Chapter VI: Front Matter (6)

"You seem to know me, Fräulein." "Oh! I am only the Princess's lady's-maid." ... "But you could do me a great favor." "How?" she asked quickly: "You might give the Princess a letter." ... "I should not venture to do that," the girl replied with a peculiar, half-mocking, half-pitying smile, and with a deep curtsey, she disappeared behind the raspberry bushes which formed a hedge along the railings.

The next morning, as the Count, with several other ladies and gentlemen, was accompanying the Princess home from the pump-room, the fair coquette let her pocket-handkerchief fall just outside her house. The young officer took this for a hint, so he picked it up, concealed the letter that he had written, which he always kept about him so as to be prepared for any event, in the folds of the soft cambric, and gave it back to the Princess, who quickly put it into her pocket. That also seemed to him to be a good augury, and, in fact, in the course of a few hours he received a note in disguised handwriting, by the post, in which his bold wooing was graciously entertained, and an appointment was made for the same night in the pavilion of the Princess's villa.

The happiness of the enamored young officer knew no bounds; he kissed the letter a hundred times, thanked the Princess when he met her in the afternoon where the band was playing by his animated looks, which she either did not or could not understand, and at night was standing an hour before the appointed time behind the wall at the bottom of the garden.

When the church clock struck eleven he climbed over it and jumped on to the ground on the other side, and looked about him carefully; then he went up to the small, white-washed summer-house, where the Princess had promised to meet him, on tiptoe. He found the door ajar, went in, and at the same moment he felt two soft arms thrown round him. "Is it you, Princess?" he asked, in a whisper, for the pavilion was in total darkness, as the venetian blinds were drawn. "Yes, Count, it is I." ... "How cruel." ... "I love you, but I am obliged to conceal my passion under the mask of coldness because of my social position."

As she said this, the enamored woman, who was trembling on his breast with excitement, drew him on to a couch that occupied one side of the pavilion, and began to kiss him ardently. The lovers spent two blissful hours in delightful conversation and intoxicating pleasures; then she bade him farewell, and told him to remain where he was until she had gone back to the house. He obeyed her, but could not resist looking at her through the venetian blinds, and he saw her tall, slim figure as she went along the gravel path with an undulating walk. She wore a white boumous, which he recognized as having seen in the pump-room; her soft, black hair fell down over her shoulders, and before she disappeared into the villa she stood for a moment and looked back, but he could not see her face, as she wore a thick veil.

When Count F. met the Princess the next morning in company with other ladies, when the band was playing, she showed an amount of unconstraint which confused him, and while she was joking in the most unembarrassed manner, he turned crimson and stammered out such a lot of nonsense that the ladies noticed it, and made him the target for their wit. None of them was bolder or more confident in their attacks on him than the Princess, so that at last he looked upon the woman who concealed so much passion in her breast, and who yet could command herself so thoroughly, as a kind of miracle, and at last said to himself: "The world is right; woman is a riddle!"

The Princess remained there for some weeks longer, and always maintained the same polite and friendly, but cool and sometimes ironical, demeanor towards him, but he easily endured being looked upon as her unfortunate adorer by the world, for at least every other day a small, scented note, stamped with her arms and signed _Leonie_, summoned him to the pavilion, and there he enjoyed the full, delightful possession of the beautiful woman. It, however, struck him as strange that she would never let him see her face. Her head was always covered with a thick black veil, through which he could see her eyes, which sparkled with love, glistening; he passed his fingers through her hair, he saw her well-known dresses, and once he succeeded in getting possession of one of her pocket-handkerchiefs, on which the name _Leonie_ and the princely coronet were magnificently embroidered.

When she returned to Vienna for the winter, a note from her invited him to follow her there, and as he had indefinite leave of absence from his regiment, he could obey the commands of his divinity. As soon as he arrived there he received another note, which forbade him to go to her house, but promised him a speedy meeting in his rooms, and so the young officer had the furniture elegantly renovated, and looked forward to a visit from the beautiful woman with all a lover's impatience.

At last she came, wrapped in a magnificent cloak of green velvet, trimmed with ermine, but still thickly veiled, and before she came in she made it a condition that the room in which he received her should be quite dark, and after he had put out all the lights she threw off her fur, and her coldness gave way to the most impetuous tenderness.

"What is the reason that you will never allow me to see your dear, beautiful face?" the officer asked. "It is a whim of mine, and I suppose I have the right to indulge in whims," she said, hastily. "But I so long once more to see your splendid figure and your lovely face in full daylight," the Count continued. "Very well then, you shall see me at the Opera this evening."

She left him at six o'clock, after stopping barely an hour with him, and as soon as her carriage had driven off he dressed and went to the opera. During the overture, he saw the Princess enter her box and looking dazzlingly beautiful; she was wearing the same green velvet cloak, trimmed with ermine, that he had had in his hands a short time before, but almost immediately she let it fall from her shoulders, and showed a bust which was worthy of the Goddess of Love. She spoke with her husband with much animation, and smiled with her usual cold smile, though she did not give her adorer even a passing look, but, in spite of this, he felt the happiest of mortals.

In Vienna, however, the Count was not as fortunate as he had been at Karlsbad, where he had first met her, for his beautiful mistress only came to see him once a week; often she only stopped a short time with him, and once nearly six weeks passed without her favoring him at all, and she did not even make any excuse for remaining away. Just then, however, Leonie's husband accidentally made the young officer's acquaintance at the Jockey Club, took a fancy to him, and asked him to go and see him at his house.

When he called and found the Princess alone his heart felt as if it would burst with pleasure, and seizing her hand, he pressed it ardently to his lips. "What are you doing, Count?" she said, drawing back. "You are behaving very strangely." "We are alone," the young officer whispered, "so why this mask of innocence? Your cruelty is driving me mad, for it is six weeks since you came to see me last." "I certainly think you are out of your mind," the Princess replied, with every sign of the highest indignation, and hastily left the drawing-room. Nothing else remained for the Count but to do the same thing, but his mind was in a perfect whirl, and he was quite incapable of explaining to himself the Princess's enigmatical behavior. He dined at an hotel with some friends, and when he got home he found a note in which the Princess begged him to pardon her, and promised to justify her conduct, for which purpose she would see him at eight o'clock that evening.

Scarcely, however, had he read her note, when two of his brother-officers came to see him, and asked him, with well-simulated anxiety, whether he were ill. When he said that he was perfectly well, one of them continued, laughing: "Then please explain the occurrence that is in everybody's mouth to-day, in which you play such a comical part."--"I, a comical part?" the Count shouted.--"Well, is it not very comical when you call on a lady like Princess Leonie, whom you do not know, to upbraid her for her cruelty, and most unceremoniously call her _thou_[6]?"

[Footnote 6: In Germany, _thou du_, is only used between near relations, lovers, very intimate friends, to children, servants, &c.--TRANSLATOR.]

That was too much; Count F. might pardon the Princess for pretending not to know him in society, but that she should make him a common laughing-stock, nearly drove him mad. "If I call the Princess _thou_," he exclaimed, "it is because I have the right to do so, as I will prove."--His comrades shrugged their shoulders, but he asked them to come again punctually at seven o'clock, and then he made his preparations.

At eight o'clock his divinity made her appearance, still thickly veiled, but on this occasion wearing a valuable sable cloak. As usual, Count F. took her into the dark-room and locked the outer door; then he opened that which led into his bedroom, and his two friends came in, each with a candle in his hand.--The lady in the sable cloak cried out in terror when Count F. pulled off her veil, but then it was his turn to be surprised, for it was not the Princess Leonie who stood before him, but her pretty lady's-maid, who, now she was discovered, confessed that love had driven her to assume her mistress's part, in which she had succeeded perfectly, on account of the similarity of their figure, eyes and hair. She had found the Count's letter in the Princess's pocket-handkerchief when they were at Karlsbad and had answered it. She had made him happy, and had heightened the illusion which her figure gave rise to by borrowing the Princess's dresses.

Of course the Count was made great fun of, and turned his back on Vienna hastily that same evening, but the pretty lady's-maid also disappeared soon after the catastrophe, and only by those means escaped from her mistress's well-merited anger; for it turned out that that gallant little individual had already played the part of her mistress more than once, and had made all those hopeless adorers of the Princess, who had found favor in her own eyes, happy in her stead.

Thus the enigma was solved which Princess Leonie seemed to have proposed to the world.

A DEER PARK IN THE PROVINCES

It is not very long ago that an Hungarian Prince, who was in an Austrian cavalry regiment, was quartered in a wealthy Austrian garrison town. The ladies of the local aristocracy naturally did everything they could to allure the new comer, who was young, good-looking, animated and amusing, into their nets, and at last one of the ripe beauties, who was now resting there on her amorous laurels, after innumerable victories on the hot floors of Viennese society, succeeded in taking him in her toils, but only for a short time, for she had very nearly reached that limit in age where, on the man's side, love ceases and esteem begins. But she had more sense than most women, and she recognized the fact in good time, and as she did not wish to give up the principal character which she played in society there so easily, she reflected as to what means she could employ to bind him to her in another manner. It is well known that the notorious Marchioness de Pompadour, who was one of the mistresses of Louis XV. of France, when her own charms did not suffice to fetter that changeable monarch, conceived the idea of securing the chief power in the State and in society for herself, by having a pavilion in the deer park, which belonged to her, and where Louis XV. was in the habit of hunting, fitted up with every accommodation of a harem, where she brought beautiful women and girls of all ranks of life to the arms of her royal lover.

Inspired by that historical example, the baroness began to arrange evening parties, balls, and private theatricals in the winter, and in the summer excursions into the country, and thus she gave the Prince, who at that time was still, so to say, at her feet, the opportunity of plucking fresh flowers. But even this clever expedient did not avail in the long run, for beautiful women were scarce in that provincial town, and the few which the local aristocracy could produce were not able to offer the Prince any fresh attractions, when he had made their closer acquaintance. At last, therefore, he turned his back on the highly-born Messalinas, and began to bestow marked attention on the pretty women and girls of the middle classes, either in the streets or when he was in his box at the theater.

There was one girl in particular, the daughter of a well-to-do merchant, who was supposed to be the most beautiful girl in the capital, on to whom his opera glass was constantly leveled, and whom he even followed occasionally without being noticed. But Baroness Pompadour soon got wind of this unprincely taste, and determined to do everything in her power to keep her lover and the whole nobility, which was threatened, from such an unheard-of disgrace, as an intrigue of a Prince with a girl of the middle classes, would have been in her eyes. "It is really sad," the outraged baroness once said to me, "that in these days princes and monarchs choose their mistresses only from the stage, or even from the scum of the people. But it is the fault of our ladies themselves. They mistake their vocation! Ah! Where are those delightful times when the daughters of the first families looked upon it as an honor to become their princes' mistresses?"

Consequently, the horror of the blue-blooded, aristocratic lady was intense when the Prince, in his usual, amiable, careless manner, suggested to her to people her deer park with girls of the lower orders.

"It is a ridiculous prejudice," the Prince said on that occasion, "which obliges us to shut ourselves off from the other ranks, and to confine ourselves altogether to our own circle, for monotony and boredom are the inevitable consequences of it. How many honorable men of sense and education, and especially how many charming women and girls there are, who do not belong to the aristocracy, who would infuse fresh life and a new charm into our dull, listless society! I very much wish that a lady like you would make a beginning, and would give up this exclusiveness, which cannot be maintained in these days, and would enrich our circle with the charming daughters of middle class families."

A wish of the Prince's was as good as a command; so the baroness made a wry face, but she accommodated herself to the circumstances, and promised to invite some of the prettiest girls of the _plebs_ to a ball in a few days. She really issued a number of invitations, and even condescended to drive to the house of each of them in person. "But I must ask one thing of you," she said to each of the pretty girls, "and that is to come dressed as simply as possible; washing muslins will be best. The Prince dislikes all finery and ostentation and he would be very vexed with me if I were the cause of any extravagance on your part."

The great day arrived; it was quite an event for the little town, and all classes of society were in a state of the greatest excitement. The pretty, plebeian girls, with her whom the Prince had first noticed at their head, appeared in all their innocence, in plain, washing dresses, according to the Prince's orders, with their hair plainly dressed, and without any ornaments, except their own fresh, buxom charms. When they were all captives in the den of the proud, aristocratic lioness, the poor little mice were very much terrified when suddenly the aristocratic ladies came into the ball-room, rustling in whole oceans of silks and lace, with their haughty heads changed into so many hanging gardens of Semiramis, loaded with all the treasures of India, and radiant as the sun.

At first the poor girls looked down in shame and confusion, and Baroness Pompadour's eyes glistened with all the joy of triumph, but her ill-natured pleasure did not last long, for the intrigue, on which the Prince's ignoble passions were to make shipwreck, recoiled on the highly-born lady patroness of the deer park.

It was not the aristocratic ladies in their magnificent toilettes that threw the girls from the middle classes into the shade, but, on the contrary, those pretty girls in their washing dresses, and with the plain but splendid ornament of their abundant hair looked far more charming than they would have done in silk dresses with long trains, and with flowers in their hair, and the novelty and unwontedness of their appearance there allured not only the Prince, but all the other gentlemen and officers, so that the proud grand-daughters of the lions, griffins, and eagles, were quite neglected by the gentlemen, who danced almost exclusively with the pretty girls of the middle classes.

The faded lips of the baronesses and countesses uttered many a "_For Shame_!" but all in vain, neither was it any good for the Baroness to make up her mind that she would never again put a social medley before the Prince in her drawing-room, for he had seen through her intrigue, and gave her up altogether. _Sic transit gloria mundi!_

She, however, consoled herself as best she could.

THE WHITE LADY

Fortuna, the goddess of chance and good luck, has always been _Cupid's_ best ally and Arnold T., who was a lieutenant in a hussar regiment, was evidently a special favorite of both those roguish deities.

This good-looking, well-bred young officer had been an enthusiastic admirer of the two Countesses W., mother and daughter, during a tolerably long leave of absence, which he spent with his relations in Vienna. He had admired them from the _Prater_, and worshiped them at the opera, but he had never had an opportunity of making their acquaintance, and when he was back at his dull quarters in Galicia, he liked to think about those two aristocratic beauties. Last summer his regiment was transferred to Bohemia, to a wildly romantic district, that had been made illustrious by a talented writer, which abounded in magnificent woods, lofty mountain-forests and castles, and which was a favorite summer resort of the neighboring aristocracy.

Who can describe his joyful surprise, when he and his men were quartered in an old, weather-beaten castle in the middle of a wood, and he learnt from the house-steward who received him that the owner of the castle was the husband, and, consequently, also the father of his Viennese ideals. An hour after he had taken possession of his old-fashioned, but beautifully furnished, room in a side-wing of the castle, he put on his full-dress uniform, and throwing his dolman over his shoulders, he went to pay his respects to the Count and the ladies.

He was received with the greatest cordiality. The Count was delighted to have a companion when he went out shooting, and the ladies were no less pleased at having some one to accompany them on their walks in the forests, or on their rides, so that he felt only half on the earth, and half in the seventh heaven of Mohammedan bliss. Before supper he had time to inspect the house more closely, and even to take a sketch of the large, gloomy building from a favorable point. The ancient seat of the Counts of W. was really very gloomy; in fact it created a sinister, uncomfortable feeling. The walls, which were crumbling away here and there, and which were covered with dark ivy; the round towers, which harbored jackdaws, owls, and hawks; the Æolian harp, which complained and sighed and wept in the wind; the stones in the castle yard, which were overgrown with grass; the cloisters, in which every footstep re-echoed; the great ancestral portraits which hung on the walls, coated as it were with dark, mysterious veils by the centuries which had passed over them--all this recalled to him the legends and fairy tales of his youth, and he involuntarily thought of the _Sleeping Beauty in the Wood_, and of _Blue Beard_, of the cruel mistress of the Kynast,[7] and that aristocratic tigress of the Carpathians, who obtained the unfading charms of eternal youth by bathing in human blood.

[Footnote 7: A Castle, now a well-preserved ruin, in the Giant Mountains in N. Germany. The legend is that its mistress, Kunigerude, vowed to marry nobody except the Knight who should ride round the parapet of the Castle, and many perished in the attempt. At last one of them succeeded in performing the feat, but he merely sternly rebuked her, and took his leave. He was accompanied by his wife, disguised as his page, according to some versions of the legend.--TRANSLATOR.]

He came in to supper where he found himself for the first time in company with all the members of the family, just in the frame of mind that was suitable for ghosts, and was not a little surprised when his host told him, half smiling and half seriously, that the "White Lady" was disturbing the castle again, and that she had latterly been seen very often. "Yes, indeed," Countess Ida exclaimed; "You must take care, Baron, for she haunts the very wing where your room is." The hussar was just in the frame of mind to take the matter seriously, but, on the other hand, when he saw the dark, ardent eyes of the Countess, and then the merry blue eyes of her daughter fixed on him, any real fear of ghosts was quite out of the question with him. For Baron T. feared nothing in this world, but he possessed a very lively imagination, which could conjure up threatening forms from another world so plainly that sometimes he felt very uncomfortable at his own fancies. But on the present occasion that malicious apparition had no power over him; the ladies took care of that, for both of them were beautiful and amiable.

The Countess was a mature Venus of thirty-six, of middle height, and with the voluptuous figure of a true Viennese, with bright eyes, thick dark hair, and beautiful white teeth, while her daughter Ida, who was seventeen, had light hair and the pert little nose of the china figures of shepherdesses in the dress of the period of Louis XIV., and was short, slim, and full of French grace. Besides them and the Count, a son of twelve and his tutor were present at supper. It struck the hussar as strange that the tutor, who was a strongly-built young man, with a winning face and those refined manners which the greatest plebeian quickly acquires when brought into close and constant contact with the aristocracy, was treated with great consideration by all the family except the Countess, who treated him very haughtily. She assumed a particularly imperious manner towards her son's tutor, and she either found fault with, or made fun of, everything that he did, while he put up with it all with smiling humility.

Before supper was over their conversation again turned on to the ghost, and Baron T. asked whether they did not possess a picture of the _White Lady_. "Of course we have one," they all replied at once; whereupon Baron T. begged to be allowed to see it. "I will show it you to-morrow," the Count said. "No, Papa, now, immediately," the younger lady said mockingly; "just before the ghostly hour, such a thing creates a much greater impression."

All who were present, not excepting the boy and his tutor, took a candle and then they walked as if they had formed a torchlight procession, to the wing of the house where the hussar's room was. There was a life-size picture of the _White Lady_ hanging in a Gothic passage near his room, among other ancestral portraits, and it by no means made a terrible impression on anyone who looked at it, but rather the contrary. The ghost, dressed in stiff, gold brocade and purple velvet, and with a hawk on her wrist, looked like one of those seductive Amazons of the fifteenth century, who exercised the art of laying men and game at their feet with equal skill.

"Don't you think that the _White Lady_ is very like mamma?" Countess Ida said, interrupting the Baron's silent contemplation of the picture. "There is no doubt of it," the hussar replied, while the Countess smiled and the tutor turned red, and they were still standing before the picture, when a strong gust of wind suddenly extinguished all the lights, and they all uttered a simultaneous cry. The _White Lady_, the little Count whispered, but she did not come, and as it was luckily a moonlight night, they soon recovered from their momentary shock. The family retired to their apartments, while the hussar and the tutor went to their own rooms, which were situated in the wing of the castle which was haunted by the _White Lady_; the officer's being scarcely thirty yards from the portrait, while the tutor's were rather further down the corridor.

The hussar went to bed, and was soon fast asleep, and though he had rather uneasy dreams nothing further happened. But while they were at breakfast the next morning, the Count's body-servant told them, with every appearance of real terror, that as he was crossing the court-yard at midnight, he had suddenly heard a noise like bats in the open cloisters, and when he looked he distinctly saw the _White Lady_ gliding slowly through them; but they merely laughed at the poltroon, and though our hussar laughed also, he fully made up his mind, without saying a word about it, to keep a look-out for the ghost that night.

Again they had supper alone, without any company, had some music and pleasant talk and separated at half-past eleven. The hussar, however, only went to his room for form's sake; he loaded his pistols, and when all was quiet in the castle, he crept down into the court-yard and took up his position behind a pillar which was quite hidden in the shade, while the moon, which was nearly at the full, flooded the cloisters with its clear, pale light.

There were no lights to be seen in the castle except from two windows, which were those of the Countess's apartments, and soon they were also extinguished. The clock struck twelve, and the hussar could scarcely breathe from excitement; the next moment, however, he heard the noise which the Count's body-servant had compared to that of bats, and almost at the same instant a white figure glided slowly through the open cloisters and passed so close to him, that it almost made his blood curdle, and then it disappeared in the wing of the castle which he and the tutor occupied.

The officer who was usually so brave, stood as though he was paralyzed for a few moments, but then he took heart, and feeling determined to make the nearer acquaintance of the spectral beauty, he crept softly up the broad staircase and took up his position in a deep recess in the cloisters, where nobody could see him.

He waited for a long time; he heard every quarter strike, and at last, just before the close of the _witching hour_, he heard the same noise like the rustling of bats, and then she came, he felt the flutter of her white dress, and she stood before him--it was indeed the Countess.

He presented his pistol at her as he challenged her, but she raised her hand menacingly. "Who are you?" he exclaimed. "If you are really a ghost, prove it, for I am going to fire." "For heaven's sake!" the White Lady whispered, and at the same instant two white arms were thrown round him, and he felt a full, warm bosom heaving against his own.

After that night the ghost appeared more frequently still. Not only did the _White Lady_ make her appearance every night in the cloisters, only to disappear in the proximity of the hussar's rooms as long as the family remained at the castle, but she even followed them to Vienna.

Baron T., who went to that capital on leave of absence during the following winter, and who was the Count's guest at the express wish of his wife, was frequently told by the footman that although hitherto she had seemed to be confined to the old castle in Bohemia, she had shown herself now here, now there, in the mansion in Vienna, in a white dress and making a noise like the wings of a bat, and bearing a striking resemblance to the beautiful Countess.

CAUGHT

A young and charming lady, who was a member of the Viennese aristocracy, went last summer, like young and charming ladies usually do, to a fashionable Austrian watering place, Carlsbad, which is much frequented by foreigners, without her husband.

As is usually the case in their rank of life, she had married from family considerations and for money; and the short spell of _Love after Marriage_ was not sufficient to take deep root, and after she had satisfied family traditions and her husband's wishes by giving birth to a son and heir, they both went their way; the young, handsome and fascinating man to his clubs, the race-course, and behind the scenes at the theaters, and his charming, coquettish wife to her box at the opera, to the ice in winter, and to some fashionable watering place in the summer.

On the present occasion she brought a young, very highly-connected Pole with her from one of the latter resorts, who enjoyed all the rights and the liberty of an avowed favorite, and who had to perform all the duties of a slave.

As is usual in such cases, the lady rented a small house in one of the suburbs of Vienna, had it beautifully furnished and received her lover there. She was always dressed very attractively, sometimes as _La Belle Hélène_ in Offenbach's Opera, only rather more after the ancient Greek fashion; another time as an Odalisque in the Sultan's harem, and another time as a lighthearted Suabian girl, and so forth. In winter, however, she grew tired of such meetings, and she wanted to have matters more comfortable, so she took it into her head to receive her lover in her own house. But how was it to be done? That, however, gave her no particular difficulty, as is the case with every woman, when once she has made up her mind to a thing, and after thinking it over for a day or two she went to the next _rendez-vous_, with a fully prepared plan of war.

The Pole was one of those types of handsome men which are rare; he was almost womanly in his delicate features, of the middle height, slim and well-made, and he resembled a youthful Bacchus who might very easily be made to pass for a Venus by the help of false locks; the more so as there was not even the slightest down on his lips. The lady, therefore, who was very fertile in resources, suggested to the handsome Pole that he might just as well transform himself into a handsome Polish lady, so that he might, under the cover of the ever feminine, be able to visit her undisturbed, and as it was winter, the thick, heavy, capacious dress assisted the metamorphosis.

The lady, accordingly, bought a number of very beautiful costumes for her lover, and in the course of a few days she told her husband that a charming young Polish lady, whose acquaintance she had made in the summer at Carlsbad, was going to spend the winter in Vienna, and would very frequently come and see her. Her husband listened to her with the greatest indifference, for it was one of his fundamental rules never to make love to any of his wife's female friends, and he went to his club as usual at night, and the next day had forgotten all about the Polish lady.

And now, half an hour after the husband had left the house, a cab drove up and a tall, slim, heavily veiled lady got out and went up the thickly carpeted stairs, only to be metamorphosed into the most ardent lover in the young woman's _boudoir_. The young Pole grew accustomed to his female attire so quickly that he even ventured to appear in the streets in it, and when he began to make conquests, and aristocratic gentlemen and successful speculators on the Stock Exchange looked at him significantly, and even followed him, he took a real pleasure in the part he was playing, and began to understand the pleasure a coquette feels in tormenting men.

The young Pole became more and more daring, until at last one evening he went to a private box at the opera, wrapped in an ermine cloak, on to which his dark, false curls fell in heavy waves.

A handsome young man in a box opposite to him ogled him incessantly from the first moment, and the young Pole responded in a manner which made the other bolder every minute. At the end of the third act, the box opener brought the fictitious Venus a small bouquet with a card concealed in it, on which was written in pencil: "You are the most lovely woman in the world, and I implore you on my knees to grant me an interview." The young Pole read the name of the man who had been captivated so quickly, and, with a peculiar smile, wrote on a card on which nothing but the name "Valeska" was printed: "After the theater," and sent Cupid's messenger back with it.

When the spurious Venus was about to enter her carriage after the performance, thickly veiled and wrapped in her ermine cloak, the handsome young man was standing by it with his hat off, and he opened the door for her. She was kind enough to allow him to get in with her and during their drive she talked to him in the most charming manner, but she was cruel enough to dismiss him without pity before they reached her house, and this she did every time. For she went to the theater each night now, and every evening she received an ardent note, and every evening she allowed the amorous swain to accompany her as far as her house, and men were beginning to envy him on account of his brilliant conquest, when a catastrophe happened which was very surprising for all concerned.

The husband of the lady in whose eyes the Pole had found favor, surprised the loving couple one day under circumstances which made any justification impossible. But while he, trembling with rage and jealousy, was drawing a small Circassian dagger which hung against the wall from its sheath, and as his wife threw herself, half-fainting, on to a couch, the young Pole had hastily put the false curls on to his head, and had slipped into the silk dress and the sable cloak which he had been wearing when he came into his mistress's boudoir. "What does this mean," the husband stammered, "Valeska?"--"Yes, sir," the young Pole replied; "Valeska, who has come here to show your wife a few love letters, which." ... "No, no," the deceived, but nevertheless guilty, husband said in imploring accents; "no, that is quite unnecessary." And at the same time he put the dagger back into its sheath. "Very well then, there is a truce between us," the Pole observed coolly, "but do not forget what weapons I possess, and which I mean to retain against all contingencies."

Then the gentlemen bowed politely to each other, and the unexpected meeting came to an end.

From that time forward, the terms on which the young married couple lived together assumed the character of that everlasting peace, which President Grant once promised to the whole world in his message to all nations. The young woman did not find it necessary to make her lover put on petticoats, and the husband constantly accompanied the real Valeska a good deal further than he did the false one on that memorable occasion.

CHRISTMAS EVE

"The Christmas-eve supper![8] Oh! no, I shall never go in for that again!" Stout Henri Templier said that in a furious voice, as if some one had proposed some crime to him, while the others laughed and said:

"What are you flying into a rage about?"

[Footnote 8: A great institution in France, and especially in Paris, at which black puddings are an indispensable dish.--TRANSLATOR.]

"Because a Christmas-eve supper played me the dirtiest trick in the world, and ever since I have felt an insurmountable horror for that night of imbecile gayety."

"Tell us what it is?"

"You want to know what it was? Very well then, just listen.

"You remember how cold it was two years ago at Christmas; cold enough to kill poor people in the streets. The Seine was covered with ice; the pavements froze one's feet through the soles of one's boots, and the whole world seemed to be at the point of going to pot.

"I had a big piece of work on, and so I refused every invitation to supper, as I preferred to spend the night at my writing table. I dined alone and then began to work. But about ten o'clock I grew restless at the thought of the gay and busy life all over Paris, at the noise in the streets which reached me in spite of everything, at my neighbors' preparations for supper, which I heard through the walls. I hardly knew any longer what I was doing; I wrote nonsense, and at last I came to the conclusion that I had better give up all hope of producing any good work that night.

"I walked up and down my room; I sat down and got up again. I was certainly under the mysterious influence of the enjoyment outside, and I resigned myself to it. So I rang for my servant and said to her:

"'Angela, go and get a good supper for two; some oysters, a cold partridge, some crayfish, hams and some cakes. Put out two bottles of champagne, lay the cloth and go to bed.'

"She obeyed in some surprise, and when all was ready, I put on my great coat and went out. A great question was to be solved: 'Whom was I going to bring in to supper?' My female friends had all been invited elsewhere, and if I had wished to have one, I ought to have seen about it beforehand, so I thought that I would do a good action at the same time, and I said to myself:

"'Paris is full of poor and pretty girls who will have nothing on their table to-night, and who are on the look out for some generous fellow. I will act the part of Providence to one of them this evening; and I will find one if I have to go into every pleasure resort, and have to question them and hunt for one till I find one to my choice.' And I started off on my search.

"I certainly found many poor girls, who were on the look-out for some adventure, but they were ugly enough to give any man a fit of indigestion, or thin enough to freeze as they stood if they had stopped, and you all know that I have a weakness for stout women. The more flesh they have, the better I like them, and a female colossus would drive me out of my senses with pleasure.

"Suddenly, opposite the Théâtre des Variétés, I saw a face to my liking. A good head, and then two protuberances, that on the chest very beautiful, and that on the stomach simply surprising; it was the stomach of a fat goose. I trembled with pleasure, and said:

"'By Jove! What a fine girl!'

"It only remained for me to see her face. A woman's face is the dessert, while the rest is ... the joint.

"I hastened on, and overtook her, and turned round suddenly under a gas lamp. She was charming, quite young, dark, with large, black eyes, and I immediately made my proposition, which she accepted without any hesitation, and a quarter of an hour later, we were sitting at supper in my lodgings. 'Oh! how comfortable it is here,' she said as she came in, and she looked about her with evident satisfaction at having found a supper and a bed, on that bitter night. She was superb; so beautiful that she astonished me, and so stout that she fairly captivated me.

"She took off her cloak and hat, sat down and began to eat; but she seemed in low spirits, and sometimes her pale face twitched as if she were suffering from some hidden sorrow.

"'Have you anything troubling you?' I asked her.

"'Bah! Don't let us think of troubles!'

"And she began to drink. She emptied her champagne glass at a draught, filled it again, and emptied it again, without stopping, and soon a little color came into her cheeks, and she began to laugh.

"I adored her already, kissed her continually, and discovered that she was neither stupid, nor common, nor coarse as ordinary street-walkers are. I asked her for some details about her life, but she replied:

"'My little fellow, that is no business of yours!' Alas! an hour later....

"At last it was time to go to bed, and while I was clearing the table, which had been laid in front of the fire, she undressed herself quickly, and got in. My neighbors were making a terrible din, singing and laughing like lunatics, and so I said to myself:

"'I was quite right to go out and bring in this girl; I should never have been able to do any work.'

"At that moment, however, a deep groan made me look round, and I said:

"'What is the matter with you, my dear?'

"She did not reply, but continued to utter painful sighs, as if she were suffering horribly, and I continued:

"'Do you feel ill?' And suddenly she uttered a cry, a heartrending cry, and I rushed up to the bed, with a candle in my hand.

"Her face was distorted with pain, and she was wringing her hands, panting and uttering long, deep groans, which sounded like a rattle in the throat, and which are so painful to hear, and I asked her in consternation:

"'What is the matter with you? Do tell me what is the matter.'

"'Oh! my stomach! my stomach!' she said. I pulled up the bed-clothes, and I saw ... My friends, she was in labor.

"Then I lost my head, and I ran and knocked at the wall with my fists, shouting: 'Help! help!'

"My door was opened almost immediately, and a crowd of people came in, men in evening dress, women in low necks, harlequins, Turks, Musketeers, and this inroad startled me so, that I could not explain myself, and they, who had thought that some accident had happened, or that a crime had been committed, could not understand what was the matter. At last, however, I managed to say:

"'This ... this ... woman ... is being confined.'

"Then they looked at her, and gave their opinion, and a Friar, especially, declared that he knew all about it, and wished to assist nature, but as they were all as drunk as pigs, I was afraid that they would kill her, and I rushed downstairs without my hat, to fetch an old doctor, who lived in the next street. When I came back with him, the whole house was up; the gas on the stairs had been relighted, the lodgers from every floor were in my room, while four boatmen were finishing my champagne and lobsters.

"As soon as they saw me they raised a loud shout, and a milkmaid presented me with a horrible little wrinkled specimen of humanity, that was mewing like a cat, and said to me:

"'It is a girl.'

"The doctor examined the woman, declared that she was in a dangerous state, as the event had occurred immediately after supper, and he took his leave, saying he would immediately send a sick nurse and a wet nurse, and an hour later, the two women came, bringing all that was requisite with them.

"I spent the night in my armchair, too distracted to be able to think of the consequences, and almost as soon as it was light, the doctor came again, who found his patient very ill, and said to me:

"'Your wife, Monsieur....'

"'She is not my wife,' I interrupted him.

"'Very well then, your mistress; it does not matter to me.'

"He told me what must be done for her, what her diet must be, and then wrote a prescription.

"What was I to do? Could I send the poor creature to the hospital? I should have been looked upon as a brute in the house and in all the neighborhood, and so I kept her in my rooms, and she had my bed for six weeks.

"I sent the child to some peasants at Poissy to be taken care of, and she still costs me fifty francs[9] a month, for as I had paid at first, I shall be obliged to go on paying as long as I live, and later on, she will believe that I am her father. But to crown my misfortunes, when the girl had recovered ... I found that she was in love with me, madly in love with me, the baggage!"

[Footnote 9: £2]

"Well?"

"Well, she had grown as thin as a homeless cat, and I turned the skeleton out of doors, but she watches for me in the streets, hides herself, so that she may see me pass, stops me in the evening when I go out, in order to kiss my hand, and, in fact, worries me enough to drive me mad; and that is why I never keep Christmas eve now."

WORDS OF LOVE

Sunday.--

You do not write to me, I never see you, you never come, so I must suppose that you have ceased to love me. But why? What have I done? Pray tell me, my own dear love. I love you so much, so dearly! I should like always to have you near me, to kiss you all day while I called you every tender name that I could think of. I adore you, I adore you, I adore you, my beautiful cock.--Your affectionate hen,

SOPHIE.

* * * * *

Monday.--

My dear friend,

You will absolutely understand nothing of what I am going to say to you, but that does not matter, and if my letter happens to be read by another woman, it may be profitable to her.

Had you been deaf and dumb, I should no doubt have loved you for a very long time, and the cause of what has happened is, that you can talk; that is all.

In love, you see, dreams are always made to sing, but in order that they might do so, they must not be interrupted, and when one talks between two kisses, one always interrupts that frenzied dream which our souls indulge in, unless they utter sublime words; and sublime words do not come out of the little mouths of pretty girls.

You do not understand me at all, do you? So much the better, and I will go on. You are certainly one of the most charming and adorable women whom I have ever seen.

Are there any eyes on earth that contain more dreams than yours, more unknown promises, greater depths of love? I do not think so. And when that mouth of yours, with its two round lips, smiles, and shows the glistening white teeth, one is tempted to say that there issues from this ravishing mouth ineffable music, something inexpressibly delicate, a sweetness which extorts sighs.

It is then that you quietly call out to me, my great and renowned "lady-killer," and it then seems to me as though I had suddenly found an entrance into your thoughts, which I can see is ministering to your soul--that little soul of a pretty, little creature, yes, pretty, but--and that is what troubles me, don't you see, troubles me more than tongue can tell. I would much prefer never to see you at all.

You go on pretending not to understand anything, do you not? I calculate on that.

Do you remember the first time you came to see me at my residence? How gaily you stepped inside, an odor of violets, which clung to your skirts, heralding your entrance; how we regarded each other, for ever so long, without uttering a word, after which we embraced like two fools.... Then ... then from that time to this, we have never exchanged a word.

But when we separated, did not our trembling hands and our eyes say many things, things ... which cannot be expressed in any language. At least, I thought so; and when you went away, you murmured:

"We shall meet again soon!"

That was all you said, and you will never guess what delightful dreams you left me, all that I, as it were, caught a glimpse of, all that I fancied I could guess in your thoughts.

You see, my poor child, for men who are not stupid, who are rather refined and somewhat superior, love is such a complicated instrument, that the merest trifle puts it out of order. You women never perceive the ridiculous side of certain things when you love, and you fail to see the grotesqueness of some expressions.

Why does a word which sounds quite right in the mouth of a small, dark woman, seem quite wrong and funny in the mouth of a fat, light-haired woman? Why are the wheedling ways of the one, altogether out of place in the other?

Why is it that certain caresses which are delightful from the one, should be wearisome from the other? Why? Because in everything, and especially in love, perfect harmony, absolute agreement in motion, voice, words, and in demonstrations of tenderness, are necessary, with the person who moves, speaks and manifests affection; it is necessary in age, in height, in the color of the hair, and in the style of beauty.

If a woman of thirty-five, who has arrived at the age of violent, tempestuous passion, were to preserve the slightest traces of the caressing archness of her love affairs at twenty, were not to understand that she ought to express herself differently, look at her lover differently, and kiss him differently were not to see that she ought to be Dido and not a Juliette, she would infallibly disgust nine lovers out of ten, even if they could not account to themselves for their estrangement. Do you understand me? No. I hoped so.

From the time that you turned on your tap of tenderness, it was all over for me, my dear friend. Sometimes we would embrace for five minutes, in one interminable kiss, one of those kisses which make lovers close their eyes, as if part of it would escape through their looks, as if to preserve it entire in that clouded soul which it is ravaging. And then, when our lips separated, you would say to me:

"That was nice, you fat old dog."

At such moments, I could have beaten you; for you gave me successively all the names of animals and vegetables which you doubtless found in some _cookery book_, or _Gardener's Manual_. But that is nothing.

The caresses of love are brutal, bestial, and if one comes to think of it, grotesque! ... Oh! My poor child, what joking elf, what perverse sprite could have prompted the concluding words of your letter to me? I have made a collection of them, but out of love for you, I will not show them to you.

And you really sometimes said things which were quite inopportune, and you managed now and then to let out an exalted: _I love you!_ on such singular occasions, that I was obliged to restrain a strong desire to laugh. There are times when the words: _I love you!_ are so out of place, that they become indecorous; let me tell you that.