Chapter II: Front Matter (2)

Are these the processes by which a noble race is made and perpetuated? At Mrs. Potiphar's we heard several Pendennises longing for a similar luxury, and announcing their firm purpose never to have wives nor houses until they could have them as splendid as jewelled Mrs. Potiphar, and her palace, thirty feet front. Where were their heads, and their hearts, and their arms? How looks this craven despondency, before the stern virtues of the ages we call dark? When a man is so voluntarily imbecile as to regret he is not rich, if that is what he wants, before he has struck a blow for wealth; or so dastardly as to renounce the prospect of love, because, sitting sighing, in velvet dressing-gown and slippers, he does not see his way clear to ten thousand a year: when young women coiffed _à merveille_, of unexceptionable "style," who, with or without a prospective penny, secretly look down upon honest women who struggle for a livelihood, like noble and Christian beings, and, as such, are rewarded; in whose society a man must forget that he has ever read, thought, or felt; who destroy in the mind the fair ideal of woman, which the genius of art, and poetry, and love, their inspirer has created; then, it seems to us, it is high time that the subject should be regarded, not as a matter of breaking butterflies upon the wheel, but as a sad and sober question, in whose solution, all fathers and mothers, and the state itself, are interested. When keen observers, and men of the world, from Europe, are amazed and appalled at the giddy whirl and frenzied rush of our society--a society singular in history for the exaggerated prominence it assigns to wealth, irrespective of the talents that amassed it, they and their possessor being usually hustled out of sight--is it not quite time to ponder a little upon the Court of Louis XIV, and the "merrie days" of King Charles II? Is it not clear that, if what our good wag, with caustic irony, called "best society," were really such, every thoughtful man would read upon Mrs. Potiphar's softly-tinted walls the terrible "mene, mene" of an imminent destruction?

Venice in her purple prime of luxury, when the famous law was passed making all gondolas black, that the nobles should not squander fortunes upon them, was not more luxurious than New York to-day. Our hotels have a superficial splendor, derived from a profusion of gilt and paint, wood and damask. Yet, in not one of them can the traveler be so quietly comfortable as in an English inn, and nowhere in New York can the stranger procure a dinner, at once so neat and elegant, and economical, as at scores of cafés in Paris. The fever of display has consumed comfort. A gondola plated with gold was no easier than a black wooden one. We could well spare a little gilt upon the walls, for more cleanliness upon the public table; nor is it worth while to cover the walls with mirrors to reflect a want of comfort. One prefers a wooden bench to a greasy velvet cushion, and a sanded floor to a soiled and threadbare carpet. An insipid uniformity is the Procrustes-bed, upon which "society" is stretched. Every new house is the counterpart of every other, with the exception of more gilt, if the owner can afford it. The interior arrangement, instead of being characteristic, instead of revealing something of the tastes and feelings of the owner, is rigorously conformed to every other interior. The same hollow and tame complaisance rules in the intercourse of society. Who dares say precisely what he thinks upon a great topic? What youth ventures to say sharp things, of slavery, for instance, at a polite dinner-table? What girl dares wear curls, when Martelle prescribes puffs or bandeaux? What specimen of Young America dares have his trousers loose or wear straps to them? We want individuality, heroism, and, if necessary, an uncompromising persistence in difference.

This is the present state of parties. They are wildly extravagant, full of senseless display; they are avoided by the pleasant and intelligent, and swarm with reckless regiments of "Brown's men." The ends of the earth contribute their choicest products to the supper, and there is everything that wealth can purchase, and all the spacious splendor that thirty feet front can afford. They are hot, and crowded, and glaring. There is a little weak scandal, venomous, not witty, and a stream of weary platitude, mortifying to every sensible person. Will any of our Pendennis friends intermit their indignation for a moment, and consider how many good things they have said or heard during the season? If Mr. Potiphar's eyes should chance to fall here, will he reckon the amount of satisfaction and enjoyment he derived from Mrs. Potiphar's ball, and will that lady candidly confess what she gained from it beside weariness and disgust? What eloquent sermons we remember to have heard in which the sins and the sinners of Babylon, Jericho and Gomorrah were scathed with holy indignation. The cloth is very hard upon Cain, and completely routs the erring kings of Judah. The Spanish Inquisition, too, gets frightful knocks, and there is much eloquent exhortation to preach the gospel in the interior of Siam. Let it be preached there and God speed the Word. But also let us have a text or two in Broadway and the Avenue.

The best sermon ever preached upon society, within our knowledge, is _Vanity Fair_. Is the spirit of that story less true of New York than of London? Probably we never see Amelia at our parties, nor Lieutenant George Osborne, nor good gawky Dobbin, nor Mrs. Rebecca Sharp Crawley, nor old Steyne. We are very much pained, of course, that any author should take such dreary views of human nature. We, for our parts, all go to Mrs. Potiphar's to refresh our faith in men and women. Generosity, amiability, a catholic charity, simplicity, taste, sense, high cultivation, and intelligence, distinguish our parties. The statesman seeks their stimulating influence; the literary man, after the day's labor, desires the repose of their elegant conversation; the professional man and the merchant hurry up from down town to shuffle off the coil of heavy duty, and forget the drudgery of life in the agreeable picture of its amenities and graces presented by Mrs. Potiphar's ball. Is this account of the matter, or _Vanity Fair_, the satire? What are the prospects of any society of which that tale is the true history?

There is a picture in the Luxembourg gallery at Paris, _The Decadence of the Romans_, which made the fame and fortune of Couture, the painter. It represents an orgie in the court of a temple, during the last days of Rome. A swarm of revellers occupy the middle of the picture, wreathed in elaborate intricacy of luxurious posture, men and women intermingled; their faces, in which the old Roman fire scarcely flickers, brutalized with excess of every kind; their heads of dishevelled hair bound with coronals of leaves, while, from goblets of an antique grace, they drain the fiery torrent which is destroying them. Around the bacchanalian feast stand, lofty upon pedestals, the statues of old Rome, looking, with marble calmness and the severity of a rebuke beyond words, upon the revellers. A youth of boyish grace, with a wreath woven in his tangled hair, and with red and drowsy eyes, sits listless upon one pedestal, while upon another stands a boy insane with drunkenness, and proffering a dripping goblet to the marble mouth of the statue. In the corner of the picture, as if just quitting the court--Rome finally departing--is a group of Romans with care-worn brows, and hands raised to their faces in melancholy meditation. In the foreground of the picture, which is painted with all the sumptuous splendor of Venetian art, is a stately vase, around which hangs a festoon of gorgeous flowers, its end dragging upon the pavement. In the background, between the columns, smiles the blue sky of Italy--the only thing Italian not deteriorated by time. The careful student of this picture, if he have been long in Paris, is some day startled by detecting, especially in the faces of the women represented, a surprising likeness to the women of Paris, and perceives, with a thrill of dismay, that the models for this picture of decadent human nature are furnished by the very city in which he lives.

THE TWO FARMERS

BY CAROLYN WELLS

Once on a Time there were Two Farmers who wished to Sell their Farms.

To One came a Buyer who offered a Fair Price, but the Farmer refused to Sell, saying he had heard rumors of a Railroad which was to be Built in his Vicinity, and he hoped The Corporation would buy his Farm at a Large Figure.

The Buyer therefore went Away, and as the Railroad never Materialized, the Farmer Sorely Regretted that he lost a Good Chance.

The Other Farmer Sold his Farm to the First Customer who came Along, although he Received but a Small Price for it. Soon Afterward a Railroad was Built right through the Same Farm, and The Railroad Company paid an Enormous Sum for the Land.

MORALS:

This Fable teaches that a Bird In The Hand is worth Two In The Bush, and The Patient Waiter Is No Loser.

SAMUEL BROWN

BY PHOEBE CARY

It was many and many a year ago,
In a dwelling down in town,
That a fellow there lived whom you may know,
By the name of Samuel Brown;
And this fellow he lived with no other thought
Than to our house to come down.

I was a child, and he was a child,
In that dwelling down in town,
But we loved with a love that was more than love,
I and my Samuel Brown,--
With a love that the ladies coveted,
Me and Samuel Brown.

And this was the reason that, long ago,
To that dwelling down in town,
A girl came out of her carriage, courting
My beautiful Samuel Brown;
So that her high-bred kinsmen came,
And bore away Samuel Brown,
And shut him up in a dwelling house,
In a street quite up in town.

The ladies, not half so happy up there,
Went envying me and Brown;
Yes! that was the reason (as all men know,
In this dwelling down in town),
That the girl came out of the carriage by night,
Coquetting and getting my Samuel Brown.

But our love is more artful by far than the love
If those who are older than we,--
Of many far wiser than we,--
And neither the girls that are living above,
Nor the girls that are down in town,
Can ever dissever my soul from the soul
Of the beautiful Samuel Brown.

For the morn never shines, without bringing me lines,
From my beautiful Samuel Brown;
And the night's never dark, but I sit in the park
With my beautiful Samuel Brown.
And often by day, I walk down in Broadway,
With my darling, my darling, my life and my stay,
To our dwelling down in town,
To our house in the street down town.

THE WAY IT WUZ

BY JAMES WHITCOMB RILEY

Las' July--an', I presume
'Bout as hot
As the ole Gran'-Jury room
Where they sot!--
Fight 'twixt Mike an' Dock McGriff--
'Pears to me jes' like as if
I'd a dremp' the whole blame thing--
Allus ha'nts me roun' the gizzard
When they're nightmares on the wing,
An' a feller's blood 's jes' friz!
Seed the row from a to izzard--
'Cause I wuz a-standin' as clost to 'em
As me an' you is!

Tell you the way it wuz--
An' I don't want to see,
Like _some_ fellers does,
When they're goern to be
Any kind o' fuss--
On'y makes a rumpus wuss
Fer to interfere
When their dander's riz--
But I wuz a-standin' as clost to 'em
As me an' you is!

I wuz kind o' strayin'
Past the blame saloon--
Heerd some fiddler playin'
That "ole hee-cup tune!"
Sort o' stopped, you know,
Fer a minit er so,
And wuz jes' about
Settin' down, when--_Jeemses whizz_!
Whole durn winder-sash fell out!
An' there laid Dock McGriff, and Mike
A-straddlin' him, all bloody-like,
An' both a-gittin' down to biz!--
An' I wuz a-standin' as clost to 'em
As me an' you is!

I wuz the on'y man aroun'--
(Durn old-fogy town!
'Peared more like, to me,
_Sund'y_ 'an _Saturd'y!_)
Dog come 'crost the road
An' tuck a smell
An' put right back;
Mishler driv by 'ith a load
O' cantalo'pes he couldn't sell--
Too mad, 'y jack!
To even ast
What wuz up, as he went past!
Weather most outrageous hot!--
Fairly hear it sizz
Roun' Dock an' Mike--till Dock he shot,
An' Mike he slacked that grip o' his
An' fell, all spraddled out. Dock riz
'Bout half up, a-spittin' red,
An' shuck his head--
An' I wuz a-standin' as clost to 'em
As me an' you is!

An' Dock he says,
A-whisperin'-like,--
"It hain't no use
A-tryin'!--Mike
He's jes' ripped my daylights loose!--
Git that blame-don fiddler to
Let up, an' come out here--You
Got some burryin' to do,--
Mike makes _one_, an' I expects
In ten seconds I'll make _two_!"
And he drapped back, where he riz,
'Crost Mike's body, black and blue,
Like a great big letter X!--
An' I wuz a-standin' as clost to 'em
As me an' you is!

SHE TALKED

BY SAM WALTER FOSS

She talked of Cosmos and of Cause,
And wove green elephants in gauze,
And while she frescoed earthen jugs,
Her tongue would never pause:
On sages wise and esoteric,
And bards from Wendell Holmes to Herrick:
Thro' time's proud Pantheon she walked,
And talked and talked and talked and talked!

And while she talked she would crochet,
And make all kinds of macrame,
Or paint green bobolinks upon
Her mother's earthen tray;
She'd decorate a smelling bottle
While she conversed on Aristotle;
While fame's proud favorites round her flocked,
She talked and talked and talked and talked!

She talked and made embroidered rugs,
She talked and painted 'lasses jugs,
And worked five sea-green turtle doves
On papa's shaving mugs;
With Emerson or Epictetus,
Plato or Kant, she used to greet us:
She talked until we all were shocked,
And talked and talked and talked and talked!

She had a lover, and he told
The story that is never old,
While she her father's bootjack worked
A lovely green and gold.
She switched off on Theocritus,
And talked about Democritus;
And his most ardent passion balked,
And talked and talked and talked and talked.

He begged her to become his own;
She talked of ether and ozone,
And painted yellow poodles on
Her brother's razor hone;
Then talked of Noah and Neb'chadnezzar,
And Timon and Tiglath-pileser--
While he at her heart portals knocked,
She talked and talked and talked and talked!

He bent in love's tempestuous gale,
She talked of strata and of shale,
And worked magenta poppies on
Her mother's water pail;
And while he talked of passion's power,
She amplified on Schopenhauer--
A pistol flashed: he's dead! Unshocked,
She talked and talked and talked and talked!

GRANDMA KEELER GETS GRANDPA READY FOR SUNDAY-SCHOOL

BY SARAH P. McLEAN GREENE

Sunday morning nothing arose in Wallencamp save the sun.

At least, that celestial orb had long forgotten all the roseate flaming of his youth, in an honest, straightforward march through the heavens, ere the first signs of smoke came curling lazily up from the Wallencamp chimneys.

I had retired at night, very weary, with the delicious consciousness that it wouldn't make any difference when I woke up the next morning, or whether, indeed, I woke at all. So I opened my eyes leisurely and lay half-dreaming, half-meditating on a variety of things.

I deciphered a few of the texts on the scriptural patchwork quilt which covered my couch. There were--"Let not your heart be troubled," "Remember Lot's wife," and "Philander Keeler," traced in inky hieroglyphics, all in close conjunction.

Finally I reached out for my watch, and, having ascertained the time of day, I got up and proceeded to dress hastily enough, wondering to hear no signs of life in the house.

I went noiselessly down the stairs. All was silent below, except for the peaceful snoring of Mrs. Philander and the little Keelers, which was responded to from some remote western corner of the Ark by the triumphant snores of Grandma and Grandpa Keeler.

I attempted to kindle a fire in the stove, but it sizzled a little while, spitefully, as much as to say, "What, Sunday morning? Not I!" and went out. So I concluded to put on some wraps and go out and warm myself in the sun.

I climbed the long hill back of the Ark, descended, and walked along the bank of the river. It was a beautiful morning. The air was--everything that could be desired in the way of air, but I felt a desperate need of something more substantial.

Standing alone with nature, on the bank of the lovely river, I thought, with tears in my eyes, of the delicious breakfast already recuperating the exhausted energies of my far-away home friends.

When I got back to the house, Mrs. Philander, in simple and unaffected attire, was bustling busily about the stove.

The snores from Grandma and Grandpa's quarter had ceased, signifying that they, also, had advanced a stage in the grand processes of Sunday morning.

The children came teasing me to dress them, so I fastened for them a variety of small articles which I flattered myself on having combined in a very ingenious and artistic manner, though I believe those infant Keelers went weeping to Grandma afterward, and were remodeled by her all-comforting hand with much skill and patience.

In the midst of her preparations for breakfast, Madeline abruptly assumed her hat and shawl, and was seen from the window, walking leisurely across the fields in the direction of the woods. She returned in due time, bearing an armful of fresh evergreens, which she twisted around the family register.

When the ancient couple made their appearance, I remarked silently, in regard to Grandma Keeler's hair, what proved afterward to be its usual holiday morning arrangement. It was confined in six infinitesimal braids which appeared to be sprouting out, perpendicularly, in all directions from her head. The effect of redundancy and expansiveness thus heightened and increased on Grandma's features was striking in the extreme.

While we were eating breakfast, that good soul observed to Grandpa Keeler: "Wall, pa, I suppose you'll be all ready when the time comes to take teacher and me over to West Wallen to Sunday-school, won't ye?"

Grandpa coughed, and coughed again, and raised his eyes helplessly to the window.

"Looks some like showers," said he. "A-hem! a-hem! Looks mightily to me like showers, over yonder."

"Thar', r'aly, husband! I must say I feel mortified for ye," said Grandma. "Seein' as you're a perfessor, too, and thar' ain't been a single Sunday mornin' since I've lived with ye, pa, summer or winter, but what you've seen showers, and it r'aly seems to me it's dreadful inconsistent when thar' ain't no cloud in the sky, and don't look no more like rain than I do." And Grandma's face, in spite of her reproachful tones, was, above all, blandly sunlike and expressive of anything rather than deluge and watery disaster.

Grandpa was silent a little while, then coughed again. I had never seen Grandpa in worse straits.

"A-hem! a-hem! 'Fanny' seems to be a little lame, this mornin'," said he. "I shouldn't wonder. She's been goin' pretty stiddy this week."

"It does beat all, pa," continued Grandma Keeler, "how 't all the horses you've ever had since I've known ye have always been took lame Sunday mornin'. Thar' was 'Happy Jack,' he could go anywhers through the week, and never limp a step, as nobody could see, and Sunday mornin' he was always took lame! And thar' was 'Tantrum'--"

"Tantrum" was the horse that had run away with Grandma when she was thrown from the wagon, and generally smashed to pieces. And now, Grandma branched off into the thrilling reminiscences connected with this incident of her life, which was the third time during the week that the horrible tale had been repeated for my delectation.

When she had finished, Grandpa shook his head with painful earnestness, reverting to the former subject of discussion.

"It's a long jaunt!" said he; "a long jaunt!"

"Thar's a long hill to climb before we reach Zion's mount," said Grandma Keeler, impressively.

"Wall, there's a darned sight harder one on the road to West Wallen!" burst out the old sea-captain desperately; "say nothin' about the devilish stones!"

"Thar' now," said Grandma, with calm though awful reproof; "I think we've gone fur enough for one day; we've broke the Sabbath, and took the name of the Lord in vain, and that ought to be enough for perfessors."

Grandpa replied at length in a greatly subdued tone: "Wall, if you and the teacher want to go over to Sunday-school to-day, I suppose we can go if we get ready," a long submissive sigh--"I suppose we can."

"They have preachin' service in the mornin', I suppose," said Grandma. "But we don't generally git along to that. It makes such an early start. We generally try to get around, when we go, in time for Sunday-school. They have singin' and all. It's just about as interestin', I think, as preachin'. The old man r'aly likes it," she observed aside to me; "when he once gets started, but he kind o' dreads the gittin' started."

When I beheld the ordeal through which Grandpa Keeler was called to pass, at the hands of his faithful consort, before he was considered in a fit condition of mind and body to embark for the sanctuary, I marveled not at the old man's reluctance, nor that he had indeed seen clouds and tempest fringing the horizon.

Immediately after breakfast, he set out for the barn, ostensibly to "see to the chores;" really, I believe, to obtain a few moments' respite, before worse evil should come upon him.

Pretty soon Grandma was at the back door calling in firm though persuasive tones:

"Husband! husband! come in, now, and get ready."

No answer. Then it was in another key, weighty, yet expressive of no weak irritation, that Grandma called "Come, pa! pa-a! pa-a-a!" Still no answer.

Then that voice of Grandma's sung out like a trumpet, terrible with meaning--"Bijonah Keeler!"

But Grandpa appeared not. Next, I saw Grandma slowly but surely gravitating in the direction of the barn, and soon she returned, bringing with her that ancient delinquent, who looked like a lost sheep indeed and a truly unreconciled one.

"Now the first thing," said Grandma, looking her forlorn captive over; "is boots. Go and get on yer meetin' gaiters, pa."

The old gentleman, having dutifully invested himself, with those sacred relics, came pathetically limping into the room.

"I declare, ma," said he; "somehow these things--phew! Somehow they pinch my feet dreadfully. I don't know what it is,--phew! They're dreadful oncomf'table things somehow."

"Since I've known ye, pa," solemnly ejaculated Grandma Keeler, "you've never had a pair o' meetin' boots that set easy on yer feet. You'd ought to get boots big enough for ye, pa," she continued, looking down disapprovingly on the old gentleman's pedal extremities, which resembled two small scows at anchor in black cloth encasements: "and not be so proud as to go to pinchin' yer feet into gaiters a number o' sizes too small for ye."

"They're number tens, I tell ye!" roared Grandpa nettled outrageously by this cutting taunt.

"Wall, thar', now, pa," said Grandma, soothingly; "if I had sech feet as that, I wouldn't go to spreadin' it all over town, if I was you--but it's time we stopped bickerin' now, husband, and got ready for meetin'; so set down and let me wash yer head."

"I've washed once this mornin'. It's clean enough," Grandpa protested, but in vain. He was planted in a chair, and Grandma Keeler, with rag and soap and a basin of water, attacked the old gentleman vigorously, much as I have seen cruel mothers wash the faces of their earth-begrimed infants. He only gave expression to such groans as:

"Thar', ma! don't tear my ears to pieces! Come, ma! you've got my eyes so full o' soap now, ma, that I can't see nothin'. Phew, Lordy! ain't ye most through with this, ma?"

Then came the dyeing process, which Grandma Keeler assured me, aside, made Grandpa "look like a man o' thirty;" but to me, after it he looked neither old nor young, human nor inhuman, nor like anything that I had ever seen before under the sun.

"There's the lotion, the potion, the dye-er, and the setter," said Grandma, pointing to four bottles on the table. "Now whar's the directions, Madeline?"

These having been produced from between the leaves of the family Bible, Madeline read, while Grandma made a vigorous practical application of the various mixtures.

"This admirable lotion"--in soft ecstatic tones Madeline rehearsed the flowery language of the recipe--"though not so instantaneously startling in its effect as our inestimable dyer and setter, yet forms a most essential part of the whole process, opening, as it does, the dry and lifeless pores of the scalp, imparting to them new life and beauty, and rendering them more easily susceptible to the applications which follow. But we must go deeper than this; a tone must be given to the whole system by means of the cleansing and rejuvenating of the very centre of our beings, and, for this purpose, we have prepared our wonderful potion." Here Grandpa, with a wry face, was made to swallow a spoonful of the mixture. "Our unparalleled dyer," Madeline continued, "restores black hair to a more than original gloss and brilliancy, and gives to the faded golden tress the sunny flashes of youth." Grandpa was dyed. "Our world-renowned setter completes and perfects the whole process by adding tone and permanency to the efficacious qualities of the lotion, potion, and dyer, etc.;" while on Grandpa's head the unutterable dye was set.

"Now, read teacher some of the testimonials, daughter," said Grandma Keeler, whose face was one broad, generous illustration of that rare and peculiar virtue called faith.

So Madeline continued: "Mrs. Hiram Briggs, of North Dedham, writes: 'I was terribly afflicted with baldness, so that, for months, I was little more than an outcast from society, and an object of pity to my most familiar friends. I tried every remedy in vain. At length I heard of your wonderful restorative. After a week's application, my hair had already begun to grow in what seemed the most miraculous manner. At the end of ten months it had assumed such length and proportions as to be a most luxurious burden, and where I had before been regarded with pity and aversion, I became the envied and admired of all beholders.'"

"Just think!" said Grandma Keeler, with rapturous sympathy and gratitude, "how that poor creetur must a' felt!"

"'Orion Spaulding, of Weedsville, Vermont,'" Madeline went on--but, here, I had to beg to be excused, and went to my room to get ready for the Sunday-school.

When I came down again, Grandpa Keeler was seated, completely arrayed in his best clothes, opposite Grandma, who held the big family Bible in her lap, and a Sunday-school question book in one hand.

"Now, pa," said she; "what tribe was it in sacred writ that wore bunnits?"

I was compelled to infer from the tone of Grandpa Keeler's answer that his temper had not undergone a mollifying process during my absence.

"Come, ma," said he; "how much longer ye goin' to pester me in this way?"

"Why, pa," Grandma rejoined calmly; "until you git a proper understandin' of it. What tribe was it in sacred writ that wore bunnits?"

"Lordy!" exclaimed the old man. "How d'ye suppose I know! They must 'a' been a tarnal old womanish lookin' set anyway."

"The tribe o' Judah, pa," said Grandma, gravely. "Now, how good it is, husband, to have your understandin' all freshened up on the scripters!"

"Come, come, ma!" said Grandpa, rising nervously. "It's time we was startin'. When I make up my mind to go anywhere I always want to git there in time. If I was goin' to the Old Harry, I should want to git there in time."

"It's my consarn that we shall git thar' before time, some on us," said Grandma, with sad meaning, "unless we larn to use more respec'ful language."

I shall never forget how we set off for church that Sabbath morning, way out at one of the sunny back doors of the Ark: for there was Madeline's little cottage that fronted the highway, or lane, and then there was a long backward extension of the Ark, only one story in height. This belonged peculiarly to Grandma and Grandpa Keeler. It contained the "parlor" and three "keepin'" rooms opening one into the other, all of the same size and general bare and gloomy appearance, all possessing the same sacredly preserved atmosphere, through which we passed with becoming silence and solemnity into the "end" room, the sunny kitchen where Grandma and Grandpa kept house by themselves in the summer time, and there at the door, her very yellow coat reflecting the rays of the sun, stood Fanny, presenting about as much appearance of life and animation as a pensive summer squash.

The carriage, I thought, was a fac-simile of the one in which I had been brought from West Wallen on the night of my arrival. One of the most striking peculiarities of this sort of vehicle was the width at which the wheels were set apart. The body seemed comparatively narrow. It was very long, and covered with white canvas. It had neither windows nor doors, but just the one guarded opening in front. There were no steps leading to this, and, indeed, a variety of obstacles before it. And the way Grandma effected an entrance was to put a chair on a mound of earth, and a cricket on top of the chair, and thus, having climbed up to Fanny's reposeful back, she slipped passively down, feet foremost, to the whiffle-tree; from thence she easily gained the plane of the carriage floor.

Grandpa and I took a less circuitous, though, perhaps, not less difficult route.

I sat with Grandpa on the "front" seat--it may be remarked that the "front" seat was very much front, and the "back" seat very much back--there was a kind of wooden shelf built outside as a resting-place for the feet, so that while our heads were under cover, our feet were out, utterly exposed to the weather, and we must either lay them on the shelf or let them hang off into space.

Madeline and the children stood at the door to see us off.

"All aboard! ship ballasted! wind fa'r! go ahead thar', Fanny!" shouted Grandpa, who seemed quite restored in spirits, and held the reins and wielded the whip with a masterful air.

He spun sea-yarns, too, all the way--marvelous ones, and Grandma's reproving voice was mellowed by the distance, and so confusedly mingled with the rumbling of the wheels, that it seemed hardly to reach him at all. Not that Grandma looked discomfited on this account, or in bad humor. On the contrary, as she sat back there in the ghostly shadows, with her hands folded, and her hair combed out in resplendent waves on either side of her head, she appeared conscious that every word she uttered was taking root in some obdurate heart. She was, in every respect, the picture of good-will and contentment.

But the face under Grandpa's antiquated beaver began to give me a fresh shock every time I looked up at him, for the light and the air were rapidly turning his rejuvenated locks and his poor, thin fringe of whiskers to an unnatural greenish tint, while his bushy eyebrows, untouched by the hand of art, shone as white as ever.

In spite of the old sea-captain's entertaining stories, it seemed, indeed, "a long jaunt" to West Wallen.

To say that Fanny was a slow horse would be but a feeble expression of the truth.

A persevering "click! click! click!" began to arise from Grandma's quarter. This annoyed Grandpa exceedingly.

"Shet up, ma!" he was moved to exclaim at last. "I'm steerin' this craft."

"Click! click! click!" came perseveringly from behind.

"Dum it, ma! thar', ma!" cried Grandpa, exasperated beyond measure. "How is this hoss goin' to hear anything that I say ef you keep up such a tarnal cacklin'?"

Just as we were coming out of the thickest part of the woods, about a mile beyond Wallencamp, we discovered a man walking in the distance. It was the only human being we had seen since we started.

"Hullo, there's Lovell!" exclaimed Grandpa. "I was wonderin' why we hadn't overtook him before. We gin'ally take him in on the road. Yis, yis; that's Lovell, ain't it, teacher?"

I put up my glasses, helplessly.

"I'm sure," I said, "I can't tell, positively. I have seen Mr. Barlow but once, and at that distance I shouldn't know my own father."

"Must be Lovell," said Grandpa. "Yis, I know him! Hullo, thar'! Ship ahoy! ship ahoy!"

Grandpa's voice suggested something of the fire and vigor it must have had when it rang out across the foam of waves and pierced the tempest's roar.

The man turned and looked at us, and then went on again.

"He don't seem to recognize us," said Grandma.

"Ship a-hoy! Ship a-hoy!" shouted Grandpa.

The man turned and looked at us again, and this time he stopped and kept on looking.

When we got up to him we saw that it wasn't Lovell Barlow at all, but a stranger of trampish appearance, drunk and fiery, and fixed in an aggressive attitude.

I was naturally terrified. What if he should attack us in that lonely spot! Grandpa was so old! And moreover, Grandpa was so taken aback to find that it wasn't Lovell that he began some blunt and stammering expression of surprise, which only served to increase the stranger's ire. Grandma, imperturbable soul! who never failed to come to the rescue even in the most desperate emergencies--Grandma climbed over to the front, thrust out her benign head, and said in that deep, calm voice of hers:

"We're a goin' to the house of God, brother; won't you git in and go too?"

"No!" our brother replied, doubling up his fists and shaking them menacingly in our faces: "I won't go to no house o' God. What d'ye mean by overhauling me on the road, and askin' me to git into yer d--d old traveling lunatic asylum?"

"Drive on, pa," said Grandma, coldly. "He ain't in no condition to be labored with now. Drive on kind o' quick!"

"Kind o' quick" we could not go, but Fanny was made to do her best, and we did not pause to look behind.

When we got to the church Sunday-school had already begun. There was Lovell Barlow looking preternaturally stiff in his best clothes, sitting with a class of young men. He saw us when we came in, and gave me a look of deep meaning. It was the same expression--as though there was some solemn, mutual understanding between us--which he had worn on that night when he gave me his picture.

"There's plenty of young folks' classes," said Grandma; "but seein' as we're late maybe you'd jest as soon go right along in with us."

I said that I should like that best, so I went into the "old folks'" class with Grandma and Grandpa Keeler.

There were three pews of old people in front of us, and the teacher, who certainly seemed to me the oldest person I had ever seen, sat in an otherwise vacant pew in front of all, so that, his voice being very thin and querulous, we could hear very little that he said, although we were edified in some faint sense by his pious manner of shaking his head and rolling his eyes toward the ceiling.

The church was a square wooden edifice, of medium size, and contained three stoves all burning brightly. Against this, and the drowsy effect of their long drive in the sun and wind, my two companions proved powerless to struggle.

Grandpa looked furtively up at Grandma, then endeavored to put on as a sort of apology for what he felt was inevitably coming, a sanctimonious expression which was most unnatural to him, and which soon faded away as the sweet unconsciousness of slumber overspread his features. His head fell back helplessly, his mouth opened wide. He snored, but not very loudly. I looked at Grandma, wondering why her vigilance had failed on this occasion, and lo! her head was falling peacefully from side to side. She was fast asleep, too. She woke up first, however, and then Grandpa was speedily and adroitly aroused by some means, I think it was a pin; and Grandma fed him with bits of unsweetened flag-root, which he munched penitently, though evidently without relish, until he dropped off to sleep again, and she dropped off to sleep again, and so they continued.

But it always happened that Grandma woke up first. And whereas Grandpa, when the avenging pin pierced his shins, recovered himself with a start and an air of guilty confusion, Grandma opened her eyes at regular intervals, with the utmost calm and placidity, as though she had merely been closing them to engage in a few moments of silent prayer.

VIVE LA BAGATELLE

BY GELETT BURGESS

Sing a song of foolishness, laughing stocks and cranks!
The more there are the merrier; come join the ranks!
Life is dry and stupid; whoop her up a bit!
Donkeys live in clover; bray and throw a fit!

Take yourself in earnest, never stop to think,
Strut and swagger boldly, dress in red and pink;
Prate of stuff and nonsense, get yourself abused;
Some one's got to play the fool to keep the crowd amused!

Bully for the idiot! Bully for the guy!
You could be a prig yourself, if you would only try!
Altruistic asses keep the fun alive;
Clowns are growing scarcer; hurry and arrive!

I seen a crazy critic a-writin' of a screed;
"Tendencies" and "Unities"--Maeterlinck indeed!
He wore a paper collar, and his tie was up behind;
If that's the test of Culture, then I'm glad I'm not refined!

Let me laugh at you, then you can laugh at me;
Then we'll josh together everything we see;
Every one's a nincompoop to another's view;
Laughter makes the sun shine! Roop-de-doodle-doo!

THE TWO BROTHERS

BY CAROLYN WELLS

Once on a Time there were Two Brothers who Set Out to make their Way In The World.

One was of a Roving Disposition, and no sooner had he settled Down to Live in One Place than he would Gather Up all his Goods and Chattels and Move to another Place. From here again he would Depart and make him a Fresh Home, and so on until he Became an Old Man and had gained neither Fortune nor Friends.

The Other, being Disinclined to Change or Diversity of Scene, remained all his Life in One Place. He therefore Became Narrow-Minded and Provincial, and gained None of the Culture and Liberality of Nature which comes from Contact with various Scenes of Life.

MORALS:

This Fable teaches that a Rolling Stone Gathers No Moss, and a Setting Hen Never Grows Fat.

A LETTER

FROM PETROLEUM V. NASBY