Chapter X: Part 10

Then thunders of applause filled the house, and turning round and seating themselves, Taffy and Little Billee and the Laird saw Trilby being led by J---- down the platform, between the players, to the front, her face smiling rather vacantly, her eyes anxiously intent on Svengali in his box.

She made her bows to right and left just as she had done in Paris.

The band struck up the opening bars of "Ben Bolt," with which she was announced to make her début.

She still stared--but she didn't sing--and they played the little symphony three times.

One could hear Monsieur J---- in a hoarse, anxious whisper saying,

"Mais chantez donc, madame--pour l'amour de Dieu, commencez donc--commencez!"

She turned round with an extraordinary expression of face, and said,

"Chanter? pourquoi donc voulez-vous que je chante, moi? chanter quoi, alors?"

"Mais 'Ben Bolt,' parbleu--chantez!"

"Ah--'Ben Bolt!' oui--je connais ça!"

Then the band began again.

And she tried, but failed to begin herself. She turned round and said,

"Comment diable voulez-vous que je chante avec tout ce train qu'ils font, ces diables de musiciens!"

"Mais, mon Dieu, madame--qu'est-ce que vous avez donc?" cried Monsieur J----.

"J'ai que j'aime mieux chanter sans toute cette satanée musique, parbleu! J'aime mieux chanter toute seule!"

"Sans musique, alors--mais chantez--chantez!"

The band was stopped--the house was in a state of indescribable wonder and suspense.

She looked all round, and down at herself, and fingered her dress. Then she looked up to the chandelier with a tender, sentimental smile, and began:

"Oh, don't you remember sweet Alice, Ben Bolt?
Sweet Alice with hair so brown,
Who wept with delight when you gave her a smile--"

She had not got further than this when the whole house was in an uproar--shouts from the gallery--shouts of laughter, hoots, hisses, catcalls, cock-crows.

She stopped and glared like a brave lioness, and called out:

"Qu'est-ce que vous avez donc, tous! tas de vieilles pommes cuites que vous êtes! Est-ce qu'on a peur de vous?" and then, suddenly:

"Why, you're all English, aren't you?--what's all the row about?--what have you brought me here for?--what have _I_ done, I should like to know?"

And in asking these questions the depth and splendor of her voice were so extraordinary--its tone so pathetically feminine, yet so full of hurt and indignant command, that the tumult was stilled for a moment.

It was the voice of some being from another world--some insulted daughter of a race more puissant and nobler than ours; a voice that seemed as if it could never utter a false note.

Then came a voice from the gods in answer:

"Oh, ye're Henglish, har yer? Why don't yer sing as yer _hought_ to sing--yer've got _voice_ enough, any'ow! why don't yer sing in _tune_?"

"Sing in _tune_!" cried Trilby. "I didn't want to sing at all--I only sang because I was asked to sing--that gentleman asked me--that French gentleman with the white waistcoat! I won't sing another note!"

"Oh, yer won't, won't yer! then let us 'ave our money back, or we'll know what for!"

And again the din broke out, and the uproar was frightful.

Monsieur J---- screamed out across the theatre: "Svengali! Svengali! qu'est-ce qu'elle a donc, votre femme?... Elle est devenue folle!"

Indeed she had tried to sing "Ben Bolt," but had sung it in her old way--as she used to sing it in the quartier latin--the most lamentably grotesque performance ever heard out of a human throat!

"Svengali! Svengali!" shrieked poor Monsieur J----, gesticulating towards the box where Svengali was sitting, quite impassible, gazing at Monsieur J----, and smiling a ghastly, sardonic smile, a rictus of hate and triumphant revenge--as if he were saying,

"I've got the laugh of you _all_, this time!"

Taffy, the Laird, Little Billee, the whole house, were now staring at Svengali, and his wife was forgotten.

She stood vacantly looking at everybody and everything--the chandelier, Monsieur J----, Svengali in his box, the people in the stalls, in the gallery--and smiling as if the noisy scene amused and excited her.

"Svengali! Svengali! Svengali!"

The whole house took up the cry, derisively. Monsieur J---- led Madame Svengali away; she seemed quite passive. That terrible figure of Svengali still sat, immovable, watching his wife's retreat--still smiling his ghastly smile. All eyes were now turned on him once more.

Monsieur J---- was then seen to enter his box with a policeman and two or three other men, one of them in evening dress. He quickly drew the curtains to; then, a minute or two after, he reappeared on the platform, bowing and scraping to the audience, as pale as death, and called for silence, the gentleman in evening dress by his side; and this person explained that a very dreadful thing had happened--that Monsieur Svengali had suddenly died in that box--of apoplexy or heart-disease; that his wife had seen it from her place on the stage, and had apparently gone out of her senses, which accounted for her extraordinary behavior.

He added that the money would be returned at the doors, and begged the audience to disperse quietly.

Taffy, with his two friends behind him, forced his way to a stage door he knew. The Laird had no longer any doubts on the score of Trilby's identity--_this_ Trilby, at all events!

Taffy knocked and thumped till the door was opened, and gave his card to the man who opened it, stating that he and his friends were old friends of Madame Svengali, and must see her at once.

The man tried to slam the door in his face, but Taffy pushed through, and shut it on the crowd outside, and insisted on being taken to Monsieur J---- immediately; and was so authoritative and big, and looked such a swell, that the man was cowed, and led him.

They passed an open door, through which they had a glimpse of a prostrate form on a table--a man partially undressed, and some men bending over him, doctors probably.

That was the last they saw of Svengali.

Then they were taken to another door, and Monsieur J---- came out, and Taffy explained who they were, and they were admitted.

La Svengali was there, sitting in an arm-chair by the fire, with several of the band standing round gesticulating, and talking German or Polish or Yiddish. Gecko, on his knees, was alternately chafing her hands and feet. She seemed quite dazed.

But at the sight of Taffy she jumped up and rushed at him, saying: "Oh, Taffy dear--oh, Taffy! what's it all about? Where on earth am I? What an age since we met?"

Then she caught sight of the Laird, and kissed him; and then she recognized Little Billee.

She looked at him for a long while in great surprise, and then shook hands with him.

"How pale you are! and so changed--you've got a mustache! What's the matter? Why are you all dressed in black, with white cravats, as if you were going to a ball? Where's Svengali? I should like to go home!"

"Where--what do you call--home, I mean--where is it?" asked Taffy.

"C'est à l'hôtel de Normandie, dans le Haymarket. On va vous y conduire, madame!" said Monsieur J----.

"Oui--c'est ça!" said Trilby--"Hôtel de Normandie--mais Svengali--où est-ce qu'il est?"

"Hélas! madame--il est très malade!"

"Malade? Qu'est-ce qu'il a? How funny you look, with your mustache, Little Billee! dear, _dear_ Little Billee! so pale, so very pale! Are you ill too? Oh, I hope not! How _glad_ I am to see you again--you can't tell! though I promised your mother I wouldn't--never, never! Where are we now, dear Little Billee?"

Monsieur J---- seemed to have lost his head. He was constantly running in and out of the room, distracted. The bandsmen began to talk and try to explain, in incomprehensible French, to Taffy. Gecko seemed to have disappeared. It was a bewildering business--noises from outside, the tramp and bustle and shouts of the departing crowd, people running in and out and asking for Monsieur J----, policemen, firemen, and what not!

Then Little Billee, who had been exerting the most heroic self-control, suggested that Trilby should come to his house in Fitzroy Square, first of all, and be taken out of all this--and the idea struck Taffy as a happy one--and it was proposed to Monsieur J----, who saw that our three friends were old friends of Madame Svengali's, and people to be trusted; and he was only too glad to be relieved of her, and gave his consent.

Little Billee and Taffy drove to Fitzroy Square to prepare Little Billee's landlady, who was much put out at first at having such a novel and unexpected charge imposed on her. It was all explained to her that it must be so. That Madame Svengali, the greatest singer in Europe and an old friend of her tenant's, had suddenly gone out of her mind from grief at the tragic death of her husband, and that for this night at least the unhappy lady must sleep under that roof--indeed, in Little Billee's own bed, and that he would sleep at a hotel; and that a nurse would be provided at once--it might be only for that one night; and that the lady was as quiet as a lamb, and would probably recover her faculties after a night's rest. A doctor was sent for from close by; and soon Trilby appeared, with the Laird, and her appearance and her magnificent sables impressed Mrs. Godwin, the landlady--brought her figuratively on her knees. Then Taffy, the Laird, and Little Billee departed again and dispersed--to procure a nurse for the night, to find Gecko, to fetch some of Trilby's belongings from the Hôtel de Normandie, and her maid.

The maid (the old German Jewess and Svengali's relative), distracted by the news of her master's death, had gone to the theatre. Gecko was in the hands of the police. Things had got to a terrible pass. But our three friends did their best, and were up most of the night.

So much for la Svengali's début in London.

The present scribe was not present on that memorable occasion, and has written this inadequate and most incomplete description partly from hearsay and private information, partly from the reports in the contemporary newspapers.

Should any surviving eye-witness of that lamentable fiasco read these pages, and see any gross inaccuracy in this bald account of it, the P. S. will feel deeply obliged to the same for any corrections or additions, and these will be duly acted upon and gratefully acknowledged in all subsequent editions; which will be numerous, no doubt, on account of the great interest still felt in "la Svengali," even by those who never saw or heard her (and they are many), and also because the present scribe is better qualified (by his opportunities) for the compiling of this brief biographical sketch than any person now living, with the exception, of course, of "Taffy" and "the Laird," to whose kindness, even more than to his own personal recollections, he owes whatever it may contain of serious historical value.

* * * * *

Next morning they all three went to Fitzroy Square. Little Billee had slept at Taffy's rooms in Jermyn Street.

Trilby seemed quite pathetically glad to see them again. She was dressed simply and plainly--in black; her trunks had been sent from the hotel.

The hospital nurse was with her; the doctor had just left. He had said that she was suffering from some great nervous shock--a pretty safe diagnosis!

Her wits had apparently not come back, and she seemed in no way to realize her position.

"Ah! what it is to see you again, all three! It makes one feel glad to be alive! I've thought of many things, but never of this--never! Three nice clean Englishmen, all speaking English--and _such_ dear old friends! Ah! j'aime tant ça--c'est le ciel! I wonder I've got a word of English left!"

Her voice was so soft and sweet and low that these ingenuous remarks sounded like a beautiful song. And she "made the soft eyes" at them all three, one after another, in her old way; and the soft eyes quickly filled with tears.

She seemed ill and weak and worn out, and insisted on keeping the Laird's hand in hers.

"What's the matter with Svengali? He must be dead!"

They all three looked at each other, perplexed.

"Ah! he's dead! I can see it in your faces. He'd got heart-disease. I'm sorry! oh, very sorry indeed! He was always very kind, poor Svengali!"

"Yes. He's dead," said Taffy.

"And Gecko--dear little Gecko--is he dead too? I saw him last night--he warmed my hands and feet: where were we?"

"No. Gecko's not dead. But he's had to be locked up for a little while. He struck Svengali, you know. You saw it all."

"I? No! I never saw it. But I _dreamt_ something like it! Gecko with a knife, and people holding him, and Svengali bleeding on the ground. That was just before Svengali's illness. He'd cut himself in the neck, you know--with a rusty nail, he told me. I wonder how!... But it was wrong of Gecko to strike him. They were such friends. Why did he?"

"Well--it was because Svengali struck you with his conductor's wand when you were rehearsing. Struck you on the fingers and made you cry! don't you remember?"

"Struck _me_! _rehearsing?_--made me _cry_! what _are_ you talking about, dear Taffy? Svengali never _struck_ me! he was kindness itself! always! and what should _I_ rehearse?"

"Well, the songs you were to sing at the theatre in the evening."

"Sing at the theatre! _I_ never sang at any theatre--except last night, if that big place was a theatre! and they didn't seem to like it! I'll take precious good care never to sing in a theatre again! How they howled! and there was Svengali in the box opposite, laughing at me. Why was I taken there? and why did that funny little Frenchman in the white waistcoat ask me to sing? I know very well I can't sing well enough to sing in a place like that! What a fool I was! It all seems like a bad dream! What was it all about? _Was_ it a dream, I wonder!"

"Well--but don't you remember singing at Paris, in the Salle des Bashibazoucks--and at Vienna--St. Petersburg--lots of places?"

"What nonsense, dear--you're thinking of some one else! _I_ never sang anywhere! I've been to Vienna and St. Petersburg--but I never _sang_ there--good heavens!"

Then there was a pause, and our three friends looked at her helplessly.

Little Billee said: "Tell me, Trilby--what made you cut me dead when I bowed to you in the Place de la Concorde, and you were riding with Svengali in that swell carriage?"

"_I_ never rode in a swell carriage with Svengali! omnibuses were more in _our_ line! You're dreaming, dear Little Billee--you're taking me for somebody else; and as for my cutting _you_--why, I'd sooner cut myself--into little pieces!"

"_Where_ were you staying with Svengali in Paris?"

"I really forget. _Were_ we in Paris? Oh yes, of course. Hôtel Bertrand, Place Notre Dame des Victoires."

"How long have you been going about with Svengali?"

"Oh, months, years--I forget. I was very ill. He cured me."

"Ill! What was the matter?"

"Oh! I was mad with grief, and pain in my eyes, and wanted to kill myself, when I lost my dear little Jeannot, at Vibraye. I fancied I hadn't been careful enough with him. I was crazed! Don't you remember writing to me there, Taffy--through Angèle Boisse? Such a sweet letter you wrote! I know it by heart! And you too, Sandy"; and she kissed him. "I wonder where they are, your letters?--I've got nothing of my own in the world--not even your dear letters--nor little Billee's--such lots of them!

"Well, Svengali used to write to me too--and then he got my address from Angèle....

"When Jeannot died, I felt I must kill myself or get away from Vibraye--get away from the people there--so when he was buried I cut my hair short and got a workman's cap and blouse and trousers and walked all the way to Paris without saying anything to anybody. I didn't want anybody to know; I wanted to escape from Svengali, who wrote that he was coming there to fetch me. I wanted to hide in Paris. When I got there at last it was two o'clock in the morning, and I was in dreadful pain--and I'd lost all my money--thirty francs--through a hole in my trousers-pocket. Besides, I had a row with a carter in the Halle. He thought I was a man, and hit me and gave me a black eye, just because I patted his horse and fed it with a carrot I'd been trying to eat myself. He was tipsy, I think. Well, I looked over the bridge at the river--just by the Morgue--and wanted to jump in. But the Morgue sickened me, so I hadn't the pluck. Svengali used to be always talking about the Morgue, and my going there some day. He used to say he'd come and look at me there, and the idea made me so sick I couldn't. I got bewildered, and quite stupid.

"Then I went to Angèle's, in the Rue des Cloîtres Ste. Pétronille, and waited about; but I hadn't the courage to ring, so I went to the Place St. Anatole des Arts, and looked up at the old studio window, and thought how comfortable it was in there, with the big settee near the stove, and all that, and felt inclined to ring up Madame Vinard; and then I remembered Little Billee was ill there, and his mother and sister were with him. Angèle had written me, you know. Poor Little Billee! There he was, very ill!

"So I walked about the place, and up and down the Rue des Mauvais Ladres. Then I went down the Rue de Seine to the river again, and again I hadn't the pluck to jump in. Besides, there was a sergent de ville who followed and watched me. And the fun of it was that I knew him quite well, and he didn't know me a bit. It was Célestin Beaumollet, who got so tipsy on Christmas night. Don't you remember? The tall one, who was pitted with the small-pox.

"Then I walked about till near daylight. Then I could stand it no longer, and went to Svengali's, in the Rue Tire-Liard, but he'd moved to the Rue des Saints Pères; and I went there and found him. I didn't want to a bit, but I couldn't help myself. It was fate, I suppose! He was very kind, and cured me almost directly, and got me coffee and bread-and-butter--the best I ever tasted--and a warm bath from Bidet Frères, in the Rue Savonarole. It was heavenly! And I slept for two days and two nights! And then he told me how fond he was of me, and how he would always cure me, and take care of me, and marry me, if I would go away with him. He said he would devote his whole life to me, and took a small room for me, next to his.

"I stayed with him there a week, never going out or seeing any one, mostly asleep. I'd caught a chill.

"He played in two concerts and made a lot of money; and then we went away to Germany together; and no one was a bit the wiser."

"And _did_ he marry you?"

"Well--no. He couldn't, poor fellow! He'd already got a wife living; and three children, which he declared were not his. They live in Elberfeld in Prussia; she keeps a small sweet-stuff shop there. He behaved very badly to them. But it was not through me! He'd deserted them long before; but he used to send them plenty of money when he'd got any; I made him, for I was very sorry for her. He was always talking about her, and what she said and what she did; and imitating her saying her prayers and eating pickled cucumber with one hand and drinking schnapps with the other, so as not to lose any time; till he made me die of laughing. He could be very funny, Svengali, though he _was_ German, poor dear! And then Gecko joined us, and Marta."

"Who's Marta?"

"His aunt. She cooked for us, and all that. She's coming here presently; she sent word from the hotel; she's very fond of him. Poor Marta! Poor Gecko! What _will_ they ever do without Svengali?"

"Then what did he do to live?"

"Oh! he played at concerts, I suppose--and all that."

"Did you ever hear him?"

"Yes. Sometimes Marta took me; at the beginning, you know. He was always very much applauded. He plays beautifully. Everybody said so."

"Did he never try and teach you to sing?"

"Oh, maïe, aïe! not he! Why, he always laughed when I tried to sing; and so did Marta; and so did Gecko! It made them roar! I used to sing 'Ben Bolt.' They used to make me, just for fun--and go into fits. _I_ didn't mind a scrap. I'd had no training, you know!"

"Was there anybody else he knew--any other woman?"

"Not that _I_ know of! He always made out he was so fond of me that he couldn't even _look_ at another woman. Poor Svengali!" (Here her eyes filled with tears again.) "He was always very kind! But I never could be fond of him in the way he wished--never! It made me sick even to think of! Once I used to hate him--in Paris--in the studio; don't you remember?

"He hardly ever left me; and then Marta looked after me--for I've always been weak and ill--and often so languid that I could hardly walk across the room. It was that walk from Vibraye to Paris. I never got over it.

"I used to try and do all I could--be a daughter to him, as I couldn't be anything else--mend his things, and all that, and cook him little French dishes. I fancy he was very poor at one time; we were always moving from place to place. But I always had the best of everything. He insisted on that--even if he had to go without himself. It made him quite unhappy when I wouldn't eat, so I used to force myself.

"Then, as soon as I felt uneasy about things, or had any pain, he would say, 'Dors, ma mignonne!' and I would sleep at once--for hours, I think--and wake up, oh, so tired! and find him kneeling by me, always so anxious and kind--and Marta and Gecko! and sometimes we had the doctor, and I was ill in bed.

"Gecko used to dine and breakfast with us--you've no idea what an angel he is, poor little Gecko! But what a dreadful thing to strike Svengali! _Why_ did he? Svengali taught him all he knows!"

"And you knew no one else--no other woman?"

"No one that I can remember--except Marta--not a soul!"

"And that beautiful dress you had on last night?"

"It isn't mine. It's on the bed up-stairs, and so's the fur cloak. They belong to Marta. She's got lots of them, lovely things--silk, satin, velvet--and lots of beautiful jewels. Marta deals in them, and makes lots of money.

"I've often tried them on; I'm very easy to fit," she said, "being so tall and thin. And poor Svengali would kneel down and cry, and kiss my hands and feet, and tell me I was his goddess and empress, and all that, which I hate. And Marta used to cry, too. And then he would say,

"'Et maintenant dors, ma mignonne!'

"And when I woke up I was so tired that I went to sleep again on my own account.

"But he was very patient. Oh, dear me! I've always been a poor, helpless, useless log and burden to him!

"Once I actually walked in my sleep--and woke up in the market-place at Prague--and found an immense crowd, and poor Svengali bleeding from the forehead, in a faint on the ground. He'd been knocked down by a horse and cart, he told me. He'd got his guitar with him. I suppose he and Gecko had been playing somewhere, for Gecko had his fiddle. If Gecko hadn't been there, I don't know what we should have done. You never saw such queer people as they were--such crowds--you'd think they'd never seen an Englishwoman before. The noise they made, and the things they gave me ... some of them went down on their knees, and kissed my hands and the skirts of my gown.

"He was ill in bed for a week after that, and I nursed him, and he was very grateful. Poor Svengali! God knows _I_ felt grateful to _him_ for many things! Tell me how he died! I hope he hadn't much pain."

They told her it was quite sudden, from heart-disease.

"Ah! I knew he had that; he wasn't a healthy man; he used to smoke too much. Marta used always to be very anxious."

Just then Marta came in.

Marta was a fat, elderly Jewess of rather a grotesque and ignoble type. She seemed overcome with grief--all but prostrate.

Trilby hugged and kissed her, and took off her bonnet and shawl, and made her sit down in a big arm-chair, and got her a footstool.

She couldn't speak a word of anything but Polish and a little German. Trilby had also picked up a little German, and with this and by means of signs, and no doubt through a long intimacy with each other's ways, they understood each other very well. She seemed a very good old creature, and very fond of Trilby, but in mortal terror of the three Englishmen.

Lunch was brought up for the two women and the nurse, and our friends left them, promising to come again that day.

They were utterly bewildered; and the Laird would have it that there was another Madame Svengali somewhere, the real one, and that Trilby was a fraud--self-deceived and self-deceiving--quite unconsciously so, of course.

Truth looked out of her eyes, as it always had done--truth was in every line of her face.

The truth only--nothing but the truth could ever be told in that "voice of velvet," which rang as true when she spoke as that of any thrush or nightingale, however rebellious it might be now (and forever perhaps) to artificial melodic laws and limitations and restraints. The long training it had been subjected to had made it "a wonder, a world's delight," and though she might never sing another note, her mere speech would always be more golden than any silence, whatever she might say.

Except on the one particular point of her singing, she had seemed absolutely sane--so, at least, thought Taffy, the Laird, and Little Billee. And each thought to himself, besides, that this last incarnation of Trilbyness was quite the sweetest, most touching, most endearing of all.

They had not failed to note how rapidly she had aged, now that they had seen her without her rouge and pearl-powder; she looked thirty at least--she was only twenty-three.

Her hands were almost transparent in their waxen whiteness; delicate little frosty wrinkles had gathered round her eyes; there were gray streaks in her hair; all strength and straightness and elasticity seemed to have gone out of her with the memory of her endless triumphs (if she really _was_ la Svengali), and of her many wanderings from city to city all over Europe.

It was evident enough that the sudden stroke which had destroyed her power of singing had left her physically a wreck.

But she was one of those rarely gifted beings who cannot look or speak or even stir without waking up (and satisfying) some vague longing that lies dormant in the hearts of most of us, men and women alike; grace, charm, magnetism--whatever the nameless seduction should be called that she possessed to such an unusual degree--she had lost none of it when she lost her high spirits, her buoyant health and energy, her wits!

Tuneless and insane, she was more of a siren than ever--a quite unconscious siren--without any guile, who appealed to the heart all the more directly and irresistibly that she could no longer stir the passions.

All this was keenly felt by all three--each in his different way--by Taffy and Little Billee especially.

All her past life was forgiven--her sins of omission and commission! And whatever might be her fate--recovery, madness, disease, or death--the care of her till she died or recovered should be the principal business of their lives.

Both had loved her. All three, perhaps. One had been loved by her as passionately, as purely, as unselfishly as any man could wish to be loved, and in some extraordinary manner had recovered, after many years, at the mere sudden sight and sound of her, his lost share in our common inheritance--the power to love, and all its joy and sorrow; without which he had found life not worth living, though he had possessed every other gift and blessing in such abundance.

"Oh, Circe, poor Circe, dear Circe, divine enchantress that you were!" he said to himself, in his excitable way. "A mere look from your eyes, a mere note of your heavenly voice, has turned a poor, miserable, callous brute back into a man again! and I will never forget it--never! And now that a still worse trouble than mine has befallen you, you shall always be first in my thoughts till the end!"

And Taffy felt pretty much the same, though he was not by way of talking to himself so eloquent about things as Little Billee.

* * * * *

As they lunched, they read the accounts of the previous evening's events in different papers, three or four of which (including the _Times_) had already got leaders about the famous but unhappy singer who had been so suddenly widowed and struck down in the midst of her glory. All these accounts were more or less correct. In one paper it was mentioned that Madame Svengali was under the roof and care of Mr. William Bagot, the painter, in Fitzroy Square.

The inquest on Svengali was to take place that afternoon, and also Gecko's examination at the Bow Street Police Court, for his assault.

Taffy was allowed to see Gecko, who was remanded till the result of the post-mortem should be made public. But beyond inquiring most anxiously and minutely after Trilby, and betraying the most passionate concern for her, he would say nothing, and seemed indifferent as to his own fate.

When they went to Fitzroy Square, late in the afternoon, they found that many people, musical, literary, fashionable, and otherwise (and many foreigners), had called to inquire after Madame Svengali, but no one had been admitted to see her. Mrs. Godwin was much elated by the importance of her new lodger.

Trilby had been writing to Angèle Boisse, at her old address in the Rue des Cloîtres Ste. Pétronille, in the hope that this letter would find her still there. She was anxious to go back and be a _blanchisseuse de fin_ with her friend. It was a kind of nostalgia for Paris, the quartier latin, her clean old trade.

This project our three heroes did not think it necessary to discuss with her just yet; she seemed quite unfit for work of any kind.

The doctor, who had seen her again, had been puzzled by her strange physical weakness, and wished for a consultation with some special authority; Little Billee, who was intimate with most of the great physicians, wrote about her to Sir Oliver Calthorpe.

She seemed to find a deep happiness in being with her three old friends, and talked and listened with all her old eagerness and geniality, and much of her old gayety, in spite of her strange and sorrowful position. But for this it was impossible to realize that her brain was affected in the slightest degree, except when some reference was made to her singing, and this seemed to annoy and irritate her, as though she were being made fun of. The whole of her marvellous musical career, and everything connected with it, had been clean wiped out of her recollection.

She was very anxious to get into other quarters, that Little Billee should suffer no inconvenience, and they promised to take rooms for her and Marta on the morrow.

They told her cautiously all about Svengali and Gecko; she was deeply concerned, but betrayed no such poignant anguish as might have been expected. The thought of Gecko troubled her most, and she showed much anxiety as to what might befall him.

Next day she moved with Marta to some lodgings in Charlotte Street, where everything was made as comfortable for them as possible.

Sir Oliver saw her with Dr. Thorne (the doctor who was attending her) and Sir Jacob Wilcox.

Sir Oliver took the greatest interest in her case, both for her sake and his friend Little Billee's. Also his own, for he was charmed with her. He saw her three times in the course of the week, but could not say for certain what was the matter with her, beyond taking the very gravest view of her condition. For all he could advise or prescribe, her weakness and physical prostration increased rapidly, through no cause he could discover. Her insanity was not enough to account for it. She lost weight daily; she seemed to be wasting and fading away from sheer general atrophy.

Two or three times he took her and Marta for a drive.

On one of these occasions, as they went down Charlotte Street, she saw a shop with transparent French blinds in the window, and through them some French women, with neat white caps, ironing. It was a French _blanchisserie de fin_, and the sight of it interested and excited her so much that she must needs insist on being put down and on going into it.

"Je voudrais bien parler à la patronne, si ça ne la dérange pas," she said.

The patronne, a genial Parisian, was much astonished to hear a great French lady, in costly garments, evidently a person of fashion and importance, applying to her rather humbly for employment in the business, and showing a thorough knowledge of the work (and of the Parisian work-woman's colloquial dialect). Marta managed to catch the patronne's eye, and tapped her own forehead significantly, and Sir Oliver nodded. So the good woman humored the great lady's fancy, and promised her abundance of employment whenever she should want it.

Employment! Poor Trilby was hardly strong enough to walk back to the carriage; and this was her last outing.

But this little adventure had filled her with hope and good spirits--for she had as yet received no answer from Angèle Boisse (who was in Marseilles), and had begun to realize how dreary the quartier latin would be without Jeannot, without Angèle, without the trois Angliches in the Place St. Anatole des Arts.

She was not allowed to see any of the strangers who came and made kind inquiries. This her doctors had strictly forbidden. Any reference to music or singing irritated her beyond measure. She would say to Marta, in bad German:

"Tell them, Marta--what nonsense it is! They are taking me for another--they are mad. They are trying to make a fool of me!"

And Marta would betray great uneasiness--almost terror--when she was appealed to in this way.

Part Eighth

"La vie est vaine:
Un peu d'amour,
Un peu de haine....
Et puis--bonjour!

"La vie est brève:
Un peu d'espoir,
Un peu de rève....
Et puis--bonsoir."

Svengali had died from heart-disease. The cut he had received from Gecko had not apparently (as far as the verdict of a coroner's inquest could be trusted) had any effect in aggravating his malady or hastening his death.

But Gecko was sent for trial at the Old Bailey, and sentenced to hard labor for six months (a sentence which, if I remember aright, gave rise to much comment at the time). Taffy saw him again, but with no better result than before. He chose to preserve an obstinate silence on his relations with the Svengalis and their relations with each other.

When he was told how hopelessly ill and insane Madame Svengali was, he shed a few tears, and said: "Ah, pauvrette, pauvrette--ah! monsieur--je l'aimais tant, je l'aimais tant! il n'y en a pas beaucoup comme elle, Dieu de misère! C'est un ange du Paradis!"

And not another word was to be got out of him.

It took some time to settle Svengali's affairs after his death. No will was found. His old mother came over from Germany, and two of his sisters, but no wife. The comic wife and the three children, and the sweet-stuff shop in Elberfeld, had been humorous inventions of his own--a kind of Mrs. Harris!

He left three thousand pounds, every penny of which (and of far larger sums that he had spent) had been earned by "la Svengali," but nothing came to Trilby of this; nothing but the clothes and jewels he had given her, and in this respect he had been lavish enough; and there were countless costly gifts from emperors, kings, great people of all kinds. Trilby was under the impression that all these belonged to Marta. Marta behaved admirably; she seemed bound hand and foot to Trilby by a kind of slavish adoration, as that of a plain old mother for a brilliant and beautiful but dying child.

It soon became evident that, whatever her disease might be, Trilby had but a very short time to live.

She was soon too weak even to be taken out in a Bath-chair, and remained all day in her large sitting-room with Marta; and there, to her great and only joy, she received her three old friends every afternoon, and gave them coffee, and made them smoke cigarettes of caporal as of old; and their hearts were daily harrowed as they watched her rapid decline.

Day by day she grew more beautiful in their eyes, in spite of her increasing pallor and emaciation--her skin was so pure and white and delicate, and the bones of her face so admirable!

Her eyes recovered all their old humorous brightness when les trois Angliches were with her, and the expression of her face was so wistful and tender for all her playfulness, so full of eager clinging to existence and to them, that they felt the memory of it would haunt them forever, and be the sweetest and saddest memory of their lives.

Her quick, though feeble gestures, full of reminiscences of the vigorous and lively girl they had known a few years back, sent waves of pity through them and pure brotherly love; and the incomparable tones and changes and modulations of her voice, as she chatted and laughed, bewitched them almost as much as when she had sung the "Nussbaum" of Schumann in the Salle des Bashibazoucks.

Sometimes Lorrimer came, and Antony and the Greek. It was like a genial little court of bohemia. And Lorrimer, Antony, the Laird, and Little Billee made those beautiful chalk and pencil studies of her head which are now so well known--all so singularly like her, and so singularly unlike each other! _Trilby vue à travers quatre tempéraments!_

These afternoons were probably the happiest poor Trilby had ever spent in her life--with these dear people round her, speaking the language she loved; talking of old times and jolly Paris days, she never thought of the morrow.

But later--at night, in the small hours--she would wake up with a start from some dream full of tender and blissful recollection, and suddenly realize her own mischance, and feel the icy hand of that which was to come before many morrows were over; and taste the bitterness of death so keenly that she longed to scream out loud, and get up, and walk up and down, and wring her hands at the dreadful thought of parting forever!

But she lay motionless and mum as a poor little frightened mouse in a trap, for fear of waking up the good old tired Marta, who was snoring at her side.

And in an hour or two the bitterness would pass away, the creeps and the horrors; and the stoical spirit of resignation would steal over her--the balm, the blessed calm! and all her old bravery would come back.

And then she would sink into sleep again, and dream more blissfully than ever, till the good Marta woke her with a motherly kiss and a fragrant cup of coffee; and she would find, feeble as she was, and doomed as she felt herself to be, that joy cometh of a morning; and life was still sweet for her, with yet a whole day to look forward to.

* * * * *

One day she was deeply moved at receiving a visit from Mrs. Bagot, who, at Little Billee's earnest desire, had come all the way from Devonshire to see her.

As the graceful little lady came in, pale and trembling all over, Trilby rose from her chair to receive her, and rather timidly put out her hand, and smiled in a frightened manner. Neither could speak for a second. Mrs. Bagot stood stock-still by the door gazing (with all her heart in her eyes) at the so terribly altered Trilby--the girl she had once so dreaded.

Trilby, who seemed also bereft of motion, and whose face and lips were ashen, exclaimed, "I'm afraid I haven't quite kept my promise to you, after all! but things have turned out so differently! anyhow, you needn't have any fear of me _now_."

At the mere sound of that voice, Mrs. Bagot, who was as impulsive, emotional, and unregulated as her son, rushed forward, crying, "Oh, my poor girl, my poor girl!" and caught her in her arms, and kissed and caressed her, and burst into a flood of tears, and forced her back into her chair, hugging her as if she were a long-lost child.

"I love you now as much as I always admired you--pray believe it!"

"Oh, how kind of you to say that!" said Trilby, her own eyes filling. "I'm not at all the dangerous or designing person you thought. I knew quite well I wasn't a proper person to marry your son all the time; and told him so again and again. It was very stupid of me to say yes at last. I was miserable directly after, I assure you. Somehow I couldn't help myself--I was driven."

"Oh, don't talk of that! don't talk of that! You've never been to blame in any way--I've long known it--I've been full of remorse! You've been in my thoughts always, night and day. Forgive a poor jealous mother. As if _any_ man could help loving you--or any woman either. Forgive me!"

"Oh, Mrs. Bagot--forgive _you_! What a funny idea! But, anyhow, you've forgiven _me_, and that's all I care for now. I was very fond of your son--as fond as could be. I am now, but in quite a different sort of way, you know--the sort of way _you_ must be, I fancy! There was never another like him that I ever met--anywhere! You _must_ be so proud of him; who wouldn't? _Nobody's_ good enough for him. I would have been only too glad to be his servant, his humble servant! I used to tell him so--but he wouldn't hear of it--he was much too kind! He always thought of others before himself. And, oh! how rich and famous he's become! I've heard all about it, and it did me good. It does me more good to think of than anything else; far more than if I were to be ever so rich and famous myself, I can tell you!"

This from la Svengali, whose overpowering fame, so utterly forgotten by herself, was still ringing all over Europe; whose lamentable illness and approaching death were being mourned and discussed and commented upon in every capital of the civilized world, as one distressing bulletin appeared after another. She might have been a royal personage!

Mrs. Bagot knew, of course, the strange form her insanity had taken, and made no allusion to the flood of thoughts that rushed through her own brain as she listened to this towering goddess of song, this poor mad queen of the nightingales, humbly gloating over her son's success....

Poor Mrs. Bagot had just come from Little Billee's, in Fitzroy Square, close by. There she had seen Taffy, in a corner of Little Billee's studio, laboriously answering endless letters and telegrams from all parts of Europe--for the good Taffy had constituted himself Trilby's secretary and _homme d'affaires_--unknown to her, of course. And this was no sinecure (though he liked it): putting aside the numerous people he had to see and be interviewed by, there were kind inquiries and messages of condolence and sympathy from nearly all the crowned heads of Europe, through their chamberlains; applications for help from unsuccessful musical strugglers all over the world to the pre-eminently successful one; beautiful letters from great and famous people, musical or otherwise; disinterested offers of service; interested proposals for engagements when the present trouble should be over; beggings for an interview from famous impresarios, to obtain which no distance would be thought too great, etc., etc., etc. It was endless, in English, French, German, Italian--in languages quite incomprehensible (many letters had to remain unanswered)--Taffy took an almost malicious pleasure in explaining all this to Mrs. Bagot.

Then there was a constant rolling of carriages up to the door, and a thundering of Little Billee's knocker: Lord and Lady Palmerston wish to know--the Lord Chief Justice wishes to know--the Dean of Westminster wishes to know--the Marchioness of Westminster wishes to know--everybody wishes to know if there is any better news of Madame Svengali!

These were small things, truly; but Mrs. Bagot was a small person from a small village in Devonshire, and one whose heart and eye had hitherto been filled by no larger image than that of Little Billee; and Little Billee's fame, as she now discovered for the first time, did not quite fill the entire universe.

And she mustn't be too much blamed if all these obvious signs of a world-wide colossal celebrity impressed and even awed her a little.

Madame Svengali! Why, this was the beautiful girl whom she remembered so well, whom she had so grandly discarded with a word, and who had accepted her congé so meekly in a minute; whom, indeed, she had been cursing in her heart for years, because--because what?

Poor Mrs. Bagot felt herself turn hot and red all over, and humbled herself to the very dust, and almost forgot that she had been in the right, after all, and that "la grande Trilby" was certainly no fit match for her son!

So she went quite humbly to see Trilby, and found a poor, pathetic, mad creature still more humble than herself, who still apologized for--for what?

A poor, pathetic, mad creature who had clean forgotten that she was the greatest singer in all the world--one of the greatest artists that had ever lived; but who remembered with shame and contrition that she had once taken the liberty of yielding (after endless pressure and repeated disinterested refusals of her own, and out of sheer irresistible affection) to the passionate pleadings of a little obscure art student, a mere boy--no better off than herself--just as penniless and insignificant a nobody; but--the son of Mrs. Bagot.

All due sense of proportion died out of the poor lady as she remembered and realized all this!

And then Trilby's pathetic beauty, so touching, so winning, in its rapid decay; the nameless charm of look and voice and manner that was her special apanage, and which her malady and singular madness had only increased; her childlike simplicity, her transparent forgetfulness of self--all these so fascinated and entranced Mrs. Bagot, whose quick susceptibility to such impressions was just as keen as her son's, that she very soon found herself all but worshipping this fast-fading lily--for so she called her in her own mind--quite forgetting (or affecting to forget) on what very questionable soil the lily had been reared, and through what strange vicissitudes of evil and corruption it had managed to grow so tall and white and fragrant!

Oh, strange compelling power of weakness and grace and prettiness combined, and sweet, sincere unconscious natural manners! not to speak of world-wide fame!

For Mrs. Bagot was just a shrewd little conventional British country matron of the good upper middle-class type, bristling all over with provincial proprieties and respectabilities, a philistine of the philistines, in spite of her artistic instincts; one who for years had (rather unjustly) thought of Trilby as a wanton and perilous siren, an unchaste and unprincipled and most dangerous daughter of Heth, and the special enemy of her house.

And here she was--like all the rest of us monads and nomads and bohemians--just sitting at Trilby's feet.... "A washer-woman! a figure model! and Heaven knows what besides!" and she had never even heard her sing!

It was truly comical to see and hear!

* * * * *

Mrs. Bagot did not go back to Devonshire. She remained in Fitzroy Square, at her son's, and spent most of her time with Trilby, doing and devising all kinds of things to distract and amuse her, and lead her thoughts gently to heaven, and soften for her the coming end of all.

Trilby had a way of saying, and especially of looking, "Thank you" that made one wish to do as many things for her as one could, if only to make her say and look it again.

And she had retained much of her old, quaint, and amusing manner of telling things, and had much to tell still left of her wandering life, although there were so many strange lapses in her powers of memory--gaps--which, if they could only have been filled up, would have been full of such surpassing interest!

Then she was never tired of talking and hearing of Little Billee; and that was a subject of which Mrs. Bagot could never tire either!

Then there were the recollections of her childhood. One day, in a drawer, Mrs. Bagot came upon a faded daguerreotype of a woman in a Tam o' Shanter, with a face so sweet and beautiful and saint-like that it almost took her breath away. It was Trilby's mother.

"Who and what was your mother, Trilby?"

"Ah, poor mamma!" said Trilby, and she looked at the portrait a long time. "Ah, she was ever so much prettier than that! Mamma was once a demoiselle de comptoir--that's a bar-maid, you know--at the Montagnards Écossais, in the Rue du Paradis Poissonnière--a place where men used to drink and smoke without sitting down. That was unfortunate, wasn't it?

"Papa loved her with all his heart, although, of course, she wasn't his equal. They were married at the Embassy, in the Rue du Faubourg St. Honoré.

"_Her_ parents weren't married at all. Her mother was the daughter of a boatman on Loch Ness, near a place called Drumnadrockit; but her father was the Honorable Colonel Desmond. He was related to all sorts of great people in England and Ireland. He behaved very badly to my grandmother and to poor mamma--his own daughter! deserted them both! Not very _honorable_ of him, _was_ it? And that's all I know about him."

And then she went on to tell of the home in Paris that might have been so happy but for her father's passion for drink; of her parents' deaths, and little Jeannot, and so forth. And Mrs. Bagot was much moved and interested by these naïve revelations, which accounted in a measure for so much that seemed unaccountable in this extraordinary woman; who thus turned out to be a kind of cousin (though on the wrong side of the blanket) to no less a person than the famous Duchess of Towers.

With what joy would that ever kind and gracious lady have taken poor Trilby to her bosom had she only known! She had once been all the way from Paris to Vienna merely to hear her sing. But, unfortunately, the Svengalis had just left for St. Petersburg, and she had her long journey for nothing!

* * * * *

Mrs. Bagot brought her many good books, and read them to her--Dr. Cummings on the approaching end of the world, and other works of a like comforting tendency for those who are just about to leave it; the _Pilgrim's Progress_, sweet little tracts, and what not.

Trilby was so grateful that she listened with much patient attention. Only now and then a faint gleam of amusement would steal over her face, and her lips would almost form themselves to ejaculate, "Oh, maïe, aïe!"

Then Mrs. Bagot, as a reward for such winning docility, would read her _David Copperfield_, and that was heavenly indeed!