Chapter II: Part 2

At length she said: "Boy, when you were at Trinity, I often used to see you. I knew you were my Little Boy Blue of all those years ago. I used to feel inclined to send for you, talk to you for your good, and urge you to set to, and do great things; but I remembered the stone, and the bucket; and I did not want to let myself in for a third snubbing."

The Boy smiled. "Did you think me a lazy beggar?" he asked. "I wasn't really, you know. I did quite a good deal of all kinds of things. But I didn't want to get played out. I wanted to do things all the rest of my life. Fellows who grind at college and come out Senior Wranglers, begin and end there. You don't hear of 'em again."

"I see," said Miss Charteris, amusement in her eyes. "So you felt it wisest to avoid being Senior Wrangler?"

"Just so," said the Boy. "I was content with a fairly respectable B.A. and I hope you saw me take it. How rotten it is, going up in a bunch, all hanging on to an old chap's fingers."

"Boy, Boy! I know all about you! You wasted golden opportunities; you declined to use your excellent abilities; you gave the authorities an anxious time. You were so disgracefully popular, that everybody thought your example the finest thing to follow, and you were more or less responsible for every lark and row which took place during your time."

The Boy did not smile. He looked at her, with a quaint, innocent seriousness, which made her feel almost uncomfortable.

"Dear," he said, "I had plenty of money, and heaps of friends, and I wanted to have a good time. Also I wanted all the other fellows to have a good time; and I enjoyed getting the better of all the old fogies who had forgotten what youth was like--if they'd ever known it. And I had no mother to ask me questions, and no sisters to turn up at my rooms unexpectedly. But I can tell you this, Christobel. I hope to be married soon; and I hope to marry a woman so sweet and noble and pure, that her very presence tests a man's every thought, feeling, and memory. And I can honestly look into your dear eyes and say: My wife will be welcome to know every detail of every prank I ever played in Cambridge; nor is there a thing in those three years I need feel ashamed of her knowing. There! Will that do?"

Miss Charteris threw out a deprecatory hand. "Oh, Boy dear!" she said. "I never doubted that. My Little Boy Blue, don't I know you? But I cannot let you talk as if you owe me any explanations. How curious to think I saw you so often during those years, yet we never actually met."

The Boy smiled. "Yes," he said, "we were all awfully proud of you, you know. What was it you took at Girton?"

Miss Charteris mentioned, modestly, the highest honours in classics as yet taken by a woman. The Boy had often heard it before. But he listened with bated breath.

"Yes," he said, "we were awfully proud of it, because of your tennis, and because of you being--well, just _you_. If you had been a round-shouldered little person in a placket, we should have taken it differently. We always called you 'The Goddess,' because of your splendid walk. Did you know?"

"No, Boy, I did not know; but I confess to feeling immensely flattered. Only, take a friend's advice, and avoid conversational allusions to plackets, because you are obviously ignorant of the meaning of the word. And now, tell me? Having successfully escaped so serious a drawback to future greatness as becoming Senior Wrangler, on what definite enterprise have you embarked?"

"Flying," said the Boy, sitting forward in his chair. "I am going to break every record. I am going to fly higher, farther, faster, than any man has ever flown before. This week, if I had not stayed on here--you know originally I came up only for the 'May week'--I was to have done a Channel flight. Ah, you don't know what it means, to own three flying-machines, all of different make, and each the best of its kind! You feel you own the world! And then to climb into your seat and go whirling away, with the wonderful hum in your ears, mastering the air--the hitherto invincible air. May I tell you what I am going to do for my next fly? Start from the high ground between Dover and Folkestone; fly over the Channel; circle round Boulogne Cathedral--you remember the high dome, rising out of the old town surrounded by the ramparts? Then back across the Channel, and to ground again at Folkestone; all in one flight; and I hope to do it in record time, if winds are right."

"And if winds are wrong, Boy? If you rush out and take the horrid risks of the cross-currents you told us about? If something happens to your propeller, and you fall headlong into the sea?"

"Oh, it's all U P then," said the Boy, lightly. "But one never expects that sort of thing to happen; and when it does, all is over so quickly that there is no time for anticipation. Beside, there must be pioneers. Every good life given, advances the cause."

Christobel Charteris looked at him. His was not the terrible, unmistakable, relentless face of the bird-man. He was brilliant with enthusiasm, but it was the enthusiasm of the sportsman, keen to excel; of Young England, dauntless, fearless, eager to break records. The spirit of the true bird-man had not, as yet, entered into her Little Boy Blue.

She pressed her hand upon her bosom. It ached still.

"Boy dear," she said, softly. "Has it ever struck you that, if you marry, your wife--whoever she might be--would most probably want you to give up flying? I cannot imagine a woman being able to bear that a man who was her _all_, should do these things."

The Boy never turned a hair! He did not bound in his seat. He did not even look at her.

"Why, of course, dear," he said, "if you wished it, I should give up flying, like a shot, and sell my aeroplanes. I know plenty of chaps who would like to buy them to-morrow. And I'll tell you what we would do. We'd buy the biggest, most powerful motor-car we could get, and we'd tear all over the country, exceeding the speed-limit, and doing everything jolly we could think of. That would be every bit as good as flying, if--if we did it together. I say, Christobel--do you know how to make a sentence of 'together'? Just three words: _to get her_! That's what 'together' spells for me now."

Miss Charteris smiled. "You might have taken honours in spelling, Boy. And I am not the sort of person who enjoys exceeding speed-limits. Also I am afraid I have a troublesome habit of always wanting to stop and see all there is to see."

But the Boy was infinitely accommodating. "Oh, we wouldn't exceed the speed-limit--much. And we would stop everywhere, and see everything. You should breakfast in London; lunch at the Old White Horse, Mr. Pickwick's inn at Ipswich; have tea at the Maid's Head, beneath the shadow of Norwich Cathedral, where you could wash your hands in Queen Elizabeth's fusty old bedroom--what a lot of bedrooms Queen Elizabeth slept in, and made them all fusty--and have time to show me Little Boy Blue's breakwater at Dovercourt, before dinner. There's nothing like motoring!"

"It sounds interesting, certainly," said Miss Charteris.

"And then," continued the Boy, in a calm business-like voice, "it's less expensive than flying. You run through fifty thousand a year in no time with aeroplanes. And of course we should want to open both my places. I'm awfully glad I didn't let the tenants in the old home renew their lease. As it is, they turn out in three months. Oh, I say, Christobel, I do believe it is a setting worthy of you. Have you ever seen it? The great hall, the old pictures, the oak staircase--I once rode down it on my rocking-horse and came to utter smash. And outside--the park, the lake, the beech avenue, the rose-garden, the peacocks. And a funny little old village belongs to us. Think how the people must want looking after. I believe you would like it all--I really believe you would! And think, ah, just think what it would be to me, to see my own splendid wife, queen over everything in my dear jolly old home! Hullo!--Hark to all the clocks! What is that striking? Seven? Oh, I say! I'm dining with the Master to-night. I must rush off, and change. Though I was such a bad lot, they all seem quite pleased to see me again. Really they do! Have I stayed too long? ... Sure? ... May I come to-morrow? ... You _are_ most awfully good to me. Good-bye."

And the Boy was gone. He had held her hand, in a firm, strong clasp, a second longer than the conventional handshake; his clear eyes, exactly on a level with hers, had looked at her gravely, wistfully, tenderly; and he was gone.

She walked slowly up the lawn. She must write a few letters before post time; then dress for her solitary dinner.

She felt a little flat; quite without cause. What could have been more satisfactory, in every way, than the Boy's visit; in spite of his absurd castles in the air? These must be tactfully demolished to-morrow. To-day, it was wisest just to let him talk.

Poor Little Boy Blue! Instead of the walls of Jericho falling, his own castles in the air would come tumbling about his ears. Poor Little Boy Blue!

She felt she had been completely mistress of the situation to-day, holding it exactly as she wished it to be. There was no need to fear the remaining days.

And when the seven days were over--what then? ... She certainly felt very flat this evening. How suddenly the Boy had gone! There was still so much she wanted to say to him.... And to-morrow was the Professor's afternoon. Mercifully, he never stayed later than four o'clock. It was to be hoped the Boy would not turn up early! But there was never any knowing what the Boy would do.

She smiled as she mounted the flight of stone steps, and passed into the house.

* * * * *

And, outside the postern gate, the Boy threw up his cap, and caught it; then started off and sprinted a hundred yards; then, turning aside, leapt a five-barred gate, and made off across the fields. When he pulled up at last, in his own bedroom, he had just time to tub, shave, and wrestle with his evening clothes. He communed with himself in the few moments of enforced stillness, while he mastered his tie.

"That was all right," he said. "I jolly well worked _that_ all right! There was nothing to frighten her to-day--not a thing. Dear lips! They never trembled once; and no more turning faint. And, my Goody, how she lectured me! I wonder who's been telling her what. I know why she did it too. She wanted to feel quite sure she was bossing the show. And so she was, bless her! But I marched round! Yes, I jolly well marched round.... Oh, I say! Can't you stop where I put you?" This, to his tie.

Then, with _her_ golden rose in his button-hole, fastened by _the_ pin from his flannel coat, off went the Boy to dine with the Master of his college.

* * * * *

"_And the evening and the morning were the second day._"

* * * * *

THE THIRD DAY

THE BOY INVADES THE KITCHEN

The Boy sat on a corner of the kitchen table, swinging a loose leg, and watching Martha make hot buttered-toast.

He had arrived early, and, finding no one in the garden, had entered the house by the garden-door, to pursue investigations upstairs.

On the mat in the hall he saw a pair of goloshes; in the umbrella-stand, a very large, badly-rolled umbrella; hanging on a peg near by, a professor's cap and gown.

The Boy stood stock still in the middle of the little hall, and looked at the goloshes.

Then from the drawing-room, through the closed door, came the voice of Miss Charteris--full, clear, measured, melodious--reading Greek tragedy.

_errois anaides, en tachei neania_

declaimed Miss Charteris; and the Boy fled.

Arrived in the kitchen, he persuaded Martha that cigarette smoke was fatal to black-beetles. He went about, blowing fragrant clouds into every possible crack and cranny. Martha watched him, out of the corner of her eye, crawling along under the dresser in his immaculate white flannels, and Martha blessed her stars that her kitchen floor was so spotlessly clean. Only this morning she had remarked to Jenkins that he could very well eat his dinner off the boards. Mercifully, Jenkins--tiresome man though he usually was--had not taken this literally; or he might have made the floor less fit for the Boy's perambulations.

Having taken all this trouble in order to establish his unquestioned right to smoke in Martha's kitchen, and to pose as a public benefactor while so doing, the Boy seated himself on the edge of the table, exactly behind Martha; lighted a fresh "Zenith," and prepared to enjoy himself.

Martha glanced nervously at the smoke, issuing from cracks and holes on all sides. It gave her a feeling that the house was on fire. Of course she knew it was not; but to _feel_ the house is on fire, is only one degree less alarming than to _know_ it is. However, beetles are nasty things; and the condescending kindness and regard for Martha's personal comfort, which crawled about after them in white flannels, was gratifying to a degree.

So Martha turned and gave the Boy one of her unusual smiles. He was very intently blowing rings--"bubbles" Martha called them afterwards, when explaining them to Jenkins; but that was Martha's mistake. They were smoke rings. It was one of the Boy's special accomplishments. He was an expert at blowing rings.

Presently:--"Martha, my duck--" he said suddenly.

Martha jumped. "Bless us, Mr. Guy! What a name!"

"What's the matter with it?" inquired the Boy, innocently. "I consider it a very nice name, and scriptural."

"Oh, I didn't mean m' own name," explained Martha, more flushed than the warmth of the fire warranted. "Not but what m' godfathers and godmothers might well 'ave chosen me a better."

"Oh, don't blame them, overmuch, Martha," said the Boy, earnestly. "You see their choice was limited. If you study your catechism you will find that it had to be 'N' or 'M'--'Naomi' or 'Martha.' Even at that early age, they thought you favoured 'Martha' rather than 'Naomi'; so they named you 'Martha.'"

"Well I never!" exclaimed Mrs. Jenkins. "'N' or 'M'! So it is! Now I never noticed _that_ before. We live and learn! And Jenkins--silly man--'as always bin annoyed that they named 'im 'Noah.' But how about when _you_ was christened, Mr. Guy?"

"Oh," explained the Boy, with a wave of his cigarette, "I was christened a bit later than you, Martha; and, by that time, Parliament had sat in solemn convocation, and had brought in a Bill to the effect that all needless and vexatious limitations and restrictions in the Prayer Book might for the future be disregarded. The first to go was 'N' or 'M.'"

"Well, I never!" said Martha. "I wish they'd ha' done it afore _my_ time."

"You see," expounded the Boy, who was enjoying himself vastly, and getting the conjunction of the goloshes and the Greek play off his mind; "you see, Martha, those progressive Bills, intimately affecting the whole community, of vital importance to the nation at large, are always blocked by the House of Lords. If the Commons could have had their own way, you might have been named 'Lucy' or 'Clara.'"

"I don't incline to 'Lucy' or 'Clara,' sir," said Mrs. Jenkins, decidedly; "being, as they always strikes me, sickly story-book sort of names; but I _do_ like justice and a free country! I always have felt doubtful o' them Lords, since I listened to my married niece's husband, a very respectable journeyman tailor but mostly out of work; and if it's _their_ doing that I'm 'Martha,' well, _I_ shall know what to do with Jenkins's vote--that's all!"

The Boy slapped his leg and rocked. "Martha, you ought to be put up to speak at political meetings. That's the whole thing in a nutshell: cause, effect, results, arguments, everything! Oh, my wig!--Yes, they are a lot of old stick-in-the-muds in the Upper House, aren't they?" pursued the Boy--who had had a long line of dignified ancestors in that much abused place; had an uncle there at the present moment, and was more than likely eventually to have to sit there himself--"a rotten lot of old stick-in-the-muds, Martha; but I think they did well by you. I'd give them the benefit of Jenkins's vote. I really would. I am glad they chose 'M,' not 'N.' Naomi was a widow and dismal. She never made the smallest effort to buck up. But Martha was a nice person; a bit flurried perhaps, and hot-tempered; but well up in cooking, and keen on it. I like Martha."

The Boy sat and meditated. Why did she read Greek plays with a person who left goloshes on the mat, and brought out an ancient umbrella with a waist, on an absolutely cloudless day?

"It wasn't m' own name surprised me, Mr. Guy, sir," remarked Martha, coyly; "it was the name you was pleased to _h_add."

The Boy pulled himself together. "Eh, what? Oh, 'Martha, my duck'? I see. I hope you don't mind, Martha. It seemed to me rather a suitable and pretty addition to 'Martha.' You see, yours is a name which cannot be shortened when one feels affectionate. 'Sarah' can be 'Sally'; 'Amelia' can be 'Milly'; 'Caroline' can be 'Carrie'; but 'Martha' remains 'Martha' however loving people feel. What does Jenkins call you when he feels affectionate?"

Martha snorted. "Jenkins knows 'is place," she said, jerking the round lid off the stove, and putting on the kettle.

"Jenkins is a model," smiled the Boy.

Then Martha looked round, her feminine curiosity, and perhaps a touch of jealousy, getting the better of her respectful discretion. She had seen so much, and heard so little; and she was a very old family servant.

"What do you call _her_, Mr. Guy?" she asked, in a confidential whisper, with a jerk of the head toward the mulberry-tree.

"Her?" repeated the Boy, surprised. Then his whole tone softened. It was so sweet to speak her name to some one. "I call her 'Christobel,'" he said, gently.

But Martha wanted to know more. Martha was woman enough to desire an unshared possession of her own. She bent over the fire, stirring it through the bars.

"Mr. Guy, sir, I suppose you don't--I suppose you do--that is to say, sir--Do you call _her_ what you've been pleased to call me?"

"Eh, what?" said the Boy, vaguely.

"Oh, I see. 'Christobel, my----' Oh, no, Martha. No, I don't! Not even when I feel most affectionate." Here the Boy was seized with sudden convulsions, slapped his knee noiselessly, and rocked on the kitchen table. He whispered it, in an ecstasy of enjoyment. "'Christobel, my duck!' Oh, lor! 'Christobel, my duck!' I hope I shall be able to resist telling her. I should have to own I had called Martha so. 'Christobel, my----'"

Martha, wondering at the silence, looked round suddenly. But the Boy had that instant recovered, and was sitting gravely on the corner of the table.

"Martha, my duck," he said, "to return to the original opening of this conversation: has Jenkins ever told you what a nice little wisp of hair you have, behind your left ear?"

"Get along, sir!" retorted Martha, fairly blushing. "You're making game of me."

"Indeed, I'm not," said the Boy, seriously. "If you made it into a curl, Martha, and fastened it with an invisible pin, it would be quite too fascinating. You ask Jenkins. I say, Martha? What's a placket?"

"A placket, sir," said Martha, on her way to fetch something from a shelf near which hung the kitchen mirror; "a placket, sir, is a thing which shows when it shouldn't."

"I see," said the Boy. "Then you couldn't exactly go about in one. Martha, whose goloshes are those, sitting on the mat in the hall?"

Martha snorted. "An old woman's," she said, wrathfully.

The Boy considered this. "And does the umbrella with the waist belong to the same old woman?"

Martha nodded.

"And the Professor's cap and gown, hanging near by?"

Martha hesitated. "'Tain't always petticoats makes an old woman," she said, sententiously.

"Martha, you are _pro_-foundly right," said the Boy. "Does the Professor stay to tea?"

"Thank goodness no, sir. We draw the line at that, 'cept when Miss _H_ann comes too."

"Who is Miss _H_ann?"

"She's the Professor's sister." Martha hesitated; poured hot water into the silver teapot; then turned to whisper confidentially, with concentrated dislike: "She's always a-_h_egging of 'em on!"

"What a curious occupation," remarked the Boy, blowing a smoke-ring. "Does Miss _H_ann come often?"

"No, Mr. Guy. Thanks be, she's a _h_invalid."

"Poor Miss _H_ann. What's the matter with her?"

Martha snorted. "Fancies herself too much."

"What a curious complaint. What are the symptoms?"

"Fancies herself in a bath-chair," said Martha, scornfully.

"I see," said the Boy. "Oh, poor Miss _H_ann! I should feel very sick if I fancied myself in a bath-chair. I wish I could meet Miss _H_ann. I should like to talk to her about the _h_egging-on business."

"_You'd_ make her sit up," said Martha, with spiteful enjoyment.

"Oh no, I shouldn't," said the Boy. "That would not be kind to an invalid. I should see that she reclined, comfortably; and then I should jolly well flatten her out."

At that moment a shadow fell across the sunny window. Miss Charteris, her guest having departed, passed down the garden steps, and moved across the lawn.

The Boy sprang to his feet. At sight of her, his conscience smote him that he should have thus gossiped and chaffed with old Martha. He suddenly remembered why he had originally found his way to the kitchen.

"Martha," he said; "I want you to let me carry out the tea-tray this afternoon. She doesn't know I am here. She will think it is you or Jenkins, till she looks round. Let me carry it out, Martha, there's a duck!"

"As you please, sir," said Martha; "but if you want her to think it's Jenkins, you must put it down with a clatter. It takes a man to be clumsy."

The Boy walked over to the window. The mulberry-tree was not visible from the kitchen table.

"Don't go there, Mr. Guy!" cried Martha. "Miss Christobel will see you, sir. This window, and the pantry, show from the garden. If you want to 'ave a look at her, go through that door into the storeroom. The Venetian blind is always down in there. There is one crack through which I----"

Martha stopped short, disconcerted.

"One crack through which you think I could see? Thank you, Martha," said the Boy, readily. "Hurry up with the tray."

He went into the store-room; found Martha's chink, and realized exactly what had been the extent of Martha's view, during the last two days.

Then he bent his hungry young eyes on Christobel.

She was seated in a garden chair, her back to the house, her face towards the postern gate in the old red wall at the bottom of the garden. The rustic table, upon which he would soon deposit the tea-tray, was slightly behind and to the left of her. The sun shone through the mulberry leaves, glinting on the pure whiteness of her gown. She leaned her beautiful head back wearily. Her whole attitude betokened fatigue. He could not see her face; but he felt sure her eyes were open; and he knew her eyes were on the gate.

The Boy's lips moved. "Christobel," he whispered. "Christobel--beloved?"

She was waiting; and he knew she was waiting for him.

Presently he dropped the lath of the Venetian blind, and turned to go. But first he took out his pocket-book and fastened the lath which lifted most easily, to those above and below it, with halfpenny stamps. He knew old Martha would take a hint from him. There must be no eyes on the mulberry-tree to-day.

In the kitchen the tray was ready; tea freshly made, thin bread-and-butter, cucumber sandwiches; hot buttered-toast in perfection; cornflour buns, warranted to explode; all the things he liked most; and, best of all, cups for two. He grasped the tray firmly with both hands.

"Martha," he said, "you are a jewel! I give you leave to watch me down the lawn from the kitchen window. But when I have safely arrived, turn your attention to your own tea, or I shall look up and shake my fist at your dear nice old face. And, I say, Martha, do you ever write postcards? Because, if you want any ha'penny stamps, you will find some on the storeroom blind. Only, _don't want them_, Martha, till this week is over, and I am gone."

Whereupon the Boy lifted the tray, and made for the door.

Down the lawn he bore it, and set it safely on the rustic table. He was very deft of movement, was the Boy; yet, remembering his instructions, he contrived to set it down with something of a clatter.

Miss Charteris did not turn her head Her eyes, half closed beneath the long lashes, were on the postern gate.

"Jenkins?" she said.

"Yes, ma'am," replied the Boy, in excellent imitation of the meek tones of Jenkins.

"Should any one call this afternoon, Jenkins, please remember that I am not 'at home.'"

"Hip, hip, hurrah!" said the Boy.

Then she turned--and her face was all, and more than all, he had hoped it might be.

"Oh, Boy," she said. "Oh, Boy dear!"

* * * * *

After that, it was a very happy tea. Neither had been quite natural, nor had they been really true to themselves, the day before; so the delight of meeting seemed to follow a longer parting than the actual twenty-four hours. The Boy's brown eyes rested in tenderness on the hand that filled his cup, and she did not say "Don't"; she merely smiled indulgently, and added the cream and sugar slowly, as if to let him do what he willed.

The hum of bees was in the garden; a sense of youth was in the air. The sunbeams danced among the mulberry leaves.

The Boy insisted upon carrying back the tray, to do away at once with the possibility of interruption from Jenkins. Then he drew their chairs into the deeper shade of the mulberry-tree, a corner invisible from all windows. The Boy had learned a lesson while looking through the storeroom blind.

There they sat and talked, in calm content. It did not seem to matter much of what they spoke, so long as they could lie back facing one another; each listening to the voice which held so much more of meaning in it than the mere words it uttered; each looking into the eyes which had now become clear windows through which shone the soul.

Suddenly the Boy said: "How silly we were, the other day, to talk of the relative ages of our bodies. What do they matter? Our souls are the real you and I. And our souls are always the same age. Some souls are old--old from the first. I have seen an old soul look out of the eyes of a little child; and I have seen a young soul dance in the eyes of an old, old woman. You and I, thank God, have young souls, Christobel, and we shall be eternally young."

He stretched his arms over his head, in utter joyful content with life.

"Go on, Boy dear," said Christobel. "I am not sure that I agree with you; but I like to hear you talk."

"At first," he said, "our bodies are so babyish that our souls do not find them an adequate medium of expression. But by and by our bodies grow and develop; after which come the beautiful years of perfection, ten, twenty, thirty of them, when the young soul goes strong and gay through life, clad in the strong gay young body. Then--gradually, gradually, the strong young soul, in its unwearied, immortal youth, wears out the body. The body grows old, but not the soul. Nothing can age that; and when at last the body quite wears out, the young soul breaks free, and begins again. Youthful souls wear out their bodies quicker than old ones; just as a strong young boy romps through a suit of clothes sooner than a weakly old man. But there is always life more abundant, and a fuller life farther on. So the mating of souls is the all-important thing; and when young souls meet and mate, what does it matter if there be a few years' difference in the ages of their bodies? Their essential youthfulness will surmount all that."

Christobel looked at him, and truly for a moment the young soul in her leapt out to his, in glad response. Then the other side of the question rose before her.

"Ah, but, Boy dear," she said, "the souls express themselves--their needs, their delights, their activities--through the bodies. And suppose one body, in the soul-union, is wearing out sooner than the other; that is hard on the other--hard on both. Boy--my Little Boy Blue--shall I tell you an awful secret? I suppose I sat too closely over my books at Girton; I suppose I was not sufficiently careful about good print, or good light. Anyway--Boy dear--I have to use glasses when I read." She looked wistfully into his bright eyes. "You see? Already I am beginning to grow old." Her sweet lips trembled.

In a moment he was kneeling by the arm of her chair, bending over her, as he did on the first day; but as he did not do yesterday. Suddenly she realized why she had felt so flat yesterday, after he was gone.

He lifted her hand and kissed it gently, back and palm. Then he parted the third finger from the rest, with his own brown ones, and held that against his warm young lips.

She drew her hand slowly away; passed it over his hair; then let it fall upon her lap. She could not speak; she could not move; she could not send him away. She wanted him so--her little Boy Blue, of long ago.

"Old, my Beloved?" he said. "You--old! Never! Always perfect--perfect to me. And why not wear glasses? Heaps of mere kids wear glasses, and wear them all the time. Only--how alarmingly clever you must look in spectacles, Christobel. It would terrify me now; but by and by it will make me feel proud. I think one would expect glasses to go with those awe-inspiring classical honours. With my barely respectable B.A., I daren't lay claim to any outward marks of erudition." Then, as she did not smile, but still gazed up at him, wistfully, his look softened to still deeper tenderness: "Dear eyes," he murmured, "oh dear, dear eyes," and gently laid his lips on each in turn.

"Don't," she said, with a half sob. "Ah, Boy, don't! You know you must not kiss me."

"Kiss you!" he said, still bending over her. "Do you call that kissing?" Then he laughed; and the joyous love in his laughter wrung her heart. "Christobel, on the seventh day, when the gates fly open, and the walls fall down; when the citadel surrenders; when you admit you are my own--_then_ I shall kiss you; _then_ you will know what kissing really means."

He bent above her. His lips were very near to hers. She closed her eyes and waited. Her own lips trembled. She knew how fearfully it tempted the Boy that her lips should tremble because his were near; yet she let them tremble. She forgot to remember the past; she forgot to consider the future. She was conscious of only one thing: that she wanted her Little Boy Blue to teach her what kissing really meant. So she closed her eyes and waited.

She did not hear him go; but presently she knew he was no longer there.

She opened her eyes.

The Boy had walked across the lawn, and stood looking into the golden heart of an opening yellow rose. His back appeared very uncompromising; very determined; very erect.

She rose and walked over to him. As she moved forward, with the graceful dignity of motion which was always hers, her mental balance returned.

She slipped her hand beneath his arm. "Come, Boy," she said; "let us walk up and down, and talk. It is enervating to sit too long in the sunshine."

He turned at once, suiting his step to hers, and they paced the lawn in silence.

When they reached the postern gate the Boy stood still. Something in his look suddenly recalled her Little Boy Blue, when the sand on his small nose could not detract from the dignity of his little face, nor weaken its stern decision.

He took both her hands in his, and looked into her eyes.

"Christobel," he said, "I must go. I must go, because I dare not stay. You are so wonderful this afternoon; so dear beyond expression. I know you trust me absolutely; but this is only the third day; and I cannot trust myself, dear. So I'm off!"

He lifted both her hands to his lips.

"May I go, my Queen?" he said.

"Yes, Boy," she answered. "Go."

And he went.

It was hard to hear the thud of the closing door. For some time she stood waiting, just on the inside. She thought he would come back, and she wished him to find her there, the moment he opened the door.

But the Boy--being the Boy--did not come back.

Presently she returned to her chair, in the shade of the mulberry-tree. She lay, with closed eyes, and lived again through the afternoon, from the moment when the Boy had said: "Hip, hip, hurrah!" There came a time when she turned very pale, and her lips trembled, as they had done before.

At length she rose and paced slowly up the lawn. On her face was the quiet calm of an irrevocable decision.

"To-morrow," she said, "I must tell the Boy about the Professor."

* * * * *

In the middle of the night, Martha, being wakeful, became haunted by the remembrance of the smoke, as it had curled from cracks and keyholes in the kitchen. She felt constrained to put on a wonderful pink wrapper, and go creaking slowly down the stairs to make sure the house was not on fire. Martha's wakefulness was partly caused by the unusual fact of a large and hard curl-paper, behind her left ear.

Miss Charteris was also awake. She was not worried by memories of smoke, or visions of fire; and her soft hair was completely innocent of curl-papers. But she was considering how she should tell the boy about the Professor; and that consideration was not conducive to calm slumber. She heard Martha go creaking down the stairs; and, as Martha came creaking up again, she opened her door, and confronted her.

"What are you doing, Martha?" she said.

Martha, intensely conscious of her curl-paper, was about to answer with more than her usual respectful irritability, when the eyes of the two women--mistress and maid--met, in the light of their respective candles, and a sudden sense of fellowship in the cause of their night vigil passed between them.

Martha smiled--a crooked smile, half ashamed to be seen smiling. When she spoke, her aspirates fell away from her more completely than in the daytime.

"'E went crawlin' about the kitchen," she said, in a muffled midnight whisper; "all in 'is white flannels, puffin' smoke in every crack an' 'ole to kill the beetles. So kind 'e meant it; but I couldn't sleep for wonderin' if the place was smokin' still. I 'ad to go down an' see. 'Ow came you to be awake, Miss Christobel?"

"Things he said in the garden, Martha, have given me food for thought. I began thinking them over; and sleep went."

Martha smiled again--and this time the smile came more easily. "'E _'as_ a way of keepin' one on the go," she said; "but we'd best be gittin' to sleep now, miss. 'E'll be at it again to-morrow, bless 'is 'eart!" And Martha, in her pink wrapper, lumbered upwards.

But the Boy, who had this disturbing effect on the women who loved him, slept soundly himself, one arm flung high above his tumbled head. And if the sweet mother, who perforce had had to let her dying arms slip from about her baby-boy, almost before his little feet could carry him across a room, saw from above the pure radiance on his lips and brow as he slept, she must have turned to the Emerald Throne with glad thanksgiving for the answer vouchsafed to a dead mother's prayers.

* * * * *

"_And the evening and the morning were the third day._"

* * * * *

THE FOURTH DAY

CHRISTOBEL SIGNS HER NAME

"I am exhausted," said the Boy, reaching out a long arm, and securing his third piece of hot buttered-toast. "I am ruffled. My usual calm mental poise is overthrown--and on the Sabbath, of all days! Every feather I possess has been rubbed up the wrong way." He lay back in the depths of his chair, stretched out his legs, and looked dejectedly at Christobel.

Her quiet smile enveloped him. Her look was as a cool touch on a hot forehead.

"Poor Little Boy Blue! I thought something was wrong. I should feel a keener anxiety, were the hot buttered-toast less obviously consoling."

"I'll jolly well never go again," said the Boy, with indignation. "Not me!"

"Before you were born, Boy; when I went to school," said Miss Charteris, "we were taught to say 'Not _I_.' And if you were to tell me where you have been, on this Sabbath afternoon, I might be able to give you more intelligent sympathy."

"I've been to a drawing-room meeting," said the Boy, "and I've heard a woman hold forth. For an hour and a quarter, I've sat stuffed up, breathing the atmosphere of other people's go-to-meeting clothes, and heard a good lady go meandering on, while I had no room for my legs."

"I thought you seemed finding them extra long, Boy. Why did you go to a drawing-room meeting?"

"I went," said the Boy, "because the dear old thing in whose house it was held asked me to go. She used to know my mother. When I was at Trinity she looked me up, often invited me to her charming home, gave me excellent little dinners, followed by the kindest, nicest, most nervous little preachments. Don't look amused, dear. I never failed to profit. I respected her for it. She is as good and genuine as they make 'em; and if _she_ had stood up this afternoon, with her friendly smile, and dear shaky old voice, and given us an exposition of the twenty-third Psalm, we should have all come away quite 'good and happy.' Instead of which--oh, my wig!"

The Boy took an explosive bun, and put it whole into his mouth. "The only way to manage them on Sunday," he explained, as soon as speech was possible, "when sweeping is not the right thing. But let us hope Mollie's papa's 'clerical brethren' won't find it out. There would certainly be less conversation and fewer crumbs, but no fun at all."

"I don't think you need be afraid, Boy dear. Even should such a way out of the difficulty occur to them, I am inclined to think they would prefer the explosion, to the whole bun at a mouthful. It has a rather startling effect, you know, until one gets used to seeing it done. I can't quite imagine an archdeacon doing it, while standing on the hearthrug in conversation with my brother. Now tell me what the good lady said, which you found so trying."

"Oh, she meandered on," grumbled the Boy. "She told us all we should have been, if we had not been what we were; and all we might be, if we were not what we are; and all we shall be, when we are not what we are! She implored us to consider, and weigh well, _where_ we should go, if, by a sudden and unexpected dispensation of Providence, we ceased to be where we then were. I jolly well knew the answer to _that_; for if Providence had suddenly dispensated--which it didn't, for a good three-quarters of an hour--I should have been here, _here_, HERE, as fast as my best Sunday boots could carry me!" His brown eyes softened. "Ah, think what '_here_' means," he said. "Think! 'Here' means _You_!"

But Miss Charteris did not wish the conversation to become too meltingly personal.

"What else did she say, Boy?"

He consulted the mulberry leaves, then bounded in his chair. "Ha, I have it! I kept this tit-bit for you. She used an astronomical illustration, I haven't the least idea apropos of what, but she told us exactly how many millions of miles the sun is from the earth; and then she smiled upon us blandly, and said: 'Or is it billions?' Think of that! She said: '_Or is it billions?_' in exactly the same tone of voice as she might have said of the bonnet she had on: 'I bought it, at a sale, for elevenpence three farthings, _or was it a shilling_?'"

"Oh, Boy, you really _are_ naughty! I never connected you with personal sarcasm."

"Yes, but that sort of woman shouldn't," complained the Boy. "And with half Cambridge sitting listening. 'Millions, or is it billions?' Oh lor!"

"Poor thing!" remarked Miss Charteris. "She could not have known that she had in the audience a person who had only just avoided the drawback to future enterprise, of being Senior Wrangler. Had she realized that, she would have been more careful with her figures."

"Tease away!" said the Boy. "I don't care, now I am safe here. Only I shan't tell you any more."

"I don't want to hear any more, Boy. I always enjoy appreciations, even of things I do not myself appreciate. But non-appreciations do not appeal to me. If a person has meant to be effective and proved inadequate, or tried to do good and done harm, I would rather not know it, unless I can help to put matters right. Have some more tea, Boy; and then I want to talk to you myself. I have something rather special to tell you."

The Boy stood up and brought his cup to the little table. When she had filled it, he knelt on one knee beside her, his elbow on the arm of her chair, and drank his tea there.

"I am sorry, dear," he said, presently. "I won't do it again. Perhaps I listened wrong, because I was bored at being there at all. I say, Christobel--it has just occurred to me--did you know my mother?"

The old garden was very still. A hush, as of the Paradise of God, seemed suddenly to fall upon it. As the Boy asked his quiet question, a spirit seemed to hover, between them and the green dome of mulberry leaves above them, smoothing the Boy's tumbled hair, and touching the noble brow of the woman the Boy loved; a gentle, watching, thankful spirit--eternally remembering, and tenderly glad to be remembered. For a few moments the silence was a silence which could not be broken. The Boy lifted wondering eyes to the moving leaves. Christobel laid her hand upon his, as it gripped her chair. An unseen voice seemed to whisper to the Boy--not in the stern tones of the Church, but as an eager, anxious, question: "Wilt thou--have--this woman--to be thy wedded wife?" And silently the Boy replied: "Please God, I will"; and, bending, kissed the hand resting on his.

The spell lifted. Christobel spoke.

"Yes, Boy dear, I knew her. I have often wondered whether I might tell you. She and my mother were dear friends. I was thirteen when she died. You were three, poor Little Boy Blue! Two things I specially remember about your mother: the peculiar radiance of her face--a light from within, shining out; and the fact that when she was in a room the whole atmosphere seemed rarefied, beautified, uplifted. I think she lived very near heaven, Boy; and, like Enoch, she walked straight in one day, and came back no more. She 'was not'; for God took her."

Another long holy silence. The mulberry leaves were still. Then the Boy said, softly: "Some day, will you tell me heaps more--details--lots of little things about her? No one ever has. But I seem almost to begin to remember her, when you talk of her. Meanwhile, may I show you this?"

He drew from the inner pocket of his coat, a small well-worn pocket-Bible. Opening it at the fly-leaf, he passed it to Miss Charteris.

"It was hers," he said.

She bent over it and read the inscription:

_M. A. Chelsea_

"_Through faith and patience inherit the promises._"

Below, in a delicate writing, traced by a hand that trembled:

_To my Baby Boy from his Mother_

"_I have prayed for thee, that thy faith fail not._"

She looked at it in silence. How much had this book meant during all these years, to the "Baby Boy"? Had the book in his pocket, and the prayers hovering about him, something to do with the fact that he was still--just Little Boy Blue?

The Boy had taken a fountain pen from his pocket, and was shaking it vigorously over the grass.

Now he passed it to her.

"Write your dear name beneath," he said.

Infinitely touched, she made no comment, raised no question. She took the pen, and wrote just "_Christobel_."

* * * * *

"_And the evening and the morning were the fourth day._"

* * * * *

THE FIFTH DAY

GUY CHELSEA TAKES CONTROL

"Now, Sir Boy," said Miss Charteris with decision, "this is your fifth day. Our time is nearly over. You have done most of the talking. You have had things entirely your own way. What? ... Oh, well, _almost_ entirely your own way. I have allowed you to play your Old Testament game to your heart's content. With commendable adaptability, _I_ have been Jericho, and _you_ have marched round. I have been Jericho in my own garden, and have refreshed the invading army with hot buttered-toast and explosive buns. Now it is my turn to take the initiative. Jenkins having removed the tea, and it being too hot for tennis, I am going to ask you to sit still, while I explain to you quite clearly why I must send you away at the close of the seventh day."

She tried to hide her extreme trepidation beneath a tone of gay banter. She hoped it did not sound as forced to him as it did to herself. The Boy's clear eyes were fixed upon her. Had he noticed the trembling of her hands, before she steadied them by laying hold of the arms of her chair?

"So now for a serious talk, if you please, Sir Boy."

"Excuse me, dear," said the Boy, "the Israelites were not allowed to parley."

"You need not parley," said Miss Charteris; "you are requested merely to listen. You may smoke if you like. I understand cigarette smoke is fatal to black-beetles. Possibly it has the same effect on garden insects. Russell tells me we are overrun by snails. Smoke, Boy, if you like."

"Dear," said the Boy, his head thrown back, his hands thrust deep into his coat pockets, "I never have the smallest desire to smoke in your presence. I should feel as if I were smoking in church."

"Oh, you dear amazing altogether absurd boy! Don't look at me like that. And don't say such unexpected things, or I shall be unable to parley satisfactorily."

"When _I_ went to school," remarked the Boy, "and you were an engaging little girl in a pigtail, I was taught to say: 'Do not look at me _thus_'; at least, masters frequently appeared to think it necessary to make that remark to me. I can't imagine why; because they were not specially worth looking at; excepting that a very large person, in a very angry condition, always presented a spectacle of extreme interest to my juvenile mind. It was so fascinating to watch and see what they would do next. They were like those wooden monkeys and bears you buy in Swiss shops, don't you know? You pull a hanging string, and their legs and arms jump about unexpectedly. One always felt a really angry grown-up was a mere puppet. Unseen fingers were pulling the string; and it was funny to watch. There was an exciting element of danger, too; because sometimes a hand jerked up and boxed your ears."

"Little Boy Blue," she said, "it must have been quite impossible ever to be _mildly_ angry with you. Either one would have waxed impotently furious; or one would have wanted to--to hug you!"

The Boy leapt up.

"Sit down," said Miss Charteris, "or I shall send you away. And I do not wish to do that; because I have quite made up my mind to tell you to-day, a thing which I suppose I ought to have told you long ago; and I tried to do so, Boy; but somehow you always made it impossible. I want to--to tell you about--the Professor." She paused.

It was so very difficult. It was like rolling a heavy stone up a steep hill. And the Boy made no attempt to help her. He lay back with an exaggerated display of resignation. He looked at her with sleepy, amused eyes. And he asked no questions. The army of Israel obviously declined to parley.

"I have long felt I ought to tell you about the Professor," continued Miss Charteris.

The Boy sighed. "I think I jolly well know all there is to know about professors," he said.

"Not about this one," explained Miss Charteris. "He is _my_ Professor."

"Oh, if he's _your_ Professor," said the Boy, sitting up, "of course I am interested. But I am not sure that I approve of you having a tame Professor; especially when it arrives in goloshes, and leaves them in the hall."

"I am afraid nobody will ask whether you approve or not, Little Boy Blue. The Professor has been a great friend of mine during nearly twelve years; and I think I am possibly--in fact, very probably--going to marry the Professor."

"Really?" said the Boy. "May I ask when he proposed?"

"He has not proposed, Boy."

The Boy produced his pocket-book, took out a calendar, and studied it attentively.

"Then I'm afraid you will have some time to wait," he said. "It will not be leap year again until 1912."

This sounded impertinent; but the Boy could no more have been guilty of intentional impertinence toward her, than he could have picked her pocket; and Miss Charteris knew it. There was one thing of which those who had dealings with Christobel Charteris could always be sure--absolute justice. She had seen the Boy's face whiten suddenly, to a terrible pallor, beneath his tan. She knew he was making a desperate fight for self-control. How best could she help? Her own part seemed almost more than she could manage.

"Come here, Boy dear," she said, holding out her hand.

He hesitated one instant; then rose unsteadily to his feet, and came--not to his usual place at the side, bending over her; but in front of her, on one knee, silently waiting.

She bent forward. "Take my hand, Boy."

He took it, in a firm unhesitating clasp. They held each other so, in silence. The colour came back into the Boy's face. The dumb horror died out of his eyes. They smiled into hers again.

"Now promise me, Boy dear, that you will let me tell you all; and that you will try not to misunderstand."

"My dearest," said the Boy, "I promise. But I do not need to say I will try not to misunderstand. I could not misunderstand you, if I tried."

"Then go back to your chair, Boy."

He went. His eyes were bright again.

"Boy, please to understand that I am not engaged to the Professor. Of course, had that been the case, I should have told you, long ago. He has never said one word to me of love or marriage. But he has been a great friend--an intimate friend, intellectually; and I have reason to know that he wishes--has wished for years--a good deal more than he has ever expressed to me. He has waited, Boy; and when anybody has waited nearly twelve years, could one fail them?"