Chapter VII: Part 7

But it was not till Mr. Allworthy discovered that Blifil had been arranging with a lawyer to get the men who had arrested Jones to bear false witness, and learnt further that Tom Jones was his sister Bridget's child, and that on her death-bed Mrs. Blifil's message to her brother confessing the fact had been suppressed by her son, that his old feelings of affection for Tom Jones returned. Before setting out to visit Jones in the prison Mr. Allworthy called on Sophia to inform her that he regretted Blifil had ever been encouraged to give her annoyance, and that Mr. Jones was his nephew and his heir.

Men over-violent in their dispositions are, for the most part, as changeable in them. No sooner was Western informed of Mr. Allworthy's intention to make Jones his heir than he joined heartily with the uncle in every commendation of the nephew, and became as eager for his daughter's marriage with Jones as he had before been to couple her to Blifil.

Fitzpatrick being recovered of his wound, and admitting the aggression, Jones was released from custody and returned to his lodgings to meet Mr. Allworthy.

It is impossible to conceive a more tender or moving scene than this meeting between the uncle and nephew. Allworthy received Jones into his arms. "O my child!" he cried, "how have I been to blame! How have I injured you! What amends can I ever make you for those unkind suspicions which I have entertained, and for all the sufferings they have occasioned you?"

"Am I not now made amends?" cried Jones. "Would not my sufferings, had they been ten times greater, have been now richly repaid?"

Here the conversation was interrupted by the arrival of Western, who could no longer be kept away even by the authority of Allworthy himself. Western immediately went up to Jones, crying out, "My old friend Tom, I am glad to see thee, with all my heart. All past must be forgotten. Come along with me; I'll carry thee to thy mistress this moment."

Here Allworthy interposed; and the squire was obliged to consent to delay introducing Jones to Sophia till the afternoon.

Blifil, now thoroughly exposed in his treachery, was at first sullen and silent, balancing in his mind whether he should yet deny all; but finding at last the evidence too strong against him, betook himself to confession, and was now as remarkably mean as he had been before remarkably wicked. Mr. Allworthy subsequently settled £200 a year upon him, to which Jones hath privately added a third. Upon this income Blifil lives in one of the northern counties. He is also lately turned Methodist, in hopes of marrying a very rich widow of that sect. Sophia would not at first permit any promise of an immediate engagement with Jones because of certain stories of his inconstancy, but Mr. Western refused to hear of any delay.

"To-morrow or next day?" says Western, bursting into the room where Sophia and Jones were alone.

"Indeed, sir," says she, "I have no such intention."

"But I can tell thee," replied he, "why hast not; only because thou dost love to be disobedient, and to plague and vex thy father. When I forbid her, then it was all nothing but sighing and whining, and languishing and writing; now I am for thee--(this to Jones)--she is against thee. All the spirit of contrary, that's all. She is above being guided and governed by her father, that is the whole truth on't. It is only to disoblige and contradict me."

"What would my papa have me do?" cries Sophia.

"What would I ha' thee do?" says he, "why gee un thy hand this moment."

"Well, sir," said Sophia, "I will obey you. There is my hand, Mr. Jones."

"Well, and will you consent to ha' un to-morrow morning?" says Western.

"I will be obedient to you, sir," cries she.

"Why, then, to-morrow morning be the day," cries he.

"Why, then, to-morrow morning shall be the day, papa, since you will have it so," said Sophia. Jones then fell upon his knees and kissed her hand in an agony of joy, while Western began to caper and dance about the room, presently crying out, "Where the devil is Allworthy?" He then sallied out in quest of him, and very opportunely left the lovers to enjoy a few tender minutes alone.

But he soon returned with Allworthy, saying, "If you won't believe me, you may ask her yourself. Hast not gin thy consent, Sophy, to be married to-morrow?"

"Such are your commands, sir," cries Sophia, "and I dare not be guilty of disobedience."

"I hope there is not the least constraint," cries Allworthy.

"Why, there," cried Western, "you may bid her unsay all again if you will. Dost repent heartily of thy promise, dost not, Sophy?"

"Indeed, papa," cried she. "I do not repent, nor do I believe I ever shall, of any promise in favour of Mr. Jones."

"Then, nephew," cries Allworthy, "I felicitate you most heartily, for I think you are the happiest of men."

Mr. Allworthy, Mr. Western, and Mrs. Miller were the only persons present at the wedding, and within two days of that event Mr. Jones and Sophia attended Mr. Western and Mr. Allworthy into the country.

There is not a neighbour or a servant, who doth not most gratefully bless the day when Mr. Jones was married to Sophia.

* * * * *

CAMILLE FLAMMARION

Urania

Camille Flammarion is one of the most remarkable of modern
French scientists. Born on February 25, 1842, he was
apprenticed at an early age to an engraver, but, attracted by
astronomy, he studied so well that, when a lad of sixteen, he
was admitted as a pupil to the Paris Observatory. There is no
doubt that the great French mathematician, Le Verrier,
regarded Flammarion with a certain disdain as more of a poet
than an astronomer; but he soon vindicated, by several
important discoveries, his title to be regarded as a man of
science. "Urania," which appeared in 1889, is an excellent
example of his ability as a thinker, and of his charm as a
writer. The work is hardly a novel, though it is far more
popular than many books of fiction. It is really an essay in
philosophy dealing with the question of the immortality of the
soul; and it has an especial interest for English readers
owing to the fact that much in it that seems to be pure
fantasy is based on researches undertaken by the British
Society for Psychical Research. The plot and the characters
are of secondary importance; they are only used for the
purpose of illustrating certain ideas.

_I.--The Muse of Astronomy_

I was seventeen years old when I fell in love with Urania. Was she a fair, young, blue-eyed daughter of Eve? No; she was an exquisite statue of the Muse of Astronomy, chiselled by Pradier in the days of the Empire. She stood on the mantelpiece in the study of the famous mathematician, Le Verrier, who directed the Paris Observatory, where I was working. At four o'clock in the afternoon my illustrious chief used to depart, and I would then steal into his room and sit down before Urania and dream of lovelier worlds than ours, hidden in the infinite spaces of the starry sky. Sometimes my friend and companion in studies, Georges Spero, would come and sit beside me; and, inspired by the immortal beauty of Urania, we would let our young and ardent imaginations play over the glories and wonders of the heavens.

"You will be too late for Jupiter," said Le Verrier, entering unexpectedly one evening, and catching me in an attitude of adoration before Urania. "I am afraid you are more of a poet than an astronomer."

The great man of science himself certainly did not love beauty as much as he loved wisdom, for the next day he sold the lovely image of Urania in order to buy an old Chinese astronomical clock. I was almost heartbroken when I entered his room and found that Urania had disappeared. With her had gone the vivifying power of imagination which had transmuted the abstruse calculations on which I was engaged into glimpses of heavenly visions of infinite life. With what wild joy then did I see, when I returned home, Urania shining in all her loveliness on my own mantelpiece. Knowing my love for the beautiful figure of the muse, Georges Spero had bought it back from the watchmaker to whom Le Verrier had sent it, and placed it in my room as a gift.

It was an extraordinary mark of friendship, for Georges loved Urania even more passionately than I did. To him she was the personification of everything in life that lifted man above the level of the brute.

Possessing a nobler and finer intellect than mine, he had thrown himself into the study of the problems of the soul with a fury of passion and a concentration of thought that almost killed him. Are our souls immortal, or do they perish with our bodies? This was the question that tormented him to madness. One night I found him sitting in his room in the Place du Panthéon with a glass of poison in his hand.

"This is the quickest road to the knowledge I want," he said, with a smile. "I shall soon know if the soul is immortal."

He had been dissecting a skull; and by his side was a microscope with which he had been studying the grey matter of the brain. Convinced at last of the uncertainty of the positive sciences, he had fallen into violent despair. But Urania was at hand to comfort him, and his mind became calmer and clearer when we ceased to talk about earthly things, and ascended into high regions of philosophic speculation over which the muse of heaven presides.

"Ah, Camille," he exclaimed, "the Uranian way is the best. It is only by studying the heavens that we shall be able to understand this little earth of ours, and the part we play in it. Look at the midnight sky, streaming with the light of infinite suns, and filled with an unending procession of worlds in which the spirit of life clothes itself in an unimaginable variety of forms. This clot of dust on which we live will grow cold, and break and scatter in the abysses of space. But it is not our home; we are only passengers, and when our journey here is done, fairer mansions are waiting for us in the depths of the sky. If I die before you, I will return and convince you of this truth."

Returning to the study of astronomy, Spero built up a system of philosophy which made him, at the age of twenty-five, one of the most famous men in France.

_II.--Love and Death_

By way of relief from his severer work, Georges Spero resolved to go to Norway and study the wild and beautiful phenomena of the Aurora Borealis, and I went with him. One morning, as we were standing on a mountain looking at a magnificent sunrise, I saw a girl climbing a neighbouring peak. She did not perceive us; but when she reached the summit the image of Spero was thrown on a cloud in front of her, by one of those curious plays of sunlight and mist which sometimes occur in hazy, mountainous regions. His fine, austere features and graceful figure were enlarged into a vast, god-like apparition, with a halo of bright colours shining like a glory around his head, and a fainter circle of rainbow hues framing his whole form. It was the first anthelia that the lovely girl had seen, and it filled her with wonder and awe.

Theirs was a strange courtship--Spero's and Iclea's. The lovely young Norwegian lady had recently lost her mother, and being, like many of the cultivated women of Northern Europe, somewhat dubious of the dogmas of religion, she had found death a terrible mystery when it was thus brought sharply home to her. She was wandering in the dreadful labyrinth of modern doubt, vainly seeking to forget her trouble in the excitements of mountaineering, when she saw the unearthly apparition of the young French philosopher. A study of his works heightened the feeling of awe with which she already regarded him. At first there was no room for love in the passionate desire after knowledge which drew her to him. She was merely a disciple sitting at the feet of the great master. Accompanied by her father, she continued her studies under him when he returned to Paris, and for three months they were bound together wholly by intellectual interest. For several hours every day they studied side by side, and much of Iclea's time was spent in translating papers in foreign languages, bearing on subjects in which Georges was interested. One morning he arrived earlier than usual, his eyes shining with joy.

"I have settled the problem," he cried, leaning against the mantelpiece. "At least," he added, with his usual modesty, "I have settled it to my own satisfaction."

Striding up and down the room, he rapidly sketched out a system of philosophy in which the ultimate truths of modern science were transformed into the bases of religion. Iclea listened to him in silence as he went on to explain the spiritual forces still dormant in the human soul.

"We are still in our spiritual infancy," he said. "It is scarcely four thousand years since mankind began to manifest its higher powers. Our greatest conquests over nature are all of recent date, and they are the work of a few noble souls who have erected themselves above the animal conditions of life. The reign of brute force is over, and I am certain that as soon as we learn to exercise the powers of our soul we shall acquire transcendental faculties that will enable us to transport ourselves from one world to another."

"That, too, is my belief," said Iclea.

Georges bent over her and gazed into her eyes of heavenly blue through which her very soul was speaking. There was a strange silence, and then their lips met.

* * * * *

For some months I lost sight of my two friends. In the ecstasy of their love they forgot for a while the problems of philosophy which had brought them together. The joys of intellectual communion were submerged and almost lost in the new, strange feeling which crowned and glorified their lives. Hand in hand the lovers wandered about Paris, which had now become to them a city in fairyland. Meeting them one evening on the banks of the Seine, I learned that they were returning to Norway with Iclea's father, and that they were to be married at Christiania on the anniversary of the mysterious apparition on the mountain which had brought them together. Georges was about to resume his interrupted studies of the Aurora Borealis, which he wished to trace to its source by means of a balloon ascent, and Iclea intended to accompany him in his voyage through the air.

To my great regret I was unable to go with them to Norway, as my duties as an astronomer kept me in Paris. I anxiously awaited that extraordinary agitation of the magnetic needle which announces the existence of an Aurora Borealis in Northern Europe. When at last the magnetic perturbation occurred in the observatory, I rejoiced to think that Spero and his bride were floating high, feasting their eyes on the most gorgeous of spectacles.

But suddenly an indefinable feeling of uneasiness came over me, which grew into a dreadful presentiment of disaster. Long before the telegram arrived from Christiania I knew what had happened. Georges and Iclea were dead!

Every reader of the newspapers next morning knew as much as I did. An escape of gas which could not be stopped sent the balloon hurtling to the earth. Spero threw everything movable out of the car in a vain attempt to lighten it and break the force of the descent. The balloon still kept falling; then Iclea, with a wild courage born of love, saved Georges' life by leaping out of the car. Relieved of her weight, the balloon rose up, but Spero had now no wish to live. He jumped out with a wild cry, and his body crashed on the edge of the lake into which Iclea had fallen. There the mortal remains of the two lovers now lie, covered by a single stone. But where were their souls?

One night Georges Spero remembered his promise to me, and returned to earth.

_III.--A Soul from Mars_

Sitting alone on the top of the ancient castle of Montlhéry, I was conducting an experiment in optics by means of electrical communications with two assistants at Paris and Juvisy. I was trying to find out if the rays of different colours in the spectrum travel at the same rate. It was just on midnight before I brought the experiment to a successful conclusion. As I covered up my instruments, some one said, "You would not have brought that off, Camille, if it had not been for me. I gave you the idea of comparing the violet vibrations with the red."

I turned round with a cry of fear. Georges Spero was sitting in the moonlight on the parapet, looking at me with a smile.

"Are you afraid of me, Camille?" he said.

"You, Georges! You!" I stammered. "Is it really you? Keep still, and let me touch you."

I put my hands on his face, and stroked his hair, and felt his body. I could no longer doubt that I had him before me in the actual flesh, but he read my thoughts.

"You are mistaken, Camille," he said. "My real body is asleep on Mars."

"So you still live?" I exclaimed. "You have solved the great problem. And Iclea?"

"Let us sit here and talk," he replied. "There are many things I want to tell you."

My fears had vanished, and I sat by my beloved friend.

"It seemed to me," said Georges, "that my fall from the balloon knocked me senseless. When I came to, I was lying in the darkness with the ripple of lake-water breaking on my ear. What amazed me was a strange sense of lightness that made me feel I could rise up and float away if I wanted to. Thinking this was a disorder of the mind, I did not attempt to move, but watched with wondering eyes the sky above me. It was lighted by two strange moons. When the day broke, and showed around me a world of unimaginable splendour, I knew the meaning of the two moons and of my strange feeling of lightness. I was a disembodied spirit that had been transported to Mars.

"Do you know, Camille, that the soul is able to choose its mortal covering? This is, at least, the case on Mars. For some time I wandered about in an invisible form, studying the conditions of life there. Animal strength, I found, counted for nothing. The Martians are an aerial race, with exquisite senses, which respond in a way unknown on earth to spiritual influences. Do you remember I read your thoughts when we first met, and answered them before you spoke? That is one of the Martians' gifts. Finding that these wonderful faculties were better developed in the women of Mars than in the men, I chose the feminine form for my reincarnation."

"And Iclea?" I said.

"Iclea," said Spero, "was re-born in a masculine shape. It was partly because of the mystic attraction that I felt for her that I chose the other form. Neither of us remembered our earthly existence, but a vague yet deep sentiment of our spiritual relationship made me seek her out and unite myself to her. It was your beloved muse Uriana," he added, "who revealed the ties that bound us in our former lives.

"Owing to their superior faculties, the Martians have carried every science to a perfection undreamt of on this earth. In astronomical observations, for instance, they employ a system of telephotography. For thousands of years their instruments have been photographing, on an unending roll of paper, the wild spectacle of terrestrial life.

"One day, as Iclea and I were examining recent photographs, we saw a picture of Paris during the Great Exhibition. Seizing a microscope, we looked at the figures, and recognised ourselves among them. Strange memories stirred within us, and we stared at each other in silent amazement. Suddenly I remembered the sacred words I learnt at my mother's knee. Yes, there were many mansions in our Father's house! The blood-stained planet from which we had escaped was neither the cradle nor the grave of His children.

"Then we wept as we thought of the cruelty, ignorance, misery, and grossness of existence on earth. It was, dear Camille, with no joy that I recollected the promise I had made to you. But, you see, I have carried it out. I wish to convince you, and, through you, all the rest of mankind, that the soul is immortal, and that the earth is only a temporary stage of existence in a spiritual progress in which the whole universe is included."

"But how is it possible for you, Georges," I interrupted, "to appear to me in the body you wore on earth?"

"All this," said Spero, touching his body, "is an illusion. Do you not recollect my saying that only invisible things are real? You do not see me with your eyes, or feel me with your hands, as you think you do. The impression which you have of my presence is born of the influence which my mind is exerting in an invisible way on your mind. Can't you understand? It is a kind of hypnotism. At the present moment, as I have said, I am lying asleep on Mars, but my spirit is in direct communication with yours. The form you see sitting beside you on this parapet is only an illusion of your senses. My soul is speaking to your soul."

"But could you not," I said, "give me some description of life on Mars?"

"A dream," he replied, "would be more vivid than a mere description, though it would only be a shadow of the reality. For since you have not, my dear friend, our exquisite faculties of knowledge, your mind could not clearly mirror our life. Hark! Iclea is awake, and calling me. I cannot stay any longer. Shut your eyes, and I will send you a dream."

I turned to say good-bye, but Spero had vanished. A deep drowsiness fell upon me, and just as I got off the parapet and found a safer position I fell asleep.

_IV.--The Eternal Progress_

I was sitting under a strange tree covered with gigantic red flowers. In the sky above me were two moons that shed a dim brightness on the lovely and fantastic scenery. A multitude of radiant shapes fluttered and darted through the air. They were Martians--exquisite, aerial, and divinely beautiful figures glowing with luminous tints. Airy gondolas, which seemed to be fashioned from phosphorescent flowers, passed above my head, and one of them floated down to the tree under which I was lying. In it were Iclea and Georges, but etherealised beyond the reach of human imagination.

They took me in their flying chariot as day was breaking, and we coursed, with a strange silent interchange of thoughts, over the orange-coloured land of Mars. I could not understand everything which was communicated to me, now by Iclea and now by Georges; but I perceived that all manual labour on the planet was done by means of machines directed by animals whose intelligence was on a level with my own. The Martians themselves lived only for the things of the mind; they had twelve senses instead of five, and their bodies, in which electricity played the part that blood does in our systems, were so finely and yet so strongly organised that they possessed an extraordinary power over the forces of nature. Everything on their world, seas, mountains and rivers were like their wonderful canals, works of art and science. Nature was completely plastic in their hands. There was no poverty and no crime. Deriving their food from the air which they breathe, the Martians were liberated from material cares and immersed in the joys of intellectual pursuits.

"You now see, Camille," said Spero, resorting at last to language which I could clearly understand, "that life on Mars has developed as peacefully and nobly as it began. There is no break between our vegetable kingdom and our animal kingdom. We are nourished, like your plants, trees, and herbs, by the air which we breathe. Ten million years ago your world was also a scene of innocence and tranquil felicity. The land was overgrown with a wildly beautiful vegetation that fed on the gentle winds of heaven, and primitive forms of animal life had spread from the depths of the sea along the shallow shores, and were there learning to extract from the air a nourishment similar to that which they obtained from the water. But by a woeful chance, one of your primitive animals--a deaf, blind, sexless clot of jelly--then had its body pierced by a drop of sea-water thicker than usual, and it found that this way of feeding was quicker than simple respiration. Such was the origin of the first digestive tube, which has exercised so baleful an influence on the course of terrestrial life, and turned the earth into a vast slaughterhouse."

"Is there no hope for us?" I said.

"No," he replied; "the earth is a shipwrecked planet. None of the higher organisms there will ever rise to our level. How can they alter the structure of their bodies, and empty their veins of blood, and fill them with the subtle electricity which serves us as a life force? And the grossness of their blood-fed senses! How can all the fine powers of the immortal soul ever develop along with such degraded instruments of knowledge?"

"But even if our earth is a shipwrecked planet," I exclaimed, "there is at least some means of escaping from it. You and Iclea, for instance----"

"Yes, there is a way of escape," said Spero, "the Uranian way. By soaring aloft into the serene region of spiritual ideas, a terrestrial soul can still free itself from its animality. Some save themselves by their high moral qualities, others are purified and uplifted by their imagination and intellect. Virtue and science are the wings that enable earth-born spirits to mount the skies. The destiny of a soul is determined by its works and aspirations. Lovers of knowledge sojourn awhile on Mars, which is only the first stage in the eternal progress. Spirits animated by divine feelings rise at once into high regions of starry splendour. The Uranian way is open to all, and the day will arrive when every inhabitant of your wild, dark planet will recognise that he, too, is a citizen of heaven. Then Urania will at last inspire and direct him, and point out the path by which he can ascend from the blood-stained earth to the fairer mansions prepared for him in the skies."

As he was speaking our aerial chariot floated down to a fairy palace by the shore of an enchanted sea. I alighted; and a radiant, flower-like maiden, who was standing by the portal, unfolded her rainbow wings and shadowed me with them, and murmured, "Do you wish to return to earth?"

"No," I cried, running up to clasp her in my arms.

I awoke with a sudden shock. I was lying on the top of the tower of Montlhéry; the sun was rising, and the vast circle of country below me shone clear and distinct in the morning light.

"Was it a dream?" I said to myself. "Surely not. The earth is not the only home of life in the universe. Urania, the celestial muse, is now unfolding before our astonished eyes the panoramas of infinity, and we know at last that we are not the children of the earth, but citizens of the heavens."

* * * * *

DE LA MOTTE FOUQUÉ

Undine

Friedrich Heinrich Karl Fouqué, Baron de la Motte, was born at
Brandenburg, in Prussia, Feb. 12, 1777, and died in Berlin
January 23, 1843. The mixed nationality indicated by his name
is accounted for by his descent from a French Huguenot family.
He served as a Prussian cavalryman in the two campaigns
against Napoleon of 1792 and 1813, but during the long
interval between devoted himself actively to intellectual
culture and literary pursuits. He began his career as an
author by translating the "Numancia" of Cervantes, but his
admiration of the ancient Norse sagas and the old German
legends led him into the composition of exquisitely beautiful
and tender, though exceedingly fantastic, romances which
speedily gained immense popularity. In these productions fairy
and magical elements predominate. His masterpiece is "Undine,"
published in 1814, the other best-known works being "Sintram,"
"Aslauga's Knight," and "The Two Captains." In all Fouqué's
stories the marks of genius appear in his brilliant
imagination and pure and fascinating diction.

_I.--The Water Sprite_

About a century ago an aged fisherman sat mending his nets by his cottage door, in front of a lovely lake. Behind his dwelling stretched a sombre forest, reputed to be haunted by goblin creatures. Through this gloomy solitude the pious old fisherman frequently passed, religiously dispelling all terrors by singing hymns as he went with his fish to a town near the border of the forest.

One evening he heard the sound of a horse's hoofs, and presently appeared a knight riding on a splendid steed, and clad in resplendent armour. The stranger stopped, and besought shelter for the night, and the good old fisherman accorded him a most cheery welcome, taking him into the cottage, where sat his aged wife by a scanty fire. Soon the three were freely conversing. The knight told of his travels and revealed that he was Sir Huldbrand of Ringstetten, where he had a castle by the Rhine.

A splash against the window surprising the guest he was informed by his host, with some little show of vexation, that little tricks were often played by a foster-child of the old couple, named Undine, a girl of eighteen.

The door flew open, and a lovely girl glided, laughing, into the room. Without the slightest token of shyness she gazed at the knight for a few moments, then asked why he had come to the poor cottage.

"Have you come through the wild forest?"

He confessed that he had, and she instantly demanded a recital of his adventures. With a slight shudder at his own recollections of the strange creatures he had encountered, Huldbrand consented, but a reproof from the fisherman at her obtrusiveness angered Undine. The girl sprang up and rushed forth into the night, exclaiming, "Sleep alone in your smoky old hut!"

In great alarm, the fisherman and Huldbrand rose to follow the girl, but she had vanished in the darkness. Remarking that she had acted so before, the old fisherman invited Huldbrand to sit by the fire and talk awhile, and began to relate how Undine had come to live with them.

The couple had lost their only child, a wonderfully beautiful little girl. At the age of three, when sitting in her mother's lap at the edge of the lake, she seemed to be attracted by some lovely apparition in the water, for, suddenly stretching out her hands and laughing, she had in a moment sprung into the lake. No trace of the child could ever be found. But the same evening a lovely little girl, three or four years old, with water streaming from her golden tresses, suddenly entered the cottage, smiling sweetly at the fisherman and his wife. They hastily undressed the little stranger and put her to bed. She uttered not a word, but simply smiled. In the morning she talked a little, confusedly telling how she had been in a boat on the lake with her mother, and had fallen in, and could recollect nothing more. She could say nothing as to who she was or whence she came. But she talked often of golden castles and crystal domes.

While the fisherman was talking thus to the knight, he was suddenly interrupted by the noise of rushing water. Floods seemed to be bursting forth, and he and his guest, going hastily to the door, saw by the moonlight that the brook which issued from the forest was surging in a wild torrent over its margin, while a roaring wind was lashing the lake. In great alarm both shouted, "Undine! Undine!" But there was no response, and the two ran off in different directions in search of the fugitive.

It was Huldbrand who discovered the girl. Clambering down some rocks at the edge of the stream, thinking Undine might have fallen there, he was hailed by the sweet voice of the girl herself.

"Venture not," she cried. "The old man of the stream is full of tricks."

Looking across at a tiny isle in the stream, the knight saw her nestling in the grass, smiling, and in an instant he had crossed.

"The fisherman is distressed at your absence," said he. "Let us go back."

Looking at him with her beautiful blue eyes, the girl replied. "If you think so, well; whatever you think is right to me."

Taking Undine in his arms, Huldbrand bore her over the stream to the cottage, where she was received with joy. Dawn was breaking, and breakfast was prepared under the trees. Undine flung herself on the grass at Huldbrand's feet, and at her renewed request the knight told the story of his forest adventures.

"It is now about eight days since I rode into the city on the other side of the forest to join in a great tournament. In one of the intervals between the jousts I noticed a lovely lady among the spectators. I learned that she was Bertalda, foster-daughter of a great duke, and each evening I became her partner in the dances.

"This Bertalda was a wayward girl, and each day pleased me less and less; but I continued in her company, and asked her jestingly to give me a glove. She said she would do so if I would explore alone the haunted forest. As an honourable knight I could not decline the challenge, and yesterday I set out on the enterprise. Before I had penetrated very far within the glades, I saw what looked like a bear in the branches of an oak; but the creature, in a harsh, human voice, growled that it was getting branches with which to roast me at night. My horse was scared at this, and other grim apparitions, but at last I emerged from the forest, and saw the lake and this cottage."

When he had finished, the fisherman spoke of the best way by which the visitor could return to the city; but, with sly laughter, Undine declared that the knight could not depart, for if he attempted now to cross the deluged wood, he would be overwhelmed.

_II.--"I Have No Soul!"_

Huldbrand, detained at the cottage by the increasing overflow of the stream, enjoyed the most perfect satisfaction with his sojourn.

The old folks with pleasure regarded the two young people as being betrothed, and Huldbrand assumed that he was accepted by the girl, whom he had come to look upon as not being in reality one of this poor household, but one of some illustrious family, and when, one evening, an aged priest appeared at the cottage, driven in by the storm, Huldbrand addressed to him a request that he should on the spot at once unite him and the maiden, as they were pledged to each other. A discussion arose, but matters were at length settled, and the old wife produced two consecrated tapers. Lighting these, the priest, with brief, solemn ceremony, celebrated the nuptials.

Undine had been quiet and grave during these proceedings, but a singular change took place in her demeanour as soon as the rite had been performed. She began at intervals to indulge in wild freaks, teasing the priest, and indulging in a variety of silly tricks. At length the priest gently expostulated with Undine, exhorting her so to attune her soul that it might always be in concord with that of her husband.

Her reply amazed the listeners, for she said, "If one has no soul, as I have none, what is there to harmonise?" Then she burst into a fit of passionate weeping, to the consternation of all the little company. As she again and again wept, the priest, fearing that she was possessed by some evil spirit, sought to exorcise it. The priest turned to the bridegroom with the assurance that he could discover nothing evil in the bride, mysterious though her behaviour was, and he commended him to be loving and true to her.

The next morning Undine, when she and her husband made their appearance, responded gracefully to the paternal greeting of the priest, beseeching his pardon for her folly of the previous evening, and begging him to pray for the good of her soul. Through the whole day Undine behaved angelically. She was kind, quiet, and gentle. At eventide she led her husband out to the edge of the stream, which, to the wonder of Huldbrand, had subsided into gentle, rippling waves.

She whispered, "Carry me across to that little isle, and we will decide there."

Wondering, he carried her across, and, laying her on the turf, listened as she began.

"My loved one, know that there are strange beings which, though seeming almost mortals, are rarely visible to human eyes--salamanders in the flames, gnomes down in the earth, spirits in the air. And in the water are myriads of spirits dwelling in crystal domes, in the coral-trees, and in the lovely shells. These are far more beautiful than the fairest of human beings, and sometimes a fisherman has seen a tender mermaid, and has listened to her song. Such wonderful creatures are called Undines, and one of these you see now before you!

"We should be far superior to other beings--for we consider ourselves human--but for one defect. We have no souls, and nothing remains of us after this mortal life is over. Yet every being aspires to rise higher, and so my father, who is a great water prince in the Mediterranean Sea, desired that his only daughter should become possessed of a soul. But this can only come to pass with loving union with one of your race. Now, O my dearly beloved, I have to thank you that I am gifted with a soul, and it will be due to you should all my life be made wretched. For what will become of me if you forsake me? If you would do so, do it now! Then I will plunge into the stream--which is my uncle--and as he brought me here, so will he take me back to my parents, a loving, suffering woman with a soul."

Undine would have said yet more, but Huldbrand, astonishing though the recital was, with tears and kisses vowed he would never leave his lovely wife; and with her leaning in loving trustfulness on his arm, they returned to the hut.

The next day, at Undine's strange urgency, farewell was said with bitter tears and lamentations.

Undine was placed on the beautiful horse, and Huldbrand and the priest walked on either side as the three passed through the solemn glades of the wood. A fourth soon joined them. He was dressed in a white robe, like that of the priest, and presently attempted to speak to Undine. But she shrank from him, declaring she wished to have nothing to do with him.

"Oh, oh!" cried the stranger, with a laugh. "What kind of a marriage is this you have made, that you must not speak to your relative? Do you not know I am your uncle Kühleborn, who brought you to this region, and that I am here to protect you from goblins and sprites? So let me quietly accompany you."

"We are near the end of the forest, and shall not need you further," was her rejoinder. But he grinned at her so frightfully that she shrieked for help, and the knight aimed at his head a blow from his sword. Instantly Kühleborn was transformed into a gushing waterfall, foaming over them from a rock near by and drenching all three.

_III.--"Woe! Woe!"_

The sudden disappearance of the young knight had caused a sensation in the city, for the duke and duchess, and the friends and servants of Huldbrand, feared he had perished in the forest during the terrible tempest When he suddenly reappeared, all rejoiced except Bertalda, who was profoundly vexed at seeing with him a beautiful bride. She so far reconciled herself to the conditions that a warm friendship sprang up between Undine and herself.

It was agreed that Bertalda should accompany the wedded pair to Ringstetten, and with the consent of the noble foster-parents of Bertalda the three appointed a day for departure. One beautiful evening, as they walked about the market-place round the great fountain, suddenly a tall man emerged from among the people and stopped in front of Undine. He quickly whispered something in her ear, and though at first she seemed vexed at the intrusion, presently she clapped her hands and laughed joyously. Then the stranger mysteriously vanished, and seemed to disappear in the fountain.

Huldbrand had suspected that he had seen the man before, and now felt assured that he was Kühleborn. Undine admitted the fact, and said that her uncle had told her a secret, which she was to reveal on the third day afterwards, which would be the anniversary of Bertalda's nameday.

The anniversary came, and strange incidents happened. After the banquet given by the duke and duchess, Undine suddenly gave a signal, and from among the retainers at the door came forth the old fisherman and his wife, and Undine declared that in these Bertalda saw her real parents. The proud maiden instantly flew into a violent rage, weeping passionately, and utterly refused to acknowledge the old couple as her father and mother. She declared that Undine was an enchantress and a witch, sustaining intercourse with evil spirits.

Undine, with great dignity, indignantly denied the accusation, while Bertalda's violent conduct created a feeling of disgust in the minds of all in the assembly. The matter was settled in a simple manner, for the duke commanded Bertalda to withdraw to a private apartment with the duchess and the two old folks from the hut, that an investigation might be made. It was soon over, for the noble lady was able presently to inform the company that Undine's story was absolutely true. The guests silently departed, and Undine sank sobbing into her husband's arms.

Next day Bertalda, humbled by these events, sought pardon of Undine for her evil behaviour, and was instantly welcomed with loving assurances of forgiveness, moreover, she was cordially invited to go with the pair to Ringstetten.

"We will share all things there as sisters," said Undine.

The three journeyed to the distant castle, and took up their abode together. Soon Kühleborn appeared on the scene, but Undine at once repulsed him. Next, when her husband was one day hunting, she ordered the great well in the courtyard to be covered with a big stone, on which she cut some curious characters.

Bertalda waywardly complained that this proceeding deprived her of water that was good for her complexion, but Undine privately explained to Huldbrand that she had caused the servants to seal up this spring because only by that way of access could her uncle Kühleborn come to disturb their peace.

As time passed on, Huldbrand gradually cooled toward his wife and turned affectionately towards Bertalda. Undine bore patiently and silently the sorrow thus inflicted on her. But when her husband was impatient and angry she would plead with him never to speak to her in accents of unkindness when they happened to be on the water, for the water spirits had her completely in their power on their element, and would seek to protect her, and even seize her and take her down for ever to dwell in the crystal castles of the deep.

After some estrangements, Undine and Bertalda had again become loving friends, and Huldbrand's affection for his wife had revived with its old and welcome warmth, while the attachment between him and Bertalda seemed forgotten.

One day the three were enjoying a delightful excursion on the glorious Danube. Bertalda had taken off a beautiful coral necklace which Huldbrand had given her. She leaned over and drew the coral beads across the surface, enjoying the glitter thus caused, when suddenly a great hand from beneath seized the necklace and snatched it down. The maiden's scream of terror was answered by mocking laughter from the water.

In an outburst of passion, Huldbrand started up and poured forth curses on the river and its denizens, whether spirits or sirens. With tears in her eyes, Undine besought him softly not to scold her there, and she took from her neck a beautiful necklace and offered it to Bertalda as a compensation.

But the angry knight snatched it away, and hurled it into the river, exclaiming, "Are you still connected with them? In the name of all the witches, remain among them with your presents, and leave us mortals in peace, you sorceress!"

Bitterly weeping and crying, "Woe! Woe!" she vanished over the side of the vessel. Her last words were, "Remain true! Woe! Woe!" Huldbrand lay swooning on the deck, and little waves seemed to be sobbing on the surface of the Danube, "Woe! Woe! Remain true!"

_IV.--The White Stranger_

For a time deep sorrow fell on the lord of Ringstetten and Bertalda. They lived long in the castle quietly, often weeping for Undine, tenderly cherishing her memory. Undine often visited Huldbrand in his dreams, caressing him and weeping silently so that his cheeks were wet when he awoke. But these visions grew less frequent, and the knight's grief diminished by degrees. At length he and Bertalda were married, but it was in spite of a grave warning from Father Heilmann, who declared that Undine had appeared to him in visions, beseeching him to warn Huldbrand and Bertalda to leave each other. They were too infatuated to heed the admonition, and a priest from a neighbouring monastery promised to perform the ceremony in a few days.

Meantime, when lying between sleeping and waking, the knight seemed fanned by the wings of a swan, and, as he fell asleep, seemed borne along on the wings of swans which sang their sweetest music. All at once he seemed to be hovering over the Mediterranean Sea. Its waters were so crystalline that he could see through them to the bottom, and there, under a crystal arch, sat Undine, weeping bitterly. She seemed not to perceive him. Kühleborn approached her, and told her that Huldbrand was to be wedded again, and that it would be her duty, from which nothing could release her, to end his life.

"That I cannot do," said she. "I have sealed up the fountain against my race."

Huldbrand felt as if he were soaring back again over the sea, and at length he seemed to reach his castle. He awoke on his couch, but he could not bring himself to break off the arrangements that had been made.

The marriage feast at Ringstetten was not as bright and happy as such occasions usually are, for a veil of gloom seemed to rest over the company. Even the bride affected a happy and thoughtless demeanour which she did not really feel. The company dispersed early, Bertalda retiring with her maidens, and Huldbrand with his attendants.

In her apartment Bertalda, with a sigh, noticed how freckled was her neck, and a remark she made to her maidens as she gazed in the mirror excited the eager attention of one of them. She heard her fair mistress say, "Oh, that I had a flask of the purifying water from the closed fountain!" Presently the officious waiting-woman was seen leading men to the fountain. With levers they quickly lifted the stone, for some mysterious force within seemed to aid them.

Then from the fountain solemnly rose a white column of water. It was presently perceived that it was a pale female figure, veiled in white. She was weeping bitterly as she walked slowly to the building, while Bertalda and her attendants, pale with terror, watched from the window. The figure passed on, and at the door of Huldbrand's room, where the knight was partly undressed, was heard a gentle tap. The white figure slowly entered. It was Undine, who softly said, "They have opened the spring, and now I am here and you must die." Said the knight, "It must be so! But let me die in your embrace."

"Most gladly, my loved one," said she, throwing back her veil and disclosing her face divinely smiling. Imprinting on his lips a sacred kiss, Undine clasped the knight in her arms, weeping as if she would weep her very soul away. Huldbrand fell softly back on the pillows of his couch, a corpse.

At the funeral of Huldbrand the veiled figure appeared when the procession formed a circle round the grave. All knelt in mute devotion at a signal from Father Heilmann. When they rose again the white stranger had vanished, and on the spot where she had knelt a silvery little fountain gushed forth, which almost encircled the grave and then ran on till it reached a lake near by. And to this day the inhabitants cherish the tradition that thus the poor rejected Undine still lovingly embraces her husband.

* * * * *

ÉMILE GABORIAU

"File No. 113"

Émile Gaboriau, one of the best-known exponents of the "police
story," was born at Saujon, in France, on November 9, 1833. He
began life in a lawyer's office, became a volunteer in a
cavalry regiment, and, later, secretary to Paul Feval, the
novelist and dramatist. In the meantime, Gaboriau had
contributed a number of sketches dealing with military and
fashionable life to various minor Parisian journals, but it
was not until 1866, with the publication of "L'Affaire
Lerouge," that he suddenly sprang into fame. From that time
until his death, on September 28, 1873, story after story
appeared rapidly from his pen. "File No. 113" ("Le Dossier
113") was published in 1867, and was the first of a remarkable
series of detective tales introducing the figure of Lecoq.
"File No. 113" is perhaps the most characteristic specimen of
his work, exhibiting as it does a careful study of the Paris
police system, and a thorough acquaintance with all phases of
criminal life.

_I.--The Robbery and a Clue_

The first mention of the celebrated robbery which took place at M. Fauvel's bank in Paris--the _dossier_ of the case is numbered 113 in the police files--appeared in the evening papers, February 28, 1866.

On the previous day a certain Count Louis de Clameran sent word to M. Fauvel that he wished to withdraw the following morning at ten o'clock the sum of £12,000 which had been deposited in the bank by his brother, an ironmaster from the south of France who had recently died.

M. Fauvel made it a rule never to keep any large sums of money on the premises, but to deposit all such amounts in the keeping of the Bank of France. As this sum, however, had to be paid the first thing in the morning, the chief cashier, M. Prosper Bertomy, thought he was justified in obtaining the amount from the Bank of France on the evening of the 27th, and in locking it up in the bank safe against the morning.

The safe was a formidable-looking affair constructed entirely of wrought iron of treble thickness. An ingenious device regulated its opening. On the massive door were five movable steel buttons engraved with the letters of the alphabet. Before the key could be inserted in the lock, these buttons had to be manipulated in the same order in which they had been used when the safe was last shut. The buttons were arranged so that the letters on them formed some word, which was changed from time to time. This word was known only to M. Fauvel and his cashier, each of whom possessed a key of the safe.

As soon as the bank opened on the morning of February 28, the count put in an appearance, and Prosper Bertomy went to the safe to obtain the money. When, a second later, he reappeared, his face was ashy pale, and his steps tottered as he walked. The £12,000 had disappeared from within the safe. What made the affair all the more mysterious was that the safe was locked just as the cashier had left it the night before.

The room in which the safe was situated communicated with the bank by another room in which every night a tried servant of the establishment slept. By a second door admittance was obtained to the private apartments of M. and Madame Fauvel and their niece Madeline.