Chapter III: Part 3

"Peace, Hester, peace!" replied the old man with gloom. "It is not granted me to pardon. It is our fate. Now go thy ways, and deal as thou wilt with yonder man."

_IV.--Revelation_

A week later Hester Prynne waited in the forest for the minister as he returned from a visit to his Indian converts. He walked slowly, and, as he walked, kept his hand over his heart.

"Arthur Dimmesdale! Arthur Dimmesdale!" she cried out.

"Who speaks?" answered the minister. "Hester! Hester Prynne! Is it thou?" He fixed his eyes upon her and added, "Hester, hast thou found peace?"

"Hast thou?" she asked.

"None! Nothing but despair! What else could I look for, being what I am, and leading such a life as mine?"

"You wrong yourself in this," said Hester gently. "Your sin is left behind you, in the days long past. But Arthur, an enemy dwellest with thee, under the same roof. That old man--the physician, whom they call Roger Chillingworth--he was my husband! Forgive me. Let God punish!"

"I do forgive you, Hester," replied the minister. "May God forgive us both!"

They sat down, hand clasped in hand, on the mossy trunk of a fallen tree.

It was Hester who bade him hope, and spoke of seeking a new life beyond the seas, in some rural village in Europe.

"Oh, Hester," cried Arthur Dimmesdale, "I lack the strength and courage to venture out into the wide, strange world alone."

"Thou shalt not go alone!" she whispered. Before Mr. Dimmesdale reached home he was conscious of a change of thought and feeling; Roger Chillingworth observed the change, and knew that now in the minister's regard he was no longer a trusted friend, but his bitterest enemy.

A New England holiday was at hand, the public celebration of the election of a new governor, and the Rev. Arthur Dimmesdale was to preach the election sermon.

Hester had taken berths in a vessel that was about to sail; and then, on the very day of holiday, the shipmaster told her that Roger Chillingworth had also taken a berth in the same vessel.

Hester said nothing, but turned away, and waited in the crowded market-place beside the pillory with Pearl, while the procession re-formed after public worship. The street and the market-place absolutely bubbled with applause of the minister, whose sermon had surpassed all previous utterances.

At that moment Arthur Dimmesdale stood on the proudest eminence to which a New England clergyman could be exalted. The minister, surrounded by the leading men of the town, halted at the scaffold, and, turning towards it, cried, "Hester, come hither! Come, my little Pearl!"

Leaning on Hester's shoulder, the minister, with the child's hand in his, slowly ascended the scaffold steps.

"Is not this better," he murmured, "than what we dreamed of in the forest? For, Hester, I am a dying man. So let me make haste to take my shame upon me."

"I know not. I know not."

"Better? Yea; so we may both die, and little Pearl die with us."

He turned to the market-place and spoke with a voice that all could hear.

"People of New England! At last, at last I stand where seven years since I should have stood. Lo, the scarlet letter which Hester wears! Ye have all shuddered at it! But there stood one in the midst of you, at whose hand of sin and infamy ye have not shuddered! Stand any here that question God's judgement on a sinner? Behold a dreadful witness of it!"

With a convulsive motion he tore away the ministerial gown from before his breast. It was revealed! For an instant the multitude gazed with horror on the ghastly miracle, while the minister stood with a flush of triumph in his face. Then, down he sank upon the scaffold. Hester partly raised him, and supported his head against her bosom. Old Roger Chillingworth knelt beside him.

"Thou hast escaped me!" he repeated more than once.

"May God forgive thee!" said the minister. "Thou, too, hast deeply sinned!"

He fixed his dying eyes on the woman and the child.

"My little Pearl," he said feebly, "thou wilt kiss me. Hester, farewell. God knows, and He is merciful! His will be done! Farewell."

That final word came forth with the minister's expiring breath. The multitude, silent till then, broke out in a strange, deep voice of awe and wonder.

* * * * *

After many days there was more than one account of what had been witnessed on the scaffold. Most of the spectators testified to having seen, on the breast of the unhappy minister, a scarlet letter imprinted in the flesh. Others denied that there was any mark whatever on his breast, more than on a new-born infant's. According to these highly respectable witnesses the minister's confession implied no part of the guilt of Hester Prynne, but was to teach us that we were all sinners alike. Old Roger Chillingworth died and bequeathed his property to little Pearl.

For years the mother and child lived in England, and then Pearl married, and Hester returned alone to the little cottage by the forest.

* * * * *

The House of the Seven Gables

"The House of the Seven Gables," published in 1851, was
written by Nathaniel Hawthorne directly after "The Scarlet
Letter," and though not equal to that remarkable book, was
full worthy of its author's reputation, and brought no
disappointment to those who looked for great things from his
pen. It seemed to James Russell Lowell "the highest art" to
typify, "in the revived likeness of Judge Pyncheon to his
ancestor the colonel, that intimate relationship between the
present and the past in the way of ancestry and descent, which
historians so carefully overlook." Here, as in "The Scarlet
Letter," Hawthorne is unsparing in his analysis of the meaning
of early American Puritanism--its intolerance and its
strength.

_I.--The Old Pyncheon Family_

Half-way down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely-peaked gables, and a huge clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm tree before the door is known as the Pyncheon elm.

Pyncheon Street formerly bore the humbler appellation of Maule's Lane, from the name of the original occupant of the soil, before whose cottage door it was a cow-path. In the growth of the town, however, after some thirty or forty years, the site covered by the rude hovel of Matthew Maule (originally remote from the centre of the earlier village) had become exceedingly desirable in the eyes of a prominent personage, who asserted claims to the land on the strength of a grant from the Legislature. Colonel Pyncheon, the claimant, was a man of iron energy of purpose. Matthew Maule, though an obscure man, was stubborn in the defense of what he considered his right. The dispute remained for years undecided, and came to a close only with the death of old Matthew Maule, who was executed for the crime of witchcraft.

It was remembered afterwards how loudly Colonel Pyncheon had joined in the general cry to purge the land from witchcraft, and had sought zealously the condemnation of Matthew Maule. At the moment of execution--with the halter about his neck, and while Colonel Pyncheon sat on horseback grimly gazing at the scene--Maule had addressed him from the scaffold, and uttered a prophecy. "God," said the dying man, pointing his finger at the countenance of his enemy, "God will give him blood to drink!"

When it was understood that Colonel Pyncheon intended to erect a spacious family mansion on the spot first covered by the log-built hut of Matthew Maule the village gossips shook their heads, and hinted that he was about to build his house over an unquiet grave.

But the Puritan soldier and magistrate was not a man to be turned aside from his scheme by dread of the reputed wizzard's ghost. He dug his cellar, and laid deep the foundations of his mansion; and the head-carpenter of the House of the Seven Gables was no other than Thomas Maule, the son of the dead man from whom the right to the soil had been wrested.

On the day the house was finished Colonel Pyncheon bade all the town to be his guests, and Maude's Lane--or Pyncheon Street, as it was now called--was thronged at the appointed hour as with a congregation on its way to church.

But the founder of the stately mansion did not stand in his own hall to welcome the eminent persons who presented themselves in honour of the solemn festival, and the principal domestic had to explain that his master still remained in his study, which he had entered an hour before.

The lieutenant-governor took the matter into his hands, and knocked boldly at the door of the colonel's private apartment, and, getting no answer, he tried the door, which yielded to his hand, and was flung wide open by a sudden gust of wind.

The company thronged to the now open door, pressing the lieutenant-governor into the room before them.

A large map and a portrait of Colonel Pyncheon were conspicuous on the walls, and beneath the portrait sat the colonel himself in an elbow chair, with a pen in his hand.

A little boy, the colonel's grandchild, now made his way among the guests, and ran towards the seated figure; then, pausing halfway, he began to shriek with terror. The company drew nearer, and perceived that there was blood on the colonel's cuff and on his beard, and an unnatural distortion in his fixed stare. It was too late to render assistance. The iron-hearted Puritan, the relentless persecutor, the grasping and strong-willed man, was dead! Dead in his new house!

Colonel Pyncheon's sudden and mysterious end made a vast deal of noise in its day. There were many rumours, and a great dispute of doctors over the dead body. But the coroner's jury sat upon the corpse, and, like sensible men, returned an unassailable verdict of "Sudden Death."

The son and heir came into immediate enjoyment of a considerable estate, but a claim to a large tract of country in Waldo County, Maine, which the colonel, had he lived, would undoubtedly have made good, was lost by his decease. Some connecting link had slipped out of the evidence, and could not be found. Still, from generation to generation, the Pyncheons cherished an absurd delusion of family importance on the strength of this impalpable claim; and from father to son they clung with tenacity to the ancestral house for the better part of two centuries.

The most noted event in the Pyncheon annals in the last fifty years had been the violent death of the chief member of the family--an old and wealthy bachelor. One of his nephews, Clifford, was found guilty of the murder, and was sentenced to perpetual imprisonment. This had happened thirty years ago, and there were now rumours that the long-buried criminal was about to be released. Another nephew had become the heir, and was now a judge in an inferior court. The only members of the family known to be extant, besides the judge and the thirty years' prisoner, were a sister of the latter, wretchedly poor, who lived in the House of the Seven Gables by the will of the old bachelor, and the judge's single surviving son, now travelling in Europe. The last and youngest Pyncheon was a little country girl of seventeen, whose father--another of the judge's cousins--was dead, and whose mother had taken another husband.

_II.--The House without Sunshine_

Miss Hepzibah Pyncheon was reduced to the business of setting up a pretty shop, and that in the Pyncheon house where she had spent all her days. After sixty years of idleness and seclusion, she must earn her bread or starve, and to keep shop was the only resource open to her.

The first customer to cross the threshold was a young man to whom old Hepzibah let certain remote rooms in the House of the Seven Gables. He explained that he had looked in to offer his best wishes, and to see if he could give any assistance.

Poor Hepzibah, when she heard the kindly tone of his voice, began to sob.

"Ah, Mr. Holgrave," she cried, "I never can go through with it! Never, never, never! I wish I were dead in the old family tomb with all my forefathers--yes, and with my brother, who had far better find me there than here! I am too old, too feeble, and too hopeless! If old Maule's ghost, or a descendant of his, could see me behind the counter to-day, he would call it the fulfilment of his worst wishes. But I thank you for your kindness, Mr. Holgrave, and will do my utmost to be a good shopkeeper."

On Holgrave asking for half a dozen biscuits, Hepzibah put them into his hand, but rejected the compensation.

"Let me be a lady a moment longer," she said, with a manner of antique stateliness. "A Pyncheon must not--at all events, under her forefathers' roof--receive money for a morsel of bread from her only friend."

As the day went on the poor lady blundered hopelessly with her customers, and committed the most unheard-of errors, so that the whole proceeds of her painful traffic amounted, at the close, to half a dozen coppers.

That night the little country cousin, Phoebe Pyncheon, arrived at the gloomy old house. Hepzibah knew that circumstances made it desirable for the girl to establish herself in another home, but she was reluctant to bid her stay.

"Phoebe," she said, on the following morning, "this house of mine is but a melancholy place for a young person to be in. It lets in the wind and rain, and the snow, too, in the winter time; but it never lets in the sunshine! And as for myself, you see what I am--a dismal and lonesome old woman, whose temper is none of the best, and whose spirits are as bad as can be. I cannot make your life pleasant, Cousin Phoebe; neither can I so much as give you bread to eat."

"You will find me a cheerful little body," answered Phoebe, smiling, "and I mean to earn my bread. You know I have not been brought up a Pyncheon. A girl learns many things in a New England village."

"Ah, Phoebe," said Hepzibah, sighing, "it is a wretched thought that you should fling away your young days in a place like this. And, after all, it is not even for me to say who shall be a guest or inhabitant of the old Pyncheon house. Its master is coming."

"Do you mean Judge Pyncheon?" asked Phoebe, in surprise.

"Judge Pyncheon!" answered her cousin angrily. "He will hardly cross the threshold while I live. You shall see the face of him I speak of."

She went in quest of a miniature, and returned and placed it in Phoebe's hand.

"How do you like the face?" asked Hepzibah.

"It is handsome; it is very beautiful!" said Phoebe admiringly. "It is as sweet a face as a man's can be or ought to be. Who is it, Cousin Hepzibah?"

"Did you never hear of Clifford Pyncheon?"

"Never. I thought there were no Pyncheons left, except yourself and our Cousin Jaffrey, the judge. And yet I seem to have heard the name of Clifford Pyncheon. Yes, from my father, or my mother. But hasn't he been dead a long while?"

"Well, well, child, perhaps he has," said Hepzibah, with a sad, hollow laugh; "but in old houses like this, you know, dead people are very apt to come back again. And, Cousin Phoebe, if your courage does not fail you, we will not part soon. You are welcome to such a home as I can offer you."

_III.--Miss Hepzibah's Guests_

The day after Phoebe's arrival there was a constant tremor in Hepzibah's frame. With all her affection for a young cousin there was a recurring irritability.

"Bear with me, my dear child!" she cried; "bear with me, for I love you, Phoebe; and truly my heart is full to the brim! By-and-by I shall be kind, and only kind."

"What has happened?" asked Phoebe. "What is it that moves you so?"

"Hush! He is coming!" whispered Hepzibah. "Let him see you first, Phoebe; for you are young and rosy, and cannot help letting a smile break out. He always liked bright faces. And mine is old now, and the tears are hardly dry on it. Draw the curtain a little, but let there be a good deal of sunshine, too. He has had but little sunshine in his life, poor Clifford; and, oh, what a black shadow! Poor--poor Clifford!"

There was a step in the passage-way, above stairs. It seemed to Phoebe the same that she had heard in the night, as in a dream. Very slowly the steps came downstairs, and paused for a long time at the door.

Hepzibah, unable to endure the suspense, rushed forward, threw open the door, and led in the stranger by the hand. At the first glance Phoebe saw an elderly man, in an old-fashioned dressing gown, with grey hair, almost white, of an unusual length. The expression of his countenance seemed to waver, glimmer, and nearly to die away, and feebly to recover itself again.

"Dear Clifford," said Hepzibah, "this is our Cousin Phoebe, Arthur's only child, you know. She has come from the country to stay with us a while, for our old house has grown to be very lonely now."

"Phoebe? Arthur's child?" repeated the guest. "Ah, I forget! No matter. She is very welcome." He seated himself in the place assigned him, and looked strangely around. His eyes met Hepzibah's, and he seemed bewildered and disgusted. "Is this you, Hepzibah?" he murmured sadly. "How changed! how changed!"

"There is nothing but love here, Clifford," Hepzibah said softly--"nothing but love. You are at home."

The guest responded to her tone by a smile, which but half lit up his face. It was followed by a coarser expression, and he ate his food with fierce voracity and asked for "more--more!"

That day Phoebe attended to the shop, and the second person to enter it was a gentleman of portly figure and high respectability.

"I was not aware that Miss Hepzibah Pyncheon had commenced business under such favourable auspices," he said, in a deep voice, "You are her assistant, I suppose?"

"I certainly am," answered Phoebe. "I am a cousin of Miss Hepzibah, on a visit to her."

"Her cousin, and from the country?" said the gentleman, bowing and smiling. "In that case we must be better acquainted, for you are my own little kinswoman likewise. Let me see, you must be Phoebe, the only child of my dear Cousin Arthur. I am your kinsman, my dear. Surely you must have heard of Judge Pyncheon?"

Phoebe curtsied, and the judge bent forward to bestow a kiss on his young relative. But Phoebe drew back; there was something repulsive to her in the judge's demonstration, and on raising her eyes she was startled by the change in Judge Pyncheon's face. It had become cold, hard, and immitigable.

"Dear me! What is to be done now?" thought the country girl to herself. "He looks as if there were nothing softer in him than a rock, nor milder than the east wind."

Then all at once it struck Phoebe that this very Judge Pyncheon was the original of a miniature which Mr. Holgrave--who took portraits, and whose acquaintance she had made within a few hours of her arrival--had shown her yesterday. There was the same hard, stern, relentless look on the face. In reality, the miniature was copied from an old portrait of Colonel Pyncheon which hung within the house. Was it that the expression had been transmitted down as a precious heirloom, from that Puritan ancestor, in whose picture both the expression, and, to a singular degree, the features, of the modern judge were shown as by a kind of prophecy?

But as it happened, scarcely had Phoebe's eyes rested again on the judge's countenance than all its ugly sternness vanished, and she found herself almost overpowered by the warm benevolence of his look. But the fantasy would not quit her that the original Puritan, of whom she had heard so many sombre traditions, had now stepped into the shop.

"You seem to be a little nervous this morning," said the judge. "Has anything happened to disturb you--anything remarkable in Cousin Hepzibah's family--an arrival, eh? I thought so! To be an inmate with such a guest may well startle an innocent young girl!"

"You quite puzzle me, sir!" replied Phoebe. "There is no frightful guest in the house, but only a poor, gentle, child-like man, whom I believe to be Cousin Hepzibah's brother. I am afraid that he is not quite in his sound senses; but so mild he seems to be that a mother might trust her baby with him. He startle me? Oh, no, indeed!"

"I rejoice to hear so favourable and so ingenious an account of my Cousin Clifford," said the benevolent judge. "It is possible that you have never heard of Clifford Pyncheon, and know nothing of his history. But is Clifford in the parlour? I will just step in and see him. There is no need to announce me. I know the house, and know my Cousin Hepzibah, and her brother Clifford likewise. Ah, there is Hepzibah herself!"

Such was the case. The vibrations of the judge's voice had reached the old gentlewoman in the parlour, where Clifford sat slumbering in his chair.

"He cannot see you," said Hepzibah, with quivering voice. "He cannot see visitors."

"A visitor--do you call me so?" cried the judge. "Then let me be Clifford's host, and your own likewise. Come at once to my house. I have often invited you before. Come, and we will labour together to make Clifford happy."

"Clifford has a home here," she answered.

"Woman," broke out the judge, "what is the meaning of all this? Have you other resources? Take care, Hepzibah, take care! Clifford is on the brink of as black a ruin as ever befel him yet!"

From within the parlour sounded a tremulous, wailing voice, indicating helpless alarm.

"Hepzibah!" cried the voice. "Entreat him not to come in. Go down on your knees to him. Oh, let him have mercy on me! Mercy!"

The judge withdrew, and Hepzibah, deathly white, staggered towards Phoebe.

"That man has been the horror of my life," she murmured. "Shall I never have courage enough to tell him what he is?"

_IV.--The Spell is Broken_

The shop thrived under Phoebe's management, and the acquaintance with Mr. Holgrave ripened into friendship.

Then, after some weeks, Phoebe went away on a temporary visit to her mother, and the old house, which had been brightened by her presence, was once more dark and gloomy.

It was during this absence of Phoebe's that Judge Pyncheon once more called and demanded to see Clifford.

"You cannot see him," answered Hepzibah. "Clifford has kept his bed since yesterday."

"What! Clifford ill!" said the judge, starting. "Then I must, and will see him!"

The judge explained the reason for his urgency. He believed that Clifford could give the clue to the dead uncle's wealth, of which not more than a half had been mentioned in his will. If Clifford refused to reveal where the missing documents were placed, the judge declared he would have him confined in a public asylum as a lunatic, for there were many witnesses of Clifford's simple childlike ways.

"You are stronger than I," said Hepzibah, "and you have no pity in your strength. Clifford is not now insane; but the interview which you insist upon may go far to make him so. Nevertheless, I will call Clifford!"

Hepzibah went in search of her brother, and Judge Pyncheon flung himself down in an old chair in the parlour. He took his watch from his pocket and held it in his hand. But Clifford was not in his room, nor could Hepzibah find him. She returned to the parlour, calling out to the judge as she came, to rise and help find Clifford.

But the judge never moved, and Clifford appeared at the door, pointing his finger at the judge, and laughing with strange excitement.

"Hepzibah," he said, "we can dance now! We can sing, laugh, play, do what we will! The weight is gone, Hepzibah--gone off this weary old world, and we may be as lighthearted as little Phoebe herself! What an absurd figure the old fellow cuts now, just when he fancied he had me completely under his thumb!"

Then the brother and sister departed hastily from the house, and left Judge Pyncheon sitting in the old house of his forefathers.

Phoebe and Holgrave were in the house together when the brother and sister returned, and Holgrave had told her of the judge's sudden death. Then, in that hour so full of doubt and awe, the one miracle was wrought, without which every human existence is a blank, and the bliss which makes all things true, beautiful, and holy shone around this youth and maiden. They were conscious of nothing sad or old.

Presently the voices of Clifford and Hepzibah were heard at the door, and when they entered Clifford appeared the stronger of the two.

"It is our own little Phoebe! Ah! And Holgrave with her!" he exclaimed. "I thought of you both as we came down the street. And so the flower of Eden has bloomed even in this old, darksome house to-day."

A week after the judge's death news came of the death of his son, and so Hepzibah became rich, and so did Clifford, and so did Phoebe, and, through her, Holgrave.

It was far too late for the formal vindication of Clifford's character to be worth the trouble and anguish involved. For the truth was that the uncle had died by a sudden stroke, and the judge, knowing this, had let suspicion and condemnation fall on Clifford, only because he had himself been busy among the dead man's papers, destroying a later will made out in Clifford's favour, and because it was found the papers had been disturbed, to avert suspicion from the real offender he had let the blame fall on his cousin.

Clifford was content with the love of his sister and Phoebe and Holgrave. The good opinion of society was not worth publicly reclaiming.

It was Holgrave who discovered the missing document the judge had set his heart on obtaining.

"And now, my dearest Phoebe," said Holgrave, "how will it please you to assume the name of Maule? In this long drama of wrong and retribution I represent the old wizzard, and am probably as much of a wizzard as ever my ancestor was."

Then, with Hepzibah and Clifford, Phoebe and Holgrave left the old house for ever.

* * * * *

ROBERT HICHENS

The Garden of Allah

The son of a clergyman, Mr. Robert Smythe Hichens, born at
Speldhurst, Kent, England, on November 14, 1864, was
originally intended to follow a musical career, but after some
years abandoned music for journalism. His first long novel was
written and published at the age of seventeen. It attracted
little or no attention, and has long been out of print. A trip
to Egypt in 1893 resulted in a burning desire to become a
novelist, and his brilliant satire, "The Green Carnation,"
followed. The book was written in a month, and at once
established its author's name and fame. "The Garden of Allah,"
of all Mr. Hichens' works the most typical of his genius,
appeared in 1905. "The intellectual grip of the story," says
one critic, "cannot be denied, for it completely conquers the
critical sense, and the ideas of the author insinuate
themselves, as it were, among one's inmost thoughts." Yet Mr.
Hichens' stories are popular, not only with literary
connoisseurs, but also with the general public, inasmuch as
they owe their fascination not so much to an extreme
refinement of art as to their freshness of imagination and
dramatic intensity. This epitome of the "Garden of Allah" has
been prepared by Mr. Hichens himself.

_I.--The Home of Peace_

On an autumn evening, Domini Enfilden leaned on the parapet of a verandah of the Hotel du Désert at Beni-Mora, in Southern Algeria, gazing towards the great Sahara, which was lit up by the glory of sunset. The bell of the Catholic Church chimed. She heard the throbbing of native drums in the village near by. Tired with her long journey from England, she watched and listened while the twilight crept among the palms, and the sandy alleys grew dark.

Thirty-two, an orphan, unmarried, strong, fearless, ardent, but a deeply religious woman and a Catholic, Domini had passed through much mental agony. Her mother, Lady Rens, a member of one of England's oldest Catholic families, but half Hungarian on the mother's side, had run away when Domini was nineteen with a Hungarian musician, leaving her only child with her despairing and abandoned husband. Lord Rens had become a Catholic out of love for his wife. When he was deserted by her, he furiously renounced his faith, and eventually died blaspheming. In vain through many years he had tried to detach his daughter from the religion of her guilty mother, now long since dead. Domini had known how to resist; but the cruel contest had shaken her body and soul.

Now free, alone, she had left England to begin a new life far away from the scene of her misery. Vaguely she had thought of the great desert, called by the Arabs "The Garden of Allah," as the home of peace. She had travelled there to find peace. That day, at the gate of the desert, she had met a traveller, Doris Androvsky, a man of about thirty-six, powerfully built, tanned by the sun. When she was about to get into the train at the station of El Akbara this man had rudely sprung in before her. The train had begun to move, and Domini had sprung into it almost at the risk of her life. Androvsky had not offered to help her, had not said a word of apology. His _gaucherie_ had almost revolted Domini. Nevertheless, something powerful, mournful, passionate, and sincere in his personality had affected her, roused her interest.

Silently they had come into the desert together, strangers, almost at enmity the one with the other. They were now staying in the same hotel in this oasis in the desert of Sahara.

In coming to the hotel, Domini had seen a curious incident. Androvsky, with a guide who carried his bag, was walking before her down the long public garden, when in the distance there appeared the black figure of the priest of Beni-Mora advancing slowly towards them. When Androvsky saw the priest he had stopped short, hesitated, then, despite the protests of his guide, had abruptly turned down a side path and hurried away. He had fled from the man of prayer.

Now, as the twilight fell, Domini thought of this incident, and when she heard Androvsky's heavy tread upon the stairs of the verandah, the sharp closing of the French window of his room, she was filled with a vague uneasiness.

Next day she visited a wonderful garden on the edge of the desert belonging to a Count Anteoni, a recluse who loved the Arabs and spent much of his time among them. There, standing with the count by the garden wall at the hour of the Mohammedan's prayer, she had seen Androvsky again. He was in the desert with a Nomad. The cry of the _muezzin_ went up to the brazen sky. The Nomad fell on his knees and prayed. Androvsky started, gazed, shrank back, then turned and strode away like one horrified by some grievous vision. Domini said to the count, "I have just seen a man flee from prayer; it was horrible."

He answered her, very gravely, "The man who is afraid of prayer is unwise to set foot beyond the palm-trees, for the desert is the garden of Allah."

That evening Domini and Androvsky spoke to each other for the first time, on the top of a tower where they had come to see the sunset. Domini spoke first, moved by a strange look of loneliness, of desolation, in Androvsky's eyes. He replied in a low voice, and asked her pardon for his rude conduct at the station. Then, abruptly, he descended the tower and disappeared.

At night she visited a dancing house to see the strange dances of the desert. She found Androvsky there, watching the painted women as if half fascinated, half horrified by them. Irena, a girl who had been banished from Beni-Mora for threatening to murder an Arab of whom she was jealous, but had been permitted to return, discovering him among the audience, stabbed him. There was a violent scene, during which Androvsky, forcing his way through the desert men, protected Domini from the crush. The crowd rushed out, leaving them alone together. Androvsky insisted on escorting Domini back to the hotel.

_II.--Defying Allah in Allah's Garden_

The acquaintance thus unconventionally began between them continued, and ripened into a strange friendship. Domini was a magnificent horsewoman. Finding that Androvsky did not know how to ride, she gave him lessons. Together they galloped over the desert sands; together they visited the Saharan villages, hidden in the groves of date palms behind the brown earthen walls of the oasis; together watched the burning sunsets of Africa; at meal-times they met in the hotel; in the evenings they sat upon the verandah, and heard the Zouaves singing in chorus, the distant murmur of the tom-toms.

Domini became profoundly interested in Androvsky, but her interest was complicated by wonder at his peculiarities, at his uncouth manners, his strange silences, his ignorance of life and of social matters, his distrust of others, his desire to keep aloof from all human beings, except herself. The good priest, now her intimate friend, Count Anteoni, also her friend and respectful admirer, were ill at ease with him. He had tried to avoid them, but Domini, anxious to bring some pleasure into his life, had introduced him to them at a luncheon given by the count in his garden, despite Androvsky's dogged assertion that he disliked priests, and did not care for social intercourse.

At this lunch Androvsky had been brusque, on the defensive, almost actively disagreeable. And when, after the priest's departure, he left Domini alone with Count Anteoni, she felt almost relieved. Count Anteoni summoned a sand-diviner to read Domini's fate in the sand. This man--a thin, fanatical Eastern, with piercing and cruel eyes--spread out his sand brought from the tomb of a Mohammedan saint, and prophesied. He declared that he saw a great sand-storm, and in it a train of camels waiting by a church. From the church came the sound of music, nearly drowned by the roar of the wind. In the church the real life of Domini was beginning. The music ceased; darkness fell. Then the diviner saw Domini, with a companion, mounted on one of the camels, and disappearing into the storm towards the south. The face of her companion was hidden. Finally he saw Domini far out in the desert among great dunes of white sand. In her heart there was joy. It was as if all the date palms bore their fruit together, and in all the desert places water-springs burst forth. But presently a figure came towards her, walking heavily; and all the dates shrivelled upon the palms, and all the springs dried up. Sorrow and terror were there beside her.

At this point in the diviner's prophecy Domini stopped him. Afterwards she explained to Anteoni that she felt as if another's fate was being read in it as well as her own, as if to listen any more might be to intrude upon another's secret.

Upon the following day Anteoni left Beni-Mora to make a long desert journey to a sacred city called Amara. Domini went to his garden at dawn to see him off. Before departing he warned Domini to beware of Androvsky. She asked him why. He answered that Androvsky seemed to him a man who was at odds with life, with himself, with his Creator, a man who was defying Allah in Allah's garden. When Anteoni had gone, Domini, in some perplexity of spirit, and moved by a longing for sympathy and help, visited the priest in his house near the church. The priest, indirectly, also warned her against Androvsky, and a little later frankly, told her that he felt an invincible dislike to him.

"I have no reason to give," said the priest. "My instinct is my reason. I feel it my duty to say that I advise you most earnestly to break off your acquaintance with Monsieur Androvsky."

Domini said, "It is strange; ever since I have been here I have felt as if everything that has happened had been arranged beforehand, as if it had to happen, and I feel that, too, about the future."

"Count Anteoni's fatalism!" exclaimed the priest. "It is the guiding spirit of this land. And you, too, are going to be led by it. Take care! You have come to a land of fire, and I think you are made of fire."

The warnings of Anteoni and the priest made an impression on Domini. She was conscious of how the outside world would be likely to regard her acquaintance with Androvsky. Suddenly she saw Androvsky as some strange and ghastly figure of legend; as the wandering Jew met by a traveller at cross roads, and distinguished for an instant by an oblique flash of lightning; as the shrouded Arab of the Eastern tale, who announces coming disaster to the wanderers in the desert by beating a death-roll on a drum amid the sands.

And she felt upon her the heavy hand of some strange, perhaps terrible, fate.

_III.--The Eternal Song of Love_

That same night, accompanied by Batouch, Domini rode out into the desert to see the rising of the moon, and there met Androvsky. He had followed them on horseback. Domini dismissed Batouch at Androvsky's reiterated request. When they were alone in the sands, Androvsky told Domini that he had needed to be with her as he had something to tell her. On the morrow he was going away from Beni-Mora.

His face, while he said this, was turned from Domini, and his voice sounded as if it spoke to some one at a distance, some one who can hear as man cannot hear.

Domini said little. But at the sound of his words it seemed to her as if all outside things she had ever known had foundered; as if with them had foundered, too, all the bodily powers that were of the essence of her life. And the desert, which she had so loved, was no longer to her the desert, sand with a soul in it, blue distances full of a music of summons, but only a barren waste of dried-up matter, featureless, desolate, ghastly with the bones of things that had died.

She rode back with Androvsky to Beni-Mora in a silence like that of death.

But this parting, decreed by the man, was not to be. In the desert these two human beings had grown to love each other, with a love that had become a burning passion. And next day when, in the garden of Count Anteoni, Androvsky came to say farewell to Domini, his love broke all barriers. He sank on the sand, letting his hands slip down till they clasped Domini's knees.

"I love you!" he said. "I love you. But don't listen to me. You mustn't hear it. You mustn't. But I must say it. I can't go till I say it. I love you! I love you!"

"I am listening," she said. "I must hear it."

Androvsky rose up, put his hands behind Domini, held her, set his lips on hers, pressing his whole body against hers.

"Hear it!" he said, muttering against her lips. "Hear it! I love you! I love you!"

In the recesses of the garden Larbi, that idle gardener, played upon his little flute his eternal song of love, and from the desert, beyond the white wall, there rose an Arab's voice singing a song of the Sahara, "No one but God and I knows what is in my heart!"

_IV.--A Nomad's Honeymoon_

As the sand-diviner had foretold, Domini and Androvsky were married in the church of Beni-Mora, and by the priest who had warned Domini to have nothing more to do with Androvsky. A terrible sand-storm was raging, and the desert was blotted out. Nevertheless, when the ceremony was over, the bride and bridegroom mounted upon a camel, and with their attendants, set out for their desert honeymoon. Standing before the door of the church, the good priest watched them go, with fear in his heart, and that night in his humble home, kneeling before his crucifix, he prayed long and earnestly for all wanderers in the desert.

Isolated from all who knew them, free from all social ties, nomads, as are the Bedouins who make their dwelling for ever amid the vast and burning sands, Domini and Androvsky entered upon their married life. And at first one of them was happy as few are ever happy. Domini loved completely, trusted completely, lived with a fulness, a completeness she had never known till now. That Androvsky almost worshipped her, she knew. His conduct to her was perfect. And yet there were times when Domini felt as if a shadow rose between them, as if, even with her, in some secret place of his soul Androvsky was ill at ease, as if sometimes he suffered, and dared not tell his suffering.

One day, in their wanderings, they came to a desolate place called Mogar, and camped on a sandhill looking over a vast stretch of dunes. Towards evening Androvsky descended into the plain to shoot gazelle, leaving Domini alone. While he was away a French officer, with two men of the Zouaves, rode slowly up. They were nearly starving and terribly exhausted, having been lost in a sand-storm for three days and nights.

Pitying their sufferings, Domini insisted on entertaining them. The men must sup with the Arabs, the officer must dine with herself and Androvsky. The officer accepted with gratitude, and went off to make his toilet. When Androvsky returned, Domini told him of the officer's arrival, and when he saw the three places laid for dinner in the tent, he seemed profoundly disturbed. He asked the officer's name. Domini told him Trevignac.

"Trevignac!" he exclaimed.

Then, hearing the soldiers coming, he turned away; abruptly and disappeared into the bedroom tent.

Trevignac came up, and in a few minutes Androvsky reappeared. The two men gazed at each other for an instant. Then Domini introduced them, and they all sat down to dinner. Conversation was uneasy. Androvsky was evidently ill at ease; Trevignac was distrait at moments, strangely watchful of his host at other moments. Dinner over, Domini left the two men together to smoke, and went out on to the sand. She met an Arab carrying coffee and a liqueur to the tent.

"What's that, Ouardi?" she asked, touching the bottle.

He told her it was an African liqueur.

"Take it in," she said.

And she strolled away to the bonfire to listen to the fantasia the Arabs were making in honour of the soldiers.

When she returned to the tent, she found her husband alone in it, standing up, with a quantity of fragments of glass lying at his feet. Near him was the coffee, untasted. Trevignac was gone. She asked for an explanation. He gave her none. The fragments of glass were all that remained of the bottle which had contained the liqueur.

At dawn Domini met Trevignac riding away with his soldiers. He saluted her, bidding his men ride on. As he gazed at her, she seemed to see horror in his eyes. Twice he tried to speak, but apparently could not bring himself to do so. He looked towards the tent where Androvsky was sleeping, then at Domini; then, as if moved by an irresistible impulse, he leaned from his saddle, made over Domini the sign of the cross, and rode away into the desert.

_V.--I Have Insulted God_

From that day Androvsky's strange misery of the soul, strange horror of the world, increased. Domini felt that he was secretly tormented. She tried to make him happier; she even told him that she believed he often felt far away from God, and that she prayed each day for him.

"Boris," she said, "if it's that, don't be too sad. It may all come right in the desert. For the desert is the garden of Allah."

He made her no answer.

At last in their journeying they came to the sacred city of Amara, and camped in the white sands beyond it.

This was the place described by the sand-diviner, and here Domini knew that her love was to be crowned, that she would become a mother. She hesitated to tell her husband, for in this place his misery and fear of men seemed mounting to a climax. Nevertheless, as if in a frantic attempt to get the better of his mental torture, he had gone off, saying he wanted to see the city.

While he was away, Domini was visited first by Count Anteoni, who told her that he had joined the Mohammedan religion, and was at last happy and at peace; secondly, when night had fallen, by the priest of Amara. This man was talkative and genial, fond of the good things of life. Domini offered him a cigar. He accepted it. An Arab brought coffee, and the same African liqueur which had been taken to the tent on the night when Trevignac had dined with Domini and Androvsky.

When the priest was about to drink some of it, he suddenly paused, and put the glass down. Domini leant forward.

"Louarine," she said, reading the name on the bottle. "Won't you have some?"

"The fact is, madame," began the priest, with hesitation, "this liqueur comes from the Trappist monastery of El Largani."

"Yes?"

"It was made by a monk and priest to whom the secret of its manufacture belonged. At his death he was to confide the secret to another whom he had chosen. But the monks of El Largani will never earn another franc by Louarine when what they have in stock is exhausted."

"The monk died suddenly?"

"Madame, he ran away from the monastery after being there in the eternal silence for twenty years, after taking the final vows."

"How horrible!" said Domini. "That man must be in hell now, in the hell a man can make for himself by his own act."

As she spoke, Androvsky appeared by the tent door. He was looking frightfully ill, and like a desperate man. When the priest had gone, Domini told Androvsky about the liqueur and the disappearance of the Trappist monk. As she spoke, his face grew more ghastly. He stood rigid, as if with horror.

"Poor, poor man!" she said, as she finished her story.

"You--you pity that man then?" murmured Androvsky.

"Yes," she replied. "I was thinking of the agony he must be enduring if he is still alive."

Androvsky seemed painfully moved, and almost as if he were on the verge of some passionate outburst of emotion; and something like a deep voice far down in the loving heart of Domini said to her, "If you really love, be fearless. Attack the sorrow which stands like a figure of death between you and your husband. Drive it away. You have a weapon--faith-- use it!"

At last she summoned all her courage, all her faith, and she forced from Androvsky the confession of what it was which held him in perpetual misery, even in freedom, even with her, whom he loved beyond and above all human beings.

"Domini," he said, "you want to know what it is that makes me unhappy even in our love--desperately unhappy. It is this. I believe in God, I love God, I have insulted God. I have tried to forget God, to deny Him, to put human love higher than love for Him. But always I am haunted by the thought of God, and that thought makes me despair. Once, when I was young, I gave myself to God solemnly. I have broken the vows I made! I gave myself to God as a monk."

"You are the Trappist!" she whispered. "You are the monk from the monastery of El Largani who disappeared after twenty years?"

"Yes," he said, "I am he."

Standing there in the sands, while the world was wrapped in sleep, Androvsky told Domini the whole story of his life in the monastery, of his innocent happiness there, and of the events which woke up within him the mad longing to see life and the world, and to know the love of woman. He told her of his secret departure by night from the monastery, of his journey to the desert in search of complete and savage liberty. He told her how he had fought against his growing love for her, how he had tried to leave her; how, at the last moment in the garden by night, his passion for her had conquered him and driven him to her feet. He told her how the officer, Trevignac, had known him long ago in the monastery, and had recognised him when the Arab brought in the liqueur which he had made. He kept nothing from her.

"That last day in the garden," he said finally, "I thought I had conquered myself, and it was in that moment that I fell for ever. When I knew you loved me, I could fight no more. You have seen me, you have lived with me, you have divined my misery. But don't think, Domini, that it ever came from you. It was the consciousness of my lie to you, my lie to God, that--that--I can't tell you--I can't tell you--you know."

He looked into her face, then turned to go away into the desert.

"I'll go! I'll go!" he muttered.

Then Domini spoke.

"Boris!" she said.

He stopped.

"Boris, now at last you can pray."

She went into the tent, and left him alone. He knew that in the tent she was praying for him. He stood, trying to listen to her prayer, then, with an uncertain hand, he felt in his breast. He drew out a wooden cross, given to him by his mother when he entered the monastery. He bent down his head, touched it with his lips, and fell upon his knees in the desert.

From that night, Domini realised that her duty was plain before her. Androvsky was still at heart a monk, and she was a fervently religious woman. She put God above herself, above her poor, desperate, human love, above Androvsky and his passionate love for her. She put the things of eternity before the things of time. She never told Androvsky of the child that was coming.

After he had made his confession to the priest of Beni-Mora who had married them, she led him to the monastery door, and there they parted for ever on earth, to be reunited, as both believed, in heaven.

And now, in the garden of Count Anteoni, which has passed into other hands, a little boy may often be seen playing.

Sometimes, when twilight is falling over the Sahara, his mother calls him to her, to the white wall from which she looks out over the desert.

"Listen, Boris," she whispers.

The little boy leans his face against her breast, and obeys.

An Arab is passing below on the desert track, singing to himself, as he goes towards his home in the oasis, "No one but God and I knows what is in my heart."

The mother whispers the words to herself. The cool wind of the night blows over the vast spaces of the Sahara and touches her cheek, reminding her of her glorious days of liberty, of the passion that came to her soul like fire in the desert.

But she does not rebel, for always, when night falls, she sees the form of a man praying, one who once fled from prayer in the desert; she sees a wanderer who at last has reached his home.

* * * * *

OLIVER WENDELL HOLMES

Elsie Venner