Chapter XII: Part 12

At last the nurse made up her mind to go to the King, and told him the whole story, and asked him to be present in person next day about the time when the woman usually came. The King promised to do so, and came to the nurse’s room a little before the time, and sat down on a chair with his drawn sword in his hand. Soon after the planks in the floor sprang up as before, and the woman came up, dressed in white, with the iron belt and chain. The King saw at once that it was his own Queen, and immediately hewed asunder the iron chain that was fastened to the belt. This was followed by such noises and crashings down in the earth that all the King’s Palace shook, so that no one expected anything else than to see every bit of it shaken to pieces. At last, however, the noises and shaking stopped, and they began to come to themselves again.

The King and Queen embraced each other, and she told him the whole story—how the Witch came to the ship when they were all asleep and sent her off in the boat. After she had gone so far that she could not see the ship, she sailed on through darkness until she landed beside a three-headed Giant. The Giant wished her to marry him, but she refused; whereupon he shut her up by herself, and told her she would never get free until she consented. After a time she began to plan how to get her freedom, and at last told him that she would consent if he would allow her to visit her son on earth three days on end. This he agreed to, but put on her this iron belt and chain, the other end of which he fastened round his own waist, and the great noises that were heard when the King cut the chain must have been caused by the Giant’s falling down the underground passage when the chain gave way so suddenly. The Giant’s dwelling, indeed, was right under the Palace, and the terrible shakings must have been caused by him in his death-throes.

The King now understood how the Queen he had had for some time past had been so ill-tempered. He at once had a sack drawn over her head and made her be stoned to death, and after that torn in pieces by untamed horses. The two young fellows also told now what they had heard and seen in the Queen’s room, for before this they had been afraid to say anything about it, on account of the Queen’s power.

The real Queen was now restored to all her dignity, and was beloved by all. The nurse was married to a nobleman, and the King and Queen gave her splendid presents.

_THUMBELINA_

There was once a woman who wanted to have quite a tiny, little child, but she did not know where to get one from. So one day she went to an old Witch and said to her: ‘I should so much like to have a tiny, little child; can you tell me where I can get one?’

‘Oh, we have just got one ready!’ said the Witch. ‘Here is a barley-corn for you, but it’s not the kind the farmer sows in his field, or feeds the cocks and hens with, I can tell you. Put it in a flower-pot, and then you will see something happen.’

‘Oh, thank you!’ said the woman, and gave the Witch a shilling, for that was what it cost. Then she went home and planted the barley-corn; immediately there grew out of it a large and beautiful flower, which looked like a tulip, but the petals were tightly closed as if it were still only a bud.

‘What a beautiful flower!’ exclaimed the woman, and she kissed the red and yellow petals; but as she kissed them the flower burst open. It was a real tulip, such as one can see any day; but in the middle of the blossom, on the green velvety petals, sat a little girl, quite tiny, trim, and pretty. She was scarcely half a thumb in height; so they called her Thumbelina. An elegant polished walnut-shell served Thumbelina as a cradle, the blue petals of a violet were her mattress, and a rose-leaf her coverlid. There she lay at night, but in the day-time she used to play about on the table; here the woman had put a bowl, surrounded by a ring of flowers, with their stalks in water, in the middle of which floated a great tulip petal, and on this Thumbelina sat, and sailed from one side of the bowl to the other, rowing herself with two white horse-hairs for oars. It was such a pretty sight! She could sing, too, with a voice more soft and sweet than had ever been heard before.

One night, when she was lying in her pretty little bed, an old toad crept in through a broken pane in the window. She was very ugly, clumsy, and clammy; she hopped on to the table where Thumbelina lay asleep under the red rose-leaf.

‘This would make a beautiful wife for my son,’ said the toad, taking up the walnut-shell, with Thumbelina inside, and hopping with it through the window into the garden.

There flowed a great wide stream, with slippery and marshy banks; here the toad lived with her son. Ugh! how ugly and clammy he was, just like his mother! ‘Croak, croak, croak!’ was all he could say when he saw the pretty little girl in the walnut-shell.

‘Don’t talk so loud, or you’ll wake her,’ said the old toad. ‘She might escape us even now; she is as light as a feather. We will put her at once on a broad water-lily leaf in the stream. That will be quite an island for her; she is so small and light. She can’t run away from us there, whilst we are preparing the guest-chamber under the marsh where she shall live.’

Outside in the brook grew many water-lilies, with broad green leaves, which looked as if they were swimming about on the water. The leaf farthest away was the largest, and to this the old toad swam with Thumbelina in her walnut-shell.

The tiny Thumbelina woke up very early in the morning, and when she saw where she was she began to cry bitterly; for on every side of the great green leaf was water, and she could not get to the land.

The old toad was down under the marsh, decorating her room with rushes and yellow marigold leaves, to make it very grand for her new daughter-in-law; then she swam out with her ugly son to the leaf where Thumbelina lay. She wanted to fetch the pretty cradle to put it into her room before Thumbelina herself came there. The old toad bowed low in the water before her, and said: ‘Here is my son; you shall marry him, and live in great magnificence down under the marsh.’

‘Croak, croak, croak!’ was all that the son could say. Then they took the neat little cradle and swam away with it; but Thumbelina sat alone on the great green leaf and wept, for she did not want to live with the clammy toad, or marry her ugly son. The little fishes swimming about under the water had seen the toad quite plainly, and heard what she had said; so they put up their heads to see the little girl. When they saw her, they thought her so pretty that they were very sorry she should go down with the ugly toad to live. No; that must not happen. They assembled in the water round the green stalk which supported the leaf on which she was sitting and nibbled the stem in two. Away floated the leaf down the stream, bearing Thumbelina far beyond the reach of the toad.

On she sailed past several towns, and the little birds sitting in the bushes saw her, and sang, ‘What a pretty little girl!’ The leaf floated farther and farther away; thus Thumbelina left her native land.

A beautiful little white butterfly fluttered above her, and at last settled on the leaf. Thumbelina pleased him, and she, too, was delighted, for now the toads could not reach her, and it was so beautiful where she was travelling; the sun shone on the water and made it sparkle like the brightest silver. She took off her sash, and tied one end round the butterfly; the other end she fastened to the leaf, so that now it glided along with her faster than ever.

A great cockchafer came flying past; he caught sight of Thumbelina, and in a moment had put his arms round her slender waist, and had flown off with her to a tree. The green leaf floated away down the stream, and the butterfly with it, for he was fastened to the leaf and could not get loose from it. Oh, dear! how terrified poor little Thumbelina was when the cockchafer flew off with her to the tree! But she was especially distressed on the beautiful white butterfly’s account, as she had tied him fast, so that if he could not get away he must starve to death. But the cockchafer did not trouble himself about that; he sat down with her on a large green leaf, gave her the honey out of the flowers to eat, and told her that she was very pretty, although she wasn’t in the least like a cockchafer. Later on, all the other cockchafers who lived in the same tree came to pay calls; they examined Thumbelina closely, and remarked, ‘Why, she has only two legs! How very miserable!’

‘She has no feelers!’ cried another.

‘How ugly she is!’ said all the lady chafers—and yet Thumbelina was really very pretty.

The cockchafer who had stolen her knew this very well; but when he heard all the ladies saying she was ugly, he began to think so too, and would not keep her; she might go wherever she liked. So he flew down from the tree with her and put her on a daisy. There she sat and wept, because she was so ugly that the cockchafer would have nothing to do with her; and yet she was the most beautiful creature imaginable, so soft and delicate, like the loveliest rose-leaf.

The whole summer poor little Thumbelina lived alone in the great wood. She plaited a bed for herself of blades of grass, and hung it up under a clover-leaf, so that she was protected from the rain; she gathered honey from the flowers for food, and drank the dew on the leaves every morning. Thus the summer and autumn passed, but then came winter—the long, cold winter. All the birds who had sung so sweetly about her had flown away; the trees shed their leaves, the flowers died; the great clover-leaf under which she had lived curled up, and nothing remained of it but the withered stalk. She was terribly cold, for her clothes were ragged, and she herself was so small and thin. Poor little Thumbelina! she would surely be frozen to death. It began to snow, and every snow-flake that fell on her was to her as a whole shovelful thrown on one of us, for we are so big, and she was only an inch high. She wrapt herself round in a dead leaf, but it was torn in the middle and gave her no warmth; she was trembling with cold.

Just outside the wood where she was now living lay a great cornfield. But the corn had been gone a long time; only the dry, bare stubble was left standing in the frozen ground. This made a forest for her to wander about in. All at once she came across the door of a field-mouse, who had a little hole under a corn-stalk. There the mouse lived warm and snug, with a store-room full of corn, a splendid kitchen and dining-room. Poor little Thumbelina went up to the door and begged for a little piece of barley, for she had not had anything to eat for the last two days.

‘Poor little creature!’ said the field-mouse, for she was a kind-hearted old thing at the bottom. ‘Come into my warm room and have some dinner with me.’

As Thumbelina pleased her, she said: ‘As far as I am concerned you may spend the winter with me; but you must keep my room clean and tidy, and tell me stories, for I like that very much.’

And Thumbelina did all that the kind old field-mouse asked, and did it remarkably well too.

‘Now I am expecting a visitor,’ said the field-mouse; ‘my neighbour comes to call on me once a week. He is in better circumstances than I am, has great, big rooms, and wears a fine black-velvet coat. If you could only marry him, you would be well provided for. But he is blind. You must tell him all the prettiest stories you know.’

But Thumbelina did not trouble her head about him, for he was only a mole. He came and paid them a visit in his black-velvet coat.

‘He is so rich and so accomplished,’ the field-mouse told her. ‘His house is twenty times larger than mine; he possesses great knowledge, but he cannot bear the sun and the beautiful flowers, and speaks slightingly of them, for he has never seen them.’

Thumbelina had to sing to him, so she sang ‘Lady-bird, lady-bird, fly away home!’ and other songs so prettily that the mole fell in love with her; but he did not say anything, he was a very cautious man. A short time before he had dug a long passage through the ground from his own house to that of his neighbour; in this he gave the field-mouse and Thumbelina permission to walk as often as they liked. But he begged them not to be afraid of the dead bird that lay in the passage: it was a real bird with beak and feathers, and must have died a little time ago, and now laid buried just where he had made his tunnel. The mole took a piece of rotten wood in his mouth, for that glows like fire in the dark, and went in front, lighting them through the long dark passage. When they came to the place where the dead bird lay, the mole put his broad nose against the ceiling and pushed a hole through, so that the daylight could shine down. In the middle of the path lay a dead swallow, his pretty wings pressed close to his sides, his claws and head drawn under his feathers; the poor bird had evidently died of cold. Thumbelina was very sorry, for she was very fond of all little birds; they had sung and twittered so beautifully to her all through the summer. But the mole kicked him with his bandy legs and said:

‘Now he can’t sing any more! It must be very miserable to be a little bird! I’m thankful that none of my little children are; birds always starve in winter.’

‘Yes, you speak like a sensible man,’ said the field-mouse. ‘What has a bird, in spite of all his singing, in the winter-time? He must starve and freeze, and that must be very pleasant for him, I must say!’

Thumbelina did not say anything; but when the other two had passed on she bent down to the bird, brushed aside the feathers from his head, and kissed his closed eyes gently. ‘Perhaps it was he that sang to me so prettily in the summer,’ she thought. ‘How much pleasure he did give me, dear little bird!’

The mole closed up the hole again which let in the light, and then escorted the ladies home. But Thumbelina could not sleep that night; so she got out of bed, and plaited a great big blanket of straw, and carried it off, and spread it over the dead bird, and piled upon it thistle-down as soft as cotton-wool, which she had found in the field-mouse’s room, so that the poor little thing should lie warmly buried.

‘Farewell, pretty little bird!’ she said. ‘Farewell, and thank you for your beautiful songs in the summer, when the trees were green, and the sun shone down warmly on us!’ Then she laid her head against the bird’s heart. But the bird was not dead: he had been frozen, but now that she had warmed him, he was coming to life again.

In autumn the swallows fly away to foreign lands; but there are some who are late in starting, and then they get so cold that they drop down as if dead, and the snow comes and covers them over.

Thumbelina trembled, she was so frightened; for the bird was very large in comparison with herself—only an inch high. But she took courage, piled up the down more closely over the poor swallow, fetched her own coverlid and laid it over his head.

Next night she crept out again to him. There he was alive, but very weak; he could only open his eyes for a moment and look at Thumbelina, who was standing in front of him with a piece of rotten wood in her hand, for she had no other lantern.

‘Thank you, pretty little child!’ said the swallow to her. ‘I am so beautifully warm! Soon I shall regain my strength, and then I shall be able to fly out again into the warm sunshine.’

‘Oh!’ she said, ‘it is very cold outside; it is snowing and freezing! stay in your warm bed; I will take care of you!’

Then she brought him water in a petal, which he drank, after which he related to her how he had torn one of his wings on a bramble, so that he could not fly as fast as the other swallows, who had flown far away to warmer lands. So at last he had dropped down exhausted, and then he could remember no more. The whole winter he remained down there, and Thumbelina looked after him and nursed him tenderly. Neither the mole nor the field-mouse learnt anything of this, for they could not bear the poor swallow.

When the spring came, and the sun warmed the earth again, the swallow said farewell to Thumbelina, who opened the hole in the roof for him which the mole had made. The sun shone brightly down upon her, and the swallow asked her if she would go with him; she could sit upon his back. Thumbelina wanted very much to fly far away into the green wood, but she knew that the old field-mouse would be sad if she ran away. ‘No, I mustn’t come!’ she said.

‘Farewell, dear good little girl!’ said the swallow, and flew off into the sunshine. Thumbelina gazed after him with the tears standing in her eyes, for she was very fond of the swallow.

‘Tweet, tweet!’ sang the bird, and flew into the green wood. Thumbelina was very unhappy. She was not allowed to go out into the warm sunshine. The corn which had been sowed in the field over the field-mouse’s home grew up high into the air, and made a thick forest for the poor little girl, who was only an inch high.

‘Now you are to be a bride, Thumbelina!’ said the field-mouse, ‘for our neighbour has proposed for you! What a piece of fortune for a poor child like you! Now you must set to work at your linen for your dowry, for nothing must be lacking if you are to become the wife of our neighbour, the mole!’

Thumbelina had to spin all day long, and every evening the mole visited her, and told her that when the summer was over the sun would not shine so hot; now it was burning the earth as hard as a stone. Yes, when the summer had passed, they would keep the wedding.

But she was not at all pleased about it, for she did not like the stupid mole. Every morning when the sun was rising, and every evening when it was setting, she would steal out of the house-door, and when the breeze parted the ears of corn so that she could see the blue sky through them, she thought how bright and beautiful it must be outside, and longed to see her dear swallow again. But he never came; no doubt he had flown away far into the great green wood.

By the autumn Thumbelina had finished the dowry.

‘In four weeks you will be married!’ said the field-mouse; ‘don’t be obstinate, or I shall bite you with my sharp white teeth! You will get a fine husband! The King himself has not such a velvet coat. His store-room and cellar are full, and you should be thankful for that.’

Well, the wedding-day arrived. The mole had come to fetch Thumbelina to live with him deep down under the ground, never to come out into the warm sun again, for that was what he didn’t like. The poor little girl was very sad; for now she must say good-bye to the beautiful sun.

‘Farewell, bright sun!’ she cried, stretching out her arms towards it, and taking another step outside the house; for now the corn had been reaped, and only the dry stubble was left standing. ‘Farewell, farewell!’ she said, and put her arms round a little red flower that grew there. ‘Give my love to the dear swallow when you see him!’

‘Tweet, tweet!’ sounded in her ear all at once. She looked up. There was the swallow flying past! As soon as he saw Thumbelina, he was very glad. She told him how unwilling she was to marry the ugly mole, as then she had to live underground where the sun never shone, and she could not help bursting into tears.

‘The cold winter is coming now,’ said the swallow. ‘I must fly away to warmer lands: will you come with me? You can sit on my back, and we will fly far away from the ugly mole and his dark house, over the mountains, to the warm countries where the sun shines more brightly than here, where it is always summer, and there are always beautiful flowers. Do come with me, dear little Thumbelina, who saved my life when I lay frozen in the dark tunnel!’

‘Yes, I will go with you,’ said Thumbelina, and got on the swallow’s back, with her feet on one of his outstretched wings. Up he flew into the air, over woods and seas, over the great mountains where the snow is always lying. And if she was cold she crept under his warm feathers, only keeping her little head out to admire all the beautiful things in the world beneath. At last they came to warm lands; there the sun was brighter, the sky seemed twice as high, and in the hedges hung the finest green and purple grapes; in the woods grew oranges and lemons: the air was scented with myrtle and mint, and on the roads were pretty little children running about and playing with great gorgeous butterflies. But the swallow flew on farther, and it became more and more beautiful. Under the most splendid green trees beside a blue lake stood a glittering white marble castle. Vines hung about the high pillars; there were many swallows’ nests, and in one of these lived the swallow who was carrying Thumbelina.

‘Here is my house!’ said he. ‘But it won’t do for you to live with me; I am not tidy enough to please you. Find a home for yourself in one of the lovely flowers that grow down there; now I will set you down, and you can do whatever you like.’

‘That will be splendid!’ said she, clapping her little hands.

There lay a great white marble column which had fallen to the ground and broken into three pieces, but between these grew the most beautiful white flowers. The swallow flew down with Thumbelina, and set her upon one of the broad leaves. But there, to her astonishment, she found a tiny little man sitting in the middle of the flower, as white and transparent as if he were made of glass; he had the prettiest golden crown on his head, and the most beautiful wings on his shoulders; he himself was no bigger than Thumbelina. He was the spirit of the flower. In each blossom there dwelt a tiny man or woman; but this one was the King over the others.

‘How handsome he is!’ whispered Thumbelina to the swallow.

The little Prince was very much frightened at the swallow, for in comparison with one so tiny as himself he seemed a giant. But when he saw Thumbelina, he was delighted, for she was the most beautiful girl he had ever seen. So he took his golden crown from off his head and put it on hers, asking her her name, and if she would be his wife, and then she would be Queen of all the flowers. Yes! he was a different kind of husband to the son of the toad and the mole with the black-velvet coat. So she said ‘Yes’ to the noble Prince. And out of each flower came a lady and gentleman, each so tiny and pretty that it was a pleasure to see them. Each brought Thumbelina a present, but the best of all was a beautiful pair of wings which were fastened on to her back, and now she too could fly from flower to flower. They all wished her joy, and the swallow sat above in his nest and sang the wedding march, and that he did as well as he could; but he was sad, because he was very fond of Thumbelina and did not want to be separated from her.

‘You shall not be called Thumbelina!’ said the spirit of the flower to her; ‘that is an ugly name, and you are much too pretty for that. We will call you May Blossom.’

‘Farewell, farewell!’ said the little swallow with a heavy heart, and flew away to farther lands, far, far away, right back to Denmark. There he had a little nest above a window, where his wife lived, who can tell fairy-stories. ‘Tweet, tweet!’ he sang to her. And that is the way we learnt the whole story.

_THE NIGHTINGALE_

In China, as I daresay you know, the Emperor is a Chinaman, and all his courtiers are also Chinamen. The story I am going to tell you happened many years ago, but it is worth while for you to listen to it, before it is forgotten.

The Emperor’s Palace was the most splendid in the world, all made of priceless porcelain, but so brittle and delicate that you had to take great care how you touched it. In the garden were the most beautiful flowers, and on the loveliest of them were tied silver bells which tinkled, so that if you passed you could not help looking at the flowers. Everything in the Emperor’s garden was admirably arranged with a view to effect; and the garden was so large that even the gardener himself did not know where it ended. If you ever got beyond it, you came to a stately forest with great trees and deep lakes in it. The forest sloped down to the sea, which was a clear blue. Large ships could sail under the boughs of the trees, and in these trees there lived a Nightingale. She sang so beautifully that even the poor fisherman who had so much to do stood and listened when he came at night to cast his nets. ‘How beautiful it is!’ he said; but he had to attend to his work, and forgot about the bird. But when she sang the next night and the fisherman came there again, he said the same thing, ‘How beautiful it is!’

From all the countries round came travellers to the Emperor’s town, who were astonished at the Palace and the garden. But when they heard the Nightingale they all said, ‘This is the finest thing after all!’

The travellers told all about it when they went home, and learned scholars wrote many books upon the town, the Palace, and the garden. But they did not forget the Nightingale; she was praised the most, and all the poets composed splendid verses on the Nightingale in the forest by the deep sea.

The books were circulated throughout the world, and some of them reached the Emperor. He sat in his golden chair, and read and read. He nodded his head every moment, for he liked reading the brilliant accounts of the town, the Palace, and the garden. ‘But the Nightingale is better than all,’ he saw written.

‘What is that?’ said the Emperor. ‘I don’t know anything about the Nightingale! Is there such a bird in my empire, and so near as in my garden? I have never heard it! Fancy reading for the first time about it in a book!’

And he called his First Lord to him. He was so proud that if anyone of lower rank than his own ventured to speak to him or ask him anything, he would say nothing but ‘P!’ and that does not mean anything.

‘Here is a most remarkable bird which is called a Nightingale!’ said the Emperor. ‘They say it is the most glorious thing in my kingdom. Why has no one ever said anything to me about it?’

‘I have never before heard it mentioned!’ said the First Lord. ‘I will look for it and find it!’

But where was it to be found? The First Lord ran up and down stairs, through the halls and corridors; but none of those he met had ever heard of the Nightingale. And the First Lord ran again to the Emperor, and told him that it must be an invention on the part of those who had written the books.

‘Your Imperial Majesty cannot really believe all that is written! There are some inventions called the Black Art!’

‘But the book in which I read this,’ said the Emperor, ‘is sent me by His Great Majesty the Emperor of Japan; so it cannot be untrue, and I will hear the Nightingale! She must be here this evening! She has my gracious permission to appear, and if she does not, the whole Court shall be trampled under foot after supper!’

‘Tsing pe!’ said the First Lord; and he ran up and down stairs, through the halls and corridors, and half the Court ran with him, for they did not want to be trampled under foot. Everyone was asking after the wonderful Nightingale which all the world knew of, except those at Court.

At last they met a poor little girl in the kitchen, who said, ‘Oh! I know the Nightingale well. How she sings! I have permission to carry the scraps over from the Court meals to my poor sick mother, and when I am going home at night, tired and weary, and rest for a little in the wood, then I hear the Nightingale singing! It brings tears to my eyes, and I feel as if my mother were kissing me!’

‘Little kitchenmaid!’ said the First Lord, ‘I will give you a place in the kitchen, and you shall have leave to see the Emperor at dinner, if you can lead us to the Nightingale, for she is invited to come to Court this evening.’

And so they all went into the wood where the Nightingale was wont to sing, and half the Court went too.

When they were on the way there they heard a cow mooing.

‘Oh!’ said the Courtiers, ‘now we have found her! What a wonderful power for such a small beast to have! I am sure we have heard her before!’

‘No; that is a cow mooing!’ said the little kitchenmaid. ‘We are still a long way off!’

Then the frogs began to croak in the marsh. ‘Splendid!’ said the Chinese chaplain. ‘Now we hear her; it sounds like a little church-bell!’

‘No, no; those are frogs!’ said the little kitchenmaid. ‘But I think we shall soon hear her now!’

Then the Nightingale began to sing.

‘There she is!’ cried the little girl. ‘Listen! She is sitting there!’ And she pointed to a little dark-grey bird up in the branches.

‘Is it possible!’ said the First Lord. ‘I should never have thought it! How ordinary she looks! She must surely have lost her feathers because she sees so many distinguished men round her!’

‘Little Nightingale,’ called out the little kitchenmaid, ‘our Gracious Emperor wants you to sing before him!’

‘With the greatest of pleasure!’ said the Nightingale; and she sang so gloriously that it was a pleasure to listen.

‘It sounds like glass bells!’ said the First Lord. ‘And look how her little throat works! It is wonderful that we have never heard her before! She will be a great success at Court.’

‘Shall I sing once more for the Emperor?’ asked the Nightingale, thinking that the Emperor was there.

‘My esteemed little Nightingale,’ said the First Lord, ‘I have the great pleasure to invite you to Court this evening, where His Gracious Imperial Highness will be enchanted with your charming song!’

‘It sounds best in the green wood,’ said the Nightingale; but still, she came gladly when she heard that the Emperor wished it. At the Palace everything was splendidly prepared. The porcelain walls and floors glittered in the light of many thousand gold lamps; the most gorgeous flowers which tinkled out well were placed in the corridors. There was such a hurrying and draught that all the bells jingled so much that one could not hear oneself speak. In the centre of the great hall where the Emperor sat was a golden perch, on which the Nightingale sat. The whole Court was there, and the little kitchenmaid was allowed to stand behind the door, now that she was a Court-cook. Everyone was dressed in his best, and everyone was looking towards the little grey bird to whom the Emperor nodded.

The Nightingale sang so gloriously that the tears came into the Emperor’s eyes and ran down his cheeks. Then the Nightingale sang even more beautifully; it went straight to all hearts. The Emperor was so delighted that he said she should wear his gold slipper round her neck. But the Nightingale thanked him, and said she had had enough reward already. ‘I have seen tears in the Emperor’s eyes—that is a great reward. An Emperor’s tears have such power!’ Then she sang again with her gloriously sweet voice.

‘That is the most charming coquetry I have ever seen!’ said all the ladies round. And they all took to holding water in their mouths that they might gurgle whenever anyone spoke to them. Then they thought themselves nightingales. Yes, the lackeys and chambermaids announced that they were pleased; which means a great deal, for they are the most difficult people of all to satisfy. In short, the Nightingale was a real success.

She had to stay at Court now; she had her own cage, and permission to walk out twice in the day and once at night.

She was given twelve servants, who each held a silken string which was fastened round her leg. There was little pleasure in flying about like this.

The whole town was talking about the wonderful bird, and when two people met each other one would say ‘Nightin,’ and the other ‘Gale,’ and then they would both sigh and understand one another. Yes, and eleven grocer’s children were called after her, but not one of them could sing a note.

One day the Emperor received a large parcel on which was written ‘The Nightingale.’

‘Here is another new book about our famous bird!’ said the Emperor.

But it was not a book, but a little mechanical toy, which lay in a box—an artificial nightingale which was like the real one, only that it was set all over with diamonds, rubies, and sapphires. When it was wound up, it could sing the piece the real bird sang, and moved its tail up and down, and glittered with silver and gold. Round its neck was a little collar on which was written, ‘The Nightingale of the Emperor of Japan is nothing compared to that of the Emperor of China.’

‘This is magnificent!’ they all said, and the man who had brought the clockwork bird received on the spot the title of ‘Bringer of the Imperial First Nightingale.’

‘Now they must sing together; what a duet we shall have!’

And so they sang together, but their voices did not blend, for the real Nightingale sang in her way and the clockwork bird sang waltzes.

‘It is not its fault!’ said the bandmaster; ‘it keeps very good time and is quite after my style!’

Then the artificial bird had to sing alone. It gave just as much pleasure as the real one, and then it was so much prettier to look at; it sparkled like bracelets and necklaces. Three-and-thirty times it sang the same piece without being tired. People would like to have heard it again, but the Emperor thought that the living Nightingale should sing now—but where was she? No one had noticed that she had flown out of the open window away to her green woods.

‘What _shall_ we do!’ said the Emperor.

And all the Court scolded, and said that the Nightingale was very ungrateful. ‘But we have still the best bird!’ they said and the artificial bird had to sing again, and that was the thirty-fourth time they had heard the same piece. But they did not yet know it by heart; it was much too difficult. And the bandmaster praised the bird tremendously; yes, he assured them it was better than a real nightingale, not only because of its beautiful plumage and diamonds, but inside as well. ‘For see, my Lords and Ladies and your Imperial Majesty, with the real Nightingale one can never tell what will come out, but all is known about the artificial bird! You can explain it, you can open it and show people where the waltzes lie, how they go, and how one follows the other!’

‘That’s just what we think!’ said everyone; and the bandmaster received permission to show the bird to the people the next Sunday. They should hear it sing, commanded the Emperor. And they heard it, and they were as pleased as if they had been intoxicated with tea, after the Chinese fashion, and they all said ‘Oh!’ and held up their forefingers and nodded time. But the poor fishermen who had heard the real Nightingale said: ‘This one sings well enough, the tunes glide out; but there is something wanting—I don’t know what!’

The real Nightingale was banished from the kingdom.

The artificial bird was put on silken cushions by the Emperor’s bed, all the presents which it received, gold and precious stones, lay round it, and it was given the title of Imperial Night-singer, First from the left. For the Emperor counted that side as the more distinguished, being the side on which the heart is; the Emperor’s heart is also on the left.

And the bandmaster wrote a work of twenty-five volumes about the artificial bird. It was so learned, long, and so full of the hardest Chinese words that everyone said they had read it and understood it; for once they had been very stupid about a book, and had been trampled under foot in consequence. So a whole year passed. The Emperor, the Court, and all the Chinese knew every note of the artificial bird’s song by heart. But they liked it all the better for this; they could even sing with it, and they did. The street boys sang ‘Tra-la-la-la-la,’ and the Emperor sang too sometimes. It was indeed delightful.

But one evening, when the artificial bird was singing its best, and the Emperor lay in bed listening to it, something in the bird went crack. Something snapped! Whir-r-r! all the wheels ran down and then the music ceased. The Emperor sprang up, and had his physician summoned, but what could _he_ do! Then the clockmaker came, and, after a great deal of talking and examining, he put the bird somewhat in order, but he said that it must be very seldom used as the works were nearly worn out, and it was impossible to put in new ones. Here was a calamity! Only once a year was the artificial bird allowed to sing, and even that was almost too much for it. But then the bandmaster made a little speech full of hard words, saying that it was just as good as before. And so, of course, it _was_ just as good as before. So five years passed, and then a great sorrow came to the nation. The Chinese look upon their Emperor as everything, and now he was ill, and not likely to live it was said.

Already a new Emperor had been chosen, and the people stood outside in the street and asked the First Lord how the old Emperor was. ‘P!’ said he, and shook his head.

Cold and pale lay the Emperor in his splendid great bed; the whole Court believed him dead, and one after the other left him to pay their respects to the new Emperor. Everywhere in the halls and corridors cloth was laid down so that no footstep could be heard, and everything was still—very, very still. And nothing came to break the silence.

The Emperor longed for something to come and relieve the monotony of this deathlike stillness. If only someone would speak to him! If only someone would sing to him. Music would carry his thoughts away, and would break the spell lying on him. The moon was streaming in at the open window; but that, too, was silent, quite silent.

‘Music! music!’ cried the Emperor. ‘You little bright golden bird, sing! do sing! I gave you gold and jewels; I have hung my gold slipper round your neck with my own hand—sing! do sing!’ But the bird was silent. There was no one to wind it up, and so it could not sing. And all was silent, so terribly silent!

All at once there came in at the window the most glorious burst of song. It was the little living Nightingale, who, sitting outside on a bough, had heard the need of her Emperor and had come to sing to him of comfort and hope. And as she sang the blood flowed quicker and quicker in the Emperor’s weak limbs, and life began to return.

‘Thank you, thank you!’ said the Emperor. ‘You divine little bird! I know you. I chased you from my kingdom, and you have given me life again! How can I reward you?’

‘You have done that already!’ said the Nightingale. ‘I brought tears to your eyes the first time I sang. I shall never forget that. They are jewels that rejoice a singer’s heart. But now sleep and get strong again; I will sing you a lullaby.’ And the Emperor fell into a deep, calm sleep as she sang.

The sun was shining through the window when he awoke, strong and well. None of his servants had come back yet, for they thought he was dead. But the Nightingale sat and sang to him.

‘You must always stay with me!’ said the Emperor. ‘You shall sing whenever you like, and I will break the artificial bird into a thousand pieces.’

‘Don’t do that!’ said the Nightingale. ‘He did his work as long as he could. Keep him as you have done! I cannot build my nest in the Palace and live here; but let me come whenever I like. I will sit in the evening on the bough outside the window, and I will sing you something that will make you feel happy and grateful. I will sing of joy, and of sorrow; I will sing of the evil and the good which lies hidden from you. The little singing-bird flies all around, to the poor fisherman’s hut, to the farmer’s cottage, to all those who are far away from you and your Court. I love your heart more than your crown, though that has about it a brightness as of something holy. Now I will sing to you again; but you must promise me one thing——’

‘Anything!’ said the Emperor, standing up in his Imperial robes, which he had himself put on, and fastening on his sword richly embossed with gold.

‘One thing I beg of you! Don’t tell anyone that you have a little bird who tells you everything. It will be much better not to!’ Then the Nightingale flew away.

The servants came in to look at their dead Emperor.

The Emperor said, ‘Good-morning!’

_HERMOD AND HADVOR_[32]

Once upon a time there were a King and a Queen who had an only daughter, called Hadvor, who was fair and beautiful, and being an only child, was heir to the kingdom. The King and Queen had also a foster son, named Hermod, who was just about the same age as Hadvor, and was good-looking, as well as clever at most things. Hermod and Hadvor often played together while they were children, and liked each other so much that while they were still young they secretly plighted their troth to each other.

As time went on the Queen fell sick, and suspecting that it was her last illness, sent for the King to come to her. When he came she told him that she had no long time to live, and therefore wished to ask one thing of him, which was, that if he married another wife he should promise to take no other one than the Queen of Hetland the Good. The King gave the promise, and thereafter the Queen died.

Time went past, and the King, growing tired of living alone, fitted out his ship and sailed out to sea. As he sailed there came upon him so thick a mist that he altogether lost his bearings, but after long trouble he found land. There he laid his ship to, and went on shore all alone. After walking for some time he came to a forest, into which he went a little way and stopped. Then he heard sweet music from a harp, and went in the direction of the sound until he came to a clearing, and there he saw three women, one of whom sat on a golden chair, and was beautifully and grandly dressed; she held a harp in her hands, and was very sorrowful. The second was also finely dressed, but younger in appearance, and also sat on a chair, but it was not so grand as the first one’s. The third stood beside them, and was very pretty to look at; she had a green cloak over her other clothes, and it was easy to see that she was maid to the other two.

[Footnote 32: From the Icelandic.]

After the King had looked at them for a little he went forward and saluted them. The one that sat on the golden chair asked him who he was and where he was going; and he told her all the story—how he was a king, and had lost his queen, and was now on his way to Hetland the Good, to ask the Queen of that country in marriage. She answered that fortune had contrived this wonderfully, for pirates had plundered Hetland and killed the King, and she had fled from the land in terror, and had come hither after great trouble, and she was the very person he was looking for, and the others were her daughter and maid. The King immediately asked her hand; she gladly received his proposal and accepted him at once. Thereafter they all set out, and made their way to the ship; and after that nothing is told of their voyage until the King reached his own country. There he made a great feast, and celebrated his marriage with this woman; and after that things are quiet for a time.

Hermod and Hadvor took but little notice of the Queen and her daughter, but, on the other hand, Hadvor and the Queen’s maid, whose name was Olof, were very friendly, and Olof came often to visit Hadvor in her castle. Before long the King went out to war, and no sooner was he away than the Queen came to talk with Hermod, and said that she wanted him to marry her daughter. Hermod told her straight and plain that he would not do so, at which the Queen grew terribly angry, and said that in that case neither should he have Hadvor, for she would now lay this spell on him, that he should go to a desert island and there be a lion by day and a man by night. He should also think always of Hadvor, which would cause him all the more sorrow, and from this spell he should never be freed until Hadvor burned the lion’s skin, and that would not happen very soon.

As soon as the Queen had finished her speech Hermod replied that he also laid a spell on her, and that was, that as soon as he was freed from her enchantments she should become a rat and her daughter a mouse, and fight with each other in the hall until he killed them with his sword.

After this Hermod disappeared, and no one knew what had become of him; the Queen caused search to be made for him, but he could nowhere be found. One time, when Olof was in the castle beside Hadvor, she asked the Princess if she knew where Hermod had gone to. At this Hadvor became very sad, and said that she did not.

‘I shall tell you then,’ said Olof, ‘for I know all about it.

Hermod has disappeared through the wicked devices of the Queen, for she is a witch, and so is her daughter, though they have put on these beautiful forms. Because Hermod would not fall in with the Queen’s plans, and marry her daughter, she has laid a spell on him, to go on an island and be a lion by day and a man by night, and never be freed from this until you burn the lion’s skin. Besides,’ said Olof, ‘she has looked out a match for you; she has a brother in the Under-world, a three-headed Giant, whom she means to turn into a beautiful prince and get him married to you. This is no new thing for the Queen; she took me away from my parents’ house and compelled me to serve her; but she has never done me any harm, for the green cloak I wear protects me against all mischief.’

Hadvor now became still sadder than before at the thought of the marriage destined for her, and entreated Olof to think of some plan to save her.

‘I think,’ said Olof, ‘that your wooer will come up through the floor of the castle to you, and so you must be prepared when you hear the noise of his coming and the floor begins to open, and have at hand blazing pitch, and pour plenty of it into the opening. That will prove too much for him.’

About this time the King came home from his expedition, and thought it a great blow that no one knew what had become of Hermod; but the Queen consoled him as best she could, and after a time the King thought less about his disappearance.

Hadvor remained in her castle, and had made preparations to receive her wooer when he came. One night, not long after, a loud noise and rumbling was heard under the castle. Hadvor at once guessed what it was, and told her maids to be ready to help her. The noise and thundering grew louder and louder, until the floor began to open, whereupon Hadvor made them take the cauldron of pitch and pour plenty of it into the opening. With that the noises grew fainter and fainter, till at last they ceased altogether.

Next morning the Queen rose early, and went out to the Palace gate, and there she found her brother the Giant lying dead. She went up to him and said, ‘I pronounce this spell, that you become a beautiful prince, and that Hadvor shall be unable to say anything against the charges that I shall bring against her.’

The body of the dead Giant now became that of a beautiful prince, and the Queen went in again.

‘I don’t think,’ said she to the King, ‘that your daughter is as good as she is said to be. My brother came and asked her hand, and she has had him put to death. I have just found his dead body lying at the Palace gate.’