Chapter V: Part 5

Crescent-shaped Boeroe, where difficulties in landing involve launch, _bloto_, and paddling through a long reach of shallow water to a black swamp, possesses a commercial rather than an artistic value, being the only place in the Archipelago which exports eucalyptus oil, locally known as _kajopoetah_. A fleet of _praus_, with graceful masts of bending bamboo, surrounds the steamer, the aromatic cargo packed in long bamboo cases. The head-man of the _campong_, lightly attired in his native brown, with a few touches of contrasting colour in scarf and turban, acts as escort through a maze of weedy paths, and across bamboo bridges in various stages of dilapidation to a couple of dreary villages. The religious interests of Boeroe are represented by two ruinous _Messighits_, and a deplorable Dutch conventicle. Some Hindu element underlies native idiosyncracy, for nearly every forehead bears a white prayer-mark, but the unchanging conservatism of localities almost untouched by the lapse of Time, often retains symbolic forms when their original meaning is entirely forgotten, and the lack of missionary or educational enterprise among the Dutch exercises a paralysing effect on the small communities of distant islands. Only a relative poverty belongs to a clime where the shaking of a sago-palm provides a large family with rations for three months, but the physical energies of Boeroe have ebbed to a point where "desire fails," and the unsatisfactory conditions of life meet for the most part with apathetic acceptance. The marshy coast abounds with harmless snakes, but these gruesome inmates of the tropical morass seldom leave their hiding-places before sunset. The presence of the steamer awakens a faint simulacrum of life and interest in sleepy Boeroe, and a native woman, in the rusty black calico wherewith Dutch Calvinism counteracts the Eastern love of glowing colours, brings a rickety chair from her dingy hut, and sets the precious possession under a shadowy nutmeg-tree in the village street. A little crowd assembles, for local excitements are few, and the Malay phrase-book, an inseparable companion, aids in carrying on a halting conversation, eked out with signs and facial contortions. No school is found on Boeroe, and the simple people assert with submissive sadness that nothing is done for them. The tone of regret suggests an underlying consciousness of the hopeless ignorance inevitable under the conditions of their narrow lot. The watery plain, covered with tangled verdure, extends to the foot of the twin peaks which merge into a low range of wooded hills, their lower slopes glistening with the grey-green foliage of the great _kajopoetah_ trees. The writhing roots of screw-palms rise above the green marshes, and patches of tobacco alternate with ripening millet, but every crop seems allowed to degenerate into unpruned disorder, and the feeble attempts at cultivation soon lapse into the surrounding wilderness. The ruddy trunk of the candelabra-tree towers above the ferns and oil-palms of the tall undergrowth, the glossy sword-like leaves, often ten feet long, being woven into the _cocoyas_, or sleeping mats, peculiar to Boeroe. The whistle of the steamer proves a welcome summons from this melancholy island, a solitary exception to the divine beauty and irresistible witchery of the Molucca group.

AMBON.

The fiord-like Bay of Ambon flows into the heart of the fragrant Clove Island, between the peninsulas of Heitor and Léitemor, which gradually ascend from the harbour's mouth until their heights of glowing green merge into wooded mountains, behind the white town of Amboyna. This old European settlement ranks as the tiny capital of the Molucca group. _Praus_ and fishing smacks dot the blue inlet with tawny sails and curving masts, the local craft varied by a fantastic barque from the barbarous Ké isles, with pointed yellow beak and plume of crimson feathers at the prow, suggesting some tropical bird afloat upon the tide. The glossy darkness of the clove plantations enhances the paler tints of the prevailing foliage, and the virginal tints of the sylvan scenery indicate a climate of perpetual spring. Thatched roofs, and walls of plaited palm-leaf, stand among white-washed cottages of coral concrete, for low houses, or slight material, afford comparative security against collapse by earthquake. The brown population throngs the pier, and a little fleet of _dug-outs_ escorts the steamer through the bay with gay songs and merry laughter, for the lively Ambonese value every link that binds them to the outside world, and this is their gala day. Bold, eager, craving for foreign intercourse, and possessing the quickened intelligence due to the mixture of Dutch and Portuguese blood with the native strain, a roving spirit of adventure counteracts the lazy independence of a life where daily needs are supplied without exertion. The sea swarms with fish, the woods teem with sago, and cultivation of the clove procures extra wages when any special purpose requires them. The Portuguese who colonised Ambon, in the zenith of their maritime power, were of vigorous stock, and the mental heritage of the island was permanently enriched by elements derived from a foreign source.

The Ambonese soldiers of the Netherlands India manifest a courageous and warlike character; their rate of payment equals that of their European brothers-in-arms, and in the raids or skirmishes frequent throughout the wild districts of Celebes and Sumatra they play a spirited part. The burghers of Ambon show more of the Dutch element in their composition. The island, Christianised in the dreary mode of Calvinistic Holland, accepts in half-hearted fashion the creed so incongruous with tropical Nature. Dutch missionaries, waging aimless war against brightness and colour, arrayed their brown converts in funereal gloom. The Sunday attire of the men consists of black calico coats down to the heels, and flopping black trousers. The women wear a shapeless gown of the same shabby and shiny material, with a white scarf dangling from the left arm. These blots on the brilliancy of the scene produce a curious impression when approaching the wharf, where the native bronze of children and coolies, the blue robes of Chinamen, and the gay turbans of Mohammedans, blend harmoniously with the scheme of colour in flower and foliage. The _praus_ which follow in our wake make ready the rustic Malay anchor, a forked branch of stout timber, strengthened by twisted rattan, which also secures the stone cross-piece. This relic of a distant past can scarcely have changed since the days when the wandering tribe first launched upon the blue waters of the Pacific, in that mysterious voyage which moulded the destinies of the Malay race. A rudimental feeling for art co-exists with imperfect civilisation, and elaborate carving adorns rude skiffs, floats of fishing lines, and even wooden beaters of the clay used in native pottery. A dervish, in turban of flaming orange and garb of green and white, beats a huge drum in the pillared court of a large mosque, for the followers of the Prophet are numerous, and though the usual deadly conventicle occupies a conspicuous place, it produces no effect on the Arab element. The son of the Dutch pastor who, after his grim fashion, Christianised the former generation, proves better than his condemnatory creed, and acts as personal conductor to the sights of Amboyna. After a rest in the flower-wreathed verandah of his home, and a chat with his kindly half-caste wife, we visit the gilded and dragon-carved mansion of a leading Chinese merchant, friendly, hospitable, and delighted to exhibit his household gods, both in literal and figurative form. A visit to the Joss Temple follows, liberally supported by this smiling Celestial, whose zeal and charity may perchance plead for him in that purer sanctuary not made with hands, and as yet unrevealed to his spiritual sight. The appalling green and vermilion deities who guard the temple courts, indicate fear as the chosen handmaid of faith in this grotesque travesty of religion, but the costly tiling of violet and azure, the rich gilding of the curling eaves terminating in scarlet dragons, and the deeply-chiselled ebony, falling like a veil of thick black lace before the jade and porphyry shrines, prove that even the despised Chinaman offers of his best to the Divinity dimly apprehended by his darkened soul.

The large Malay School of Amboyna manifests an educational position in advance of the smaller islands, and knowledge of the wider world beyond the Archipelago stimulates the spirit of enterprise inherited in different degrees and varying conditions, both from Malay and Portuguese ancestry.

A dilapidated carriage is chartered with difficulty, as only three vehicles belong to the island, and the driver evidently expects his skeleton steed to collapse at any pace quicker than a walk. The green lanes, with their hedges of scarlet hybiscus overhung by the feathery foliage of tamarind and bamboo, wind along the shore, and penetrate into the depths of the hills. Rustling sago-palms sway their tall plumes on the mountain side, and shadow luxuriant clove gardens, their pungent aroma mingling with nutmeg and cinnamon to steep the soft sea-wind in a wealth of perfume. European houses of white stone nestle among palm and tamarind, the broad seats flanking the central door, and the bulging balconies of old Dutch style recalling the 16th century dwellings on the canal banks of distant Holland, but the crow-stepped gable here gives place to the flat roof. Every green garden contains a refuge of interwoven _gaba-gaba_ stalks, as a retreat during earthquakes, when the overthrow of the flimsy arbour would entail no injury, though it serves as a shelter from the torrential rains which often accompany volcanic disturbances. A wayside stall of palm-thatched bamboo provides _sageroe_ for thirsty pilgrims. This fermented beverage often excites the Ambonese nature to frenzy, though only made from the juice of the _arên_ or sugar palm. The brown dame who presides over the bamboo buckets, in her eagerness to honour a white customer, wipes an incredibly dirty tumbler on her gruesome calico skirt before dipping the precious glass into the foaming pail, and tastes the draught by way of encouragement. With some difficulty she is induced to wash the tumbler, and to omit the last reassuring ceremony. The _sageroe_, sweet and refreshing, gains tonic properties from an infusion of quassia, which sharpens the flavour and strengthens the compound, packed in bamboo cases or plaited palm-leaf bags for transport to the neighbouring islands. A grey fort, and weather-worn Government offices, flank the green _aloon-aloon_ of Amboyna, surrounded by tamarind avenues. The Dutch Resident finds ample employment, owing to the mania for litigation among the Ambonese. The honour of appearing before a Court of Justice is eagerly sought, and imaginary claims or grievances are constantly invented in order to satisfy the ambition for publicity. A modest and retiring temperament forms no part of native equipment, and the slight veneer of Christianity, in the crudest phase of Dutch Protestantism, increases the aggressive tendency. The missionary agencies of Calvinistic Holland seem incapable of practical sympathy with the island people; but half a loaf is better than no bread, and in any form of Christian faith the Heavenly Husbandman scatters grains of wheat among the tares, that all His wandering children may reap a share of harvest gold even from a stubborn and sterile soil.

Amboyna shows signs of commercial prosperity in the crowded _passer_ and the busy Chinese _campong_, for the enterprising Celestial forms an important element of the mercantile community in the Clove Island. Three memorial tablets erected in front of the hoary fort, the bare Dutch church, and the crumbling guard-house, record the worthy name of Padrugge, a Dutch Governor who restored Amboyna after complete destruction by a violent earthquake, that ever-haunting terror within the great volcanic chain of the Malay Archipelago. The steep acclivity behind the palm-shaded park of the Residency contains a stalactite grotto, infested by a multitude of bats, which cling to the sparkling pendants of the fretted roof, unless disturbed by the Ambonese coolies, who regard them as culinary delicacies, and catch them in this ancient breeding-place, with a noise which brings down the terrified creatures into unwelcome proximity, cutting short any attempts at exploration, and causing rash intruders to beat a hasty retreat.

In the hush of dawn, when the intensity of calm steals colour as well as sound from the motionless waters, we embark on an expedition to the _Zeetuinen_, or Sea Gardens, the fairy world of the coral reefs, revealed through the magic mirror of the watery depths. As we gaze steadily through the silvery blue of the glassy sea, a misty vision of vague outline and shifting colour materialises into an enchanted forest, and appears rising towards the surface. Coral trees, pink and white, gold and green, orange and red, wave interlacing branches of lace-like texture and varying form, above the blue water-ways which divide the tremulous masses of rainbow-tinted foliage. The sinuous channels expand at intervals into quiet pools, bordered with azure and purple sea-stars, or studded with clumps of yellow lilies, spotted and striped with carmine. A circle of rock, enclosing a miniature lake, blazes with rose and scarlet anemones, and the boat, floating over the wilderness of marine vegetation, pauses above a coral growth, varied in form as any tropical woodland. Majestic trees, of amber and emerald hue, stand with roots muffled in fading fern, or sunk in perforated carpets of white sponge, and huge vegetable growths or giant weeds, lustrous with metallic tints of green and violet, fill clefts and ravines of coral rock. A grove of sea-palms mimics the features of the upper world, as though Nature obeyed some mysterious law of form, lying behind her operations, to regulate expression and bring order out of chaos. Giant bunches of black and mauve grapes, like the pictured spoils of the Promised Land, lie on soft beds of feathery moss, but the familiar greens of the velvety carpet shade into orange and pink. A weird marine plant shoves long black stems, crowned with a circle of azure blue eyes, which convey an uncanny sensation of being regarded with sleepless vigilance by mysterious sentinels, transformed and spellbound in ocean depths. Tree-fern and hart's-tongue show verdant fronds, flushed with autumnal red or gold, and a dense growth of starry flowers suggests a bed of many-coloured tulips. Dazzling fish dart through the crystal depths. A shoal of scarlet and green parrot-fish pursue a tribe striped with blue and orange. Gold-fish flash like meteors between uplifted spears of blood-red coral, and the glittering scales of myriads, splashed with ruby, or flecked with amethyst, reflect the colours of the gorgeously-frilled and rosetted anemones in parterres between red coral crags. Tresses of filmy green floating from the mouth of a cavern, suggest a mermaid's hair, and her visible presence would scarcely add to the wonders in this under-world of glamour and mystery. Shells, pink and pearly, brown and lilac, scarlet and cobalt, strew the flower-decked floor with infinite variety, concave and spiral, ribbed and fluted, fretted and jagged--the satin smoothness of convoluted forms lying amid rugged shapes bristling with spines and needles. We gaze almost with awe at the lovely vision of a dainty Nautilus, sailing his fairy boat down a blue channel fringed with purple and salmon-coloured anemones, beneath a hedge of rosy coral. The shimmering sail and carven hull of iridescent pearl skim the water with incredible swiftness, and tack skilfully at every bend of the devious course, not even slackening speed to avoid collision with a lumbering star-fish encountered on the way. These submarine Gardens contain the greatest natural collection of anemones, coral beds, shells, and fish, discovered in the ocean world. The richest treasures of Davy Jones's Locker lie open to view, as the boat glides through the ever-changing scenery mirrored in the transparent sea. Opalescent berries resemble heaps of pearls, and the lemon stalks of marine sedge gleam like wedges of gold in the crystalline depths. The long oars detach pinnacles of coral like tongues of flame, and a cargo of seaweed, shells, and anemones, fills the boat as each enchanted grotto contributes a quota of treasure trove, but the vivid colouring fades apace when the sea-born flora leaves the native element, and the deep blue eyes, gazing from their dark stems with weird human effect, lose their radiance in the upper world.

We land at the pretty valley of Halong, where a rippling brook traverses a wood of sago-palms, and falls in a white cascade over the rocks of a sheltered bathing-pool, screened by green curtains of banana and tall mangosteens, laden with purple fruit. Makassar-trees rain their yellow blossoms into the water, cloves fill the air with pungent fragrance, and lychees droop over the clear current. A melancholy Malay song floats up from the sea, but the sad sweet notes only accentuate the haunted silence of the fairy glen, with an echo from that distant past which breathes undying music round these enchanted isles. Woodland shadows and wayside palms disclose the sweeping horse-shoe curves of numerous Chinese tombs, the white stone elaborately carved and covered with hieroglyphics. Plumy cocoanut and tremulous tamarind wave over the last resting-places of these exiles from the Holy Land of the Celestial Empire, for the second generation established on an alien soil is forbidden to seek burial in China. The so-called _Paranak_ of the Malay Archipelago frequently marries a native wife, and, as purity of race becomes destroyed, ancestral obligations lose their power even over the mind of the most conservative people in the world.

The woods of Ambon teem with the abundant bird-life peculiar to the Moluccas. An exquisite kingfisher, with golden plumage and emerald throat, darts across the stream, and the scarlet crests of green parrots resemble tropical flowers, glowing amidst the verdant foliage hardly distinguishable from the fluttering wings of the feathered tribe, which includes twenty-two species indigenous to the islands. The megapodius or mound-maker, an ash-coloured bird about the size of a small fowl, grasps sand or soil in the hollow of a powerful claw, and throws it backwards into mounds six feet high, wherein the eggs are deposited, to be hatched by this natural incubator, through the heat of the vegetable matter contained in the rubbish heap. The young birds work their way through the mound, and run off at once into the forest, where they start on an independent career. They emerge from their birthplace covered with thick down and provided with fully-developed wings. The maternal instinct of the megapodius ceases with the laying of eggs, and, having supplied a safe cradle for the rising generation, she takes no further thought for her precocious progeny, capable of securing a livelihood in the unknown world from the moment of their first appearance in public.

A merry group, half-hidden in the shadows of clustering sago-palms, gathers the harvest of precious grain, the pith of a large tree producing thirty bundles, each of thirty pounds weight. The baking of the sago-cakes made from this lavish store occupies two women for five days, and the housekeeping cares of the largest family only need quarterly consideration in this island of plenty, where the struggle for the necessaries of existence is unknown and unimaginable. Leisure and liberty, those priceless gifts which can only be attained where the pressure of poverty is unfelt, serve valuable purposes in Ambonese hands, for the European energies fused into the native race prevent mental stagnation, and spur tropical indolence to manifold activities. A variety of thriving industries belong to this far-off colony. Mother-of-pearl shells, and _bêche-de-mer_ (the sea-slug of Chinese cuisine) supplement the important export of the cloves, the speciality of Ambon, chosen by the East India Company as the sole place of cultivation for this spice-bearing tree, when the system of monopoly extirpated the clove gardens of the other islands. Vases, mats, and miniature boats, of fringed and threaded cloves, are offered as fantastic souvenirs of Amboyna, and the spirit of the place seems imprisoned in these tiny curios which revive so many haunting memories of the romantic island.

Nominal adherence to Dutch Calvinism fails to repress the natural instincts of a gay and pleasure-loving race. The national dance known as _Menari_, and often performed on the shore in honour of the outgoing steamer, no longer satisfies Ambonese requirements, with the slow gyrations and studied postures of Oriental tradition. The eager and passionate temperament finds truer expression in the walzes and galops of European origin, known as _dansi-dansi_, enthusiastically practised on those festive occasions, when the full dress of funereal black and white seems specially inappropriate to the wild abandon of the merry-making populace. In sunny Amboyna the cowl does not make the friar, and the last recollection of the little Moluccan capital is a vision of whirling figures and twanging lutes at the water's edge, while the receding steamer furrows the milky azure of the land-locked bay. The vivid green of one palm-clad shore burns in the gold of sunset, but the eastern side lies veiled in shadow, and as the sheltered inlet gives place to the open sea, the luminous phosphorescence of the Southern ocean bathes the rocky bastions of enchanted Ambon in waves of liquid fire. A strange history belongs to the physical conformation of volcanic shores, alternately raised and depressed by the agitation of earth and sea. The coast-line has varied from time to time; straits have become lakes, islands have severed or united, occasionally rising suddenly from the waves, or vanishing in the bosom of the deep. Geologists assert that the Malay Archipelago was originally thrown off by volcanic action from Asia and Australia, and that an interchange of animal and vegetable life has frequently taken place. Hurricanes have uprooted forest trees, and floods have borne them out to sea, the tide eventually washing them up on the shores of distant islands. A fresh growth of foreign vegetation was thus inaugurated, as these sylvan colonists struck their saplings into an alien soil. Insects, preserved by the bark, propagated themselves in new surroundings, and seeds drifting on the waves, or clinging to roots and fibres, wreathed unfamiliar shores with exotic flowers. Animal migration has frequently been caused by natural catastrophes, and to birds directing their swift flight by faculties now attributed to keen observation rather than to unreasoning instinct, the change of locality was infinitely simplified. In the Moluccas we may read a compendium of the wide-spread history which applies to the vast regions comprised in the mighty Archipelago. The doctrine of earthly changes and chances, too often accepted as a mere figure of speech, is here recognised as a stern reality; the tragedies of destruction repeat themselves through the ages, the laboratories of Nature eternally forge fresh thunderbolts, and the fate of humanity trembles in the balance. Meanwhile a profusion of flowers wreathes the sacrificial altars, the fairest fruits ripen above the thin veil which hides the fountains of volcanic fire, and the sweetest spices of the world breathe incense on the air. The uncertain tenure of earthly joys gives them redoubled zest and poignancy, the passionate love of life becomes intensified by the looming shadows of Death, and the light glows with clearer radiance against the blackness of the menacing thunder-cloud.

BANDA.

The exquisite islands of Banda, dominated by the stately volcano of Goenoeng Api (the mountain of fire), form the climax of the enchanting Moluccas. Contour and colour reach their utmost grace and softest refinement in this ideal spot, a priceless jewel resting on the heart of the Malay Archipelago.

The mists of dawn have scarcely lifted their gossamer veils from the dreaming sea, when the pinnacled rocks of Rum and Aye, the outposts of the Banda group, pierce the swathing vapours. The creamy cliffs of Swangi (the Ghost Island), traditionally haunted by the spirits of the departed, show their spectral outlines on the northern horizon, and the sun-flushed "wings of the morning" span the sapphire arch of heaven as we enter the sheltered gulf of the Zonnegat, fringed by luxuriant woods clothing a mountain side, and brushing the water with a green fringe of trailing branches. Gliding between Cape Lantaka and two isolated crags, the steamer enters a glassy lake, encircled by sylvan heights, with the menacing cone of the Goenoeng Api rising sheer from the water's edge. A white town climbs in irregular tiers up the shelving terraces of a fairy island, the central hill crowned by the crenellated battlements of a grey citadel. The largest ship can anchor close to shore, for the rugged boundaries of Banda descend by steep gradients into the crystalline depths. Chinese and Arab _campongs_ border European streets of concrete houses, long and low, with flat roofs and external galleries.

The southern shore of Banda Neira faces the forest-clad heights of Great Banda, clothed from base to summit with nutmeg trees, shadowed by huge kanaris, their interlacing canopies protecting the precious spice plantations from the sun. A slender rowing boat, known as a _belang_, makes a brilliant point of colour on the blue strait between the sister islands. Red and yellow flags and pennants flutter above the green deck; the clash of gongs and cymbals echoes across the water, and a weird chant accompanies the rhythmic plash of the short oars, as the brown rowers toss them high in air, and bring them down with a sharp splash. A splendid avenue of kanari-trees extends along the shore, the usual Dutch church symbolises the uncompromising grimness of Calvinistic creed, and the crumbling fort of Orange-Nassau, the scene of many stirring incidents in the island past, adjoins the beautiful thatched bungalow of the Resident, the broad eaves emerging from depths of richest foliage. A subterranean passage connects the deserted stronghold on the shore with Fort Belgica, the citadel now used as barracks, but formerly for the preservation of the nutmegs from the fierce raids of foreign powers, when the new-born passion for spices intoxicated the mind of the world, and kindled the fires of war between East and West. The lofty peak of the Goenoeng Api still smoulders, although the main crater is supposed to be extinct. The lower slopes, where not planted with vegetables by enterprising invaders from the island of Boeton, abound with delicate ferns and rare orchids, for the fertility of the volcanic soil, rich in metallic ingredients, creates a luxuriant growth. Sulphureous vapours rise continually from a plateau beneath the summit, where tumbled boulders of blackened lava lie sunken in deep layers of volcanic ash. Banda Neira evidently rose from the sea in some long-past eruption of the larger island, now the long ridge of a ruined crater which collapsed in a fierce outburst, and threw off the fragments of rock which compose the outer group. A curious fatalism characterises the inhabitants of volcanic districts, and the incalculable value of Banda in the middle ages outweighed all risks of eruption and earthquake. The history of island colonisation by Portugal, Spain, and Holland, forms a continuous record of battle, loot, and persecution, in which the native population was decimated, and even now the inhabitants would be quite insufficient to cultivate and gather the "golden fruit," without the aid of innumerable emigrants from Java. Hard measures were dealt out in order to maintain the monopoly of spices, and the injury to the native races, by destroying the nutmeg trees of the other islands, crippled the trade which had found a natural outlet in Asia. All the nutmegs were sent to Europe, but one-fifth of the yearly produce was diverted by smuggling into forbidden channels, though severe punishment was inflicted upon offenders. Economic administration was unknown in the 17th and 18th centuries, but the holocaust of spices burnt in the market-place of Amsterdam, and the extermination of the nutmeg trees in Moluccan islands, sent a thrill of horror through the European world, which placed such an exaggerated value on the possession of spices that the wars waged to secure them breathe the romantic fanaticism of a wild crusade. Monopoly and slavery were at length definitely abolished, and in 1873 the Dutch Government, realising the necessity of Free Trade, sanctioned the independence of the nutmeg planters. The far-seeing views of Sir Stamford Raffles during the second brief English occupation of the Moluccas, from 1810 to 1816, were disregarded in England (knowing little, and caring less, about the remote Spice Islands), though his counsels were eventually adopted by the Dutch Government as the only means of ensuring an increased profit. A high-prowed native boat, known as an _orembai_, plies across the narrow strait which separates the islands of Banda Neira and Banda Lonthar, or Great Banda. The long range of hills covered with a dense forest of the precious nutmeg trees, attains an ideal of sylvan scenery surpassing even the glorious palm-woods of Java. These may be described in terms of comparative accuracy, and their beauty painted in realistic language, but none can translate into words the irresistible charm and glamour of the nutmeg aisles, the exquisite foliage and contours of the spice-bearing trees, the wealth of delicate blossom and peach-like fruit, and the flickering emerald light from hues shading through the whole gamut of colour, from the tender verdure of spring to the glossy darkness of winter evergreen. Colossal kanari-trees, veritable monarchs of the forest, tower over the nutmegs, and form an unbroken roof of interlacing boughs, for the nutmeg, needing shelter to bring the fruit to perfection, is not suffered to attain a height of more than seventy feet. The columnar trunks of the majestic kanaris wreathe their huge girth with lace-like fern and broad-leaved epiphytal plants, and the symmetrical beauty of the conical nutmeg-trees in these forest aisles suggests a vast sanctuary of Nature, enshrining the mystic presence of Divinity. Here, as amid the shades of unfallen Eden, we can imagine a trysting-place of God and man in the perennial "cool of the day," which breathes through the green twilight of these solemn groves, redolent with the incense from myriad sprays of creamy blossom and ripened nuts in shells of pink-flushed amber, for flower and fruit deck the "gold-bearing tree" without intermission, and every day produces a fresh harvest of nutmegs. The brown kernel of the opening fruit, contained in a network of scarlet mace, falls to the ground in twenty-four hours, and unremitting care is needed in gathering and handling the nutmegs with the _gaai-gaai_, a long stick ending with a prong, to break off the ripe fruit into the woven basket accurately poised beneath the wooden fork. Only the female trees yield the precious crop, and the highest point of production, attained at the twentieth year, continues undiminished through four subsequent decades, after which the strength of the average tree declines, although it often lives for a century. The cooing of the nutmeg pigeon, which feeds on the abundant fruit, echoes through the shadowy glades with soothing monotony. Yellow canaries flit through the vivid green of the pointed foliage, and the scarlet crests of parrots glow through the dark canopies of the giant kanari-trees. The voices of children at play, the distant songs of the nutmeg-gatherers, the plash of the waves on the coral reef, and the scented breeze whispering in the green crowns of a million trees, blend in harmonious concord to fill the sylvan temple of tropical Nature with mysterious music. At wide intervals the white houses of the planters gleam amid the drooping boughs, the prevailing green of the spacious woods relieved by the rosy purple of Bougainvillea mantling a pillared verandah, or by great vases of crimson and yellow flowers, bordering broad flights of stone steps. Life on a great nutmeg plantation retains patriarchal character and archaic charm; the multitude of dependents calls forth, in the present day at any rate, much of kindly solicitude, and though the unvarying sameness of existence sometimes proves the serpent which destroys the peace of the idyllic Eden in young and eager hearts, the ramifications of the large family party, gathered under one roof, mitigate the monotony of daily tasks, and supply the necessary mental friction. Work in the nutmeg-woods begin at 5 a.m., when a pealing bell summons the labourers to each plantation for their different duties of gathering the nuts, drying the mace, or sorting and liming the fruit. The beautiful forest constitutes the world of the nutmeg-gatherer, both for labour and recreation. In these dusky avenues youth and maiden tell each other Love's eternal story, wandering away into the dreamland shadows, vocal with sweeter melody than that of bird or breeze. The musical call of the nutmeg-pigeon serves as a danger-signal, uttered by sympathising friends, when love must yield to life's stern realities in the person of the overseer. An ardent courtship often contributes to the rapid filling of the nutmeg-basket in the hand of a rustic beauty, whose admirers strive to secure for her the premium awarded for special diligence, and a judicious official learns on occasion to be conveniently deaf to the feigned voice of the _manoek faloer_. If the chivalrous zeal of the brown lover is apt to overleap frontiers, and to fill the baskets of one plantation with the produce of the other, the ethics of Banda demonstrate the identity of human nature when swayed by the passion which, according to circumstances, wrecks Troy or raids a nutmeg orchard. A story is told of a planter who, in consequence of engaging a bevy of attractive maidens for the year's work, was rewarded by a phenomenal harvest of nutmegs, though the adjacent estates were barren of fruit. Evening shadows darken apace in the woodland world, and work ceases at three in the afternoon, when the store of gathered fruit is brought to the _pagger_, where drying and liming sheds surround the central warehouse. The nutmeg-pickers sort the ripe nuts in an open gallery before taking them to the drying-shed, where they are spread on a platform of split bamboo, twelve feet above a smouldering fire. The process continues for six weeks, the nuts being repeatedly turned until they begin to rattle. Only a slow method of drying prevents the escape of the essential oil, necessary to the flavour of the fruit, which must afterwards be dipped in slaked lime to preserve it from insects. The coral-like mace contains a rich supply of aromatic balm, and when loosened from the nutmeg can be dried in the sun. The delicate scarlet branches, spread on wickerwork frames in open spaces of the woods, contrast vividly with the shaded verdure of the beautiful trees. The mace, trodden flat for facility in packing, resembles a dainty growth of finest seaweed, and in the 16th century shared popularity with the nutmeg which produced it. Even in the present day a pewter spice box is an indispensable present on that sixth anniversary of a Dutch marriage still known as "the pewter wedding," and a nutmeg-box, with a grater, remains as a favourite bridal gift, the fashion originating when the passion for spices first pervaded mediæval Europe. Trade, as well as Science, wrote many chapters of romantic adventure in the long history of the world's social development, and modern thought but dimly realises the magnetic spell of the days when the veil was first lifted between East and West, and the wonders of untrodden shores disclosed to the pioneer. Heine, in his _Lieder_, chants of the mystic nutmeg-tree as the ideal growth of the tropical forest, for every stage of life and growth reveals some fresh beauty in delicate bloom, glistening foliage, and fruit of roseate gold. The spreading boughs, with their perfect contour and emerald depths of light and shadow, suggest a typical picture of that unfading Tree of Life in the midst of the earthly Paradise, round which the passing ages weave innumerable dreams, while faith transplants it to a fairer Garden than that of Eden. Where the winding woodland roads lead along the shore, colossal screw-palms and silver-flowered Barringtonias border the rocks, the sparkling azure of the sea visible through the fantastic boughs, and the eternal song of the surf vibrating through the still air with mysterious undertones. The brown _campong_ of Banda Lonthar stands at the foot of the mossy steps which lead to the summit of the wooded range, and command a superb view of the island group. A further flight of stairs descends to the outside coast or Achterval, but wherever we go, to quote the words of a modern traveller, "we may imagine ourselves transported to the holy groves whereof ancient poets sing." From the rich carpet of velvety moss and plumy fern to the green vault of the leafy roof, the eye for once seems "satisfied with seeing," for no hint of imperfection breaks the fairy spell of enchantment in this poetic nutmeg-forest. Among serpentine kanari roots, which stream across the mossy turf as though poured out in liquid form and then petrified, we come across brown babies sleeping in the shade, and cradled softly in the tender lap of earth, while the mother, crooning a low song, pursues her work among the rustling leaves. Terrace after terrace, the green aisles mount to the summit of the great ridge, and the ruined forts on each wooded promontory recall the long-past days when the "fruit of gold" demanded the increasing vigilance of military power to defeat the onslaught of merchantman or privateer, willing to run every risk in order to capture a cargo of spices, and secure fabulous gains by appeasing the frantic thirst of Europe for the novel luxury of the aromatic spoils. The mediæval craze has died away, and the pungent spices of the Orient have taken a permanent position of reasonable proportion in the culinary art of modern times, but the glamour of the past, like the amber haze of a tropical sunset, still environs the poetic tree in the island home where, amid evergreen foliage and waxen flowers, the famous "fruit of gold" still opens each coral-lined censer to exhale a wealth of undying fragrance on the balmy air.

THE SOELA-BESSIR ISLES.

Outside the fairy circle of the exquisite Moluccas, a tiny cluster of palm-clad islets gems the wide blue spaces of the lonely sea, unbroken for many leagues by any foothold possible for human habitation. The Dutch steamer only calls thrice a year at the remote Soela-Bessir group, in quest of rattan, a plentiful product of these fertile isles, where the leafy ladders of the aspiring parasite climb to the green crowns of the tallest palms, wrapping them in the fatal embrace which eventually levels the strongest monarch of the tropical forest to the earth. The thick mantle of glossy foliage often hides the multitude of hooks, loops, and nooses which the pliant cane flings round branch and stem, gripped by long ropes of flexible fibre, hardening into thick coils, rigid and unyielding as iron. The immense export of rattan for chairs, couches, and innumerable domestic purposes, indirectly results in the preservation of myriad palm-trees, by releasing them from the deadly grasp of the tenacious creepers. The waving cocoanut trees of Senana, the principal island of the Soela-Bessir group, kiss the blue water with sombre plumes, bowed down by the wealth of heavy fruit lying in green and golden clusters between frond and stem. The steamer anchors far from the shore, and the launch proving unable to cross the shallow bay, the landing of passengers can only be accomplished by two crossed oars, carried and steadied by four of the crew. The mode of progression is wobbling and risky, but the improbability of revisiting Senana supplied a mental argument of unfailing force in balancing pros and cons. The secluded island, so slightly influenced by the outside world, changes but little with the lapse of time, and the triple-tiered roofs of numerous thatched _Messighits_ rising above the palm-leaf huts of the brown _campong_, assert the hereditary creed. The green banner of Islam was planted here centuries ago by a fanatical horde of Arab pirates, who added religious enthusiasm to love of plunder and thirst of conquest. Their fiery zeal, though not according to knowledge, ensured a vigorous growth of the foreign offshoot from the questionable faith of these Arab corsairs, who left indelible traces on the whole of the Malay Archipelago. The _Messighits_ of Senana are now only the ruined shrines of a decadent creed, but the simple islanders remain nominal adherents to the Monotheism of the past. Canoes and _blotos_, rowed by lithe brown figures, come out to welcome the steamer, and a fantastic boat, with carven prow, darts from beneath a green bower of tangled foliage, laden with golden bananas. Merry-faced little savages line the shore, eagerly awaiting the arrival of the white strangers, who supply them with the amusement afforded by a travelling circus to the more sophisticated children of the West. An eager desire to please and gratify the extraordinary visitors, mingles with the uncontrollable delight, manifested in capering, dancing, and gay laughter, as they beckon us to follow them through the narrow lanes of the long _campong_. Naked brown forms dash into their native huts at sundry points of the route, to summon friends and kinsfolk, until the procession swells into formidable proportions, for the whole _campong_ is eventually in tow, with the exception of the men and boys occupied in lading cargo. Through the dappled sunlight and shadows of the sweeping palms which flank the glassy bay, we are personally conducted to the principal _Messighit_, a bare, whitewashed building, without any decoration beyond the blue and white tiles outlining the horse-shoe arch of the _Mihrab_ looking towards Mecca. The exterior with three roofs of mossy thatch supported on bamboo poles, offers a shelter from the sun on a flight of crumbling steps, overshadowed by the spreading eaves. A big cocoanut frond serves as an improvised broom in a dusky hand, and the central step is carefully swept before the stranger, with respectful salaams and gesticulations, is invited to sit down. A turbaned _Imaum_, the custodian of the decaying sanctuary, comes forth from his dilapidated hut among the palms behind the shrine, at the unwonted excitement breaking the silence and solitude of the ancient mosque, but he evidently belongs to the dreamland of the past, and retires quickly from the disturbing present to meditations or slumbers in his obscure dwelling, closing the bamboo door against all intruders. This day's incident of the cruise in the Malay Archipelago seems absolutely cut off from ordinary experience--a solitary Englishwoman, resting in the shadow of the rustic mosque, and surrounded by a half-barbaric tribe of unfamiliar aspect, the dark woolly hair, flat noses, wide mouths, and dazzling teeth suggesting a liberal admixture of negro or Papuan blood. Native intelligence simplifies a halting conversation, carried on by means of the indispensable Malayan phrase-book. Wistful eyes rest on the stranger whose lot is cast under happier auspices, and unmistakeable characteristics manifest the Soela-Bessir islanders as a gentle and teachable race. Alas! the Dutch Government plants neither schools nor missions in distant Senana, too far from the beaten track to commend itself to the religious or educational care of a nation apparently indifferent to the claims of small communities, in the vast Archipelago subject to Holland. Only the quarterly call of the Dutch steamer stirs the stagnation of ages on the Soela-Bessir isles, but although the young, sharing in that wondrous heritage of mirth and gladness peculiar to the joyous early life of the tropics, recognise no limitations in their lot, the mothers sadly repeat the complaint heard elsewhere that no chance of improvement is given to them. The steamer, frequently bringing hither the inhabitants of more favoured islands in the interests of trade, already begins to stir feelings of unrest, and vague longings for the better things as yet withheld. A chieftain's daughter joins the throng round the old _messighit_. A red-cotton drapery, thrown over bronze limbs, is her only garment, but a diamond glistening on her dark hand looks incongruous with the scanty clothing. The gem seems a talisman or heirloom, but a request to examine it terrifies the owner, and she rushes away into the woods to safeguard the precious possession from perils suggested by the presence of the white pilgrim from across the seas. The delicious breeze which always spring up after ten o'clock in these latitudes renders walking a delight, the two following hours being invariably cooler than the trying time between eight and ten, when the fierce sun, on a level with the face, creates an atmosphere of blistering glare. The brown procession forms an orderly escort to the lading shed beneath a clump of tall cocoa-palms, and the kindly merchant who negotiates the commerce of the Soela-Bessir isles for the Dutch Government, sends a native boy up the smooth stem of a colossal tree in search of a fresh cocoanut, which fills two tumblers with refreshing sap. The thatched _campong_ stands against a background of green hills and dense woods, rich in tropical verdure, but lacking the loveliness of the Moluccas. The return to the ship involves a _bloto_ across the bay, with many misgivings as to the seaworthy capacities of the clumsy craft, but four bamboo safety-poles, fastened by forked sticks to the sides of the hollowed log, suffice to steady it enough to avoid capsizal. In the Soela-Bessir Isles, as in many other far-off and forgotten regions, the genius of commerce begins to awaken the desire of civilisation in untutored hearts, for Trade sharing in the romance no longer regarded as the exclusive attribute of Art or Science, now helps to fuse opposing elements into unity and order. The simple inhabitants of distant Senana seem only waiting for an outstretched hand to lift them to a higher level of creed and culture, for the modern pioneers of missionary enterprise raise the superstructure of Christianity with unexampled success on the substratum of truth contained even in imperfect and erroneous creeds. That solid foundation stone of belief in the One Eternal God, laid by Arab pirates centuries ago, amid the lust of rapine and the smoke of war, which ever heralded the onward march of conquering Islam, should serve as a firm basis for building up these simple children of Nature into the mystical sanctuary of the Christian Church. The lapse of time obliterates countless landmarks of Moslem creed in localities removed from external contact, but amid the dust of disintegrating forces and forgotten forms, the central Truth remains imbedded, like a wedge of gold trodden in the mire, but retaining intrinsic value and untarnishable purity.

SUMATRA.

THE WESTERN COAST AND THE HIGHLANDS.

Passing through the straits of Saleir, between a cliff-bound island and the south-eastern Cape of Celebes, the returning steamer in due time reaches her moorings in Sourabaya, and a rapid railway journey through Java connects with the outgoing boat from Batavia to Padang, a three days' voyage through a chain of green islands breaking the force of the monsoon on a desolate and harbourless shore. The forest-clad ranges of Sumatra draw nearer at Benkoelen, buried in cocoa-palms on the rim of a quiet bay, within a terrific reef which makes landing impossible in stormy weather. Fort and Residency, villas and gardens, manifest Benkoelen as an oasis of civilisation, the steeply-tiled roofs remaining as relics of the English occupation a century ago. Beyond the little military settlement, the Sumatran mountains tower in majestic gloom beyond a broken line of bristling crags, like granite outworks guarding the eleven hundred miles of coast-line facing the Indian Ocean. The rugged backbone of mysterious Sumatra, descending sharply to the western sea, overlooks a vast alluvial plain on the eastern side, where rice and sugar-cane, coffee and tobacco, flourish between the wide deltas of sluggish rivers, though rushing streams and wild cascades characterise the opposite shore. Ridges and bastions of rock, above profound valleys, culminate in cloud-capped Indrapura, at a height of 12,000 feet. Geologists affirm the vast age of Sumatra, indicated by the Silurian rock, the bastions of granite, the extraordinary vegetation fossilised in the huge coal-beds, and the sandstone formation, often a thousand feet thick, carved by time and weather into fantastic ravines. Inexhaustible mineral wealth lies hidden in these weird ranges, together with the costly chemical products of a volcanic soil, but the rich treasures of the virgin rocks are for the most part unknown and unexplored. Columns of smoke rise continually from numerous active volcanos, and the beautiful mountain lakes fill extinct craters. The great island, lying north-west and south-east, possesses a glorious climate, and the superb vegetation shows a distinctive character from that of Java. The Dutch, though supreme on the coast, have never yet subdued the interior, and unconquerable Acheen remains a perpetual centre of unrest. The flower of the Malay race belongs to Sumatra, and the wild Battek tribes of alien origin are fast merging themselves into the dominant stock, though the Redjanger clan, retaining curious customs of a remote past, and possessing a written character, cut with a _kris_ on strips of bamboo, is slow to assimilate itself to the Malayan element. The Sumatran language shows traces of Indian and Arabic influence, and that the early civilisation of the huge island was of Hindu origin is evidenced by innumerable Sanskrit words, and by the fact that the consecrated pipal tree, the "Ficus Religiosa" of India, remains to this day the sacred tree of the Batteks. Native chronicles record the descent of Sumatran princes from Alexander the Great, but though the pages of Javanese history are comparatively legible, those of Sumatra, designated in early days as "the older Java," resemble a dim palimpsest, marred by erasure or hiatus, and barely decipherable beneath the lettering on the surface of the age-worn parchment.

Little _campongs_ of palm-thatched huts stand on piles at the water's edge, and skirt the over-shadowing forest; fairy islands, encircled with red-stemmed _arén_-palms, lie like green garlands on the indigo sea, dotted with the yellow sails of native _proas_, and the little train which conveys us to Padang, the western capital, seems an incongruous feature in a scene suggestive of primeval peace and solitude. A sylvan charm belongs even to this Sumatran township, for the wooden houses, with pointed roofs of dried palm-leaves, and broad eaves forming shady verandahs, stand far apart in flowery gardens, aflame with orange or scarlet cannas, and fragrant with golden-hearted frangipanni. The sweeping boughs of giant cocoanut trees make a green twilight beneath their interwoven fronds, Bougainvillea drapes crumbling wall and forest tree with curtains of roseate purple, and thatched stalls of tropical fruits and glowing flowers brighten the dusky avenues with patches of vivid colour. The determined aspect of the Sumatran people denotes the superior calibre of the ancestral stock which colonised the Archipelago, for foreign intercourse, which elsewhere modified national character, scarcely affected the Sumatran Malays, independent of the servile yoke imposed by the mighty princes of Java. The forty _Soekoes_, or clans, of Sumatra, are sub-divided into branches consisting of numerous families, all descended from a common stock in the female line. This curiously constituted pedigree is known as the Matriarchate, an ancient social system only retained in Western Sumatra, and among certain South American tribes. The resolute mien and dignified carriage of the Sumatran woman denote clear consciousness of her supreme importance. The cringing submission so painfully characteristic of Oriental womanhood is wholly unknown, and though nominally of Mohammedan faith, the humble position prescribed by the Korán to the female sex is a forgotten article of Sumatra's hereditary creed. After marriage (forbidden between members of the same clan) both man and woman remain in their own family circle. The husband is only an occasional visitor, and the wife is regarded as the head of the house. Her children remain under her exclusive care, and inherit her property, together with the half of what their father and mother earn together. The other half goes to the brothers and sisters of the husband, whose titles descend to his own brothers and sisters. Sumatra is veritably El Dorado to the Eastern wife and mother, conversant with every detail respecting the management of land or money, and jealously guarding the time-honoured rights and privileges of her exalted position.

The hereditary chieftains of Sumatran clans exercise a patriarchal rule of uncompromising severity, and combine in every district to form the _Laras_ or local Council, the distance separating forest and mountain _campongs_ often necessitating sub-division into a village assembly. The _Laras_, and those rural chieftains nominated by popular consent, possess a seat on the Supreme Council of the Dutch Government, thus forming the transitional element between Asiatic and European rule. There is no Sumatran nobility, and although the hereditary chief of a clan is invested with official authority, the stringent regulations of the Matriarchate acknowledge no superiority of social status as an appanage of his power.