Chapter X: Part 10
The unhappy caliph lavished his promises in the utmost profusion, and by arranging for the celebration near the chasm of some juvenile sports, which were not concluded till twilight, was able to make the direful libation. As the boys came up one by one to receive their prizes, he pushed them into the gulf, the dreadful device being executed with so much dexterity that the boy who was approaching him remained unconscious of the fate of his forerunner.
The popular tumult roused by this atrocity having been appeased by the princess, who possessed the most consummate skill in the art of persuasion, there was offered on the tower a burnt sacrifice to the infernal deities, the main ingredients of which were mummies, rhinoceros' horns, oil of the most venomous serpents, various aromatic woods, and one hundred and forty of the caliph's most faithful subjects. These preliminaries having been settled, a parchment was discovered, in which Vathek was thanked for his burnt offering, and told to set forth with a magnificent retinue for Istakar, where he would receive the diadem of Gian Ben Gian, the talismans of Soliman, and the treasures of the pre-Adamite sultans. But he was warned not to enter any dwelling on his route.
Vathek and the cavalcade set out, and for three days all went well. But on the fourth a storm burst upon them, the frightful roar of wild beasts resounded at a distance, and they soon perceived in the forest glaring eyes that could only belong to devils or tigers. Fire destroyed their provisions, and they would have starved had not two dwarfs, who dwelt as hermits on the top of some rocks, received divine intimation of their plight and revealed it to their emir, Fakreddin. The dwarfs were entertained, caressed, and seated with great ceremony on little cushions of state. But they clambered up the sides of the caliph's seat, and, placing themselves each on one of his shoulders, began to whisper prayers in his ears; and his patience was almost exhausted when the acclamations of the troops announced the approach of Fakreddin. He hastened to their assistance, but being punctiliously religious and likewise a great dealer in compliments, he made an harangue five times more prolix and insipid than his harbingers had already delivered.
At length, however, all got in motion, and they descended from the heights to the valley by the large steps which the emir had cut in the rocks, and reached a building of hewn stone overspread by palm-trees and crowned with nine domes. Beneath one of these domes the caliph was entertained with excellent sherbet, with sweetbreads stewed in milk of almonds, and other delicacies of which he was amazingly fond.
But, unfortunately, the sight of the emir's young daughter tempted the prophet's vice-regent to violate the rites of hospitality. Vathek fell violently in love with Nouronihar, who was sprightly as an antelope and full of wanton gaiety; and though she was contracted to her cousin and dearly beloved companion Gulchenrouz, he demanded her hand from Fakreddin, who, rather than force his daughter to break her affiances, presented his sabre to Vathek. "Strike your unhappy host," he said. "He has lived long enough if he sees the prophet's vice-regent violate the rites of hospitality." Nouronihar fell down in a swoon, and of this swoon the emir took advantage to carry out a scheme which should deliver him from his difficulties. He gave out that both the children had died from the effect of the caliph's glances, and, having administered to them a narcotic powder that would give them the appearance of death for three days, had them conveyed away to the shores of a desolate lake, where, attended by the dwarfs, they were put upon a meagre diet and told that they were in the other world, expiating the little faults of which their love was the cause.
But Nouronihar, remembering a dream in which she was told that she was destined to be the caliph's wife, and thereby to possess the carbuncle of Giamsched, and the treasures of the pre-Adamite sultans, indulged doubts on the mode of her being, and scarcely could believe that she was dead. She rose one morning while all were asleep, and having wandered some distance from the lake, discovered that she knew the district.
This fact, and a meeting with Vathek, convinced her that she was alive, and, submitting to the caliph's embraces, she consented to become his bride, and to go with him to the subterranean palace.
_III.--The Palace of Subterranean Fire_
When Princess Carathis heard of the dissolute conduct of her son she sent for Morakanabad.
"Let me expire in flames," she cried.
Having said this, she whirled herself round in a magical way, striking poor Morakanabad in such a way as caused him to recoil. Then she ordered her great camel, Aboufaki, to be brought, and, attended by her two hideous and one-eyed negresses, Nerkes and Cafour, set out to surprise the lovers. She burst in upon them, foaming with indignation, and said to Vathek: "Free thyself from the arms of this paltry doxy; drown her in the water before me, and instantly follow my guidance." But Vathek replied civilly, but decisively, that he was taking Nouronihar with him; and the princess, having heard her declare that she would follow him beyond the Kaf in the land of the Afrits, was appeased, and pronounced Nouronihar a girl of both courage and science.
With a view, however, of preventing any further trouble arising from Gulchenrouz, of whose affection for his cousin Vathek had informed her, she sought to capture the boy, intending to sacrifice him to the giaour. But as he was fleeing from her he fell into the arms of a genius, the same good old genius who, happening on the cruel giaour at the instant of his growling in the horrible chasm, had rescued the fifty little victims which the impiety of Vathek had devoted to his maw. The genius placed Gulchenrouz in a nest higher than the clouds, and there kept him ever young.
Nor was this the only hope of the princess's that was doomed to be frustrated. She learnt from her astrolabes and instruments of magic that Motavakel, availing himself of the disgust which was now inveterate against his brother, had incited commotions among the populace, made himself master of the palace, and actually invested the great tower. So she reluctantly abandoned the idea of accompanying Vathek to Istakar, and returned to Samarah; while he, attended by Nouronihar, resumed his march and quickly reached the valley of Rocnabad. Here the poor Santons, filled with holy energy, having bustled to light up wax torches in their oratories and to expand the Koran on their ebony desks, went forth to meet the caliph with baskets of honeycomb, dates, and melons. Vathek gave them but a surly reception. "Fancy not," said he, "that you can detain me; your presents I condescend to accept, but beg you will let me be quiet, for I am not overfond of resisting temptation. Yet, as it is not decent for personages so reverend to return on foot, and as you have not the appearance of expert riders, my eunuchs shall tie you on your asses, with the precaution that your backs be not turned towards me, for they understand etiquette."
Even this outrage could not persuade Vathek's good genius to desert him, and he made one final effort to save the caliph from the fate awaiting him. Disguised as a shepherd, and pouring forth from his flute such melodies as softened even the heart of Vathek, he confronted him in his path, and warned him so solemnly against pursuing his journey that when night fell almost every one of his attendants had deserted him. But Vathek, in his obduracy, went on, and at length arrived at the mountain which contains the vast ruins of Istakar and the entrance to the realm of Eblis.
Nouronihar and he, having ascended the steps of a vast staircase of black marble, reached the terrace, which was flagged with squares of marble and resembled a smooth expanse of water. There, by the moonlight, they read an inscription which proclaimed that, despite the fact that Vathek had violated the conditions of the parchment, he and Nouronihar would be allowed to enter the palace of subterranean fire.
Scarcely had these words been read when the mountain trembled, and the rock yawned and disclosed within it a staircase of polished marble, down which they descended. At the bottom they found their way impeded by a huge portal of ebony, which, opening at the giaour's command, revealed to them a place which, though roofed with a vaulted ceiling, was so spacious and lofty that at first they took it for an immeasurable plain. In the midst of this immense hall a vast multitude was incessantly passing, who severally kept their right hands on their hearts, without once regarding anything about them. They had all the livid paleness of death; their eyes, deep-sunk in their sockets, resembled those phosphoric meteors that glimmer by night in places of interment. Some stalked slowly along, absorbed in profound reverie; some, shrieking with agony, ran furiously about like tigers wounded with poisonous arrows; whilst others, grinding their teeth in rage, foamed along, more frantic than the wildest maniacs. They all avoided each other, and, though surrounded by a multitude that no one could number, each wandered at random, unheedful of the rest, as if alone on a desert no foot had trodden.
Vathek and Nouronihar, frozen with terror at a sight so baleful, demanded of the giaour what these appearances might mean, and why these ambulating spectres never withdrew their hands from their hearts.
"Perplex not yourselves," replied he, bluntly, "with so much at once; you will soon be acquainted with all. Let us haste and present you to Eblis."
They continued their way through the multitude, and after some time entered a vast tabernacle carpeted with the skins of leopards and filled with an infinity of elders with streaming beards and Afrits in complete armour, all of whom had prostrated themselves before the ascent of a lofty eminence, on the top of which, upon a globe of fire, sat the formidable Eblis. He received Vathek's and Nouronihar's homage, and invited them to enjoy whatever the palace afforded--the treasures of the pre-Adamite sultans and their bickering sabres and those talismans which compel the Dives to open the subterranean expanses of the mountain of Kaf.
The giaour then conducted them to a hall of great extent, covered with a lofty dome, round which appeared fifty portals of bronze, secured with as many fastenings of iron. A funereal gloom prevailed over the whole scene. Here, upon two beds of incorruptible cedar, lay recumbent the fleshless forms of pre-Adamite kings, who had been monarchs of the whole earth; they still possessed enough of life to be conscious of their deplorable condition; their eyes retained a melancholy motion; they regarded each other with looks of the deepest dejection, each holding his right hand motionless on his heart. Soliman Ben Daoud, the most eminent of them, told Vathek the story of his great state, of his worship of fire and the hosts of the sky, and of heaven's vengeance upon him. "I am in torments, ineffable torments!" said he. "An unrelenting fire preys upon my heart." Having uttered this exclamation, Soliman raised his hands towards heaven in token of supplication, and the caliph discerned through his bosom, which was as transparent as crystal, his heart enveloped in flames. At a sight so full of horror, Nouronihar fell back like one petrified into the arms of Vathek, who cried out with a convulsive sob: "O Mohammed! remains there no more mercy?"
"None, none!" replied the malicious Dive. "Know, miserable prince, thou art now in the abode of vengeance and despair! A few days are allotted thee as respite, and then thy heart also shall be kindled like those of the other worshippers of Eblis."
This, indeed, was the dreadful fate of Vathek and Nouronihar, a fate indeed to which the Princess Carathis was also most righteously condemned; for Vathek, knowing that the principles by which his mother had perverted his youth had been the cause of his perdition, summoned her to the palace of subterranean fire and enrolled her among the votaries of Eblis. Carathis entered the dome of Soliman, and she too marched in triumph through the vapour of perfumes.
* * * * *
APHRA BEHN
Oroonoko: the Royal Slave
In her introduction to "Oroonoko," Mrs. Aphra Behn states
that her strange and romantic tale is founded on facts, of
many of which she was an eye-witness. This is true. She was
born at Wye, England, July 10, 1640, the daughter, it is said,
of a barber. As a child, she went out to Dutch Guiana, then an
English colony named after the Surinam River, returning to
England about 1658. After the death of her husband, in 1666,
she was dispatched as a spy to Antwerp by Charles II., and it
was she who first warned that monarch of the Dutch
Government's intention to send a fleet up the Thames. She died
on April 16, 1689, and was buried in Westminster Abbey. It was
while in Dutch Guiana that she met Oroonoko, in the
circumstances described in the story. No doubt she has
idealised her hero somewhat, but she does not seem to have
exaggerated the extraordinary adventures of the young African
chief. In the licentious age of the Restoration, when she had
become famous--or, rather, notorious--as a writer of unseemly
plays, she astonished the town, and achieved real fame by
relating the story of Oroonoko's life. There are few plots of
either plays or novels so striking as that of "Oroonoko." It
is the first of those romances of the outlands, which, from
the days of Defoe to the days of Mr. Rudyard Kipling, have
been one of the glories of English literature.
_I.--The Stolen Bride_
I do not pretend to entertain the reader with a feigned hero, whose adventures I can manage according to my fancy. Of many of the events here set down, I was an eye-witness, and what I did not see myself, I learnt from the mouth of Oroonoko. When I made his acquaintance I was living in that part of our South American colony called Surinam, which we lately ceded to the Dutch--a great mistake, I think, for the land was fertile, and the natives were friendly, and many Englishmen had set up sugar plantations, which they worked by means of negroes. Most of these slaves came from that part of Africa known as Coromantien. The Coromantiens, being very warlike, were continually fighting other nations, and they always had many captives ready to be sold as slaves to our planters.
The king of Coromantien was a hundred years of age. All his sons had fallen in battle, and only one of them had left behind him an heir. Oroonoko, as the young prince was called, was a very intelligent and handsome negro, and as his grandfather engaged a Frenchman of wit and learning to teach him, he received an education better than that of many European princes. This I can speak of from my own knowledge, as I have often conversed with him. He had a great admiration for the ancient Romans; and in everything but the colour of his skin he reminded me of those heroes of antiquity.
His nose was finely curved, and his lips, too, were well shaped, instead of being thick as those of most Africans are. As the king of Coromantien, by reason of his great age, was unable to bear arms, he entrusted his chief headman with the duty of training Oroonoko in the arts of war. For two years, the young prince was away fighting with a powerful inland nation; the chief headman was killed in a fierce battle, and Oroonoko succeeded him in the command of the army. He was then only seventeen years of age, but he quickly brought the long war to a successful conclusion, and returned home with a multitude of captives. The greater part of these he gave to his grandfather, and the rest he took to Imoinda, the daughter and only child of the chief headman, as trophies of her father's victories.
Imoinda was a marvellously beautiful girl; her features, like those of Oroonoko, were regular and noble, and more European than African. It was a case of love at first sight on both sides, and the young prince presented the lovely maiden with a hundred and fifty slaves, and returned home in a fever of passion. It was necessary for him to obtain his grandfather's consent to his marriage, but for some days he was so perplexed by the flood of strange, new feelings surging in his young heart that he remained silent and moody.
His followers, however, were loud in their praises of Imoinda. They extolled her ravishing charms even in the presence of the old king, so that nothing else was talked of but Imoinda. Oroonoko's love rapidly became too strong for him to control, and one night he went secretly to the house of his beloved, and wooed her with such fervency of soul that even she was astonished by it. It was the savage custom of his country for a king to have a hundred wives, as his grandfather had; but Oroonoko was an enlightened and chivalrous man.
"Never, Imoinda," he cried, "shall you have a rival. You are the only woman I shall love, the only woman I shall marry. Come, my darling, and let us try and raise our people up by our example."
Imoinda was naturally overjoyed to become the wife of so noble and cultivated a prince, and she waited the next morning in a state of delicious excitement for Oroonoko to return and claim her as his bride. But, to her dismay and horror, four headmen with their servants came at daybreak to her house with a royal veil. This is a rudely embroidered cloth which the king of Coromantien sends to any lady whom he has a mind to make his wife. After she is covered with it, the maid is secured for the king's otan, or harem, and it is death to disobey the royal summons.
Trembling and almost fainting, Imoinda was compelled to suffer herself to be covered and led away to the old king. His imagination had been excited by the wild way in which the followers of his grandson had praised the beauty of the maiden, and, carried away by unnatural jealousy, he had resolved, in a fit of madness, to possess her at all costs. In spite of all he had heard, he was amazed by her loveliness. Rising up from his throne, he came towards her with outstretched arms.
"I am already married," she cried, bursting into tears and throwing herself at his feet. "Do not dishonour me! Let me return to my own house."
"Who has dared to marry the daughter of my chief headman without my consent?" said the old king, his eyes rolling in anger. "Whoever he is, he shall die at once."
Imoinda began to fear for Oroonoko, and tried to undo the effect of her words.
"He--he is not exactly my husband yet," she stammered. "But, oh, I love him! I love him! And I have promised to marry him."
"That's nothing," said the king, his eyes now lighting up with pleasure. "You must be my wife."
In the afternoon, Oroonoko, who had gone in search of Imoinda, returned. Having heard that she had received the royal veil, he came in so violent a rage that his men had great trouble to save him from killing himself.
"What can I do?" he cried desperately. "Even if I slew my grandfather, I could not now make Imoinda my wife."
_II.--A White Man's Treachery_
By the custom of the country, it would have been so great a crime to marry a woman whom Us grandfather had taken that Oroonoko's people would probably have risen up against him. But one of his men pointed out that, as Imoinda was his lawful wife by solemn contract, he was really the injured man, and might, if he would, take her back--the breach of the law being on his grandfather's side. Thereupon, the young prince resolved to recover her, and in the night he entered the otan, or royal harem, by a secret passage, and made his way to the apartment of Imoinda. Had he found the old king there, he no doubt would have killed him; but, happily, the lovely maid was alone, and quietly sleeping in her bed. He softly awakened her, and she trembled with joy and fear at his boldness. But they had not been long together when a sudden noise was heard and a band of armed men with spears burst into the room.
"Back!" shouted the young prince, lifting up his battle-axe. "Back, all of you! Do you not know Oroonoko?"
"Yes," said one of the men. "The king has sent us to take you, dead or alive."
But when Oroonoko attacked them, they allowed him to fight his way out of the otan, but tore the maid from his arms and took her to the king. The old man was blind with rage, and, seizing a spear, he staggered to his feet, determined to kill her by his own hand. But Imoinda was in no mood to die. She knew that her lover had fled to his camp, and intended to return at the head of a large army and rescue her by main force. If she could only calm the anger of the old king for a few days, all would be well. So, with the guile of a woman, she flung herself at the king's feet, protesting in a flood of tears, that Oroonoko had broken into her room and taken her by force.
"Very well," said the old king, with a cruel look in his eyes, "I will forgive you. Having received the royal veil, you cannot marry my grandson. On the other hand, since he has entered your room, you cannot remain any longer in the otan. You must be sent out of the country."
And early the next morning some of his servants were commanded to dress her so that she could not be recognised, and then she was carried down to the shore and sold to the captain of a slave ship.
The king did not dare to tell his grandson that he had sold Imoinda as a slave, for the Coromantiens justly reckon slavery as something worse than death; so he sent a messenger to say that she was dead. At first, Oroonoko was minded to attack his grandfather, but better feelings prevailed; and he led his army against a hostile nation, resolved to perish on the battlefield. So desperate was his courage that he defeated his far more numerous foes, and took a great multitude of them captives. Many of these he sold to the captain of a slave-ship, then lying off Coromantien. When the bargain was concluded, the captain invited the prince and all his attendants to a banquet on board his ship, and so plied them with wine that, being unaccustomed to drink of this sort, they were overcome by it.
When Oroonoko recovered his senses, he found himself chained up in a dark room, and all his men were groaning in fetters around him. The cunning slave-dealer had got out of paying for his cargo of slaves, and increased their number by carrying off the young prince and his companions. This was how I came to meet Oroonoko. The unscrupulous slave-dealer brought him to Surinam, and sold him and seventeen of his followers to our overseer, a young Cornishman named Trefry.
Trefry, a man of great wit and fine learning, was attracted by the noble bearing of Oroonoko, and treated him more as a friend than as a servant. And when, to his great astonishment, he found that the young prince was his equal in scholarship, and could converse with him in English, French, and Spanish, he asked him how it was he had become a slave. Oroonoko then related the story of the slave-dealer's treachery, and Trefry was so moved by it that he promised to find the means to free him from slavery and enable him to return to Coromantien.
When Oroonoko arrived at our plantation, all our negroes left off work and came to see him. When they saw that he was really the great prince of Coromantien, who had conquered them in battle and sold them into slavery, they cast themselves at his feet, crying out in their own language: "Live, O king! Long live, O king!" They kissed his feet and paid him divine homage--for such is the nature of this people, that instead of bearing him any grudge for selling them into captivity, they were filled with awe and veneration for him.
Mr. Trefry was glad to find Oroonoko's statement of his royal rank confirmed by the adoration of all the slaves.
"There's one girl," he said, "who did not come to greet you. I am sure you will be delighted to find you have so beautiful a subject. If it is possible for anyone to console you for the loss of Imoinda, she will do so. To tell the truth, I've been in love with her myself, but I found that I could not win her."
"I do not want to see her," said Oroonoko. "If I go back to Coromantien, I will not take any woman with me. I vowed to Imoinda that I would never have any wife but her, and, though she is dead, I shall keep my vow."
The next morning Trefry took Oroonoko for a walk, and by design brought him to the house of the beautiful slave.
"Clemene," he said, "did you not hear that one of the princes of your people arrived in Surinam yesterday? However you may fly from all white men, you surely ought to pay some respect to him."
Oroonoko started when a girl came out, with her head bowed down as if she had resolved never to raise her eyes again to the face of a man.
"Imoinda! Imoinda!" Oroonoko cried after a moment's silence. "Imoinda!"
It was she. She looked up at the sound of his voice, and then tottered and fell down in a swoon, and Oroonoko caught her in his arms. By degrees she came to herself; and it is needless to tell with what transport, what ecstasies of joy, the lovers beheld each other. Mr. Trefry was infinitely pleased by this happy conclusion of the prince's misadventures; and, leaving the lovers to themselves, he came to Parham House, and gave me an account of all that had happened. In the afternoon, to the great joy of all the negroes, Oroonoko and Imoinda were married. I was invited to the wedding, and I assured Oroonoko that he and his wife would be set free as soon as the lord-governor of the colony returned to Surinam.
_III.--The Taint of Slavery_
Unhappily, the lord-governor was delayed for some months in the islands, and Oroonoko became impatient. After the trick played upon him by the captain of the slave-ship, he had become exceedingly suspicious of the honesty and good faith of white men. He was afraid that the overseer would keep him and his wife until their child was born, and make a slave of it. At last, he grew so moody and sullen that many persons feared that he would incite the negroes to a mutiny. In order to soothe the prince, I invited him and Imoinda to stay at my house, where I entertained them to the best of my ability.
"Surely," I said to him, "you do not suspect that we will break our word with you? Only wait patiently, my friend, till the lord-governor arrives, and you will be permitted to return to your own kingdom."
"You do not understand," Oroonoko replied. "I am angry with myself for remaining so long a slave. What! Do you white people think that I, the king of Coromantien, can be treated like the captives that I have taken in war and sold to you? Had it not been for Imoinda, I would long since have been free or dead."
Unfortunately, both for me and Oroonoko, my father, who had been appointed lieutenant-general of the West Indies and Guiana, died at sea on his way to Surinam, and the new lord-governor was long in arriving. In the meantime, a child was born to Imoinda, and all the negroes, to the number of 300, came together to celebrate the event. Oroonoko, beside himself with anger, because his child had been born into slavery, made a harangue to the assembled multitude.
"Why should we be slaves to these white men?" he cried. "Have they conquered us nobly in battle? Are we become their captives by the chance of war? No! We have been bought and sold, like monkeys or cattle, to a set of cowards and rogues who have been driven out of their own country by reason of their villainy! Shall we let vile creatures such as these flog us and bruise us as they please?"
"No, no!" shouted the negroes. "Be our king, Oroonoko, and make us a free nation!"
Thereupon he commanded them to seize what arms they could, and tie up everything they wanted in their hammocks, and sling these over their shoulders, and march out, with their wives and children. The next morning, when the overseers went to call their slaves up to work, they found they had fled. By noon, 600 militiamen set out in search of the fugitives. The negroes were forced to travel slowly by reason of their women and children; and at the end of two days the militiamen, led by the new lord-governor, caught them up and surrounded them. In the battle that ensued, several Englishmen were killed and a great many wounded; but as they outnumbered the negroes, and were much better armed, they defeated them. Even then Oroonoko would not surrender. But the lord-governor parleyed with him, and promised that he would give him and his wife and child a free passage to Coromantien in the first ship that touched on the coast.
On this, Oroonoko surrendered. But, to his horror and surprise, he was taken back to Surinam, and tied to a stake at the whipping-place, and lashed until the very flesh was torn from his bones. His captors then bound him in chains, and cast him into a prison. From this, however, he was at last rescued by Mr. Trefry. But the shame and the torture had unhinged his fine mind. He led Imoinda and his child into a forest, and asked his wife whether she would prefer to remain the slave of the white devils, or die at once by his hand. Imoinda begged him rather to kill her, and Oroonoko did so. But, instead of putting an end to himself, the prince determined to die fighting. He turned back from the forest, fiercely resolved to search out the lord-governor, and slay him; but, falling into the hands of the militiamen, he was killed in a very horrible manner.
I can only say that this negro was the noblest and gentlest man I ever met. It needs more genius than I possess to praise him as he deserves; yet I hope the reputation of my pen is considerable enough to make his name survive to all ages, with that of the beautiful, brave, and constant Imoinda.
* * * * *
CYRANO DE BERGERAC
A Voyage to the Moon
Savinien Cyrano de Bergerac has recently acquired a new lease
of fame as the hero of Edmond Rostand's romantic comedy.
Probably he is better known in France as a fighter than as a
wit and a poet. Born about 1620, he entered the Regiment of
the Guards in his nineteenth year, and quickly became renowned
for his bravery. He was an indefatigable duellist; when he was
about twenty years old, he found a hundred men assembled to
insult one of his friends, and he attacked them, killed two,
mortally wounded seven, and dispersed all the rest. He died at
Paris in 1655, struck by a huge beam falling into the street.
As an author he was strangely underrated by his
fellow-countrymen. Molière was the only man who really
appreciated him. For some centuries his works have been more
esteemed in England than in France. Many English writers, from
Dean Swift to Samuel Butler, the author of "Erewhon," have
been inspired by his "Voyage to the Moon," the English
equivalent of the original title being, "Comic History of the
States and Empires of the Moon and the Sun." This entertaining
satire is as fresh as it was on the day it was written: flying
machines and gramophones, for instance, are curiously modern.
His inimitable inventiveness makes him the most delightful of
French writers between Montaigne and Molière.
_I.--Arrival on the Moon_
After many experiments I constructed a flying machine, and, sitting on top of it, I boldly launched myself in the air from the crest of a mountain. I had scarcely risen more than half a mile when something went wrong with my machine, and it shot back to the earth. But, to my astonishment and joy, instead of descending with it, I continued to rise through the calm, moonlight air. For three-quarters of an hour I mounted higher and higher. Then suddenly all the weight of my body seemed to fall upon my head. I was no longer rising quietly from the Earth, but tumbling headlong on to the Moon. At last I crashed through a tree, and, breaking my fall among its leafy, yielding boughs, I landed gently on the grass below.
I found myself in the midst of a wild and beautiful forest, so full of the sweet music of singing-birds that it seemed as if every leaf on every tree had the tongue and figure of a nightingale. The ground was covered with unknown, lovely flowers, with a magical scent. As soon as I smelt it I became twenty years younger. My thin grey hairs changed into thick, brown, wavy tresses; my wrinkled face grew fresh and rosy; and my blood flowed through my veins with the speed and vigour of youth.
I was surprised to find no trace of human habitation in the forest. But in wandering about I came upon two strong, great animals, about twelve cubits long. One of them came towards me, and the other fled into the forest. But it quickly returned with seven hundred other beasts. As they approached me, I perceived that they were creatures with a human shape, who, however, went on all-fours like some gigantic kind of monkey. They shouted with admiration when they saw me; and one of them took me up by the neck and flung me on his back, and galloped with me into a great town.
When I saw the splendid buildings of the city I recognised my mistake. The four-footed creatures were really enormous men. Seeing that I went on two legs, they would not believe that I was a man like themselves. They thought I was an animal without any reasoning power, and they resolved to send me to their queen, who was fond of collecting strange and curious monsters.
All this, of course, I did not understand at the time. It took me some months to learn their language. These men of the Moon have two dialects; one for the nobility, the other for the common people. The language of the nobility is a kind of music; it is certainly a very pleasant means of expression. They are able to communicate their thoughts by lutes and other musical instruments quite as well as by the voice.
When twenty or thirty of them meet together to discuss some matter, they carry on the debate by the most harmonious concert it is possible to imagine.
The common people, however, talk by agitating different parts of their bodies. Certain movements constitute an entire speech. By shaking a finger, a hand, or an arm, for instance, they can say more than we can in a thousand words. Other motions, such as a wrinkle on the forehead, a shiver along a muscle, serve to design words. As they use all their body in speaking in this fashion, they have to go naked in order to make themselves clearly understood. When they are engaged in an exciting conversation they seem to be creatures shaken by some wild fever.
Instead of sending me at once to the Queen of the Moon, the man who had captured me earned a considerable amount of money by taking me every afternoon to the houses of the rich people. There I was compelled to jump and make grimaces, and stand in ridiculous attitudes in order to amuse the crowds of guests who had been invited to see the antics of the new animal.
But one day, as my master was pulling the rope around my neck to make me rise up and divert the company, a man came and asked me in Greek who I was. Full of joy at meeting someone with whom I could talk, I related to him the story of my voyage from the Earth.
"I cannot understand," I said, "how it was I rose up to the Moon when my machine broke down and fell to the Earth."
"That is easily explained," he said. "You had got within the circle of lunar influence, in which the Moon exerts a sort of sucking action on the fat of the body. The same thing often happens to me. Like you, I am a stranger on the Moon. I was born on the Sun, but, being of a roving disposition, I like to explore one planet after another. I have travelled a good deal in Europe, and conversed with several persons whose names you no doubt know. I remember that I was once famous in ancient Greece as the Demon of Socrates."
"Then you are a spirit?" I exclaimed.
"A kind of spirit," he replied. "I was one of the large company of the Men of the Sun who used to inhabit the Earth under the names of oracles, nymphs, woodland elves, and fairies. But we abandoned our world in the reign of the Emperor Augustus; your people then became so gross and stupid that we could no longer delight in their society. Since then I have stayed on the Moon. I find its inhabitants more enlightened than the inhabitants of the Earth."
"I don't!" I exclaimed. "Look how they treat me, as if I were a wild beast! I am sure that if one of their men of science voyaged to the Earth, he would be better received than I am here."
"I doubt it," said the Man of the Sun. "Your men of science would have him killed, stuffed, and put in a glass case in a museum."
_II.--The Garb of Shame_
At this point our conversation was broken off by my keeper. He saw that the company was tired of my talk, which seemed to them mere grunting. So he pulled my rope, and made me dance and caper until the spectators ached with laughter.
Happily, the next morning the Man of the Sun opened my cage and put me on his back and carried me away.
"I have spoken to the King of the Moon," he said; "and he has commanded that you should be taken to his court and examined by his learned doctors."
As my companion went on four feet, he was able to travel as fast as a racehorse, and we soon arrived at another town, where we put up at an inn for dinner. I followed him into a magnificently furnished hall, and a servant asked me what I would begin with.
"Some soup," I replied.
I had scarcely pronounced the words when I smelt a very succulent broth. I rose up to look for the source of this agreeable smell; but my companion stopped me.
"What do you want to walk away for?" said he. "Stay and finish your soup."
"But where is the soup?" I said.
"Ah," he replied. "This is the first meal you have had on the Moon. You see, the people here only live on the smell of food. The fine, lunar art of cookery consists in collecting the exhalations that come from cooked meat, and bottling them up. Then, at meal-time, the various jars are uncorked, one after the other, until the appetites of the diners are satisfied."
"It is, no doubt, an exquisite way of eating," I said; "but I am afraid I shall starve on it."
"Oh, no, you will not," said he. "You will soon find that a man can nourish himself as well by his nose as by his mouth."
And so it was. After smelling for a quarter of an hour a variety of rich, appetising vapours, I rose up quite satisfied.
In the afternoon I was taken to the palace of the king, and examined by the greatest men of science on the Moon. In spite of all that my friend had said on my behalf, I was adjudged to be a mere animal, and again shut up in a cage. The king, queen, and courtiers spent a considerable time every day watching me, and with the help of the Man of the Sun I soon learned to speak a little of their, music-language. This caused a great deal of surprise. Several persons began to think that I was really a man who had been dwarfed and weakened from want of nourishment.
But the learned doctors again examined me, and decided that, as I did not walk on four legs, I must be a new kind of featherless parrot. Thereupon I was given a pole to perch on, instead of a nice warm bed to lie in; and every day the queen's fowler used to come and whistle tunes for me to learn. In the meantime, however, I improved my knowledge of the language, and at last I spoke so well and intelligibly that all the courtiers said that the learned doctors had been mistaken. One of the queen's maids of honour not only thought that I was a man, but fell in love with me. She often used to steal to my cage, and listen to my stories of the customs and amusements of our world. She was so interested that she begged me to take her with me if ever I found a way of returning to the Earth.
In my examination by the learned doctors I had stated that their world was but a Moon, and that the Moon from which I had come was really a world. It was this which had made them angry against me. But my friend, the Man of the Sun, at last prevailed upon the king to let me out of the cage on my retracting my wicked heresy. I was clad in splendid robes, and placed on a magnificent chariot to which four great noblemen were harnessed, and led to the centre of the city, where I had to make the following statement:
"People, I declare to you that this Moon is not a Moon but a world; and that the world I come from is not a world but a Moon. For this is what the Royal Council believe that you ought to believe."
The Man of the Sun then helped me to descend from the chariot, and took me quickly into a house, and stripped me of my gorgeous robes. "Why do you do that?" I asked. "This is the most splendid dress I have ever seen on the Moon."
"It is a garb of shame," said my companion. "You have this day undergone the lowest degradation that can be imposed on a man. You committed an awful crime in saying that the Moon was not a Moon. It is a great wonder you were not condemned to die of old age."
"Die of old age?" I said.
"Yes," replied my companion. "Usually, when a Man of the Moon comes to that time of life in which he feels that he is losing his strength of mind and body, he invites all his friends to a banquet. After explaining what little hope he has of adding anything to the fine actions of his life, he asks for permission to depart. If he has led a bad life, he is ordered to live; but if he has been a good man, his dearest friend kisses him, and plunges a dagger in his heart."
As he was talking, the son of the man in whose house we were staying entered the room. My companion quickly rose on his four feet, and made the young man a profound bow. I asked him why he did this. He told me that on the Moon parents obey their children, and old men are compelled to show to young men the greatest respect.
"They are of opinion," said my companion, "that a strong and active young man is more capable of governing a family than a dull, infirm sexagenarian. I know that on your Earth old men are supposed to be wise and prudent. But, as a matter of fact, their wisdom and prudence consists merely of a timid frame of mind and a disinclination to take any risks."
The father then entered the room, and his son said to him in an angry voice:
"Why have you not got our house ready to sail away? You know the walls of the city have gone some hours ago. Bring me at once your image!"
The man brought a great wooden image of himself, and his son whipped it furiously for a quarter of an hour.
"And now," said the young man at last, "go and hoist the sails at once!"
_III.--Marvels of the Moon_
There are two kinds of towns on the Moon: travelling towns and sedentary towns. In the travelling towns, each house is built of very light wood, and placed on a platform, beneath the four corners of which great wheels are fixed. When the time arrives for a voyage to the seaside or the forest, for a change of air, the townspeople hoist vast sails on the roofs of their dwellings, and sail away altogether towards the new site.
In the sedentary towns, on the other hand, the houses are made with great strong screws running from the cellars to the roofs, which enable them to be raised or lowered at discretion. The depth of the cellar is equal to the height of every house; in winter, the whole structure is lowered below the surface of the ground; in spring, it is lifted up again by means of the screw.
As, owing to the father's neglect, the house in which we were staying could not set sail until the next day, my companion and I accepted an invitation to stay the night there. Our host then sent for a doctor, who prescribed what foods I should smell, and what kind of bed I should lie in.
"But I am not sick!" I said to the Man of the Sun.
"If you were," he replied, "the doctor would not have been sent for. On the Moon, doctors are not paid to cure men, but to keep them in good health. They are officers of the state, and, once a day, they call at every house, and instruct the inmates how to preserve their natural vigour."
"I wish," I. said, "you could get him to order me a dozen roasted larks instead of the mere smell of them. I should like to taste some solid food just for a change."
He spoke to the doctor, and at a sign from him, our host took a gun and led me into his garden.
"Are those the kind of birds you mean?" he said, pointing to a great swarm of larks singing high up in the sky.
I replied that they were, and he shot at them, and thirty larks tumbled over at our feet, not merely dead, but plucked, seasoned, and roasted.
"You see," said my host, "we mix with our gunpowder and shot a certain composition which cooks as well as kills."
I picked up one of the birds and ate it. In sober truth, I have never tasted on Earth anything so deliciously roasted.
When I had finished my repast, I was conducted to a little room, the floor of which was strewn with fine orange blossoms about three feet deep. The Men of the Moon always sleep on these thick, soft heaps of fragrant flowers, which are chosen for them every day by their doctors. Four servants came and undressed me, and gently rubbed my limbs and my body, and in a few moments I was fast asleep.
Early next morning I was awakened by the Man of the Sun, who said to me:
"I know you are anxious to return to your Earth and relate the story of all the strange and wonderful things you have seen on the Moon. If you care to while away an hour or two over this book, I will prepare for your return voyage."
The book which he put into my hand was an extraordinary object. It was a kind of machine, full of delicate springs, and it looked like a new kind of clock. In order to read it, you had to use, not your eyes, but your ears. For on touching one of the springs, it began to speak like a man. It was a history of the Sun, and I was still listening to it when my companion arrived.
"I am now ready," he said. "On what part of the Earth would you like to land?"
"In Italy," I replied. "That will save me the cost and trouble of travelling to Rome--a city I have always longed to see."
Taking me in his arms, the Man of the Sun rose swiftly up from the Moon and carried me across the intervening space, and dropped me rather roughly on a hill near Rome. When I turned to expostulate with him, I found that he had disappeared.
* * * * *
BJÖRNSTJERNE BJÖRNSON
Arne
Björnstjerne Björnson, one of the greatest Scandinavian
writers, was born at Kvikne, in the wild region of the Dovre
Mountains, Norway, Dec. 8, 1832. His father was the village
pastor. Six years later the family removed to Naesset, on the
west coast of Norway. From the grammar school at Molde young
Björnson went to the University of Christiania, and it was
then that he began to write verses and newspaper articles. At
Upsala, in 1856, he understood that he had a definite call to
literature, and at Copenhagen the following year he wrote his
first masterpiece "Synnove Solbakken." This was followed, in
1858, by "Arne," a story which not only brought him into the
front rank of contemporary writers, but also marked a new era
in Norwegian literature. From that time there has been a
succession of novels, short stories, and plays (Björnson on
two occasions has been the director of a theatre) from his
pen. A drama, "The King," produced in 1877, had an after
effect of immense political importance. It was undoubtedly an
attack on the ruler of Norway and Sweden, and every Norwegian
who wished his country to become an independent nation
welcomed Björnson as the leader of this new movement--with
what success there is now no need to relate, since it has
become a matter of history. Björnson died April 25, 1910.
_I.--The Little Song-Maker_
It was up at Kampen that Arne was born. His mother was Margit, the only child at the little farm among the crags. When she was eighteen, she stopped too long at a dance one evening; her friends had gone off without her, so Margit thought the way home would be just as long whether she waited till the end of the dance or not.
Thus it came about that Margit remained sitting there till Nils Skrædder, the fiddler, suddenly laid aside his instrument, as was his wont when he had had more than enough to drink, left the dancers to hum their own tune, took hold of the prettiest girl he could find, and, letting his feet keep as good time to the dance as music to a song, jerked off with the heel of his boot the hat of the tallest man in the room. "Ho!" laughed he.
As Margit walked home that night, the moon was making wondrous sport over the snow. When she got to the loft where she slept, she could not help looking out at it again.
Next time there was a dance in the parish, Margit was present. She did not care much to dance that evening, but sat listening to the music. But when the playing ceased the fiddler rose and went straight across to Margit Kampen. She was scarcely aware of anything, but that she was dancing with Nils Skrædder!
Before long the weather grew warmer, and there was no more dancing that spring.
One Sunday, when the summer was getting on, Margit went to church with her mother. When they were at home again her mother threw both her arms around her. "Hide nothing from me, my child!" she cried.
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The World's Greatest Books — Volume 01 — FictionChapter X: Part 10
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