Chapter XII: Her Way (2)

"One other matter worries Miss Bond and myself. The revolver you sent us at my request has disappeared. We are nearly sure Mrs. Ruthven has it--you know she once dressed it as a doll--calling it her army doll!--but now we can't find it. She has hidden it somewhere, out of doors in the shrubbery, we think, and Miss Bond and I expect to secure it the next time she takes a fancy to have all her dolls out for a 'lawn-party.'

"Dr. Wesson says there is no danger of her doing any harm with it, but wants us to secure it at the first opportunity--"

He turned the last page; on the other side was merely the formula of leave-taking and Miss Casson's signature.

For a while he stood in the centre of the room, head bent, narrowing eyes fixed; then he folded the letter, pocketed it, and walked to the table where a directory lay.

He found the name, Hallam, very easily--Thomas B. Hallam, lawyer, junior in the firm of Spencer, Boyd & Hallam. They were attorneys for Jack Ruthven; he knew that.

Mallison he also found--Dr. James Mallison, who, it appeared, conducted some sort of private asylum on Long Island.

And when he had found what he wanted, he went to the telephone and rang up Mr. Ruthven, but the servant who answered the telephone informed him that Mr. Ruthven was not in town.

So Selwyn hung up the receiver and sat down, thoughtful, grim, the trace of a scowl creeping across his narrowing gray eyes.

Of the abject cowardice of Ruthven he had been so certain that he had hitherto discounted any interference from him. Yet, now, the man was apparently preparing for some sort of interference. What did he want? Selwyn had contemptuously refused to permit him to seek a divorce on the ground of his wife's infirmity. What was the man after?

* * * * *

The man was after his divorce, that was what it all meant. His first check on the long trail came with the stupefying news of Gerald's runaway marriage to the young girl he was laying his own plans to marry some day in the future, and at first the news staggered him, leaving him apparently no immediate incentive for securing his freedom.

But Ruthven instantly began to realise that what he had lost he might not have lost had he been free to shoulder aside the young fellow who had forestalled him. The chance had passed--that particular chance. But he'd never again allow himself to be caught in a position where such a chance could pass him by because he was not legally free to at least make the effort to seize it.

Fear in his soul had kept him from blazoning his wife's infirmity to the world as cause for an action against her; but he remembered Neergard's impudent cruise with her on the _Niobrara_, and he had temporarily settled on that as a means to extort revenue, not intending such an action should ever come to trial. And then he learned that Neergard had gone to pieces. That was the second check.

Ruthven needed money. He needed it because he meant to put the ocean between himself and Selwyn before commencing any suit--whatever ground he might choose for entering such a suit. He required capital on which to live abroad during the proceedings, if that could be legally arranged. And meanwhile, preliminary to any plan of campaign, he desired to know where his wife was and what might he her actual physical and mental condition.

He had supposed her to be, or to have been, ill--at least erratic and not to be trusted with her own freedom; therefore he had been quite prepared to hear from those whom he employed to trace and find her that she was housed in some institution devoted to the incarceration of such unfortunates.

But Ruthven was totally unprepared for the report brought him by a private agency to the effect that Mrs. Ruthven was apparently in perfect health, living in the country, maintaining a villa and staff of servants; that she might be seen driving a perfectly appointed Cossack sleigh any day with a groom on the rumble and a companion beside her; that she seemed to be perfectly sane, healthy in body and mind, comfortable, happy, and enjoying life under the protection of a certain Captain Selwyn, who paid all her bills and, at certain times, was seen entering or leaving her house at Edgewater.

Excited, incredulous, but hoping for the worst, Ruthven had posted off to his attorneys. To them he naiively confessed his desire to be rid of Alixe; he reported her misconduct with Neergard--which he knew was a lie--her pretence of mental prostration, her disappearance, and his last interview with Selwyn in the card-room. He also gave a vivid description of that gentleman's disgusting behaviour, and his threats of violence during that interview.

To all of which his attorneys listened very attentively, bade him have no fear of his life, requested him to make several affidavits, and leave the rest to them for the present.

Which he did, without hearing from them until Mr. Hallam telegraphed him to come to Edgewater if he had nothing better to do.

And Ruthven had just arrived at that inconspicuous Long Island village when his servant, at the telephone, replied to Selwyn's inquiry that his master was out of town.

* * * * *

Mr. Hallam was a very busy, very sanguine, very impetuous young man; and when he met Ruthven at the Edgewater station he told him promptly that he had the best case on earth; that he, Hallam, was going to New York on the next train, now almost due, and that Ruthven had better drive over and see for himself how gaily his wife maintained her household; for the Cossack sleigh, with its gay crimson tchug, had but just returned from the usual afternoon spin, and the young chatelaine of Willow Villa was now on the snow-covered lawn, romping with the coachman's huge white wolf-hound. . . . It might he just as well for Ruthven to stroll up that way and see for himself. The house was known as the Willow Villa. Any hackman could drive him past it.

As Hallam was speaking the New York train came thundering in, and the young lawyer, facing the snowy clouds of steam, swung his suit-case and himself aboard. On the Pullman platform he paused and looked around and down at Ruthven.

"It's just as you like," he said. "If you'd rather come back with me on this train, come ahead! It isn't absolutely necessary that you make a personal inspection now; only that fellow Selwyn is not here to-day, and I thought if you wanted to look about a bit you could do it this afternoon without chance of running into him and startling the whole mess boiling."

"Is Captain Selwyn in town?" asked Ruthven, reddening.

"Yes; an agency man telephoned me that he's just back from Sandy Hook--"

The train began to move out of the station. Ruthven hesitated, then stepped away from the passing car with a significant parting nod to Hallam.

As the train, gathering momentum, swept past him, he stared about at the snow-covered station, the guard, the few people congregated there.

"There's another train at four, isn't there?" he asked an official.

"Four-thirty, express. Yes, sir."

A hackman came up soliciting patronage. Ruthven motioned him to follow, leading the way to the edge of the platform.

"I don't want to drive to the village. What have you got there, a sleigh?"

It was the usual Long Island depot-wagon, on runners instead of wheels.

"Do you know the Willow Villa?" demanded Ruthven.

"Wilier Viller, sir? Yes, sir. Step right this way--"

"Wait!" snapped Ruthven. "I asked you if you knew it; I didn't say I wanted to go there."

The hackman in his woolly greatcoat stared at the little dapper, smooth-shaven man, who eyed him in return, coolly insolent, lighting a cigar.

"I don't want to go to the Willow Villa," said Ruthven; "I want you to drive me past it."

"Sir?"

"_Past_ it. And then turn around and drive back here. Is that plain?"

"Yes, sir."

Ruthven got into the closed body of the vehicle, rubbed the frost from the window, and peeked out. The hackman, unhitching his lank horse, climbed to the seat, gathered the reins, and the vehicle started to the jangling accompaniment of a single battered cow-bell.

The melancholy clamour of the bell annoyed little Mr. Ruthven; he was horribly cold, too, even in his fur coat. Also the musty smell of the ancient vehicle annoyed him as he sat, half turned around, peeping out of the rear window into the white tree-lined road.

There was nothing to see but the snowy road flanked by trees and stark hedges; nothing but the flat expanse of white on either side, broken here and there by patches of thin woodlands or by some old-time farmhouse with its slab shingles painted white and its green shutters and squat roof.

"What a God-forsaken place," muttered little Mr. Ruthven with a hard grimace. "If she's happy in this sort of a hole there's no doubt she's some sort of a lunatic."

He looked out again furtively, thinking of what the agency had reported to him. How was it possible for any human creature to live in such a waste and be happy and healthy and gay, as they told him his wife was. What could a human being do to kill the horror of such silent, deathly white isolation? Drive about in it in a Cossack sleigh, as they said she did? Horror!

The driver pulled up short, then began to turn his horse. Ruthven squinted out of the window, but saw no sign of a villa. Then he rapped sharply on the forward window, motioning the driver to descend, come around, and open the door.

When the man appeared Ruthven demanded why he had turned his horse, and the hackman, pointing to a wooded hill to the west, explained that the Willow Villa stood there.

Ruthven had supposed that the main road passed the house; he got out of the covered wagon, looked across at the low hill, and dug his gloved hands deeper into his fur-lined pockets.

For a while he stood in the snow, stolid, thoughtful, puffing his cigar. A half-contemptuous curiosity possessed him to see his wife once more before he discarded her; see what she looked like, whether she appeared normal and in possession of the small amount of sense he had condescended to credit her with.

Besides, here was a safe chance to see her. Selwyn was in New York, and the absolute certainty of his personal safety attracted him strongly, rousing all the latent tyranny in his meagre soul.

Probably--but he didn't understand the legal requirements of the matter, and whether or not it was necessary for him personally to see this place where Selwyn maintained her, and see her in it--probably he would be obliged to come here again with far less certainty of personal security from Selwyn. Perhaps that future visit might even be avoided if he took this opportunity to investigate. Whether it was the half-sneering curiosity to see his wife, or the hope of doing a thing now which, by the doing, he need not do later--whether it was either of these that moved him to the impulse, is not quite clear.

He said to the hackman: "You wait here. I'm going over to the Willow Villa for a few moments, and then I'll want you to drive me back to the station in time for that four-thirty. Do you understand?"

The man said he understood, and Ruthven, bundled in his fur coat, picked his way across the crust, through a gateway, and up what appeared to be a hedged lane.

The lane presently disclosed itself as an avenue, now doubly lined with tall trees; this avenue he continued to follow, passing through a grove of locusts, and came out before a house on the low crest of a hill.

There were clumps of evergreens about, tall cedars, a bit of bushy foreland, and a stretch of snow. And across this open space of snow a young girl was moving, followed by a white wolf-hound. Once she paused, hesitated, looked cautiously around her. Ruthven, hiding behind a bush, saw her thrust her arm into a low evergreen shrub and draw out a shining object that glittered like glass. Then she started toward the house again.

At first Ruthven thought she was his wife, then he was not sure, and he cast his cigar away and followed, slinking forward among the evergreens. But the youthful fur-clad figure kept straight on to the veranda of the house, and Ruthven, curious and determined to find out whether it was Alixe or not, left the semi-shelter of the evergreens and crossed the open space just as the woman's figure disappeared around an angle of the veranda.

Vexed, determined not to return without some definite discovery, Ruthven stepped upon the veranda. Just around the angle of the porch he heard a door opening, and he hurried forward impatient and absolutely unafraid, anxious to get one good look at his wife and be off.

But when he turned the angle of the porch there was no one there; only an open door confronted him, with a big, mild-eyed wolf-hound standing in the doorway, looking steadily up at him.

Ruthven glanced somewhat dubiously at the dog, then, as the animal made no offensive movement, he craned his fleshy neck, striving to see inside the house.

He did see--nothing very much--only the same young girl, still in her furs, emerging from an inner room, her arms full of dolls.

In his eagerness to see more, Ruthven pushed past the great white dog, who withdrew his head disdainfully from the unceremonious contact, but quietly followed Ruthven into the house, standing beside him, watching him out of great limpid, deerlike eyes.

But Ruthven no longer heeded the dog. His amused and slightly sneering gaze was fastened on the girl in furs who had entered what appeared to be a living room to the right, and now, down on her knees beside a couch, smiling and talking confidentially and quite happily to herself, was placing her dolls in a row against the wall.

The dolls were of various sorts, some plainly enough home-made, some very waxy and gay in sash and lace, some with polished smiling features of porcelain. One doll, however, was different--a bit of ragged red flannel and something protruding to represent the head, something that glittered. And the girl in the fur jacket had this curious doll in her hands when Ruthven, to make sure of her identity, took a quick impulsive step forward.

Then the great white dog growled, very low, and the girl in the fur jacket looked around and up quickly.

Alixe! He realised it as she caught his pale eyes fixed on her; and she stared, sprang to her feet still staring. Then into her eyes leaped terror, the living horror of recognition distorting her face. And, as she saw he meant to speak she recoiled, shrinking away, turning in her fright like a hunted thing. The strange doll in her hand glittered; it was a revolver wrapped in a red rag.

"W-what's the matter?" he stammered, stepping forward, fearful of the weapon she clutched.

But at the sound of his voice she screamed, crept back closer against the wall, screamed again, pushing the shining muzzle of the weapon deep into her fur jacket above her breast.

"F-for God's sake!" he gasped, "don't fire!--don't--"

She closed both eyes and pulled the trigger; something knocked her flat against the wall, but she heard no sound of a report, and she pulled the trigger again and felt another blow.

The second blow must have knocked her down, for she found herself rising to her knees, reaching for the table to aid her. But her hand was all red and slippery; she looked at it stupidly, fell forward, rose again, with the acrid smell of smoke choking her, and her pretty fur jacket all soaked with the warm wet stuff which now stained both hands.

Then she got to her knees once more, groped in the rushing darkness, and swayed forward, falling loosely and flat. And this time she did not try to rise.

* * * * *

It was her way; it had always been her way out of trouble; the quickest, easiest escape from what she did not choose to endure. And even when in her mind the light of reason had gone out for ever, she had not lost that instinct for escape; and, wittingly or not, she had taken the old way out of trouble--the shortest, quickest way. And where it leads--she knew at last, lying there on her face, her fur jacket and her little hands so soiled and red.

As for the man, they finally contrived to drag the dog from him, and lift him to the couch, where he lay twitching among the dolls for a while; then stopped twitching.

Later in the night men came with lanterns who carried him away. A doctor said that there was the usual chance for partial recovery. But it was the last excitement he could ever venture to indulge in. His own doctors had warned him often enough. Now he had learned something, but not as much as Alixe had already learned. And perhaps he never would; but no man knows such things with the authority to speak of them.

ARS AMORIS

Nine days is the period of time allotted the human mind in which to wonder at anything. In New York the limit is much less; no tragedy can hold the boards as long as that where the bill must be renewed three times u day to hold even the passing attention of those who themselves are eternal understudies in the continuous metropolitan performance. It is very expensive for the newspapers, but fortunately for them there is always plenty of trouble in the five boroughs, and an occasional catastrophe elsewhere to help out.

So they were grateful enough that the Edgewater tragedy lasted them forty-eight hours, and on the forty-ninth they forgot it.

In society it was about the same. Ruthven was evidently done for; that the spark of mere vitality might linger for years in the exterior shell of him familiar to his world, concerned that world no more. Interest in him was laid aside with the perfunctory finality with which the memory of Alixe was laid away.

As for Selwyn, a few people noticed his presence at the services; but even that episode was forgotten before he left the city, six hours later, under an invitation from Washington which admitted of no delay on the score of private business or of personal perplexity. For the summons was peremptory, and his obedience so immediate that a telegram to Austin comprised and concluded the entire ceremony of his leave-taking.

Later he wrote a great many letters to Eileen Erroll--not one of which he ever sent. But the formality of his silence was no mystery to her; and her response was silence as profound as the stillness in her soul. But deep into her young heart something new had been born, faint fire, latent, unstirred; and her delicate lips rested one on the other in the sensitive curve of suspense; and her white fingers, often now interlinked, seemed tremulously instinct with the exquisite tension hushing body and soul in breathless accord as they waited in unison.

* * * * *

Toward the end of March the special service battleship squadron of the North Atlantic fleet commenced testing Chaosite in the vicinity of the Southern rendezvous. Both main and secondary batteries were employed. Selwyn had been aboard the flag-ship for nearly a month.

In April the armoured ships left the Southern drill ground and began to move northward. A destroyer took Selwyn across to the great fortress inside the Virginia Capes and left him there. During his stay there was almost constant firing; later he continued northward as far as Washington; but it was not until June that he telegraphed Austin:

"Government satisfied. Appropriation certain next session. Am on my
way to New York."

Austin, in his house, which was now dismantled for the summer, telephoned Nina at Silverside that he had been detained and might not be able to grace the festivities which were to consist of a neighbourhood dinner to the younger set in honour of Mrs. Gerald. But he said nothing about Selwyn, and Nina did not suspect that her brother's arrival in New York had anything to do with Austin's detention.

There was in Austin a curious substreak of sentiment which seldom came to the surface except where his immediate family was involved. In his dealings with others he avoided it; even with Gerald and Eileen there had been little of this sentiment apparent. But where Selwyn was concerned, from the very first days of their friendship, he had always felt in his heart very close to the man whose sister he had married, and was always almost automatically on his guard to avoid any expression of that affection. Once he had done so, or attempted to, when Selwyn first arrived from the Philippines, and it made them both uncomfortable to the verge of profanity, but remained as a shy source of solace to them both.

And now as Selwyn came leisurely up the front steps, Austin, awaiting him feverishly, hastened to smooth the florid jocose mask over his features, and walked into the room, big hand extended, large bantering voice undisturbed by the tremor of a welcome which filled his heart and came near filling his eyes:

"So you've stuck the poor old Government at last, have you? Took 'em all in--forts, fleet, and the marine cavalry?"

"Sure thing," said Selwyn, laughing in the crushing grasp of the big fist. "How are you, Austin? Everybody's in the country, I suppose," glancing around at the linen-shrouded furniture. "How is Nina? And the kids? . . . Good business! . . . And Eileen?"

"She's all right," said Austin; "gad! she's really a superb specimen this summer. . . . You know she rather eased off last winter--got white around the gills and blue under the eyes. . . . Some heart trouble--we all thought it was you. Young girls have such notions sometimes, and I told Nina, but she sat on me. . . . Where's your luggage? Oh, is it all here?--enough, I mean, for us to catch a train for Silverside this afternoon."

"Has Nina any room for me?" asked Selwyn.

"Room! Certainly. I didn't tell her you were coming, because if you hadn't, the kids would have been horribly disappointed. She and Eileen are giving a shindy for Gladys--that's Gerald's new acquisition, you know. So if you don't mind butting into a baby-show we'll run down. It's only the younger bunch from Hitherwood House and Brookminster. What do you say, Phil?"

Selwyn said that he would go--hesitating before consenting. A curious feeling of age and grayness had suddenly come over him--a hint of fatigue, of consciousness that much of life lay behind him.

Yet in his face and in his bearing he could not have shown much of it, though at his deeply sun-burned temples the thick, close-cut hair was silvery; for Austin said with amused and at the same time fretful emphasis: "How the devil you keep the youth" in your face and figure I don't understand! I'm only forty-five--that's scarcely eight years older than you are! And look at my waistcoat! And look at my hair--I mean where the confounded ebb has left the tide-mark! Gad, I'd scarcely blame Eileen for thinking you qualified for a cradle-snatcher. . . . And, by the way, that Gladys girl is more of a woman than you'd believe. I observe that Gerald wears that peculiarly speak-easy-please expression which is a healthy sign that he's being managed right from the beginning."

"I had an idea she was all right," said Selwyn, smiling.

"Well, she is. People will probably say that she 'made' Gerald. However," added Austin modestly, "I shall never deny it--though you know what part I've had in the making and breaking of him, don't you?"

"Yes," replied Selwyn, without a smile.

Austin went to the telephone and called up his house at Silverside, saying that he'd be down that evening with a guest.

Nina got the message just as she had arranged her tables; but woman is born to sorrow and heiress to all the unlooked-for idiocies of man.

"Dear," she said to Eileen, the tears of uxorial vexation drying unshed in her pretty eyes, "Austin has thought fit to seize upon this moment to bring a man down to dinner. So if you are dressed would you kindly see that the tables are rearranged, and then telephone somebody to fill in--two girls, you know. The oldest Craig girl might do for one. Beg her mother to let her come."

Eileen was being laced, but she walked to the door of Nina's room, followed by her little Alsatian maid, who deftly continued her offices _en route_.

"Whom is Austin bringing?" she asked.

"He didn't say. Can't you think of a second girl to get? Isn't it vexing! Of course there's nobody left--nobody ever fills in in the country. . . . Do you know, I'll be driven into letting Drina sit up with us!--for sheer lack of material. I suppose the little imp will have a fit if I suggest it, and probably perish of indigestion to-morrow."

Eileen laughed. "Oh, Nina, _do_ let Drina come this once! It can't hurt her--she'll look so quaint. The child's nearly fifteen, you know; do let me put up her hair. Boots will take her in."

"Well, you and Austin can administer the calomel to-morrow, then. . . . And do ring up Daisy Craig; tell her mother I'm desperate, and that she and Drina can occupy the same hospital to-morrow."

And so it happened that among the jolly youthful throng which clustered around the little candle-lighted tables in the dining-room at Silverside, Drina, in ecstasy, curly hair just above the nape of her slim white neck, and cheeks like pink fire, sat between Boots and a vacant chair reserved for her tardy father.

For Nina had waited as long as she dared; then Boots had been summoned to take in Drina and the youthful Craig girl; and, as there were to have been six at a table, at that particular table sat Boots decorously facing Eileen, with the two children on either hand and two empty chairs flanking Eileen.

A jolly informality made up for Austin's shortcoming; Gerald and his pretty bride were the centres of delighted curiosity from the Minster twins and the Innis girls and Evelyn Cardwell--all her intimates. And the younger Draymores, the Grays, Lawns, and Craigs were there in force--gay, noisy, unembarrassed young people who seemed scarcely younger or gayer than the young matron, their hostess.

As for Gladys, it was difficult to think of her as married; and to Boots Drina whispered blissfully: "I look almost as old; I know I do. After this I shall certainly make no end of a fuss if they don't let me dine with them. Besides, you want me to, don't you, Boots?"

"Of course I do."

"And--am I quite as entertaining to you as older girls, Boots, dear?"

"Far more entertaining," said that young man promptly. "In fact, I've about decided to cut out all the dinners where you're not invited. It's only three more years, anyway, before you're asked about, and if I omit three years of indigestible dinners I'll be in better shape to endure the deluge after you appear and make your bow."

"When I make my bow," murmured the child; "oh, Boots, I am in such a hurry to make it! It doesn't seem as if I _could_ wait three more long, awful, disgusting years! . . . How does my hair look?"

"Adorable," he said, smiling across at Eileen, who had heard the question.

"Do you think my arms are very thin? Do you?" insisted Drina.

"Dreams of Grecian perfection," explained Boots. And, lowering his voice, "You ought not to eat _everything_ they bring you; there'll be doings to-morrow if you do. Eileen is shaking her head."

"I don't care; people don't die of overeating. And I'll take their nasty old medicine--truly I will, Boots, if you'll come and give it to me."

The younger Craig maiden also appeared to be bent upon self-destruction; and Boots's eyes opened wider and wider in sheer amazement at the capacity of woman in embryo for rations sufficient to maintain a small garrison.

"There'll be a couple of reports," he said to himself with a shudder, "like Selwyn's Chaosite. And then there'll be no more Drina and Daisy--Hello!"--he broke off, astonished--"Well, upon my word of words! Phil Selwyn!--or I'm a broker!"

"Phil!" exclaimed Nina.. "Oh, Austin!--and you never told us--"

Austin, ruddy and bland, came up to make his excuses; a little whirlwind of excitement passed like a brisk breeze over the clustered tables as Selwyn followed; and a dozen impulsive bare arms were outstretched to greet him as he passed, returning the bright, eager salutations on every hand.

"Train was late as usual," observed Austin. "Philip and I don't mean to butt into this very grand function--Hello, Gerald! Hello, Gladys! . . . Where's our obscure corner below the salt, Nina? . . . Oh, over there--"

Selwyn had already caught sight of the table destined for him. A deeper colour crept across his bronzed face as he stepped forward, and his firm hand closed over the slim hand offered.

For a moment neither spoke; she could not; he dared not.

Then Drina caught his hands, and Eileen's loosened in his clasp and fell away as the child said distinctly, "I'll kiss you after dinner; it can't be done here, can it, Eileen?"

"You little monkey!" exclaimed her father, astonished; "what in the name of cruelty to kids are _you_ doing here?"

"Mother let me," observed the child, reaching for a bonbon. "Daisy is here; you didn't speak to her."

"I'm past conversation," said Austin grimly, "and Daisy appears to be also. Are they to send an ambulance for you, Miss Craig?--or will you occupy the emergency ward upstairs?"

"Upstairs," said Miss Craig briefly. It was all she could utter. Besides, she was occupied with a pink cream-puff. Austin and Boots watched her with a dreadful fascination; but she seemed competent to manage it.

Selwyn, beside Eileen, had ventured on the formalities--his voice unsteady and not yet his own.

Her loveliness had been a memory; he had supposed he realised it to himself; but the superb, fresh beauty of the girl dazed him. There was a strange new radiancy, a living brightness to her that seemed almost unreal. Exquisitely unreal her voice, too, and the slightly bent head, crowned with the splendour of her hair; and the slowly raised eyes, two deep blue miracles tinged with the hues of paradise.

"There's no use," sighed Drina, "I shall not be able to dance. Boots, there's to be a dance, you know; so I'll sit on the stairs with Daisy Craig; and you'll come to me occasionally, won't you?"

Miss Craig yawned frightfully and made a purely mechanical move toward an iced strawberry. Before she got it Nina gave the rising signal.

"Are you remaining to smoke?" asked Eileen as Selwyn took her to the doorway. "Because, if you are not--I'll wait for you."

"Where?" he asked.

"Anywhere. . . . Where shall I?"

Again the twin blue miracles were lifted to his; and deep in them he saw her young soul, waiting.

Around them was the gay confusion, adieux, and laughter of partners parted for the moment; Nina passed them with a smiling nod; Boots conducted Drina to a resting-place on the stairs; outside, the hall was thronged with the younger set, and already their partners were returning to the tables.

"Find me when you can get away," said Eileen, looking once more at Selwyn; "Nina is signalling me now."

Again, as of old, her outstretched hand--the little formality symbolising to him the importance of all that concerned them. He touched it.

"_A bientot_," she said.

"On the lawn out there--farther out, in the starlight," he whispered--his voice broke--"my darling--"

She bent her head, passing slowly before him, turned, looked back, her answer in her eyes, her lips, in every limb, every line and contour of her, as she stood a moment, looking back.

Austin and Boots were talking volubly when he returned to the tables now veiled in a fine haze of aromatic smoke. Gerald stuck close to him, happy, excited, shy by turns. Others came up on every side--young, frank, confident fellows, nice in bearing, of good speech and manner.

And outside waited their pretty partners of the younger set, gossiping in hall, on stairs and veranda in garrulous bevies, all filmy silks and laces and bright-eyed expectancy.

The long windows were open to the veranda; Selwyn, with his arm through Gerald's, walked to the railing and looked out across the fragrant starlit waste. And very far away they heard the sea intoning the hymn of the four winds.

Then the elder man withdrew his arm and stood apart for a while. A little later he descended to the lawn, crossed it, and walked straight out into the waste.

The song of the sea was rising now. In the strange little forest below, deep among the trees, elfin lights broke out across the unseen Brier water, then vanished.

He halted to listen; he looked long and steadily into the darkness around him. Suddenly he saw her--a pale blur in the dusk.

"Eileen?"

"Is it you, Philip?"

She stood waiting as he came up through the purple gloom of the moorland, the stars' brilliancy silvering her--waiting--yielding in pallid silence to his arms, crushed in them, looking into his eyes, dumb, wordless.

Then slowly the pale sacrament changed as the wild-rose tint crept into her face; her arms clung to his shoulders, higher, tightened around his neck. And from her lips she gave into his keeping soul and body, guiltless as God gave it, to have and to hold beyond such incidents as death and the eternity that no man clings to save in the arms of such as she.

THE END

THE LEADING NOVEL OF TODAY.

* * * * *

The Fighting Chance.

By ROBERT W. CHAMBERS. Illustrated by A.B. Wenzell. 12mo. Ornamental Cloth, $1.50.

In "The Fighting Chance" Mr. Chambers has taken for his hero, a young fellow who has inherited with his wealth a craving for liquor. The heroine has inherited a certain rebelliousness and dangerous caprice. The two, meeting on the brink of ruin, fight out their battles, two weaknesses joined with love to make a strength. It is refreshing to find a story about the rich in which all the women are not sawdust at heart, nor all the men satyrs. The rich have their longings, their ideals, their regrets, as well as the poor; they have their struggles and inherited evils to combat. It is a big subject, painted with a big brush and a big heart.

"After 'The House of Mirth' a New York society novel has to be very good not to suffer fearfully by comparison. 'The Fighting Chance' is very good and it does not suffer."--_Cleveland Plain Dealer_.

"There is no more adorable person in recent fiction than Sylvia Landis."--_New York Evening Sun_.

"Drawn with a master hand."--_Toledo Blade_.

"An absorbing tale which claims the reader's interest to the end."--_Detroit Free Press_.

"Mr. Chambers has written many brilliant stories, but this is his masterpiece."--_Pittsburg Chronicle Telegraph_.

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D. APPLETON AND COMPANY, NEW YORK.

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A GREAT ROMANTIC NOVEL.

The Reckoning.

By ROBERT W. CHAMBERS. Illustrated by Henry Hutt. $1.50.

"A thrilling and engrossing tale."--_New York Sun_.

"When we say that the new work is as good as 'Cardigan' it is hardly necessary to say more."--_The Dial_.

"Robert Chambers' books recommend themselves. 'The Reckoning' is one of his best and will delight lovers of good novels."--_Boston Herald_.

"It is an exceedingly fine specimen of its class, worthy of its predecessors and a joy to all who like plenty of swing and spirit."--_London Bookman_.

"Robert W. Chambers' stories of the revolutionary period in particular show a care in historic detail that put them in a different class from the rank and file of colonial novels."--_Book News_.

"A stirring tale well told and absorbing. It is not a book to forget easily and it will for many throw new light on a phase of revolutionary history replete with interest and appeal."--_Chicago Record-Herald_.

"Chambers' bullets whistle almost audibly in the pages; when a twig snaps, as twigs do perforce in these chronicles, you can almost feel the presence of the savage buck who snaps it. Then there are situations of force and effect everywhere through the pages, an intensity of action, a certain naturalness of dialogue and 'human nature' in the incidents. But over all is the glamor of the Chambers fancy, the gauzy woof of an artist's imagination which glories in tints, in poesies, in the little whims of the brush and pencil, so that you have just a pleasant reminder of unreality and a glimpse of the author himself here and there to vary the interest."--_St. Louis Republic_.

D. APPLETON AND COMPANY, NEW YORK.

WORKS OF ROBERT W. CHAMBERS.

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IOLE.

Color inlay on the cover and many full-page illustrations, borders, thumbnail sketches, etc., by J.C. Leyendecker, Arthur Becher, and Karl Anderson. $1.25.

The story of eight pretty girls and their fat poetical father, an apostle of art "dead stuck on Nature and simplicity."

"'Iole' is unquestionably a classic."--_San Francisco Bulletin_.

"Mr. Chambers is a benefactor to the human race."--_Seattle Post-Intelligencer_.

"Quite the most amusing and delectable bit of nonsense that has come to light for a long time."--_Life_.

"One of the most alluring books of the season."--_Louisville Courier-Journal_.

"The joyous abounding charm of 'Iole' is indescribable. It is for you to read. 'Iole' is guaranteed to drive away the blues."--_New York Press_.

"Mr. Chambers has never shown himself more brilliant and more imaginative than in this little satirical idyllic comedy."--_Kansas City Star_.

"A fresh proof of Mr. Chambers' amazing versatility."--_Everybody's Magazine_.

"As delicious a satire as one could want to read."--_Pittsburg Chronicle_.

"It is an achievement to write a genuinely funny book and another to write a truly instructive book; but it is the greatest of achievements to write a book that is both. This Mr. Chambers has done in 'Iole.'"--_Washington Star_.

"Amid the outpour of the insipid 'Iole' comes as June sunshine. The author of 'Cardigan' shows a fine touch and rarer pigments as the number of his canvases grows. 'Iole' is a literary achievement which must always stand in the foremost of its class."--_Chicago Evening Post_.

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D. APPLETON AND COMPANY, NEW YORK.

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By DAVID GRAHAM PHILLIPS.

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The Second Generation.

Illustrated. Cloth, $1.50.

"The Second Generation" is a double-decked romance in one volume, telling the two love-stories of a young American and his sister, reared in luxury and suddenly left without means by their father, who felt that money was proving their ruination and disinherited them for their own sakes. Their struggle for life, love and happiness makes a powerful love-story of the middle West.

"The book equals the best of the great story tellers of all time."--_Cleveland Plain Dealer_.

"'The Second Generation,' by David Graham Phillips, is not only the most important novel of the new year, but it is one of the most important ones of a number of years past."--_Philadelphia Inquirer_.

"_A_ thoroughly American book is 'The Second Generation.'. . . The characters are drawn with force and discrimination."--_St. Louis Globe Democrat_.

"Mr. Phillips' book is thoughtful, well conceived, admirably written and intensely interesting. The story 'works out' well, and though it is made to sustain the theory of the writer it does so in a very natural and stimulating manner. In the writing of the 'problem novel' Mr. Phillips has won a foremost place among our younger American authors."--_Boston Herald_.

"'The Second Generation' promises to become one of the notable novels of the year. It will be read and discussed while a less vigorous novel will be forgotten within a week."--_Springfield Union_.

"David Graham Phillips has a way, a most clever and convincing way, of cutting through the veneer of snobbishness and bringing real men and women to the surface. He strikes at shams, yet has a wholesome belief in the people behind them, and he forces them to justify his good opinions."--_Kansas City Times_.

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D. APPLETON AND COMPANY, NEW YORK