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Chapter IV

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Truth, however, is mighty and will prevail. After a while Zureda began to observe that something odd was going on about him. Slowly and without knowing why, he found a sort of distance separating him from his companions, who treated him and looked at him in a new way. You would almost have said they were trying to extort from his eyes the confession of some risqué secret he was doubtless keeping well covered up and hidden; a secret everybody knew. A complex sentiment of curiosity and silence isolated him from his friends and seemed to befog him with inexplicable ridicule. After a while he grew much puzzled by this phenomenon.

"I wonder if I've changed?" thought he. "Maybe I'm sick, without knowing it. Or can it be that I'm mighty ugly, and nobody dares to tell me so?"

Not far from the station, and near Manzanares Street, there was an eating-house where the porters, engineers and firemen were wont to foregather. This establishment belonged to Señor Tomás, who in his youth had been a toreador. The aplomb and force, as well as the stout-heartedness of that brave, gay profession still remained his. Señor Tomás talked very little, and for those who knew him well his words had the authority of print. He was a tall old fellow, with powerful hands and shoulders; he wore velveteen trousers and little Andalusian jackets of black stuff; and over the sash with which he masked his growing girth he strapped a wide leather belt with a silver buckle.

One evening Señor Tomás was enjoying the air at the door of his eating-house when Zureda passed by. The tavern-keeper beckoned the engineer; and when Zureda had come near, looked fixedly into his eyes and said:

"You and I have got to have a few words."

Zureda remained dumb. The secret, chill vibration of an evil presentiment had passed like a cold wind through his heart. Presently recovering speech, he answered:

"Any time you say so."

They reëntered the tavern, which just then was almost without patrons. A high wooden shelf, painted red and covered with bottles, ran about the room. On the wall was hung the stuffed head of the bull that had given Señor Tomás the tremendous gash which had torn his leg open and had obliged him to lay aside forever the garb of a toreador. At the rear, the bartender had fallen asleep behind the polished bar, on which a little fountain of water was playing its perpetual music.

The two men sat down at a big table, and the tavern-keeper clapped his hands together.

"Hey you, there!" he cried.

The bartender woke up and came to him.

"What'll you have?" asked he.

"Bring some olives and two cups of wine."

A long pause followed. Señor Tomás with voracious pulls at his smoldering cigar set its tip glowing. A kind of gloomy preoccupation hardened his close-shaven face--a face that showed itself bronzed and fleshy beneath the white hair grandly combed and curled upon his forehead.

Presently he began:

"I hate to see two men fight, because if they're spirited it's bound to be serious. But still I can't bear to see a good man and a hard-working man be made a laughing-stock for everybody. Get me?"

Amadeo Zureda first grew pale and then red. Yes, he knew something was up. The old man had called him to tell him some terrible mystery. He felt that the strange feeling of vacancy all about him, which he had been sensing for some time, was at last going to be explained. He trembled. Something black, something vast was closing over his head; it might be one of those fearful tragedies that sometimes cut a human life in twain.

"I don't know how to talk, and I don't like to talk," went on the tavern-keeper. "That's why I don't beat round the bush, but I call a spade a spade. Yes, sir, I call things by their right names. Because in this world, Amadeo--you mark my words--everything's got a name."

"That's so, Señor Tomás."

"All right. And I'm one of those fellows that go right after the truth the way I used to go after the bull--go the quickest way, which is the best way, because it's the shortest."

"That's right, too."

"Well, then. I like you first-rate, Amadeo. I know you're a worker, and I know you're one of those honest men that wouldn't stand for any crooked work to turn a dollar. And I know, too, you're a man that knows how to use his fists and how to run up the battle-flag of the soul, when you have to. I'm sure of all this. And by the same token, I won't let anybody make fun of you."

"Thanks, Señor Tomás."

"All right! Now, then, in my house, right here, people are saying your wife is thick with Manolo Berlanga!"

The eyes of the tavern-keeper and the engineer met. They remained fixed, so, a moment. Then the eyes of Zureda opened wide, seemed starting from their sockets. Suddenly he jumped up, and his square finger-nails fairly sank into the wood of the table. His white lips, slavering, stammered in a fit of rage:

"That's a lie, a damned lie, Señor Tomás! I'll cut your heart out for that! Yes, if the Virgin herself came down and told me that, I'd cut her heart out, too! God, what a lie!"

The tavern-keeper remained entirely self-possessed. Without even a change of expression he answered:

"All right! Find out what's true or false in this business. For you know there's no difference between the truth and a lie that everybody's telling. And if you decide there's nothing to this except what I say, come and tell me, for I'm right here and everywhere to back up my words!"

The tavern-keeper grew silent, and Amadeo Zureda remained motionless, struck senseless, gaping.

After a few minutes his ideas began to calm down again, and as they grew quiet they coordinated themselves; then the engineer felt an unwholesome and resistless curiosity to know everything, to torture himself digging out details.

"You mean to tell me," asked he, "that they've talked about that, right here?"

"Right on the spot, sir!"

"When?"

"More than once, and more than twenty times; and they say worse than that, too. They say Berlanga beats your wife, and you're wise to everything, and have been from the beginning. And they say you stand for it, to have a good thing, because this Berlanga fellow helps you pay the rent."

A couple of porters came in, and interrupted the conversation. Señor Tomás ended up with:

"Well now, you know all about it!"

When Zureda left the tavern, his first impulse was to go home and put it up to Rafaela. Either with soft words or with a stick he might get something about Berlanga out of her. But presently he changed his mind. Affairs of this kind can't be hurried much. It is better to go slow, to wait, to get information bit by bit and all by one's self. When he reached the station it was six o'clock. He met Pedro on the platform.

"Which engine have we got to-day?" asked Amadeo.

"Nigger," answered the fireman.

"The devil! It just had to be her, eh?"

That run was terrible indeed, packed full of inward struggles and of battles with the rebellious locomotive--an infernal run that Zureda remembered all his life.

With due regard for the prudent scheme that he had mapped out, the engineer set himself to observing the way his wife and Manolo had of talking to each other. After greatly straining his attention, he could find nothing in the cordial frankness of their relations that seemed to pass the limits of good friendship. From the time when Berlanga had stood godfather for little Manolo, Amadeo had begged them to use "thee" and "thou" to each other, and this they had done. But this familiarity seemed quite brother-and-sisterly; it seemed justified by the three years they had been living in the same house, and could hardly be suspected of hiding any guilty secret.

None the less, the jealousy of Zureda kept on growing, rooting itself in every pretext, and using even the most minor thing to inflame and color with vampire suspicion every thought of the engineer. The notion kept growing in Zureda; it became an obsession which made him see the dreaded vision constantly, just as through another obsession, Berlanga's desire for Rafaela had been born.

At last Amadeo became convinced that his skill as a spy was very poor. He lacked that astuteness, those powers of detection and that divining instinct which, in a kind of second sight, makes some men get swiftly and directly at the bottom of things. In view of his blunt character, unfitted for any kind of diplomatic craft, he thought it better to confront the matter face to face.

As soon as he had come by this resolution, his uneasiness grew calm. A sedative feeling of peace took possession of his heart. The engineer passed that day quietly reading, waiting for night to come. Rafaela was sewing in the dining-room, with little Manolo asleep on her lap. Half an hour before supper, Zureda tiptoed to their bedroom and took from the little night-table his heavy-bladed, horn-handled hunting knife--the knife he always carried on his runs. After that he put on a flat cap, tied a muffler round his neck--for the evening was cold--and started to leave the house. In the emptiness of the hallway his heavy, determined footfalls, echoing, seemed to waken something deadly.

A bit surprised, Rafaela asked:

"Aren't you going to eat supper here?"

"Yes," he answered, "but I'm just going out to stretch my legs a little. I'll be right back."

He kissed his wife and the boy, mentally taking a long farewell of them, and went out.

In Señor Tomás' tavern he found Manolo Berlanga playing _tute_ with several friends. The silversmith was drunk, and his arrogant, defiant voice dominated the others. Slowly, with a careless and taciturn air, the engineer approached the group.

"Good evening, all," said he.

At first, no one answered him, for everybody's attention was fixed on the wayward come-and-go of the cards. When the game was done, one of the players exclaimed:

"Hello there, Amadeo! I didn't see _you_! But I saw your wife and kid yesterday. Some boy! And that's a pretty woman you've got, too. I don't say that just because you're here. It's true. Anybody can see you make all kinds of money, and spend it all on your wife!"

"Yes, and if he didn't," put in Berlanga, offering Zureda a glass of wine, "there'd be plenty more who would. How about that, Amadeo?"

Zureda remained impassive. He gulped the wine at one swallow. Then he ordered a bottle for all hands.

"Come on, now, I'll go you a game of _mus_," he challenged Berlanga. "Antolín, here, will be my partner."

The silversmith accepted.

"Go to it!" said he.

The players all sat down around the table, and the game began.

"I'll open up."

"Pass."

"I'll stay in."

"I'm out."

"I'll stick."

"I'll raise that!"

"I renig!"

Now and then the players stopped for a drink, and a few daring bets brought out bursts of laughter.

"Whose deal, now?"

"Mine!"

All at once Amadeo, who was looking for some excuse to get into a row with the silversmith, cheated openly and took the pot. Manolo saw him cheat. Incensed, he threw his cards on the floor.

"Here now, that don't go!" he cried. "I don't care if we _are_ friends, you can't get away with _that_!"

All the other players, angered, backed up the silversmith.

"No, sir! No, that don't go, here!" they echoed.

Very quietly the engineer demanded:

"Well, what have _I_ done?"

"You threw away this card, the five o' clubs," replied Berlanga, "and slipped yourself a king, that you needed! That's all. You're cheating!"

The engineer answered the furious insult of the silversmith with a blow in the face. They tackled each other like a couple of cats. Chairs and table rolled on the floor. Señor Tomás came running, and he and the other players succeeded in separating them. A crowd, attracted by the noise of the fight, gathered like magic. The tumult of these curiosity-seekers helped Amadeo hide his words as he and Manolo left the tavern. He said in his companion's ear:

"I'll be waiting for you in front of San Antonio de la Florida."

"Suits _me_!"

And, a few minutes later, they met at the indicated spot.

"Let's go where nobody can see us," said the engineer.

"I'll go anywhere you like," answered Berlanga. "Lead the way!"

They crossed the river and came to the little fields out at Fuente de la Teja. The shadows were thicker there, under the trees. At a likely-looking spot the two men stopped. Zureda peered all about him. His eyes, used to penetrating dark horizons, seemed to grow calm. The two men were all alone.

"I've brought you here," said the engineer, "either to kill you or have you kill me."

Berlanga was pretty tipsy. Brave in his cups, he peered closely at the other. He kept his hands in the pockets of his coat. His brow was frowning; his chin was thrust out and aggressive. He had already guessed what Zureda was going to ask him, and the idea of being catechized revolted his pride.

"It looks to me," he swaggered, "like you and I were going to have a few words."

And immediately he added, as if he could read the thought of Zureda:

"They've been telling you I'm thick with Rafaela, and you're after the facts."

"Yes, that's it," answered the engineer.

"Well, they aren't lying. What's the use of lying? It's so, all right."

Then he held his peace and looked at Zureda. The engineer's eyes were usually big and black, but now by some strange miracle of rage they had become small and red. Neither man made any further speech. There was no need of any. All the words they might have hurled at each other would have been futile. Zureda recoiled a few steps and unsheathed his knife. The silversmith snicked open a big pocket blade.

They fell violently on each other. It was a prehistoric battle, body to body, savage, silent. Manolo was killed. He fell on his back, his face white, his mouth twisted in an unforgettable grimace of pain and hate.

The engineer ran away and was already crossing the bridge, when a woman who had been following him at a short distance began to cry:

"Catch him! Catch him! He's just killed a man!"

A couple of policemen, at the door of an inn, stopped Zureda. They arrested him and handcuffed him. He made no resistance.

Rafaela went to see him in jail. The engineer, because of his love for her and for the boy, received her with affection. He assured her he had got into a fight with Manolo over a card-game. Fourteen or fifteen months later he maintained the same story, in court. He claimed he and Manolo had been playing _mus_, and that by way of a joke on his friends he had thrown away one of the cards in his hand and slipped himself another. Then he said Berlanga had denounced him as a cheat; they had quarreled, and had challenged each other.

Thus spoke Amadeo Zureda, in his chivalric attempt not to throw even the lightest shadow on the good name of the woman he adored. Who could have acted more nobly than he? The state's attorney arraigned him in crushing terms, implacably.

And the judge gave him twenty years at hard labor.

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Their Son; The NecklaceChapter IV

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