Chapter IV: Part 4
"Art, indeed," said Cousin Gustus. "Why, every time they steal a picture they get an Iron Cross. I know a man who saw a German wearing a perfect rosary of Iron Crosses; the fellow was boasting of having bayoneted more babies than any other man in the regiment. Listen to this: 'The enemy attacked the outskirts of the village of What D'you Call'em, and engaged our troops in hand-to-hand fighting.' Think of it, and we used to say they were a civilised race. At the point of the bayonet, it says--isn't it atrocious? 'The enemy were finally repulsed at the point of the bay--' oh well, of course that may be different. I don't pretend to be a military expert...."
"I hate the Germans," said Anonyma, "because they have spoilt my own idea of them. I hate having a mistake brought home to me."
"I hate the Germans," began Mr. Russell, "because--"
"I'm going for a walk," said Anonyma. "I am sick of sitting here and hearing you two old fogies argue about the War. If War is bad art, it is vulgar to refer to it."
I know exactly what Mr. Russell was going to say. He had a vague culinary metaphor in his mind. I hate the Germans because they are underdone, they are red meat. Their vices and their virtues and their music, and their greed and their fairyism and their militarism, all seem to have been roasted in a hurry, and to contain, like red meat, the natural juices to an extent that seems to us excessive. The reason why some of us dislike red meat is that it reminds us too much of what our food originally was. As we ourselves, possibly, are rather overcooked by the fire of civilisation, this vulgar deficiency in our enemy is very apparent to us. This is an elaborate, but not a pleasing analogy, and it was fortunate that Mr. Russell was interrupted. Otherwise, I think he might have been trying to this day to explain it to an exasperated Cousin Gustus. He spoke of it to his Hound, and the idea interested that animal very much.
Mr. Russell, unfortunately, had a cold, and was therefore unable on such a wet day to leave the house or Cousin Gustus. But Anonyma went out in a mackintosh that gave her the "silhouette" of a Cossack, and a beautiful little tarpaulin sou'wester, and high boots, and a skirt short enough to give the boots every chance of advertisement. The notebook was safe in a water-tight pocket.
She covered with great speed and enthusiasm the few miles to the sea. She reached it at a point where the cliff dwindled into flatness, where the gentle tide rattled on pebbles instead of on sand, where the tall breakwaters contradicted the line of the shore. The furthest breakwater had seaweed like hair waving on the water. At intervals it would seem to be thrust up between two glassy waves, like a victim beckoning for deliverance from the grip of some monster. And then the sea's lips would close on it again. The sea was freckled by the rain, the waves were beaten into submission. The tide was rather low, and not very far away a great company of porpoises bowed each other through the mazes of a slow quadrille. There were a few rocks spotted like leopards, and on one of these a young brown seagull rested, and allowed itself occasionally to be washed gracefully away.
"Lazy Nature!" said Anonyma reprovingly. "To sketch such a scheme in a few careless lines."
For the whole world was rain-colour. There was no horizon to the sea, the downs were blotted out, the wet shingle reflected its surroundings, the waves broke unmarked by foam or shadow. There was nothing but the porpoises and the breakwaters and the rocks, and a little bald sand dune, sketched on the canvas of that pale day.
Anonyma perpetuated in her notebook her opinion of Nature as an artist. On the whole, it was a flattering opinion. Then she sat on the breakwater, and thought how fortunate she was to be able to think such interesting thoughts about what she saw. How fortunate to enjoy thought and to cause thought! How fortunate to feel oneself a member of the comforting fellowship of intelligence! "It is much more delightful," Anonyma informed the sea, "to be intelligent than to be beautiful. Why do we all try to make our outsides beautiful? There is competition in beauty, but there is brotherhood in intelligence. To be clever is to share a secret and a smile with all clever people." A vision of the coast of the United Kingdom encircled by a ring of consciously clever Anonymas sitting on breakwaters, sharing each with all a secret and a smile, came vaguely to her.
She put all that she could of her soliloquy into her notebook.
And then she noticed the face of a man, with its eyes upon her, appearing stealthily over a breakwater. The face wore the grin that some people wear when they are doing anything with great caution. This gave it a very empty, bright expression, like the mask that represents comedy in a theatre decoration. The face dropped down behind the breakwater, after meeting Anonyma's surprised eye for a second or two.
Anonyma kept her head.
First she thought it was the face of a bather, the path to whose clothes she was unwittingly barring.
Then she thought it was the face of a picnicker, resentful of her intrusion.
Then she thought it was the face of a German spy.
The first two of these three thoughts she rejected because the weather reduced their possibility to a minimum. The third she instinctively adopted as a certainty. The face at once became obviously German in her eyes. It was broader about the chin than about the forehead, it was pink, the architecture of the nose was painfully un-English.
She scanned the sea for the periscope of a submarine.
Anonyma remembered that she had written in her notebook, a day or two before, an intimate description of the coast as seen from the Ring. She also remembered distinctly seeing in the bar of the inn a notice warning her to the effect that walls--and probably breakwaters--have ears and eyes in these days, and that the German Government has a persistent wish to possess itself of private diaries and notebooks.
"I am having an adventure," said Mrs. Gustus. "I must keep cool."
She got up from her breakwater, holding her notebook very tightly, and began to walk away. When she looked back, she saw the top of the man's head moving behind the breakwater, in a parallel direction to her own course. When he reached the point where the breakwater ended and denied him cover, he wavered for a moment, and then, with an expression of elaborate indifference, followed her.
"I must keep even cooler than this," thought Anonyma. "I must try and catch the spy."
She walked across some waste land sown with memories of picnics, and reached the main road. The man crossed the waste land behind her. He tried in a futile way to look as if he were not doing so.
On the main road, Anonyma turned and waited for him. It seemed useless in that empty landscape to sustain the pretence that they were unaware of each other.
"Did you wish to speak to me?" she asked, as well as she could for the great lump of excitement that beat in her throat. Before her eyes visions of headlines danced: "LADY NOVELIST'S PLUCKY CAPTURE OF A SPY."
The man became dark red as she spoke. "Yes," he said. "I wanted to ask you what you were writing in that notebook?"
Anonyma paused for a moment, as she decided what she ought to do. Then she said in a hoarse voice: "I have detailed military information about this coast for twenty miles round in my notebook, with accurate reports as to the depth of the water. If you come to my lodgings in D----, I can show you a map that I have made."
A tremor ran through the stranger.
"A map?" he repeated.
"Yes, a map," said Anonyma; and then, as he did not move, she added on the spur of the moment, "Also a design for a new kind of bomb which I bought from a man in London."
"A bomb?" he said.
Anonyma thought that he was evidently a foreigner, though his accent was English. He seemed to find English rather difficult to understand.
"Why do you tell me all this?" he asked finally.
"Because I recognise your face as that of a sp--I mean a fellow-worker in the great brotherhood of espionage," said Anonyma.
"Come on, then," said the man.
So they walked off together.
"Why did you take up this--calling?" asked the man presently. "Are you a German?"
"Well, more or less," said Anonyma. "At least, I have never been a Christian. I believe that one must take either War or Christianity seriously. Hardly both."
It was a good opportunity for a monologue. Obviously the stranger was not one who would resent a monopoly of the conversation.
"After all, men are only minor gods," said Anonyma, "and War is what gods were born for. Germany knows that. That's why, under the present circumstances, I'd rather take German money than English."
"Are we anywhere near D---- yet?"
Anonyma hoped that he still had no suspicions. His voice was distinctly nervous. To reassure him, she said, "Why did you take up espionage yourself?"
"Why, indeed?" said the stranger in an ardent voice. "Of course the pay was enormous. Twenty thousand francs if I could get an exact chart of the South Coast."
"Why francs?" asked Anonyma.
"Not francs. I find these various currencies so confusing, don't you? Of course I mean pfennigs."
"Twenty thousand pfennigs?" said Anonyma. "Look here, are you trying to be funny?"
"Far from it," said the man. "To tell you the truth, I am awfully nervous."
"Of me?"
"Yes. No. I mean of discovery."
"You don't seem to be absolutely cut out for your job," said Anonyma.
They walked in silence for a while. Anonyma sought through her mind to find something she could say in keeping with her part. She decided finally on a rather ambiguous though imposing attitude.
"The Germans have discovered the truth that anything good is belligerent, love included. You can't fight properly with any weapon but your life. Death is not the only thing that passes by the peace-man. He remains alive, but he also remains ignorant. All peace-men are really women in disguise, and all women are utterly superfluous to-day. We only know men. People who disapprove of War shall have no part in peace. The peace shall be ours who suffered for it, and only we have earned it. The only decent thing left for the Americans and Quakers to do now is to hold their tongues when peace comes. They haven't earned the right to rejoice."
"I am a Quaker," said the stranger.
"I didn't know the Germans allowed Quakers at large."
"I am not a German," said the stranger.
"Then what has happened?" asked Anonyma, standing suddenly still at the top of the main street of D----. "Why did you want my notebook?"
"Because I could plainly see you taking notes in it."
"You thought me a spy?"
"You don't leave me much room for doubt."
They guided each other to the gate of the police-station. There they stopped again.
"This is where I was bringing you," said Anonyma, as their eyes fell simultaneously on the label over the door: "Sussex County Police."
"It seems to me that honours are easy," she added after a pause. "Don't you see what has happened?"
The stranger thought for a moment with a look of dawning relief on his pink face. "But you couldn't have made up all those dreadful opinions," he said.
"I didn't," said Anonyma. "I meant them all--as applied to England."
"Don't you think we'd better take each other in to make sure?" suggested her companion. "The Inspector's quite a good sort. I know him well...."
"You may read my notebook if you like to make quite sure," said Anonyma. "I'm almost sure the Inspector would have either too much or too little sense of humour for the situation."
She was conscious of a certain disappointment. Her adventure had fallen flat, she felt no pleasure in the idea of painting a vivid word-vignette for the people at home. Even her notebook must never hear of this morning's work.
"How foolish of you," she said irritably. "Do I look like a spy?"
"Do I?"
She felt impelled to be angry with him, and seized upon another pretext.
"You are a conscientious objector, I suppose. And what business has a conscientious objector to be spy-hunting? Do I understand that you will only help your country when you can do it vicariously, through the police, with no risk to yourself? It isn't very dignified."
"A spy is outside every pale," said the stranger. "My conscience objects to the shedding of blood. Yet it is an English conscience all the same."
"English?" said Anonyma. "If you won't die for England, England isn't yours to love. You shall not have that honour."
"If dying for England is the test of a patriot," said the pink Quaker, "what about you?"
"I would die for England. I work for England," said Anonyma.
(Four hours a week.)
She went on: "I have told you already that women--in either sex--are superfluous to-day. But after all, real women were born to their burden, women were born to put up with second bests. And also posterity is mostly a woman's job. But you were born a man, with a great heritage of honour. You have kicked that honour away. You have sold your birthright."
The Quaker was the sort of man in whose face and mind one could see exactly what his mother was like. Some men are like that, and others, one would say, could never have been so intimate with a woman as to be born of her.
"My soul is greater than I am," said the stranger. "There is no command that drowns the command of the soul. I cannot possibly be wrong."
"You could not possibly be right," said Anonyma. "Good-morning."
Anonyma, on her return to the inn, was very generous with "word-vignettes" dealing with Nature. Her Family during supper was not left in ignorance as to the Peace and Meaning of the Sea, and the Parallel between Waves and Generations, and the Miracles of the Mist, and the Tranquil Musing of the Beaches, and the Unseen Imminence of the Downs. "It would make a wonderful background to a short story," said Anonyma, and then she stopped rather abruptly. Her silence after that might have struck the Family as strange, had it not coincided with the arrival of the evening paper, which turned the listeners' thoughts to less beautiful matters.
"Air raid," said Cousin Gustus. "I prophesied quite a long time ago that we should have another raid, but nobody ever listens to what I say. Two horses killed somewhere in the Eastern Counties."
"I thought Somewhere was a town in France, ha-ha," said Mrs. Russell.
"Was London attacked?" asked Mr. Russell. "I'm rather anxious about--St. Paul's...."
Anonyma rose to the surface again. "I had such a wonderful talk with a 'bus-conductor once about his experiences during a raid. Such an intelligent man. I dearly love 'bus conductors, such an interesting and vivacious class. I should feel it an honour to be intimate with one. He told me in the most vivid terms how a bomb fell in the street in front of his 'bus, blowing the preceding 'bus to atoms. He told me how his driver turned the 'bus in what he called 'The spice of 'arf a crown,' and plunged into a side street. He said that he could see the Zeppelin balanced on its searchlights like 'a sausage on stilts,' and when it was directly above them, the top of his 'bus was suddenly cleared of people as if by magic, except for one man who put up an umbrella and 'sat tight.' I pitied the conductor, it must have been a terrible experience, his eyes were starting from his head,--bulging like a rabbit's,--he said he had a wife and baby up Leyton way, and that he was so worried about them that he frequently called out his list of destinations the wrong way round."
"Look here," said Mr. Russell, "I think I'd better go up and see about--"
"Nonsense," said his wife. "I refuse to go to London until the moon is there to protect me, as it were. So comic to look upon a heavenly body as a practical protection. I will not allow you to run needlessly into danger. Only this morning you were making plans to go to Cornwall, naughty boy."
"No, but--"
"Darling, I insist," said Mrs. Russell. "Cornwall it is for the present. If you say another word I shall smack you and put you in the corner, ha-ha."
Cornwall it was.
The Family drew near to its destination on a misty day. The sun shone not at all, but occasionally showed its bare pale outline through a veil of cloud. The road in front of Christina was so dim that Mr. Russell could people it for himself with imaginations. Now a knight in armour stood at the next corner, now a phantom sea gleamed over the curve of the road, now he saw great slim ghosts beckoning him on.
There were real sheep every few hundred yards, for a sheep fair was taking place somewhere near by. The sheep came out of the mist like armies of giants, and shrank as they grew clearer. The roads were rippled with the footprints of many sheep. Even when there were no sheep in sight, the mist filled their places with ghostly flocks.
Each sheep as it passed examined the wheels of Christina as long as the dogs allowed it to do so. Each flock was followed by two men, and sometimes a child in ill-fitting clothes on a pony, and sometimes a woman with a shawl over her head.
Anonyma's notebook became very restless, and finally Mr. Russell was obliged to drive the Family to the point whither the sheep were bound.
So they went to the little town, through which the excitement of the fair thrilled like the blast from a trumpet. Bewildered sheep looked in at its shop windows; farmers in dog-carts shouted affectionate remarks to each other across its village green, and introduced dear friends at a great distance to other dear friends with much formality. Dogs argued in a professional way about the merits of their sheep. Mr. Russell's Hound, who had never before heard the suggestion that dogs were intended for any purpose but ornament, looked on breathless with surprise. His morals were affected for life by the revolutionary sight of a dog biting the tail of a disobedient sheep. "I'll try it in Kensington Gardens," thought Mr. Russell's Hound, as he looked nervously at his master.
Christina, the motor-car, found her way to the centre of this activity. There the sheep bleated in tight confinement, and to each pen was attached the appropriate dog, looking very self-conscious. Dogs who had come from great distances to buy sheep were anxiously sniffing up the smell of their purchases, so that no mistake might be made on the way home. Over the line of pens a two-plank viaduct ran, and it was bent continually by the weight of large shepherds balancing their way along to take a bird's-eye view of possible bargains. A facetious auctioneer with the village policeman's arm round his neck was sitting on the wall at the end of the field, addressing everybody very frequently as "Gentlemen." Sheep arrived and sheep departed constantly.
"Isn't it terribly slavish, somehow?" said Anonyma. "The sheep never being consulted at all. Bought and sold and smelt and spat upon as if they had no heart beating beneath that wool. No 'Me,' as Jay used to say."
Mr. Russell heard and remembered. There were few doubts left in him as to the truth of his too-funny miracle.
He had a little tune, the scaffolding of a poem, in his head, and to the sound of it he lived that day, although I don't expect he ever got the poem into words.
If you start your idea along an uncertain course, you have to stop and start afresh to get it straight. You can never finish it when once it has a crooked swing. I gather that motor cyclists occasionally have much the same experience with their machines.
But Mr. Russell, with a mind steering a tangled course, asked for nothing better. He was very nearly sure of romance for the first time in his life.
I hope that the feeling of making poetry is not confined to the people who write it down. There is no luxury like it, and I hope we all share it. I think perhaps the same thrill that goes through Mr. Russell and me when the ghost of a completed thing begins to be seen, also delights the khaki coster who writes his first--and very likely last--love-letter from France; and the little old country mother who lies awake composing the In Memoriam of her son for a local paper; and the burglar "down 'Oxton" who takes off his cap as a child's funeral goes by. The feeling is: "This is a thing out of my heart that I am showing. This is my best confession, and nobody knew there was this within me." I am sure that that great glory of poetry in one's heart does not wait on achievement. If it did, what centuries would die unglorified. It is just perfection appearing, to your equal pride and shame, a perfection that never taunts you with your limitations.
Mr. Russell and Christina knew well their road through the mist that afternoon. There was no difficulty in the world, and no need to see or to think. The sign-posts all spoke the names of fated places. It was useless for Anonyma to study the map, she found no mention there of the enchanted way on which their course was set.
"We will not go through Launceston," said Anonyma. "There must be a quicker way to the sea than that."
Mr. Russell cared not for her and cared not for Launceston. The spell was cast upon Christina's wheels. There was no escaping the appointed way. Launceston reached out its net and caught them. Almost as far as the post office, Anonyma was protesting: "We will NOT go through Launceston."
"Launceston was determined to get us," laughed Mrs. Russell. "Ha-ha! isn't it humorous the way things happen?"
The sun was setting as they first saw the Cornish sea. The sky was swept suddenly clear of mist. The seagulls against the sky were like little crucified angels.
The road ran to the shore.
The sun had little delicate clouds across its face, like the islands in a Japanese painting. The wet rocks that lay in the sun's path were plated with gold, and the tall waves with shadowed faces made of that path a ladder. The fields of foam on the sea looked very blue in the pale light.
The sun was like an angel with a flaming sword. The angel dipped his feet into the sea.
The sun was like a flaming stage for the comedies of gods. A ship passed dramatically across it. One's dazzled eyes saw great phantom ships all over the sea.
The sun was like a monster with horns of fire that pierced one's two eyes. And gradually it sank.
The sun was like a word written between the sea and the sky, a word that was swallowed up by the sea before any man had time to read it. There was suddenly no sun. The little forsaken clouds were like flames for a moment, and then they were blown out.
Mr. Russell waved his right hand towards great cliffs like the towers of kings behind the village.
"This is the place," he said.
If I have dared to surrender some imitation of splendour, Something I knew that was tender, something I loved that was brave, If in my singing I shewed songs that I heard on my road, Were they not debts that I owed rather than gifts that I gave?
If certain hours on their climb up the long ladder of time Turned my confusion to rhyme, drove me to dare an attempt, If by fair chance I might seem sometimes abreast of my theme, Was I translating a dream? Was it a dream that you dreamt?
High and miraculous skies bless and astonish my eyes; All my dead secrets arise, all my dead stories come true. Here is the Gate to the Sea. Once you unlocked it for me; Now, since you gave me the key, shall I unlock it for you?
Man ought to feel humble when he reflects upon the fact that he can survive, and even thrive on, any distress except distress of the body. God can wither his soul, and still he lives. Grief can swallow his heart, and still he lives. But his stomach can kill him.
"All is apparently over between me and Peace," thought Jay. "But there must be something to take the place of Peace."
There is only one thing that can adequately usurp the place of Peace. But its name did not occur to Jay.
She did not know what had happened to her. She felt constantly a little mad. Irresponsible wants clamoured in her breast from morning till night, and all night the company of her Secret Friend was more glorious than ever. She ran to her world as you perhaps run to church, yet even there she felt expectant.
When a tall tough thundercloud bends across the sky I watch for the first flash, and listen for the first roar, and in my heart stillness seems impossible and at the same time imperative.
So Jay waited, feeling all the time that she could not wait another minute.
You shall not hear whence comes my fear. You shall not know the name of it. But out of strife it came to life, And only striving came of it. Though for its sake my heart may break, Yet worse would I endure for it. This thing shall be a God to me, I will not seek a cure for it.
She thought a good deal about Mr. Russell. I am sure that he would have laughed painfully could he have seen the picture of himself that remained with the 'bus-conductor. The picture made him thinner, and his eyes more intelligent, and the line of his mouth happier, but it did not make him look younger, because Jay liked him to be Older and Wiser. He never came into the Secret World; several times she tried to drag him thither, but always at the critical moment he got left outside. Yet I cannot say that in her Secret World she missed him; the point of the bubble enchantment is that there is nothing lacking in it.
'Bus-conducting is a profession that does not engross the mind unduly. The eye and the ear and the hand work by themselves. Charing Cross whispered in a conductor's ear at the Bank produces a white ticket from her hand without any calculation on her part. She becomes a penny-in-the-slot machine, with her human brain free for other matters. She grows a great hatred for all fares above fourpence, because they need special thought.
Jay filled her day with unsatisfactory thinking. She found to her surprise that one may love life and yet also think lovingly of death. To live is most interesting in an uneasy way, but to die is to forget at once all these trivial turbulences, to forget equally the people you have loved and the people you have hated, to forget everything you ever knew, to be alone, and to be no longer disturbed by unceasing voices.
At this time I think Jay felt more hatred of everybody than love of any one person. But then, of course, she had vowed to Chloris after the affair with young William Morgan that she would never fall in love again. She said, "I have been through love. It is not a sea, as people say. It is only a river, and I have waded through it."
"Yet there is certainly something very remarkable about that man," she thought. "I don't believe I like him much, I don't want to know him better, though I should like him to know me. I believe he is my real next of kin. I believe he has a Secret World too."
She was on her last homeward journey, and it was one of her early days. The hours of a conductor move up and down the day. Sometimes Jay punctured her first ticket at a time when you and I are asleep, and when the coster-barrows, waving with ferns and fuchsias, move up the Strand like Birnam Wood moving to Dunsinane. On those days she was due home at half-past four or so. On other days she was able to have a late breakfast and to darn her stockings after it, but that meant that she did not get home till very late. Some 'buses, I gather, are called "single 'buses," but in this case the word does not imply celibacy alone. The single 'bus is occupied by one conductor all day Jong for a fortnight. The "double 'bus" is shared by two conductors, one presiding in the morning and the other in the afternoon. The double state also lasts a fortnight; it is arranged as an opportunity for lady 'bus-conductors to recuperate after the rigours (the more remunerative rigours) of service on a single 'bus. These statements of mine are open to extensive correction. Jay's hours always struck me as so very confusing that it is unlikely I should be able to retail the information correctly. However, it doesn't matter very much.
This was one of the early days on a double 'bus, and Jay was on her last journey, with several restless waking hours between her and possible sleep. Her 'bus was full, but not pressed down and running over. For the moment everybody in it was provided with a ticket. Jay was laboriously thinking small thoughts because she was tired of thinking of Love and Life and other things with capital letters.
She thought of the various indignities to which the public submits its 'bus-tickets. Some people use the ticket as a toothpick, some put spectacles on and read it without understanding, some decorate outstanding features of the 'bus with it. But I myself tear it gradually into small strips, and grind the strips by means of massage into fine powder. If the inspector comes, I am perfectly willing to pour the powder into his hand, and yet he often seems annoyed.
Jay reviewed the perspective of faces that lined her 'bus. They were all ugly, and not one of them was eager. The British public as a whole considers a deaf, dumb, and blind expression the only decent one to wear in a public conveyance. We roar through a wonderful and exciting world, and all the while we sit with glazed eyes and cotton-wool in our ears, and think about ourselves. They were mostly men in Jay's 'bus at that moment; they were almost all alike, and all insignificant, but not one of them knew it. Such a lot of men could never be loved by women, only found expedient.
But there was a sailor, a simple sub-lieutenant, sitting by the door. Sailors are a race apart. They have twisty faces, their boots and gloves look curiously accidental. In London they are rarely seen without a _London Mail_ or a _London Opinion_ in their grasp. There is something about a sailor that conduces to sentiment in every passer-by, and Jay, who was fleeing from that very feeling, looked hastily at some one else. Her seeking eye lit on a lady who had a complete skunk climbing up the nape of her neck, and a hat of the approximate size of a five-shilling piece worn over her right eyebrow. She looked such a fool that Jay concluded that the look was intentional, and indeed I suppose it must be, for the worst insult you can offer to young ladies of this type is to suggest that they have brains. Jay pondered on this, and then turned elsewhere for inspiration. All roads of thought at that time led to one destination, so she only allowed herself to go a little way along each road.
And presently she reached the end of her journey. She walked home, and Chloris was as usual waiting for her just outside the rocking-horse factory at the corner. Jay, as she passed that factory every day, watched with interest the progress of the grey ghost rocking-horses, eyeless, maneless, and tailless, as they ripened hourly into a form more like that of the friend of youth.
She smelt the little smell that is always astray in Mabel Place, she heard outside in the damp afternoon two rival barrow-men howling a cry that sounded like "One pound hoo-ray!" A neighbour in the garden was exchanging repartee with a gentleman caller. "Biby, siy Naughty Man, Biby, tell 'im what a caution 'e is." But there seemed little hope that the baby would. These sounds were provided with the constant Brown Borough background of shouts and quarrels and laughter and children crying and innumerable noises of work.
"Something has happened," said Jay to Chloris, as they went in. "I feel as if I had no friends to-night. Not even a Secret Friend."
Chloris lay on her lap in her usual attitude, bent into a circle like a tinned tongue. Chloris knew it was no use worrying about these things.
"Funny," thought Jay. "King David was a healthy man of ruddy countenance, and presumably he never lived in the Brown Borough, yet he knew very well what it feels like to have a temperature, and a sore heart, and to be alone in lodgings. Whenever I am very tired, it is funny how my heart quotes those tired Psalms of his, without my brain remembering the words. I wonder how David knew."
The little house was empty but for her. I ought perhaps to have told you before that Nana had been taken ill a month or so ago, and had gone away at Jay's expense to a South Coast Home.
"I'll go round and see Mrs. 'Ero Edwards," said Jay, when she had changed into mufti. "Neither Chloris nor David is adequate to the moment."
The ground-floor back room of Mrs. 'Ero Edwards was crowded. The Chap from the Top Floor was there, and Mrs. Dusty Morgan, and little Mrs. Love from Tann Street, and Mrs. 'Ero Edwards's daughter, Queenie, and several people's children. Conversation never wavered as Jay knocked and came in. When you find that your entrance no longer fills a Brown Borough room with sudden silence, you may be glad and know that you have ceased to be a lidy or a toff.
The Chap from the Top Floor was talking, and everybody else was there to hear him do it, except Mrs. 'Ero Edwards who could hardly bear it, because she only liked listening to herself. Jay sat modestly in a corner and listened, like the other representatives of her generation.
The Chap from the Top Floor was an Older and Wiser Man. His wife could not live with him, but he was very kind and fatherly to every one else, and Jay was rather fond of him. He was about fifty, and anything but beautiful. Also the C.O.S. would not have admired him. But I believe he did a good deal of thinking inside that bristly head of his.
"Ow my dear," said Mrs. 'Ero Edwards, laying a fat hand on Jay's knee. "We're all so 'appy. Dusty's wrote to siy 'e's got the sack from the Army becos of 'is rheumatics. We're 'avin' a bit of a beano becos of it."
Everybody smiled at Jay, and her heart grew warmer. Some one handed her a cup of tea sweetened with half an inch of sugar at the bottom of the cup. The spoon had been plunged to its hilt in condensed milk. What vulgar tastes she had!
"You can never mike a pal of a woman," said the Chap from the Top Floor, continuing an argument for the benefit of an audience of women. "One feller an' another--well--a pal's a pal. But women are all either wives or--, there ain't no manner of palliness in them."
"'Tain't gentlemanly to talk so, Elbert," said Mrs. 'Ero Edwards. "Yore mother was a woman, an' from 'er comes all you know, I'm thinkin', an' all you are. Women is pals with women, an' men is pals with men. It's only when men an' women gets assorted-like that palliness drops out."
"'Usbinds an' wives can be pals," said Mrs. Dusty. "Me an' Dusty useter 'ave a drop an' a jaw together every night for three months after we married. Never 'ad a thought apart, we didn't."
"If I ars't Dusty," said the Top Floor Chap, "I don't know but what 'e wouldn't tell a different tile."
"'Ere, 'bus-conductor, you can talk, an' you're a suffragette," said Mrs. Dusty. "Ain't bein' a pal just as much a woman's job as a man's?"
"What is bein' a pal?" asked Mrs. Love bitterly. "'Avin' some one 'oo drinks wiv you until she's sick, and then blacks your eye for you. There ain't no pals, men or women."
"I think they're rare," said Jay. "Isn't being a pal just refusing to admit a limit? Some people draw the line at a murderer, and some at a suffragette, and some at a vegetarian, and some at a lady who wears the same dress Sundays and week-days, but a real pal draws no line. Women and dogs as well as men can be faithful beyond limit, I think, but it's very rare in anybody."
"'Bus-conductors don't know nothink," said the Chap from the Top Floor in a loud belligerent voice, illuminated by an amiable smile. "I orfen look at 'bus-conductors, an' think, 'Pore devils, they don't know 'arf of life, not even a quarter. They only meets the harisocracy wot 'as pennies to frow about, they never passes the time of day with a plain walkin' feller like me wot ses 'is mind an' never puts on no frills. 'Bus-conducting oughter be done by belted earls an' suchlike, it ain't a real man's job. Pore devils,' I ses, lookin' at 'em bouncin' along, doin' the pretty to all the nobs, wivout so much as puttin' their toe in the mud. 'Pore devils.'"
"'Ere Elbert, 'old your jaw," said the tactful Mrs. 'Ero Edwards, nervous lest Jay should resent this insult to her calling. "Let's all go roun' to the Cross'n Beetle, an' see whether that won't stop 'is noise."
"After all, it's Dusty's birfdiy," said Mrs. Dusty with alacrity.
The day was evidently growing in importance every minute.
"You come along too," said little Mrs. Love, suddenly putting her hand in Jay's.
"No treatin' nowadiys," said the Top Floor Chap amiably. "But I don't mind 'andin' around the price of a drink before we start."
He only extended half-hearted generosity to Jay, because she was, after all, a 'bus-conductor, and to that extent a nob. She shook her head and laughed, when he held out to her the Law-circumventing coin.
Mrs. 'Ero Edwards only really found scope for her voice out of doors. No sooner was she in the street than she seized the arm of the Chap from the Top Floor and shouted him down, as she led him towards the Cross'n Beetle.
Mrs. Dusty and young Queenie walked arm in arm behind them, and whenever they saw a soldier they squeaked loudly, and addressed him invariably as "Colonel Mawmajuke."
Jay and little Mrs. Love, both rather confused and unhappy people, walked hand in hand a little way behind.
"We needn't go as fur as the Cross'n Beetle, if we don't like," said Mrs. Love. "They'll never notice if we 'ook it."
"I don't want to 'ook it," said Jay. "I want to keep very busy listening to noisy people. I don't want to hear myself think."
"You're mopey, eh?" asked Mrs. Love gently.
"I'm cold," said Jay. "I believe I've lost something. I believe I've lost a friend of mine."
"Friends is always gettin' lost," said Mrs. Love. "I told you so. Let's go an' 'ave a look at the pictures. They've got the 'Curse of a Crook' on up the street. Fairly mike yer 'air curl."
"I want noise," said Jay, "a much louder noise than that old piano. The pictures are so horribly quiet. Just an underfed man turning a handle, and an underfed woman hitting an underfed piano. At a play you can at least pretend that the actors are having a little fun too, but the pictures--there's only two sad people without smiles at the bottom of it all. I won't go to the pictures, I'll go and get drunk."
"Come on then," said Mrs. Love. "You won't find no lost friends there, but come on. I'll be yer pal for to-night. You've been a pal to me before now. We're temp'ary pals right enough, there' ain't no permanent kind. You won't find no shivers straying around in the ole Cross'n Beetle. Let's 'urry, an' get drunk, and keep 'and in 'and all the time. That's wot pals oughter do."
Jay suddenly saw the whole world as a thing running away from its thoughts. The crowd that filled the pavement was fugitive, and every man felt the hot breath of fear on the back of his neck. One only used one's voice for the drowning of one's thoughts; one only used one's feet for running away. The whole world was in flight along the endless streets, and the lucky ones were in trams and donkey carts that they might flee the faster.
"Hurry, hurry," said Jay. And she and little Mrs. Love ran hand in hand.
The Chap from the Top Floor and Mrs. 'Ero Edwards were already leading society in the Cross'n Beetle when Jay and Mrs. Love reached it. The barman knew Mrs. Edwards too well to think that she was drunk already, but you or I, transported suddenly thither, would have supposed that her beano was over instead of yet to come.
"'Elbert," said Mrs. 'Ero Edwards, "yo're an 'Un, yo're an internal alien, thet's what's the metter with you. I wonder I 'aven't blacked yer eye for you many a time and oft."
There was almost enough noise even for Jay, and she and Mrs. Love, each armed with a generously topped glass, sat in the background, on the shiny seat that lined the wall.
To Jay this evening was an experiment, an experiment born of weariness of a well-worn road. She watched Mrs. Love blow some of the superfluous froth on to the floor, and did likewise. Directly she had put her lips to the thick brim of her glass she knew that here was the stuff of which certain dreams are made.
She had, I suppose, the weakest head in the world, and in three minutes she was giddy and much comforted. The noise seemed to clothe itself in a veil of music, there was hope in the shining brightness that shone from the bar. The placards that looked like texts and were advertisements of various drinks, seemed like jokes to Jay.
"There are only dreams," she thought very lucidly, "to keep our souls alive. We are lucky if we get good dreams. We'll never get anything better."
Through the glass between the patriotic posters that darkened the windows she could see the morbid colour of London air.
"Apart from dreams," thought this busconducting Omar Khayyám, "there is nothing but disappointment. We expected too much. We expected satisfaction. There is nothing in the world but second bests, but dreams are an excellent second best. Our last attitude must be 'How interesting, but how very far from what I wanted....'"
The speed of time, and the hurry of life suddenly rushed upon her again.
"I must hurry," she said. "Or I shan't have lived before I die. I must hurry."
"No 'urry, Jine," said Mrs. Love. "Let's keep in the light for a bit."
"Is this the only light left us, after a deluge of War?" thought Jay. "It doesn't matter, because of course War is hurrying too. Rushing over our heads like the sea over drowned sailors. But it will be over in a minute; this new kind of death must be a temporary death for temporary soldiers. What do fifty years without friends matter? You can hardly breathe before they're done."
She was dazzled and deafened. She had emptied her glass, and she did not know what steps she took to fill it again. Only she found it was suddenly full.
And in a minute she was on the path to the House by the Sea. She had come by a new way.
There was less colour than usual about the sea, a certain air of guilt seemed to haunt the path. And it was extraordinarily lonely, there seemed to be no promise of a Friend waiting at the other end of the path.
She sang the Loud Song to encourage herself, but she did not sing it very loudly.
There is no dream like my dream, Even in Heaven. There is no Friend like my Friend, Even in Heaven. There is no life like my life, Even in Heaven.
A voice said, "For 'eaven's sike, Jine, don't begin to sing."
Jay laughed. "Treating me as if I were drunk ..." she thought. She did not feel giddy any more. She could see the familiar outline of the House against an unpretentious sky, and that calm shape steadied her.
No breath of sound came from the House. The sky was grey, the sea was grey, there was no hint of sunlight. As Jay came to the door she noticed that the honeysuckle in the bowl at the hall window was still there, but dead. The wind had strewn the doorstep with leaves and straws and twigs, little refugees of the air.
In the hall there was an old woman, dressed in a black dress patterned with big red flowers. She was knitting. Her stiff skirts spread out in angular folds round her. Jay knew she was a fellow-ghost, because their eyes met.
Jay felt swallowed up by the silence. She could not speak, even to think, she felt, would be too noisy. The stiff skirt of the old lady made no rustle, the knitting needles made no click. But Jay could see that she was counting. The House seemed to be full of unmoving time. Outside the rain began to fall, and that grey sound enclosed the silence of the House.
After a very long time Jay spoke. "Where is my Friend?" she asked.
"Gone to the War," answered the old woman.
"There is no War in this world," said Jay.
"On the contrary," the fellow-ghost replied, "war is, even here, where Time is not. War is like air, in every house, in every land, on every sea. For ever."
Between her sentences she counted. Unpausing numbers moved her lips.
"On these shores," she said, "time and Life and the sea go up and down. Eternity has no logic. There are no reasons, there is no explanation. But there is always War. There are fighting sea men in the caves on the beach. Haven't you seen them, the dark sea people? Haven't you heard their high voices that were tuned to cut through the voice of the sea? Haven't you found their very wide, long-toed footprints in the sand? Have you walked blind through this world?"
"No," said Jay, "I remember. The women decorate their hair with seaweed, pink and green. I have watched them catch fish with their hands. I have watched them put their babies to play in the pools among the rocks...."
"On the cliffs," said the fellow-ghost, "men clad in armour share the camps of the Englishmen who fought at Cressy, and at Waterloo, and at the Marne. On these seas the most ancient pirates sing and laugh in chorus with Nelson's drowned sailors, and with men from the North Sea, men whose mothers still cry in the night for them. Did you think there was any seniority in Eternity?"
"But I don't understand," said Jay. "Time seems to leave itself behind so quickly...."
"There is nothing to understand," said the old woman. "There is no explanation. Time does not move. Men move." The noise of the rain seemed to wash out everything but remembrance, and there was no feeling in Jay but a terrible longing to have her Secret Friend with her again, and that long secret childhood of theirs, and to wipe out half her days and all her knowledge, and to hear once more those songs upon the sands of the cove, and to feel the tingling ground of the sunny hills.
"My Friend has never forsaken me before," she said.
She felt a hand press her hand, and she met the eyes of little Mrs. Love.
"Yo're a mousey sort of kid," said Mrs. Love, "sittin' there as if you was in church. Shall we go 'ome? The rine's gettin' worse an' worse, an' it's no good wytin'. I'll see you 'ome."
When Jay, very wet and dazed, reached Eighteen Mabel Place, she found a card pushed under the door. The name on it was Mr. Herbert Russell's, and there was a suggestion in a beautiful little handwriting on the back of it that she should ring him up next morning and tell him when to come and see her, as he had a message from her brother.
"This is the sort of thing that couldn't possibly happen in real life," said Jay. "I must be drunk after all. On no doorstep except Heaven's could one find a message so romantic."
She was instinctively disobedient to Older and Wiser people. She never entertained the idea of telephoning. She could imagine Mr. Russell answering the telephone in a prosaic voice like a double bass. She wrote the following letter:
DEAR SIR--Don't you remember, I was to meet you anyway on the steps of St. Paul's at ten o'clock next Sunday? I will wait till then for the message.--Yours faithfully,
JANE ELIZABETH MARTIN, 'Bus-conductor.
"That letter ought to put two and two together for him," she thought, "if he hasn't done it already. It's a complicated little sum, and the result is--what?"
She felt hot and feverish when she wrote the letter. And directly she had posted it she regretted having done so.
"I forget what I wrote," she said. "It is dangerous to post letters to Older and Wiser Men when drunk."
All that night she lay awake and mourned the desertion of her Secret Friend.
You promised War and Thunder and Romance. You promised true, but we were very blind, And very young, and in our ignorance We never called to mind That truth is seldom kind.
You promised love, immortal as a star. You promised true, yet how the truth can lie! For now we grope for hands where no hands are, And, deathless, still we cry, Nor hope for a reply.
You promised harvest and a perfect yield. You promised true, for on the harvest morn, Behold a reaper strode across the field, And man of woman born Was gathered in as corn.
You promised honour and ordeal by flame. You promised true. In joy we trembled lest We should be found unworthy when it came; But--oh--we never guessed The fury of the test.
You promised friends and songs and festivals. You promised true. Our friends, who still are young, Assemble for their feasting in those halls Where speaks no human tongue. And thus our songs are sung.
I have very rarely found Sunday in London a successful day. I hate idleness without peace, and festivity without beauty, and noise without music. I hate to see London people in unnatural clothes. I hate to see a city holding its breath.
Jay waited ten minutes on the steps of St. Paul's for Mr. Russell. This was not because he was late, but because she was early; and this again was not because she was indecently eager, but because she had hit on an unexpectedly non-stop 'bus. She felt a fool for ten minutes. And when you have waited ten minutes on those enormous steps under the eye of the pigeons, you will know why she felt a fool.
Mr. Russell arrived in Christina the motor car, and simultaneously a shower fell. From the first moment Jay felt unsuccess in the air of that much-anticipated day. She was introduced to Christina, and said, "But we can't take that thing into the Cathedral."
"We don't want to," said Mr. Russell, although, as he was a born driver, the challenge made him instinctively measure with his eye the depth of the steps, and the width of the doorway, from Christina's point of view. "We don't want to pray. We want to talk."
Anonyma would have been astonished to hear him say this.
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This Is the EndChapter IV: Part 4
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