Chapter XXVII: Part 3: Studies selected from Beethoven, Haydn, &c
&c. &c. fingered 5 0
T. GOODBAN’S Violin Method 10 6
HOWELL’S Instruction Book 10 6
HOWELL’S Elementary Examples 6 0
MULLER’S Twenty Lessons for the acquirement of Time,
for one or two Violins 4 0
FOR THE VIOLA, OR TENOR VIOLIN.
INSTRUCTION BOOKS, SCALES, &c.
BRUNT’S Method for the Tenor, followed by 12 Studies 4 0
PRAEGER’S (H. A.) Scales and Chords in all the Keys,
with their proper fingering, at one view 1 0
PRAEGER’S (H. A.) 12 easy Preludes in different keys,
fingered for the use of those who wish to play
with feeling and expression 2 0
PRAEGER’S (H. A.) 18 Easy Studies, fingered 3 0
THE VIOLA FOR SOLO PERFORMERS.—“Why is the VIOLA so little cultivated among amateurs in comparison with the rest of the Violin Family? It would seem, in my judgment, to be especially adapted for them, as it does not embrace that wide range and execution that the violin does, but depends on the sweetness and volume of tone. For the performance of _Notturnos_, perhaps no instrument is more suitable, as any one, who has heard Mr. Hill on it, will confess.”—_Correspondent of Cocks’s Musical Miscellany, July, 1851._
FOR THE VIOLONCELLO.
BAILLOT, LEVASSEUR, CATEL, and BAUDIOT’s Method for
the Violoncello, adopted by the Conservatoire, translated
by A. Merrick—fingered by T. Binfield 12 0
Supplement to ditto 6 0
HUS-DESFORGES’ Instruction Book for the Violoncello 10 6
HAMILTON’S Catechism for the Violoncello 1 0
DUPORT’S celebrated Essay for the Violoncello, translated
by John Bishop (_in the press_).
FOR THE CONTRE-BASSO, OR DOUBLE BASS.
MINE and FROLICH’S Method for the Double Bass (edited
by Hamilton) 8 0
STANDARD CLASSICAL WORKS
FOR VIOLIN, &c.
CORELLI’S TRIOS AND SOLOS.
CORELLI’S Forty-eight Trios for Two Violins and Violoncello,
Four Books, each 8 0
Or, complete in Three Volumes £1 4 0
CORELLI’S 12 celebrated Solos, newly arranged by Czerny 10 6
CORELLI’S 12 Solos, printed from the plates (copper)
originally belonging to Walsh 10 6
DE BÉRIOT’S Six Airs, varied for the Violin,
with accompaniment for the Pianoforte:
Nos. 1 to 5, each 4 0
8th Air 5 0
VIOTTI’S DUETTS AND TRIOS.
VIOTTI’S complete Collection of Duetts, Op. 1. 12 Duetts,
2 books, each 8 0
VIOTTI’S Six Duetts, Op. 5, 2 books, each 8 0
VIOTTI’S Six Duetts, Op. 6, 2 books, each 8 0
VIOTTI’S Three Duetts, Op. 18 8 0
VIOTTI’S Three Duetts, Op. 21 8 0
VIOTTI’S Three Duetts, Homage à l’Amitié 8 0
VIOTTI’S complete Collection of Trios,
First Set, Six Trios, Op. 2 10 6
Second Set, Op. 16 8 0
Third Set, Op. 17 8 0
Fourth Set, Op. 20 8 0
VIOTTI’S Three Airs, with Variations (Violin & Piano), each 2 0
BEETHOVEN’S Four Grand Trios, edited by Scipion Rousselot:
Nos. 1, 2, 3 (Op. 4) 12 0
No. 4 (Op. 3) 8 0
(_The only complete Edition_).
MOZART’S Original Trio for Violin, Tenor, and Bass 6 0
TRIOS by PLEYEL, HUMMEL, &c. for Violin, Tenor, and
Violoncello, or Pianoforte.
QUARTETTS.
TWO VIOLINS, TENOR, AND VIOLONCELLO.
BEETHOVEN’S 17 Quartetts for Two Violins, Tenor, and
Violoncello, edited by M. Scipion Rousselot, as performed
at the Beethoven Quartett Society in London,
with a Portrait and Memoir of the Composer. The
entire set, engraved in the best style, on extra large
plates, and printed on fine stout paper £6 6 0
_Separately._
Nos. 1, 2, 3, 4, 5, 6, composed for, and dedicated to,
Prince Lichnowsky (Op. 18), each 9 0
Nos. 7, 8, 9, dedicated to Prince Rasumowsky
(Op. 58), each 10 6
Nos. 10, 11, 12, and 14 (Ops. 74, 95, 97, and 133), each 10 6
Nos. 13, 15, 16, 17 (Ops. 130, 131, 132, and 135), each 12 0
HAYDN’S 83 Quartetts for Two Violins, Tenor, and Violoncello;
a new edition, revised and corrected, with
Portrait of the Author, and a Catalogue Thématique,
4 vols. bound in cloth £6 6 0
The Quartetts may be had singly, at 2s. 6d. 3s. and 4s. each;
or in Operas, or Sets of Six, at from 12s. to 16s. each set.
_N.B.—A Catalogue Thématique may be had, on application,
gratis and postage free._
MOZART’S Ten Quartetts, 4 vols. boards £2 2 0
First Set of Three 15 0
Second Set of Three 15 0
Third Set of Three, dedicated to the King of Prussia 15 0
Single Quartett 6 O
The Ten Quartetts in Score, 8vo. 10 Nos. £1 10 0
These unique and splendid Editions are
THE ONLY UNIFORM EDITIONS EXTANT
of the Quartetts of Haydn, Mozart, & Beethoven.
QUINTETTS.
TWO VIOLINS, TWO TENORS, AND VIOLONCELLO.
BEETHOVEN’S Quintetts, complete edition, as performed by
the Beethoven Society; edited by Scipion Rousselot—engraved
in the same style as the Quartetts, on large sized plates,
and printed on extra paper:
Grand Quintett—No. 1, in E flat (Op. 4) 10 6
No. 2, in C (Op. 29) 10 6
No. 3, in E flat (Op. 20) 10 6
No. 4, in B flat (Op. 20) 10 6
(The only complete English Edition,)
BEETHOVEN’S Grand Quintett, in E flat, for Piano, Violin,
Tenor, Flute, and Violoncello 6 0
DUSSEK’S Quintett for Piano, Violin, Tenor, Violoncello,
and Double Bass (Op. 41) 7 0
HAYDN’S Twelve Grand Symphonies, arranged by Dr. Hague
for Flute, two Violins, Tenor, and Violoncello, 4 books,
each 15 0
Pianoforte parts, each 4 0
MOZART’S Six Quintetts for two Violins, two Tenors,
and Violoncellos—6 books, each 8 6
Or, the Six complete in 5 volumes, boards £2 2 0
The first Five Quintetts, in score £1 2 6
The only correct editions of these Quintetts extant..
A. ROMBERG’S Quintetts for Violin, Flute, two Tenors,
and Violoncello
Six Quintetts, each 5 0
Three Quintetts, each 6 0
—————
SEPTETTS, &c.
All the Symphonies and Overtures of Auber, Beethoven, Haydn, Mozart,
Romberg, Rossini, &c.
(Catalogues gratis and postage free.)
—————
SYMHONIES AND OVERTURES FOR A FULL ORCHESTRA.
BEETHOVEN’S Grand Symphony. No. 1, in C (Op. 21) 12 0
HAYDN’S Grand Symphony, The Surprise 7 6
HAYDN’S Grand Military Symphony 7 6
MOZART’S Grand Symphonies, each 10 6
A. ROMBERG’S Grand Symphony in E flat (Op. 6) 10 6
*** Duplicate Violin, Tenor, and Bass Parts, each 1 0
OVERTURES FOR A FULL ORCHESTRA
BEETHOVEN’S Overture to Prometheus (Op. 48) 7 0
CHERUBINI’S Overtures to Anacreon and Lodoiska, each 6 0
MOZART’S Overtures—viz. Le nozze di Figaro, Il Flauto Magico,
Il Don Giovanni, Idomeneo, La Clemanza di Tito,
Cosi fan Tutti, La Vilanella Rapita, each 7 0
B. ROMBERG’S Overture in D (Op. 11) 7 6
C. M. VON WEBER’S Overture to Der Freyschütz 10 6
Duplicate Violin, Tenor, and Bass parts, each 1 6
—————
DANCE MUSIC
All Lanner, Strauss, Labitzky, and Musard’s Dances may be had
for a Full Orchestra.
—————
VIOLIN AND PIANOFORTE
(with accompaniments.)
Haydn’s Twelve Grand Symphonies, arranged for the Pianoforte by
Czerny, with Accompaniments for Violin, &c. Mozart’s Symphonies,
arranged by Clementi, with similar Accompaniments. Brilliant
Duetts for Pianoforte and Violin Concertante, by Mozart, Beethoven,
Rossini, Auber, Mayseder, Weber, Spohr, &c. with a large collection
of Music for Violin, &c. and Pianoforte.
—————
Just Published
A Catalogue of Standard and New Music for the Violin, Tenor, and
Violoncello. 11th Edition.
☞ This catalogue is not equalled throughout Europe for the number,
variety, and value of the Works it contains. It will be furnished
on application, gratis and postage free.
Applicants may also have, free by post, a List of Violins, Tenors,
Violoncellos, and other Instruments; including some undoubted
originals by the Italian Makers, with the Prices affixed.
ALSO
A Catalogue of the Original Works of Louis van Beethoven, with various
arrangements.
CATALOGUES, &c. FREE BY POST.
GENERAL CATALOGUES of Music for all Instruments, embracing a
stock printed from no less than a quarter of a million of plates,
may be had, on application, _gratis and postage free_.
A MISCELLANEOUS CATALOGUE of Standard and other Musical Works,
ancient and modern, including Treatises on the Theory of Music,
Historical Treatises, &c. with rare and curious works, printed,
and in manuscript, including a copious selection from the Musical
Library of His late R. H. the Duke of Cambridge (_gratis and
postage free_).
SELECT CATALOGUE of Sacred Music, Vocal, and for the Organ, with
tables of the contents of the several works (_gratis and postage
free_).
IN COURSE OF PUBLICATION.
ORGAN WORKS, by W. T. Best; viz. The Organ Student, in Parts, at
2s. 6d. each; Six Adagios for the Organ, 5s.; Pedal Exercises,
&c. 12s.
Several Copies of Handel’s Complete Works, £25 to £42.
DR. BOYCE’S COLLECTION OF CATHEDRAL MUSIC, with Portrait, and
Memoirs of the Composers, by Joseph Warren, dedicated to H. R. H.
Prince Albert—3 vols. extra music folio, £6 6s.
A LARGE COLLECTION OF PORTRAITS OF MUSICAL MEN, at various
prices. Also Busts in bisque China of Haydn, Mozart, Beethoven,
Handel, J. S. Bach, Mendelssohn, and Weber, each 2s. 6d.
_Just Published_,
Vol. I. in Royal 8vo. Price £1 1s. of
(COCKS’S EDITION OF)
THE SCHOOL OF MUSICAL COMPOSITION,
BY DR. ADOLPH MARX.
This Edition, under the supervision of the Author himself (with additions exclusively for the English translation), is published simultaneously with the FOURTH GERMAN EDITION, _now in course of issue at Liepzig_.
VIOLINS, BOWS, &c.
Vuillaume’s Copies of Straduarius, Guarnerius, the Amatis, Magini, &c. price £14 each instrument.
Brazil Wood Violin, Tenor, and Violoncello Bows, by Vuillaume, at the uniform price of thirty shillings; Moveable Hair, by the same, eighteen-pence each hank; and his Patent Rosin, one shilling the box.
ROBERT COCKS & Co. NEW BURLINGTON STREET, _Music Publishers, by Special Warrant, to the Queen_.
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