Chapter X: Front Matter (10)

The phenomena of the heavenly bodies, to an enlightened and intelligent mind, furnish the most grand and sublime spectacle in nature; to the ignorant and superstitious, the most awful. The common people of all countries, and in all ages, have considered the occasional privation of the light of the two great luminaries of heaven as the forerunners of some extraordinary event, whilst the more intelligent part of the community have turned these superstitious notions to their advantage. Thales is said to have been able to calculate the returns of eclipses six hundred years before the birth of Christ; of course, he was well acquainted with the causes by which they were produced; yet his countrymen were always filled with superstition and terror on the event of an eclipse. Plutarch has observed that Pericles learned from Anaxagoras to overcome the terrors which the various phenomena of the heavens inspired into those who knew not their causes; and he mentions a striking proof which he gave of this knowledge, on his expedition against Peloponnesus, when there happened an eclipse of the sun. The sudden darkness, being considered as an omen unfavourable to the object of the expedition, occasioned a general consternation. Pericles, observing the pilot of his own galley to be frightened and confused, took his cloak and placed it before his eyes, asking him at the same time if he found any thing alarming, or of evil presage, in what he then did? and upon his answering in the negative: "Where then is the difference," said Pericles, "between this covering and the other, except that something of greater extent than my cloak deprives us of the light of the sun?" Nor can it be doubted that Alexander when, on a like occasion, previous to the battle of Arbêla, he commanded a sacrifice to be made to the sun, the moon, and the earth, as being the three powers to which eclipses were owing, did it merely to appease the superstitious notions of his army. To suppose him ignorant of their causes, would be paying an ill compliment to his great master. Thus it might have been with regard to the Chinese government, which, whether through ignorance or policy, still continues to observe with the greatest solemnity the same ceremonies, or nearly so, on the event of an eclipse, which were in use among the Egyptians, Greeks, and Romans, near two thousand years ago. When the moon was darkened by an eclipse, their drums and clarions and trumpets were sounded, under the notion that, by their shrill and loud noise, they might assist in relieving the labouring goddess.

"A vast eclipse darkens the neighbouring planet,
Sound there, sound all our instruments of war;
Clarions and trumpets, silver, brass, and iron,
And beat a thousand drums to help her labour."

The brazen gong is violently beat by the Chinese on the same occasion; and that such an event may not pass unobserved, and the luminary thereby be deprived of the usual assistance of music, to frighten away or to charm the dragon, which they suppose to have seized upon it, the great officers of state in every city and principal town are instructed to give public notice of the time it will happen, according to the calculations of the national almanack. A rude projection of a lunar eclipse, that happened whilst we were at _Tong-choo_, was stuck up in the corners of the streets; all the officers were in mourning, and all business was suspended for that day. When the Dutch Embassadors were in Pekin, the sun was eclipsed on the 21st of January 1795, which happened to be the first day of their new year: a day observed through the whole empire with the greatest festivity and rejoicing; and almost the only day on which the bulk of the people refrain from their respective occupations. The Embassador and his suite were summoned to court at the usual hour of three in the morning. On arriving at the palace they were told that, in consequence of an eclipse of the sun, which was about to happen on that day and which was a most unfortunate event, portending an unhappy year to their country, the Emperor would not be visible for three days, during which time the whole court would go into mourning; that the amusements, feasts, and entertainments usual on this particular day would be suspended from one end of the empire to the other.

Before an eclipse happens, the members of the mathematical board and other learned men in office assemble near the palace, each having in his hand a sketch of the obscuration, in order to witness the truth of the astronomer's calculation. But if these people were not all interested in making the calculation to agree with the time and other circumstances of the eclipse, the astronomers would run no great hazard of being detected in an error, provided it was not a very glaring one, as they have no instruments for measuring time with any tolerable degree of accuracy. The moment the eclipse begins, they all fall down on their knees, and bow their heads nine times to the ground, during which is struck up a horrible crash of gongs, kettle-drums, trumpets, and other noisy instruments, intended to scare the devouring dragon.

From the observance of such extravagant ceremonies it would not be fair to infer their total ignorance of the principles of astronomy; but that such is really the case, the latter part of their history furnishes abundant testimony. In the thirteenth century, when Gengis-Khan the Mongul Tartar first entered China, and his successor Kublai-Khan effected the conquest of the country, the greatest disorder and confusion prevailed in their chronology. They were neither able to regulate the reckoning of time, nor to settle the limits of the different provinces, nor even to ascertain the divisions of lands as allotted to the several districts. Kublai, according to their own annals, held out encouragement for learned men to frequent his court from every part of the world, and through the means of the missionaries, both of the Christian and Mahomedan faith, but principally the latter, and perhaps still more through the descendants of the Greeks, who anciently settled in Bactriana, many important improvements were then introduced into China. He caused a regular survey to be taken of the whole empire. He adjusted their chronology, and corrected the errors of their astronomical observations; he imported various mathematical and astronomical instruments from Balk and Samarcand; such as were then in use among the Chinese being of a rude construction, and unfit to make observations of the heavenly bodies with any tolerable degree of accuracy; and he repaired the grand communication by water that connects the northern with the southern extremities of the empire, a work, in the contemplation of which the mind is not more strongly impressed with the grandeur and magnitude of the object, than with the pleasing sense of its important utility.

In some of the early accounts of China, published in Europe, we find the description of certain instruments, said to have been discovered on a mountain near the city of Nankin, and afterwards placed by the Chinese partly in that capital and partly in Pekin. On a more accurate examination of those instruments it appeared, that they had all been constructed for some particular place lying under the 37th parallel of latitude; from whence it followed, that all the observations made with them at Pekin, which is in 39° 55'. north, as well as all those made at Nankin in 32° 4'. north, must have been entirely false: and the very act of placing them so distant from the parallel for which they were constructed, is in itself a sufficient proof of the ignorance of the Chinese in matters of this kind. Mr. Pauw has given the most probable conjecture respecting those instruments. He supposes them to have been made at Balk, in Bactriana, by some of those Greeks who obtained the government of that province under the successors of Alexander, and that they had passed into China during the period of the Mongul government.

The death of Kublai-Khan was speedily followed by the total expulsion of the Tartars from China; and most probably, at the same time, of all those learned men they had been the means of introducing into the country; for when the empire was again subdued by the Mantchoo Tartars, whose race now fills the throne, _Sun-chee_, the first Emperor of the present dynasty, observes in an edict published by him in 1650, that since the expulsion of the Monguls, the Chinese had not been able to make a correct almanack; and that error had been accumulating on error in their astronomical observations and chronology. At this time, some Mahomedans were again found to superintend the construction of the calendar; but the office devolving, at length, upon a Chinese, the unfortunate almanack-maker happened to insert a false intercalation, assigning thirteen months to the year 1670, when it should have contained no more than twelve. This mistake was an event too fortunate to be overlooked by some Catholic missionaries who, at that time, happened to be in the capital. They saw the advantages to be derived from convincing the Tartars of the ignorance of the Chinese in a matter of the last importance to the government, and they had little doubt of success, where prejudice was already operating in their favour. In short, the Europeans succeeded; the almanacks of that year were declared defective, were called in, a new edition printed off, and the poor almanack-maker is said to have been strangled.

Four German Jesuits were then appointed to fill the vacant places in the tribunal of mathematics; and, being men of learning, they proved of no small use at court. After these the Portuguese succeeded to the appointments of regulating the calendar, three of whom, as already observed, are now entrusted with this important office. Fortunately for these gentlemen, the Chinese have no means of detecting any little inaccuracies that may happen in their calculations. I saw, and conversed with, numbers of their learned men at the palace of _Yuen-min-yuen_, but I can safely say, that not a single Chinese, nor a Tartar, who shewed themselves there, were possessed of the slightest knowledge of astronomy, nor one who could explain any of the various phenomena of the heavenly bodies. Astronomy with them consists entirely in a certain jargon of judicial astrology; and they remain firmly attached to the belief of the doctrines of their great philosopher, delivered more than two thousand years ago, which teach them that "the heaven is round, the earth a square fixed in the middle; the other four elements placed at its four sides: water to the north; fire to the south; wood to the east; and metal to the west:" and they believe the stars to be stuck, like so many nails, at equal distances from the earth, in the blue vault of heaven.

As to the numerous eclipses taken notice of in the records of the country, they are mere registers, noted down whenever they happened, and not predictions or the result of calculations. It does not appear, indeed, that the Chinese were, at any time, able to predict an eclipse, notwithstanding all that has been said in their favour on this subject. The reputed Chinese tables, published by Father Couplet, have been detected to be those of Tycho Brahe; and Cassini found the chronology of their eclipses, published by Martinus, to be erroneous, and their returns impossible. It could not indeed be otherwise; the defectiveness of the calendar must necessarily falsify all their records as to time.

Had the missionaries been disposed to confer a real service on the Chinese, instead of misleading the world by their strange and wonderful accounts of this people; instead of bestowing so much time in translating into Chinese a set of logarithm tables for the use of _Kaung-shee_, the second Emperor of the present dynasty, of which they pretend he was so fond that he always carried them about with him suspended to his girdle, they should rather have taught them the use, and the convenience, of the Arabic numbers, of whose combinations and results their own language is not capable, and have instructed a few of their youth in the principles of arithmetic and the mathematics. For such an omission, however, human nature can readily find an excuse. It would be too great an instance of self-denial, to relinquish the advantages and the credit which their superior skill had gained them over a vast empire, by making the individuals of that empire participate in their knowledge.

When we reflect, for a moment, how many perplexities and difficulties were occasioned by the irregular coincidences of the solar and lunar periods, in the calendars of Europe, from the time of Julius Cæsar to the altering of the style by Pope Gregory, we may readily conceive how great must be the errors in the chronology of a country, where the inhabitants are entirely ignorant even of the first principles of astronomy, and where they depended on the adventitious aid of foreigners, to enable them to carry into execution one of the most important concerns of the government.

Every thing of their own invention and discovery carries with it such strong marks of originality, as cannot easily be mistaken. The language declares itself to be most unquestionably the production of the country; so does the mariner's compass; and they have a cycle, or period, to assist their chronology, of which I think none will dispute with them the invention. In their records it is carried back to the time of the Emperor _Whang-tee_, the third from _Fo-shee_. This cycle, consisting of sixty years, has no reference to the periods of the motions or coincidences of the sun and moon, as one of the same period among the Hindus, but is used merely as our century, to distinguish time into eras or ages. Instead of denominating any given year the first, second, or third year of such a cycle, they have assumed two sets of characters, one set consisting of ten, and the other of twelve; the first are called the ten roots, and the second the twelve branches. The combination of a root and a branch gives a name for the year; and the different permutations, of which they are capable, supply them with sixty distinct titles, making the complete cycle of sixty years. The nature of this period may be rendered familiar to such as are not conversant with the combination of numbers, by assuming the numerals from 1 to 10 for the ten roots, and the letters of the alphabet from _a_ to _m_, for the twelve branches, and by placing them in a circle, in the following manner, where the cycle begins with the letter _a_.

Supposing these letters and figures to be Chinese characters, the first year of any cycle would be called 1_a_, the second 2_b_, the third 3_c_, and so on to 10_k_, the tenth year; the eleventh would be 1_l_, the twelfth 2_m_, the thirteenth 3_a_, and the sixtieth 10_m_, when the whole revolution would be completed. This cycle, though always used in the records of their history, never appears in the date of public acts. These only specify the time of the reign under which they are given, as the 1st. 2d. or 3d. day of the 1st. 2d. or 3d. moon, of the 1st. 2d. or 3d. year of the reign of such or such an Emperor.

Little progress as they appear to have made in the science of astronomy, their knowledge of geography, which supposes indeed an acquaintance with the former, is equally limited. Their own empire was considered to occupy the middle space of the square surface of the earth, the rest of which was made up of islands. When the Jesuits first entered China, they found the charts, even of their own country, rude and incorrect sketches, without any scale or proportion, wherein a ridge of mountains covered a whole province, and a river swept away half of another. At present they have neat and accurate maps of the country, copied after the original survey of the whole empire, undertaken and completed by the Jesuits, after several years of indefatigable labour.

Although the Chinese language be unfavourable for numerical combinations it is admirably adapted for the concise operations of algebra, and the terse demonstrations of geometry, to neither of which, however, has it ever been made subservient, both the one and the other being totally unknown in the country. Their arithmetic is mechanical. To find the aggregate of numbers, a machine is in universal use, from the man of letters, to the meanest shopman behind his counter. By this machine, which is called a _Swan-pan_, arithmetical operations are rendered palpable. It consists of a frame of wood, divided into two compartments by a bar running down the middle: through this bar, at right angles, are inserted a number of parallel wires, and on each wire, in one compartment, are five moveable balls, and in the other two. These wires may be considered as the ascending and descending powers of a numeration table, proceeding in a tenfold proportion; so that if a ball upon any of the wires, in the larger compartment, be placed against the middle bar, and called unity or one, a ball on the wire next above it will represent ten, and one on the next one hundred; so, also, a ball on the wire next below that expressing unity will be one-tenth, the next lower one hundredth, and the third one thousandth, part of an unit; and the balls on the corresponding wires in the smaller compartment will be five, fifty, five hundred, five-tenths, five hundredths, five thousandths; the value or power of each of these, in the smaller division, being always five times as much as of those in the larger. In the following figure, suppose X be assumed as the line of units, the lines to the right will be integers decimally increasing, and those to the left fractional parts decimally decreasing; and the _Swan-pan_ in the present position of the balls, will represent the number 573916 0705/10000.

This is clearly a system of decimal arithmetic, which, for the ease, simplicity, and convenience of its operations, it were to be wished was generally adopted in Europe, instead of the endless ways in which the integer is differently divided in different countries, and in the different provinces of the same country. The _Swan-pan_ would be no bad instrument for teaching to a blind person the operations of arithmetic. Yet, paradoxical as it may seem, these operations, as performed by the Chinese, like their written characters, require more the exercise of the eye than of the mind. The simple addition or subtraction of the little balls to, or from, the middle bar, shews at once by their disposition on the board the result of any required combination. The invention of it I think may fairly be attributed to the Chinese; though it has been compared, how justly I cannot pretend to say, to the Roman _abacus_.

It has been observed, and perhaps with a great deal of truth, that the arts which supply the luxuries, the conveniences, and the necessaries of life, have derived but little advantage in the first instance from the labours and speculations of philosophers; that the ingenuity of artists, the accidental or progressive discoveries of common workmen, in any particular branch of business, have frequently afforded _data_, from which, by the reasonings and investigations of philosophers, hints have sometimes been struck out for arriving at the same ends by a shorter way; that the learned are therefore more properly to be considered as improvers than inventors. Of this mortifying truth, the Chinese afford many strong examples in their arts and manufactures, and particularly in some of those operations that have a reference to chemistry, which cannot here be said to exist as a science, although several branches are in common practice as chemical arts. Without possessing any theory concerning the affinities of bodies, or attractions of cohesion or aggregation, they clarify the muddy waters of their rivers, for immediate use, by stirring them round with a piece of alum in a hollow bamboo; a simple operation which, experience has taught them, will cause the clayey particles to fall to the bottom: and having ascertained the fact, they have given themselves no further trouble to explain the phenomenon.

In like manner, they are well acquainted with the effect of steam upon certain bodies that are immersed in it; that its heat is much greater than that of boiling water. Yet, although for ages they have been in the constant practice of confining it in close vessels, something like _Papin's digester_, for the purpose of softening horn, from which their thin, transparent, and capacious lanterns are made, they seem not to have discovered its extraordinary force when thus pent up; at least, they have never thought of applying that power to purposes which animal strength has not been adequate to effect. They extract from the three kingdoms of nature the most brilliant colours, which they have also acquired the art of preparing and mixing, so as to produce every intermediate tint; and, in their richest and most lively hues, they communicate these colours to silks, cottons, and paper; yet they have no theory on colours.

The process of smelting iron from the ore is well known to them; and their cast ware of this metal is remarkably thin and light. They have also an imperfect knowledge of converting it into steel, but their manufactures of this article are not to be mentioned with those of Europe, I will not say of England, because it stands unrivalled in this and indeed almost every other branch of the arts. Though their cast-iron wares appear light and neat, and are annealed in heated ovens, to take off somewhat of their brittleness, yet their process of rendering cast iron malleable is imperfect, and all their manufactures of wrought iron are consequently of a very inferior kind, not only in workmanship but also in the quality of the metal. In most of the other metals their manufactures are above mediocrity. Their trinkets of silver fillagree are extremely neat, and their articles of tootanague are highly finished.

With the use of cannon they pretend to have been long acquainted. When Gengis-Khan entered China, in the thirteenth century, artillery and bombs and mines are said to have been employed on both sides; yet when the city of Macao, in the year 1621, made a present to the Emperor of three pieces of artillery, it was found necessary to send along with them three men to instruct the Chinese how to use them. The introduction of matchlocks, I am inclined to think, is of no very ancient date; they wear no marks of originality about them, like other articles of Chinese invention; on the contrary, they are exact models of the old Portugueze matchlock; and differ in nothing from those which still continue to be carried, as an article of commerce, by this nation to Cochin-China. There can be no doubt, however, of the use of gunpowder being known to the Chinese long before the Christian era.

In a very ancient treatise on the military art, there is a detailed account of the manner how to annoy an enemy's camp, by springing a mine with gunpowder; but this treatise makes no mention of cannon. Fire-works, made generally of gunpowder, filings of zinc, camphor, and other ingredients, are described in various old tracts. It is easily conceived, that the deflagration of nitre was likely to be first noticed in those countries where it is the spontaneous and abundant production of the earth, which is the case on the elevated desarts of Tartary and Thibet, and on the low and extensive plains of India and China. The gunpowder, however, made by the Chinese is extremely bad. They have no particular manufactory, but each individual makes his own. It is in fact one part of the soldier's employment to prepare his own gunpowder. The usual proportions, according to _Van-ta-gin's_ information are,

50 pounds of nitre,
25 ---- sulphur,
25 ---- charcoal.

They know not the art of granulating the paste, as in Europe, but use it in a coarse powder, which sometimes cakes together into a solid mass; and from the impurity of the nitre, (no means appearing to be employed for extracting the common salt it usually contains) the least exposure to the air, by attracting the moisture, makes it unfit for service. This may be one reason for their objection to firelocks.

It has been remarked, that the three great discoveries of the magnetic needle, of gunpowder, and of printing, in Europe, followed close upon the return of the famous traveller Marco Polo. It was the boast indeed of _Caung-shee_ to the Jesuits, when they instructed him in some of the sciences of Europe, that the latter country was neither acquainted with the mariner's compass, nor with the art of printing, nor with gunpowder, till they had been in common use in China near two thousand years. As to gunpowder, it is pretty obvious, that our countryman Roger Bacon was well acquainted with the ingredients that enter into its composition. In more than one part of his works he observes, that with saltpetre and other articles may be made a fire that will inflame to a great distance; and in one place he states, that with sulphur, saltpetre, and something else, which he disguises under two or three barbarous words, a composition may be made, by which the effects of thunder and of lightning may be imitated. Bacon died in the year 1292, and Marco Polo returned to Europe in 1295; so that he could not possibly have received any hint to lead towards the discovery through the channel of the Venetian traveller[18].

[18] The invention, in Europe, is usually attributed to one Schwartz, a
German Monk, about the year 1354, which, however, is very doubtful, as
there is every reason to believe that cannon was made use of at the
battle of Cressy, which happened in the year 1346. And Mariana, in his
account of the siege of Algeziras by the Spaniards, in the year 1342, or
1343, as quoted by Bishop Watson, observes, "that the Moors very much
annoyed the Christians with their iron shot;" and he further adds, that
"this is the first mention made in history of the use of gunpowder and
ball." It is therefore extremely probable, that the first introduction
of gunpowder into Europe was by some Mahomedans from the eastward, and
that Schwartz was not the inventor, although he might perhaps have been
the first publisher of the discovery.

If the Chinese had, at any period of their history, been acquainted with the art of casting large cannon, and of making use of them in their wars, it is scarcely probable they would ever have lost it. Yet it is very certain the two Jesuits, Schaal and Verbiest, took great pains to instruct them in the method of casting cannon; in which, however, they have not made any progress or improvement. I observed, near one of the gates of Pekin, a few rude, ill-shapen, and disproportionate pieces, lying unmounted on the ground, and these, with some of the same kind on the frontiers of Canton, and a few pieces, apparently twelve pounders, at _Hang-tcheu-foo_, which had wooden pent-houses erected over each, were the only cannon that we noticed in the whole country. Whether the specimens, exhibited in the annexed plate, which were drawn by the late Captain Parish of the Royal Artillery, be originally of Chinese invention, or borrowed from some other nation, I cannot take upon me to decide; but such are the pieces which are sometimes found, scattered about the gates of some of their cities.

Mr. Bell, who visited China in the suite of the Russian Embassador, near a century ago, remarks, that "towards the western extremity of the Great Wall, he observed some hundreds of old cannon piled up in one of the towers, each composed of three or four pieces of hammered iron, joined and fastened together with hoops of the same metal." It is probable indeed that the Chinese, like the Hindoos, before the time of Schaal and Verbiest, made use of cannon of wrought iron, which were hooped together like those mentioned by Mr. Bell.

References.

_Fig. 1 Iron four Pounder about 8 feet long at Han cheu Fou 2. Iron four Pounder about 8 feet long at Chong san chien 3. A Field Piece about the Calibre and length of our Wall Piece but of much greater thickness of Metal 4. Half Pounder Field Piece 5. A Platform of Masonry with irregular Pieces about 2 pounders probably for throwing stones. They are thus placed in the open Spaces at the Gate Ways at =PEKIN= and Ton cheu 6. A Stand for Field Pieces at Cou pe keou_

_Fig. 1_

_Fig. 2_

_Fig. 3_

_Fig. 4_

_Fig. 5_

_Fig. 6_

_Published May 1^st. 1804 by Cadell & Davies Strand._

_Neele sculp. 352 Strand._]

In making their salutes, of which they are not sparing, they invariably employ three small petards, or pistol-barrels rather, which are stuck erect in the ground; and in firing these small pieces the soldiers are so afraid, that they are discharged by a train laid from one to the other. When Captain Parish caused a few rounds to be fired from two field-pieces, which were among the presents for the Emperor, in as quick succession as possible, the Chinese officers very coolly observed, that their own soldiers could do it just as well, and perhaps better. And when Lord Macartney asked the Ex-viceroy of Canton if he would wish to see his guard go through the different evolutions as practised in Europe, he replied with equal indifference, "That they could not possibly be new to him, who had been so much engaged in the wars on the frontiers of Tartary;" though the chances are, that he had never before seen a firelock: with such ridiculous affectation of superiority, and contempt for other nations, does the unconquerable pride of this people inspire them. It seems, indeed, to be laid down as a general principle, never to be caught in the admiration of any thing brought among them by foreigners. Whenever a man of rank came to look at the presents, if observed by any of us, he would carelessly glance his eye over them, and affect as much indifference as if he was in the daily habit of viewing things of the same kind.

A French physician, who travelled in China, says he never saw an alembic or distillatory apparatus in the whole country. The art of distillation, however, is very well known, and in common practice. Their _Sau-tchoo_, (literally burnt wine), is an ardent spirit distilled from various kinds of grain, but most commonly from rice, of a strong empyreumatic flavour, not unlike the spirit known in Scotland by the name of whiskey. The rice is kept in hot water till the grains are swollen; it is then mixed up with water in which has been dissolved a preparation called _pe-ka_, consisting of rice-flour, liquorice-root, anniseed, and garlic; this not only hastens fermentation, but is supposed to give it a peculiar flavour. The mixture then undergoes distillation. The _Sau-tchoo_, thus prepared, may be considered as the basis of the best arrack, which in Java is exclusively the manufacture of Chinese, and is nothing more than a rectification of the above spirit, with the addition of molasses and juice of the cocoa-nut tree. Before distillation the liquor is simply called _tchoo_, or wine, and in this state is a very insipid and disagreeable beverage. The vine grows extremely well in all the provinces, even as far north as Pekin, but the culture of it seems to meet with little encouragement, and no wine is made from the juice of the grape, except by the missionaries near the capital.

The manufacture of earthen ware, as far as depends upon the preparation of the materials, they have carried to a pitch of perfection not hitherto equalled by any nation, except the Japanese, who are allowed to excel them, not only in this branch, but also in all articles of lacquered and varnished ware, which fetch exorbitant prices even in China. The beauty of their porcelain, in a great degree, depends upon the extreme labour and attention that is paid to the assortment, and the preparation of the different articles employed. These are in general a fine sort of clay called _Kao-lin_ which is a species of Soap-rock, and a granite called _Pe-tun-tse_, composed chiefly of quartz, the proportion of mica being very small. These materials are ground down and washed with the greatest care; and when the paste has been turned or moulded into forms, each piece is put into a box of clay before it goes into the oven; yet with every precaution, it frequently happens (so much is this art still a work of chance) that a whole oven runs together and becomes a mass of vitrified matter. Neither the Chinese nor the Japanese can boast of giving to the materials much elegance of form. With those inimitable models from the Greek and Roman vases, brought into modern use by the ingenious Mr. Wedgwood, they will not bear a comparison. And nothing can be more rude and ill-designed than the grotesque figures and other objects painted, or rather daubed, on their porcelain, which however are generally the work of the wives and children of the labouring poor. That they can do better we have evident proof; for if a pattern be sent out from England, the artists in Canton will execute it with scrupulous exactness; and their colours are inimitable.

The manufacture of glass was totally unknown among them until the last century when, at the recommendation of the Jesuits, a family was engaged to go from France to Pekin, for the purpose of introducing the art of glass-making into the country. The attempt failed of success, and the concern, at the death of the manager, was broken up. In Canton they melt old broken glass and mold it into new forms; and they have been taught to coat plates of glass with silver, which are partially used as looking-glasses; but their common mirrors are of polished metal, which is apparently a composition of copper and zinc.

The pride, or the policy, of the government affecting to despise any thing new or foreign, and the general want of encouragement to new inventions, however ingenious, have been greatly detrimental to the progress of the arts and manufactures. The people discover no want of genius to conceive, nor of dexterity to execute; and their imitative powers have always been acknowledged to be very great. Of the truth of this remark we had several instances at _Yuen-min-yuen_. The complicated glass lustres, consisting of several hundred pieces, were taken down, piece by piece, in the course of half an hour, by two Chinese, who had never seen any thing of the kind before, and were put up again by them with equal facility; yet Mr. Parker thought it necessary for our mechanics to attend at his warehouse several times to see them taken down and again put together, in order to be able to manage the business on their arrival in China. A Chinese undertook to cut a slip of glass from a large curved piece, intended to cover the great dome of the planetarium, after our two artificers had broken three similar pieces in attempting to cut them with the help of the diamond. The man performed it in private, nor could he be prevailed on to say in what manner he accomplished it. Being a little jagged along the margin, I suspect it was not cut but fractured, perhaps by passing a heated iron over a line drawn with water, or some other fluid. It is well known that a Chinese in Canton, on being shewn an European watch, undertook, and succeeded, to make one like it, though he had never seen any thing of the kind before, but it was necessary to furnish him with a main spring, which he could not make: and they now fabricate in Canton, as well as in London, and at one third of the expence, all those ingenious pieces of mechanism which at one time were sent to China in such vast quantities from the repositories of Coxe and Merlin. The mind of a Chinese is quick and apprehensive, and his small delicate hands are formed for the execution of neat work.

The manufacture of silks has been established in China at a period so remote, as not to be ascertained from history; but the time when the cotton plant was first brought from the northern parts of India into the southern provinces of China is known, and noticed in their annals. That species of the cotton plant, from which is produced the manufacture usually called nankin cotton, is said to loose its peculiar yellow tint in the course of two or three years when cultivated in the southern provinces, owing, in all probability, to the great heat of the weather and continued sunshine. I have raised this particular species at the Cape of Good Hope where, upon the same plant, as well as on others produced from its seed, the pods were as full and the tint of as deep a yellow in the third year as in the first. As is generally the case in most of their manufactures, those of silk and cotton do not appear to have lately undergone progressive improvement. The want of proper encouragement from the government, and the rigid adherence to ancient usage, have rendered indeed all their fabrics stationary.

Of all the mechanical arts that in which they seem to have attained the highest degree of perfection is the cutting of ivory. In this branch they stand unrivalled, even at Birmingham, that great nursery of the arts and manufactures where, I understand, it has been attempted by means of a machine to cut ivory fans and other articles, in imitation of those of the Chinese; but the experiment, although ingenious, has not hitherto succeeded to that degree, so as to produce articles fit to vie with those of the latter. Nothing can be more exquisitely beautiful than the fine open work displayed in a Chinese fan, the sticks of which would seem to be singly cut by the hand, for whatever pattern may be required, or a shield with coat of arms, or a cypher, the article will be finished according to the drawing at the shortest notice. The two outside sticks are full of bold sharp work, undercut in such a manner as could not be performed any other way than by the hand. Yet the most finished and beautiful of these fans may be purchased at Canton for five to ten Spanish dollars[19]. Out of a solid ball of ivory, with a hole in it not larger than half an inch in diameter, they will cut from nine to fifteen distinct hollow globes, one within another, all loose and capable of being turned round in every direction, and each of them carved full of the same kind of open work that appears on the fans. A very small sum of money is the price of one of these difficult trifles. Models of temples, pagodas, and other pieces of architecture, are beautifully worked in ivory; and from the shavings, interwoven with pieces of quills, they make neat baskets and hats, which are as light and pliant as those of straw. In short, all kinds of toys for children, and other trinkets and trifles, are executed in a neater manner and for less money in China, than in any other part of the world.

[19] I am aware that those laboured pieces, of Italian make, of ivory
cut into landscapes, with houses, trees, and figures, sometimes so small
as to be comprehended within the compass of a ring, may be quoted
against me; but the work of a solitary and secluded monk to beguile the
weary hours, is not to be brought in competition with that of a common
Chinese artist, by which he earns his livelihood.

The various uses, to which that elegant species of reed called the bamboo is applied, would require a volume to enumerate. Their chairs, their tables, their skreens, their bedsteads and bedding, and many other household moveables, are entirely constructed of this hollow reed, and some of them in a manner sufficiently ingenious and beautiful. It is used on board ships for poles, for sails, for cables, for rigging, and for caulking. In husbandry for carts, for wheelbarrows, for wheels to raise water, for fences, for sacking to hold grain, and a variety of other utensils. The young shoots furnish an article of food; and the wicks of their candles are made of its fibres. It serves to embellish the garden of the prince, and to cover the cottage of the peasant. It is the instrument, in the hand of power, that keeps the whole empire in awe. In short, there are few uses to which a Chinese cannot apply the bamboo, either entire or split into thin laths, or further divided into fibres to be twisted into cordage, or macerated into a pulp to be manufactured into paper.

That "there is nothing new under the sun," was the observation of a wise man in days of yore. Impressed with the same idea an ingenious and learned modern author[20] has written a book to prove, that all the late discoveries and inventions of Europe were known to the ancients. The discovery of making paper from straw, although new, perhaps, in Europe, is of very ancient date in China. The straw of rice and other grain, the bark of the mulberry-tree, the cotton shrub, hemp, nettles, and various other plants and materials, are employed in the paper manufactories of China, where sheets are prepared of such dimensions, that a single one may be had to cover the whole side of a moderate sized room. The finer sort of paper for writing upon has a surface as smooth as vellum, and is washed with a strong solution of alum to prevent the ink from sinking. Many old persons and children earn a livelihood by washing the ink from written paper, which, being afterwards beaten and boiled to a paste, is re-manufactured into new sheets; and the ink is also separated from the water, and preserved for future life. To this article of their manufacture the arts in our own country owe so many advantages, that little requires to be said in its favour. The Chinese, however, acknowledge their obligations to the Coreans for the improvements in making ink, which, not many centuries ago, were received from them.

[20] Mr. Dutens.

As to the art of printing, there can be little doubt of its antiquity in China, yet they have never proceeded beyond a wooden block. The nature, indeed, of the character is such, that moveable types would scarcely be practicable. It is true, the component parts of the characters are sufficiently simple and few in number; but the difficulty of putting them together upon the frame, into the multitude of forms of which they are capable, is perhaps not to be surmounted.

Like the rest of their inventions the chain-pump which, in Europe, has been brought to such perfection as to constitute an essential part of ships of war and other large vessels, continues among the Chinese nearly in its primitive state, the principal improvement since its first invention consisting in the substitution of boards or basket-work for wisps of straw. Its power with them has never been extended beyond that of raising a small stream of water up an inclined plane, from one reservoir to another, to serve the purposes of irrigation. They are of different sizes, some worked by oxen, some by treading in a wheel, and others by the hand.

The great advantages attainable from the use of mechanical powers are either not understood or, purposely, not employed. In a country of such vast population, machinery may perhaps be considered as detrimental especially as, at least, nine-tenths of the community must derive their subsistence from manual labour. It may be a question, not at all decided in their minds, whether the general advantages of facilitating labour, and gaining time by means of machinery, be sufficient to counterbalance the individual distress that would, for a time, be occasioned by the introduction of such machinery. Whatever the reason may be, no such means are to be met with in the country. Among the presents that were carried out for the Emperor were an apparatus for the air pump, various articles for conducting a set of experiments in electricity, and the models of a complete set of mechanical powers placed upon a brass pillar. The Emperor, happening to cast his eye upon them, enquired of the eunuch in waiting for what they were intended. This mutilated animal, although he had been daily studying the nature and use of the several presents, in order to be able to say something upon them when they should be exhibited to his master, could not succeed in making his Imperial Majesty comprehend the intention of the articles in question. "I fancy," says the old monarch, "they are meant as playthings for some of my great grandchildren."

The power of the pulley is understood by them, and is applied on board all their large vessels, but always in a single state; at least, I never observed a block with more than one wheel in it. The principle of the lever should also seem to be well known, as all their valuable wares, even silver and gold, are weighed with the steelyard: and the tooth and pinion wheels are used in the construction of their self-moving toys, and in all their rice-mills that are put in motion by a water wheel. But none of the mechanical powers are applied on the great scale to facilitate and to expedite labour. Simplicity is the leading feature in all their contrivances that relate to the arts and manufactures. The tools of every artificer are of a construction the most simple that it should seem possible to make them, and yet each tool is so contrived as to answer several purposes. Thus, the bellows of the blacksmith, which is nothing more than a hollow cylinder of wood, with a valvular piston, beside blowing the fire, serves for his seat when set on end, and as a box to contain the rest of his tools. The barber's bamboo basket, that contains his apparatus, is also the seat for his customers. The joiner makes use of his rule as a walking stick, and the chest that holds his tools serves him as a bench to work on. The pedlar's box and a large umbrella are sufficient for him to exhibit all his wares, and to form his little shop.

Little can be said in favour of the state of the fine arts in this country. Of their poetry, modern and ancient, I have given a specimen; but I think it right once more to observe that, with regard to Asiatic compositions, Europeans cannot form a proper judgment, and more especially of those of the Chinese, which, to the mysterious and obscure expressions of metaphor, add the disadvantage of a language that speaks but little to the ear; a whole sentence, or a combination of ideas, being sometimes shut up in a short monosyllable, whose beauties are most studiously addressed to the sense of seeing alone.

Of the other two sister arts, painting and music, a more decided opinion may be passed. Of the latter I have little to observe. It does not seem to be cultivated as a science: it is neither learned as an elegant accomplishment, nor practiced as an amusement of genteel life, except by those females who are educated for sale, or by such as hire themselves out for the entertainment of those who may be inclined to purchase their favours. And as the Chinese differ in their ideas from all other nations, these women play generally upon wind instruments, such as small pipes and flutes; whilst the favourite instrument of the men is the guittar or something not very unlike it, some of which have two strings, some four, and others seven. Eunuchs, and the lowest class of persons, are hired to play; and the merit of a performance should seem to consist in the intenseness of the noise brought out of the different instruments. The gong or, as they call it, the _loo_ is admirably adapted for this purpose. This instrument is a sort of shallow kettle, or rather the lid of a kettle, which they strike with a wooden mallet covered with leather. The composition is said to be copper, tin, and bismuth. They have also a kind of clarinet, three or four different sorts of trumpets, and a stringed instrument not unlike a violoncello. Their _sing_ is a combination of uneven reeds of bamboo, not unlike the pipe of Pan; the tones are far from being disagreeable, but its construction is so wild and irregular, that it does not appear to be reducible to any kind of scale. Their kettle drums are generally shaped like barrels; and these, as well as different-sized bells fixed in a frame, constitute parts in their sacred music. They have also an instrument of music which consists of stones, cut into the shape of a carpenter's square, each stone suspended by the corner in a wooden frame. Those which I saw appeared to belong to that species of the silicious genus usually called Gneiss, a sort of slaty granite. In the Keswick museum are musical stones of the same kind, which were picked up in a rivulet at the foot of Skiddaw mountain; but these seem to contain small pieces of black shorl or tourmaline. It is indeed the boast of their historians, that the whole empire of nature has been laid under contribution in order to complete their system of music: that the skins of animals, the fibres of plants, metals, stones, and baked earths, have all been employed in the production of sounds. Their instruments, it is true, are sufficiently varied, both as to shape and materials, but I know of none that is even tolerable to an European ear. An English gentleman in Canton took some pains to collect the various instruments of the country, of which the annexed plate is a representation, but his catalogue is not complete.

_A sheet of bell Metal_

_A pot of bell Metal_

_The Great Bell of Canton 20 feet diameter 8-16 Inches thick._

_A Barrel drum sometimes of Wood & sometimes Metal._

_A Log of Wood shaped like a Skull and used in Temples._

_A Metal Bell._

_A Lyre of silken Strings._

_A small Flute._

_A Muffled Drum._

_The Metal Gong or Loo_

_Cymbals._

_Uncertain_

_A Pair of Rattles or Castanets._

_Cymbals struck with a rod._

_Alommon Flute._

_Two Stringed Violins_

_A Three Stringed Guitar._

_A Pipe of inequal reeds or bamboos._

_Four Stringed Guitars._

_Three Trumpets._

_A Lyre of 11 Metallic Strings._

_Metal Plates an Instrument used in Sacred Music._

_A small barrell Drum._

_A fixed Drum used in Sacred Music._

_A small Gong or Loo._

_Published May 10^th, 1804 by Cadell and Davies Strand._

_Neele sc. Strand_]

A Chinese band generally plays, or endeavours to play, in unison, and sometimes an instrument takes the octave; but they never attempt to play in separate parts, confining their art to the melody only, if I may venture to apply a name of so much sweetness to an aggregation of harsh sounds. They have not the least notion of counter-point, or playing in parts: an invention indeed to which the elegant Greeks had not arrived, and which was unknown in Europe as well as Asia, until the monkish ages.

I never heard but one single Chinese who could be said to sing with feeling or plaintiveness. Accompanied with a kind of guittar, he sung the following air in praise of the flower _Moo-lee_, which it seems is one of the most popular songs in the whole country. The simple melody was taken down by Mr. Hittner, and I understand has been published in London, with head and tail-pieces, accompaniments, and all the refined arts of European music; so that it ceases to be a specimen of the plain melody of China. I have therefore given it in its unadorned state, as sung and played by the Chinese, together with the words of the first stanza, and their literal translation.

[Music: MOO-LEE-WHA.

I.

1 2 3 4 5
_Hau ye-to sien wha,_

6 7 8 9 10 11 12 13
_Yeu tchau yeu jie lo tsai go kia_

14 15 16 17 18 19 _Go pun tai, poo tchoo mun_

20 21 22 23 24 25
_Twee tcho sien wha ul lo._

II.

1 2 3 4 5 6
_Hau ye to Moo-lee-wha_

7 8 9 10 11 12 13 14
_Man yuen wha kai soy poo quee ta_

15 16 17 18 19 20 _Go pun tai tsai ye ta_

21 22 23 24 25 26 27 _Tai you kung kan wha jin ma._

_Literal Translation._

I.

1 2 3 4 5
How delightful this branch of fresh flowers

6 7 8 9 10 11 12 13 One morning one day it was dropped in my house