she wanted.

"I only wanted to tell you that you simply must get this new tooth-paste. I like it immensely."

"Oh, I'm glad it's a success," Olive exclaimed.

"It's a great, great success."

Dorothy wondered when she was fading into sleep how long it would be before she should be able to recommend a tooth-paste to the world at large, recommend it in glowing words with a photograph of herself smiling at the delicious tube.

III

Soon after Dorothy and Olive were established in Halfmoon Street Birdie Underhill and Maisie Yorke, by getting married on the same day at the same church to bridegrooms in the same profession, obtained as much publicity in the newspapers as was possible for two Vanity girls who had failed to acquire a title on abandoning the stage. The service in a double sense was fully choral, and the two queens had a train of bridesmaids from the Vanity, all looking as demure as Quakeresses in their dove-gray frocks, and certainly holding their own in the mere externals of maidenhood with the sisters of the bridegrooms, who were as fresh and rural as if Bayswater, their home, was in the Lake district and had been immortalized by Wordsworth in a sonnet. One reporter was so much impressed by the ceremony that his account of it was headed "Dignified Wedding of Two Vanity Girls."

"Yes," said Dorothy, when with Olive she was driving away from the reception, "it was charmingly done, of course; but, poor dears, it is rather a come-down."

"But I thought their men were awfully twee," said Olive.

"Twee" was society's attempt at this date to voice the ineffable, in which respect it was at least as successful as the terminology of most mystics and philosophers: yet although Plotinus might have been glad of it in the sunset-stained fog of neo-Platonism, the practical Dorothy considered that this was too transcendental for stock-brokers.

"After all," she said, poised serenely above the abyss of reality, "what is a stock-broker?"

"They'll be fairly well off, and they'll have nice houses, and children perhaps," Olive argued. "And I expect they're tired of the theater by now. I don't think either of them would ever have got anything better than the Punt Sextet; and Maisie told me when I was kissing her good-by and wishing her all happiness that she was twenty-seven. Isn't it terrible to think of?"

"Twenty-seven!" Dorothy echoed. She would have been less shocked if the sum had referred to Maisie's lovers rather than to her years. "Well, of course, she admitted once to me that she was twenty-four. I only hope that when I'm twenty-seven I sha'n't be singing with five other girls in punts."

"You won't be, darling. You'll either be a great star or you'll be brilliantly and happily married."

Olive was really a very easy girl to live with; and the former of these predictions seemed likely to come true when Dorothy was actually promoted to occupy one of the punts after the girl first selected had proved a failure in such a conspicuous position; the other vacant punt had been successfully filled by Queenie Molyneux. This girl, though she was not nearly so beautiful as Dorothy, had a good deal of talent, which gave even the two solo lines she was allowed in the sextet what any serious dramatic critic who had learned French at school would have called _espieglerie_. Miss Molyneux had reason to hope that such a phrase would one day be applied to her acting, because people whose judgment was to be trusted went about saying that she had a career before her, not merely in musical comedy, but perhaps even in real comedy, where she would be written about by critics who were not afraid to use foreign words at what they would call the "psychological moment." In view of the fact that Miss Molyneux might henceforth be considered a rival, Dorothy took care to be very friendly with her, and to be seen fairly often lunching with her at Romano's or supping at the Savoy, although she was a girl whose reputation even at the Vanity was whispered about, and whose private life far exceeded in _espieglerie_ her two lines in the sextet. Notwithstanding this, it was Queenie Molyneux whom Dorothy chose to be her companion at a supper-party given by Lord Clarehaven soon after the beginning of the Easter holidays, seven months after the production of "The River Girl."

Clarehaven had reappeared without a word of warning, and in a note that he sent round to invite Dorothy and a friend to supper he seemed quite unconscious that there was anything in his behavior to be excused. He hoped that she had not forgotten him, as if his silence of nearly a year was perfectly natural; he mentioned that Lonsdale was with him, congratulated her upon her singing in the sextet, and begged for an answer to be sent down to the stage-door. Somehow it was not very difficult for Dorothy to forgive him, and she accepted the invitation. The obvious friend to have taken out with her would have been Olive Fanshawe, because Olive was a brunette and Queenie was not. However, if Clarehaven was capable of being even temporarily fascinated by another girl's outward charms, Dorothy felt that she might as well give him up at once; she did not intend her life to be spoiled by beauty competitions. Dorothy wanted to impress Clarehaven more deeply than with the skin-deep loveliness that belonged in her own style as much to Olive as to herself, and in order to impress him she felt that a moral contrast would be more effective than the hackneyed contrast between brunette and blonde. Of course, she did not mean the kind of moral contrast that Lily had provided on that dreadful afternoon in Oxford; that had been merely a painful exhibition of vulgarity. Olive was so sweet and good and well behaved that between them they might achieve the insipid, to obviate which Dorothy chose Queenie, who would set off, if not her complexion, at any rate her point of view.

At the end of the evening, when Clarehaven, hesitating for a barely perceptible moment, had said good-by to Dorothy outside Halfmoon Mansions and stepped reproachfully back into his hansom, she decided on her way up-stairs that the supper-party might be considered a success. To begin with, all the other people supping at the Savoy had stared at their table more than at any other. Then, Arthur Lonsdale had evidently taken a fancy to Queenie Molyneux, and if Dorothy was not mistaken Queenie had taken a fancy to him. His way of talking had been just the foil she required for her own, and when they drove away together to Ridgemount Mansions there was no doubt in Dorothy's mind that Lonsdale would tell the cab not to wait and end by missing that last train at Goodge Street. However, what happened to the cab or, for that matter, to Lonsdale and Queenie Molyneux was of slight importance beside the fact that Clarehaven had evidently lost nothing of his admiration for herself, or, if he had lost it, had regained it all and more this evening. When he and his friend compared notes to-morrow how sharply the difference between herself and some other Vanity girls would be brought home to him.

Yet, successful as the supper-party had been, it remained for the time another isolated event in the relations between herself and Clarehaven, from whom she had not heard another word during the vacation.

"He's frightened of you, that's what it is," said Miss Molyneux, whose friendship with Lonsdale, begun that night, was being hotly kept up, though she was running no risks by inviting Dorothy to be a spectator of it.

"Frightened of what?"

"Oh, he thinks you're too good to be amusing and not good enough for anything else. Arthur told me so. Not in so many words, but his lordship found the drive home rather lonely."

"Anything else?" repeated Dorothy. "What do you mean by anything else?"

"Why, to marry, of course," replied her friend.

It was strange that the first girl to express in words the thought that was haunting the undiscovered country at the back of Dorothy's mind should be the one girl at the Vanity to whom marriage probably meant less than to any other.

"But why not?" thought Dorothy, in bed that night. "He's independent. Nobody can stop him. Countess of Clarehaven," she murmured. The title took away her breath for a moment, and it seemed as if the very traffic of Piccadilly paused in the presence of a solemn mystery. "Countess of Clarehaven!"

The omnibuses rolled on their way again, and the idea took its place in the natural scheme of things. Queenie little thought that her scoffing allusion to the state of affairs between Clarehaven and herself would have such a contrary effect to what she intended. Queenie had meant to crow over her, but she had made a slip when she had let out that Clarehaven was frightened. It was not Clarehaven who was frightened; it was his friend Lonsdale. No doubt, Clarehaven had not yet whispered of marriage even to himself; no doubt he was merely thinking at present what a much luckier chap Lonsdale was than himself. But Lonsdale was frightened....

"And he has reason to be," said Dorothy, turning on the light and picking up Debrett.

It happened that the great man telephoned next morning to say that he was coming to lunch that day, and after lunch Dorothy alluded lightly to Lord Clarehaven.

"I believe I once met his mother," said the great man. "Wasn't she a daughter of Chatfield?"

Dorothy nodded.

"Yes, I remember the story now," he went on. "She had a good deal of trouble with her husband. But he's been dead some years, eh?"

"Eighteen ninety-six," said Dorothy.

"Yes, I thought so. I don't know anything about the son; he sounds, from your description, rather a young ass."

However deeply Dorothy would have resented such a comment from any one else, she accepted it from the great man as merited; she was even grateful to him for it; from the instant that Clarehaven presented himself to her vision as rather a young ass, it did not seem so impossible that she should one day marry him. These months at the Vanity had already considerably cheapened the peerage in Dorothy's estimation, and intercourse with the great man had imparted to her some of his own worldly contempt for inconspicuous young peers. Dorothy began to ponder the likelihood of being able to elevate Clarehaven from single "young assishness" to the dignity of the great man himself; a clever wife could do much, a beautiful wife more. She was so serenely confident of herself that when, a few days after this conversation, the subject of it telegraphed from Oxford to say he should call for her the following day to take her out to lunch, she was neither astonished nor at all unduly elated.

"You wouldn't mind his lunching here?" she asked Olive. "He's quite a nice boy. Rather young, of course, after the great man; but he'll improve."

Olive was delighted to welcome Clarehaven, and Dorothy was glad of an opportunity to display her independence and pleasant surroundings. She had warned Olive not to leave her alone with their guest after lunch, because she was anxious to avoid discouraging him too much by positively refusing to let him make love to her, although she wished him to go away with the impression that only luck had been against him.

"You seem very comfortable here," he commented, suspiciously, when, on his departure, Dorothy escorted him to the door of the flat.

"I am very comfortable," she admitted.

"Is it your flat or Miss Fanshawe's?"

"Both."

He looked round at the paneled hall and frowned.

"I can't make you out," he confessed.

"Isn't mystery woman's prerogative?" she asked, and then in case she had frightened him with such a long word she let him kiss her hand before he went away.

Certainly for a girl who was not much over twenty Dorothy could not be accused of clumsiness. Her admirer had gone away piqued by the richness of her surroundings, the correctness of her demeanor, most of all by the touch of her hand upon his lips. Yes, she might congratulate herself.

"Rather a dear!" said Olive.

"Yes," Dorothy agreed. "Rather--but dreadfully young. Though his title only dates back to the eighteenth century, the baronetcy is older, and his ancestors really did come over with the Conqueror."

And one felt that such antiquity compensated Dorothy for some of that youthfulness she deplored.

During the next fortnight Clarehaven paid several visits to town, but Dorothy was steadily unwilling to be much alone with him, and, finally, one hot afternoon in mid-May, exasperated by her indifference and caution, he went back to Oxford in a fit of petulance (temper would have been too strong a word to describe his behavior, which was like a spoiled child's) and relapsed into another spell of silence. A week or so after this Queenie Molyneux asked Dorothy one day how long it was since she had heard from Clarehaven, and when Dorothy countered the awkward question by asking, rather bitterly, how long it was since she had heard from Lonsdale, Queenie admitted that he, too, had been silent for some time.

"I'm afraid I'm too expensive for Lonnie," she laughed, lightly. "He's a nice boy, but love in a cottage would never suit me, and love anywhere else wouldn't suit him. So that's that."

"You don't know what it is to be in love," said Dorothy.

"Cut it out!" said Miss Molyneux. "I'd rather not learn."

Dorothy would have liked to cut her own tongue out for playing her false by uttering such a sentiment to a girl like Queenie. However, she had no wish to seem a whit less hard than her rival--Dorothy was beginning to achieve such a projection of her personality across the footlights that Queenie really had become a rival, though Queenie might have put it the other way round--and she consoled herself for Clarehaven's absence by giving a great deal of attention to the new frocks that the fine weather demanded; also in consequence of a suggestion by the great man she began to take riding-lessons, with which she made as rapid progress as with her dancing, to which she had already been devoting herself for some time.

Toward the end of the month Dorothy and Olive were criticizing the fashions in the windows of Bond Street when somebody slapped her on the back and, turning round with half a thought that she was being called upon to reply to a novel method of attack by Clarehaven, she perceived Sylvia Scarlett. It was typical of Sylvia to greet her like this on meeting her again for the first time after a year, but the old awe of Sylvia prevented her from expressing her dislike of such horseplay in Bond Street, and a sudden shyness drove her into self-assertion. She began to talk about lunching at Romano's and supping at the Savoy and of the success she had made in "The River Girl" sextet, to all of which Sylvia listened with a smile until she broke abruptly into her discourse with:

"Look here! A little less of the Queen of Sheba, if you don't mind. Don't forget I'm one of the blokes as is glad to smell the gratings outside a baker's."

Dorothy did not think this remark particularly amusing; there was quite enough genuine cockney to be endured on the stage without having to listen to an exaggerated imitation of it in Bond Street. Olive, however, was laughing, and Dorothy decided to take Sylvia down a peg by asking what she was doing now.

"Resting, Dolly, but always open to a good offer. Same old firm. Lily and Skinner. The original firm makes boots; we mar them. The trouble is that I can't find anything to skin; I tried Rabbit's, the rival boot-shop, but even they wanted cash. However, Lily's quite content to go on resting, so that's all right."

"My dear," exclaimed Dorothy, in affected dismay, "you're not still living with that dreadful girl?"

"Oh, go to hell!" said Sylvia, sharply, and strode off down Bond Street.

"What an attractive girl!" Olive exclaimed.

Dorothy stared at her in bewilderment.

"What do _you_ see attractive in _her_?"

"She's just the sort of person who would amuse the great man," Olive declared.

"I'm sorry that I bore him so much."

Olive seized her hand.

"Dorothy," she murmured, reproachfully, "you know you don't bore him. He was only saying yesterday that he wished he could ride with you in the Row."

"You'd better get Sylvia Scarlett to share the flat with you," went on Dorothy.