Chapter I: Want to Know Why (4)

The janitor had neglected to light the gas in the lower hallway. Afterwards, the foreman, decided, that was the reason he did it, that and the fact that the dark slinking figure of a man darted out of an alleyway and then darted back again. "Surely," he told himself, "I could never have done it had the gas been lighted."

He stood in the hallway thinking. His wife was dead and with her had died her unborn child. There was a sound of doors opening in the apartments above. For several minutes nothing happened. His wife and her unborn child were dead--that was all.

He ran upstairs thinking quickly. In the darkness on the lower stairway he had put the knife back into his pocket and, as it turned out later, there was no blood on his hands or on his clothes. The knife he later washed carefully in the bathroom, when the excitement had died down a little. He told everyone the same story. "There has been a holdup," he explained. "A man came slinking out of an alleyway and followed me and my wife home. He followed us into the hallway of the building and there was no light. The janitor has neglected to light the gas." Well--there had been a struggle and in the darkness his wife had been killed. He could not tell how it had happened. "There was no light. The janitor has neglected to light the gas," he kept saying.

For a day or two they did not question him specially and he had time to get rid of the knife. He took a long walk and threw it away into the river in South Chicago where the two abandoned coal barges lay rotting under the bridge, the bridge he had crossed when on the summer evenings he walked to the street car with the girl who was virginal and pure, who was far off and unattainable, like a star and yet not like a star.

And then he was arrested and right away he confessed--told everything. He said he did not know why he killed his wife and was careful to say nothing of the girl at the office. The newspapers tried to discover the motive for the crime. They are still trying. Someone had seen him on the few evenings when he walked with the girl and she was dragged into the affair and had her picture printed in the papers. That has been annoying for her as of course she has been able to prove she had nothing to do with the man.

* * * * *

Yesterday morning a heavy fog lay over our village here at the edge of the city and I went for a long walk in the early morning. As I returned out of the lowlands into our hill country I met the old man whose family has so many and such strange ramifications. For a time he walked beside me holding the little dog in his arms. It was cold and the dog whined and shivered. In the fog the old man's face was indistinct. It moved slowly back and forth with the fog banks of the upper air and with the tops of trees. He spoke of the man who has killed his wife and whose name is being shouted in the pages of the city newspapers that come to our village each morning. As he walked beside me he launched into a long tale concerning a life he and his brother, who has now become a murderer, once lived together. "He is my brother," he said over and over, shaking his head. He seemed afraid I would not believe. There was a fact that must be established. "We were boys together that man and I," he began again. "You see we played together in a barn back of our father's house. Our father went away to sea in a ship. That is the way our names became confused. You understand that. We have different names, but we are brothers. We had the same father. We played together in a barn back of our father's house. For hours we lay together in the hay in the barn and it was warm there."

In the fog the slender body of the old man became like a little gnarled tree. Then it became a thing suspended in air. It swung back and forth like a body hanging on the gallows. The face beseeched me to believe the story the lips were trying to tell. In my mind everything concerning the relationship of men and women became confused, a muddle. The spirit of the man who had killed his wife came into the body of the little old man there by the roadside.

It was striving to tell me the story it would never be able to tell in the court room in the city, in the presence of the judge. The whole story of mankind's loneliness, of the effort to reach out to unattainable beauty tried to get itself expressed from the lips of a mumbling old man, crazed with loneliness, who stood by the side of a country road on a foggy morning holding a little dog in his arms.

The arms of the old man held the dog so closely that it began to whine with pain. A sort of convulsion shook his body. The soul seemed striving to wrench itself out of the body, to fly away through the fog, down across the plain to the city, to the singer, the politician, the millionaire, the murderer, to its brothers, cousins, sisters, down in the city. The intensity of the old man's desire was terrible and in sympathy my body began to tremble. His arms tightened about the body of the little dog so that it cried with pain. I stepped forward and tore the arms away and the dog fell to the ground and lay whining. No doubt it had been injured. Perhaps ribs had been crushed. The old man stared at the dog lying at his feet as in the hallway of the apartment building the worker from the bicycle factory had stared at his dead wife. "We are brothers," he said again. "We have different names but we are brothers. Our father you understand went off to sea."

* * * * *

I am sitting in my house in the country and it rains. Before my eyes the hills fall suddenly away and there are the flat plains and beyond the plains the city. An hour ago the old man of the house in the forest went past my door and the little dog was not with him. It may be that as we talked in the fog he crushed the life out of his companion. It may be that the dog like the workman's wife and her unborn child is now dead. The leaves of the trees that line the road before my window are falling like rain--the yellow, red and golden leaves fall straight down, heavily. The rain beat them brutally down. They are denied a last golden flash across the sky. In October leaves should be carried away, out over the plains, in a wind. They should go dancing away.

THE DOOR OF THE TRAP

Winifred Walker understood some things clearly enough. She understood that when a man is put behind iron bars he is in prison. Marriage was marriage to her.

It was that to her husband Hugh Walker, too, as he found out. Still he didn't understand. It might have been better had he understood, then he might at least have found himself. He didn't. After his marriage five or six years passed like shadows of wind blown trees playing on a wall. He was in a drugged, silent state. In the morning and evening every day he saw his wife. Occasionally something happened within him and he kissed her. Three children were born. He taught mathematics in the little college at Union Valley, Illinois, and waited.

For what? He began to ask himself that question. It came to him at first faintly like an echo. Then it became an insistent question. "I want answering," the question seemed to say. "Stop fooling along. Give your attention to me."

Hugh walked through the streets of the Illinois town. "Well, I'm married. I have children," he muttered.

He went home to his own house. He did not have to live within his income from the little college, and so the house was rather large and comfortably furnished. There was a negro woman who took care of the children and another who cooked and did the housework. One of the women was in the habit of crooning low soft negro songs. Sometimes Hugh stopped at the house door and listened. He could see through the glass in the door into the room where his family was gathered. Two children played with blocks on the floor. His wife sat sewing. The old negress sat in a rocking chair with his youngest child, a baby, in her arms. The whole room seemed under the spell of the crooning voice. Hugh fell under the spell. He waited in silence. The voice carried him far away somewhere, into forests, along the edges of swamps. There was nothing very definite about his thinking. He would have given a good deal to be able to be definite.

He went inside the house. "Well, here I am," his mind seemed to say, "here I am. This is my house, these are my children."

He looked at his wife Winifred. She had grown a little plump since their marriage. "Perhaps it is the mother in her coming out, she has had three children," he thought.

The crooning old negro woman went away, taking the youngest child with her. He and Winifred held a fragmentary conversation. "Have you been well to-day, dear?" she asked. "Yes," he answered.

If the two older children were intent on their play his chain of thought was not broken. His wife never broke it as the children did when they came running to pull and tear at him. Throughout the early evening, after the children went to bed, the surface of the shell of him was not broken at all. A brother college professor and his wife came in or he and Winifred went to a neighbor's house. There was talk. Even when he and Winifred were alone together in the house there was talk. "The shutters are becoming loose," she said. The house was an old one and had green shutters. They were continually coming loose and at night blew back and forth on their hinges making a loud banging noise.

Hugh made some remark. He said he would see a carpenter about the shutters. Then his mind began playing away, out of his wife's presence, out of the house, in another sphere. "I am a house and my shutters are loose," his mind said. He thought of himself as a living thing inside a shell, trying to break out. To avoid distracting conversation he got a book and pretended to read. When his wife had also begun to read he watched her closely, intently. Her nose was so and so and her eyes so and so. She had a little habit with her hands. When she became lost in the pages of a book the hand crept up to her cheek, touched it and then was put down again. Her hair was not in very good order. Since her marriage and the coming of the children she had not taken good care of her body. When she read her body slumped down in the chair. It became bag-like. She was one whose race had been run.

Hugh's mind played all about the figure of his wife but did not really approach the woman who sat before him. It was so with his children. Sometimes, just for a moment, they were living things to him, things as alive as his own body. Then for long periods they seemed to go far away like the crooning voice of the negress.

It was odd that the negress was always real enough. He felt an understanding existed between himself and the negress. She was outside his life. He could look at her as at a tree. Sometimes in the evening when she had been putting the children to bed in the upper part of the house and when he sat with a book in his hand pretending to read, the old black woman came softly through the room, going toward the kitchen. She did not look at Winifred, but at Hugh. He thought there was a strange, soft light in her old eyes. "I understand you, my son," her eyes seemed to say.

Hugh was determined to get his life cleaned up if he could manage it. "All right, then," he said, as though speaking to a third person in the room. He was quite sure there was a third person there and that the third person was within himself, inside his body. He addressed the third person.

"Well, there is this woman, this person I married, she has the air of something accomplished," he said, as though speaking aloud. Sometimes it almost seemed to him he had spoken aloud and he looked quickly and sharply at his wife. She continued reading, lost in her book. "That may be it," he went on. "She has had these children. They are accomplished facts to her. They came out of her body, not out of mine. Her body has done something. Now it rests. If she is becoming a little bag-like, that's all right."

He got up and making some trivial excuse got out of the room and out of the house. In his youth and young manhood the long periods of walking straight ahead through the country, that had come upon him like visitations of some recurring disease, had helped. Walking solved nothing. It only tired his body, but when his body was tired he could sleep. After many days of walking and sleeping something occurred. The reality of life was in some queer way re-established in his mind. Some little thing happened. A man walking in the road before him threw a stone at a dog that ran barking out of a farm-house. It was evening perhaps, and he walked in a country of low hills. Suddenly he came out upon the top of one of the hills. Before him the road dipped down into darkness but to the west, across fields, there was a farm-house. The sun had gone down, but a faint glow lit the western horizon. A. woman came out of the farmhouse and went toward a barn. He could not see her figure distinctly. She seemed to be carrying something, no doubt a milk pail; she was going to a barn to milk a cow.

The man in the road who had thrown the stone at the farm dog had turned and seen Hugh in the road behind him. He was a little ashamed of having been afraid of the dog. For a moment he seemed about to wait and speak to Hugh, and then was overcome with confusion and hurried away. He was a middle-aged man, but quite suddenly and unexpectedly he looked like a boy.

As for the farm woman, dimly seen going toward a distant barn, she also stopped and looked toward him. It was impossible she should have seen him. She was dressed in white and he could see her but dimly against the blackish green of the trees of an orchard behind her. Still she stood looking and seemed to look directly into his eyes. He had a queer sensation of her having been lifted by an unseen hand and brought to him. It seemed to him he knew all about her life, all about the life of the man who had thrown the stone at the dog.

In his youth, when life had stepped out of his grasp, Hugh had walked and walked until several such things had occurred and then suddenly he was all right again and could again work and live among men.

After his marriage and after such an evening at home he started walking rapidly as soon as he left the house. As quickly as possible he got out of town and struck out along a road that led over the rolling prairie. "Well, I can't walk for days and days as I did once," he thought. "There are certain facts in life and I must face facts. Winifred, my wife, is a fact, and my children are facts. I must get my fingers on facts. I must live by them and with them. It's the way lives are lived."

Hugh got out of town and on to a road that ran between cornfields. He was an athletic looking man and wore loose fitting clothes. He went along distraught and puzzled. In a way he felt like a man capable of taking a man's place in life and in another way he didn't at all.

The country spread out, wide, in all directions. It was always night when he walked thus and he could not see, but the realization of distances was always with him. "Everything goes on and on but I stand still," he thought. He had been a professor in the little college for six years. Young men and women had come into a room and he had taught them. It was nothing. Words and figures had been played with. An effort had been made to arouse minds.

For what?

There was the old question, always coming back, always wanting answering as a little animal wants food. Hugh gave up trying to answer. He walked rapidly, trying to grow physically tired. He made his mind attend to little things in the effort to forget distances. One night he got out of the road and walked completely around a cornfield. He counted the stalks in each hill of corn and computed the number of stalks in a whole field. "It should yield twelve hundred bushels of corn, that field," he said to himself dumbly, as though it mattered to him. He pulled a little handful of cornsilk out of the top of an ear of corn and played with it. He tried to fashion himself a yellow moustache. "I'd be quite a fellow with a trim yellow moustache," he thought.

One day in his class-room Hugh suddenly began to look with new interest at his pupils. A young girl attracted his attention. She sat beside the son of a Union Valley merchant and the young man was writing something on the back of a book. She looked at it and then turned her head away. The young man waited.

It was winter and the merchant's son had asked the girl to go with him to a skating party. Hugh, however, did not know that. He felt suddenly old. When he asked the girl a question she was confused. Her voice trembled.

When the class was dismissed an amazing thing happened. He asked the merchant's son to stay for a moment and, when the two were alone together in the room, he grew suddenly and furiously angry. His voice was, however, cold and steady. "Young man," he said, "you do not come into this room to write on the back of a book and waste your time. If I see anything of the kind again I'll do something you don't expect. I'll throw you out through a window, that's what I'll do."

Hugh made a gesture and the young man went away, white and silent. Hugh felt miserable. For several days he thought about the girl who had quite accidentally attracted his attention. "I'll get acquainted with her. I'll find out about her," he thought.

It was not an unusual thing for professors in the college at Union Valley to take students home to their houses. Hugh decided he would take the girl to his home. He thought about it several days and late one afternoon saw her going down the college hill ahead of him.

The girl's name was Mary Cochran and she had come to the school but a few months before from a place called Huntersburg, Illinois, no doubt just such another place as Union Valley. He knew nothing of her except that her father was dead, her mother too, perhaps. He walked rapidly down the hill to overtake her. "Miss Cochran," he called, and was surprised to find that his voice trembled a little. "What am I so eager about?" he asked himself. A new life began in Hugh Walker's house. It was good for the man to have some one there who did not belong to him, and Winifred Walker and the children accepted the presence of the girl. Winifred urged her to come again. She did come several times a week.

To Mary Cochran it was comforting to be in the presence of a family of children. On winter afternoons she took Hugh's two sons and a sled and went to a small hill near the house. Shouts arose. Mary Cochran pulled the sled up the hill and the children followed. Then they all came tearing down together.

The girl, developing rapidly into womanhood, looked upon Hugh Walker as something that stood completely outside her own life. She and the man who had become suddenly and intensely interested in her had little to say to each other and Winifred seemed to have accepted her without question as an addition to the household. Often in the afternoon when the two negro women were busy she went away leaving the two older children in Mary's charge.

It was late afternoon and perhaps Hugh had walked home with Mary from the college. In the spring he worked in the neglected garden. It had been plowed and planted, but he took a hoe and rake and puttered about. The children played about the house with the college girl. Hugh did not look at them but at her. "She is one of the world of people with whom I live and with whom I am supposed to work here," he thought. "Unlike Winifred and these children she does not belong to me. I could go to her now, touch her fingers, look at her and then go away and never see her again."

That thought was a comfort to the distraught man. In the evening when he went out to walk the sense of distance that lay all about him did not tempt him to walk and walk, going half insanely forward for hours, trying to break through an intangible wall.

He thought about Mary Cochran. She was a girl from a country town. She must be like millions of American girls. He wondered what went on in her mind as she sat in his class-room, as she walked beside him along the streets of Union Valley, as she played with the children in the yard beside his house.

In the winter, when in the growing darkness of a late afternoon Mary and the children built a snow man in the yard, he went upstairs and stood in the darkness to look out a window. The tall straight figure of the girl, dimly seen, moved quickly about. "Well, nothing has happened to her. She may be anything or nothing. Her figure is like a young tree that has not borne fruit," he thought. He went away to his own room and sat for a long time in the darkness. That night when he left the house for his evening's walk he did not stay long but hurried home and went to his own room. He locked the door. Unconsciously he did not want Winifred to come to the door and disturb his thoughts. Sometimes she did that.

All the time she read novels. She read the novels of Robert Louis Stevenson. When she had read them all she began again.

Sometimes she came upstairs and stood talking by his door. She told some tale, repeated some wise saying that had fallen unexpectedly from the lips of the children. Occasionally she came into the room and turned out the light. There was a couch by a window. She went to sit on the edge of the couch. Something happened. It was as it had been before their marriage. New life came into her figure. He also went to sit on the couch and she put up her hand and touched his face.

Hugh did not want that to happen now. He stood within the room for a moment and then unlocked the door and went to the head of the stairs. "Be quiet when you come up, Winifred. I have a headache and am going to try to sleep," he lied.

When he had gone back to his own room and locked the door again he felt safe. He did not undress but threw himself on the couch and turned out the light.

He thought about Mary Cochran, the school girl, but was sure he thought about her in a quite impersonal way. She was like the woman going to milk cows he had seen across hills when he was a young fellow and walked far and wide over the country to cure the restlessness in himself. In his life she was like the man who threw the stone at dog.

"Well, she is unformed; she is like a young tree," he told himself again. "People are like that. They just grow up suddenly out of childhood. It will happen to my own children. My little Winifred that cannot yet say words will suddenly be like this girl. I have not selected her to think about for any particular reason. For some reason I have drawn away from life and she has brought me back. It might have happened when I saw a child playing in the street or an old man going up a stairway into a house. She does not belong to me. She will go away out of my sight. Winifred and the children will stay on and on here and I will stay on and on. We are imprisoned by the fact that we belong to each other. This Mary Cochran is free, or at least she is free as far as this prison is concerned. No doubt she will, after a while make a prison of her own and live in it, but I will have nothing to do with the matter."

By the time Mary Cochran was in her third year in the college at Union Valley she had become almost a fixture in the Walker household. Still she did not know Hugh. She knew the children better than he did, perhaps better than their mother. In the fall she and the two boys went to the woods to gather nuts. In the winter they went skating on a little pond near the house.

Winifred accepted her as she accepted everything, the service of the two negroes, the coming of the children, the habitual silence of her husband.

And then quite suddenly and unexpectedly Hugh's silence, that had lasted all through his married life, was broken up. He walked homeward with a German who had the chair of modern languages in the school and got into a violent quarrel. He stopped to speak to men on the street. When he went to putter about in the garden he whistled and sang.

One afternoon in the fall he came home and found the whole family assembled in the living room of the house. The children were playing on the floor and the negress sat in the chair by the window with his youngest child in her arms, crooning one of the negro songs. Mary Cochran was there. She sat reading a book.

Hugh walked directly toward her and looked over her shoulder. At that moment Winifred came into the room. He reached forward and snatched the book out of the girl's hands. She looked up startled. With an oath he threw it into the fire that burned in an open grate at the side of the room. A flood of words ran from him. He cursed books and people and schools. "Damn it all," he said. "What makes you want to read about life? What makes people want to think about life? Why don't they live? Why don't they leave books and thoughts and schools alone?"

He turned to look at his wife who had grown pale and stared at him with a queer fixed uncertain stare. The old negro woman got up and went quickly away. The two older children began to cry. Hugh was miserable. He looked at the startled girl in the chair who also had tears in her eyes, and at his wife. His fingers pulled nervously at his coat. To the two women he looked like a boy who had been caught stealing food in a pantry. "I am having one of my silly irritable spells," he said, looking at his wife but in reality addressing the girl. "You see I am more serious than I pretend to be. I was not irritated by your book but by something else. I see so much that can be done in life and I do so little."

He went upstairs to his own room wondering why he had lied to the two women, why he continually lied to himself.

Did he lie to himself? He tried to answer the question but couldn't. He was like one who walks in the darkness of the hallway of a house and comes to a blank wall. The old desire to run away from life, to wear himself out physically, came back upon him like a madness.

For a long time he stood in the darkness inside his own room. The children stopped crying and the house became quiet again. He could hear his wife's voice speaking softly and presently the back door of the house banged and he knew the schoolgirl had gone away.

Life in the house began again. Nothing happened. Hugh ate his dinner in silence and went for a long walk. For two weeks Mary Cochran did not come to his house and then one day he saw her on the college grounds. She was no longer one of his pupils. "Please do not desert us because of my rudeness," he said. The girl blushed and said nothing. When he got home that evening she was in the yard beside the house playing with the children. He went at once to his own room. A hard smile came and went on his face. "She isn't like a young tree any more. She is almost like Winifred. She is almost like a person who belongs here, who belongs to me and my life," he thought.

* * * * *

Mary Cochran's visits to the Walker household came to an end very abruptly. One evening when Hugh was in his room she came up the stairway with the two boys. She had dined with the family and was putting the two boys into their beds. It was a privilege she claimed when she dined with the Walkers.

Hugh had hurried upstairs immediately after dining. He knew where his wife was. She was downstairs, sitting under a lamp, reading one of the books of Robert Louis Stevenson.

For a long time Hugh could hear the voices of his children on the floor above. Then the thing happened.

Mary Cochran came down the stairway that led past the door of his room. She stopped, turned back and climbed the stairs again to the room above. Hugh arose and stepped into the hallway. The schoolgirl had returned to the children's room because she had been suddenly overtaken with a hunger to kiss Hugh's oldest boy, now a lad of nine. She crept into the room and stood for a long time looking at the two boys, who unaware of her presence had gone to sleep. Then she stole forward and kissed the boy lightly. When she went out of the room Hugh stood in the darkness waiting for her. He took hold of her hand and led her down the stairs to his own room.

She was terribly afraid and her fright in an odd way pleased him. "Well," he whispered, "you can't understand now what's going to happen here but some day you will. I'm going to kiss you and then I'm going to ask you to go out of this house and never come back."

He held the girl against his body and kissed her upon the cheeks and lips. When he led her to the door she was so weak with fright and with new, strange, trembling desires that she could with difficulty make her way down the stair and into his wife's presence. "She will lie now," he thought, and heard her voice coming up the stairs like an echo to his thoughts. "I have a terrible headache. I must hurry home," he heard her voice saying. The voice was dull and heavy. It was not the voice of a young girl.

"She is no longer like a young tree," he thought. He was glad and proud of what he had done. When he heard the door at the back of the house close softly his heart jumped. A strange quivering light came into his eyes. "She will be imprisoned but I will have nothing to do with it. She will never belong to me. My hands will never build a prison for her," he thought with grim pleasure.

THE NEW ENGLANDER

Her name was Elsie Leander and her girlhood was spent on her father's farm in Vermont. For several generations the Leanders had all lived on the same farm and had all married thin women, and so she was thin. The farm lay in the shadow of a mountain and the soil was not very rich. From the beginning and for several generations there had been a great many sons and few daughters in the family. The sons had gone west or to New York City and the daughters had stayed at home and thought such thoughts as come to New England women who see the sons of their fathers' neighbors slipping away, one by one, into the West.

Her father's house was a small white frame affair and when you went out at the back door, past a small barn and chicken house, you got into a path that ran up the side of a hill and into an orchard. The trees were all old and gnarled. At the back of the orchard the hill dropped away and bare rocks showed.

Inside the fence a large grey rock stuck high up out of the ground. As Elsie sat with her back to the rock, with a mangled hillside at her feet, she could see several large mountains, apparently but a short distance away, and between herself and the mountains lay many tiny fields surrounded by neatly built stone walls. Everywhere rocks appeared. Large ones, too heavy to be moved, stuck out of the ground in the centre of the fields. The fields were like cups filled with a green liquid that turned grey in the fall and white in the winter. The mountains, far off but apparently near at hand, were like giants ready at any moment to reach out their hands and take the cups one by one and drink off the green liquid. The large rocks in the fields were like the thumbs of the giants.

Elsie had three brothers, born before her, but they had all gone away. Two of them had gone to live with her uncle in the West and her oldest brother had gone to New York City where he had married and prospered. All through his youth and manhood her father had worked hard and had lived a hard life, but his son in New York City had begun to send money home, and after that things went better. He still worked every day about the barn or in the fields but he did not worry about the future. Elsie's mother did house work in the mornings and in the afternoons sat in a rocking chair in her tiny living room and thought of her sons while she crocheted table covers and tidies for the backs of chairs. She was a silent woman, very thin and with very thin bony hands. She did not ease herself into a rocking chair but sat down and got up suddenly, and when she crocheted her back was as straight as the back of a drill sergeant.

The mother rarely spoke to the daughter. Sometimes in the afternoons as the younger woman went up the hillside to her place by the rock at the back of the orchard, her father came out of the barn and stopped her. He put a hand on her shoulder and asked her where she was going. "To the rock," she said and her father laughed. His laughter was like the creaking of a rusty barn door hinge and the hand he had laid on her shoulders was thin like her own hands and like her mother's hands. The father went into the barn shaking his head. "She's like her mother. She is herself like a rock," he thought. At the head of the path that led from the house to the orchard there was a great cluster of bayberry bushes. The New England farmer came out of his barn to watch his daughter go along the path, but she had disappeared behind the bushes. He looked away past his house to the fields and to the mountains in the distance. He also saw the green cup-like fields and the grim mountains. There was an almost imperceptible tightening of the muscles of his half worn-out old body. For a long time he stood in silence and then, knowing from long experience the danger of having thoughts, he went back into the barn and busied himself with the mending of an agricultural tool that had been mended many times before.

The son of the Leanders who went to live in New York City was the father of one son, a thin sensitive boy who looked like Elsie. The son died when he was twenty-three years old and some years later the father died and left his money to the old people on the New England farm. The two Leanders who had gone west had lived there with their father's brother, a farmer, until they grew into manhood. Then Will, the younger, got a job on a railroad. He was killed one winter morning. It was a cold snowy day and when the freight train he was in charge of as conductor left the city of Des Moines, he started to run over the tops of the cars. His feet slipped and he shot down into space. That was the end of him.

Of the new generation there was only Elsie and her brother Tom, whom she had never seen, left alive. Her father and mother talked of going west to Tom for two years before they came to a decision. Then it took another year to dispose of the farm and make preparations. During the whole time Elsie did not think much about the change about to take place in her life.

The trip west on the railroad train jolted Elsie out of herself. In spite of her detached attitude toward life she became excited. Her mother sat up very straight and stiff in the seat in the sleeping car and her father walked up and down in the aisle. After a night when the younger of the two women did not sleep but lay awake with red burning cheeks and with her thin fingers incessantly picking at the bed clothes in her berth while the train went through towns and cities, crawled up the sides of hills and fell down into forest-clad valleys, she got up and dressed to sit all day looking at a new kind of land. The train ran for a day and through another sleepless night in a flat land where every field was as large as a farm in her own country. Towns appeared and disappeared in a continual procession. The whole land was so unlike anything she had ever known that she began to feel unlike herself. In the valley where she had been born and where she had lived all her days everything had an air of finality. Nothing could be changed. The tiny fields were chained to the earth. They were fixed in their places and surrounded by aged stone walls. The fields like the mountains that looked down at them were as unchangeable as the passing days. She had a feeling they had always been so, would always be so.

Elsie sat like her mother, upright in the car seat and with a back like the back of a drill sergeant. The train ran swiftly along through Ohio and Indiana. Her thin hands like her mother's hands were crossed and locked. One passing casually through the car might have thought both women prisoners handcuffed and bound to their seats. Night came on and she again got into her berth. Again she lay awake and her thin cheeks became flushed, but she thought new thoughts. Her hands were no longer gripped together and she did not pick at the bed clothes. Twice during the night she stretched herself and yawned, a thing she had never in her life done before. The train stopped at a town on the prairies, and as there was something the matter with one of the wheels of the car in which she lay the trainsmen came with flaming torches to tinker it. There was a great pounding and shouting. When the train went on its way she wanted to get out of her berth and run up and down in the aisle of the car. The fancy had come to her that the men tinkering with the car wheel were new men out of the new land who with strong hammers had broken away the doors of her prison. They had destroyed forever the programme she had made for her life.

Elsie was filled with joy at the thought that the train was still going on into the West. She wanted to go on forever in a straight line into the unknown. She fancied herself no longer on a train and imagined she had become a winged thing flying through space. Her long years of sitting alone by the rock on the New England farm had got her into the habit of expressing her thoughts aloud. Her thin voice broke the silence that lay over the sleeping car and her father and mother, both also lying awake, sat up in their berth to listen.

Tom Leander, the only living male representative of the new generation of Leanders, was a loosely built man of forty inclined to corpulency. At twenty he had married the daughter of a neighboring farmer, and when his wife inherited some money she and Tom moved into the town of Apple Junction in Iowa where Tom opened a grocery. The venture prospered as did Tom's matrimonial venture. When his brother died in New York City and his father, mother, and sister decided to come west Tom was already the father of a daughter and four sons.

On the prairies north of town and in the midst of a vast level stretch of cornfields, there was a partly completed brick house that had belonged to a rich farmer named Russell who had begun to build the house intending to make it the most magnificent place in the county, but when it was almost completed he had found himself without money and heavily in debt. The farm, consisting of several hundred acres of corn land, had been split into three farms and sold. No one had wanted the huge unfinished brick house. For years it had stood vacant, its windows staring out over the fields that had been planted almost up to the door.

In buying the Russell house Tom was moved by two motives. He had a notion that in New England the Leanders had been rather magnificent people. His memory of his father's place in the Vermont valley was shadowy, but in speaking of it to his wife he became very definite. "We had good blood in us, we Leanders," he said, straightening his shoulders. "We lived in a big house. We were important people."

Wanting his father and mother to feel at home in the new place, Tom had also another motive. He was not a very energetic man and, although he had done well enough as keeper of a grocery, his success was largely due to the boundless energy of his wife. She did not pay much attention to her household and her children, like little animals, had to take care of themselves, but in any matter concerning the store her word was law.

To have his father the owner of the Russell place Tom felt would establish him as a man of consequence in the eyes of his neighbors. "I can tell you what, they're used to a big house," he said to his wife. "I tell you what, my people are used to living in style."

* * * * *

The exaltation that had come over Elsie on the train wore away in the presence of the grey empty Iowa fields, but something of the effect of it remained with her for months. In the big brick house life went on much as it had in the tiny New England house where she had always lived. The Leanders installed themselves in three or four rooms on the ground floor. After a few weeks the furniture that had been shipped by freight arrived and was hauled out from town in one of Tom's grocery wagons. There were three or four acres of ground covered with great piles of boards the unsuccessful farmer had intended to use in the building of stables. Tom sent men to haul the boards away and Elsie's father prepared to plant a garden. They had come west in April and as soon as they were installed in the house ploughing and planting began in the fields nearby. The habit of a lifetime returned to the daughter of the house. In the new place there was no gnarled orchard surrounded by a half-ruined stone fence. All of the fences in all of the fields that stretched away out of sight to the north, south, east, and west were made of wire and looked like spider webs against the blackness of the ground when it had been freshly ploughed.

There was however the house itself. It was like an island rising out of the sea. In an odd way the house, although it was less than ten years old, was very old. Its unnecessary bigness represented an old impulse in men. Elsie felt that. At the east side there was a door leading to a stairway that ran into the upper part of the house that was kept locked. Two or three stone steps led up to it. Elsie could sit on the top step with her back against the door and gaze into the distance without being disturbed. Almost at her feet began the fields that seemed to go on and on forever. The fields were like the waters of a sea. Men came to plough and plant. Giant horses moved in a procession across the prairies. A young man who drove six horses came directly toward her. She was fascinated. The breasts of the horses as they came forward with bowed heads seemed like the breasts of giants. The soft spring air that lay over the fields was also like a sea. The horses were giants walking on the floor of a sea. With their breasts they pushed the waters of the sea before them. They were pushing the waters out of the basin of the sea. The young man who drove them also was a giant.

* * * * *

Elsie pressed her body against the closed door at the top of the steps. In the garden back of the house she could hear her father at work. He was raking dry masses of weeds off the ground preparatory to spading it for a family garden. He had always worked in a tiny confined place and would do the same thing here. In this vast open place he would work with small tools, doing little things with infinite care, raising little vegetables. In the house her mother would crochet little tidies. She herself would be small. She would press her body against the door of the house, try to get herself out of sight. Only the feeling that sometimes took possession of her, and that did not form itself into a thought would be large.

The six horses turned at the fence and the outside horse got entangled in the traces. The driver swore vigorously. Then he turned and started at the pale New Englander and with another oath pulled the heads of the horses about and drove away into the distance. The field in which he was ploughing contained two hundred acres. Elsie did not wait for him to return but went into the house and sat with folded arms in a room. The house she thought was a ship floating in a sea on the floor of which giants went up and down.

May came and then June. In the great fields work was always going on and Elsie became somewhat used to the sight of the young man in the field that came down to the steps. Sometimes when he drove his horses down to the wire fence he smiled and nodded.

* * * * *

In the month of August, when it is very hot, the corn in Iowa fields grows until the corn stalks resemble young trees. The corn fields become forests. The time for the cultivating of the corn has passed and weeds grow thick between the corn rows. The men with their giant horses have gone away. Over the immense fields silence broods.

When the time of the laying-by of the crop came that first summer after Elsie's arrival in the West her mind, partially awakened by the strangeness of the railroad trip, awakened again. She did not feel like a staid thin woman with a back like the back of a drill sergeant, but like something new and as strange as the new land into which she had come to live. For a time she did not know what was the matter. In the field the corn had grown so high that she could not see into the distance. The corn was like a wall and the little bare spot of land on which her father's house stood was like a house built behind the walls of a prison. For a time she was depressed, thinking that she had come west into a wide open country, only to find herself locked up more closely than ever.

An impulse came to her. She arose and going down three or four steps seated herself almost on a level with the ground.

Immediately she got a sense of release. She could not see over the corn but she could see under it. The corn had long wide leaves that met over the rows. The rows became long tunnels running away into infinity. Out of the black ground grew weeds that made a soft carpet of green. From above light sifted down. The corn rows were mysteriously beautiful. They were warm passageways running out into life. She got up from the steps and, walking timidly to the wire fence that separated her from the field, put her hand between the wires and took hold of one of the corn stalks. For some reason after she had touched the strong young stalk and had held it for a moment firmly in her hand she grew afraid. Running quickly back to the step she sat down and covered her face with her hands. Her body trembled. She tried to imagine herself crawling through the fence and wandering along one of the passageways. The thought of trying the experiment fascinated but at the same time terrified. She got quickly up and went into the house.

* * * * *

One Saturday night in August Elsie found herself unable to sleep. Thoughts, more definite than any she had ever known before, came into her mind. It was a quiet hot night and her bed stood near a window. Her room was the only one the Leanders occupied on the second floor of the house. At midnight a little breeze came up from the south and when she sat up in bed the floor of corn tassels lying below her line of sight looked in the moonlight like the face of a sea just stirred by a gentle breeze.