Chapter III: THE MIRROR was not made of glass, (for glass mirrors cannot be

shown to have existed before the thirteenth century,) but of polished metals; and amongst these, silver was in the greatest esteem, as being capable of a higher burnish than other metals, and less liable to tarnish. Metallic mirrors are alluded to by Job, xxxvii. 18. But it appears from the Second Book of Moses, xxxviii. 8, that in that age, copper must have been the metal employed throughout the harems of Palestine. For a general contribution of mirrors being made upon one occasion by the Israelitish women, they were melted down and recast into washing vessels for the priestly service. Now the sacred utensils, as we know from other sources, were undeniably of copper. There is reason to think, however, that the copper was alloyed, according to the prevailing practice in that age, with some proportions of lead or tin. In after ages, when silver was chiefly employed, it gave place occasionally to gold. Mines of this metal were well known in Palestine; but there is no evidence that precious stones, which were used for this purpose in the ages of European luxury, were ever so used in Palestine, or in any part of Asia.

As to shape, the Hebrew mirrors were always either circular or oval, and cast indifferently flat or concave. They were framed in superb settings, often of pearls and jewels; and, when tarnished, were cleaned with a sponge of hyssop, the universal cleansing material in Palestine.

SCENE THE THIRD.

HEAD-DRESSES.

The head-dresses of the Hebrew ladies may be brought under three principal classes:--

The first was a NET-WORK CAP, made of fine wool or cotton, and worked with purple or crimson flowers. Sometimes the meshes of the net were of gold thread. The rim or border of the cap, generally of variegated coloring, was often studded with jewellery or pearls; and at the back was ornamented with a bow, having a few ends or tassels flying loose.

Secondly, a TURBAN, managed in the following way: first of all, one or more caps in the form of a half oval, such are still to be seen upon the monuments of Egyptian and Persepolitan art, was fastened round the head by a ribbon or fillet tied behind. This cap was of linen, sometimes, perhaps, of cotton, and in the inferior ranks of leather, or, according to the prevailing fashion, of some kind of metal; and, in any case, it had ornaments worked into its substance. Round this white or glittering ground were carried, in snaky windings, ribbons of the finest tiffany, or of lawn resembling our cambric; and to conceal the joinings, a silky substance was carried in folds, which pursued the opposite direction, and crossed the tiffany at right angles. For the purpose of calling out and relieving the dazzling whiteness of the ground, colors of the most brilliant class were chosen for the ribbons; and these ribbons were either embroidered with flowers, in gold thread, or had ornaments of that description interwoven with their texture.

Thirdly, the HELMET, adorned pretty nearly as the turban; and, in imitation of the helmets worn by Chaldean generals, having long tails, or tassels, depending from the hinder part, and flowing loosely between the shoulders. According to the Oriental taste for perfumes, all the ribbons or fillets used in these helmets and turbans were previously steeped in perfumes. Finally, in connection with the turban, and often with the veil, was a beautiful ornament for the forehead and the face, which the ladies of this day would do well to recall. Round the brow ran a brandeau or tiara of gold or silver, three fingers' breadth, and usually set with jewels or pearls; from this, at each of the temples, depended a chain of pearls or of coral, which, following the margin of the cheeks, either hung loose or united below the chin.

SCENE THE FOURTH.

I. The reader has been already made acquainted with the _chemise_, or innermost under-dress. The Hebrew ladies, however, usually wore two under-dresses, the upper of which it now remains to describe. In substance it was generally of a fine transparent texture, like the muslins (if we may so call them) of Cos; in the later ages it was no doubt of silk.

The chemise sate up close to the throat; and we have already mentioned the elaborate work which adorned it about the opening. But the opening of the robe which we are now describing, was of much larger compass--being cut down to the bosom; and the embroidery, &c. which enriched it, was still more magnificent. The _chemise_ reached down only to the calf of the leg, and the sleeve of it to the elbow; but the upper chemise or tunic, if we may so call it, descended in ample draperies to the feet--scarcely allowing the point of the foot to discover itself; and the sleeves enveloped the hands to their middle. Great pomp was lavished on the folds of the sleeves; but still greater on the hem of the robe, and the fringe attached to it. The hem was formed by a broad border of purple, shaded and relieved according to patterns; and sometimes embroidered in gold thread with the most elegant objects from the animal or vegetable kingdoms. To that part which fell immediately behind the heels, there were attached thin plates of gold; or, by way of variety, it was studded with golden stars and filigree-work; sometimes with jewels and pearls interchangeably.

II. On this upper tunic, to confine the exorbitance of its draperies, and to prevent their interfering with the free motions of the limbs, a superb GIRDLE was bound about the hips. Here, if anywhere, the Hebrew ladies endeavored to pour out the whole pomp of their splendor--both as to materials and workmanship. Belts from three to four inches broad, of the most delicate cottony substance, were chosen as the ground of this important part of female attire. The finest flowers of Palestine were here exhibited in rich relief, and in their native colors, either woven in the loom, or by the needle of the embroiderer. The belts being thirty or forty feet long, and carried round and round the person, it was in the power of the wearer to exhibit an infinite variety of forms, by allowing any fold or number of folds at pleasure to rise up more or less to view, just as fans or the colored edges of books with us are made to exhibit landscapes, &c. capable of great varieties of expansion as they are more or less unfolded. The fastening was by a knot below the bosom; and the two ends descended below the fringe; which, if not the only fashion in use, was, however, the prevailing one--as we learn both from the sculptures at Persepolis, and from the costume of the High Priest.

Great as the cost was of these girdles, it would have been far greater had the knot been exchanged for a clasp; and in fact at a later period when this fashion did really take place, there was no limit to the profusion with which pearls of the largest size and jewellery were accumulated upon this conspicuous centre of the dress. Latterly the girdles were fitted up with beautiful chains, by means of which they could be contracted or enlarged, and with gold buckles, and large bosses and clasps that gradually became the basis for a ruinous display of expenditure.

In conclusion, I must remark, that in Palestine, as elsewhere, the girdle was sometimes used as a purse: whether it were that the girdle itself was made hollow (as is expressly affirmed of the High Priest's girdle), or that, without being hollow, its numerous foldings afforded a secure depository for articles of small size. Even in our day, it is the custom to conceal the dagger, the handkerchief for wiping the face, and other bagatelles of personal convenience, in the folds of the girdle. However, the richer and more distinguished classes in Palestine appear to have had a peculiar and separate article of that kind. And this was,