Chapter XVII

The symbols of Honour and Glory and Time that looked so handsome in the flooding sunlight of the _Titanic's_ stairway lie crushed into unrecognizable shapes and splinters beneath the tonnage of two thousand fathoms of ocean water. Time is no more for the fifteen hundred souls who perished with them; but Honour and Glory, by strange ways and unlooked-for events, have come into their own. It was not Time, nor the creatures and things of Time, that received their final crown there; but things that have nothing to do with Time, qualities that, in their power of rising beyond all human limitations, we must needs call divine.

The _Titanic_ was in more senses than one a fool's paradise. There is nothing that man can build that nature cannot destroy, and far as he may advance in might and knowledge and cunning, her blind strength will always be more than his match. But men easily forget this; they wish to forget it; and the beautiful and comfortable and agreeable equipment of this ship helped them to forget it. You may cover the walls of a ship with rare woods and upholster them with tapestries and brocades, but it is the bare steel walls behind them on which you depend to keep out the water; it is the strength of those walls, relatively to the strength of such natural forces as may be arrayed against them, on which the safety of the ship depends. If they are weaker than something which assails them, the water must come in and the ship must sink. It was assumed too readily that, in the case of the _Titanic_, these things could not happen; it was assumed too readily that if in the extreme event they did happen, the manifold appliances for saving life would be amply sufficient for the security of the passengers. Thus they lived in a serene confidence such as no ship's company ever enjoyed before, or will enjoy again for a long time to come. And there were gathered about them almost all those accessories of material life which are necessary to the paradise of fools, and are extremely agreeable to wiser men.

It was this perfect serenity of their condition which made so poignant the tragedy of their sudden meeting with death--that pale angel whom every man knows that he must some day encounter, but whom most of us hope to find at the end of some road a very long way off waiting for us with comforting and soothing hands. We do not expect to meet him suddenly turning the corner of the street, or in an environment of refined and elegant conviviality, or in the midst of our noonday activities, or at midnight on the high seas when we are dreaming on feather pillows. But it was thus that those on the _Titanic_ encountered him, waiting there in the ice and the starlight, arresting the ship's progress with his out-stretched arm, and standing by, waiting, while the sense of his cold presence gradually sank like a frost into their hearts.

To say that all the men who died on the _Titanic_ were heroes would be as absurd as to say that all who were saved were cowards. There were heroes among both groups and cowards among both groups, as there must be among any large number of men. It is the collective behaviour and the general attitude towards disaster that is important at such a time; and in this respect there is ample evidence that death scored no advantage in the encounter, and that, though he took a spoil of bodies that had been destined for him since the moment of their birth, he left the hearts unconquered. In that last half-hour before the end, when every one on the ship was under sentence of death, modern civilization went through a severe test. By their bearing in that moment those fated men and women had to determine whether, through the long years of peace and increase of material comfort and withdrawal from contact with the cruder elements of life, their race had deteriorated in courage and morale. It is only by such great tests that we can determine how we stand in these matters, and, as they periodically recur, measure our advance or decline. And the human material there made the test a very severe one; for there were people on the _Titanic_ who had so entrenched themselves behind ramparts of wealth and influence as to have wellnigh forgotten that, equally with the waif and the pauper, they were exposed to the caprice of destiny; and who might have been forgiven if, in that awful moment of realization, they had shown the white feather and given themselves over to panic. But there is ample evidence that these men stood the test equally as well as those whose occupation and training made them familiar with the risks of the sea, to which they were continually exposed, and through which they might reasonably expect to come to just such an end. There was no theatrical heroism, no striking of attitudes, or attempt to escape from the dread reality in any form of spiritual hypnosis; they simply stood about the decks, smoking cigarettes, talking to one another, and waiting for their hour to strike. There is nothing so hard, nothing so entirely dignified, as to be silent and quiet in the face of an approaching horror.

That was one form of heroism, which will make the influence of this thing deathless long after the memory of it has faded as completely from the minds of men as sight or sign of it has faded from that area of ocean where, two miles above the sunken ship, the rolling blue furrows have smoothed away all trace of the struggles and agonies that embittered it. But there was another heroism which must be regarded as the final crown and glory of this catastrophe--not because it is exceptional, for happily it is not, but because it continued and confirmed a tradition of English sea life that should be a tingling inspiration to everyone who has knowledge of it. The men who did the work of the ship were no composite, highly drilled body like the men in the navy who, isolated for months at a time and austerely disciplined, are educated into an _esprit de corps_ and sense of responsibility that make them willing, in moments of emergency, to sacrifice individual safety to the honour of the ship and of the Service to which they belong. These stokers, stewards, and seamen were the ordinary scratch crew, signed on at Southampton for one round trip to New York and back; most of them had never seen each other or their officers before; they had none of the training or the securities afforded by a great national service; they were simply--especially in the case of the stokers--men so low in the community that they were able to live no pleasanter life than that afforded by the stokehold of a ship--an inferno of darkness and noise and commotion and insufferable heat--men whose experience of the good things of life was half an hour's breathing of the open sea air between their spells of labour at the furnaces, or a drunken spree ashore whence, after being poisoned by cheap drink and robbed by joyless women of the fruits of their spell of labour, they are obliged to return to it again to find the means for another debauch. Not the stuff out of which one would expect an austere heroism to be evolved. Yet such are the traditions of the sea, such is the power of those traditions and the spirit of those who interpret them, that some of these men--not all, but some--remained down in the _Titanic's_ stokeholds long after she had struck, and long after the water, pouring like a cataract through the rent in her bottom and rising like a tide round the black holes where they worked, had warned them that her doom, and probably theirs, was sealed.

In the engine-room were another group of heroes, men of a far higher type, with fine intelligences, trained in all the subtleties and craft of modern ships, men with education and imagination who could see in their mind's eye all the variations of horror that might await them. These men also continued at their routine tasks in the engine room, knowing perfectly well that no power on earth could save them, choosing to stay there while there was work to be done for the common good, their best hope being presently to be drowned instead of being boiled or scalded to death. All through the ship, though in less awful circumstances, the same spirit was being observed; men who had duties to do went on doing them because they were the kind of men to whom in such an hour it came more easily to perform than to shirk their duties. The three ship's boys spent the whole of that hour carrying provisions from the store-room to the deck; the post-office employés worked in the flooded mail-room below to save the mail-bags and carry them up to where they might be taken off if there should be a chance; the purser and his men brought up the ship's books and money, against all possibility of its being any use to do so, but because it was their duty at such a time to do so; the stewards were busy to the end with their domestic, and the officers with their executive, duties. In all this we have an example of spontaneous discipline--for they had never been drilled in doing these things, they only knew that they had to do them--such as no barrack-room discipline in the world could match. In such moments all artificial bonds are useless. It is what men are in themselves that determines their conduct; and discipline and conduct like this are proofs, not of the superiority of one race over another, but that in the core of human nature itself there is an abiding sweetness and soundness that fear cannot embitter nor death corrupt.

* * * * *

The twin gray horses are still at their work in Belfast Lough, and on any summer morning you may see their white manes shining like gold as they escort you in from the sunrise and the open sea to where the smoke rises and the din resounds.

For the iron forest has branched again, and its dreadful groves are echoing anew to the clamour of the hammers and the drills. Another ship, greater and stronger even than the lost one, is rising within the cathedral scaffoldings; and the men who build her, companions of those whom the _Titanic_ spilled into the sea, speak among themselves and say, "this time we shall prevail."

_May 1912._

A TABLE

SHOWING THE LOSS OF LIFE ON THE _TITANIC_

FIRST CLASS
Per cent.
Carried. Saved. Lost. saved.

Men 173 58 115 34
Women 144 139 5 97
Children 5 5 0 100
--- --- --- ---
Total 322 202 120 63

SECOND CLASS
Per cent.
Carried. Saved. Lost. saved.

Men 160 13 147 8
Women 93 78 15 84
Children 24 24 0 100
--- --- --- ---
Total 277 115 162 42

THIRD CLASS
Per cent.
Carried. Saved. Lost. saved.

Men 454 55 399 12
Women 179 98 81 55
Children 76 23 53 30
--- --- --- ---
Total 709 176 533 25

TOTAL PASSENGERS
Per cent.
Carried. Saved. Lost. saved.

Men 787 126 661 16
Women 416 315 101 76
Children 105 52 53 49
---- --- --- ---
Total 1308 493 815 38

CREW

Per cent.
Carried. Saved. Lost. saved.

Men 875 189 686 22
Women 23 21 2 91
--- --- --- ---
Total 898 210 688 23

TOTAL PASSENGERS AND CREW
Per cent.
Carried. Saved. Lost. saved.

Men 1662 315 1347 19
Women 439 336 103 77
Children 105 52 53 49
---- --- ---- ---
Total 2206 703 1503 32

CHISWICK PRESS: PRINTED BY CHARLES WHITTINGHAM AND CO.
TOOKS COURT, CHANCERY LANE, LONDON.

BY THE SAME AUTHOR

CHRISTOPHER COLUMBUS AND THE NEW WORLD OF HIS DISCOVERY.

With Frontispiece in colour by Norman Wilkinson. Portrait, Maps, Illustrations, Appendices and a Note on the Navigation of Columbus's First Voyage by the Earl of Dunraven, K.P. Large Post 8vo, cloth, gilt. 7_s._ 6_d._ net. (Third Edition.)

Mr. Henry Vignaud, late Secretary of the American Embassy and distinguished historian of Columbus, says:

"_In this book the hero who discovered the New World is shown for the first time as a living man.... A more true and lively picture of the great discoverer than is contained in any other work._"

"Mr. Filson Young has done nothing better ... there is not a dull page in the seven hundred. His descriptions of visible things, of streets and hills, and seas and men, are vivid in his accustomed manner. His narrative is rich and marching, yet sufficiently precise.... For the modern taste there is really nothing about Columbus to compare with Mr. Young's for matter and style."--_The Morning Post._

"If these volumes do not bring the figure of Columbus into closer relation with the mind of the present generation, it must be because people simply do not care to learn about anything that lies a few yards beyond their own thresholds. Our hope, however, is better; and we imagine that there will be a wide public for a narrative so fresh and spirited.

"Mr. Filson Young tells his story, without turning to the right hand or to the left, in a free and fluent fashion.... Very vigorous too are the passages dealing with his voyages, for Mr. Filson Young has drunk deep of the spirit of the sea and nowhere writes so well as in his account of the seafarer's business in great waters.... The book abounds in interludes of suggestive thought and clear, vigorous expression. But, the book must be commended for the keen, eager spirit of its narrative and the abounding interest of its romances. If all gleaners in the field of history were as skilful as Mr. Young, we should not hear so much about the dry-as-dust dullness of what ought to be always one of the most fascinating forms of literary art."

Mr. W. L. Courtney in _The Daily Telegraph_.

"Mr. Young has given us an estimate of the man which is attractive and poetical. His account of the four voyages to the Indies is a romance of the sea.... His book is a book of colour and the spirit of adventure. We delight in that vision of his which shows to others the world and the sea and the strange 'Indias' very much as Columbus saw them, with his keen eyes, four centuries ago."--_The Manchester Guardian._

"History clothed with a gracious humanity ... history that has reality and life ... not a mere record of his acts, but a reconstruction of the man who died four centuries ago, so that at the end of the book we feel that we have known and spoken with Columbus.... Breathes interest from every page."--_The Daily Chronicle._

"He writes with charm, with colour, and with humour ... very readable and eloquent.... We can give but a little quotation to show Mr. Young's eloquence, but we can assure the reader that he has many passages that set one longing for the sea."--Mr. John Masefield in _The Tribune._

"It is almost impossible to do justice to the splendour and romance of these two finely produced volumes.... 'Charity, truth, and justice,' that is the meed Columbus has from Mr. Filson Young, whose book--austere, dignified, stately--forms by far the most striking and vivid portrait of the hero in our language."--_The Morning Leader._

"To write a new book on Columbus seems a daring project; so many folios have already been dedicated to his life. Mr. Young has justified himself; so many books on the Genoese sailor have been either unexpectedly dull or painfully inaccurate. Mr. Young is neither; in a style pleasant and lucid he has set before us with vigour the period and the setting of these famous voyages. In his pages we can enter into the feelings and aspirations of those Western seamen."--_The Pall Mall Gazette._

GRANT RICHARDS, LTD. 7, CARLTON ST. LONDON, S.W.

THE GRANT RICHARDS BOOKS
BEING A COMPLETE CATALOGUE
OF THE BOOKS PUBLISHED BY
GRANT RICHARDS, LTD.
7 CARLTON STREET
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1912

7 Carlton Street, London, S.W.

=Ade, George.=

-- In Pastures New. Illustrated. 6s.

=Androutsos, Chrestos.=

-- The Validity of English Ordinations. Translated and Edited by F. W. Groves Campbell, LL.D. Crown 8vo. cloth, 3s. 6d. net.

=Æschylus.=

-- The Agamemnon of Æschylus. Translated by Arthur Platt, M.A. Fcap. 8vo. cloth, 2s. 6_d._ net.

=Æsop.=

-- Æsop's Fables. With many illustrations in colour and in black and white by J. M. Condé. Medium 8vo. cloth, 5s. net.

=Aflalo F. G.=

-- The Call of the Sea: A Prose Anthology. With End-papers in colour by William Hyde. Fcap. 8vo. Cloth gilt, 4s. net. Persian yapp, in box, 5s. net.

=Aix.=

-- The Adventures of a Nice Young Man. 6s.

=Allen, Grant.=

-- Evolution in Italian Art. With an introduction by J. W. Cruickshank. Illustrated. Pott 4to. cloth gilt, 10s. 6d. net.

-- Grant Allen's Historical Guides. Fcap. 8vo. Cloth. Each 3s. 6d. net.
Paris. By Grant Allen. Illustrated. [_Fifth Edition._
Florence. By Grant Allen. Illustrated. [_Fifth Edition._
Cities of Belgium. By Grant Allen. [_Third Edition._
Venice. By Grant Allen. Illustrated. [_Fourth Edition._
Cities of Northern Italy. By G. C. Williamson, D.L. [_Second
Edition._
The Umbrian Towns. By J. W. Cruickshank.
Classical Rome. By H. Stuart Jones.
Christian Rome. By J. W. Cruickshank. Illustrated. [_Second
Edition._
Smaller Tuscan Towns. By J. W. Cruickshank. [_In preparation._

-- The Woman Who Did. New edition. With frontispiece by Frank Haviland. 3s. 6d.

=Anon.=

-- A Babe Unborn. 6s.

=Anonymous.=

-- The Future Prime Minister. 2s. 6d. net.

=Applin, Arthur.=

-- The Children of the Gutter. 6s.

-- The Butcher of Bruton Street. With frontispiece in colour by Frank Haviland. 6s.

=Aristophanes.=--_See under_ Richards, Herbert, M.A.

=Atkey, Bertram.=

-- Easy Money. With 36 Illustrations by G. L. Stampa. 6s.

-- Folk of the Wild: A Book of the Forests, the Moors and the Mountains, of the Beasts of the Silent Places, their Lives, their Doings and their Deaths. With 31 Illustrations by Harry Rountree. Crown 8vo. Cloth. 6s. [_Out of print._

=Ault, Lena and Norman.=

-- The Podgy Book of Tales. With 16 Illustrations in Colour and over 100 in black and white. Demy 16mo. Cloth. 2s. 6d. net. [_Out of print._

=Barrington, Rutland.=

-- Rutland Barrington: a Record of Thirty-five Years on the Stage. Illustrated. Large post 8vo. Cloth. 7s. 6d. net. [_Out of print._

-- More Rutland Barrington. Illustrated. Large post 8vo. Cloth gilt. 7s. 6d. net.

=Barzini, Luigi.=

-- Pekin to Paris: An Account of Prince Borghese's Journey across two Continents in a Motor Car. With an Introduction by Prince Borghese. Illustrated. Demy 8vo. Cloth gilt. 16s. net.

=Bates, Katherine L.=

-- From Gretna Green to Land's End. Illustrated. Demy 8vo. Cloth gilt. 7s. 6d. net. [_Out of print._

=Bax, Ernest Belfort.=

-- The Last Episode of the French Revolution: Being a History of Gracchus Babeuf and the Conspiracy of the Equals. With Portrait. Cloth. Large post 8vo. 5s. net.

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=Baxter, Richard.=

-- The Saints' Everlasting Rest. Edited by the Rev. William Young. With portrait. Large post 8vo. Half-leather. 7s. 6d. net.

=Bedford, F. D.=

-- A Night of Wonders. Illustrated in Colours. Fcap. 8vo. oblong. 3s. 6d. net.

=Bisgood, Mary.=

-- Powder and Jam. With 32 Illustrations in Colour. Crown 8vo. oblong. Cloth. 2s. net.

=Blake, William.= _See under_ Venetian Series, The.

=Blyth, James.=

-- The Same Clay. 6s.--Cheap Edition. Crown 8vo. Sewed, 1s. net.

=Booth, Edward C.=

-- The Doctor's Lass. 6s. [_Second Edition._

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=Braithwaite, W. S.=

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=Browne, Sir Thomas.=

-- Religio Medici, Urn Burial and an Essay on Dreams. With Frontispiece. Pott 8vo. Leather gilt, 3s. net. Cloth gilt, 2s. net.

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-- The Broken Law. Illustrated. 6s.

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=Burroughs, D.=

-- Jack the Giant-killer, Junior. With 11 Illustrations. Fcap. 4to. Cloth. 3s. 6d. net.

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=Caldbeck, Major Roper.=

-- The Nation and the Army. Crown 8vo. Cloth. 2s. 6_d._ net.

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-- Apollonius of Tyana. With an Introduction by Ernest Oldmeadow. Crown 8vo. Cloth. 3s. 6d. net.

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=Casson, Herbert N.=

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-- The Gentle Shepherd. Fcap. 8vo. Cloth. 3s. 6d. net. [_Out of print._

=Cawein, Madison.=

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=Copping, Arthur E.=

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=ELIZABETHAN CLASSICS, THE.=

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=Galsworthy, John.=

-- A Commentary. 3s. 6d.

=Garvey, Ina.=

-- A Comedy of Mammon. 6s.

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-- The Individualist. 6s.

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=Godfrey-Faussett, Mabel.=

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=Hamilton, Clayton.=

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=Hart, W. C.=

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=Hawker, C. E.=

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=Henland, Cecil.=

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=Henshall, James A.=

-- Favourite Fish and Fishing. With 37 Illustrations. Crown 8vo. Cloth. 3s. 6d. net.

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=Hodder, Reginald.= _See under_ Turner, Edgar.

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=Howden, J. R.=

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-- The Boys' Book of Warships. Illustrated. Large post 8vo. Cloth. 6s. [_In preparation._

=Hudson, C. B.=

-- The Crimson Conquest. 6s.

=Hume, Major Martin.=

-- Queens of Old Spain. Illustrated. Demy 8vo. Cloth gilt. 15s. net.

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=Ibsen.= _See under_ Macfall, Haldane.

=Irving, Washington.=

-- The Legend of Sleepy Hollow. With illustrations in colour by Arthur I. Keller. Pott 4to. Cloth. 5s. net.

=Jackson, Holbrook.=

-- Romance and Reality: Essays and Studies. Crown 8vo. Cloth. 3s. 6d. net.

-- Bernard Shaw. Illustrated. Small crown 8vo. Cloth gilt. 5s. net. Cheap edition, crown 8vo. sewed, 1s. net.

-- _See also under_ Temple of Fame Series.

=Jarrott, Charles.=

-- Ten Years of Motors and Motor Racing. Illustrated. Demy 8vo. Cloth gilt. 12s. 6d. net.

=Job, Herbert R.=

-- The Sport of Bird Study. Illustrated. Fcap. 4to. Cloth gilt. 7s. 6d. net. [_Out of print._

=Jones, P. F.=

-- Shamrock Land. With 48 illustrations. Demy 8vo. Cloth gilt. 10s. 6d. net.

=Jones, Stuart H.=--_See under_ Allen, Grant, Historical Guides.

=Kephart, Horace.=

-- The Book of Camping and Woodcraft. Illustrated. Fcap. 8vo. Cloth gilt. 4s. net.

=Kerr, Joe.=

-- Mister Sharptooth. Illustrated in colour by R. H. Porteus. Crown 4to. Cloth. 2s. 6d. net.

='Kottabos.'=

-- Echoes from Kottabos. Edited by R. Y. Tyrell, Litt.D., LL.D., and Sir Edward Sullivan, Bart. Pott 4to. Half buckram gilt. 7s. 6d. net. [_Out of print._

=Lawton, Frederick.=

-- The Third French Republic. Illustrated. Demy 8vo. Cloth gilt. 12_s._ 6_d._ net.

-- Balzac. Illustrated. Demy 8vo. Cloth gilt. 12_s._ 6_d._ net.

-- _See also under_ Cain, Georges, and Masters of Art Series.

=Lawton, Lancelot.=

-- Empires of the Far East: A Study of Japan and its Possessions, of China, Manchuria, and Korea, and of the Political Questions of Eastern Asia and the Pacific. Two volumes. Demy 8vo. cloth gilt, with Maps. 24_s._ net. [_In preparation._

-- The Japanese Spy. With frontispiece in colour by Frank Haviland. 6s.

=Leblanc, Maurice.=

-- Arsène Lupin versus Holmlock Shears. Translated by A. Teixeira de Mattos. 6_s._

=Lee, Gerald Stanley.=

-- Inspired Millionaires: A Story of the Professional Point of View in Business. Crown 8vo. Cloth. 3s. 6d. net.

=Lee, Vernon.=--_See under_ Omar Series, The.

=Lefèvre, Félicité.=

-- The Cock, the Mouse, and the Little Red Hen. With 24 full-page pictures in colour by Tony Sarg. Large post 8vo. Cloth. 1s. 6d. net. [_Out of print._

=Le Gallienne, Richard.=

-- Omar Repentant. Fcap. 8vo. oblong. 2s. net.

=Level, Maurice.=

-- The Grip of Fear. 6s.

=Leverson, Ada.=

-- The Limit. With frontispiece in colour. 6s. [_Second Edition._

-- Love's Shadow. With frontispiece in Colour. 6s.

-- The Twelfth Hour. With Frontispiece in colour by Frank Haviland. 6s. [_Second Edition._

=Longfellow.=

-- The Courtship of Miles Standish. Illustrated in colours by H. C. Christy. Fcap. 4to. Cloth gilt. 7s. 6d. net. [_Out of print._

-- Evangeline. Illustrated in colours by H. C. Christy. Fcap. 4to. Cloth gilt. 7s. 6d. net. [_Out of print._

-- Hiawatha. With sixty-eight pictures in colour and in black-and-white by Harrison Fisher. Fcap. 4to. Cloth gilt. 7s. 6d. net.

=McCormick, Frederick.=

-- The Tragedy of Russia in Pacific Asia. With reproductions of drawings by the author, photographs, and maps. Two volumes. Royal 8vo. Cloth gilt. 21s. net.

=McCutcheon, G. B.=

-- Jane Cable. Illustrated. 6s. [_Out of print._

-- Nedra. 6s. [_Out of print._

=Macfall, Haldane.=

-- Ibsen: His Life, Art, and Significance. Illustrated by Joseph Simpson. Imperial 16mo. 5s. net.

=Machen, Arthur.=

-- The Hill of Dreams. With frontispiece by S. H. Sime. 6s.

-- The House of Souls. With frontispiece by S. H. Sime. 6s.

=McLaren, Lady.=

-- The Women's Charter of Rights and Liberties. Crown 8vo. Paper covers. 6d. net.

=Malcolm, Ian.=

-- Indian Pictures and Problems. Illustrated. Demy 8vo. Cloth gilt. 10s. 6d. net. [_Out of print._

=Masefield, John.=

-- Multitude and Solitude. 6s.

-- Captain Margaret. 6s.

-- A Tarpaulin Muster. 3s. 6d. [_Out of print._

-- The Tragedy of Nan, &c. Large post 8vo. Paper boards. 3s. 6d. net. Cheap Edition. Fcap. 8vo. sewed, 1s. 6d. net. [_Second Edition._

-- _See also under_ Dampier, Captain William.

=Mauzens, Frederic.=

-- The Living Strong Box. Illustrated. 6s.

=Mason, Stuart.= _See under_ Wilde, Oscar.

=Maxwell, Gerald.=

-- The Miracle Worker. With frontispiece in colour by Frank Haviland. 6s. [_Out of print._

=Meredith, George.= _See under_ Hammerton, J. A.

=Moore, R. Hudson.=

-- Children of Other Days. Illustrated. Crown 4to. Cloth. 4s. 6d. net. [_Out of print._

=Murray, Kate.=

-- The Blue Star. 6s.

=MASTERS OF ART SERIES.= Illustrated. Pott 8vo. Persian yapp, 3_s._
6_d._ net. Lambskin gilt, each 3s. net. Cloth gilt, 2s. net.
I. G. F. Watts: A Biography and an Estimate. By J. E. Phythian.
[_Third Edition._
II. Rodin. By Fredk. Lawton.
III. Burne-Jones. By J. E. Phythian.
IV. Rossetti. By Frank Rutter.
V. Turner. By J. E. Phythian.
VI. Whistler. By Frank Rutter.

=Montaigne, Michael Lord of.= _See under_ Elizabethan Classics, The.

=Napoleon.=

-- The Corsican: A Diary of Napoleon's Life in his own Words. Large post 8vo. Cloth gilt. 7s. 6d. net.

=Oldmeadow, Ernest.=

-- Portugal. With 32 illustrations. Demy 8vo. Cloth gilt. 10s. 6d. net. [_In preparation._

-- Day. With frontispiece in colour. 6s.

-- Antonio. With frontispiece in colour by Frank Haviland. 6s.

-- Aunt Maud. With frontispiece in colour by Frank Haviland. 6s.

-- The Scoundrel. With frontispiece in colour by Frank Haviland. 6s.

-- Susan. With frontispiece in colour by Frank Haviland. 6s.--Cheap Edition. Crown 8vo. sewed, 1s. net. [_Fourth Edition._

-- The North Sea Bubble: A Fantasia. Illustrated. 6s. [_Out of print._

-- _See also under_ Temple of Fame, The.

=Olmsted, Millicent.=

-- The Land of Never Was. With 12 illustrations in colour. Fcap. 4to. Cloth. 3s. 6d. net.

=OMAR SERIES, THE.=--Royal 32mo. persian yapp gilt, each 1s. 6d. net; leather gilt, 1s. net; cloth gilt, 6d. net.

-- The Rubáiyát of Omar Khayyám.

-- A Shropshire Lad. By A. E. Housman.

-- Early Poems of D. G. Rossetti.

-- The Song of Songs.

-- Sister Benvenuta and the Christ Child. By Vernon Lee.

-- English Nature Poems: An Anthology.

-- In Memoriam. By Alfred Lord Tennyson.

-- Love Poems of Herrick: A Selection.

-- Everyman. A Morality Play. [_In preparation._

=Phythian, J. E.=

-- Fifty Years of Modern Painting: Corot to Sargent. Illustrated. Crown 8vo. Cloth gilt. 3s. 6d. net.

-- _See also under_ Masters of Art Series.

=Purdie, Mrs.=

-- Letters from a Grandmother. Illustrated. Crown 8vo. Cloth gilt. 2s. 6d.

=Ravenhill, Alice, and Catherine J. Schiff.=

-- Household Administration: its Place in the Higher Education of Women. Crown 8vo. Cloth gilt. 5s. net.

='Rector and the Rubrics, The.'= By the Author of 'When it was Light.' Crown 8vo. Cloth. 1s. 6d. net. Sewed, 1s. net.

=Richards, Herbert, M.A.=

-- Platonica. Crown 8vo. Cloth. 7s. net.

-- Aristophanes and Others. Crown 8vo. Cloth. 7s. net.

-- Notes on Xenophon and Others. Crown 8vo. Cloth. 6s. net.

=Richardson, Frank.=

-- Love, and Extras. 6s.

=Russell, Charles Edward.=

-- Thomas Chatterton: The Story of a Strange Life, 1752-1770. Illustrated. Demy 8vo. Cloth gilt. 7s. 6d. net.

=Russell, G. W. E.=

-- A Pocketful of Sixpences: A Collection of Essays and Reminiscences. Large post 8vo. Cloth gilt. 7s. 6d. net. [_Out of print._

-- Seeing and Hearing. Large post 8vo. Cloth gilt. 7s. 6d. net. [_Out of print._

-- Some Threepenny Bits. Crown 8vo. Cloth gilt. 3s. 6d. net. [_Out of print._

=Rutter, Frank.=

-- _See under_ Masters of Art Series.

=Saleeby, C. W., M.D.=

-- Health, Strength and Happiness: a Book of Practical Advice. Crown 8vo. Cloth. 6s. net.

=Scarfoglio, Antonio.=

-- Round the World in a Motor-car. With over 70 illustrations. Demy 8vo. Cloth gilt 15s. net.

=Schiff, Catherine J.= _See under_ Ravenhill, Alice.

=Scott, A. MacCallum.=

-- Through Finland to St. Petersburg. Illustrated. Crown 8vo. Cloth. 2s. 6d. net.

=Scott, John Reed.=

-- Beatrix of Clare. Illustrated. 6s.

-- The Colonel of the Red Huzzars. Illustrated. 6s. [_Out of print._

=Scott, Sir Walter.=

-- Sir Walter Scott. Letters Written by Members of his Family to an Old Governess. With an Introduction and Notes by the Warden of Wadham College. Crown 8vo. Cloth. 5s. net. [_Out of print._

=Seccombe, Thomas.=

-- _See under_ Elizabethan Classics, The.

=Sedgwick, S. N.=

-- The Last Persecution. 6s.

=Shaw, Bernard.= _See under_ Jackson, Holbrook.

=Shelley, H. C.=

-- Literary By-paths of Old England. Illustrated. Royal 8vo. Cloth gilt. 12s. 6d. net. [_Out of print._

=Smith, Miriam.=

-- Poems. Fcap. 8vo. Cloth. 2s. 6d. net.

=Sickert, Robert.=

-- The Bird in Song. With Frontispiece. Pott 8vo. Persian yapp, 3s. 6d. net. Lambskin, gilt, 3s. 6d. net. Cloth gilt, 2s. net.

=Smith, Wellen.=

-- Psyche and Soma: A Drama. Fcap. 8vo. Cloth. 3s. 6d. net.

=Sowerby, Githa and Millicent.=

-- _See under_ Grimm's Fairy Tales.

=Sterling, Mary B.=

-- The Story of Sir Galahad. With 7 illustrations in colour by W. E. Chapman. Pott 4to. Cloth. 5s. net.

=Stone, John.=

-- Great Kleopatra: A Tragedy in Three Acts. Large post 8vo. Cloth. 3s. 6d. net.

=Stonham, Charles, C.M.G., F.R.C.S.=

-- The Birds of the British Islands. With over 300 Photogravures by L. M. Medland, F.Z.S. Complete in twenty parts. Royal 4to. 7s. 6d. net each. Five volumes: Buckram gilt, 36s. net each. Half vellum, gilt, 42s. net each. Half seal, gilt, 45s. net each.

=Swan, Mark E.=

-- Top o' the World. With 6 illustrations in colour and many in black and white by Hy. Mayer. Pott 4to. Cloth. 3s. 6d. net.

=TEMPLE OF FAME, THE.= Illustrated. Crown 8vo. Cloth gilt. Each 3s. 6d.
net.
I. Great Musicians. By Ernest Oldmeadow.
II. Great English Poets. By Julian Hill.
III. Great English Novelists. By Holbrook Jackson.
IV. Great English Painters. By Francis Downman.
V. Great Soldiers. By George Henry Hart.

=Thomas, Edward.=

-- The Pocket Book of Poems and Songs for the Open Air. With End-papers in Colour by William Hyde. Fcap. 8vo. Cloth gilt, 4s. net. Persian yapp, in box, 5s. net.

=Thomas, Rose Haig.=

-- The Doll's Diary. With 24 illustrations by John Hassall. Crown 4to. 5s. net. [_Out of print._

=Thorburn, A.=

-- _See under_ Grant Richards's Nursery Library.

=Thorne, Guy.= _See under_ Duncan, Stanley.

=Troly-Curtin, Marthé.=

-- Phrynette and London. 6s. [_Third Edition._

=Troubetskoy, Prince Pierre.=

-- The Passer-By. 6s.

=Tweedale, Rev. C. L.=

-- Man's Survival after Death. Crown 8vo. Cloth. 6s. net.

=Tyler, Royall.=

-- Spain: A Study of her Life and Arts. With 130 Illustrations in half-tone. Demy 8vo. Cloth gilt. 12s. 6d. net [_Out of print._

=Trafford-Taunton, Winefride.=

-- Igdrasil 6s. [_Out of print._

=Turner, Edgar, and Reginald Hodder.=

-- The Armada Gold. 6s.

=Vance, Louis J.=

-- The Bronze Bell. 6s.

-- The Black Bag. Illustrated. 6s.

-- The Brass Bowl. Illustrated. 6s.

-- The Private War. Illustrated. 6s.

-- Terence O'Rourke. 6s. [_Out of print._

-- The Pool of Flame. 6s.

-- Marrying Money. 6s.

=VENETIAN SERIES, THE.= Crown 16mo. Bound in cloth or in Venetian paper.
6d. net each.
I. A Cypress Grove. By William Drummond of Hawthornden.
II. The Marriage of Heaven and Hell. By William Blake.
III. The Ancient Mariner. By Samuel Taylor Coleridge.

=Verne, Jules.=

-- The Chase of the Golden Meteor. Fully Illustrated. Crown 8vo. Cloth. 5s.

=Waistcoat Pocket Guides, The= With Plans. Royal 64mo. Limp Cloth. 1s. 6d. net.

I. Paris. By Leonard Williams.

=Waters, W. G.=

-- Traveller's Joy: An Anthology. With End-papers in colour by William Hyde. Cloth gilt, 4s. net. Persian yapp, in box, 5s. net. [_Second Edition._

=Webb, Wilfred Mark.=

-- The Heritage of Dress: Being Notes on the History and Evolution of Clothes. With over 150 Illustrations by W. J. Webb. Medium 8vo. Cloth gilt. 15s. net. [_Out of print._

=Weitenkampf, Frank.=

-- How to Appreciate Prints. Illustrated. Large post 8vo. Cloth. 7s. 6d. net. [_Out of print._

=Williamson, G. C.= _See under_ Allen, Grant, Historical Guides.

=Withers, Percy, M.B., B.S.=

-- Egypt of Yesterday and To-day. With 32 Reproductions from Photographs. Crown 8vo. Cloth. 6s. net.

-- A Garland of Childhood. Fcap. 8vo. Cloth gilt, 4s. net. Persian yapp, in box, 5s. net.

=White, W. Holt.=

-- The Earthquake: A Romance of London. 6s. Cheap Edition, crown 8vo. sewed, 1s. net.

=Whitelock, W. Wallace.=

-- When Kings go Forth to Battle. Illustrated. 6s.

=Williams, E. Baumer.=

-- England's Story for Children. With Illustrations in Colour and Black-and-White by Norman Ault. Crown 8vo. Cloth. 3s. 6d. net.

=Williams, Leonard.= _See under_ Waistcoat Pocket Guides.

=Wilson, W. Lawler.=

-- The Menace of Socialism. With Maps. Crown 8vo. 6s. net.

=Wood, Montagu.=

-- A Tangled I. 6s.

=Wright, W. P.=

-- The Garden Week by Week throughout the Year. With 100 practical illustrations, and many others in colour and in black and white. Large post 8vo. Cloth gilt. 6s. net. [_Second Edition._

-- The Perfect Garden: How to Keep it Beautiful and Fruitful, with Practical Hints on Economical Management and the Culture of all the Principal Flowers, Fruits and Vegetables. With six illustrations in Colour and many in black and white. Large post 8vo. 6s. net [_Third Edition._

-- Popular Garden Flowers. With six illustrations in Colour and many in black and white. Large post 8vo. Cloth gilt. 6s. net.

=Wyndham, Horace.=

-- Roses and Rue. 6s.

-- The Flare of the Footlights. Cheap edition, 1s. net.

-- Audrey the Actress. With frontispiece. 6s. [_Out of print._

=Xenophon.= _See under_ Richards, Herbert, M.A.

=Young, Filson.=

-- Christopher Columbus and the New World of his Discovery. Illustrated. With a Chapter by the Earl of Dunraven. Two vols. Demy 8vo. Buckram gilt. 25s. net. [_Out of print._

-- Venus and Cupid: An Impression in Prose after Velasquez in Colour. Edition limited to 339 copies for sale in Great Britain; printed on Arnold Hand-made paper, with a Photogravure Reproduction of the Rokeby Venus. Crown 4to. 12s. 6d. net. Also 11 copies on Japanese vellum at £2 2s. net (of which 3 remain).

-- The Sands of Pleasure. With frontispiece in colour by R. J. Pannett. 6s. Cheap edition, crown 8vo. sewed, with cover design by R. J. Pannett, 1s. net. [_Seventy-fifth Thousand._

-- When the Tide Turns. 6s. [_Second Edition._

-- The Wagner Stories. Large post 8vo. Persian yapp or cloth gilt. 5s. net. [_Fourth Edition._

-- Mastersingers. New Edition. Revised and Enlarged. With portrait. Large post 8vo. Persian yapp or cloth gilt. 5s. net.

-- More Mastersingers. With frontispiece. Large post 8vo. Persian yapp or cloth gilt. 5s. net.

-- Memory Harbour: Essays chiefly in Description. Imperial 16mo. Buckram gilt. 5s. net.

-- Ireland at the Cross Roads. New Edition. Crown 8vo. Cloth gilt. 3s. 6d. net.

-- The Happy Motorist: An Introduction to the Use and Enjoyment of the Motor Car. Crown 8vo. Cloth 3s. 6d. net.

-- The Lover's Hours. Fcap. 4to. 2s. 6d. net.

=Young, Rev. William.= _See under_ Baxter, Richard.

INDEX OF PRICES

=£11 5s. net.=
The Birds of the British Islands (Five Vols.) Half seal gilt.

=£10 10s. net.=
The Birds of the British Islands (Five Vols.). Half vellum gilt.

=£9 net.=
The Birds of the British Islands (Five Vols.). Buckram gilt.

=£7 10s. net.=
The Birds of the British Islands (in Twenty Parts).

=£2 2s. net.=
Oxford, its Buildings and Gardens.
Venus and Cupid. Jap. Vellum.

=£1 11s. 6d. net.=
The Essays of Michael Lord of Montaigne. (Three Vols.)

=£1 5s. net.=
Christopher Columbus (Two Vols.)
Voyages of Captain William Dampier (Two Vols.).

=£1 4s. net.=
Empires of the Far East. (Two Vols.)

=£1 1s. net.=
Oxford, its Buildings and Gardens.
The Tragedy of Russia in Pacific Asia. (Two Vols.)

=16s. net.=
The Great Pacific Coast.
Pekin to Paris.

=15s. net.=
Round the World in a Motor Car.
The Complete Wild-fowler.
Queens of Old Spain.

=12s. 6d. net.=
Mediterranean Moods.
Manet and the French Impressionists.
The Third French Republic.
Balzac.
Venus and Cupid.
Ten Years of Motors and Motor Racing.

=10s. 6d. net.=
Evolution in Italian Art.
Shamrock Land.
Portugal.
The Romance of Steel.

=7s. 6d. net.=
More Rutland Barrington.
The Corsican.
My Restless Life.
A Shropshire Lad (yapp).
Thomas Chatterton.
Hiawatha.
The Saints' Everlasting Rest.
Submarine Warfare.

=7s. net.=
Aristophanes and Others.
Platonica.

=6s. net.=
The Menace of Socialism.
Egypt of Yesterday and To-day.
Health, Strength, and Happiness.
A Shropshire Lad (buckram).
Grimm's Fairy Tales.
Garden Week by Week.
The Book of Georgian Verse.
Finn the Wolfhound.
Man's Survival after Death.
Notes on Xenophon and Others.
The Perfect Garden.
Popular Garden Flowers.

=6s.=
Ingram.
Day.
Love, and Extras.
Phrynette and London.
Marrying Money.
The Doctor's Lass.
Adventures of a Nice Young Man.
The Children of the Gutter.
Easy Money.
The Man from the Moon.
A Babe Unborn.
Get-Rich-Quick Wallingford.
Renée.
The Upper Hand.
The Boys' Book of Airships.
The Boys' Book of Railways.
The Boys' Book of Steamships.
The Boy's Book of Locomotives.
The Boys' Book of Warships.
The Crimson Conquest.
Arsène Lupin versus Holmlock Shears.
The Grip of Fear.
The Limit.
The Living Strong Box.
Multitude and Solitude.
Antonio.
The Last Persecution.
The Passer-By.
The Bronze Bell.
The Cliff End.
The Heart Line.
The Dual Heritage.
The Individualist.
The Japanese Spy.
Love's Shadow.
Captain Margaret.
Aunt Maud.
Beatrix of Clare.
The Armada Gold.
The Black Bag.
When Kings go forth to Battle.
Roses and Rue.
When the Tide Turns.
The Scoundrel.
The Unpardonable Sin.
The Genteel A. B.
The Brass Bowl.
The Sands of Pleasure.
Susan.
The Message.
The Twelfth Hour.
The Hill of Dreams.
The House of Souls.
The Blue Star.
The Miracle Worker.
The Private War.
The Broken Law.
The Earthquake.
Parson Brand.
The Same Clay.
The Pool of Flame.
The Black Motor Car.
A Tangled I.
In Pastures New.
The Butcher of Bruton Street.
A Comedy of Mammon.

=5s. net.=
More Mastersingers.
The Last Episode of the French Revolution.
The Theory of the Theatre.
Household Administration.
A Garland of Childhood.
Æsop's Fables.
The Riddle of Personality.
Cawein's New Poems.
Fleet Street and other Poems.
Materials and Methods of Fiction.
The Legend of Sleepy Hollow.
The Story of Sir Galahad.
Memory Harbour.
The Call of the Sea (persian yapp).
Bernard Shaw.
The Wagner Stories (leather and cloth).
Mastersingers (leather and cloth).
The Pocket Book of Poems and Songs for the Open Air (persian yapp).
Traveller's Joy (persian yapp.)
Mammon and his Message.
The Triumph of Mammon.
The Theatrocrat.
Essays in Socialism.
Ibsen.
The Gourmet's Guide to Europe.

=5s.=
The Sunken Submarine.
The Chase of the Golden Meteor.

=4s. 6d. net.=
D. Junii Juvenalis Saturæ.
M. Manilii Astronomicon I.

=4s. net.=
The Book of Camping and Woodcraft.
The Call of the Sea (cloth).
The Pocket Book of Poems and Songs for the Open Air (cloth).
Traveller's Joy (cloth).

=3s. 6d. net.=
Great Kleopatra.
Romance and Reality.
An Imperial Commonwealth.
Inspired Millionaires.
Fifty Years of Modern Painting.
Apollonius of Tyana.
The Validity of English Ordinations.
Jack the Giant Killer, Junior.
Testament of John Davidson.
Favourite Fish and Fishing.
The Tragedy of Nan.
The Land of Never Was.
Top o' the World.
England's Story for Children.
Great Musicians.
Great English Poets.
Great English Novelists.
Great English Painters.
Great Soldiers.
Her Brother's Letters.
Ireland at the Cross Roads.
Grant Allen's Historical Guides.
Holiday and Other Poems.
The Happy Motorist.
The Canker at the Heart.
Psyche and Soma.
A Night of Wonders.
The Bird in Song (leather).

=3s. 6d.=
A Commentary.
The Woman Who Did.

=3s. net.=
Burne-Jones (leather).
Rodin (leather).
G. F. Watts (leather).
Rossetti (leather).
Turner (leather).
Whistler (leather).
Religio Medici (leather).

=2s. 6d. net.=
The Nation and the Army.
The Agamemnon of Æschylus.
Mister Sharptooth.
Consule Planco.
Poems by Miriam Smith.
Through Finland.
The Lover's Hours.
The Chapbooks (leather).
Through Portugal.
The Defenceless Islands.
Confessions of an Anarchist.
A Shropshire Lad (hand-made paper).
The Future Prime Minister.
Chats about Wine.

=2s. 6d.=
Letters from a Grandmother.

=2s. net.=
Powder and Jam.
Omar Repentant.
Burne-Jones (cloth).
Rodin (cloth).
G. F. Watts (cloth).
Rossetti (cloth).
Turner (cloth).
Whistler (cloth).
The Bird in Song (cloth).
The Christmas Book (leather).
Religio Medici (cloth).

=1s. 6d. net.=
The Tragedy of Nan (sewed).
Waistcoat Pocket Guides.
The Rubáiyát of Omar Khayyám (Persian yapp).
Early Poems of D. G. Rossetti (Persian yapp).
The Song of Songs (persian yapp).
Sister Benvenuta (persian yapp).
A Shropshire Lad (persian yapp).
English Nature Poems (persian yapp).
In Memoriam (persian yapp).
Love Poems of Herrick (persian yapp).
Everyman (persian yapp).

=1s. net.=
The Unpardonable Sin.
Confessions of an Anarchist.
Susan (sewed).
Flare of the Footlights (sewed).
The Sands of Pleasure (sewed).
The Same Clay (sewed).
Business Success (cloth).
The Message (sewed).
Bernard Shaw (sewed).
The Rector and the Rubrics.
The Earthquake (sewed).
Rubáiyát of Omar Khayyám (leather).
Early Poems of D. G. Rossetti (leather).
The Song of Songs (leather).
Sister Benvenuta (leather).
A Shropshire Lad (leather).
English Nature Poems (leather).
In Memoriam (leather).
Love Poems of Herrick (leather).
Everyman (leather).
The Christmas Book (cloth).

=6d. net.=
Business Success (sewed).
Rubáiyát of Omar Khayyám (cloth).
The Song of Songs (cloth).
The Early Poems of D. G. Rossetti (cloth).
Sister Benvenuta (cloth).
A Shropshire Lad (cloth).
English Nature Poems (cloth).
In Memoriam (cloth).
Love Poems of Herrick (cloth).
Everyman (cloth).
The Venetian Series.
The Woman's Charter of Rights and Liberties.

=6d.=
Essays in Socialism.

_London: Strangeways, Printers._