Chapter VII: Part 7
The religious life of the settlement is very diversified, and includes Jews, Parsees, Mohammedans, Greek and Roman Catholics, and members of the Anglican Church; the various forms of the Protestant Church are represented, and most of the missions have their headquarters here.
We returned to our steamer in the evening, and sailed on for Kobe, our point of departure, but we had "stop-over privileges at Nagasaki." Our intervening day was passed mostly on deck, the weather being fine.
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NAGASAKI, _April 8th_: We arrived at Nagasaki on the morning of April 8th in a pouring rain which rather dampened our ardor, inasmuch as we had a full day's programme arranged. We went ashore, however, and proceeded to the Cliff House for a short time, but as the storm increased we returned to the steamer somewhat crestfallen. The _Korea_ was taking on coal when we left, but on our return there was an ominous silence, and we learned that the workers, thoroughly drenched, had struck and that the vessel would be compelled to remain another day. Hope revived amongst us, and on the following morning the sun was shining brightly. This was the only time I have known a strike to be of benefit.
The process of taking on coal was very peculiar. Ladders were placed up the sides of the steamer, relays of men and women were arranged in nine rows, counting from the bottom; coal was placed in baskets and passed up in fire-bucket fashion with the utmost quickness and dexterity. It continued incessantly until the work was completed. There were more women than men working, and they all wore pointed white handkerchiefs over their heads.
A steam launch conveyed us to Nagasaki, and once there we took a jinrikisha for a memorable mountain ride of five miles, along a road called the Mogi. We ascended gradually from the sea-level, and soon the loveliest view was spread before us. On our right, looking downward, were the sea and the city rising in terraces from the water, the hillsides covered with foliage, all sparkling in the morning light; on our left, foothills, and beyond these the mountains. We stopped at a Japanese tea-house to rest the jinrikisha men, and soon after, we came to a point in the landscape said to be represented in the opera of "Madame Butterfly." Reaching the Mogi, we found another tea-house, and we all alighted and roamed around the point, where we had a magnificent, far-reaching panorama. The descent was quite as enjoyable, and altogether we voted the ride an entire success.
We next visited some bazars. The temples were omitted, but I later visited them on my return trip to North China. Then we returned to the steamer for a late luncheon, and the bevy of animated coal-heavers were still at work. The day following was our last on the steamer, and our way lay through one portion of the Inland Sea, meaning a narrow waterway, the shores of which were visible on both sides.
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KOBE: We arrived at Kobe on the evening of April 10th, and fell at once into the grasp of the custom-house authorities, who proved, however, very lenient. Our valued Director here left us to go on to Yokohama and was succeeded by a Japanese guide, Mr. Macheeda, who took charge of four of the party, small groups and native guides being the policy in Japan.[6] Our abiding-place in Kobe was the Oriental Hotel.
The following morning we went out early in jinrikishas for a general ride through Kobe, going first to the distant waterfall in the mountains, which really proved a fine spectacle. Next we visited temples, then some shops or bazars, and a Satsuma studio, where the whole art process was explained to us by a most courteous Japanese, who spoke English perfectly. All the appointments of the studio were truly Japanese, including the sliding windows and doors, the hardwood floor and the matting walls. Here tea and little cakes were served to us.
We then went to another studio with a different interior. This was larger and more pretentious. Again the process was explained to us in the same courteous way, and we realized that we were now in a land where good manners prevailed. A heavy rain unfortunately set in, and we were compelled to return to the hotel.
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ONOMICHI: The following day we took the train for Onomichi, arriving at our destination in the evening. Here we were to have a new experience, the hotel being strictly Japanese, with not a word of English spoken. First, we were asked to remove our shoes and put on slippers, the alternative being cotton coverings for our own shoes. I preferred the latter. The house was quite large, consisting of two stories. The first floor was, however, occupied by the family. The second floor was entirely devoted to our party, whose suite included several rooms with movable screens so arranged that one large room could be converted into two. There were sliding windows, paper taking the place of glass.
Our beds were the futons, composed of dark red comforters, one below and one above us, with another hard roll for the head. There were no chairs in the sleeping-rooms, but washstands had been improvised, there being dressing-rooms outside of some of the rooms. Concession was made us in the improvised dining-room, a table and chairs being reserved for our special use. On one side of this room there was a slightly raised floor, and here were pretty little side tables and bronze ornaments. Our guide had very considerately brought some canned goods with him and also some bread; the family, however, furnished us with eggs and tea. The mother and two daughters were bright and sunny, as were the little Japanese maids who attended to the menial work. It was altogether a novel experience. The next morning, however, the rain was coming down in torrents, and there was no possibility of our taking a steamer for a trip of several hours to the sacred island of Miyajima, so we reluctantly boarded the morning train for Osaka, arriving there late in the afternoon.
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OSAKA, _April 13th_: The next morning dawned brightly, and we left in jinrikishas for a general tour, first visiting the fort where stands a noted castle, very picturesque in appearance. We then visited the Exposition of Industrial Arts, which did not seem unlike an exposition at home in its general arrangements. The goods displayed, however, were very different. Then we had a ride along Cherry Blossom Avenue, the trees being laden with the pale pink flower. We visited bazars and noted the general aspect of the place, canals being a dominant characteristic of the landscape. We saw a particularly fine temple among many others. Osaka is a commercial city of great wealth and is more celebrated from a business point of view than from its artistic aspect.
After luncheon we went to Yaba Meczan's Satsuma studio. This artist is celebrated, having taken prizes at both the Chicago and St. Louis Expositions, and his work surpassed any I had ever seen. The decoration on some of the vases was so fine that it required a glass to bring out the full and minute detail. In designing and decorating these vases the work has to be done with a magnifying glass, which is a very severe strain on the eyes. We then proceeded up what is called Theatre Street, so named because of the situation of several playhouses in the midst of prominent shops. Banners and signs were displayed in every available space, all of different colors, and the general effect was very unusual as they floated in the breeze. Later in the afternoon we took a train for Kyoto.
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KYOTO, _April 15th_: The following morning another heavy rain greeted us. We were now in the Japanese city which retains more of the old life and customs than any other, not having been spoiled as yet by modern innovations. The bad weather abating in the afternoon, we went to the temple Nishi Otani. This is situated on quite an eminence. We crossed a stone bridge spanning a lotus pond, and walked up an inclined way paved with granite, a flight of steps leading to the handsome main gate which faces a strikingly carved two-storied structure. We took our places on the steps and awaited the arrival of the procession of Buddhist priests, this being the chief object of our visit. They came in large numbers, walking two by two, and arrayed in the most gorgeous brocades, no two being of the same pattern. Around the waist they wore wide sashes of equal richness and beauty, and the effect was truly very striking, as they walked up the hill. This was one of the features of the rite of commemoration, the ceremonies continuing through the week. We then visited some shops, of which there are a large number, all of them very interesting.
Shintoism is the State religion, and the following morning we visited one of the temples, named Kitano Tenjin. Entering through the great stone torii or gateway, we found stone lanterns, together with stone and bronze bulls presented by devotees. Another torii and a couple of two-storied gates were passed through, the last being called the Gate of the Three Luminaries, or the Sun, Moon, and Stars. This was the entrance to one side of the square, the other three sides being formed of colonnades. It might be well to explain that a torii consists of two upright columns several feet apart. At the top is a cross-bar extending out about one foot on each side and two feet lower than the top of the columns.
There were many other details noted by us, and it was perhaps the most effective Shinto temple that we saw. We then visited Kinkakuji, more commonly called the "Golden Pavilion." This is Buddhist in character, and there is a monastery surrounded by a fine garden in which is another pavilion. The garden was artistic, in the middle of which is a lake with pine-clad shores and pine-clad islets; this indeed seemed unusual so near a large city. The lake is usually filled with a flowering plant called junsai and is stocked with carp, which always appear on the approach of visitors, expecting to be fed.
All the ancient buildings have disappeared except the Pavilion, which was restored in 1906. It stands on the water's edge and is three-storied. Each floor is furnished with statuettes of different saints and has mural decorations by Kano Masanobu. There are very unusual features connected with this temple. The so-called apartments are in two sets,--one attached to the main building with pictorial sliding screens symbolic of Chinese sages and other subjects by Kano. There are also drawings of birds and trees, and ornaments done by celebrated artists. Folding screens are in common use. One artistic group represents three religious teachers, Confucius, Buddha, and Lao Tze. After showing these art treasures to us the priests served tea, while we sat around in true Japanese style.
After luncheon we went to still another very interesting Buddhist temple, Kiyomizu-dera. Kyoto abounds in fine temples. We left our jinrikishas at the foot of the hill and walked up a long, high lane called Teapot Street because in all the little shops bordering the thoroughfare china and teapots are displayed, forming the favorite purchases of the country people who frequent this temple. The building is situated in a striking position and commands a view of the entire city. The two-storied gateway at the top of the steps was restored in 1897. Outside this gate are two pagodas, each three-storied, and the large green bell, dating from 1624. We then passed up through a colonnade to the main temple, whose rough, hewn columns and bare floor are most unusual. The whole style is original and unique. The great festival day here is on the 17th of August, when a classic concert is given, the musicians being dressed in various unique costumes. They are seated opposite each other in the wings like the two sides of a choir. A dancing stage extends the whole length of its front, and this opens into a hall full of _ex-voto_ pictures, some of which possess great artistic merit. Directly behind this main temple are several other temples and an eleven-storied pagoda which it is impossible to describe here adequately.
On our homeward way we visited the Art Museum. This and the museum at Nara contain the very best collections of early Japanese statuary. The exhibits have been taken or borrowed from time to time from various Buddhist temples in Kyoto and the surrounding provinces. Some date from the seventh and eighth centuries, when Buddhist carving was at the height of its excellence. There are also screens, ancient manuscripts, swords, armor, musical instruments, coins, imperial robes, and miscellaneous articles.
To vary the programme a little, we made an excursion on the following day to Lake Biwa, some miles distant. This is a very celebrated body of water in Japan. We had our choice between returning to Kyoto by the more exciting way of the canal with its long tunnels or going to Otsu. We chose the latter.
Near Otsu there is the largest pine tree in the world, and it has been trained in the peculiar conventional manner employed by the Japanese. Here we had a picnic luncheon and then drove some distance to the heights of Otsu, where one hundred and thirty monasteries and temples are said to be grouped. We walked up the incline, passing many temples and seeing a very ancient bronze bell of great historic interest. Descending, we went through the village of Otsu, which has quite a reputation, since it was the scene of what might have been a very serious accident to the present Emperor of Russia, then czarevitch. He was accompanied by Prince George of Greece, now King George, when savagely attacked by an insane man. Certain disaster would have followed had it not been for the presence of mind of the Prince.
We reached Kyoto at 5 P.M., having had a long, though extremely delightful day. Excursions being in order, we went the next day to "shoot the rapids ending at Arashi-yama." We had various means of transportation during the day, jinrikishas, trains, and a short railway trip which was highly picturesque, the line running along just above the dashing river. At Hozu we took the boat for the descent of the rapids down to the landing-place of Arashi-yama, and this was a most exciting experience, the passage taking about an hour and a half. Great care had to be observed by the pilots of the boats, as there were several parties going down and many others returning. The shores of the river were very interesting, being high wooded hills which were abloom. Arashi-yama is famous for its cherry blossoms. We had a picnic luncheon here and returned to Kyoto by train.
On Easter Sunday I attended a union service, but afterwards learned that there was a special commemoration at St. Mary's, and that the Episcopal Bishop Partridge was at the hotel. There seemed to be a great deal of friendly feeling between the different religious denominations in Kyoto; a little booklet given us at the union service containing information with regard to all the churches, including the Episcopal. Easter afternoon we attended a remarkable Buddhist ceremony in the Chroin Temple on a high hill. At least seventy-five priests were in attendance, all arrayed in their gorgeous brocaded robes and sitting in parallel lines opposite each other. It seemed to be an intoned service. We were separated from the officiants by an anteroom with a high railing, but we could observe all that was going on. This was a part of the ceremonial of the week to which I referred in connection with the Buddhist procession. After watching for a while, we walked about and saw several adjacent temples, marked by their spaciousness.
A visit to the Nijo Castle, by permit, was of great interest. It dates from 1601, and was built by Ieyasu of Nikko memory for his use when visiting Kyoto. It has even in modern times considerable historical interest, as it was here, on April 6, 1868, that the Emperor, on obtaining his ancestral rights by the revolution then in progress, met the Council of State and swore to grant a deliberative assembly and to decide all measures by public opinion. For a long period Nijo Castle was used by the prefecture and was greatly damaged. Since 1883, it has been one of the Imperial Summer palaces. The apartments of the castle are very beautiful; the sliding screens between the rooms and the wooden doors separating the different sets of apartments are all adorned with paintings of flowers, birds, and the like, done by artists of the Kano School. There is beautiful metal work, and the reception hall is decorated with representations of street life in Kyoto and other cities. The ceiling is lacquered.
We also procured a permit to visit the Imperial Palace, which is placed in a large garden like a park. This was spacious, but not so artistic as Nijo; there were many different buildings. We visited several, one known as the Temple of 33,333 Buddhas, and after gazing at the long array of walls and corridors with their ornaments, we accepted the estimate as accurate. One afternoon the great Shinto procession of the year was in progress. We took jinrikishas for quite a long ride, and then arrived at a small suburb of Kyoto, where we had places engaged on the upper gallery of a house. There were great crowds of people, and we waited a long time before the arrival of the first shrine. There were five in all. These shrines were large and ornamental, with a great deal of gilt about them, and they were placed on poles borne upon the shoulders of men. Four other small shrines followed, and before the pageant was over, the afternoon was nearly consumed. This procession was on its way to the great Temple of Inari, several miles distant.
One morning we devoted to visiting two cloisonné studios and some curio shops. The first studio, Nakamura's, was very artistically arranged; one large room encircled a miniature garden laid out in true Japanese style with dwarf trees, rockeries, and a tiny little lake. We saw the whole process of manufacture and it was also explained to us.[7] The specimens were very rare and beautiful. Tea and little cakes were served and great courtesy extended to us. The second studio was similar to this, but a little larger, and again we saw the garden, and again tea was served. Several interesting curio shops were visited, and we then went to the large establishment of Yamanaka, who had fine collections at the Chicago and St. Louis Expositions. We then went over some silk stores, the manufacture of silk being the chief industry; one may purchase all kinds of embroidered goods.
The annual Cherry Blossom Dance--repeated at intervals for one week--occurred at this time. It is preceded by a ceremonial tea. We went at five in the afternoon and were seated around the sides of a large room. Special places were arranged for the pouring of tea, and presently a very pretty Japanese girl appeared and proceeded to heat the water, measure out the tea, put it in the teapot, with many other movements, pouring a little water on it, all in the most deliberate manner, and finally the preliminaries were over, and three pretty little maidens passed the tea around. Another girl in a bright kimono appeared and went through the process again. This was repeated three or four times. We then adjourned to a very large room, like a small theatre, with a gallery at the back, in which we sat. Opposite us was a wide stage, and on either side was arranged a platform about two feet wide, extending the whole length of the room. Here sat the musicians dressed as geisha girls, and the dancers, called Maiko, were also clad in the same manner, with long artistic kimonos and flowers in their hair. The dancers entered and proceeded to the stage; then commenced a slow and measured tread, every movement being graceful. Cherry blossoms were everywhere, even forming the decorations on the wall. Different figures were repeated, but all in that deliberate manner, very little like dancing but more like a devotional exercise. We sat there for about an hour, but cannot truthfully say that we enjoyed the music, as it was somewhat discordant.
Our last day in Kyoto was a very full one. We visited shops in the morning, and in the afternoon went quite a distance to see a historical procession. We were seated in about the same manner as previously described. Those who took part in the procession were geisha girls and novitiates who were to be educated as future geisha girls, their parents giving them over to the instructors at an early age. This was a very interesting pageant. First only one or two would appear in a historical costume of very rich brocade, the hair most elaborately dressed with the ornaments peculiar to that particular period. Next two little girls would appear, also dressed in historical costumes. Then, after a considerable pause, there followed another geisha girl; and thus the procession continued for over an hour. We did not realize until the day following that most of the persons who took part were of questionable morals.
In the evening we attended a Japanese theatre. The play was a historical tragedy called "The Forty-seven Ronans." The stage was well arranged and the action very good; it was far more interesting than the Chinese theatre previously described.
During the week a large Collver party of eighteen arrived at the hotel; they were later to go to North China and by the Trans-Siberian route to Russia. Their Director gave a Japanese dinner in which we were included, Mr. Burton Holmes and his friend being the only other guests present. The dining-room was in the Japanese portion of the hotel, arranged with rugs and draperies covering the hardwood floors in quite an artistic manner, and at the sides were placed cushions on which we were supposed to sit or kneel. The formal exercises were mostly conducted by geisha and Maiko girls, three officiating as musicians, several more dancing, and others serving as attendants. Everything was done in the most measured manner. First, boxes were placed before us containing four articles, all dishes of peculiar concoctions. These were intended, we imagined, for us to look at for a time until the musicians and dancers appeared. The programme was opened with a musical number, which was anything but musical; the dancers then took their positions and went through the usual formal measures. There was more music, then another dance. This was repeated three or four times. The attendant geisha girls were seated at intervals in front of the guests.
At a certain signal the music and dancing ceased, and trays were brought us on which were soup (we imagined the famous bird's-nest), a cup of saké, two more peculiar dishes, and also chopsticks! By this time the kneeling process had become rather painful, and I availed myself of the cup of saké, feeling I needed some stimulant. This was the only refreshment I tried, but some of the party had the courage to experiment further. After some deliberation and a little more converse, we arose from our repast and proceeded to the hotel dining-room, where a substantial dinner was served us at nine o'clock. This was altogether the most unique affair of the week and greatly enjoyed by all. The eight days in Kyoto had flown and we would gladly have remained longer. The atmosphere of the place was so truly of the past, the temples so very interesting, and the quaint customs of the olden times so well retained, that it gave a peculiar charm to the place.
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NARA, _April 23d_: A day's excursion to Nara was planned, but a heavy rain somewhat marred our enjoyment. Nara was once a place of much importance, the capital of Japan during seven reigns, stretching from 709 to 784 A.D. Its chief attraction now is the great natural beauty of the place, some fine temples, and a deer park. Kasuga is a noted Shinto temple. The approach is through the celebrated grounds where were seen many deer, apparently very tame. A fine avenue of cryptomerias added much to the dignity of the approach. The temple stands at the end of a long avenue of stone lanterns, some of which are lighted every night. The main temple is painted red, with brass lanterns, and surrounded by cryptomerias. A religious dance, which is held in a building near by, is one of the many attractive features of this temple. The dress of the dancers is peculiar, composed of a wide red divided skirt, a white under-garment, and a long gauze mantle. The hair is worn in a thick tress down the back, a chaplet of flowers is on the forehead, the face very much powdered, and in the hands are carried either the branches of a tree or some tiny bells which are swayed back and forth in a measured manner. The orchestra consists of three priests.
There is a fine Buddhist temple, renovated in 1898. It is built on the side of a hill; a flight of steps leads up to it and the whole front is covered with metal lanterns which produce a weird effect. Not far distant is a large temple which contains a bronze Buddha called Dai-butsu. When we saw it, the temple was in a chaotic condition, undergoing renovation. The height of the Buddha is fifty-three and one-half feet; the face is sixteen feet long and nine and one-half feet broad. It is in a sitting position, with right hand uplifted. Nara has a fine museum, well equipped for the study of early Japanese religions.
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YAMADA, _April 23d_: In the afternoon we left for Yamada, the city of the celebrated Temple of Ise. On arriving, we took quite a drive up the mountain side to Furuichi and to the Goni-Kwai Hotel, a large, beautifully situated Japanese hostelry with a European department. This consisted of eight rooms, furnished comfortably in European style, even with grates, but we had the novelty of Japanese environment as we walked down the corridors and passed little Japanese rooms with sliding screens and open windows. In the morning, we walked up the hill and had a magnificent view; we left early in jinrikishas for a long day's programme. First we went through the town, the shops forming part of a long street, with open fronts and interiors. We then crossed a bridge to a suburb which contained the celebrated Temple of Ise. We proceeded up a long avenue, containing torii No. 1, torii No. 2, and torii No. 3, entering what is called the inner Temple of Ise, which, like all Shinto places of worship, is very plain on the exterior. We were not permitted to enter, but were obliged to look through an open enclosure. Our Japanese guide knelt down, bowed, and clapped his hands three times, which is the act of devotion of all Shintoites on their approaching any temple. In the rear there was another temple which we saw only from the outside; the guide told us that at this shrine Marquis Ito came to offer thanks for the success of the Chinese-Japanese war in 1894, and that Admiral Togo also came at the close of the Russian-Japanese war. It is estimated that at least half a million pilgrims repair annually to the Temple of Ise, but the educated class seldom visits the place,--perhaps not more than once in a lifetime.
We then drove eight miles to Futami, a seaside resort with a pretty Japanese tea-house fronting the water. Here is a peculiar formation of rock called "The Husband and Wife Rocks," connected by a chain. The bazar is quite interesting, and we had our luncheon at the tea-house, served in Japanese style, which means that we would have had nothing but tea if our thoughtful guide had not brought a basket with us. The return trip of eight miles was over a little different route, more picturesque even than the first. Arriving at Yamada, we went to the outer Temple of Ise. Here, as in the inner temple, there is a large house for sacred dances.
Many tea-houses in Yamada furnish music during the evening. We visited a very artistic place, said to be five hundred years old, and there we saw one of the sacred dances peculiar to that province.
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NAGOYA, _April 25th_: We left in the morning for Nagoya, and were guests at the Nagoya Hotel. This is a flourishing, commercial city, with one of the longest and widest streets we had seen in Japan. The garrison occupies the castle, whose approach is the same as in the olden time--through gates and past moats. This castle was erected in 1610 by twenty great feudal lords to serve as a residence for Ieyasu's son. Like other Japanese castles, it is a wooden building, standing on immense walls which are eighteen feet thick. The castle has been taken by the Imperial household and is preserved as a monument of historical interest. The two golden dolphins with silver eyes which can be seen glittering all over the city from the top of the five-story donjon were made in 1610 at the expense of the celebrated general, Kato Kiyomosa, who also built the donjon, or keep.
The apartments of the castle are very beautiful. The sliding screens between the rooms and the wooden doors separating the different suites are all adorned with paintings of flowers and birds. Leaving these apartments, we visited the historic donjon, a gloomy building of stone on the exterior, but furnished with wooden staircases within. The fifth story commands an extensive view of the town, the sea, and the vast plain,--rice-fields and mountains stretching in the distance. The roofs of the keep are of copper, and its massive gates are cased in iron.
Nagoya is noted for its manufacture of porcelain and cloisonné. There is one celebrated Buddhist temple, Higashi Hongwanji, and the Museum. There are also extensive parks and parade grounds. In the evening of our stay there, the unexpected occurred. We had known for some time of the approaching Imperial Cherry Blossom Garden Party at Tokio. A telegram arrived, stating that our invitations awaited us in Yokohama; we were most fortunate, since they were in great demand. A hurried consultation followed, but as the remainder of the party expected to sail for San Francisco on May 13th, they declined to change their programme, while I accepted the invitation, having two weeks' more time in Japan during June; I regretfully bade adieu to the party, and the following morning proceeded to Yokohama.
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YOKOHAMA, _April 26th_: The next two weeks I was to be thrown upon my own responsibility. I arrived at Yokohama in the evening and anticipated a departure the following morning for Tokio. A pouring rain, however, caused an unexpected postponement. There were many disappointed guests in the Tokio hotels which were crowded in view of the great annual event. This is said to be very beautiful in all its appointments, the profusion of cherry blossoms being an attraction, as is the presence of the Emperor and Empress. The rain abating at noon, the grounds of the Crown Prince's palace were opened and the persons who were in Tokio availed themselves of the privilege of visiting them. A fine collation was served. The Emperor and Empress, however, did not appear, and the usual extremely formal ceremonies were dispensed with. It is the custom to give the inmates of the hospitals in Tokio a rare feast from what is left of the banquet. I had a busy day in Yokohama, which I found an attractive modern city, with beautiful shops, pleasant hotels, and a great crowd of visitors. I left early the following morning, April 28th, for Nikko.
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NIKKO, _April 28th_: The sky was overcast when we started, and before noon there was a heavy rain which prevented any enjoyment of the really fine landscape. The Japanese proverb in substance runs: "Do not use the word 'magnificent' until you have seen Nikko." This had been ringing in my ears all the way, and to be compelled to proceed through the long street of the village in a closed jinrikisha was tantalizing. The Nikko Hotel was to have been my destination, but I met friends on the train and was persuaded to accompany them to the new Kanaya Hotel, situated nearer the village on a height. My programme in Nikko could only include three days; hence I decided that a study of the various temples, a general view of the city, and an excursion to Lake Chuzenji must suffice.
The following morning the sun was shining, and I departed early to visit the temples. The way lay down to the river Daiya-gawa. From the bridge in actual use and at a short distance I beheld the "Red Bridge," formerly lacquered and having brass ornaments, sacred to royal use only, and held in veneration by the Japanese. A long avenue of cryptomerias followed. This tree is like the redwood of California when used in the interior of a building; indeed, after a long period of time, the coloring is precisely the same. This I noticed in the Imperial palaces at Kyoto.
I walked up the avenue with a feeling of awe, and it seemed as if the whole atmosphere of Nikko was surcharged with an element of sanctity, and that no one could gaze on the mountains and the groves of cryptomerias without being somewhat better than before. At the end of the avenue the perspective is wonderful, for one looks through a series of great stone toriis, gray with age, and sees along the way objects that are of interest, a five-story pagoda being the most striking. This approach is to the great Temple of Ieyasu, the illustrious Shogun and founder of the Tokugawa dynasty and, like the other great temple and mausoleum of his grandson, Iemitzu (farther on), was erected in the seventeenth century, at a time when the art of building shrines was at its perfection, as was the work in lacquer and bronze, wood carving and decorative painting. Every detail is perfect, and the great predominance of red and gold lacquer with its setting of green produced a striking effect, but without being in the least garish. Indeed, the keynote to all the buildings and interiors we have seen in Japan, of any age whatsoever, has been chasteness of design and harmony. If we sometimes find a discordant note in modern Japanese art, I fear Western taste has had some influence, if it be true that the producer ever seeks to please the purchaser.
With all this perfection on every side, it becomes even more difficult to give any adequate description, so that an outline comprising only general details will be suggested. A quotation explains my position fully. Dr. Dresser once wrote: "Any words that I can use must fail to convey any adequate idea of the consciousness of the work, the loveliness of the compositions, the harmoniousness of the colors, and the beauty of the surroundings here before me; and yet the adjectives which I have tried to heap one upon another, in the hope of conveying to the reader what I--an architect and ornamentist--feel when contemplating these matchless shrines, must appear, I am afraid, altogether unreasonable." The difficulty is further added to by the fact that there are in all six groups of temples with numerous associated buildings and gateways in the near vicinity, although Ieyasu and Iemitzu are the most famous.
The approach to Ieyasu Temple is most unusual. Within the two courts, each with toriis and stone steps, are many notable adjuncts to the temples, the five-story pagoda, one hundred and four feet high, being a marvel of rich lacquered walls. It has peculiar brass-trimmed roofs and bells hanging from every angle. Three artistic buildings are used as storehouses, where articles employed in worship, pictures, and many treasures of Ieyasu are deposited. Near by is a finely carved gateway leading to a beautiful carved water cistern which is cut out of one solid piece of granite and sheltered by a roof supported on twelve square pillars of stone, all erected in 1618. A beautifully decorated building behind this is the depository for the complete collection of the Buddhist scriptures, contained in a fine revolving octagonal bookcase with red lacquered panels and gilt pillars. In the centre of this court stands a fine bronze torii. A flight of steps gives access to the second court. Just inside of this are two stone lions in the act of leaping down; on the right stand a bell tower, a bronze candelabrum presented by the King of Loochoo, and another bell presented by the King of Korea; there is also a bronze candelabrum from Holland. This diversity of gifts indicates the general interest at that time in this shrine. All of these articles are of very unusual style of workmanship.
At the left extremity of this same platform stands the Temple of Wakushi, dedicated to the patron saint of Ieyasu, for which reason its Buddhist emblems have been left intact. The building is a blaze of gold and harmonious colors. Stone steps lead up to the exquisitely beautiful gate called Yomei-mon; it has a fence on each side. Passing through the gateway, we entered the third court, in which the Buddhist priests used to offer liturgies on the occasions of the two great annual festivals. In this court are also two buildings, one containing a stage for the performance of the sacred dance, and the other an altar for burning the fragrant cedar while prayers were recited. Next we have the Karu-mon or Chinese gate. It gives admittance to the main shrines. The folding doors of the oratory are lavishly decorated with arabesques of peonies, in gilt relief.
The chapel is a large matted room, forty-two feet long by twenty-seven feet deep, with an antechamber at each end. The chapel and the antechambers are all very profusely decorated with pictures on the walls, with carved panels and painted ceilings. The Holy of Holies of this temple is accessible to the public only by special permit. It is composed of three chambers, and here Japanese Buddhist art is exhibited in its perfection,--a blaze of gold and color, with its elaborate paintings of court personages, its precious woods, inlaid and carved, and its richly lacquered pillars and splendid metal work--the whole a marvel of detail, all the more marvellous because it is in perfect preservation. Now that it has been changed into a Shinto shrine and is under the patronage of the Government, the Buddhas and attendant Buddhas of the olden time are no longer to be seen.
An old mossy staircase and a time-worn pavement lead to Ieyasu's tomb, before which stand two long tables. Here are placed the usual bronze ornaments, consisting of a stork, an incense burner, and a vase of bronze lotus flowers. The tomb, shaped like a small pagoda, has a single bronze casting of a light color, produced, it is said, by a mixture of gold. Leaving the mausoleum, I passed down through the courts and gateways until I came to the avenue of cryptomerias, visiting a number of temples on the way, and finally I reached Iemitzu's temple. A massive stone staircase and a fine gateway are among the many details of an attractive exterior that claim attention. The temple is much less magnificent than Ieyasu's, but a more perfect representation of the Buddhist art, inasmuch as here can be seen the interior as it was originally. After the restoration in 1886, the interiors of all the other temples were changed to meet the requirements of the Shinto faith, that being the State religion. The tomb is reached by a flight of steps running up the side of the wall. It is of the same general style as that of Ieyasu. In the afternoon a walk back of the temple of Ieyasu revealed more stone lanterns, shrines, and toriis.
At Nikko the homes are attractive, with their open space and their verandas. The Park and Botanical Garden are also not without interest. Sometimes a shrine could be seen, and with the inmates dressed in pretty kimonos, it was truly a fascinating picture, unlike anything that had elsewhere struck our fancy. The invariable smile, bow, and courtesy that always greet you place a finishing and charming touch to the whole.
The bazar or long street of shops was enticing, with so many souvenirs to choose from. The thoroughfare itself presented a never-ending panorama of carts, packhorses, natives, pilgrims, and tourists.
There were several tempting excursions of two or three miles each, the most celebrated of which was to Lake Chuzenji, eight miles distant. This required an early morning departure in a jinrikisha. The ride there was through a region which affords a fine example of the Japanese method of cultivating the soil. The little homes were attractive. Potatoes, rice, and millet seemed to be the principal crops. Chuzenji Lake is a marvel of beauty, with its many walks along the shore. Luncheon was served at the hotel. It is estimated that ten thousand pilgrims come to the village during July and August to make the ascent to the sacred mountain, Nantaisan, two thousand feet above the sea-level. This is not so very difficult, since at points there are stairways that give ready access. Shrines and tea-houses are stationed all along the road, as the Japanese never neglect creature comforts. Eight miles further on is situated Yunoto village and the lake which bears the same name and is celebrated for its hot springs. This place is said to be as attractive as Lake Chuzenji. We left Nikko on an early morning train with a strong desire some day to return and make a more protracted stay.
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TOKIO, _April 30th_: Leaving Nikko, with an altitude of two thousand feet higher than the sea, for Tokio, one hundred miles distant and at sea-level, was a decided drop. The day was bright and the views from the car window gave one an ever-varying panorama, consisting of mountains, a long avenue of tall cryptomerias that seemed to extend for miles, cultivated fields, and luxuriant vegetation freshened by the recent rain. Nature put forth her loveliest Spring tints, to which cherry blossoms ever and anon gave a touch of color. Arriving at Tokio in the afternoon, and going to the Imperial Hotel, I had a two days' reunion with eight of the "party" who had already arrived there. We took a general drive on the first afternoon, past the palace built on the ruins of the old Shogun palace, in its new guise a long rambling building of yellow brick. The old gateways with their towers were at the front entrance and were a feature of the scene. The arrangement of the rooms in the interior of the palace was said to be pleasing, the dining-room being unusually large. The walls and decorations are also fine, but the furnishings, a mixture of Japanese and European styles, are not so harmonious. We also passed the Crown Prince's palace, and then went on from Hibiya Park to the street on which are situated the brick buildings of the Naval Department, the Judicial Department, and the Courts of Justice.
We saw the Russian Embassy, the Chinese Legation, and also some palaces and residences of many officers and foreign embassies. This neighborhood, called Nagata-cha, is the most fashionable in Tokio. Near the palace lies a garden planted with azaleas, and also containing some trellises wholly covered in season with wistaria. We also passed a fine Shinto temple and several statues, and, on an eminence, saw the Russian Cathedral, consecrated in 1891.
The following morning we went to Shiba Park. Until 1887 this formed the grounds of a great Buddhist temple, and here are still preserved the mortuary temples of several Tokugawa Shoguns, Ieyasu, the founder of that dynasty, having chosen it as the temple where the funeral tablets of himself and of his descendants should be enshrined. There are several temples in the park, and they rank among the chief marvels of Japanese art. They are somewhat after the style of the temples at Nikko. All of them have a wonderful setting of green, the many fine trees and the beautiful park forming an excellent background. Each of these mortuary temples consists of three parts, an outer oratory, a connecting gallery, and an inner sanctuary. In each of these the decorations are of gilt and different colors, with elaborate patterns which are almost dazzling to the eye.
On one occasion we visited Ueno Park, famed for its temples and tombs of the Shoguns; it is a most popular resort in Tokio, and is celebrated for its display of cherry blossoms in the month of April, during which season there are held gala times. Six Shoguns, members of the Tokugawa family, lie buried at Ueno. In general style the tombs here resemble those at Shiba Park.
There are many objects of interest in Ueno Park other than its temples. One is the bronze image of Buddha, twenty-one and a half feet high, known as Dai-butsu, near which is a massive torii. We passed along an avenue of stately cryptomerias where stands an ancient pagoda. There is also a long row of very large stone lanterns, presented as a tribute to the memory of the Shogun, Ieyasu. While in Ueno Park the attendant pointed out, in a small enclosure, two diminutive trees,--a hinoki, planted by General Grant, and a magnolia by Mrs. Grant during their visit to Tokio.
The Ueno Museum proved interesting, particularly in the historical and archæological departments. Near the Museum is a public library and reading-room--the largest in the Empire. In the distance we saw the Imperial University, which has a very high reputation, even foreign students attending there for the purpose of studying art.
* * * * *
ASAKUSA: The district of Asakusa possesses a fine park, and here also is the spacious Temple of Higashi Hongwanji, the chief religious edifice of the Monto sect of Buddhists. It is very plain in its architecture, but is noted principally for its proportions. The area of the matted floor of the nave alone is one hundred and fifty mats, and around the front and sides is a wooden aisle one hundred and twelve feet wide.
Tokio has many other temples and parks, but of these, as I have said, Ueno is the most popular; around us were crowds of gayly dressed grown people and children, all in holiday attire; various games for adults and children were in progress, and there was a tea-house where refreshments were being served. To me this appeared in very truth a park for the people.
The Botanical Garden is also quite interesting. A long, imposing street led down to it from Ueno Park, and on this were situated the principal shops of the city, with curio nooks in abundance. These, of course, were larger and more pretentious than the bazars spoken of elsewhere, some of them being three stories in height, the first of the kind we had seen in Japan. Taken as a whole, Tokio is a large, populous city, with a bright future before it. I now was obliged to turn my face toward Yokohama, it being a comparatively short distance from Tokio. Here I found a number of friends whom I had met at different points and who were about to leave for San Francisco,--my own departure for North China to occur the following morning.
To visit North China, I was compelled to return to Shanghai in order to join the Collver Tours party I had met at Kyoto. I left Yokohama on March 3d by rail for Kobe, arriving at the Oriental Hotel about 9 P.M. The route by day was very pleasant, as we saw much fine scenery, and for some time Mt. Fujiyama rose before us in the distance. At Kobe I found that the steamer, _Mongolia_, would be delayed, and therefore I would need to remain there until the second day. The following morning, I took a jinrikisha ride to the country and revisited several points of interest.
* * * * *
_June 6th_: I was awakened at seven on the morning of June 6th by the voice of the guide saying, "We are now in the narrowest part of the Inland Sea." I arose quickly, and, glancing out of the port-hole, beheld a scene of loveliness which caused a spontaneous exclamation, "Oh, how beautiful!" Before me on the left was an island clad in verdure; behind, the towering mountains; then farther off, a lesser peak, sloping down to the sea; a promontory jutted out at the right, ribbed with terraces from which peeped forth tiny shoots of delicate green. Scarcely had I time to catch a glimpse before the panorama changed. This scene was repeated with slight variations until suddenly there appeared a break, and in a cove were moored many little boats; next came a tall mountain sloping down to the sea, with a wealth of foliage along the side, while on the top was a fringe of tall trees, like so many hills seen in Japan. I had cause to wonder if this too was not one of the many expressions of Nature's artistic sense.
One scene succeeded another, and I became almost oblivious to all thought of dressing until the gong rang for breakfast. I felt rebellious, and, on that morning at least, the meal seemed a desecration, the sacrifice of an opportunity. Once before, I had a similar early morning experience; that was at Laggan, on the Canadian Pacific Railway, when, on awakening, I beheld directly opposite my window lovely Lake Louise and the beautiful glacier mirrored within the opalescent blue. This day in Japan ended with a glorious sunset, and, as the gold and azure melted away into nothingness, it was a fitful close to hours of rare enjoyment.
On the morning following, I was again awakened, this time by the magic word Nagasaki, and I beheld another never-to-be-forgotten scene. The harbor and shipping lay in the foreground; beyond the shore line rose large buildings, smaller ones creeping up the mountain side; this whole panorama was bathed in sunlight. Immediately on landing a jinrikisha ride was enjoyed, and I was propelled about in an aimless fashion, enjoying the street scenes, visiting the heights, and the Horse's Temple. It was a restless, irresponsible kind of day that I enjoyed, and I returned to the steamer at five o'clock with considerable regret. Half an hour later we were sailing away for Shanghai; and again we saw islands, promontories, and inlets quite like those of the day previous.
On Saturday morning, the 9th, we were anchored at Wusong, waiting for the arrival of the health officer. Thereafter we took a ride of an hour in the steam launch. Shanghai seemed more European on our second arrival, and the Bund on the front more attractive. We made the Palace Hotel our destination, and learned with regret of the non-arrival of the Trans-Siberian party from Manila. Some steamer friends and other acquaintances were at Shanghai, and the time passed pleasantly amongst them.
I attended divine service at St. John's Cathedral on Sunday morning, and in the evening the delayed party arrived; I was so fortunate as to have two home friends among the number.
Monday began by a general tour of sight-seeing for the party; to a certain extent I thus went over the ground again, taking jinrikisha rides through a portion of the European native city, and visiting the entire French concession. French names were on the business houses and on many of the streets. This concession is governed by a municipality of its own.
Four restful days were passed at Shanghai, and at ten on the evening of May 12th, we went to our steamer, the _Tuck-Wo_, for a trip on the celebrated Yangtse River. The steamer was large and airy, with pleasant decks; everything wore a thoroughly homelike air. The scenery on the lower Yangtse is rather flat and disappointing, but in the morning there were some vegetation and many agreeable glimpses of life, with vistas of modest homes and little patches of cultivated ground around them. The shores were covered with tall vegetation which, we were told, grows quite tall and is then cut, dried, and used as fuel by the natives. At first, during our trip, there had been only a low fringe of trees in the distant background; now mountains appeared as a striking variation, and thus we had alternating scenes which added to the spatial interest from this time on. There were occasional picturesque points and promontories that jutted out into the sea; clustering around, were many large and smaller craft; once I counted thirty-six in one place.
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Travels in the Far EastChapter VII: Part 7
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