Chapter XIII: Book II (5)

I now propose to sketch out the mental and physical qualifications necessary for a first-rate pantomime. Most of the former, indeed, I have already mentioned: he must have memory, sensibility, shrewdness, rapidity of conception, tact, and judgement; further, he must be a critic of poetry and song, capable of discerning good music and rejecting bad. For his body, I think I may take the Canon of Polyclitus as my model. He must be perfectly proportioned: neither immoderately tall nor dwarfishly short; not too fleshy (a most unpromising quality in one of his profession) nor cadaverously thin. Let me quote you certain comments of the people of Antioch, who have a happy knack in expressing their views on such subjects. They are a most intelligent people, and devoted to Pantomime; each individual is all eyes and ears for the performance; not a word, not a gesture escapes them. Well, when a small man came on in the character of Hector, they cried out with one voice: 'Here is Astyanax; and where is Hector?' On another occasion, an exceedingly tall man was taking the part of Capaneus scaling the walls of Thebes; 'Step over' suggested the audience; 'you need no ladder.' The well-meant activity of a fat and heavy dancer was met with earnest entreaties to 'spare the platform'; while a thin performer was recommended to 'take care of his health.' I mention these criticisms, not on account of their humorous character, but as an illustration of the profound interest that whole cities have sometimes taken in Pantomime, and of their ability to discern its merits and demerits.

Another essential for the pantomime is ease of movement. His frame must be at once supple and well-knit, to meet the opposite requirements of agility and firmness. That he is no stranger to the science of the boxing--and the wrestling-ring, that he has his share of the athletic accomplishments of Hermes and Pollux and Heracles, you may convince yourself by observing his renderings of those subjects. The eyes, according to Herodotus, are more credible witnesses than the ears; though the pantomime, by the way, appeals to both kinds of evidence.

Such is the potency of his art, that the amorous spectator is cured of his infirmity by perceiving the evil effects of passion, and he who enters the theatre under a load of sorrow departs from it with a serene countenance, as though he had drunk of that draught of forgetfulness

That lulls all pain and wrath.

How natural is his treatment of his subjects, how intelligible to every one of his audience, may be judged from the emotion of the house whenever anything is represented that calls for sorrow or compassion. The Bacchic form of Pantomime, which is particularly popular in Ionia and Pontus, in spite of its being confined to satyric subjects has taken such possession of those peoples, that, when the Pantomime season comes round in each city, they leave all else and sit for whole days watching Titans and Corybantes, Satyrs and neat-herds. Men of the highest rank and position are not ashamed to take part in these performances: indeed, they pride themselves more on their pantomimic skill than on birth and ancestry and public services.

Now that we know what are the qualities that a good pantomime ought to possess, let us next consider the faults to which he is liable. Deficiencies of person I have already handled; and the following I think is a fair statement of their mental imperfections. Pantomimes cannot all be artists; there are plenty of ignorant performers, who bungle their work terribly. Some cannot adapt themselves to their music; they are literally 'out of tune'; rhythm says one thing, their feet another. Others are free from this fault, but jumble up their chronology. I remember the case of a man who was giving the birth of Zeus, and Cronus eating his own children: seduced by the similarity of subject, he ran off into the tale of Atreus and Thyestes. In another case, Semele was just being struck by the lightning, when she was transformed into Creusa, who was not even born at that time. Still, it seems to me that we have no right to visit the sins of the artist upon the art: let us recognize him for the blunderer that he is, and do justice to the accuracy and skill of competent performers.

The fact is, the pantomime must be completely armed at every point. His work must be one harmonious whole, perfect in balance and proportion, self-consistent, proof against the most minute criticism; there must be no flaws, everything must be of the best; brilliant conception, profound learning, above all human sympathy. When every one of the spectators identifies himself with the scene enacted, when each sees in the pantomime as in a mirror the reflection of his own conduct and feelings, then, and not till then, is his success complete. But let him reach that point, and the enthusiasm of the spectators becomes uncontrollable, every man pouring out his whole soul in admiration of the portraiture that reveals him to himself. Such a spectacle is no less than a fulfilment of the oracular injunction KNOW THYSELF; men depart from it with increased knowledge; they have learnt something that is to be sought after, something that should be eschewed.

But in Pantomime, as in rhetoric, there can be (to use a popular phrase) too much of a good thing; a man may exceed the proper bounds of imitation; what should be great may become monstrous, softness may be exaggerated into effeminacy, and the courage of a man into the ferocity of a beast. I remember seeing this exemplified in the case of an actor of repute. In most respects a capable, nay, an admirable performer, some strange fatality ran him a-ground upon this reef of over-enthusiasm. He was acting the madness of Ajax, just after he has been worsted by Odysseus; and so lost control of himself, that one might have been excused for thinking his madness was something more than feigned. He tore the clothes from the back of one of the iron-shod time-beaters, snatched a flute from the player's hands, and brought it down in such trenchant sort upon the head of Odysseus, who was standing by enjoying his triumph, that, had not his cap held good, and borne the weight of the blow, poor Odysseus must have fallen a victim to histrionic frenzy. The whole house ran mad for company, leaping, yelling, tearing their clothes. For the illiterate riffraff, who knew not good from bad, and had no idea of decency, regarded it as a supreme piece of acting; and the more intelligent part of the audience, realizing how things stood, concealed their disgust, and instead of reproaching the actor's folly by silence, smothered it under their plaudits; they saw only too clearly that it was not Ajax but the pantomime who was mad. Nor was our spirited friend content till he had distinguished himself yet further: descending from the stage, he seated himself in the senatorial benches between two consulars, who trembled lest he should take one of them for a ram and apply the lash. The spectators were divided between wonder and amusement; and some there were who suspected that his ultra-realism had culminated in reality. However, it seems that when he came to his senses again he bitterly repented of this exploit, and was quite ill from grief, regarding his conduct as that of a veritable madman, as is clear from his own words. For when his partisans begged him to repeat the performance, he recommended another actor for the part of Ajax, saying that 'it was enough for him to have been mad once.' His mortification was increased by the success of his rival, who, though a similar part had been written for him, played it with admirable judgement and discretion, and was complimented on his observance of decorum, and of the proper bounds of his art.

I hope, my dear Crato, that this cursory description of the Pantomime may mitigate your wrath against its devoted admirer. If you can bring yourself to bear me company to the theatre, you will be captivated; you will run Pantomime-mad. I shall have no occasion to exclaim, with Circe,

Strange, that my drugs have wrought no change in thee!

The change will come; but will not involve an ass's head, nor a pig's heart, but only an improved understanding. In your delight at the potion, you will drain it off, and leave not a drop for any one else. Homer says, of the golden wand of Hermes, that with it he

charms the eyes of men,
When so he will, and rouses them that sleep.

So it is with Pantomime. It charms the eyes-to wakefulness; and quickens the mental faculties at every turn.

_Cr_. Enough, Lycinus: behold your convert! My eyes and ears are opened. When next you go to the theatre, remember to take a seat for me next your own. I too would issue from those doors a wiser man.

LEXIPHANES

_Lycinus. Lexiphanes. Sopolis_

_Ly_. What, our exquisite with his essay?

_Lex_. Ah, Lycinus, 'tis but a fledgeling of mine; 'tis all incondite.

_Ly_. O ho, conduits--that is your subject, is it?

_Lex_. You mistake me; I said nothing of conduits; you are behind the times; incondite--'tis the word we use now when a thing lacks the finishing touches. But you are the deaf adder that stoppeth her ears.

_Ly_. I beg your pardon, my dear fellow; but conduit, incondite, you know. Well now, what is the idea of your piece?

_Lex_. A symposium, a modest challenge to the son of Ariston.

_Ly_. There are a good many sons of Aristons; but, from the symposium, I presume you mean Plato.

_Lex_. You take me; what I said could fit no other.

_Ly_. Well, come, read me a little of it; do not send me away thirsty; I see there is nectar in store.

_Lex_. Ironist, avaunt! And now open your ears to my charming; adder me no adders.

_Ly_. Go ahead; I am no Adam, nor Eve either.

_Lex_. Have an eye to my conduct of the discourse, whether it be fair in commencement, fair in speech, fair in diction, fair in nomenclature.

_Ly_. Oh, we know what to expect from Lexiphanes. But come, begin.

_Lex_. _'Then to dinner,' quoth Callicles, 'then to our post-prandial deambulation in the Lyceum; but now 'tis time for our parasolar unction, ere we bask and bathe and take our nuncheon; go we our way. Now, boy, strigil and mat, towels and soap; transport me them bathwards, and see to the bath-penny; you will find it a-ground by the chest. And thou, Lexiphanes, comest thou, or tarriest here?' 'Its a thousand years,' quoth I, 'till I bathe; for I am in no comfort, with sore posteriors from my mule-saddle. Trod the mule-man as on eggs, yet kept his beast a-moving. And when I got to the farm, still no peace for the wicked. I found the hinds shrilling the harvest-song, and there were persons burying my father, I think it was. I just gave them a hand with the grave and things, and then I left them; it was so cold, and I had prickly heat; one does, you know, in a hard frost. So I went round the plough-lands; and there I found garlic growing, delved radishes, culled chervil and all herbs, bought parched barley, and (for not yet had the meadows reached the redolency that tempts the ten toes)-so to mule-back again; whence this tenderness behind. And now I walk with pain, and the sweat runs down; my bones languish, and yearn for the longest of water-swims; 'tis ever my joy to wash me after toil.

I will speed back to my boy; 'tis like he waits for me at the pease- puddingry, or the curiosity shop; yet stay; his instructions were to meet me at the frippery. Ah, hither comes he in the nick of time: ay, and has purchased a beesting-pudding and girdle-cakes and leeks, sausages and steak, dewlap and tripe and collops.--Good, Atticion, you have made most of my journey no thoroughfare.' 'Why, sir, I have been looking round the corner for you till I squint. Where dined you yesterday? with Onomacritus?' 'God bless me, no. I was off to the country; hey presto! and there we were. You know how I dote on the country. I suppose you all thought I was making the glasses ring. Now go in, and spice all these things, and scour the kneading-trough, ready to shred the lettuces. I shall be of for a dry rub.'

'We are with you,' cried Philinus, 'Onomarchus, Hellanicus, and I; the dial's mid point is in shadow; beware, or we shall bathe in the Carimants' water, huddled and pushed by the vulgar herd.' Then said Hellanicus: 'Ah, and my eyes are disordered; my pupils are turbid, I wink and blink, the tears come unbidden, my eyes crave the ophthalmic leech's healing drug, mortar-brayed and infused, that they may blush and blear no more, nor moistly peer.'

In such wise conversing, all our company departed. Arrived at the gymnasium, we stripped; the finger-wrench, the garotte, the standing- grip, each had its votaries; one oiled and suppled his joints; another punched the bladder; a third heaved and swung the dumb-bells. Then, when we had rubbed ourselves, and ridden pick-a-back, and had our sport of the gymnasium, we took our plunge, Philinus and I, in the warm basin, and departed. But the rest dipped frigid heads, soused in, and swam subaqueous, a wonder to behold. Then back we came, and one here, one there, did this and that. Shod, with toothed comb I combed me. For I had had a short crop, not to convict-measure, but saucer-wise, deflation having set in on crown and chin-tip. One chewed lupines, another cleared his fasting throat, a third took fish soup on radish-wafer sippets; this ate olives, that supped down barley.

When it was dinner-time, we took it reclining, both chairs and couches standing ready. A joint-stock meal it was, and the contributions many and various. Pigs' pettitoes, ribs of beef, paunch and pregnant womb of sow, fried liver lobe, garlic paste, sauce piquante, mayonnaise, and so on; pastry, ramequins, and honey-cakes. In the aquatic line, much of the cartilaginous, of the testaceous much; many a salt slice, basket-hawked, eels of Copae, fowls of the barn-door, a cock past crowing-days, and fish to keep him company; add to these a sheep roast whole, and ox's rump of toothless eld. The loaves were firsts, no common stuff, and therewithal remainders from the new moon; vegetables both radical and excrescent. For the wine, 'twas of no standing, but came from the skin; its sweetness was gone, but its roughness remained.

On the dolphin-foot table stood divers store of cups; the eye-shutter, the ladle, slender-handled, genuine Mentor; crane-neck and gurgling bombyl; and many an earth-born child of Thericlean furnace, the wide- mouthed, the kindly-lipped; Phocaean, Cnidian work, but all light as air, and thin as eggshell; bowls and pannikins and posied cups; oh, 'twas a well-stocked sideboard.

But the kettle boiled over, and sent the ashes flying about our heads. It was bumpers and no heeltaps, and we were full to the throat. Then to the nard; and enter to us guitar and light fantastic toe. Thereafter, one shinned up the ladder, on post-prandial japery intent, another beat the devil's tattoo, a third writhed cachinnatory.

At this moment broke in upon us from the bath, all uninvited, Megalonymus the attorney, Chaereas the goldsmith, striped back and all, and the bruiser Eudemus. I asked them what they were about to come so late. Quoth Chaereas; 'I was working a locket and ear-rings and bangles for my daughter; that is why I come after the fair.' 'I was otherwise engaged,' said Megalonymus; 'know you not that it was a lawless day and a dumb? So, as it was linguistice, there was truce to my calendarial clockings and plea-mensurations. But hearing the governor was giving a warm reception, I took my shiniest clothes, fresh from the tailor, and my unmatched shoes, and showed myself out.

'The first I met were a torch-bearer, a hierophant, and others of the initiated, haling Dinias before the judge, and protesting that he had called them by their names, though he well knew that, from the time of their sanctification, they were nameless, and no more to be named but by hallowed names; so then he appealed to me.' 'Dinias?' I put in; 'Who is Dinias?' 'Oh, he's a dance-for-your-supper carry-your-luggage rattle- your-patter gaming-house sort of man; eschews the barber, and takes care of his poor chest and toes.' 'Well,' said I, 'paid he the penalty in some wise, or showed a clean pair of heels?' 'Our delicate goer is now fast bound. The governor, regardless of his retiring disposition, slipped him on a pair of bracelets and a necklace, and brought him acquainted with stocks and boot. The poor worm quaked for fear, and could not contain himself, and offered money, if so he might save his soul alive.'

'As for me,' said Eudemus, 'I was sent for in the gloaming by Damasias, the athlete many-victoried of yore, now pithless from age; you know him in bronze in the market. He was busy with roast and boiled. He was this day to exdomesticate his daughter, and was decking her out for her husband, when a baleful incident occurred, which cleft the feast in twain. For Dion his son, on grievance unknown, if it were not rather the hostility of Heaven, hanged himself; and be sure he was a dead man, had I not been there, and dislocated and loosed him from his implication. Long time I squatted a-knee, pricking and rocking, and sounding him, to see whether his throat was still whole. What profited most was compressure of the extremities with both my hands.'

'What, Dion the effeminate, the libertine, the debauchee, the mastich- chewer, the too susceptible to amorous sights?' 'Yes; the lecher and whore-master. Well, Damasias fell down and worshipped the Goddess (they have an Artemis by Scopas in the middle of the court), he and his old white-headed wife, and implored her compassion. The Goddess straightway nodded assent, and he was well; and now he is their Theodorus, or indeed their manifest Artemidorus. So they made offerings to her, among them darts and bows and arrows; for these are acceptable in her sight; bow- woman she, far-dartress, telepolemic'

'Let us drink, then' said Megalonymus; 'here have I brought you a flagon of antiquated wine, with cream cheese and windfall olives--I keep them under seal, and the seals are worm-eaten--and others brine-steeped, and these fictile cups, thin-edged, firm-based, that we might drink therefrom, and a pasty of tripe rolled like a top-knot.--Now, you sir, pour me in some more water; if my head begins to ache, I shall be sending for your master to talk to you.--You know, gentlemen, what megrims I get, and what a numskull mine is. After drinking, we will chirp a little as is our wont; 'tis not amiss to prate in one's cups'

'So be it,' quoth I; 'we are the very pink and perfection of the true Attic' 'Done with you!' says Callicles, 'frequent quizzings are a whetstone of conversation' 'For my part,' cries Eudemus, '--it grows chill--I like my liquor stronger, and more of it; I am deathly cold; if I could get some warmth into me, I had rather listen to these light- fingered gentry of flute and lyre.' 'What is this you say, Eudemus?' says I; 'You would exact mutation from us? are we so hard-mouthed, so untongued? For my tongue, 'tis garriturient. I was just getting under way, and making ready to hail you with a fine old Attic shower. 'Tis as if a three-master were sailing before the breeze, with stay-sails wind- bellied, scudding along wave-skimming, and you should throw out two- tongued anchorage and iron stoppers and ship-fetters, and block her foaming course, in envy of her fair-windedness.' 'Why then, if you will, splash and dash and crash through the waves; and I upsoaring, and drinking the while, will watch like Homer's Zeus from some bald-crowned hill or from Heaven-top, while you and your ship are swept along with the wind behind you.'_

_Ly_. Thanks, Lexiphanes; enough of drink and reading. I assure you I am full beyond my capacity as it is; if I do not succeed in quickly unloading my stomach of what you have put into it, there is not a doubt I shall go raving mad under the intoxication of your exuberant verbosity. At first I was inclined to be amused; but there is such a lot of it, and all just alike; I pity you now, poor misguided one, trapped in your endless maze, sick unto death, a prey to melancholia.

Where in the world can you have raked up all this rubbish from? How long has it taken you? Or what sort of a hive could ever keep together such a swarm of lop-sided monstrosities? Of some you are the proud creator, the rest you have dug up from dark lurking-places, till 'tis

Curse on you, piling woe on mortal woe!

How have you gathered all the minor sewers into one cloaca maxima, and discharged the whole upon my innocent head! Have you never a friend or relation or well-wisher? Did you never meet a plain-dealer to give you a dose of candour? That would have cured you. You are dropsical, man; you are like to burst with it; and you take it for muscular healthy stoutness; you are congratulated only by the fools who do not see what is the matter; the instructed cannot help being sorry for you.

But here in good time comes Sopolis; we will put you in the good doctor's hands, tell him all about it, and see if anything can be done for you. He is a clever man; he has taken many a helpless semi-lunatic like you in hand and dosed him into sanity.--Good day, Sopolis. Lexiphanes here is a friend of mine, you know. Now I want you to undertake his case; he is afflicted with a delirious affection of the vocal organs, and I fear a complete breakdown. Pray take measures to cure him.

_Lex_. Heal him, not me, Sopolis; he is manifestly moon-struck; persons duly pia-matered he accounts beside their five wits; he might come from Samos and call Mnesarchus father; for he enjoins silence and linguinanity. But by the unabashed Athene, by Heracles the beast-killer, no jot or tittle of notice shall he have from me. 'Tis my foreboding that I fall not in with him again. For his censures, I void my rheum upon them.

_Sop_. What is the matter with him, Lycinus?

_Ly_. Why, _this_ is the matter; don't you hear? He leaves us his contemporaries, and goes a thousand years off to talk to us, which he does by aid of these tongue-gymnastics and extraordinary compounds-- prides himself upon it, too, as if it were a great thing to disguise yourself, and mutilate the conversational currency.

_Sop_. Well, to be sure, this is a serious case; we must do all we can for him. Providentially, here is an emetic I had just mixed for a bilious patient; here, Lexiphanes, drink it off; the other man can wait; let us purge you of this vocal derangement, and get you a clean bill of health. Come along, down with it; you will feel much easier.

_Lex_. I know not what you would be at, you and Lycinus, with your drenches; I fear me you are more like to end than mend my speech.

_Ly_. Drink, quick; it will make a man of you in thought and word.

_Lex_. Well, if I must. Lord, what is this? How it rumbles! I must have swallowed a ventriloquist.

_Sop_. Now, let it come. Look, look! Here comes _in sooth, anon_ follows, close upon them _quoth he, withal, sirrah, I trow,_ and a general sprinkling of _sundry_. But try again; tickle your throat; that will help. _Hard, by_ has not come up yet, nor _a-weary_, nor _rehearse_, nor _quandary_. Oh, there are lots of them lurking yet, a whole stomachful. It would be well to get rid of some of them by purging; there should be an impressive explosion when _orotundity_ makes its windy exit. However, he is pretty well cleaned out, except for what may be left in the lower bowels. Lycinus, I shall now leave him in your charge; teach him better ways, and tell him what are the right words to use.

_Ly_. I will, Sopolis; and thank you for clearing the way. Now, Lexiphanes, listen to me. If you want sincere commendations upon your style, and success with popular audiences, give a wide berth to that sort of stuff. Make a beginning with the great poets, read them with some one to help you, then go on to the orators, and when you have assimilated their vocabulary, proceed in due time to Thucydides and Plato, not forgetting a thorough course also of pleasant Comedy and grave Tragedy. When you have culled the best that all these can show, you may reckon that you have a style. You have not realized it, but at present you are like the toymen's dolls, all gaudy colouring outside, and inside, fragile clay.

If you will take this advice, put up for a little while with being called uneducated, and not be ashamed to mend your ways, you may face an audience without a tremor; you will not then be a laughing-stock any more; the cultivated will no longer exercise their irony upon you and nickname you the Hellene and the Attic just because you are less intelligible than many barbarians. But above all things, do bear in mind not to ape the worst tricks of the last generation's professors; you are always nibbling at their wares; put your foot upon them once for all, and take the ancients for your model. And no dallying with unsubstantial flowers of speech; accustom yourself, like the athletes, to solid food. And let your devotions be paid to the Graces and to Lucidity, whom you have so neglected.

Further, put a stopper on bombast and grandiloquence and mannerism; be neither supercilious nor overbearing; cease to carp at other people's performances and to count their loss your gain. And then, perhaps the greatest of all your errors is this: instead of arranging your matter first, and then elaborating the diction, you find some out-of-the-way word, or are captivated by one of your own invention, and try to build up your meaning round it; if you cannot get it in somehow or other, though it may have nothing to do with the matter, you are inconsolable; do you remember the _mobled queen_ you let off the other day? It was quite off the point, and you did not know what it meant yourself; however, its oddness tickled the ears of the ignorant many; as for the cultivated, they were equally amused at you and at your admirers.

Again, could anything be more ludicrous than for one who claims to be a purist, drawing from the undefiled fountain of antiquity, to mix in (though indeed that reverses the proportion) expressions that would be impossible to the merest schoolboy? I felt as if I should like the earth to swallow me up, when I heard you talk of a man's _chemise_, and use _valet_ of a woman; who does not know that a man wears a shirt, and that a valet is male? But you abound in far more flagrant blunders than these: I have _chidden_, not _chode_ you; we do not _write_ a friend, we _write to_ him; we say _'onest_, not _honest_; these usages of yours cannot claim even alien rights among us. Moreover, we do not like even poetry to read like the dictionary. But the sort of poetry to which your prose corresponds would be Dosiadas's _Altar_, Lycophron's _Alexandra_, or any more pestilent pedantry that may happen to exist. If you take the pains to unlearn all this, you will have done the best you can for yourself. If you let yourself be seduced by your sweet baits again, I have at least put in my word of warning, and you will have only yourself to blame when you find yourself on the downward path.