Chapter V: Introduction (4)

Where the lion, crouching high on
Abraham's rock with teeth of iron,
Glares o'er wood and wave away,
Faintly thence, as pines far sighing,
Or as thunder spent and dying,
Come the challenge and replying,
Come the sounds of flight and fray.
Well-a-day! Hope and pray!
Some are living, some are lying
In their red graves far away.

Straggling rangers, worn with dangers,
Homeward faring, weary strangers
Pass the farm-gate on their way;
Tidings of the dead and living,
Forest march and ambush, giving,
Till the maidens leave their weaving,
And the lads forget their play.
"Still away, still away!"
Sighs a sad one, sick with grieving,
"Why does Robert still delay!"

Nowhere fairer, sweeter, rarer,
Does the golden-locked fruit bearer
Through his painted woodlands stray,
Than where hillside oaks and beeches
Overlook the long, blue reaches,
Silver coves and pebbled beaches,
And green isles of Casco Bay;
Nowhere day, for delay,
With a tenderer look beseeches,
"Let me with my charmed earth stay."

On the grain-lands of the mainlands
Stands the serried corn like train-bands,
Plume and pennon rustling gay;
Out at sea, the islands wooded,
Silver birches, golden-hooded,
Set with maples, crimson-blooded,
White sea-foam and sand-hills gray,
Stretch away, far away.
Dim and dreamy, over-brooded
By the hazy autumn day.

Gayly chattering to the clattering
Of the brown nuts downward pattering,
Leap the squirrels, red and gray.
On the grass-land, on the fallow,
Drop the apples, red and yellow;
Drop the russet pears and mellow,
Drop the red leaves all the day.
And away, swift away,
Sun and cloud, o'er hill and hollow
Chasing, weave their web of play.

"Martha Mason, Martha Mason,
Prithee tell us of the reason
Why you mope at home to-day
Surely smiling is not sinning;
Leave, your quilling, leave your spinning;
What is all your store of linen,
If your heart is never gay?
Come away, come away!
Never yet did sad beginning
Make the task of life a play."

Overbending, till she's blending
With the flaxen skein she's tending
Pale brown tresses smoothed away
From her face of patient sorrow,
Sits she, seeking but to borrow,
From the trembling hope of morrow,
Solace for the weary day.
"Go your way, laugh and play;
Unto Him who heeds the sparrow
And the lily, let me pray."

"With our rally, rings the valley,--
Join us!" cried the blue-eyed Nelly;
"Join us!" cried the laughing May,
"To the beach we all are going,
And, to save the task of rowing,
West by north the wind is blowing,
Blowing briskly down the bay
Come away, come away!
Time and tide are swiftly flowing,
Let us take them while we may!

"Never tell us that you'll fail us,
Where the purple beach-plum mellows
On the bluffs so wild and gray.
Hasten, for the oars are falling;
Hark, our merry mates are calling;
Time it is that we were all in,
Singing tideward down the bay!"
"Nay, nay, let me stay;
Sore and sad for Robert Rawlin
Is my heart," she said, "to-day."

"Vain your calling for Rob Rawlin
Some red squaw his moose-meat's broiling,
Or some French lass, singing gay;
Just forget as he's forgetting;
What avails a life of fretting?
If some stars must needs be setting,
Others rise as good as they."
"Cease, I pray; go your way!"
Martha cries, her eyelids wetting;
"Foul and false the words you say!"

"Martha Mason, hear to reason!--
Prithee, put a kinder face on!"
"Cease to vex me," did she say;
"Better at his side be lying,
With the mournful pine-trees sighing,
And the wild birds o'er us crying,
Than to doubt like mine a prey;
While away, far away,
Turns my heart, forever trying
Some new hope for each new day.

"When the shadows veil the meadows,
And the sunset's golden ladders
Sink from twilight's walls of gray,--
From the window of my dreaming,
I can see his sickle gleaming,
Cheery-voiced, can hear him teaming
Down the locust-shaded way;
But away, swift away,
Fades the fond, delusive seeming,
And I kneel again to pray.

"When the growing dawn is showing,
And the barn-yard cock is crowing,
And the horned moon pales away
From a dream of him awaking,
Every sound my heart is making
Seems a footstep of his taking;
Then I hush the thought, and say,
'Nay, nay, he's away!'
Ah! my heart, my heart is breaking
For the dear one far away."

Look up, Martha! worn and swarthy,
Glows a face of manhood worthy
"Robert!" "Martha!" all they say.
O'er went wheel and reel together,
Little cared the owner whither;
Heart of lead is heart of feather,
Noon of night is noon of day!
Come away, come away!
When such lovers meet each other,
Why should prying idlers stay?

Quench the timber's fallen embers,
Quench the recd leaves in December's
Hoary rime and chilly spray.

But the hearth shall kindle clearer,
Household welcomes sound sincerer,
Heart to loving heart draw nearer,
When the bridal bells shall say:
"Hope and pray, trust alway;
Life is sweeter, love is dearer,
For the trial and delay!"

1856.

THE GARRISON OF CAPE ANN.

FROM the hills of home forth looking, far beneath
the tent-like span
Of the sky, I see the white gleam of the headland
of Cape Ann.
Well I know its coves and beaches to the ebb-tide
glimmering down,
And the white-walled hamlet children of its ancient
fishing town.

Long has passed the summer morning, and its
memory waxes old,
When along yon breezy headlands with a pleasant
friend I strolled.
Ah! the autumn sun is shining, and the ocean
wind blows cool,
And the golden-rod and aster bloom around thy
grave, Rantoul!

With the memory of that morning by the summer
sea I blend
A wild and wondrous story, by the younger Mather
penned,
In that quaint Magnalia Christi, with all strange
and marvellous things,
Heaped up huge and undigested, like the chaos
Ovid sings.

Dear to me these far, faint glimpses of the dual
life of old,
Inward, grand with awe and reverence; outward,
mean and coarse and cold;
Gleams of mystic beauty playing over dull and
vulgar clay,
Golden-threaded fancies weaving in a web of
hodden gray.

The great eventful Present hides the Past; but
through the din
Of its loud life hints and echoes from the life
behind steal in;
And the lore of homeland fireside, and the legendary
rhyme,
Make the task of duty lighter which the true man
owes his time.

So, with something of the feeling which the Covenanter
knew,
When with pious chisel wandering Scotland's
moorland graveyards through,
From the graves of old traditions I part the black-
berry-vines,
Wipe the moss from off the headstones, and retouch
the faded lines.

Where the sea-waves back and forward, hoarse
with rolling pebbles, ran,
The garrison-house stood watching on the gray
rocks of Cape Ann;
On its windy site uplifting gabled roof and palisade,
And rough walls of unhewn timber with the moonlight
overlaid.

On his slow round walked the sentry, south and
eastward looking forth
O'er a rude and broken coast-line, white with
breakers stretching north,--
Wood and rock and gleaming sand-drift, jagged
capes, with bush and tree,
Leaning inland from the smiting of the wild and
gusty sea.

Before the deep-mouthed chimney, dimly lit by
dying brands,
Twenty soldiers sat and waited, with their muskets
in their hands;
On the rough-hewn oaken table the venison haunch
was shared,
And the pewter tankard circled slowly round from
beard to beard.

Long they sat and talked together,--talked of
wizards Satan-sold;
Of all ghostly sights and noises,--signs and wonders
manifold;
Of the spectre-ship of Salem, with the dead men
in her shrouds,
Sailing sheer above the water, in the loom of morning
clouds;

Of the marvellous valley hidden in the depths of
Gloucester woods,
Full of plants that love the summer,--blooms of
warmer latitudes;
Where the Arctic birch is braided by the tropic's
flowery vines,
And the white magnolia-blossoms star the twilight
of the pines!

But their voices sank yet lower, sank to husky
tones of fear,
As they spake of present tokens of the powers of
evil near;
Of a spectral host, defying stroke of steel and aim
of gun;
Never yet was ball to slay them in the mould of
mortals run.

Thrice, with plumes and flowing scalp-locks, from
the midnight wood they came,--
Thrice around the block-house marching, met, unharmed,
its volleyed flame;
Then, with mocking laugh and gesture, sunk in
earth or lost in air,
All the ghostly wonder vanished, and the moonlit
sands lay bare.

Midnight came; from out the forest moved a
dusky mass that soon
Grew to warriors, plumed and painted, grimly
marching in the moon.
"Ghosts or witches," said the captain, "thus I foil
the Evil One!"
And he rammed a silver button, from his doublet,
down his gun.

Once again the spectral horror moved the guarded
wall about;
Once again the levelled muskets through the palisades
flashed out,
With that deadly aim the squirrel on his tree-top
might not shun,
Nor the beach-bird seaward flying with his slant
wing to the sun.

Like the idle rain of summer sped the harmless
shower of lead.
With a laugh of fierce derision, once again the
phantoms fled;
Once again, without a shadow on the sands the
moonlight lay,
And the white smoke curling through it drifted
slowly down the bay!

"God preserve us!" said the captain; "never
mortal foes were there;
They have vanished with their leader, Prince and
Power of the air!
Lay aside your useless weapons; skill and prowess
naught avail;
They who do the Devil's service wear their master's
coat of mail!"

So the night grew near to cock-crow, when again
a warning call
Roused the score of weary soldiers watching round
the dusky hall
And they looked to flint and priming, and they
longed for break of day;
But the captain closed his Bible: "Let us cease
from man, and pray!"

To the men who went before us, all the unseen
powers seemed near,
And their steadfast strength of courage struck its
roots in holy fear.
Every hand forsook the musket, every head was
bowed and bare,
Every stout knee pressed the flag-stones, as the
captain led in prayer.

Ceased thereat the mystic marching of the spectres
round the wall,
But a sound abhorred, unearthly, smote the ears
and hearts of all,--
Howls of rage and shrieks of anguish! Never
after mortal man
Saw the ghostly leaguers marching round the
block-house of Cape Ann.

So to us who walk in summer through the cool and
sea-blown town,
From the childhood of its people comes the solemn
legend down.
Not in vain the ancient fiction, in whose moral
lives the youth
And the fitness and the freshness of an undecaying
truth.

Soon or late to all our dwellings come the spectres
of the mind,
Doubts and fears and dread forebodings, in the
darkness undefined;
Round us throng the grim projections of the heart
and of the brain,
And our pride of strength is weakness, and the
cunning hand is vain.

In the dark we cry like children; and no answer
from on high
Breaks the crystal spheres of silence, and no white
wings downward fly;
But the heavenly help we pray for comes to faith,
and not to sight,
And our prayers themselves drive backward all the
spirits of the night!

1857.

THE GIFT OF TRITEMIUS.

TRITEMIUS of Herbipolis, one day,
While kneeling at the altar's foot to pray,
Alone with God, as was his pious choice,
Heard from without a miserable voice,
A sound which seemed of all sad things to tell,
As of a lost soul crying out of hell.

Thereat the Abbot paused; the chain whereby
His thoughts went upward broken by that cry;
And, looking from the casement, saw below
A wretched woman, with gray hair a-flow,
And withered hands held up to him, who cried
For alms as one who might not be denied.

She cried, "For the dear love of Him who gave
His life for ours, my child from bondage save,--
My beautiful, brave first-born, chained with slaves
In the Moor's galley, where the sun-smit waves
Lap the white walls of Tunis!"--"What I can
I give," Tritemius said, "my prayers."--"O man
Of God!" she cried, for grief had made her bold,
"Mock me not thus; I ask not prayers, but gold.
Words will not serve me, alms alone suffice;
Even while I speak perchance my first-born dies."

"Woman!" Tritemius answered, "from our door
None go unfed, hence are we always poor;
A single soldo is our only store.
Thou hast our prayers;--what can we give thee
more?"

"Give me," she said, "the silver candlesticks
On either side of the great crucifix.
God well may spare them on His errands sped,
Or He can give you golden ones instead."

Then spake Tritemius, "Even as thy word,
Woman, so be it! Our most gracious Lord,
Who loveth mercy more than sacrifice,
Pardon me if a human soul I prize
Above the gifts upon his altar piled!
Take what thou askest, and redeem thy child."

But his hand trembled as the holy alms
He placed within the beggar's eager palms;
And as she vanished down the linden shade,
He bowed his head and for forgiveness prayed.
So the day passed, and when the twilight came
He woke to find the chapel all aflame,
And, dumb with grateful wonder, to behold
Upon the altar candlesticks of gold!

1857.

SKIPPER IRESON'S RIDE.

In the valuable and carefully prepared History of Marblehead, published in 1879 by Samuel Roads, Jr., it is stated that the crew of Captain Ireson, rather than himself, were responsible for the abandonment of the disabled vessel. To screen themselves they charged their captain with the crime. In view of this the writer of the ballad addressed the following letter to the historian:--

OAK KNOLL, DANVERS, 5 mo. 18, 1880. MY DEAR FRIEND: I heartily thank thee for a copy of thy History of Marblehead. I have read it with great interest and think good use has been made of the abundant material. No town in Essex County has a record more honorable than Marblehead; no one has done more to develop the industrial interests of our New England seaboard, and certainly none have given such evidence of self-sacrificing patriotism. I am glad the story of it has been at last told, and told so well. I have now no doubt that thy version of Skipper Ireson's ride is the correct one. My verse was founded solely on a fragment of rhyme which I heard from one of my early schoolmates, a native of Marblehead. I supposed the story to which it referred dated back at least a century. I knew nothing of the participators, and the narrative of the ballad was pure fancy. I am glad for the sake of truth and justice that the real facts are given in thy book. I certainly would not knowingly do injustice to any one, dead or living.

I am very truly thy friend, JOHN G. WHITTIER.

OF all the rides since, the birth of time,
Told in story or sung in rhyme,--
On Apuleius's Golden Ass,
Or one-eyed Calendar's horse of brass;
Witch astride of a human back,
Islam's prophet on Al-Borak,--
The strangest ride that ever was sped
Was Ireson's, out from Marblehead!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!
Body of turkey, head of owl,
Wings a-droop like a rained-on fowl,
Feathered and ruffled in every part,
Skipper Ireson stood in the cart.
Scores of women, old and young,
Strong of muscle, and glib of tongue,
Pushed and pulled up the rocky lane,
Shouting and singing the shrill refrain
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!"

Wrinkled scolds with hands on hips,
Girls in bloom of cheek and lips,
Wild-eyed, free-limbed, such as chase
Bacchus round some antique vase,
Brief of skirt, with ankles bare,
Loose of kerchief and loose of hair,
With conch-shells blowing and fish-horns' twang,
Over and over the Manads sang
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an dorr'd in a corrt
By the women o' Morble'ead!"

Small pity for him!--He sailed away
From a leaking ship, in Chaleur Bay,--
Sailed away from a sinking wreck,
With his own town's-people on her deck!
"Lay by! lay by!" they called to him.
Back he answered, "Sink or swim!
Brag of your catch of fish again!"
And off he sailed through the fog and rain!
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Fathoms deep in dark Chaleur
That wreck shall lie forevermore.
Mother and sister, wife and maid,
Looked from the rocks of Marblehead
Over the moaning and rainy sea,--
Looked for the coming that might not be!
What did the winds and the sea-birds say
Of the cruel captain who sailed away?--
Old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Through the street, on either side,
Up flew windows, doors swung wide;
Sharp-tongued spinsters, old wives gray,
Treble lent the fish-horn's bray.
Sea-worn grandsires, cripple-bound,
Hulks of old sailors run aground,
Shook head, and fist, and hat, and cane,
And cracked with curses the hoarse refrain
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o''Morble'ead!"

Sweetly along the Salem road
Bloom of orchard and lilac showed.
Little the wicked skipper knew
Of the fields so green and the sky so blue.
Riding there in his sorry trim,
Like to Indian idol glum and grim,
Scarcely he seemed the sound to hear
Of voices shouting, far and near
"Here's Flud Oirson, fur his horrd horrt,
Torr'd an' futherr'd an' corr'd in a corrt
By the women o' Morble'ead!"

"Hear me, neighbors!" at last he cried,--
"What to me is this noisy ride?
What is the shame that clothes the skin
To the nameless horror that lives within?
Waking or sleeping, I see a wreck,
And hear a cry from a reeling deck!
Hate me and curse me,--I only dread
The hand of God and the face of the dead!"
Said old Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

Then the wife of the skipper lost at sea
Said, "God has touched him! why should we?"
Said an old wife mourning her only son,
"Cut the rogue's tether and let him run!"
So with soft relentings and rude excuse,
Half scorn, half pity, they cut him loose,
And gave him a cloak to hide him in,
And left him alone with his shame and sin.
Poor Floyd Ireson, for his hard heart,
Tarred and feathered and carried in a cart
By the women of Marblehead!

1857.

THE SYCAMORES.

Hugh Tallant was the first Irish resident of Haverhill, Mass. He planted the button-wood trees on the bank of the river below the village in the early part of the seventeenth century. Unfortunately this noble avenue is now nearly destroyed.

IN the outskirts of the village,
On the river's winding shores,
Stand the Occidental plane-trees,
Stand the ancient sycamores.

One long century hath been numbered,
And another half-way told,
Since the rustic Irish gleeman
Broke for them the virgin mould.

Deftly set to Celtic music,
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.

Rise again, then poor Hugh Tallant
Pass in jerkin green along,
With thy eyes brimful of laughter,
And thy mouth as full of song.

Pioneer of Erin's outcasts,
With his fiddle and his pack;
Little dreamed the village Saxons
Of the myriads at his back.

How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied,
And a heart forever light,--

Still the gay tradition mingles
With a record grave and drear,
Like the rollic air of Cluny,
With the solemn march of Mear.

When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,

And the bulging nets swept shoreward,
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.

When, among the jovial huskers,
Love stole in at Labor's side,
With the lusty airs of England,
Soft his Celtic measures vied.

Songs of love and wailing lyke--wake,
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,

By the blazing hearths of winter,
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.

How the souls in Purgatory
Scrambled up from fate forlorn,
On St. Eleven's sackcloth ladder,
Slyly hitched to Satan's horn.

Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings.

Jolliest of our birds of singing,
Best he loved the Bob-o-link.
"Hush!" he 'd say, "the tipsy fairies
Hear the little folks in drink!"

Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant,
Hath Tradition handed down.

Not a stone his grave discloses;
But if yet his spirit walks,
'T is beneath the trees he planted,
And when Bob-o-Lincoln talks;

Green memorials of the gleeman I
Linking still the river-shores,
With their shadows cast by sunset,
Stand Hugh Tallant's sycamores!

When the Father of his Country
Through the north-land riding came,
And the roofs were starred with banners,
And the steeples rang acclaim,--

When each war-scarred Continental,
Leaving smithy, mill, and farm,
Waved his rusted sword in welcome,
And shot off his old king's arm,--

Slowly passed that August Presence
Down the thronged and shouting street;
Village girls as white as angels,
Scattering flowers around his feet.

Midway, where the plane-tree's shadow
Deepest fell, his rein he drew
On his stately head, uncovered,
Cool and soft the west-wind blew.

And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,--

On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.

And he said, the landscape sweeping
Slowly with his ungloved hand,
"I have seen no prospect fairer
In this goodly Eastern land."

Then the bugles of his escort
Stirred to life the cavalcade
And that head, so bare and stately,
Vanished down the depths of shade.

Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.

But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the desert's shifting sand.

Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;

Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.

Where the ancient cobbler, Keezar,
On the open hillside wrought,
Singing, as he drew his stitches,
Songs his German masters taught,

Singing, with his gray hair floating
Round his rosy ample face,--
Now a thousand Saxon craftsmen
Stitch and hammer in his place.

All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.

But, still green, and tall, and stately,
On the river's winding shores,
Stand the Occidental plane-trees,
Stand, Hugh Taliant's sycamores.

1857.

THE PIPES AT LUCKNOW.

An incident of the Sepoy mutiny.

PIPES of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of broom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!

Dear to the Lowland reaper,
And plaided mountaineer,--
To the cottage and the castle
The Scottish pipes are dear;--
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.

Day by day the Indian tiger
Louder yelled, and nearer crept;
Round and round the jungle-serpent
Near and nearer circles swept.
"Pray for rescue, wives and mothers,--
Pray to-day!" the soldier said;
"To-morrow, death's between us
And the wrong and shame we dread."

Oh, they listened, looked, and waited,
Till their hope became despair;
And the sobs of low bewailing
Filled the pauses of their prayer.
Then up spake a Scottish maiden,
With her ear unto the ground
"Dinna ye hear it?--dinna ye hear it?
The pipes o' Havelock sound!"

Hushed the wounded man his groaning;
Hushed the wife her little ones;
Alone they heard the drum-roll
And the roar of Sepoy guns.
But to sounds of home and childhood
The Highland ear was true;--
As her mother's cradle-crooning
The mountain pipes she knew.

Like the march of soundless music
Through the vision of the seer,
More of feeling than of hearing,
Of the heart than of the ear,
She knew the droning pibroch,
She knew the Campbell's call
"Hark! hear ye no' MacGregor's,
The grandest o' them all!"

Oh, they listened, dumb and breathless,
And they caught the sound at last;
Faint and far beyond the Goomtee
Rose and fell the piper's blast
Then a burst of wild thanksgiving
Mingled woman's voice and man's;
"God be praised!--the march of Havelock!
The piping of the clans!"

Louder, nearer, fierce as vengeance,
Sharp and shrill as swords at strife,
Came the wild MacGregor's clan-call,
Stinging all the air to life.
But when the far-off dust-cloud
To plaided legions grew,
Full tenderly and blithesomely
The pipes of rescue blew!

Round the silver domes of Lucknow,
Moslem mosque and Pagan shrine,
Breathed the air to Britons dearest,
The air of Auld Lang Syne.
O'er the cruel roll of war-drums
Rose that sweet and homelike strain;
And the tartan clove the turban,
As the Goomtee cleaves the plain.

Dear to the corn-land reaper
And plaided mountaineer,--
To the cottage and the castle
The piper's song is dear.
Sweet sounds the Gaelic pibroch
O'er mountain, glen, and glade;
But the sweetest of all music
The Pipes at Lucknow played!

1858.

TELLING THE BEES.

A remarkable custom, brought from the Old Country, formerly prevailed in the rural districts of New England. On the death of a member of the family, the bees were at once informed of the event, and their hives dressed in mourning. This ceremonial was supposed to be necessary to prevent the swarms from leaving their hives and seeking a new home.

HERE is the place; right over the hill
Runs the path I took;
You can see the gap in the old wall still,
And the stepping-stones in the shallow brook.

There is the house, with the gate red-barred,
And the poplars tall;
And the barn's brown length, and the cattle-yard,
And the white horns tossing above the wall.

There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor flowers, weed-o'errun,
Pansy and daffodil, rose and pink.

A year has gone, as the tortoise goes,
Heavy and slow;
And the same rose blooms, and the same sun glows,
And the same brook sings of a year ago.

There's the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.

I mind me how with a lover's care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brookside my brow and
throat.

Since we parted, a month had passed,--
To love, a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.

I can see it all now,--the slantwise rain
Of light through the leaves,
The sundown's blaze on her window-pane,
The bloom of her roses under the eaves.

Just the same as a month before,--
The house and the trees,
The barn's brown gable, the vine by the door,--
Nothing changed but the hives of bees.

Before them, under the garden wall,
Forward and back,
Went drearily singing the chore-girl small,
Draping each hive with a shred of black.

Trembling, I listened: the summer sun
Had the chill of snow;
For I knew she was telling the bees of one
Gone on the journey we all must go.

Then I said to myself, "My Mary weeps
For the dead to-day;
Haply her blind old grandsire sleeps
The fret and the pain of his age away."

But her dog whined low; on the doorway sill,
With his cane to his chin,
The old man sat; and the chore-girl still
Sung to the bees stealing out and in.

And the song she was singing ever since
In my ear sounds on:--
"Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone!"

1858.

THE SWAN SONG OF PARSON AVERY.

In Young's Chronicles of Massachusetts Bay front 1623 to 1636 may be found Anthony Thacher's Narrative of his Shipwreck. Thacher was Avery's companion and survived to tell the tale. Mather's Magnalia, III. 2, gives further Particulars of Parson Avery's End, and suggests the title of the poem.

WHEN the reaper's task was ended, and the
summer wearing late,
Parson Avery sailed from Newbury, with his wife
and children eight,
Dropping down the river-harbor in the shallop
"Watch and Wait."

Pleasantly lay the clearings in the mellow summer-
morn,
With the newly planted orchards dropping their
fruits first-born,
And the home-roofs like brown islands amid a sea
of corn.

Broad meadows reached out 'seaward the tided
creeks between,
And hills rolled wave-like inland, with oaks and
walnuts green;--
A fairer home, a--goodlier land, his eyes had never
seen.

Yet away sailed Parson Avery, away where duty led,
And the voice of God seemed calling, to break the
living bread
To the souls of fishers starving on the rocks of
Marblehead.

All day they sailed: at nightfall the pleasant land-
breeze died,
The blackening sky, at midnight, its starry lights
denied,
And far and low the thunder of tempest prophesied.

Blotted out were all the coast-lines, gone were rock,
and wood, and sand;
Grimly anxious stood the skipper with the rudder
in his hand,
And questioned of the darkness what was sea and
what was land.

And the preacher heard his dear ones, nestled
round him, weeping sore,
"Never heed, my little children! Christ is walking
on before;
To the pleasant land of heaven, where the sea shall
be no more."

All at once the great cloud parted, like a curtain
drawn aside,
To let down the torch of lightning on the terror
far and wide;
And the thunder and the whirlwind together smote
the tide.

There was wailing in the shallop, woman's wail
and man's despair,
A crash of breaking timbers on the rocks so sharp
and bare,
And, through it all, the murmur of Father Avery's
prayer.

From his struggle in the darkness with the wild
waves and the blast,
On a rock, where every billow broke above him as
it passed,
Alone, of all his household, the man of God was
cast.

There a comrade heard him praying, in the pause
of wave and wind
"All my own have gone before me, and I linger
just behind;
Not for life I ask, but only for the rest Thy
ransomed find!

"In this night of death I challenge the promise of
Thy word!--
Let me see the great salvation of which mine ears
have heard!--
Let me pass from hence forgiven, through the
grace of Christ, our Lord!

"In the baptism of these waters wash white my
every sin,
And let me follow up to Thee my household and
my kin!
Open the sea-gate of Thy heaven, and let me enter
in!"

When the Christian sings his death-song, all the
listening heavens draw near,
And the angels, leaning over the walls of crystal,
hear
How the notes so faint and broken swell to music
in God's ear.

The ear of God was open to His servant's last
request;
As the strong wave swept him downward the sweet
hymn upward pressed,
And the soul of Father Avery went, singing, to its
rest.

There was wailing on the mainland, from the rocks
of Marblehead;
In the stricken church of Newbury the notes of
prayer were read;
And long, by board and hearthstone, the living
mourned the dead.

And still the fishers outbound, or scudding from
the squall,
With grave and reverent faces, the ancient tale
recall,
When they see the white waves breaking on the
Rock of Avery's Fall!

1808.

THE DOUBLE-HEADED SNAKE OF NEWBURY.

"Concerning ye Amphisbaena, as soon as I received your commands, I made diligent inquiry: . . . he assures me yt it had really two heads, one at each end; two mouths, two stings or tongues."--REV. CHRISTOPHER TOPPAN to COTTON MATHER.

FAR away in the twilight time
Of every people, in every clime,
Dragons and griffins and monsters dire,
Born of water, and air, and fire,
Or nursed, like the Python, in the mud
And ooze of the old Deucalion flood,
Crawl and wriggle and foam with rage,
Through dusk tradition and ballad age.
So from the childhood of Newbury town
And its time of fable the tale comes down
Of a terror which haunted bush and brake,
The Amphisbaena, the Double Snake!

Thou who makest the tale thy mirth,
Consider that strip of Christian earth
On the desolate shore of a sailless sea,
Full of terror and mystery,
Half redeemed from the evil hold
Of the wood so dreary, and dark, and old,
Which drank with its lips of leaves the dew
When Time was young, and the world was new,
And wove its shadows with sun and moon,
Ere the stones of Cheops were squared and hewn.
Think of the sea's dread monotone,
Of the mournful wail from the pine-wood blown,
Of the strange, vast splendors that lit the North,
Of the troubled throes of the quaking earth,
And the dismal tales the Indian told,
Till the settler's heart at his hearth grew cold,
And he shrank from the tawny wizard boasts,
And the hovering shadows seemed full of ghosts,
And above, below, and on every side,
The fear of his creed seemed verified;--
And think, if his lot were now thine own,
To grope with terrors nor named nor known,
How laxer muscle and weaker nerve
And a feebler faith thy need might serve;
And own to thyself the wonder more
That the snake had two heads, and not a score!

Whether he lurked in the Oldtown fen
Or the gray earth-flax of the Devil's Den,
Or swam in the wooded Artichoke,
Or coiled by the Northman's Written Rock,
Nothing on record is left to show;
Only the fact that he lived, we know,
And left the cast of a double head
In the scaly mask which he yearly shed.
For he carried a head where his tail should be,
And the two, of course, could never agree,
But wriggled about with main and might,
Now to the left and now to the right;
Pulling and twisting this way and that,
Neither knew what the other was at.

A snake with two beads, lurking so near!
Judge of the wonder, guess at the fear!
Think what ancient gossips might say,
Shaking their heads in their dreary way,
Between the meetings on Sabbath-day!
How urchins, searching at day's decline
The Common Pasture for sheep or kine,
The terrible double-ganger heard
In leafy rustle or whir of bird!
Think what a zest it gave to the sport,
In berry-time, of the younger sort,
As over pastures blackberry-twined,
Reuben and Dorothy lagged behind,
And closer and closer, for fear of harm,
The maiden clung to her lover's arm;
And how the spark, who was forced to stay,
By his sweetheart's fears, till the break of day,
Thanked the snake for the fond delay.

Far and wide the tale was told,
Like a snowball growing while it rolled.
The nurse hushed with it the baby's cry;
And it served, in the worthy minister's eye,
To paint the primitive serpent by.
Cotton Mather came galloping down
All the way to Newbury town,
With his eyes agog and his ears set wide,
And his marvellous inkhorn at his side;
Stirring the while in the shallow pool
Of his brains for the lore he learned at school,
To garnish the story, with here a streak
Of Latin, and there another of Greek
And the tales he heard and the notes he took,
Behold! are they not in his Wonder-Book?

Stories, like dragons, are hard to kill.
If the snake does not, the tale runs still
In Byfield Meadows, on Pipestave Hill.
And still, whenever husband and wife
Publish the shame of their daily strife,
And, with mad cross-purpose, tug and strain
At either end of the marriage-chain,
The gossips say, with a knowing shake
Of their gray heads, "Look at the Double Snake
One in body and two in will,
The Amphisbaena is living still!"

1859.

MABEL MARTIN.

A HARVEST IDYL.

Susanna Martin, an aged woman of Amesbury, Mass., was tried and executed for the alleged crime of witchcraft. Her home was in what is now known as Pleasant Valley on the Merrimac, a little above the old Ferry way, where, tradition says, an attempt was made to assassinate Sir Edmund Andros on his way to Falmouth (afterward Portland) and Pemaquid, which was frustrated by a warning timely given. Goody Martin was the only woman hanged on the north side of the Merrimac during the dreadful delusion. The aged wife of Judge Bradbury who lived on the other side of the Powow River was imprisoned and would have been put to death but for the collapse of the hideous persecution.

The substance of the poem which follows was published under the name of The Witch's Daughter, in The National Era in 1857. In 1875 my publishers desired to issue it with illustrations, and I then enlarged it and otherwise altered it to its present form. The principal addition was in the verses which constitute Part I.

PROEM.

I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,

We dreamed it over, while the thrushes made
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.

And she was with us, living o'er again
Her life in ours, despite of years and pain,--
The Autumn's brightness after latter rain.

Beautiful in her holy peace as one
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!

Her memory makes our common landscape seem
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;

For she whose speech was always truth's pure gold
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.

I. THE RIVER VALLEY.

Across the level tableland,
A grassy, rarely trodden way,
With thinnest skirt of birchen spray

And stunted growth of cedar, leads
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all

The seasons' rainfalls. On its brink
The over-leaning harebells swing,
With roots half bare the pine-trees cling;

And, through the shadow looking west,
You see the wavering river flow
Along a vale, that far below

Holds to the sun, the sheltering hills
And glimmering water-line between,
Broad fields of corn and meadows green,

And fruit-bent orchards grouped around
The low brown roofs and painted eaves,
And chimney-tops half hid in leaves.

No warmer valley hides behind
Yon wind-scourged sand-dunes, cold and bleak;
No fairer river comes to seek

The wave-sung welcome of the sea,
Or mark the northmost border line
Of sun-loved growths of nut and vine.

Here, ground-fast in their native fields,
Untempted by the city's gain,
The quiet farmer folk remain

Who bear the pleasant name of Friends,
And keep their fathers' gentle ways
And simple speech of Bible days;

In whose neat homesteads woman holds
With modest ease her equal place,
And wears upon her tranquil face

The look of one who, merging not
Her self-hood in another's will,
Is love's and duty's handmaid still.

Pass with me down the path that winds
Through birches to the open land,
Where, close upon the river strand

You mark a cellar, vine o'errun,
Above whose wall of loosened stones
The sumach lifts its reddening cones,

And the black nightshade's berries shine,
And broad, unsightly burdocks fold
The household ruin, century-old.

Here, in the dim colonial time
Of sterner lives and gloomier faith,
A woman lived, tradition saith,

Who wrought her neighbors foul annoy,
And witched and plagued the country-side,
Till at the hangman's hand she died.

Sit with me while the westering day
Falls slantwise down the quiet vale,
And, haply ere yon loitering sail,

That rounds the upper headland, falls
Below Deer Island's pines, or sees
Behind it Hawkswood's belt of trees

Rise black against the sinking sun,
My idyl of its days of old,
The valley's legend, shall be told.

II. THE HUSKING.

It was the pleasant harvest-time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns,--
Brown-gabled, long, and full of seams
Through which the rooted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks,

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autumn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs!

On sturdy boyhood, sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,--

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled
On Oxus' banks the young world's child,--

That primal picture-speech wherein
Have youth and maid the story told,
So new in each, so dateless old,

Recalling pastoral Ruth in her
Who waited, blushing and demure,
The red-ear's kiss of forfeiture.

But still the sweetest voice was mute
That river-valley ever heard
From lips of maid or throat of bird;

For Mabel Martin sat apart,
And let the hay-mow's shadow fall
Upon the loveliest face of all.

She sat apart, as one forbid,
Who knew that none would condescend
To own the Witch-wife's child a friend.

The seasons scarce had gone their round,
Since curious thousands thronged to see
Her mother at the gallows-tree;

And mocked the prison-palsied limbs
That faltered on the fatal stairs,
And wan lip trembling with its prayers!

Few questioned of the sorrowing child,
Or, when they saw the mother die;
Dreamed of the daughter's agony.

They went up to their homes that day,
As men and Christians justified
God willed it, and the wretch had died!

Dear God and Father of us all,
Forgive our faith in cruel lies,--
Forgive the blindness that denies!

Forgive thy creature when he takes,
For the all-perfect love Thou art,
Some grim creation of his heart.

Cast down our idols, overturn
Our bloody altars; let us see
Thyself in Thy humanity!

Young Mabel from her mother's grave
Crept to her desolate hearth-stone,
And wrestled with her fate alone;

With love, and anger, and despair,
The phantoms of disordered sense,
The awful doubts of Providence!

Oh, dreary broke the winter days,
And dreary fell the winter nights
When, one by one, the neighboring lights

Went out, and human sounds grew still,
And all the phantom-peopled dark
Closed round her hearth-fire's dying spark.

And summer days were sad and long,
And sad the uncompanioned eyes,
And sadder sunset-tinted leaves,

And Indian Summer's airs of balm;
She scarcely felt the soft caress,
The beauty died of loneliness!

The school-boys jeered her as they passed,
And, when she sought the house of prayer,
Her mother's curse pursued her there.

And still o'er many a neighboring door
She saw the horseshoe's curved charm,
To guard against her mother's harm!

That mother, poor and sick and lame,
Who daily, by the old arm-chair,
Folded her withered hands in prayer;--

Who turned, in Salem's dreary jail,
Her worn old Bible o'er and o'er,
When her dim eyes could read no more!

Sore tried and pained, the poor girl kept
Her faith, and trusted that her way,
So dark, would somewhere meet the day.

And still her weary wheel went round
Day after day, with no relief
Small leisure have the poor for grief.

III. THE CHAMPION.

So in the shadow Mabel sits;
Untouched by mirth she sees and hears,
Her smile is sadder than her tears.

But cruel eyes have found her out,
And cruel lips repeat her name,
And taunt her with her mother's shame.

She answered not with railing words,
But drew her apron o'er her face,
And, sobbing, glided from the place.

And only pausing at the door,
Her sad eyes met the troubled gaze
Of one who, in her better days,

Had been her warm and steady friend,
Ere yet her mother's doom had made
Even Esek Harden half afraid.

He felt that mute appeal of tears,
And, starting, with an angry frown,
Hushed all the wicked murmurs down.

"Good neighbors mine," he sternly said,
"This passes harmless mirth or jest;
I brook no insult to my guest.

"She is indeed her mother's child;
But God's sweet pity ministers
Unto no whiter soul than hers.

"Let Goody Martin rest in peace;
I never knew her harm a fly,
And witch or not, God knows--not I.

"I know who swore her life away;
And as God lives, I'd not condemn
An Indian dog on word of them."

The broadest lands in all the town,
The skill to guide, the power to awe,
Were Harden's; and his word was law.

None dared withstand him to his face,
But one sly maiden spake aside
"The little witch is evil-eyed!

"Her mother only killed a cow,
Or witched a churn or dairy-pan;
But she, forsooth, must charm a man!"

IV. IN THE SHADOW.

Poor Mabel, homeward turning, passed
The nameless terrors of the wood,
And saw, as if a ghost pursued,

Her shadow gliding in the moon;
The soft breath of the west-wind gave
A chill as from her mother's grave.

How dreary seemed the silent house!
Wide in the moonbeams' ghastly glare
Its windows had a dead man's stare!

And, like a gaunt and spectral hand,
The tremulous shadow of a birch
Reached out and touched the door's low porch,

As if to lift its latch; hard by,
A sudden warning call she beard,
The night-cry of a boding bird.

She leaned against the door; her face,
So fair, so young, so full of pain,
White in the moonlight's silver rain.

The river, on its pebbled rim,
Made music such as childhood knew;
The door-yard tree was whispered through

By voices such as childhood's ear
Had heard in moonlights long ago;
And through the willow-boughs below.

She saw the rippled waters shine;
Beyond, in waves of shade and light,
The hills rolled off into the night.

She saw and heard, but over all
A sense of some transforming spell,
The shadow of her sick heart fell.

And still across the wooded space
The harvest lights of Harden shone,
And song and jest and laugh went on.

And he, so gentle, true, and strong,
Of men the bravest and the best,
Had he, too, scorned her with the rest?

She strove to drown her sense of wrong,
And, in her old and simple way,
To teach her bitter heart to pray.

Poor child! the prayer, begun in faith,
Grew to a low, despairing cry
Of utter misery: "Let me die!

"Oh! take me from the scornful eyes,
And hide me where the cruel speech
And mocking finger may not reach!

"I dare not breathe my mother's name
A daughter's right I dare not crave
To weep above her unblest grave!

"Let me not live until my heart,
With few to pity, and with none
To love me, hardens into stone.

"O God! have mercy on Thy child,
Whose faith in Thee grows weak and small,
And take me ere I lose it all!"

A shadow on the moonlight fell,
And murmuring wind and wave became
A voice whose burden was her name.

V. THE BETROTHAL.

Had then God heard her? Had He sent
His angel down? In flesh and blood,
Before her Esek Harden stood!

He laid his hand upon her arm
"Dear Mabel, this no more shall be;
Who scoffs at you must scoff at me.

"You know rough Esek Harden well;
And if he seems no suitor gay,
And if his hair is touched with gray,

"The maiden grown shall never find
His heart less warm than when she smiled,
Upon his knees, a little child!"

Her tears of grief were tears of joy,
As, folded in his strong embrace,
She looked in Esek Harden's face.

"O truest friend of all'" she said,
"God bless you for your kindly thought,
And make me worthy of my lot!"

He led her forth, and, blent in one,
Beside their happy pathway ran
The shadows of the maid and man.

He led her through his dewy fields,
To where the swinging lanterns glowed,
And through the doors the huskers showed.

"Good friends and neighbors!" Esek said,
"I'm weary of this lonely life;
In Mabel see my chosen wife!

"She greets you kindly, one and all;
The past is past, and all offence
Falls harmless from her innocence.

"Henceforth she stands no more alone;
You know what Esek Harden is;--
He brooks no wrong to him or his.

"Now let the merriest tales be told,
And let the sweetest songs be sung
That ever made the old heart young!

"For now the lost has found a home;
And a lone hearth shall brighter burn,
As all the household joys return!"

Oh, pleasantly the harvest-moon,
Between the shadow of the mows,
Looked on them through the great elm--boughs!

On Mabel's curls of golden hair,
On Esek's shaggy strength it fell;
And the wind whispered, "It is well!"

THE PROPHECY OF SAMUEL SEWALL.

The prose version of this prophecy is to be found in Sewall's The New Heaven upon the New Earth, 1697, quoted in Joshua Coffin's History of Newbury. Judge Sewall's father, Henry Sewall, was one of the pioneers of Newbury.

UP and down the village streets
Strange are the forms my fancy meets,
For the thoughts and things of to-day are hid,
And through the veil of a closed lid
The ancient worthies I see again
I hear the tap of the elder's cane,
And his awful periwig I see,
And the silver buckles of shoe and knee.
Stately and slow, with thoughtful air,
His black cap hiding his whitened hair,
Walks the Judge of the great Assize,
Samuel Sewall the good and wise.
His face with lines of firmness wrought,
He wears the look of a man unbought,
Who swears to his hurt and changes not;
Yet, touched and softened nevertheless
With the grace of Christian gentleness,
The face that a child would climb to kiss!
True and tender and brave and just,
That man might honor and woman trust.

Touching and sad, a tale is told,
Like a penitent hymn of the Psalmist old,
Of the fast which the good man lifelong kept to
With a haunting sorrow that never slept,
As the circling year brought round the time
Of an error that left the sting of crime,
When he sat on the bench of the witchcraft courts,
With the laws of Moses and Hale's Reports,
And spake, in the name of both, the word
That gave the witch's neck to the cord,
And piled the oaken planks that pressed
The feeble life from the warlock's breast!
All the day long, from dawn to dawn,
His door was bolted, his curtain drawn;
No foot on his silent threshold trod,
No eye looked on him save that of God,
As he baffled the ghosts of the dead with charms
Of penitent tears, and prayers, and psalms,
And, with precious proofs from the sacred word
Of the boundless pity and love of the Lord,
His faith confirmed and his trust renewed
That the sin of his ignorance, sorely rued,
Might be washed away in the mingled flood
Of his human sorrow and Christ's dear blood!