Chapter II: Front Matter (2)
As soon as the season for the country and the seaside came, however, they packed up their trunks, and locked the doors of their house of exile. As they were not known, and taking those terrible trains which stop at every station, and by which travelers arrive at their destination in the middle of the night, with the certainty that nobody will be waiting for you, and see you get out of the carriage, they traveled third class, so that they might have a few bank notes the more, with which to make a show.
A fortnight in Paris in the family house at Auteuil, a fortnight in which to try on dresses and bonnets and to show themselves, and then Trouville, Aix or Biarritz, the whole show complete, with parties succeeding parties, money was spent as if they did not know its value, balls at the Casinos, constant flirtations, compromising intimacies, and those kind of admirers who immediately surround two pretty women, one in the radiant beauty of her eighteen years, and the other in the brightness of that maturity, which beautiful September days bring with them.
Unfortunately, however, they had to do the same thing over again every year, and as if bad luck were continuing to follow them implacably, Madame de Maurillac and her daughter did not succeed in their endeavors, and did not manage during her usual absence from home, to pick up some nice fellow who fell in love immediately, who took them seriously, and asked for Fabienne's hand, consequently, they were very unhappy. Their energies flagged, and their courage left them like water that escapes, drop by drop, through a crack in a jug. They grew low-spirited and no longer dared to be open towards each other and to exchange confidences and projects.
Fabienne, with her pale cheeks, her large eyes with blue circles round them and her tight lips, looked like some captive princess who is tormented by constant ennui, and troubled by evil suggestions; who dreams of flight, and of escape from that prison where fate holds her captive.
One night, when the sky was covered with heavy thunderclouds and the heat was most oppressive, Madame de Maurillac called her daughter whose room was next to hers. After calling her loudly for some time in vain, she sprang out of bed in terror and almost broke open the door with her trembling hands. The room was empty, and the pillows untouched.
Then, nearly mad and foreseeing some irreparable misfortune, the poor woman ran all over the large house, and then rushed out into the garden, where the air was heavy with the scent of flowers. She had the appearance of some wild animal that is being pursued by a pack of hounds, tried to penetrate the darkness with her anxious looks, and gasped as if some one were holding her by the throat; but suddenly she staggered, uttered a painful cry and fell down in a fit.
There before her, in the shadow of the myrtle trees, Fabienne was sitting on the knees of a man--of the gardener--with both her arms round his neck and kissing him ardently, and as if to defy her, and to show her how vain all her precautions and her vigilance had been, the girl was telling her lover in the country dialect, and in a cooing and delightful voice, how she adored him and that she belonged to him....
Madame de Maurillac is in a lunatic asylum, and Fabienne has married the gardener.
What could she have done better?
GHOSTS
Just at the time when the _Concordat_ was in its most flourishing condition, a young man belonging to a wealthy and highly respected middle class family went to the office of the head of the police at P----, and begged for his help and advice, which was immediately promised him.
"My father threatens to disinherit me," the young man then began, "although I have never offended against the laws of the State, of morality or of his paternal authority, merely because I do not share his blind reverence for the Catholic Church and her Ministers. On that account he looks upon me, not merely as Latitudinarian, but as a perfect Atheist, and a faithful old manservant of ours, who is much attached to me, and who accidentally saw my father's will, told me in confidence that he had left all his property to the Jesuits. I think this is highly suspicious, and I fear that the priests have been maligning me to my father. Until less than a year ago, we used to live very quietly and happily together, but ever since he has had so much to do with the clergy, our domestic peace and happiness are at an end."
"What you have told me," the official replied, "is as likely as it is regrettable, but I fail to see how I can interfere in the matter. Your father is in the full possession of all his mental faculties, and can dispose of all his property exactly as he pleases. I also think that your protest is premature; you must wait until his will can legally take effect, and then you can invoke the aid of justice; I am sorry to say that I can do nothing for you."
"I think you will be able to," the young man replied; "for I believe that a very clever piece of deceit is being carried on here."
"How? Please explain yourself more clearly."
"When I remonstrated with him, yesterday evening, he referred to my dead mother, and at last assured me, in a voice of the deepest conviction, that she had frequently appeared to him, and had threatened him with all the torments of the damned, if he did not disinherit his son, who had fallen away from God, and leave all his property to the Church. Now I do not believe in ghosts."
"Neither do I," the police director replied; "but I cannot well do anything on this dangerous ground, if I had nothing but superstitions to go upon. You know how the Church rules all our affairs since the _Concordat_ with Rome, and if I investigate this matter, and obtain no results, I am risking my post. It would be very different if you could adduce any proofs for your suspicions. I do not deny that I should like to see the clerical party, which will, I fear, be the ruin of Austria, receive a staggering blow; try, therefore, to get to the bottom of this business, and then we will talk it over again."
About a month passed, without the young Latitudinarian being heard of; but then he suddenly came one evening, evidently in a great state of excitement, and told him that he was in a position to expose the priestly deceit which he had mentioned, if the authorities would assist him. The police director asked for further information.
"I have obtained a number of important clues," the young man said. "In the first place, my father confessed to me, that my mother did not appear to him in our house, but in the churchyard where she is buried. My mother was consumptive for many years, and a few weeks before her death she went to the village of S----, where she died and was buried. In addition to this, I found out from our footman, that my father has already left the house twice, late at night, in company of X----, the Jesuit priest, and that on both occasions he did not return till morning. Each time he was remarkably uneasy and low-spirited after his return, and had three masses said for my dead mother. He also told me just now, that he has to leave home this evening on business, but immediately he told me that, our footman saw the Jesuit go out of the house. We may, therefore, assume that he intends this evening to consult the spirit of my dead mother again, and this would be an excellent opportunity for getting on the track of the matter, if you do not object to opposing the most powerful force in the Empire, for the sake of such an insignificant individual as myself."
"Every citizen has an equal right to the protection of the State," the police director replied; "and I think that I have shown often enough, that I am not wanting in courage to perform my duty, no matter how serious the consequences may be; but only very young men act without any prospects of success, as they are carried away by their feelings. When you came to me the first time, I was obliged to refuse your request for assistance, but to-day your shares have risen in value. It is now eight o'clock, and I shall expect you in two hours' time, here in my office. At present, all you have to do is to hold your tongue; everything else is my affair."
As soon as it was dark, four men got into a closed carriage in the yard of the police office, and were driven in the direction of the village of S----; their carriage, however, did not enter the village, but stopped at the edge of a small wood in the immediate neighborhood. Here they all four alighted; they were the police director, accompanied by the young Latitudinarian, a police sergeant and an ordinary policeman, who was, however, dressed in plain clothes.
"The first thing for us to do is to examine the locality carefully," the police director said; "it is eleven o'clock and the exorcisers of ghosts will not arrive before midnight, so we have time to look round us, and to take our measure."
The four men went to the churchyard, which lay at the end of the village, near the little wood. Everything was as still as death, and not a soul was to be seen. The sexton was evidently sitting in the public house, for they found the door of his cottage locked, as well as the door of the little chapel that stood in the middle of the churchyard.
"Where is your mother's grave?" the police director asked; but as there were only a few stars visible, it was not easy to find it, but at last they managed it, and the police director looked about in the neighborhood of it.
"The position is not a very favorable one for us," he said at last; "there is nothing here, not even a shrub, behind which we could hide."
But just then the policeman said that he had tried to get into the sexton's hut through the door or the window, and that at last he had succeeded in doing so by breaking open a square in a window, which had been mended with paper, and that he had opened it and obtained possession of the key, which he brought to the police director.
His plans were very quickly settled. He had the chapel opened and went in with the young Latitudinarian; then he told the police sergeant to lock the door behind him and to put the key back where he had found it, and to shut the window of the sexton's cottage carefully. Lastly, he made arrangements as to what they were to do, in case anything unforeseen should occur, whereupon the sergeant and the constable left the churchyard, and lay down in a ditch at some distance from the gate, but opposite to it.
Almost as soon as the clock struck half-past eleven, they heard steps near the chapel, whereupon the police director and the young Latitudinarian went to the window, in order to watch the beginning of the exorcism, and as the chapel was in total darkness, they thought that they should be able to see, without being seen; but matters turned out differently from what they expected.
Suddenly, the key turned in the lock, and they barely had time to conceal themselves behind the altar, before two men came in, one of whom was carrying a dark lantern. One was the young man's father, an elderly man of the middle class, who seemed very unhappy and depressed, the other the Jesuit father K----, a tall, thin, big-boned man, with a thin, bilious face, in which two large gray eyes shone restlessly under their bushy, black eyebrows. He lit the tapers, which were standing on the altar, and then began to say a _Requiem Mass_; while the old man knelt on the altar steps and served him.
When it was over, the Jesuit took the book of the Gospels and the holy water sprinkler, and went slowly out of the chapel, while the old man followed him, with the holy water basin in one hand and a taper in the other. Then the police director left his hiding place, and stooping down, so as not to be seen, he crept to the chapel window, where he cowered down carefully, and the young man followed his example. They were now looking straight on his mother's grave.
The Jesuit, followed by the superstitious old man, walked three times round the grave; then he remained standing before it, and by the light of the taper, he read a few passages from the Gospel; then he dipped the holy water sprinkler three times into the holy water basin, and sprinkled the grave three times; then both returned to the chapel, knelt down outside it with their faces towards the grave, and began to pray aloud, until at last the Jesuit sprang up, in a species of wild ecstasy, and cried out three times in a shrill voice:
"Exsurge! Exsurge! Exsurge!"[1]
[Footnote 1: Arise!]
Scarcely had the last word of the exorcism died away, when thick, blue smoke rose out of the grave, which rapidly grew into a cloud, and began to assume the outlines of a human body, until at last a tall, white figure stood behind the grave, and beckoned with its hand.
"Who art thou?" the Jesuit asked solemnly, while the old man began to cry.
"When I was alive, I was called Anna Maria B----," the ghost replied in a hollow voice.
"Will you answer all my questions?" the priest continued.
"As far as I can."
"Have you not yet been delivered from purgatory by our prayers, and all the masses for your soul, which we have said for you?"
"Not yet, but soon, soon I shall be."
"When?"
"As soon as that blasphemer, my son, has been punished."
"Has that not already happened? Has not your husband disinherited his lost son, and made the Church his heir, in his place?"
"That is not enough."
"What must he do besides?"
"He must deposit his will with the Judicial Authorities, as his last will and testament, and drive the reprobate out of his house."
"Consider well what you are saying. Must this really be?"
"It must, or otherwise I shall have to languish in purgatory much longer," the sepulchral voice replied with a deep sigh; but the next moment it yelled out in terror:
"Oh! Good Lord!" and the ghost began to run away as fast as it could. A shrill whistle was heard, and then another, and the police director laid his hand on the shoulder of the exorcisor, accompanied with the remark:
"You are in custody."
Meanwhile, the police sergeant and the policeman, who had come into the churchyard, had caught the ghost, and dragged it forward. It was the sexton, who had put on a flowing, white dress, and who wore a wax mask, which bore striking resemblance to his mother, as the son declared.
When the case was heard, it was proved that the mask had been very skillfully made from a portrait of the deceased woman. The Government gave orders that the matter should be investigated as secretly as possible, and left the punishment of Father K---- to the spiritual authorities, which was a matter of course, at a time when priests were outside the jurisdiction of the Civil Authorities; and it is needless to say that he was very comfortable during his imprisonment, in a monastery in a part of the country which abounded with game and trout.
The only valuable result of the amusing ghost story was, that it brought about a reconciliation between father and son, and the former, as a matter of fact, felt such deep respect for priests and their ghosts in consequence of the apparition, that a short time after his wife had left purgatory for the last time, in order to talk with him, he turned _Protestant_.
CRASH
Love is stronger than death, and consequently also, than the greatest crash.
A young, and by no means bad-looking son of Palestine, and one of the barons of the Almanac of the _Ghetto_, who had left the field covered with wounds in the last general engagement on the Stock Exchange, used to go very frequently to the Universal Exhibition in Vienna in 1873, in order to divert his thoughts, and to console himself amidst the varied scenes, and the numerous objects of attraction there. One day he met a newly married couple in the Russian section, who had a very old coat of arms, but on the other hand, a very modest income.
This latter circumstance had frequently emboldened the stockbroker to make secret overtures to the delightful little lady; overtures which might have fascinated certain Viennese actresses, but which were sure to insult a respectable woman. The baroness, whose name appeared in the _Almanack de Gotha_, therefore felt something very like hatred for the man from the _Ghetto_, and for a long time her pretty little head had been full of various plans of revenge.
The stockbroker, who was really, and even passionately in love with her, got close to her in the Exhibition buildings, which he could do all the more easily, since the little woman's husband had taken to flight, foreseeing mischief, as soon as she went up to the show-case of a Russian fur dealer, before which she remained standing in rapture.
"Do look at that lovely fur," the baroness said, while her dark eyes expressed her pleasure; "I must have it."
But she looked at the white ticket on which the price was marked.
"Four thousand roubles," she said in despair; "that is about six thousand florins."
"Certainly," he replied, "but what of that? It is a sum not worth mentioning in the presence of such a charming lady."
"But my husband is not in a position ..."
"Be less cruel than usual for once," the man from the _Ghetto_ said to the young woman in a low voice, "and allow me to lay this sable skin at your feet."
"I presume that you are joking."
"Not I ..."
"I think you must be joking, as I cannot think that you intend to insult me."
"But, Baroness, I love you...."
"That is one reason more why you should not make me angry."
"But ..."
"Oh! I am in such a rage," the energetic little woman said; "I could flog you like _Venus in the Fur_[2] did her slave."
[Footnote 2: One of Sacher-Masoch's novels.--TRANSLATOR.]
"Let me be your slave," the Stock Exchange baron replied ardently, "and I will gladly put up with everything from you. Really, in this sable cloak, and with a whip in your hand, you would make a most lovely picture of the heroine of that story."
The baroness looked at the man for a moment with a peculiar smile.
"Then if I were to listen to you favorably, you would let me flog you?" she said after a pause.
"With pleasure."
"Very well," she replied quickly. "You will let me give you twenty-five cuts with a whip, and I will be yours after the twenty-fifth blow."
"Are you in earnest?"
"Fully."
The man from the _Ghetto_ took her hand, and pressed it ardently to his lips.
"When may I come?"
"To-morrow evening at eight o'clock."
"And I may bring the sable cloak and the whip with me?"
"No, I will see about that myself."
The next evening the enamored stockbroker came to the house of the charming little Baroness, and found her alone, lying on a couch, wrapped in a dark fur, while she held a dog whip in her small hand, which the man from the _Ghetto_ kissed.
"You know our agreement," she began.
"Of course I do," the Stock Exchange baron replied. "I am to allow you to give me twenty-five cuts with the whip, and after the twenty-fifth you will listen to me."
"Yes, but I am going to tie your hands first of all."
The amorous baron quietly allowed this new Delila to tie his hands behind him, and then at her bidding, he knelt down before her, and she raised her whip and hit him hard.
"Oh! That hurts me most confoundedly," he exclaimed.
"I mean it to hurt you," she said with a mocking laugh, and went on thrashing him without mercy. At last the poor fool groaned with pain, but he consoled himself with the thought that each blow brought him nearer to his happiness.
At the twenty-fourth cut, she threw the whip down.
"That only makes twenty-four," the beaten would-be, _Don Juan_, remarked.
"I will make you a present of the twenty-fifth," she said with a laugh.
"And now you are mine, altogether mine," he exclaimed ardently.
"What are you thinking of?"
"Have I not let you beat me?"
"Certainly; but I promised you to grant your wish after the twenty-fifth blow, and you have only received twenty-four," the cruel little bit of virtue cried, "and I have witnesses to prove it."
With these words, she drew back the curtains over the door, and her husband, followed by two other gentlemen came out of the next room, smiling. For a moment the stockbroker remained speechless on his knees before the beautiful woman; then he gave a deep sigh, and sadly uttered that one, most significant word:
_"Crash!"_
AN HONEST IDEAL
Among my numerous friends in Vienna, there is one who is an author, and who has always amused me by his childish idealism.
Not by his idealism from an abstract point of view, for in spite of my Pessimism I am an absurd Idealist, and because I am perfectly well aware of this, I as a rule never laugh at people's Idealism, but his sort of Idealism was really too funny.
He was a serious man of great capabilities who only just fell short of being learned, with a clear, critical intellect; a man without any illusions about Society, the State, Literature, or anything else, and especially not about women; but yet he was the craziest Optimist as soon as he got upon the subject of actresses, theatrical princesses and heroines; he was one of those men, who, like Hackländer, cannot discover the Ideal of Virtue anywhere, except in a ballet girl.
My friend was always in love with some actress or other; of course only Platonically, and from preference with some girl of rising talent, whose literary knight he constituted himself, until the time came when her admirers laid something much more substantial than laurel wreaths at her feet; then he withdrew and sought for fresh talent which would allow itself to be patronized by him.
He was never without the photograph of his ideal in his breast pocket, and when he was in a good temper he used to show me one or other of them, whom I had never seen, with a knowing smile, and once, when we were sitting in a _café_ in the _Prater_, he took out a portrait without saying a word, and laid it on the table before me.
It was the portrait of a beautiful woman, but what struck me in it first of all was not the almost classic cut of her features, but her white eyes.
"If she had not the black hair of a living woman, I should take her for a statue," I said.
"Certainly," my friend replied; "for a statue of Venus, perhaps for the Venus of Milo, herself."
"Who is she?"
"A young actress."
"That is a matter of course in your case; what I meant was, what is her name?"
My friend told me, and it was a name which is at present one of the best known on the German stage, with which a number of terrestrial adventures are connected, as every Viennese knows, with which those of Venus herself were only innocent toying, but which I then heard for the first time.
My idealist described her as a woman of the highest talent, which I believed, and as an angel of purity, which I did not believe; on that particular occasion, however, I at any rate did not believe the contrary.
A few days later, I was accidentally turning over the leaves of the portrait album of another intimate friend of mine, who was a thoroughly careless, somewhat dissolute Viennese, and I came across that strange female face with the dead eyes again.
"How did you come by the picture of this Venus?" I asked him.
"Well, she certainly is a Venus," he replied, "but one of that cheap kind who are to be met with in the _Graben_[3], which is their ideal grove...."
[Footnote 3: The street where most of the best shops are to be found, and much frequented by venial beauties.--TRANSLATOR.]
"Impossible!"
"I give you my word of honor it is so."
I could say nothing more after that. So my intellectual friend's new ideal, that woman of the highest dramatic talent, that wonderful woman with the white eyes, was a street Venus!
But my friend was right in one respect. He had not deceived himself with regard to her wonderful dramatic gifts, and she very soon made a career for herself; far from being a mute character on a suburban stage, she rose in two years to be the leading actress at one of the principal theaters.
My friend interested himself on her behalf with the manager of it, who was not blinded by any prejudices. She acted in a rehearsal, and pleased him; whereupon he sent her to star in the provinces, and my friend accompanied her, and took care she was well puffed.
She went on the boards as Schiller's _Marie Stuart_, and achieved the most brilliant success, and before she had finished her starring tour, she obtained an engagement at a large theater in a Northern town, where her appearance was the signal for a triumphant success.
Her reputation, that is, her reputation as a most gifted actress, grew very high in less than a year, and the manager of the Court theater invited her to star at the Court theater.
She was received with some suspicion at first, but she soon overcame all prejudices and doubts; the applause grew more and more vehement at every act, and at the close of the performance, her future was decided. She obtained a splendid engagement, and soon afterwards became an actress at the Court theater.
A well-known author wrote a racy novel, of which she was the heroine; one of the leading bankers and financiers was at her feet; she was the most popular personage, and the lioness of the capital; she had splendid apartments, and all her surroundings were of the most luxurious character, and she had reached that height in her career at which my idealistic friend, who had constituted himself her literary knight, quietly took his leave of her, and went in search of fresh talent.
But the beautiful woman with the dead eyes and the dead heart seemed to be destined to be the scourge of the Idealists, quite against her will, for scarcely had one unfolded his wings and flown away from her, than another fell out of the nest into her net.
A very young student, who was neither handsome, nor of good family, and certainly not rich or even well off, but who was enthusiastic, intellectual and impressionable, saw her as _Marie Stuart_ in _The Maid of Orleans, The Lady with the Camelias_, and most of the plays of the best French play writers, for the manager was making experiments with her, and she was doing the same with her talents.
The poor student was enraptured with the celebrated actress, and at the same time conceived a passion for the woman, which bordered on madness.
He saved up penny by penny, he nearly starved himself, only in order that he might be able to pay for a seat in the gallery whenever she acted, and be able to devour her with his eyes. He always got a seat in the front row, for he was always outside three hours before the doors opened, so as to be one of the first to gain his Olympus, the seat of the theatrical enthusiasts; he grew pale, and his heart beat violently when she appeared; he laughed when she laughed, shed tears when she wept, applauded her, as if he had been paid to do it by the highest favors that a woman can bestow, and yet she did not know him, and was ignorant of his very existence.
The regular frequenters of the Court theater noticed him at last, and spoke about his infatuation for her, until at last she heard about him, but still did not know him, and although he could not send her any costly jewelry, and not even a bouquet, yet at last he succeeded in attracting her attention.
When she had been acting and the theater had been empty for a long time, and she left it, wrapped in valuable furs and got into the carriage of her banker, which was waiting for her at the stage door, he always stood there, often up to his ankles in snow, or in the pouring rain.
At first she did not notice him, but when her maid said something to her in a whisper on one occasion, she looked round in surprise, and he got a look from those large eyes, which were not dead then, but dark and bright; a look which recompensed him for all his sufferings and filled him with proud hopes, which constantly gained more power over the young Idealist, who was usually so modest.
At last there was a thorough, silent understanding between the theatrical princess and the dumb adorer. When she put her foot on the carriage step, she looked round at him, and every time he stood there, devouring her with his eyes; she saw it and got contentedly into her carriage, but she did not see how he ran after the carriage, and how he reached her house, panting for breath, when she did, nor how he lay down outside after the door had closed behind her.
One stormy summer night, when the wind was howling in the chimneys, and the rain was beating against the windows and on the pavement, the poor student was again lying on the stone steps outside her house, when the front door was opened very cautiously and quietly; for it was not the banker who was leaving the house, but a wealthy young officer whom the girl was letting out; he kissed the pretty little Cerebus as he put a gold coin into her hand, and then accidentally trod on the Idealist, who was lying outside.
They all three simultaneously uttered a cry; the girl blew out the candle, the officer instinctively half drew his sword, and the student ran away.
Ever since that night, the poor, crazy fellow went about with a dagger, which he concealed in his belt, and it was his constant companion to the theater, and the stage door, when the actress's carriage used to wait for her, and to her house, where he nightly kept his painful watch.
His first idea was to kill his fortunate rival, then himself, then the theatrical princess, but at last, he lay down again outside her door, or stood on the pavement and watched the shadows, that flitted hither and thither on her window, turned by the magic spell of the lovely actress.
And then, the most incredible thing happened, something which he could never have hoped for, and which he scarcely believed when it did occur.
One evening, when she had been playing a very important part, she kept the carriage waiting much longer than usual; but at last she appeared, and got into it; she did not shut the door, however, but beckoned to the young Idealist to follow her.
He was almost delirious with joy, just as a moment before he had been almost mad from despair, and obeyed her immediately, and during the drive he lay at her feet and covered her hands with kisses. She allowed it quietly and even merrily, and when the carriage stopped at her door, she let him lift her out of the carriage, and went upstairs leaning on his arm.
There, the lady's maid showed him into a luxuriously furnished drawing-room, while the actress changed her dress.
Presently she appeared in her dressing gown, sat down carelessly in an easy chair, and asked him to sit down beside her.
"You take a great interest in me?" she said.
"You are my ideal!" the student cried enthusiastically.
The theatrical princess smiled, and said:
"Well, I will at any rate be an honest ideal; I will not deceive you, and you shall not be able to say that I have misused your youthful enthusiasm. I will give myself to you...."
"Oh! Heavens!" the poor Idealist exclaimed, throwing himself at her feet.
"Wait a moment! Wait a moment!" she said with a smile. "I have not finished yet. I can only love a man who is in a position to provide me with all those luxuries which an actress, or, if you like, which I cannot do without. As far as I know, you are poor, but I will belong to you, only for to-night, however, and in return you must promise me not to rave about me, or to follow me, from to-night. Will you do this?"
The wretched Idealist was kneeling before her; he was having a terrible mental struggle.
"Will you promise me to do this?" she said again.
"Yes," he said, almost groaning.
The next morning a man, who had buried his Ideal, tottered downstairs. He was pale enough; almost as pale as a corpse; but in spite of this, he is still alive, and if he has any Ideal at all at present, it is certainly not a theatrical princess.
STABLE PERFUME
Three ladies belonging to that class of society which has nothing useful to do, and therefore does not know how to employ its time sensibly, were sitting on a bench in the shade of some pine trees at Ischl, and were talking incidentally of their preference for all sorts of smells.
One of the ladies, Princess F----, a slim, handsome brunette, declared there was nothing like the smell of Russian leather; she wore dull brown Russian leather boots, a Russian leather dress suspender, to keep her petticoats out of the dirt and dust, a Russian leather belt which spanned her wasp-like waist, carried a Russian leather purse, and even wore a brooch and bracelet of gilt Russian leather; people declared that her bedroom was papered with Russian leather, and that her lover was obliged to wear high Russian leather boots and tight breeches, but that on the other hand, her husband was excused from wearing anything at all in Russian leather.
Countess H----, a very stout lady, who had formerly been very beautiful and of a very loving nature, but loving after the fashion of her time _à la_ Parthenia and Griseldis, could not get over the vulgar taste of the young Princess. All she cared for was the smell of hay, and she it was who brought the scent _New Mown Hay_ into fashion. Her ideal was a freshly mown field in the moonlight, and when she rolled slowly along, she looked like a moving haystack, and exhaled an odor of hay all about her.
The third lady's taste was even more peculiar than Countess H----'s, and more vulgar than the Princess's, for the small, delicate, light-haired Countess W---- lived only for--the smell of stables. Her friends could absolutely not understand this; the Princess raised her beautiful, full arm with its broad bracelet to her Grecian nose and inhaled the sweet smell of the Russian leather, while the sentimental hay-rick exclaimed over and over again:
"How dreadful! What dost thou say to it, chaste moon?"
The delicate little Countess seemed very much embarrassed at the effect that her confession had had, and tried to justify her taste.
"Prince T---- told me that that smell had quite bewitched him once," she said; "it was in a Jewish town in Gallicia, where he was quartered once with his hussar regiment, and a number of poor, ragged circus riders, with half-starved horses came from Russia and put up a circus with a few poles and some rags of canvas, and the Prince went to see them, and found a woman among them, who was neither young nor beautiful, but bold and impudent; and the impudent woman wore a faded, bright red jacket, trimmed with old, shabby, imitation ermine, and that jacket stank of the stable, as the Prince expressed it, and she bewitched him with that odor, so that every time that the shameless wretch lay in his arms, and laughed impudently, and smelled abominably of the stable, he felt as if he were magnetized.
"How disgusting!" both the other ladies said, and involuntarily held their noses.
"What dost thou say to it, chaste moon?" the haystack said with a sigh, and the little light-haired Countess was abashed and held her tongue.
At the beginning of the winter season the three friends were together again in the gay, imperial city on the blue Danube. One morning the Princess accidentally met the enthusiast for the hay at the house of the little light-haired Countess, and the two ladies were obliged to go after her to her private riding-school, where she was taking her daily lesson. As soon as she saw them, she came up, and beckoned her riding-master to her to help her out of the saddle. He was a young man of extremely good and athletic build, which was set off by his tight breeches and his short velvet coat, and he ran up and took his lovely burden into his arms with visible pleasure, to help her off the quiet, perfectly broken horse.
When the ladies looked at the handsome, vigorous man, it was quite enough to explain their little friend's predilection for the smell of a stable, but when the latter saw their looks, she blushed up to the roots of her hair, and her only way out of the difficulty was to order the riding-master, in a very authoritative manner, to take the horse back to the stable. He merely bowed, with an indescribable smile, and obeyed her.
A few months afterwards, Viennese society was alarmed at the news that Countess W---- had been divorced from her husband. The event was all the more unexpected, as they had apparently always lived very happily together, and nobody was able to mention any man on whom she had bestowed even the most passing attention, beyond the requirements of politeness.
Long afterwards, however, a strange report became current. A chattering lady's maid declared that the handsome riding-master had once so far forgotten himself as to strike the Countess with his riding-whip; a groom had told the Count of the occurrence, and when he was going to call the insolent fellow to account for it, the Countess covered him with her own body, and thus gave occasion for the divorce.
Years had passed since then and the Countess H---- had grow stouter and more sentimental. Ischl and hayricks were not enough for her any longer; she spent the winter on lovely _Lago Maggoire_, where she walked among laurel bushes and cypress trees, and was rowed about on the luke warm, moonlight nights.
One evening she was returning home in the company of an English lady who was also a great lover of nature, from _Isola Bella_, when they met a beautiful private boat in which a very unusual couple were sitting; a small, delicate, light-haired woman, wrapped in a white burnoose, and a handsome, athletic man, in tight, white breeches, a short, black velvet coat trimmed with sable, a red fez on his head, and a riding whip in his hand.
Countess K---- involuntarily uttered a loud exclamation.
"What is the matter with you?" the English lady asked. "Do you know those people?"
"Certainly! She is a Viennese lady," Countess H---- whispered; "Countess W----."
"Oh! Indeed you are quite mistaken; it is a Count Savelli and his wife. They are a handsome couple, don't you think so?"
When the boat came nearer, she saw that in spite of that, it was little Countess W---- and that the handsome man was her former riding-master, whom she had married, and for whom she had bought a title from the Pope; and as the two boats passed each other, the short sable cloak, which was thrown carelessly over his shoulders, exhaled, like the old cat's skin jacket of that impudent female circus rider, a strong _stable perfume_.
THE ILL-OMENED GROOM
An impudent theft, to a very large amount, had been committed in the Capital. Jewels, a valuable watch set with diamonds, his wife's miniature in a frame enchased with brilliants, and a considerable sum in money, the whole amounting in value to a hundred and fifteen thousand florins, had been stolen. The banker himself went to the Director of Police[4] to give notice of the robberies, but at the same time he begged as a special favor that the investigation might be carried on as quietly and considerately as possible, as he declared that he had not the slightest ground for suspecting anybody in particular, and did not wish any innocent person to be accused.
[Footnote 4: Head of the Criminal Investigation Department.--TRANSLATOR.]
"First of all, give me the names of all the persons who regularly go into your bedroom," the police director said.
"Nobody, except my wife, my children, and Joseph, my valet, a man for whom I would answer as I would for myself."
"Then you think him absolutely incapable of committing such a deed?"
"Most decidedly I do," the banker replied.
"Very well; then can you remember whether on the day on which you first missed the articles that have been stolen, or on any days immediately preceding it, anybody who was not a member of your household, happened by chance to go to your bedroom?"
The banker thought for a moment, and then said with some hesitation:
"Nobody, absolutely nobody."
The experienced official, however, was struck by the banker's slight embarrassment and momentary blush, so he took his hand, and looking him straight in the face, he said:
"You are not quite candid with me; somebody was with you, and you wish to conceal the fact from me. You must tell me everything."
"No, no; indeed there was nobody here." "Then at present, there is only one person on whom any suspicion can rest--and that is your valet."
"I will vouch for his honesty," the banker replied immediately.
"You may be mistaken, and I shall be obliged to question the man."
"May I beg you to do it with every possible consideration?"
"You may rely upon me for that."
An hour later, the banker's valet was in the police director's private room, who first of all looked at his man very closely, and then came to the conclusion that such an honest, unembarrassed face, and such quiet, steady eyes could not possibly belong to a criminal.
"Do you know why I have sent for you?"
"No, your Honor."
"A large theft has been committed in your master's house," the police director continued, "from his bedroom. Do you suspect anybody? Who has been into the room, within the last few days?"
"Nobody but myself, except my master's family."
"Do you not see, my good fellow, that by saying that, you throw suspicion on yourself?"
"Surely, sir," the valet exclaimed, "you do not believe..."
"I must not believe anything; my duty is merely to investigate and to follow up any traces that I may discover," was the reply. "If you have been the only person to go into the room within the last few days, I must hold you responsible."
"My master knows me..."
The police director shrugged his shoulders: "Your master has vouched for your honesty, but that is not enough for me. You are the only person on whom, at present, any suspicion rests, and therefore I must--sorry as I am to do so--have you arrested."
"If that is so," the man said, after some hesitation, "I prefer to speak the truth, for my good name is more to me than my situation. Somebody was in my master's apartments yesterday."
"And this somebody was...?"
"A lady."
"A lady of his acquaintance?"
The valet did not reply for some time.
"It must come out," he said at length. "My master keeps a woman--you understand, sir, a pretty, fair woman; and he has furnished a house for her and goes to see her, but secretly of course, for if my mistress were to find it out, there would be a terrible scene. This person was with him yesterday."
"Were they alone?"
"I showed her in, and she was in his bedroom with him; but I had to call him out after a short time, as his confidential clerk wanted to speak to him, and so she was in the room alone for about a quarter of an hour."
"What is her name?"
"Cæcelia K----; she is a Hungarian." At the same time the valet gave him her address.
Then the director of police sent for the banker, who, on being brought face to face with his valet, was obliged to acknowledge the truth of the facts which the latter had alleged, painful as it was for him to do so; whereupon orders were given to take Cæcelia K---- into custody.
In less than half an hour, however, the police officer who had been dispatched for that purpose, returned and said that she had left her apartments, and most likely the Capital also, the previous evening. The unfortunate banker was almost in despair. Not only had he been robbed of a hundred and fifty thousand florins, but at the same time he had lost the beautiful woman, whom he loved with all the passion of which he was capable. He could not grasp the idea that a woman whom he had surrounded with Asiatic luxury, whose strangest whims he had gratified, and whose tyranny he had borne so patiently, could have deceived him so shamefully, and now he had a quarrel with his wife, and an end of all domestic peace, into the bargain.
The only thing the police could do was to raise the hue and cry after the lady, who had denounced herself by her flight, but it was all of no use. In vain did the banker, in whose heart hatred and thirst for revenge had taken the place of love, implore the Director of Police to employ every means to bring the beautiful criminal to justice, and in vain did he undertake to be responsible for all the costs of her prosecution, no matter how heavy they might be. Special police officers were told off to try and discover her, but Cæcelia K---- was so rude as not to allow herself to be caught.
Three years had passed, and the unpleasant story appeared to have been forgotten. The banker had obtained his wife's pardon and--what he cared about a good deal more--he had found another charming mistress, and the police did not appear to trouble themselves about the beautiful Hungarian any more.
We must now change the scene to London. A wealthy lady who created much sensation in society, and who made many conquests both by her beauty and her free behavior, was in want of a groom. Among the many applicants for the situation, there was a young man, whose good looks and manners gave people the impression that he must have been very well educated. This was a recommendation in the eyes of the lady's maid, and she took him immediately to her mistress's boudoir. When he entered, he saw a beautiful, voluptuous looking woman, at most, twenty-five years of age, with large, bright eyes and blue-black hair, which seemed to increase the brilliancy of her fair complexion, lying on a sofa. She looked at the young man, who also had thick black hair, and who turned his glowing black eyes to the ground, beneath her searching gaze, with evident satisfaction, and she seemed particularly taken with his slender, athletic build, and then she said half lazily and half proudly:
"What is your name?"
"Lajos Mariassi."
"A Hungarian?"
And there was a strange look in her eyes.
"Yes."
"How did you come here?"
"I am one of the many emigrants who have forfeited their country and their life; and I, who come of a good family, and who was an officer of the Honveds, must now ... go into service, and thank God if I find a mistress who is at the same time beautiful and an aristocrat, as you are."
Miss Zoë--that was the lovely woman's name--smiled, and at the same time showed two rows of pearly teeth.
"I like your looks," she said, "and I feel inclined to take you into my service, if you are satisfied with my terms."
"A lady's whim," her maid said to herself, when she noticed the ardent looks which Miss Zoë gave her manservant, "which will soon pass away." But that experienced female was mistaken that time.
Zoë was really in love, and the respect with which Lajos treated her, put her into a very bad temper. One evening, when she intended to go to the Italian Opera, she countermanded her carriage, and refused to see her noble adorer, who wished to throw himself at her feet, and ordered her groom to be sent up to her boudoir.
"Lajos," she began, "I am not at all satisfied with you."
"Why, Madame?"
"I do not wish to have you about me any longer; here are your wages for three months. Leave the house immediately." And she began to walk up and down the room, impatiently.
"I will obey you, Madame," the groom replied, "but I shall not take my wages."
"Why not?" she asked hastily.
"Because then I should be under your authority for three months," Lajos said, "and I intend to be free, this very moment, so that I may be able to tell you that I entered your service, not for the sake of your money, but because I love and adore a beautiful woman in you."
"You love me!" Zoë exclaimed. "Why did you not tell me sooner? I merely wished to banish you from my presence, because I love you, and did not think that you loved me. But you shall smart for having tormented me so. Come to my feet immediately."
The groom knelt before the lovely girl, whose moist lips sought his at the same instant.
From that moment Lajos became her favorite. Of course he was not allowed to be jealous, as the young lord was still her official lover, who had the pleasure of paying everything for that licentious beauty, and besides him, there was a whole army of so-called "good friends," who were fortunate enough to obtain a smile now and then, and occasionally, something more, and who, in return, had permission to present her with rare flowers, a parrot or diamonds.
The more intimate Zoë became with Lajos, the more uncomfortable she felt when he looked at her, as he frequently did, with undisguised contempt. She was wholly under his influence and was afraid of him, and one day, while he was playing with her dark curls, he said jeeringly:
"It is usually said that contrasts usually attract each other, and yet you are as dark as I am."
She smiled, and then tore off her black curls, and immediately the most charming, fair-haired woman was sitting by the side of Lajos, who looked at her attentively, but without any surprise.
He left his mistress at about midnight, in order to look after the horses, as he said, and she put on a very pretty nightdress and went to bed. She remained awake for fully an hour, expecting her lover, and then she went to sleep, but in two hours' time she was roused from her slumbers, and saw a police inspector and two constables by the side of her magnificent bed.
"Whom do you want?" she cried.
"Cæcelia K----."
"I am Miss Zoë."
"Oh! I know you," the Inspector said with a smile; "be kind enough to take off your dark locks, and you will be Cæcelia K----. I arrest you in the name of the law."
"Good heavens!" she stammered, "Lajos has betrayed me."
"You are mistaken, Madame," the Inspector replied; "he has merely done his duty."
"What? Lajos . . . my lover?"
"No, Lajos, the detective."
Cæcelia got out of bed, and the next moment she sank fainting onto the floor.
AN EXOTIC PRINCE
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The Works of Guy de Maupassant, Volume 3Chapter II: Front Matter (2)
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