Chapter XXXII: Introduction (13)

It may easily be understood that to these two beings, the air, the sounds about them, the noise of steps on the pavement,--things utterly indifferent to other men,--had some peculiarities, some perceptible properties which they alone detected. Love enabled them, perhaps, to find a faithful messenger even in the icy cold hands of the old priests to whom they confessed their sins, or from whom they received the Host, kneeling at the altar. It was a deep love, love graven on the soul like a scar on the body which remains for life. As the two young people looked at each other, the woman seemed to say to her lover: "Let us perish, but be one!" and the gentleman seemed to reply: "We will be one, but we will not perish!"

But then, with a melancholy jerk of the head, she pointed out to him an elderly duenna and a couple of pages. The duenna was asleep. The pages were but boys, and seemed perfectly reckless of any good or ill that might befall their master.

"Do not be frightened as you go out, but go just where you are led."

The young man had scarcely murmured these words, when the old gentleman's hand slipped down on to the handle of his weapon. At the touch of the cold iron he woke with a start, and his tawny eyes at once turned to his wife. By a peculiarity rarely bestowed, even on men of genius, he awoke with a brain as alert, and ideas as clear, as if he had never slept. He was jealous.

Though the young man kept one eye on his mistress, he watched her husband out of the other; he rose at once, and vanished behind a pillar, just as the old fellow's hands began to move; then he went off as lightly as a bird. The lady's eyes were fixed on her book. She pretended to be reading, and tried to seem calm; but she could not hinder herself from reddening, nor her heart from beating with unwonted violence.

The old man heard the vehement throbs that were audible in the chapel, and observed the extraordinary flush that had mounted to his wife's cheeks, brow, and eyelids; he looked cautiously about him, but seeing no one whom he could suspect, he said:

"What is troubling you, _ma mie_?"

"The smell of the incense makes me squeamish," said she.

"Then is it not good to-day?" said he.

In spite of this comment, the wily old man affected to believe in this excuse; still, he suspected some secret treason, and resolved to watch more carefully over his treasure.

The Benediction was pronounced. The crowd, without waiting for the end of _in secula seculorum_, hurried to the church door like a torrent. The old lord, as was his custom, waited quietly till the general rush was moderated, and then went forth, sending the duenna in front with the youngest page, who carried a lantern on a pole; he gave his arm to his wife and the other page followed. Just as the old gentleman had reached the side door opening into the eastern part of the cloisters, by which he usually went out, a crowd of people turned back from the mass that was blocking the front porch, surging in towards the aisle where he and his people were standing, and this compact body prevented his retracing his steps. The gentleman and his wife were, in fact, pushed out by the tremendous pressure of the crowd. The husband tried to get through first, dragging the lady by the arm; but at this juncture he was violently pulled into the street, and his wife was snatched from him by a stranger.

The sinister hunchback at once understood that this was a deep-laid plot into which he had fallen. Repenting now of his long nap, he collected all his strength; with one hand he clutched at his wife's gown, and with the other he tried to cling to the door-post. But the frenzy of love won the day from the fury of jealousy. The young man took his mistress round the waist, and snatched her away with such strength of despair that the tissue of silk and gold, the brocade, and whalebone gave way, and split with a crash. The sleeve was left in her husband's hand.

A roar like a lion's rose above the shouts of the multitude, and an awful voice was heard bellowing these words:

"Help! Poitiers! Here, to the door! The Comte de Saint-Vallier's people! Help, this way, help!"

And the Comte Aymar de Poitiers, Sire de Saint-Vallier, tried to draw his sword, and get a way cleared for him to pass; but he found himself closely surrounded by thirty or forty gentlemen whom it would have been dangerous to wound. Several of these, men of the highest rank, answered him with gibes, as they hauled him out to the cloister.

The ravisher, with the swiftness of lightning, had led the Countess to an open chapel, where he found her a seat on a wooden bench behind a confessional. By the light of the tapers burning before the image of the saint to whom the chapel was dedicated, they looked at each other for a moment in silence, clasping hands, and mutually amazed at their daring. The Countess had not the heart to blame the young man for the audacity to which she owed this first and only instant of happiness.

"Will you fly with me into the adjacent territory?" he asked her eagerly. "I have at hand a pair of English jennets which will carry us thirty leagues without drawing rein."

"Oh," cried she sweetly, "where in the world can you find asylum for a daughter of Louis XI.?"

"To be sure," replied the gentleman, bewildered by this difficulty, which he had overlooked.

"Why, then, did you tear me from my husband?" she asked in some terror.

"Alas!" replied he, "I had not thought of the agitation I should feel on finding myself by your side, on hearing you speak to me. I had conceived of two or three plans, and now that I see you, I feel as if everything were achieved."

"But I am lost," said the Countess.

"We are saved," replied the gentleman, with the blind enthusiasm of love. "Listen to me----"

"It will cost me my life," she went on, letting the tears flow which had gathered in her eyes. "The Count will kill me,--this evening, perhaps. But go to the King, tell him of all the torments his daughter has endured for five years past. He loved me well when I was a child. He was wont to laugh and call me Mary-full-of-grace because I was so ugly. Oh, if he could know to what a man he gave me, he would be in a terrible rage! I have never dared to complain, out of pity for the Count. And, besides, how should my voice reach the King's ears? My confessor even is a spy for Saint-Vallier. I therefore lent myself to this criminal escape, in the hope of enlisting a champion. But--dare I trust----Oh!" she cried, breaking off and turning pale; "here is the page."

The unhappy Countess tried to make a veil of her hands to hide her face.

"Fear nothing," said the young man; "he is on our side. You may make use of him in all security; he is mine. When the Count comes in search of you, he will warn us in time. In that confessional," he went on in an undertone, "is a canon who is a friend of mine. He will say that he has rescued you from the fray and led you, under his protection, to this chapel. Thus everything is prepared for deceiving Saint-Vallier."

On hearing this, the Countess dried away her tears, but her brow was clouded with alarm.

"There is no deceiving him," said she. "He will know everything this evening. Beware of his revenge. Go to Le Plessis, see the King, tell him that----"

She hesitated, but something gave her courage to tell the secrets of her married life, and she went on.

"Yes, tell him that to secure his mastery over me the Count has me bled in both arms and exhausts me. Tell him he has dragged me by my hair--tell him I am a prisoner--say that----"

Her heart was bursting, sobs choked her throat, a few tears fell again, and in her agitation she allowed the young man to kiss her hand while he uttered incoherent phrases.

"No one may speak to the King, poor child! Though I am the nephew of the grand captain of the crossbowmen, I cannot get into Le Plessis this night. My beloved lady, my beautiful queen!----Good God! how she has suffered! Marie, let me say two words to you or we are lost!"

"What is to become of us?" said she.

The Countess discerned on the blackened wall a picture of the Virgin on which the light fell, and she cried out:

"Holy Mother of God, give us counsel."

"To-night," the gentleman went on, "I will be in your house."

"How?" she asked, very simply.

They were in such great peril that their fondest words seemed bereft of tenderness.

"I am going this evening to propose myself as an apprentice to Maitre Cornelius, the King's treasurer. I have succeeded in obtaining a letter of introduction which will secure his receiving me. His house is close to yours. Once under that old rascal's roof, by the help of a silken ladder I can find my way to your rooms."

"Oh!" cried she, petrified with dismay, "if you love me, do not go to Maitre Cornelius."

"Why!" cried he, clasping her to his heart with all the strength of his youth. "Then you love me?"

"Yes," said she. "Are you not my only hope? You are a gentleman; I place my honor in your hands. And indeed," she went on with dignified confidence, "I am too unfortunate for you co betray my trust. But to what end is all this? Go, leave me to die rather than take up your abode with Cornelius. Do you not know that all his apprentices----"

"Have been hanged?" said the gentleman, laughing. "Do you suppose that his treasure tempts me?"

"Nay, nay, do not go there; you will be the victim of some sorcery."

"I cannot pay too dearly for the honor of serving you," replied he, giving her a look of such ardor as made her lower her eyes.

"And my husband?" said she.

"Here is something to send him to sleep," replied the young man, taking a small phial out of his belt.

"Not for ever?" said the Countess, trembling.

The young man's reply was a gesture of horror.

"I would have challenged him to single combat, if he were not so old," he said. "But God forbid I should rescue you from him by giving him a philter."

"Forgive me," said the Countess, blushing. "I am cruelly punished for my sins. In a moment of despair I did wish to kill the Count; I feared lest you might wish the same. My grief is great that I have not yet had an opportunity of confessing that wicked thought, but I feared that he would be told of it and he would be revenged. You are ashamed of me?" she added, hurt by the young man's silence. "I deserve your blame!"

She flung the phial violently to the ground, and it broke.

"Do not come," she went on; "the Count sleeps lightly. It is my duty to await the aid of Heaven. And that is what I will do."

She rose to go.

"Ah!" cried the young man, "bid me kill him, and I will do it, madame. You will see me this evening."

"I was wise to waste that drug," she replied, her voice husky with the joy of finding herself so ardently beloved. "The dread of awaking my husband will save us from ourselves."

"I plight my life to you," said the youth as he held her hand.

"If the King desires it, the Pope may annul my marriage; then we may be united," said she, giving him a look full of rapturous hope.

"Here comes Monseigneur," cried the page, hurrying up.

Instantly the gentleman, amazed at the shortness of the time he had spent with his mistress, and at the Count's swift movements, snatched a kiss which the lady could not refuse.

"This evening!" he repeated, as he slipped out of the chapel.

Favored by the darkness, the lover made his way to the great entrance, creeping from pillar to pillar along the shaft of shadow cast across the church by each great column.

An old canon suddenly stepped out of the confessional and seated himself by the Countess, after gently closing the gate, while the page marched gravely up and down outside, with the composure of an assassin.

A glare of light heralded the Count; escorted by a party of friends and retainers carrying torches, he himself held his drawn sword. His gloomy gaze seemed to pierce the darkness, and search the deepest corners of the cathedral.

"Monseigneur, madame is here," said the page, going to meet him.

The Lord of Saint-Vallier found his wife kneeling in front of the altar, and the canon standing by her, reading his breviary. At this sight he shook the gate furiously as if to give vent to his rage.

"What are you doing with a naked sword in hand in this church?" asked the priest.

"Father, this gentleman is my husband," said the Countess.

The priest took the key out of his sleeve and opened the chapel gate. The Count almost involuntarily glanced round the confessional, and then went into it; then he stood listening to the silence of the place.

"Monsieur," said his wife, "you owe your thanks to this venerable canon who gave me shelter here."

The Sire de Saint-Vallier turned pale with anger, and dared not look at his friends, who had come to laugh at him rather than to help him. He sharply replied:

"Thank the Lord, Father. I will find some way to repay you."

He took his wife by the arm, and without giving her time to make her courtesy to the canon, he signed to his people and went away, without a word to those who had given him their company. There was something ominous in his silence.

Impatient to be at home, and puzzling his brain for some means of discovering the truth, he made his way along the winding streets which at that time led from the cathedral to the porch of the Chancery office, where stood the noble mansion then recently built by the Chancellor Juvenal des Ursins, on the site of an old fortress given by Charles VII. to that faithful servant as a reward for his splendid services. There began a street which has since been named Rue de la Scellerie, in memory of the office of the Great Seal which long stood there. It connected old Tours with the borough of Chateauneuf, where stood the famous Abbey of Saint-Martin, of which many kings were content to be canons. For about a hundred years, and after long discussions, this borough had been incorporated with the city.

Many of the streets adjacent to the Rue de la Scellerie, in the heart now of modern Tours, were already built; but the finest houses, and more particularly that of the Treasurer Xancoings, still standing in the Rue du Commerce, were actually situated in the commune of Chateauneuf.

It was past this that the Sire de Saint-Vallier's torch-bearers led the way, to that part of the town which lay by the river Loire; he mechanically followed, casting a dark glance now and again at his wife and at the page, hoping to detect a look of mutual understanding between them which might throw some light on this most puzzling adventure.

At last the Count found himself in the Rue du Murier, where his house was. When the whole party had gone in, and the ponderous gate was shut, profound silence reigned in the narrow street where a few magnates at that time resided; for this side of the town was near to Le Plessis, the King's usual residence, enabling the courtiers to attend him at a moment's notice. The last house in this street was the last house in the town, and belonged to Maitre Cornelius Hoogworst, an old merchant from Brabant, whom the King Louis XI. honored with his confidence in such financial transactions as his astute policy required outside his realm. For reasons favoring the tyranny he exerted over his wife, the Comte de Saint-Vallier had settled in a mansion adjoining Maitre Cornelius' house.

The topography of the buildings will explain the advantages they offered to a jealous husband. The Count's house, known as the Hotel de Poitiers, had a garden, shut in on the north by the wall and moat that had been the boundary of the ancient borough of Chateauneuf skirted by the embankment then lately constructed by Louis XI. between Tours and Le Plessis. On that side dogs defended the entrance to the premises, which, on the east, were divided from the neighboring houses by a large courtyard, and on the west backed on to the house occupied by Maitre Cornelius. The street front faced south. Thus isolated on three sides, the suspicious and wily old Count was safe against all intruders but the inhabitants of the Brabant house, of which the roofs and chimneys were undistinguishable from those of the Hotel de Poitiers. The windows to the street were narrow, cut in the stone walls, and barred with iron; the door, low and arched like the entrance to our ancient prisons, was strong enough to resist any attack. A stone bench for mounting on horseback was close to the porch.

On seeing the side view of the houses occupied by Maitre Cornelius and the Comte de Poitiers, it could easily be supposed that they had both been built by the same architect, and constructed for tyrants. Both, with their sinister appearance, resembled little strongholds, and would have stood a siege for some time against a furious mob. They were protected by turrets at the corners, such as lovers of antiquities may yet see in some towns where the hammer of the destroyer has not found employment. The openings, which were everywhere narrow, allowed of the shutters and doors being constructed of extraordinary strength and clamped with iron. The riots and civil wars which were so frequent in those quarrelsome times amply justified these precautions.

As six o'clock struck by the clock of the Abbey of Saint-Martin, the Countess' lover walked past the Hotel de Poitiers, pausing a moment to hear the noise made by the Count's retainers over their supper. After glancing up at the room he might suppose to be that of his lady-love, he went on to the door of the next house. Everywhere on his way the young man had heard sounds of mirth from the feasters in every house doing honor to the holyday. From every window ineffectually shuttered came beams of light; chimneys were smoking, and the savor of roast meats gave cheer to the streets. Religious service being over, the whole town was reveling, and giving out confused sounds which the imagination can fancy better than words can describe them.

But here there was total silence; for in these two houses dwelt passions which never rejoice. Beyond them the open country was still; and here, under the shadow of the abbey towers of Saint-Martin, the two dumb houses, apart from the rest and standing in the darkest part of the tortuous street, looked like a leper's home. The building opposite to them belonged to certain state criminals, and was under sequestration. Any young man could not fail to be easily impressed by so sudden a contrast. And, indeed, on the verge of embarking in a horribly perilous enterprise, the gentleman stood pensive in front of the goldsmith's house, recalling the various tales he had heard of Maitre Cornelius and his proceedings, which had inspired the Countess with such lively fears.

At that period a warrior, a lover even, every man quaked at the word "magic." There were few imaginations that could be incredulous of extraordinary facts, or indifferent to tales of wonder. And this lover of Madame de Saint-Vallier (one of Louis XI.'s daughters by Madame de Sassenage, in Dauphine), brave as he might be, could not but think twice before venturing into a house that was full of sorceries.

The history of Maitre Cornelius Hoogworst will fully account for the confidence he had inspired in the Comte de Saint-Vallier, for the lady's terror, and for the hesitancy that gave pause to the lover. But to enable the nineteenth century reader to understand clearly how events apparently commonplace had been deemed supernatural, to make him enter into the terrors of that olden time, it is necessary to interrupt the narrative and glance at the previous career of Maitre Cornelius.

Cornelius Hoogworst, one of the wealthiest merchants of Ghent, having incurred the displeasure of Charles, Duke of Burgundy, had found a refuge and protection at the Court of Louis XI. The King was quite alive to the advantages he might derive from a man in communication with the principal houses of Flanders, Venice, and Brabant; he granted to Maitre Cornelius letters of nobility and naturalization; nay, he flattered him,--a rare thing with Louis XI. And, indeed the Fleming liked the King as well as the King liked the Fleming. Crafty, suspicious, avaricious; equally astute, equally well-informed, equally superior to their time, they understood each other to perfection; they dropped and took up again with equal readiness, the one his conscience and the other his religion; they worshiped the same Virgin--one from conviction, the other from flattery; finally, if we may believe the jealous statements of Olivier le Daim and Tristan, the King resorted to the goldsmith's house to take his pleasure--as Louis XI. took it. History has taken care to preserve the memory of this monarch's licentious tastes, for he was not averse to a debauch. The old Fleming, no doubt, found it pleasant and profitable to lend himself to his royal patron's caprices and indulgences.

Cornelius had now lived in Tours for nine years. During these nine years incidents had occurred under his roof which made him the object of general execration. On arriving he had spent large sums on the house, with a view to securing his treasures. The ingenuity secretly exerted on his behalf by the locksmiths of the town, the singular precautions he had taken to get them into his house, in such a way as to feel sure of their compulsory secrecy, were for a long time the subject of a thousand wonderful tales which furnished the evening gossip of Touraine. The old man's extraordinary devices led to the idea that he was possessed of Oriental wealth. The story-tellers of the province which was the birth-place of romance in France built chambers of gold and precious stones in the Fleming's dwelling, never failing to ascribe his immense riches to unholy compacts.

Cornelius had brought with him originally a couple of Flemish varlets, an old woman, and a young apprentice of mild and attractive appearance; this youth served him as secretary, cashier, factotum, and messenger.

In the course of the first year of his residence at Tours, a considerable robbery was effected from his premises. Judicial investigation proved that the theft had been committed by someone living in the house. The old miser had his two men and his apprentice put in prison. The young lad was weakly; he died under torture, still protesting his innocence. The two men confessed, to escape torture; but on being asked by the judge where the stolen money was hidden, they were silent; so, after fresh tortures, they were tried, condemned, and hanged. On their way to the gallows they still declared that they were guiltless, after the manner of all men to be hanged.

The town of Tours talked over the strange business for many a day. But the criminals were Flemings, so the interest excited in the unfortunate men and the youthful clerk soon died out. In those days war and sedition supplied perpetual excitement, and to-day's drama extinguished yesterday's tragedy.

Maitre Cornelius, more affected by the loss of so large a sum than by the death of his three retainers, now lived alone with the old woman who was his sister. He obtained from the King the privilege of using the state couriers for his private business, put up his mules with a muleteer in the neighborhood, and thenceforth lived in perfect solitude, seeing scarce anyone but the King, and transacting his business through the medium of the Jews--crafty arithmeticians, who served him faithfully for the sake of his omnipotent interest.

Some time after this event, the King himself placed with his old _torconnier_ a young orphan in whom he took a great interest. Louis XI. commonly called Maitre Cornelius by the old name of _torconnier_, which, in the reign of Saint-Louis, had meant an usurer, a tax-collector, a man who squeezed money out of folks by extortionate means. The word _tortionnaire_, a legal term still in use, in fact, explains the word _torconnier_, which was often written _tortionneur_. This poor lad devoted himself to the goldsmith's interest, succeeded in satisfying his master and winning his favor. One winter's night the diamonds placed in Cornelius' keeping by the King of England were stolen, and suspicion fell on the orphan lad. Louis XI. was all the more severe with him because he had answered for his honesty. So, after a summary inquiry, the hapless boy was hanged before the Provost Marshal.

Nobody dared go to learn the arts of banking and exchange from Maitre Cornelius. Nevertheless two young men of the town, youths of honor and anxious to win a fortune, one after the other entered his service. Large robberies from the treasurer's house at once ensued; the circumstances of the crimes, and the way in which they were carried out, pointed clearly to some collusion between the thieves and the inmates of the house; it was impossible that the newcomers should escape accusation. The Fleming, more and more vindictive and suspicious, at once laid the matter before the King, who placed the cases in his Provost's hands. Each was promptly tried, and more promptly punished.

But the patriotism of the citizens was opposed to Tristan's swift proceedings. Guilty or no, the two young men were regarded as victims, and Cornelius as a ruffian. The two families thrown into mourning were persons in high esteem, their complaints met with sympathy, and step by step they succeeded in persuading everyone to believe in the innocence of all the men that the King's treasurer had sent to the gallows. Some declared that this cruel miser was imitating the King and trying to set terror and the gibbet between himself and the world; that he had never been robbed at all; that these horrible executions were brought about by cold self-interest; and that he only wanted to be quit of all alarms about his treasure.

The immediate result of these popular rumors was to isolate Cornelius. The good folks of Tours treated him as one plague-stricken, spoke of him as the extortioner, and called his house La Malemaison (the House of Ill). Even if the usurer could have found a youth bold enough to take service with him, the inhabitants of the town would have hindered it by their sayings. The most favorable opinions about Maitre Cornelius were those expressed by men who regarded him only as a sinister personage. In some he inspired involuntary terrors, in others, the deep respect that is always paid to unlimited power or great wealth; to some he had the attraction of mystery. His mode of life, his countenance, and the King's favor justified every rumor of which he was the subject.

Since the death of his persecutor, the Duke of Burgundy, Cornelius frequently traveled in foreign parts, and during his absence the King had his house guarded by a company of his Scottish guard. This royal care led the courtiers to suppose that the old man had left his fortune to Louis XI. The Fleming rarely went out; the gentlemen about the Court visited him frequently; he was ready enough to lend them money, but he was whimsical. On certain days he would not give them a sou _Parisis_; on the morrow he would offer them enormous sums, always at a high rate of interest and on good security. He was, however, a good Catholic, and attended the services regularly; but he went to Saint-Martin at a very early hour, and as he had purchased a chapel in perpetuity, there, as elsewhere, he was divided from other Christians.

A proverb which became popular at this period and survived at Tours for a long time was the saying: "You have crossed the usurer's path; woe will befall you." "You have crossed the usurer's path" accounted for sudden ailments, involuntary depression, and the evil turns of fortune. Even at Court Cornelius was credited with the fatal influence which, in Italy, Spain, and the East, superstition has named the Evil Eye.

But for the terrible power of Louis XI., which was extended like a shield over his house, the populace would, on the slenderest pretext, have demolished the Malemaison of the Rue du Murier. And yet it was by Cornelius that the first mulberry trees in Tours had been planted, and at that time the inhabitants had regarded him as a good genius. Who then may trust to popular favor?

Certain gentlemen who had met Maitre Cornelius in foreign lands had been amazed by his good humor. At Tours he was constantly gloomy and absent-minded; but he always came back there. Some inexplicable attraction always brought him home to his dismal house in the Rue du Murier. Like the snail whose life is inseparable from that of his shell, he confessed to the King that he never felt so happy as behind the time-eaten stones, the bolts of his little bastille, albeit he knew that in the event of Louis' death it would be the most dangerous spot on earth to him.

"The devil is amusing himself at the expense of our friend the _torconnier_," said Louis XI. to his barber, a few days before the festival of All Saints. "He complains of having been robbed again! But there is nobody this time for him to hang--unless he hangs himself. If the old vagabond did not come to ask me whether I had carried off by mistake a chain of rubies he had been meaning to sell me? By the Mass! I do not steal what I have only to take, said I."

"And was he frightened?" asked the barber.

"Misers are afraid but of one thing," replied the King. "My gossip the usurer knows full well that I should not flay him for nothing; otherwise I should be unjust, and I have never done anything that was not just and necessary."

"And yet the old hulk cheats you," replied the barber.

"You only wish that were true, heh?" said the King, with a cunning leer at the barber.

"Nay, Sire," replied the man, with an oath; "but there would be a snug fortune to divide between you and the devil."

"That will do," said the King. "Do not put mischief into my head. My gossip is a more faithful friend than all the men whose fortunes I have made--possibly because he owes me nothing."

Thus, for two years past, Cornelius lived alone with his sister, who was believed to be a witch. A tailor who lived hard by declared that he had often seen her at night waiting on the roof to fly off to her Sabbath. This statement was all the more extraordinary because the old miser shut his sister up in a room of which the windows were barred with iron.

Cornelius in his old age, fearing more and more that men should rob him, had conceived a hatred for all the world excepting the King, whom he esteemed highly. He had sunk into deep misanthropy; but, in his passion for gold, the assimilation of the metal with his very substance had become more and more complete, and, as is commonly the case with misers, his avarice increased with age. He was suspicious even of his sister, though she was perhaps more avaricious and thrifty than himself, and outdid him in sordid inventiveness. There was something mysterious and questionable in their way of life. The old woman so rarely took bread from the baker, and was so seldom seen at market, that the least credulous observers had at last attributed to these strange beings the knowledge of some occult means of sustaining life. Some, who meddled in alchemy, said that Maitre Cornelius could make gold. The learned declared that he had discovered the universal panacea. And to most of the country folk, when the townspeople spoke of him, he was a chimerical creature, so that they would come out of curiosity to stare at his house.

* * * * *

The young gentleman, sitting on a bench by the house facing that of Maitre Cornelius, looked at the Malemaison and the Hotel de Poitiers by turns. The moon shed high lights on the salient parts, lending color by the contrast of light and shade on the sculpture in relief. The play of this capricious pale light gave a somewhat sinister expression to both houses. Nature seemed to lend herself to the superstitious notions that hung about the place.

The gentleman recalled all the many traditions which made Cornelius an object at once of curiosity and dread. Though the vehemence of his passion confirmed him in his determination to get into the house and to stay there as long as might be necessary to carry out his projects, he hesitated before taking this final step, though well aware that he should do so. But who, in the critical hours of life, does not love to listen to presentiments and play see-saw, as it were, over the abyss of futurity? As a lover worthy of his love, the youth feared lest he should perish before the Countess' love should grace his life.

This secret hesitancy was so painfully absorbing that he did not feel the cold wind that blew round his legs and against the projecting masses of the houses. If he entered the goldsmith's service, he must renounce his name, as he had already doffed his handsome garb as a nobleman. In the event of disaster, he could make no appeal to the privileges of his birth or the protection of his friends but at the cost of destroying the Comtesse de Saint-Vallier beyond all rescue. If the old lord suspected her of having a lover, he was capable of roasting her in an iron cage by a slow fire, of torturing her to death day by day in the depths of some dungeon.

As he looked down on the wretched clothes in which he was disguised, the gentleman was ashamed of his own appearance. To behold his black leather belt, his clumsy shoes, his wrinkled hose, his frieze breeches, and his gray cloth jerkin, he might be the follower of some mean sergeant of the law. To a nobleman of the fifteenth century it was as bad as death to play the part of pauper townsman and renounce the privileges of his rank. Still, to climb the roof of the mansion where his mistress sat weeping; to creep down the chimney or run along the parapet, crawling from gutter to gutter till he reached her window; to risk his life, if only he might sit by her side on a silken cushion, in front of a good fire, during the slumbers of that sinister husband, whose snore would enhance their rapture; to defy heaven and earth; to exchange the most audacious embrace; to speak words which would inevitably be punished by death, or at least by a bloody struggle,--all these enchanting visions, with the romantic perils of the adventure brought him to a decision. The smaller the prize of his endeavor,--were it only to be that he should once more kiss his lady's hand,--the more determined was he to dare everything, prompted by the chivalrous and impassioned spirit of the time. Then he did not really suppose that the Countess would dare to refuse him the sweetest reward of love, in the midst of such mortal dangers. The adventure was too perilous, too impossible, not to be carried through to the end.

At this juncture every bell in the town rang the curfew. The law had fallen into disuse, but in the provinces the hour was still tolled, for customs die slowly in the country. Though the lights were not put out, the captains of the watch stretched chains across the streets. Many doors were bolted and barred; the steps of a few belated citizens were heard in the distance as they made their way, surrounded by their followers, armed to the teeth and carrying lanterns; and then, ere long, the town, gagged as it were, seemed to fall asleep, fearing no attack from malefactors, unless by way of the roof.

And at that time the house-tops were a recognized highway during the night. The streets were so narrow in country towns, and even in Paris, that robbers could jump from one side to the other. This dangerous game was a constant amusement to King Charles IX. in his youth, if we may believe the memoirs of the time.

Fearing to be too late in presenting himself to Maitre Cornelius, the young gentleman was on the point of rising to knock at the door of the House of Evil, when, on looking at it, his attention was riveted by a sort of vision, such as the writers of the day would have called diabolical. He rubbed his eyes as if to clear them, and a thousand different emotions flashed through his brain. On each side of the door he beheld a face framed between the bars of a sort of loophole. At first he supposed these faces to be grotesque masks carved in stone, so wrinkled were they, so angular, twisted, exaggerated, and motionless; they were tanned,--that is to say, brown; but the cold and the moonlight enabled him to detect the slight white cloud of thin breath coming out of the two blue noses, and at last he could make out in each haggard face, under shaggy eyebrows, a pair of china-blue eyes that sparkled with a pale light, like those of a wolf crouching in a thicket when he hears the hounds in full cry. The uneasy gleam of those eyes rested so fixedly on him, that, after meeting it during the moment when he was studying these singular objects, he felt like a bird put up by a sporting dog; a fevered spasm clutched at his heart, but was at once controlled. These two faces were beyond a doubt those of Cornelius and his sister.

The gentleman at once affected to be examining the street and to be in search of a dwelling of which the address was written on a card that he took out of his pocket, trying to read it by the moonlight; he then went straight up to the extortioner's door and gave three knocks, which echoed within the house as if this were the portal of a cellar. A small light became visible, and an eye was applied to a small and strongly barred wicket.

"Who is there?"

"A friend, sent by Oosterlinck of Bruges."

"What do you want?"

"To be let in."

"Your name?"

"Philippe Goulenoire."

"Have you letters of introduction?"

"Here they are."

"Put them in through the box."

"Where is it?"

"To the left."

Philippe Goulenoire put the letter into a slit in an iron chest below a loophole window.

"The devil!" thought he. "It is evident that the King comes here, for as many precautions are observed as he takes at Le Plessis."

He waited in the street about a quarter of an hour longer. At the end of that time he heard the old man say to his sister:

"Shut the traps inside the door."

Then a clatter of chains and iron echoed through the porch. Philippe heard bolts drawn and locks creak; finally a small, low door, sheathed with iron, opened so as to afford the smallest chink through which a man might squeeze. At the risk of tearing his clothes, Philippe crept rather than walked into the Malemaison. A toothless old woman with a face like a fiddle, and eyebrows like the handles of a caldron, who could not have put a nut between the tip of her nose and her chin, colorless, sallow, with hollow temples and an appearance of being constructed of nothing but bone and sinew, silently led the stranger into a low sitting-room, while Cornelius prudently kept in the rear.

"Be seated there," said she to Philippe, pointing to a three-legged stool that stood in the corner of a huge chimney-place of carved stone, though there was no fire on the hearth.

On the opposite side of this fireplace was a walnut-wood table with twisted legs, on which there were an egg in a plate and ten or twelve hard strips of dry bread cut with parsimonious exactitude. Two stools, on one of which the old woman seated herself, showed that the good folks were in the act of supping.

Cornelius went to close two iron shutters, protecting the peepholes, no doubt, through which they had so long been gazing into the street; then he came back to his place. Philippe, as he called himself, now saw the brother and sister take it in turns, with perfect gravity, to dip a strip of bread into the egg, with the same precision as soldiers use in dipping their spoon into the tin pot; but they scarcely colored them, in order that the egg might last out the full allowance of strips of bread. This was performed in perfect silence.

While he ate, Cornelius studied the sham apprentice with as much care and shrewdness as if he had been made of gold bezants. Philippe, feeling an icy cloak fall on his shoulders, was tempted to look about him; but, with the prudence born of a love-adventure, he took care not to cast even a furtive glance at the walls, for he was well aware that if Cornelius saw him in the act he would not keep an inquisitive man in the house. So he restricted himself to fixing a modest eye now on the egg, now on the old maid, and anon he contemplated his future master.

Louis' treasurer resembled that monarch; he had even caught some of his tricks, as not unfrequently happens when people live together in intimacy. The Fleming's thick eyebrows almost hid his eyes; but when he raised them a little his glance was bright, penetrating, and full of energy,--the look of men who are used to be silent, and to whom concentration of mind is a familiar habit. His thin lips, finely puckered with upright lines, gave him a keenly subtle expression. The lower part of his face, indeed, vaguely suggested a fox's muzzle; still, a lofty and prominent brow, deeply furrowed, seemed to reveal some great and fine qualities,--a noble soul whose flights had been checked by experience, while the bitter lessons of life had quenched it and thrust it down into the deepest secret places of this strange being. He was certainly no ordinary miser, and his passion no doubt covered intense joys and secret conceptions.

"At what rate are Venetian sequins doings?" he suddenly asked his intending apprentice.

"At three-quarters, at Bruges; at one, at Ghent."

"What is the freight on the Scheldt?"

"Three sous _Parisis_."

"Nothing new in Ghent?"

"Lieven d'Herde's brother is ruined."

"Indeed!"

After allowing this exclamation to escape him, the old man covered his knees with the skirt of his dalmatic, a sort of robe of black velvet in front, with wide sleeves and no collar. The magnificent material was shiny with wear. This relic of the handsome dress he had been wont to wear as president of the tribunal of _Parchons_--a position which had brought upon him the Duke of Burgundy's enmity--was no more than a rag.

Philippe was not cold; he was bathed in sweat, trembling lest he should be required to answer any further questions. So far the brief information he had extracted the day before from a Jew, whose life he had once saved, had proved sufficient, thanks to his good memory, and to the Jew's thorough knowledge of the money-lender's manners and habits. But the young gentleman who, in the first flush of enterprise, had been full of confidence, now began to perceive the many difficulties of the business. The terrible Fleming's solemn gravity and perfect coolness were telling on him. And besides, he felt himself under lock and key, and could picture all the Provost's cords at Maitre Cornelius' command.

"Have you supped?" said the miser, in a tone which plainly meant "Do not sup."

In spite of her brother's tone the old woman was startled; she looked at their young inmate as if to gauge the capacity of the stomach she would be expected to fill, and then said with a false smile:

"You have not got your name for nothing, for your hair and moustache are blacker than the devil's tail."

"I have supped," replied he.

"Very well," said the miser; "then come to see me again to-morrow. I have long been accustomed to dispense with the services of an apprentice. Besides, the night brings good counsel."

"Nay, by Saint-Bavon! monsieur, I am from Flanders. I know nobody here, the chains are up. I shall be cast into prison. However," he added, frightened at the eagerness with which he had spoken, "of course, if it suits your convenience, I will go."

The oath had a strange effect on the old Fleming.

"Well, well. By Saint-Bavon! you shall sleep here."

"But----" his sister began in dismay.

"Silence," said Cornelius. "Oosterlinck, in his letter, answers for this youth. Have we not a hundred thousand livres in hand belonging to Oosterlinck?" he whispered in her ear; "and is not that good security?"

"And supposing he were to steal the Bavarian jewels? He looks far more like a thief than a Fleming."

"Hark!" exclaimed the old man, listening.

The two misers listened. Vaguely, an instant after the hush, a noise of men's steps was heard, far away on the further side of the city moat.

"It is the round of the watch at Le Plessis," said the sister.

"Come, give me the key of the apprentice's room," Cornelius went on.

The old maid was about to take up the lamp.

"What, are you going to leave us together without a light?" cried Cornelius, with evident meaning. "Cannot you move about in the dark at your age? Is it so difficult to find that key?"

The old woman understood the meaning behind these words, and went away.

As he looked after this extraordinary creature, just as she reached the door, Philippe Goulenoire could cast a furtive glance round the room unobserved by his master. It was wainscoted with oak half-way up, and the walls were hung with yellow leather, patterned with black; but what most struck him was a firelock musket with its long spring dagger attached. This new and terrible weapon lay close by Cornelius.

"How do you propose to earn your living?" asked the usurer.

"I have but little money," replied Goulenoire, "but I know some good trade recipes. If you will give me no more than a sou on every mark I earn for you, I shall be content."

"A sou! a sou!" cried the miser; "but that is a great deal."

Hereupon the old hag came in again.

"Come," said Cornelius to Philippe.

They went out into the entrance, and mounted a newel stair that ran up a turret close by the side of the living-room. On the first floor the young man paused.

"Nay, nay," said Cornelius. "The devil! why, these are the premises where the King takes his pleasure."

The architect had constructed the lodging for the apprentice under the conical roof of the staircase tower. It was a small circular room, with stone walls, cold and devoid of ornament. This tower stood in the middle of the front to the courtyard, which, as usual in provincial towns, was narrow and dark. Beyond and through the iron gratings of an arcade, there was a meagre garden, or rather a mulberry orchard, tended no doubt by Cornelius himself.

All this the youth could see through the loopholes in the turret, by the light of the moon, which happily shone brightly. A truckle-bed, a stool, a stone pitcher, and a rickety chest formed the furniture of this cage. The light was admitted through tiny square slits at regular intervals below the outer cornice of the structure, forming its ornamentation, no doubt, in character with this pleasing style of architecture.

"Here is your room. It is simple and strong. There is everything needed for sleep. Good-night. Do not leave it as the others did."

After giving his new apprentice a parting glance fraught with many meanings, Cornelius locked and double-locked the door, and carried away the key. He went downstairs again, leaving his man as much at his wit's end as a bell-founder who finds his mould empty. Alone, without a light, sitting on a stool in this little garret, which his four precursors had quitted only for the gallows, the young fellow felt like a wild animal caught in a sack. He sprang on to the stool, and stood on tiptoe to look out of the little loopholes through which the white light came in. He could thence see the Loire, the beautiful hills of Saint-Cyr, and the gloomy splendor of Le Plessis, where a few lights twinkled from the deep-set windows. Further away lay the fair fields of Touraine and the silvery reaches of the great river. Every detail of the pleasing landscape had at this moment an unwonted charm. Window-panes, water-pools, the roofs of the houses, glittered like gems in the tremulous moonbeams.

The young man could not altogether suppress some sweet but painful feeling.

"If it should be for the last time," thought he.

And he stood there, already tasting the terrible emotion his adventure had promised, and abandoning himself to the fears of a prisoner who still has a gleam of hope. Every difficulty added to his mistress' beauty. She was to him no longer a woman, but a supernatural being, seen through the hot vapors of desire.

A faint cry, which he fancied proceeded from the Hotel de Poitiers, brought him to himself and to a sense of his situation. As he sat down on the bed to meditate on the matter, he heard a soft rustle on the winding stair. He listened with all his ears; and presently the words, "He is in bed," spoken by the old woman, reached his ear.

By an accident of which the architect was unaware, the least sound below was echoed in the turret room, so that the sham apprentice did not lose one of the movements of the miser and his sister, who were spying on him. He undressed, got into bed, and pretended to sleep, spending the time during which his two hosts remained on the watch on the turret steps, in devising the means for getting out of his prison and into the Hotel de Poitiers. By about ten o'clock Cornelius and his sister, convinced that their apprentice was asleep, went to their own rooms.

The young man listened keenly to the dull remote sounds made by the Flemings, and fancied he could guess where they slept; they must, he thought, occupy the whole of the second floor.

As in all houses of that date, that floor was in the roof, with dormer windows richly ornamented with carved stone pediments. The roof was also edged by a sort of parapet, concealing the gutters for conducting the rain-water to the spouts, mimicking crocodiles' heads, which shed it into the street. The youth, who had studied his bearings as cunningly as a cat could have done, expected to find a means of getting from the tower on to the roof, and climbing along the gutter as far as Madame de Saint-Vallier's window, by the help of the water-spouts; but he had not known that the windows of the turret would be so small that it was impossible to pass through them. So he resolved to get out on the roof by the window that lighted the second-floor landing of the turret stair.