Skip to content

Chapter THIRTY

Text size

A woman was standing beside an iron gate all but hidden in a riotous growth of blossoming vines that opened upon a grass-grown mound.

"To the memory of Elijah Berl."

"He shall make the desert blossom as the rose"--was graven on the bronze plate.

Far below her, and on either side, instead of the bare, brown hillsides of a few, short years ago, grew rank on rank, leaves of glossy green, flecked with tawny gold. Here and there, red-tiled houses, their walls all but covered with climbing roses, stood at the head of marshalled groves. Shining lines moved out and in, where the waters of the Sangre de Cristo sank into the red earth and sprang upwards in fruit and flower. The air was resonant with happy bird notes that trilled from tree to tree as the tiny musicians with swelling throats poured out the happiness that their little bodies could not contain.

There was no longer the old-time harshness of the desert air, the sky was bluer, the sunlight softer. There was nothing that whispered of death, save the bronze tablet; even this spoke not so much of death as of triumph over it.

By the side of the grave stood a woman clad in somber black. Her robes were out of harmony with the inscription, the blossoming landscape; out of harmony with the soft, patient eyes, the rounded, tinted cheeks, the fluffy masses of tawny hair. Not a line, not a wrinkle, not a gray thread told that the heart of Amy Berl was lying with her husband beneath the guarding bronze.

A tall, earnest faced boy was coming down the path, trying to preserve a dignified walk that was yet pulled into abrupt steps by a dancing, laughing girl who tugged at his outstretched arm.

"Mama," she cried, "Uncle Sid is waiting for you."

Amy slowly turned her eyes to the child, as if with an effort, then moved up the path. The boy was by his mother's side, walking evenly with her. The girl was dancing and skipping, now before them, now behind, dragging her mother to admire a new-blown rose, then starting off in vain chase of a rainbow-tinted lizard that skittered up a tree trunk, and, having reached a safe height, turned calmly and curiously towards its pursuer, and with palpitating throat and lazily blinking eyes, composed itself to rest.

Where the path opened out to the palm-bordered drive-way, the child abandoned her companions and, with a merry shout, clambered into the carriage with Uncle Sid. Before he was aware of her purpose, she had clutched the lines from his fingers and had snapped the drowsy horses into action. Uncle Sid regained his balance with difficulty.

"You pesky little jack-rabbit, you!" he growled. "Anybody'd know who your father was, with his eyes shut!"

Uncle Sid brought the horses to a halt and turned to Amy.

"You don't know of no orphan asylum nor no reform school, do you, where a respectable, steady-minded old sea captain could end his days in peace? Because if you do, I'm goin' to apply at once, if it takes me out of California. I'm gettin' used up. If Ralph jr. ain't got the colic an's a howlin' over it, he's cheerful, which is worse, an' when he does get to sleep, then Ralph an' Helen tackles the job right where he left off."

"You know you're always welcome here, Uncle Sid." Amy smiled at the old face that seemed to get no older in spite of his complaints.

"Yes," growled Uncle Sid, "to get yanked around by this bundle of electricity. The only thing that's restsome here, is that boy. Ain't you got no dance in your shanks?" Uncle Sid flicked his whip threateningly at the boy, who skipped aside smiling. "That's right. You keep it up till you've skipped the whole kit an' kerboodle into this wagon, an' I'll take the lot o' you to Palm Wells. That's what I'm here for."

They drove over a winding, palm-bordered road, through spicy orange groves, through ragged-barked, spindling groups of eucalyptus, and drew up before the doors of the Palm Wells cottage.

Ralph and Helen came out to meet their guests. Perhaps Ralph would have chosen to be more dignified in the welcoming of his friends, but a wriggling, crowing mass of pink and white prevented him.

"There he is!" groaned Uncle Sid. "There he is! The most wonderful thing in the whole world, exceptin' sixty hundred millions more just like him. He can't talk Latin nor Greek, nor anythin' but "googoo," when he's happy, an' "yow" when his feelin's are troublin' him, an' he don't know any better'n to play horse with his daddy's transit when he finds it lyin' round loose, just like any other good-for-nuthin' baby."

Published by LITTLE, BROWN, & CO.

MYSTERIOUS MR. SABIN

_A Spell-binding Creation_

By E. PHILLIPS OPPENHEIM

Author of "Anna the Adventuress," etc.

Deals with an intrigue of international moment--the fomenting of a war between Great Britain and Germany and the restoration of the Bourbon monarchy in France as a consequence. Intensely readable for the dramatic force with which the story is told, the absolute originality of the underlying creative thought, and the strength of all the men and women who fill the pages.--_Pittsburg Times._

Not for long has so good a story of the kind been published, and the book is the more commendable because the literary quality of its construction has not been slighted.--_Chicago Record-Herald._

THE WEIRD PICTURE

By JOHN R. CARLING

Author of "The Viking's Skull," "The Shadow of the Czar," etc.

When a man is summoned home to attend the marriage to another man of the woman he loves, and when the bridegroom is his own brother, the situation is certainly very striking. The wedding does not take place, for the bridegroom is murdered. The scene in which the victim appears to his brother, on the latter's arrival at Dover, is singularly impressive. All this is disclosed in the opening chapter, and paves the way for a story which becomes more and more intense and interesting as its remarkable plot is developed.

MY LADY CLANCARTY

_A Gallant Romance of Love and Daring_

By MARY IMLAY TAYLOR

Author of "On the Red Staircase," etc.

In this gallant romance of love and daring, in which the action is swift, the characters are individual and interesting, and the atmosphere and setting are well adapted to the theme. Lady Elizabeth Spencer, daughter of Lord Sunderland, and through his sordid and ambitious motives married at the age of eleven to Lord Clancarty, makes the most charming of heroines, and her nobility of character and faithful love are finely and tenderly portrayed.

A PRINCE OF LOVERS

_A Story of Adventure, Intrigue, and Love_

By SIR WILLIAM MAGNAY

Author of "The Red Chancellor," etc.

In this new novel by Sir William Magnay, the heroine, "Princess Ruperta," a princess of the blood royal, sick of the monotony and unreality of Court, goes out one night, incognito, with her maid. Danger unexpectedly threatens her, and when she is gallantly rescued from this danger by a young and handsome stranger, it is not unnatural that (betrothed compulsorily as she is for State reasons to a royal person whom she has never seen) love is born in the heart of the Princess as well as in that of her unknown rescuer. Then follows a series of adventures brilliantly imagined and enthrallingly told.

JUSTIN WINGATE, RANCHMAN

_A Story of Colorado Life_

By JOHN H. WHITSON

Author of "Barbara, a Woman of the West," "The Rainbow Chasers," etc.

Another strong Western story with spirited and graphic picturing of local conditions, the agricultural development of a Western ranch section, and the struggle between the ranchmen and the farmers. The story has three remarkably striking scenes of danger--a high-grass fire, a stampede of excited cattle, and a terrific storm and cloud-burst. There is abundant love interest; also a strong political element, dealing with Colorado politics and the fight between cattlemen and irrigationists to control the legislature, in which the hero becomes the storm centre. The attempt of a beautiful, crafty, and unscrupulous woman, who is a wrecker of hearts and of men, to influence his vote for United States senator plays an important part.

CURLY

_A Tale of the Arizona Desert_

By ROGER POCOCK

Author of "Following the Frontier," etc.

A remarkable story of cattle ranges of Arizona, the great desert, and the grand canyon of the Colorado river. The author has written a romance of adventure, of conflict, and of love,--a story of breathless interest, remarkable situation, and great humor and pathos. Chalkeye, the cowboy who tells the story, Captain McCalmont, the robber-chief, Lord Babshannon, the owner of a Colorado ranch, his son "Jim," and "Curly," who gives the name to the story, are characters of great strength, finely portrayed and well contrasted.

ON THE FIRING LINE

_A Romance of South Africa_

By ANNA CHAPIN RAY _and_ HAMILTON BROCK FULLER

In this fine romance of love and war Miss Ray has a wider field than she has compassed before and strikes a deeper note of feeling. The events take place in South Africa during the Boer War, and in local details Mr. Fuller has given valuable aid. As in the author's other books, the characters awaken interest because they are so human.

A KNOT OF BLUE

By WILLIAM R. A. WILSON

_By the Author of "A Rose of Normandy"_

In a new tale of absorbing interest the author of the successful "Rose of Normandy" has faithfully portrayed feminine tenderness and sweetness of character, and at the same time has shown that a work of fiction can have for its motif the gratification of personal revenge without offending the highest moral taste of the modern civilized world. "A Knot of Blue" abounds in intrigue, adventure, the joy of living and achieving, and it throbs with romantic tenderness. The scene is laid in Old Quebec.

End of Project Gutenberg's The Vision of Elijah Berl, by Frank Lewis Nason

Comments

Log in to leave a comment.

The Vision of Elijah BerlChapter THIRTY

0%7 min left in chapter