Chapter VIII: Part 8

The drivellings of old age are no fit subject for ridicule, yet in the case of a man who had sneered so freely at his fellow-creatures, they may afford a useful lesson. One of his fancies was to give imaginary parties, when his tallow dips were all set alight and his servant announced with proper decorum, 'The Duchess of Devonshire,' 'Lord Alvanley, 'Mr. Sheridan,' or whom not. The poor old idiot received the imaginary visitors with the old bow, and talked to them in the old strain, till his servant announced their imaginary carriages, and he was put drivelling to bed. At last the idiocy became mania. He burnt his books, his relics, his tokens. He ate enormously, and the man who had looked upon beer as the _ne plus ultra_ of vulgarity, was glad to imagine it champagne. Let us not follow the poor maniac through his wanderings. Rather let us throw a veil over all his drivelling wretchedness, and find him at his last gasp, when coat and collar, hat and brim, were all forgotten, when the man who had worn three shirts a day was content to change his linen once a month. What a lesson, what a warning! If Brummell had come to this pass in England, it is hard to say how and where he would have died. He was now utterly penniless, and had no prospect of receiving any remittances. It was determined to remove him to the Hospice du Bon Sauveur, a _Maison de Charité_, where he would be well cared for at no expense. The mania of the poor creature took, as ever, the turn of external preparation. When the landlord of his inn entered to try and induce him to go, he found him with his wig on his knee, his shaving apparatus by his side, and the quondam beau deeply interested in lathering the peruke as a preliminary to shearing it. He resisted every proposal to move, and was carried down stairs, kicking and shrieking. Once lodged in the Hospice, he was treated by the soeurs de charité with the greatest kindness and consideration. An attempt was made to recall him to a sense of his future peril, that he might at least die in a more religious mood than he had lived; but in vain. It is not for us, erring and sinful as we are, to judge any fellow-creature; but perhaps poor Brummell was the last man to whom religion had a meaning. His heart was good; his sins were more those of vanity than those of hate; it may be that they are regarded mercifully where the fund of mercy is unbounded. God grant that they may be so; or who of us would escape? None but fiends will triumph over the death of any man in sin. Men are not fiends; they must and will always feel for their fellow-men, let them die as they will. No doubt Brummell was a fool--a fool of the first water, but that he was equally a knave was not so certain. Let it never be certain to blind man, who cannot read the heart, that any man is a knave. He died on the 30th of March, 1840, and so the last of the Beaux passed away. People have claimed, indeed for D'Orsay, the honour of Brummell's descending mantle, but D'Orsay was not strictly a beau, for he had other and higher tastes than mere dress. It has never been advanced that Brummell's heart was bad, in spite of his many faults. Vanity did all. Vanitas vanitatem. O young men of this age, be warned by a Beau, and flee his doubtful reputation! Peace then to the coat-thinker. Peace to all--to the worst. Let us look within and not judge. It is enough that we are not tried in the same balance.

THEODORE EDWARD HOOK.

The Greatest of Modern Wits.---What Coleridge said of Hook.--Hook's Family.--Redeeming Points.--Versatility.--Varieties of Hoaxing.--The Black-wafered Horse.--The Berners Street Hoax.--Success of the Scheme.-- The Strop of Hunger.--Kitchen Examinations.--The Wrong House.--Angling for an Invitation.--The Hackney-coach Device.--The Plots of Hook and Mathews.--Hook's Talents as an Improvisatore.--The Gift becomes his Bane.--Hook's Novels.--College Fun.--Baiting a Proctor.--The Punning Faculty.--Official Life Opens.--Troublesome Pleasantry.--Charge of Embezzlement.--Misfortune.--Doubly Disgraced.--No Effort to remove the Stain.--Attacks on the Queen.--An Incongruous Mixture.--Specimen of the Ramsbottom Letters.--Hook's Scurrility.--Fortune and Popularity.--The End.

If it be difficult to say what wit is, it is well nigh as hard to pronounce what is not wit. In a sad world, mirth hath its full honour, let it come in rags or in purple raiment. The age that patronises a 'Punch' every Saturday? and a pantomime every Christmas, has no right to complain, if it finds itself barren of wits, while a rival age has brought forth her dozens. Mirth is, no doubt, very good. We would see more, not less, of it in this unmirthful land. We would fain imagine the shrunken-cheeked factory-girl singing to herself a happy burthen, as she shifts the loom,--the burthen of her life, and fain believe that the voice was innocent as the sky-lark's. But if it be not so--and we know it is not so--shall we quarrel with any one who tries to give the poor care-worn, money-singing public a little laughter for a few pence? No, truly, but it does not follow that the man who raises a titter is, of necessity, a wit. The next age, perchance, will write a book of 'Wits and Beaux,' in which Mr. Douglas Jerrold, Mr. Mark Lemon, and so on, will represent the _wit_ of this passing day; and that future age will not ask so nicely what wit is, and not look for that last solved of riddles, its definition. Hook has been, by common consent, placed at the head of modern wits. When kings were kings, they bullied, beat, and and brow-beat their jesters. Now and then they treated them to a few years in the Tower for a little extra impudence. Now that the people are sovereign, the jester fares better--nay, too well. His books or his bon-mots are read with zest and grins; he is invited to his Grace's and implored to my Lord's; he is waited for, watched, pampered like a small Grand Lama, and, in one sentence, the greater the fool, the more fools he makes.

If Theodore Hook had lived in the stirring days of King Henry VIII., he would have sent Messrs. Patch and Co. sharply to the right-about, and been presented with the caps and bells after his first comic song. No doubt he was a jester, a fool in many senses, though he did not, like Solomon's fool, 'say in his _heart_' very much. He jested away even the practicals of life, jested himself into disgrace, into prison, into contempt, into the basest employment--that of a libeller tacked on to a party. He was a mimic, too, to whom none could send a challenge; an improvisatore, who beat Italians, Tyroleans, and Styrians hollow, sir, hollow. And lastly--oh! shame of the shuffle-tongued--he was, too, a punster. Yes, one who gloried in puns, a maker of pun upon pun, a man whose whole wit ran into a pun as readily as water rushes into a hollow, who could not keep out of a pun, let him loathe it or not, and who made some of the best and some of the worst on record, but still--puns.

If he was a wit withal, it was _malgré soi_, for fun, not for wit, was his 'aspiration.' Yet the world calls him a wit, and he has a claim to his niche. There were, it is true, many a man in his own set who had more real wit. There were James Smith, Thomas Ingoldsby, Tom Hill, and others. Out of his set, but of his time, there was Sydney Smith, ten times more a wit: but Theodore could amuse, Theodore could astonish, Theodore could be at home anywhere; he had all the impudence, all the readiness, all the indifference of a jester, and a jester he was.

Let any one look at his portrait, and he will doubt if this be the king's jester, painted by Holbein, or Mr. Theodore Hook, painted by Eddis. The short, thick nose, the long upper lip, the sensual, whimsical mouth, the twinkling eyes, all belong to the regular maker of fun. Hook was a certificated jester, with a lenient society to hear and applaud him, instead of an irritable tyrant to keep him in order: and he filled his post well. Whether he was more than a jester may well be doubted; yet Coleridge, when he heard him, said: 'I have before in my time met with men of admirable promptitude of intellectual power and play of wit, which, as Stillingfleet says:

"The rays of wit gild wheresoe'er they strike,"

but I never could have conceived such readiness of mind and resources of genius to be poured out on the mere subject and impulse of the moment.' The poet was wrong in one respect. Genius can in no sense be applied to Hook, though readiness was his chief charm.

The famous Theodore was born in the same year as Byron, 1788, the one on the 22nd of January, the other on the 22nd of September; so the poet was only nine months his senior. Hook, like many other wits, was a second son. Ladies of sixty or seventy well remember the name of Hook as that which accompanied their earliest miseries. It was in learning Hook's exercises, or primers, or whatever they were called, that they first had their fingers slapped over the piano-forte. The father of Theodore, no doubt, was the unwitting cause of much unhappiness to many a young lady in her teens. Hook _père_ was an organist at Norwich. He came up to town, and was engaged at Marylebone Gardens and at Vauxhall; so that Theodore had no excuse for being of decidedly plebeian origin, and, Tory as he was, he was not fool enough to aspire to patricianism.

Theodore's family was, in real fact, Theodore himself. He made the name what it is, and raised himself to the position he at one time held. Yet he had a brother whose claims to celebrity are not altogether ancillary. James Hook was fifteen years older than Theodore. After leaving Westminster School he was sent to immortal Skimmery (St. Mary's Hall), Oxford, which has fostered so many great men--and spoiled them. He was advanced in the church from one preferment to another, and ultimately became Dean of Worcester. The character of the reverend gentleman is pretty well known, but it is unnecessary here to go into it farther. He is only mentioned as Theodore's brother in this sketch.[12] He was a dabbler in literature, like his brother, but scarcely to the same extent a dabbler in wit.

[12: Dr. James Hook, Dean of Worcester, was father to Dr. Walter Farquhar Hook, now the excellent Dean of Chichester, late Vicar of Leeds.]

The younger son of 'Hook's Exercises' developed early enough a taste for ingenious lying--so much admired in his predecessor--Sheridan, He 'fancied himself' a genius, and therefore, from school-age, not amenable to the common laws of ordinary men. Frequenters of the now fashionable prize-ring--thanks to two brutes who have brought that degraded pastime into prominent notice--will hear a great deal about a man 'fancying himself.' It is common slang and heeds little explanation. Hook 'fancied himself' from an early period, and continued to 'fancy himself,' in spite of repeated disgraces, till a very mature age. At Harrow, he was the contemporary, but scarcely the friend, of Lord Byron. No two characters could have been more unlike. Every one knows, more or less, what Byron's was; it need only be said that Hook's was the reverse of it in every respect. Byron felt where Hook laughed. Byron was morbid where Hook was gay. Byron abjured with disgust the social vices to which he was introduced; Hook fell in with them. Byron indulged in vice in a romantic way; Hook in the coarsest. There is some excuse for Byron, much as he has been blamed. There is little or no excuse for Hook, much as his faults have been palliated. The fact is that goodness of heart will soften, in men's minds, any or all misdemeanours. Hook, in spite of many vulgar witticisms and cruel jokes, seems to have had a really good heart.

I have it on the authority of one of Hook's most intimate friends, that he was capable of any act of kindness, and by way of instance of his goodness of heart, I am told by the same person that he on one occasion quitted all his town amusements to solace the spirit of a friend in the country who was in serious trouble. I, of course, refrain from giving names: but the same person informs me that much of his time was devoted in a like manner, to relieving, as far as possible, the anxiety of his friends, often, indeed, arising from his own carelessness. It is due to Hook to make this impartial statement before entering on a sketch of his 'Sayings and Doings,' which must necessarily leave the impression that he was a heartless man.

Old Hook, the father, soon perceived the value of his son's talents; and, determined to turn them to account, encouraged his natural inclination to song-writing. At the age of sixteen Theodore wrote a kind of comic opera, to which his father supplied the music. This was called 'The Soldier's Return.' It was followed by others, and young Hook, not yet out of his teens, managed to keep a Drury Lane audience alive, as well as himself and family. It must be remembered, however, that Liston and Matthews could make almost any piece amusing. The young author was introduced behind the scenes through his father's connection with the theatre, and often played the fool under the stage while others were playing it for him above it, practical jokes being a passion with him which he developed thus early. These tricks were not always very good-natured, which may be said of many of his jokes out of the theatre.

He soon showed evidence of another talent, that of acting as well as writing pieces. Assurance was one of the main features of his character, and to it he owed his success in society; but it is a remarkable fact, that on his first appearance before an audience he entirely lost all his nerve, turned pale, and could scarcely utter a syllable. He rapidly recovered, however, and from this time became a favourite performer in private theatricals, in which he was supported by Mathews and Mrs. Mathews, and some amateurs who were almost equal to any professional actors. His attempts were, of course, chiefly in broad farce and roaring burlesque, in which his comic face, with its look of mock gravity, and the twinkle of the eyes, itself excited roars of laughter. Whether he would have succeeded as well in sober comedy or upon public boards may well be doubted. Probably he would not have given to the profession that careful attention and entire devotion that are necessary to bring forward properly the highest natural talents. It is said that for a long time he was anxious to take to the stage as, a profession, but, perhaps--as the event seems to show--unfortunately for him, he was dissuaded from what his friends must have thought a very rash step, and in after years he took a violent dislike to the profession. Certainly the stage could not have offered more temptations than did the society in which he afterwards mixed; and perhaps under any circumstances Hook, whose moral education had been neglected, and whose principles were never very good, would have lived a life more or less vicious, though he might not have died as he did.

Hook, however, was not long in coming very prominently before the public in another capacity. Of all stories told about him, none are more common or more popular than those which relate to his practical jokes and hoaxes. Thank heaven, the world no longer sees amusement in the misery of others, and the fashion of such clever performance is gone out. It is fair, however, to premise, that while the cleverest of Hook's hoaxes were of a victimizing character, a large number were just the reverse, and his admirers affirm, not without some reason, that when he had got a dinner out of a person whom he did not know, by an ingenious lie, admirably supported, he fully paid for it in the amusement he afforded his host and the ringing metal of his wit. As we have all been boys--except those that were girls--and not all of us very good boys, we can appreciate that passion for robbery which began with orchards and passed on to knockers. It is difficult to sober middle-age to imagine what entertainment there can be in that breach of the eighth commandment, which is generally regarded as innocent. As Sheridan swindled in fun, so Hook, as a young man, robbed in fun, as hundreds of medical students and others have done before and since. Hook, however, was a proficient in the art, and would have made a successful 'cracksman' had he been born in the Seven Dials. He collected a complete museum of knockers, bell-pulls, wooden Highlanders, barbers' poles, and shop signs of all sorts. On one occasion he devoted a whole fortnight to the abstraction of a golden eagle over a shop window, by means of a lasso. A fellow dilettante in the art had confidentially informed him of its whereabouts, adding that he himself despaired of ever obtaining it. At length Hook invited his friend to dinner, and on the removal of the cover of what was supposed to be the joint, the work of art appeared served up and appropriately garnished. Theodore was radiant with triumph; but the friend, probably thinking that there ought to be honour among thieves, was highly indignant at being thus surpassed.

Another achievement of this kind was the robbery of a life-sized Highlander, who graced the door of some unsuspecting tobacconist. There was little difficulty in the mere displacement of the figure; the troublesome part of the business was to get the bare legged Celt home to the museum, where probably many a Lilliputian of his race was already awaiting him. A cloak, a hat, and Hook's ready wit effected the transfer. The first was thrown over him, the second set upon his bonneted head, and a passing hackney coach hailed by his captor, who before the unsuspecting driver could descend, had opened the door, pushed in the prize, and whispered to Jehu, 'My friend--very respectable man but rather tipsy.' How he managed to get him out again at the end of the journey we are not told.

Hook was soon a successful and valuable writer of light pieces for the stage. But farces do not live, and few of Hook's are now favourites with a public which is always athirst for something new. The incidents of most of the pieces--many of them borrowed from the French--excited laughter by their very improbability; but the wit which enlivened them was not of a high order, and Hook, though so much more recent than Sheridan, has disappeared before him.

But his hoaxes were far more famous than his collection of curiosities, and quite as much to the purpose; and the imprudence he displayed in them was only equalled by the quaintness of the humour which suggested them. Who else would have ever thought, for instance, of covering a white horse with black wafers, and driving it in a gig along a Welsh high-road, merely for the satisfaction of being stared at? It was almost worthy of Barnum. Or who, with less assurance, could have played so admirably on the credulity of a lady and daughters fresh from the country as he did, at the trial of Lord Melville? The lady, who stood next to him, was, naturally, anxious to understand the proceedings, and betrayed her ignorance at once by a remark which she made to her daughter about the procession of the Lords into the House. When the bishops entered in full episcopal costume, she applied to Hook to know who were 'those gentlemen?' 'Gentlemen,' quoth Hook, with charming simplicity; 'ladies, I think you mean; at any rate, those are the dowager peeresses in their own right.' Question followed question as the procession came on, and Theodore indulged his fancy more and more. At length the Speaker, in full robes, became the subject of inquiry. 'And pray, sir, who is that fine looking person?'--'That, ma'am, is Cardinal Wolsey,' was the calm and audacious reply. This was too much even for Sussex; and the lady drew herself up in majestic indignation. 'We know better than that, sir,' she replied: 'Cardinal Wolsey has been dead many a good year.' Theodore was unmoved. 'No such thing, my dear madam,' he answered, without the slightest sign of perturbation: 'I know it has been generally reported so in the country, but without the slightest foundation; the newspapers, you know, will say anything.'

But the hoax of hoaxes, the one which filled the papers of the time for several days, and which, eventually, made its author the very prince of hoaxsters, if such a term can be admitted, was that of Berners Street. Never, perhaps, was so much trouble expended, or so much attention devoted, to so frivolous an object. In Berners Street there lived an elderly lady, who, for no reason that can be ascertained, had excited the animosity of the young Theodore Hook, who was then just of age. Six weeks were spent in preparation, and three persons engaged in the affair. Letters were sent off in every direction, and Theodore Hook's autograph, if it could have any value, must have been somewhat low in the market at that period, from the number of applications which he wrote. On the day in question he and his accomplices seated themselves at a window in Berners Street, opposite to that unfortunate Mrs. Tottenham, of No 54, and there enjoyed the fun. Advertisements, announcements, letters, circulars, and what not, had been most freely issued, and were as freely responded to. A score of sweeps, all 'invited to attend professionally,' opened the ball at a very early hour, and claimed admittance, in virtue of the notice they had received. The maid-servant had only just time to assure them that all the chimneys were clean, and their services were not required, when some dozen of coal-carts drew up as near as possible to the ill-fated house. New protestations, new indignation. The grimy and irate coalheavers were still being discoursed with, when a bevy of neat and polite individuals arrived from different quarters, bearing each under his arm a splendid ten-guinea wedding-cake. The maid grew distracted; her mistress was single, and had no intention of doubling herself; there must be some mistake; the confectioners were dismissed, in a very different humour to that with which they had come. But they were scarcely gone when crowds began to storm the house, all 'on business.' Rival doctors met in astonishment and disgust, prepared for an _accouchement_; undertakers stared one another mutely in the face, as they deposited at the door coffins made to order--elm or oak--so many feet and so many inches; the clergymen of all the neighbouring parishes, high church or low church, were ready to minister to the spiritual wants of the unfortunate moribund, but retired in disgust when they found that some forty fishmongers had been engaged to purvey 'cod's head and lobsters' for a person professing to be on the brink of the grave.

The street now became the scene of fearful distraction. Furious tradesmen of every kind were ringing the house-bell, and rapping the knocker for admittance--such, at least, as could press through the crowd as far as the house. Bootmakers arrived with Hessians and Wellingtons--'as per order'--or the most delicate of dancing-shoes for the sober old lady; haberdashers had brought the last new thing in evening dress, 'quite the fashion,' and 'very chaste:' hat-makers from Lincoln and Bennett down to the Hebrew vendor in Marylebone Lane, arrived with their crown-pieces; butchers' boys, on stout little nags, could not get near enough to deliver the legs of mutton which had been ordered; the lumbering coal-carts 'still stopped the way.' A crowd--the easiest curiosity in the world to collect--soon gathered round the motley mob of butchers, bakers, candlestick-makers, and makers and sellers of everything else that mortal can want; the mob thronged the pavement, the carts filled the road, and soon the carriages of the noble of the land dashed up in all the panoply of state, and a demand was made to clear the way for the Duke of Gloucester, for the Governor of the Bank, the Chairman of the East India Company, and last, but, oh! not least, the grandee whose successor the originator of the plot afterwards so admirably satirized--the great Lord Mayor himself. The consternation, disgust, and terror of the elderly female, the delight and chuckling of Theodore and his accomplices, seated at a window on the opposite side of the road, 'can be more easily imagined than described;' but what were the feelings of tradesmen, professional men, gentlemen, noblemen, and grand officials, who had been summoned from distant spots by artful lures to No. 54, and there battled with a crowd in vain only to find that there were hoaxed; people who had thus lost both time and money, can be neither described nor imagined. It was not the idea of the hoax--simple enough in itself--which was entitled to the admiration accorded to ingenuity, but its extent and success, and the clever means taken by the conspirators to insure the attendance of every one who ought not to have been there. It was only late at night that the police succeeded in clearing the street, and the dupes retired, murmuring and vowing vengeance. Hook, however, gloried in the exploit, which he thought 'perfect.'

But the hoaxing dearest to Theodore--for there was something to be gained by it---was that by which he managed to obtain a dinner when either too hard-up to pay for one, or in the humour for a little amusement. No one who has not lived as a bachelor in London and been reduced---in respect of coin--to the sum of twopence-halfpenny, can tell how excellent a strop is hunger to sharpen wit upon. We all know that

'Mortals with stomachs can't live without dinner;'

and in Hook's day the substitute of 'heavy teas' was not invented. Necessity is very soon brought to bed, when a man puts his fingers into his pockets, finds them untenanted, and remembers that the only friend who would consent to lend him five shillings is gone out of town; and the infant, Invention, presently smiles into the nurse's face. But it was no uncommon thing in those days for gentlemen to invite themselves where they listed, and stay as long as they liked. It was only necessary for them to make themselves really agreeable, and deceive their host in some way or other. Hook's friend, little Tom Hill, of whom it was said that he knew everybody's affairs far better than they did themselves, was famous for examining kitchens about the hour of dinner, and quietly selecting his host according to the odour of the viands. It is of him that the old 'Joe Miller' is told of the 'haunch of venison.' Invited to dinner at one house, he _happens_ to glance down into the kitchen of the next, and seeing a tempting haunch of venison on the spit, throws over the inviter, and ingratiates himself with his neighbour, who ends by asking him to stay to dinner. The fare, however, consisted of nothing more luxurious than an Irish stew, and the disappointed guest was informed that he had been 'too cunning by half,' inasmuch as the venison belonged to his original inviter, and had been cooked in the house he was in by kind permission, because the chimney of the owner's kitchen smoked.

The same principle often actuated Theodore; and, indeed, there are few stories which can be told of this characteristic of the great frolicker, which have not been told a century of times.

For instance: two young men are strolling, towards 5 P.M., in the then fashionable neighbourhood of Soho; the one is Terry, the actor--the other, Hook, the actor, for surely he deserves the title. They pass a house, and sniff the viands cooking underground. Hook quietly announces his intention of dining _there_. He enters, is admitted and announced by the servant, mingles with the company, and is quite at home before he is perceived by the host. At last the _dénouement_ came; the dinner-giver approached the stranger, and with great politeness asked his name. 'Smith' was, of course, the reply, and reverting to mistakes made by servants in announcing, &c., 'Smith' hurried off into an amusing story, to put his host in good humour. The conversation that followed is taken from 'Ingoldsby':--

'But, really, my dear sir,' the host put in, 'I think the mistake on the present occasion does not originate in the source you allude to; I certainly did not anticipate the honour of Mr. Smith's company to-day.'

'No, I dare say not. You said _four_ in your note, I know, and it is now, I see, a quarter past five; but the fact is, I have been detained in the City, as I was going to explain--'

'Pray,' said the host, 'whom do you suppose you are addressing?'

'Whom? why Mr. Thompson, of course, old friend of my father. I have not the pleasure, indeed, of being personally known to you, but having received your kind invitation yesterday,' &c. &c.

'No, sir, my name is not Thompson, but Jones,' in highly indignant accents.

'Jones!' was the well-acted answer: 'why, surely, I cannot have--yes I must--good heaven! I see it all. My _dear_ sir, what an unfortunate blunder; wrong house--what must you think of such an intrusion? I am really at a loss for words in which to apologize; you will permit me to retire at present, and to-morrow--'

'Pray, don't think of retiring,' rejoined the host, taken with the appearance and manner of the young man. 'Your friend's table must have been cleared long ago, if, as you say, four was the hour named, and I am too happy to be able to offer you a seat at mine.'

It may be easily conceived that the invitation had not to be very often repeated, and Hook kept the risible muscles of the company upon the constant stretch, and paid for the entertainment in the only coin with which he was well supplied.

There was more wit, however, in his visit to a retired watchmaker, who had got from government a premium of £10,000 for the best chronometer. Hook was very partial to journeys in search of adventure; a gig, a lively companion, and sixpence for the first turnpike being generally all that was requisite; ingenuity supplied the rest. It was on one of these excursions, that Hook and his friend found themselves in the neighbourhood of Uxbridge, with a horse and a gig, and not a sixpence to be found in any pocket. Now a horse and gig are property, but of what use is a valuable of which you cannot dispose or deposit at a pawnbroker's, while you are prevented proceeding on your way by that neat white gate with the neat white box of a house at its side? The only alternative left to the young men was to drive home again, dinnerless, a distance of twenty miles, with a jaded horse, or to find gratuitous accommodation for man and beast. In such a case Sheridan would simply have driven to the first inn, and by persuasion or stratagem contrived to elude payment, after having drunk the best wine and eaten the best dinner the house could afford. Hook was really more refined, as well as bolder in his pillaging.

The villa of the retired tradesman was perceived, and the gig soon drew up before the door. The strangers were ushered in to the watchmaker, and Hook, with great politeness and a serious respectful look, addressed him. He said that he felt he was taking a great liberty--so he was--but that he could not pass the door of a man who had done the country so much service by the invention of what must prove the most useful and valuable instrument, without expressing to him the gratitude which he, as a British subject devoted to his country's good, could not but feel towards the inventor, &c. &c. The flattery was so delicately and so seriously insinuated, that the worthy citizen could only receive it as an honest expression of sincere admiration. The Rubicon was passed; a little lively conversation, artfully made attractive by Hook, followed, and the watchmaker was more and more gratified. He felt, too, what an honour it would be to entertain two real gentlemen, and remarking that they were far from town, brought out at last the longed-for invitation, which was, of course, declined as out of the question. Thereupon the old gentleman became pressing: the young strangers were at last prevailed upon to accept it, and very full justice they did to the larder and cellar of the successful chronometer-maker.

There is nothing very original in the act of hoaxing, and Hook's way of getting a hackney-coach without paying for it, was, perhaps, suggested by Sheridan's, but was more laughable. Finding himself in the vehicle, and knowing that there was nothing either in his purse or at home to pay the fare, he cast about for expedients, and at last remembered the address of an eminent surgeon in the neighbourhood. He ordered the coachman to drive to his house and knock violently at the door, which was no sooner opened than Hook rushed in, terribly agitated, demanded to see the doctor, to whom in a few incoherent and agitated sentences, he gave to understand that his wife needed his services, immediately, being on the point of becoming a mother.

'I will start directly,' replied the surgeon; 'I will order my carriage at once.'

'But, my dear sir, there is not a moment to spare. I have a coach at the door, jump into that.'

The surgeon obeyed. The name and address given were those of a middle-aged spinster of the most rigid virtue. We can imagine her indignation, and how sharply she rung the bell, when the surgeon had delicately explained the object of his visit, and how eagerly he took refuge in the coach. Hook had, of course, walked quietly away in the meantime, and the Galenite had to pay the demand of Jehu.

The hoaxing stories of Theodore Hook are numberless. Hoaxing was the fashion of the day, and a childish fashion too. Charles Mathews, whose face possessed the flexibility of an acrobat's body, and who could assume any character or disguise on the shortest notice, was his great confederate in these plots. The banks of the Thames were their great resort. At one point there was Mathews talking gibberish in a disguise intended to represent the Spanish Ambassador, and actually deceiving the Woolwich authorities by his clever impersonation. At another, there was Hook landing uninvited with his friends upon the well-known, sleek-looking lawn of a testy little gentleman, drawing out a note-book and talking so authoritatively about the survey for a canal, to be undertaken by Government, that the owner of the lawn becomes frightened, and in his anxiety attempts to conciliate the mighty self-made official by the offer of dinner--of course accepted.

Then the _Arcades ambo_ show off their jesting tricks at Croydon fair, a most suitable place for them. On one occasion Hook personates a madman, accusing Mathews, 'his brother,' of keeping him out of his rights and in his custody. The whole fair collects around them, and begins to sympathise with Hook, who begs them to aid in his escape from his 'brother.' A sham escape and sham capture take place, and the party adjourn to the inn, where Mathews, who had been taken by surprise by the new part suddenly played by his confederate, seized upon a hearse, which drew up before the inn, on its return from a funeral, persuaded the company to bind the 'madman,' who was now becoming furious, and who would have deposited him in the gloomy vehicle, if he had not succeeded in snapping his fetters, and so escaped. In short, they were two boys, with the sole difference, that they had sufficient talent and experience of the world to maintain admirably the parts they assumed.

But a far more famous and more admirable talent in Theodore than that of deception was that of improvising. The art of improvising belongs to Italy and the Tyrol. The wonderful gift of ready verse to express satire, and ridicule, seems, as a rule, to be confined to the inhabitants of those two lands. Others are, indeed, scattered over the world, who possess this gift, but very sparsely. Theodore Hook stands almost alone in this country as an improviser. Yet to judge of such of his verses as have been preserved, taken down from memory or what not, the grand effect of them--and no doubt it _was_ grand--must have been owing more to his manner and his acting, than to any intrinsic value in the verses themselves, which are, for the most part, slight, and devoid of actual wit, though abounding in puns. Sheridan's testimony to the wonderful powers of the man is, perhaps, more valuable than that of any one else, for he was a good judge both of verse and of wit. One of Hook's earliest displays of his talent was at a dinner given by the Drury Lane actors to Sheridan at the Piazza Coffee House in 1808. Here, as usual, Hook sat down to the piano, and touching off a few chords, gave verse after verse on all the events of the entertainment, on each person present, though he now saw many of them for the first time, and on anything connected with the matters of interest before them. Sheridan was delighted, and declared that he could not have believed such a faculty possible if he had not witnessed its effects: that no description 'could have convinced him of so peculiar an instance of genius,' and so forth.

One of his most extraordinary efforts in this line is related by Mr. Jerdan. A dinner was given by Mansell Reynolds to Lockhart, Luttrell, Coleridge, Hook, Tom Hill, and others. The grown-up schoolboys, pretty far gone in Falernian, of a home-made, and very homely vintage, amused themselves by breaking the wine-glasses, till Coleridge was set to demolish the last of them with a fork thrown at it from the side of the table. Let it not be supposed that any teetotal spirit suggested this inconoclasm, far from it--the glasses were too small, and the poets, the wits, the punsters, the jesters, preferred to drink their port out of tumblers. After dinner Hook gave one of his songs which satirized successively, and successfully, each person present. He was then challenged to improvise on any given subject, and by way of one as far distant from poetry as could be, _cocoa-nut oil_ was fixed upon. Theodore accepted the challenge; and after a moment's consideration began his lay with a description of the Mauritius, which he knew so well, the negroes dancing round the cocoa-nut tree, the process of extracting the oil, and so forth, all in excellent rhyme and rhythm, if not actual poetry. Then came the voyage to England, hits at the Italian warehousemen, and so on, till the oil is brought into the very lamp before them in that very room, to show them with the light it feeds and make them able to break wine-glasses and get drunk from tumblers. This we may be sure Hook himself did, for one, and the rest were probably not much behind him.

In late life this gift of Hook's--improvising I mean, not getting intoxicated--was his highest recommendation in society, and at the same time his bane. Like Sheridan, he was ruined by his wonderful natural powers. It can well be imagined that to improvise in the manner in which Hook did it, and at a moment's notice, required some effort of the intellect. This effort became greater as circumstances depressed his spirits more and more and yet with every care upon his mind, he was expected, wherever he went, to amuse the guests with a display of his talent. He could not do so without stimulants, and rather than give up society, fell into habits of drinking, which hastened his death.

We have thrown together the foregoing anecdotes of Hook, irrespective of time, in order to show what the man's gifts were, and what his title to be considered a wit. We must proceed more steadily to a review of his life. Successful as Hook had proved as a writer for the stage, he suddenly and without any sufficient cause rushed off into another branch of literature, that of novel-writing. His first attempt in this kind of fiction was 'The Man of Sorrow,' published under the _nom de plume_ of _Alfred Allendale_. This was not, as its name would seem to imply, a novel of pathetic cast, but the history of a gentleman whose life from beginning to end is rendered wretched by a succession of mishaps of the most ludicrous but improbable kind. Indeed Theodore's novels, like his stage-pieces, are gone out of date in an age so practical that even in romance it will not allow of the slightest departure from reality. Their very style was ephemeral, and their interest could not outlast the generation to amuse which they were penned. This first novel was written when Hook was one-and-twenty. Soon after he was sent to Oxford, where he had been entered at St. Mary's Hall, more affectionately known by the nickname of 'Skimmery.' No selection could have been worse. Skimmery was, at that day, and, until quite recently, a den of thieves, where young men of fortune and folly submitted to be pillaged in return for being allowed perfect licence, as much to eat as they could possibly swallow, and far more to drink than was at all good for them. It has required all the enterprise of the present excellent Principal to convert it into a place of sober study. It was then the most 'gentlemanly' residence in Oxford; for a gentleman in those days meant a man who did nothing, spent his own or his father's guineas with a brilliant indifference to consequences, and who applied his mind solely to the art of frolic. It was the very place where Hook would be encouraged instead of restrained in his natural propensities, and had he remained there he would probably have ruined himself and his father long before he had put on the sleeves.

At the matriculation itself he gave a specimen of his 'fun.'

When asked, according to the usual form, 'if he was willing to sign the Thirty-nine Articles,' he replied, 'Certainly, sir, _forty_ if you please.' The gravity of the stern Vice-Chancellor was upset, but as no Oxford Don can ever pardon a joke, however good, Master Theodore was very nearly being dismissed, had not his brother, by this time a Prebendary of Winchester, and 'an honour to his college, sir,' interceded in his favour.

The night before, he had given a still better specimen of his effrontery. He had picked up a number of old Harrovians, with whom he had repaired to a tavern for song, supper, and sociability, and as usual in such cases, in the lap of Alma Mater, the babes became sufficiently intoxicated, and not a little uproarious. Drinking in a tavern is forbidden by Oxonian statutes, and one of the proctors happening to pass in the street outside, was attracted into the house by the sound of somewhat unscholastic merriment. The effect can be imagined. All the youths were in absolute terror, except Theodore, and looked in vain for some way to escape. The wary and faithful 'bulldogs' guarded the doorway; the marshal, predecessor of the modern omniscient Brown, advanced respectfully behind the proctor into the room, and passing a penetrating glance from one youth to the other, all of whom--except Theodore again--he knew by sight--for that is the pride and pleasure of a marshal--mentally registered their names in secret hopes of getting half-a-crown a-piece to forget them again.

No mortal is more respectful in his manner of accosting you than an Oxford proctor, for he may make a mistake, and a mistake may make him very miserable. When, for instance, a highly respectable lady was the other day lodged, in spite of protestations, in the 'Procuratorial Rooms,' and there locked up on suspicion of being somebody very different, the over-zealous proctor who had ordered her incarceration was sued for damages for £300, and had to pay them too! Therefore the gentleman in question most graciously and suavely inquired of Mr. Theodore Hook--

'I beg your pardon, sir, but are you a member of this university?'--the usual form.

'No, sir, I am not. Are you?'

The suavity at once changed to grave dignity. The proctor lifted up the hem of his garment, which being of broad velvet, with the selvage on it, was one of the insignia of his office, and sternly said,--'You see this, sir.'

'Ah!' said Hook, cool as ever, and quietly feeling the material, which he examined with apparent interest, 'I see; Manchester velvet: and may I take the liberty, sir, of inquiring how much you have paid per yard for the article?'

A roar of laughter from all present burst forth with such vehemence that it shot the poor official, red with suppressed anger, into the street again, and the merrymakers continued their bout till the approach of midnight, when they were obliged to return to their respective colleges.

Had Theodore proceeded in this way for several terms, no doubt the outraged authorities would have added his name to the list of the great men whom they have expelled from time to time most unprophetically. As it was, he soon left the groves of Academus, and sought those of Fashion in town. His matriculation into this new university was much more auspicious; he was hailed in society as already fit to take a degree of bachelor of his particular arts, and ere long his improvising, his fun, his mirth--as yet natural and over-boiling--his wicked punning, and his tender wickedness, induced the same institution to offer him the grade of 'Master' of those arts. In after years he rose to be even 'Doctor,' and many, perhaps, were the minds diseased to which his well-known mirth ministered.

It was during this period that some of his talents were displayed in the manner we have described, though his great fame as an improvisatore was established more completely in later days. Yet he had already made himself a name in that species of wit--not a very high one--which found favour with the society of that period. We allude to imitation, 'taking off,' and punning. The last contemptible branch of wit-making, now happily confined to 'Punch,' is as old as variety of language. It is not possible with simple vocabularies, and accordingly is seldom met with in purely-derived languages. Yet we have Roman and Greek puns; and English is peculiarly adapted to this childish exercise, because, being made up of several languages, it necessarily contains many words which are like in sound and unlike in meaning. Punning is, in fact, the vice of English wit, the temptation of English mirth-makers, and, at last, we trust, the scorn of English good sense. But in Theodore's day it held a high place, and men who had no real wit about them could twist and turn words and combinations of words with great ingenuity and much readiness, to the delight of their listeners. Pun-making was a fashion among the conversationists of that day, and took the place of better wit. Hook was a disgraceful punster, and a successful one. He strung puns together by the score--nothing more easy--in his improvised songs and conversation. Take an instance from his quiz on the march of intellect:--

'Hackney-coachmen from _Swift_ shall reply, if you feel
Annoyed at being needlessly shaken;
And butchers, of course, be flippant from _Steele_,
And pig-drivers well versed in _Bacon_.
From _Locke_ shall the blacksmiths authority brave,
And gas-men cite _Coke_ at discretion;
Undertakers talk _Gay_ as they go to the _grave_,
And watermen _Rowe_ by profession.'

I have known a party of naturally stupid people produce a whole century of puns one after another, on any subject that presented itself, and I am inclined to think that nothing can, at the same time, be more nauseous, or more destructive to real wit. Yet Theodore's strength lay in puns, and when shorn of them, the Philistines might well laugh at his want of strength. Surely his title to wit does not lie in that direction.

However, he amused, and that gratis; and an amusing man makes his way anywhere if he have only sufficient tact not to abuse his privileges. Hook grew great in London society for a time, and might have grown greater if a change had not come.

He had supported himself, up to 1812, almost entirely by his pen: and the goose-quill is rarely a staff, though it may sometimes be a walking-stick. It was clear that he needed--what so many of us need and cannot get--a certainty. Happy fellow! he might have begged for an appointment for years in vain, as many another does, but it fell into his lap, no one knows how, and at four-and-twenty Mr. Theodore Edward Hook was made treasurer to the Island of Mauritius, with a salary of £2,000 per annum. This was not to be, and was not, despised. In spite of climate, mosquitoes, and so forth, Hook took the money and sailed.

We have no intention of entering minutely upon his conduct in this office, which has nothing to do with his character as a wit. There are a thousand and one reasons for believing him guilty of the charges brought against him, and a thousand and one for supposing him guiltless. Here was a young man, gay, jovial, given to society entirely, and not at all to arithmetic, put into a very trying and awkward position--native clerks who would cheat if they could, English governors who would find fault if they could, a disturbed treasury, an awkward currency, liars for witnesses, and undeniable evidence of defalcation. In a word, an examination was made into the state of the treasury of the island, and a large deficit found. It remained to trace it home to its original author.

Hook had not acquired the best character in the island. Those who know the official dignity of a small British colony can well understand how his pleasantries must have shocked those worthy big-wigs who, exalted from Pump Court, Temple, or Paradise Row, Old Brompton, to places of honour and high salaries, rode their high horses with twice the exclusiveness of those 'to the manner born.' For instance, Hook was once, by a mere chance, obliged to take the chair at an official dinner, on which occasion the toasts proposed by the chairman were to be accompanied by a salute from guns without. Hook went through the list, and seemed to enjoy toast-drinking so much that he was quite sorry to have come to the end of it, and continued, as if still from the list, to propose successively the health of each officer present. The gunners were growing quite weary, but having their orders, dared not complain. Hook was delighted, and went on to the amazement and amusement of all who were not tired of the noise, each youthful sub, taken by surprise, being quite gratified at the honour done him. At last there was no one left to toast; but the wine had taken effect, and Hook, amid roars of laughter inside, and roars of savage artillery without, proposed the health of the waiter who had so ably officiated. This done, he bethought him of the cook, who was sent for to return thanks; but the artillery officer had by this time got wind of the affair, and feeling that more than enough powder had been wasted on the health of gentlemen who were determined to destroy it by the number of their potations, took on himself the responsibility of ordering the gunners to stop.

On another occasion he incurred the displeasure of the governor, General Hall, by fighting a duel--fortunately as harmless as that of Moore and Jeffrey--

'When Little's leadless pistol met his eye,
And Bow-street myrmidons stood laughing by,'

as Byron says. The governor was sensible enough to wish to put down the 'Gothic appeal to arms,' and was therefore the more irate.