Chapter X: Part 10
That was only a couple of weeks before Gen. Nivelle's great offensive was unleashed in the middle of April. It was just about the time that Lieut. Charles G. Sweeny of San Francisco and West Point, the only commissioned American in the French infantry, gave up his post in charge of a squadron of "tanks" to return to the United States and offer his services to the United States Army.
The first week of Mlle. Gouraud's training was easy and delightful to her. Inside the steel walls of the mobile fortress she learned to swing the little three-pounders and to operate the cartridge belts of the machine guns that bristled from all sides of the armored car. She learned how to sight through the periscopes projecting from the roof and sides to see the way and the enemy, and all the other routine work of the "tank's" crew.
But the second week, when she began her training in a "tank," spelled her undoing. The walls and the roof of the "tank" are covered with leather upholstery, and every projecting bit of mechanism and artillery in the little chamber was also cushioned with leather, because as the great steel fort plunged forward across shell craters and over trenches and up and down great piles of debris--which had once been French villages--the occupants were tossed about inside like ashes in a sifter.
But cuts and bruises and knocks and falls didn't weaken Mlle. Gouraud's determination to stay with the "tank" for the great offensive soon to be begun when the engines of destruction were to receive their baptism of fire under the tricolor. So she rigged up a sort of harness, with a line attached to a ring in the roof of the "tank" and with a belt around her waist. This left her swaying like a pendulum when the "tank" was moving but kept her from bumping against the walls, and, what was more important, from stumbling against other members of the crew and interfering in the pursuit of their duties.
Then the blow descended. Mlle. Gouraud fell ill of "tank sickness." Worse than seasickness, worse than any form of sickness which comes as result of riding in airplane, or on camel, or by any form of transportation ever invented, "tank sickness" rendered her absolutely incapable of remaining with the movable forts. So she was drafted out, sent to hospital as "malade" and in a few days when she was discharged, was shunted back to Paris as "reforme."
Just one fact consoles Mlle. Gouraud to a certain extent. And that is that she is not the only victim of "tank sickness."
"I stuck it out three days longer than any of the rest of the crew who were subject to it," she says.
II--STORY OF WOMAN WHO PASSED THROUGH LINES DISGUISED AS BELGIAN PEASANT
The thrilling adventures of Mme. Simone Puget, noted Frenchwoman,
who, under disguises as a Belgian peasant and British "Tommy,"
undertook reaching her husband in the trenches at the grave risk
of losing both their lives. While they were still together his
regiment was despatched to the dreaded "first line" and ten days
later she was notified of his death under fire.
There arrived in New York from Europe a young Frenchwoman, Mme. Simone A. Puget, dressed in deep mourning. Watching her as she stepped ashore, a stranger scarcely could picture her as she actually was, not many months ago, wearing the uniform of an English soldier and risking her life in that vague, blood-soaked and shattered inferno of trenches, craters and barbed-wire called "somewhere in France," to reach her husband before he died.
Even before that Mme. Puget had achieved fame as the daring Frenchwoman who accompanied her husband, M. Andre Puget, the playwright and novelist, through the Orient disguised as his brother, and as the brilliant tennis player who captured the woman's championship for her country four years ago. Mme. Puget also is the author of "Les Etrangères," and other novels.
"There is so little to tell," she said quietly ... as she folded her hands on her simple black dress. "We were in Paris when war was declared and my husband was called to the front.
"I volunteered as an ambulance driver and worked almost day and night for four months carrying wounded from a field hospital to the big emergency hospitals in Paris.
"Then I heard that Andre had been wounded and sent to Moulins. I went to him immediately and stayed to nurse him until he was able to rejoin his regiment.
"After my return to Paris I received another message, this time from a little village close to the Belgian frontier, but across the border in Belgium. It did not say in so many words that Andre had been wounded again, but merely gave me the impression that he wanted to see me once more and that I was to try to reach him.
"I quickly realized the difficulties and dangers of such a journey. Only a short time before the military authorities had made it a law that any soldier whose wife was found in forbidden territory would be shot. But Andre and I had been through many dangers together and he knew that he could trust me. I prepared to start at once. Armed with my letter, which simply asked me to come without delay to the bedside of my dying grandfather, I left Paris for Belgium attired as a Belgian peasant girl.
"Outside Paris I was stopped. The military guards absolutely refused to let me proceed.
"'We see too many letters like yours,' was the only explanation offered.
"In vain did I plead and weep. Then when I had almost given up in despair, I spied an English officer whom Andre and I had met in India. I told him who I was and he recalled me at once, despite my peasant garb. I asked him to help me to reach my husband. He said it was impossible.
"But I was desperate and when I wept and quietly implored his aid, he said he would help me if he could. That was the last time I saw him, but after my return to the little hotel where I had spent the night I received a parcel containing a soldier's uniform together with some instructions.
"I always felt very much at home dressed as a man, for I travelled all through Persia and other parts of the Orient as my husband's brother.
"An artillery train with much baggage was about to move forward and I could go with that provided I didn't object to riding in a forage wagon for six hours. My peasant costume I was to take with me wrapped in a bundle. Once through the rear lines in Belgian territory I was to look out for myself.
"We started. I rode for hours and hours, expecting at every halt to be detected and questioned. But fortune smiled on me and that night after we were well across the border of Belgium I slipped down and walked forward unchallenged. The place fairly swarmed with soldiers, Belgian, French and British. Near a farm house I changed back to my simple Belgian peasant garb and prepared to resume my journey on foot as soon as it became daylight.
"Fortunately I had not many miles to reach the farm to which the letter had directed me. Walking all day I reached the farm that night and there I learned to my great joy that my husband was safe. He had not been wounded, but his regiment was under orders to leave within a day or so for another part of the front where severe fighting was expected and he wanted to see me once more, if possible, before he left. I saw him next day. He came to the farm. Then on the morrow he marched away with his regiment toward Arras, and ten days later he was killed."
Mme. Andre found that it was easier to get out of the war zone than into it and she had little difficulty in returning to Paris. There she began to raise funds for Red Cross work and to gather material for future reference about the men-of-letters of America, France and England who have given up their lives in the great war.
III--STORY OF MAID OF LOOS WHO WON THE CROSS OF WAR
We in America find it possible to read with calm pulse and an
attitude of cold, reasoned impartiality the stories that are
written in red blood and heroic action by real participants in
the great war. Their language, like their viewpoint, seems to us
extreme, violent, embittered. Yet, inasmuch as the presence of
stern reality, which colors viewpoint and language, is the same
that inspired the valorous action itself, we submit, exactly as it
came from Paris, this article, which recounts at first hand the
desperate courage of Mlle. Moreau.
In the musty archives of the French Government she is merely Emilienne Moreau, youngest of her sex to have achieved mention in Gen. Joffre's Order of the Day and the right to wear upon her breast the Cross of War. But to thousands upon thousands of French and British soldiers, she is the Jeanne d'Arc of Loos--whose valiant spirit won back Loos for France.
The Official Journal has only this to say about Emilienne Moreau:
"On Sept. 25, 1915, when British troops entered the village of Loos, she organized a first-aid station in her house and worked day and night to bring in the wounded, to whom she gave all assistance, while refusing to accept any reward. Armed with a revolver she went out and succeeded in overcoming two German soldiers who, hidden in a nearby house, were firing at the first-aid station."
No mention is made in the official record of the fact that she shot down the two Germans when their bayonets were within a few inches of her body; and that later on she destroyed, with hand bombs snatched from a British grenadier's stock, three more foemen engaged in the same despicable work.
Nor is it set forth how, when the British line was wavering under the most terrible cyclone of shells ever let loose upon earth, Emilienne Moreau sprang forward with a bit of tri-colored bunting in her hand and the glorious words of the "Marseillaise" upon her lips, and by her fearless example averted a retreat that might have meant disaster along the whole front. Only the men who were in that fight can fully understand why Sir Douglas Haig was right in christening Emilienne Moreau the Joan of Arc of Loos.
All this happened during the last great offensive of the allies in Artois, between Arras and La Bassee. For almost a year before Emilienne Moreau, who is now just seventeen, had lived in Loos under the rule of the invader. During almost all of that time the village had been under the allies' artillery fire. Yet neither she nor her parents made any attempt to move to a safer place.
Their home was in Loos, and some day, they felt sure, the Germans would be driven back. They were always short of food. Sometimes they faced death by starvation, as well as by bombardment.
But they remained, and Emilienne even contrived to continue the studies by which she hoped to become a school teacher.
Like the historic Maid of Orleans, the maid of Loos has not only the warlike but the diplomatic genius. Despite the dangers she faced because she was both young and comely, she succeeded in gaining the Germans' confidence to such an extent they entrusted to her much of the administration of what remained of the village.
Children whose parents had been killed or taken away as prisoners were put in her care, and she was permitted to give them what little schooling was possible under the conditions. She was at the same time the guardian angel of her entire family; for her father, a hot-blooded old veteran of 1870, frequently put them in danger of drastic punishment by his furious denunciations of the enemy.
His chagrin so embittered him that, what with that and scanty nourishment, he died. Then Emilienne became the protectress and sole support of her mother and her ten-year-old brother.
She buried her father with her own hands, in a coffin built by her brother and herself, there being neither undertakers nor carpenters left in Loos. And she continued to go quietly about her many tasks, still stifling within her the resentment against the ever-present "Boche," until there came that glorious day when she knew the allies' offensive had begun.
For three days the girl huddled in the cellar with her terror-stricken mother and little brother waiting for the end of that awful cannonade which she realized was destined to bring the British to Loos.
Every minute of those seventy-two hours she and every one of the handful of old men, women and children in the village were facing death, but she told an English officer after it was all over that to her it had been the happiest time since the German occupation began.
As soon as Emilienne heard among the deep notes of the guns the sharp reports of rifles she rushed out into the street and into the midst of the first phase of the battle. The British were driving the Germans before them at the point of the bayonet, but there was still much desperate activity going forward with bombs and hand grenades, for remnants of the German main line were ensconced strongly in various fortlets and bombproofs scattered among the trenches. On every street of Loos the wounded lay thickly.
Emilienne saw there was only one way she could help them, and so very swiftly she turned the Moreau house into a miniature hospital, and with the aid of the British Red Cross men she tended as many wounded as she could drag from the maelstrom of the fight.
It was when the first lull came that she detected the firing upon her first-aid station. How she followed and shot down the two Germans responsible for this wanton attack is narrated in the official report. Not long afterward she located three more in the act of perpetrating the same outrage, and this trio she despatched with grenades borrowed from a British sergeant.
Although it was the first time in the war that a woman had fought with hand bombs, such was the confusion of the battle that her brave exploit passed unremarked until it was revealed by a special correspondent of a Paris newspaper, the _Petit Parisien_, who got the story from British soldiers. From the same source all France learned that because a young girl had been courageous enough to sing the "Marseillaise" amidst the din of battle the British troops had ceased to falter in their advance, and the village of Loos had again become part of France.
The spirit of Jeanne d'Arc, which inspired Mlle. Emilienne, is abroad, not only in her native France, but among the women of France's allies as well. Their heroines emerge in the war news day by day--sometimes individually, sometimes en masse.
There is an actual "Regiment de Jeanne"--a whole corps of French and Belgian women commanded by Mme. Louise Arnaud, who has obtained permission from the War Minister to put them in uniform. The corps is for general service at the front, one-third of the members to be enrolled as combatants, drilled and armed like ordinary soldiers, and all able to ride and swim.
Mme. Arnaud is the widow of an officer who was killed in the war. Her father was a merchant ship captain of Calais. Her new "amazon" command is to be officially designated the "Volunteer Corps of French and Belgian Women for National Defence."
Servian and Russian women are fighting alongside the men in the trenches along the Balkan and other fronts to-day. Mme. Alexandra Koudasheva, a distinguished Russian literary lady and musician, has been appointed Colonel of the Sixth Ural Cossack Regiment of the Czar's army, for her valiant services in the field.
England has the London Women's Volunteer Reserve, headed by Col. Viscountess Castlereagh, which drills regularly at Knightsbridge Barracks and has reached a high state of efficiency, both in manoeuvers and the manual of arms.
Many of the English women soldiers are assisting the authorities as guards of railway bridges and other points of military importance in out of the way parts of the country.
The British Government shows no disposition to make use of the women in fighting, but many of the women themselves are eager to fight. The "suffragettes" have made themselves remarkable by demanding a more vigorous prosecution of the war.
The reports generally agree that the women fight with great bravery and some even say that they display greater bloodthirstiness than men. This is an interesting question which has hardly yet been settled, although psychologists have furnished an explanation why we should expect them to be more ferocious. They are of course more emotional and when circumstances such as an attack on their homes or children force them to overcome their womanly instincts and resort to fighting, they throw away all restraint and fight with mad, instinctive ferocity.
IV--STORY OF RUSSIAN PRIMA DONNA WHO SAVED VIOLINIST
A terrible tragedy, this cruel war that is tearing and searing
Europe, but joy is sometimes an offspring of sorrow. In this
instance one wonders if anything less strange and stern than
an international earthquake would have delivered the beautiful
Nadina Legat into the arms of Enrico Arensen. True, Arensen is a
great singer and a distinguished musician, but he is a plebeian,
whereas Mlle. Legat (her stage name), also a brilliant artist, is a
member of a noble Russian family, the favorite daughter of General
Schuvatoff, who is at present leading an army on the Roumanian
frontier. Russian aristocrats, even if they have so far descended
from their pedestals as to sing for the public, do not lightly
relinquish their hereditary traditions, or if they listen to the
pleadings of a lowly lover, a haughty parent intervenes and nips
the tender affair in the bud. In this instance, however, it was
Mars, and not Cupid, who broke the bars.
When you sit through a performance of grand opera--almost any one of those combinations of drama and music which retain their hold upon the public--you cannot fail to be impressed by the tragic misfortunes which pursue the hero and heroine. The wise composers of grand opera see to it that the principal tenor and the prima donna have troubles calculated to call forth their highest powers of vocal expression. To find these strange and inspiring situations they have searched the dramatic writings of the master-poets of all nations and periods.
Real life, however, occasionally moves a living hero and a living heroine in ways which the master-poets of grand opera could not foresee. By a strange coincidence that has happened to a principal tenor and a prima donna who are impersonating together before grand opera audiences classic heroes and heroines whose history and troubles were much less thrilling than their own.
Its coloratura soprano, formerly of the Russian Imperial Opera, is Mme. Nadina Legat, the much beset Gilda in "Rigoletto"--drawn from Victor Hugo's "Le Roi S'Amuse"; the heroine of "La Traviata," otherwise the consumptive Magdalene, Camille, created by the younger Dumas; the tragically unfortunate Lucia, for whom Donizetti went to Walter Scott's "Bride of Lammermoor."
* * * * *
The beginning of the story is essential because of its bearing on the "big situation." Legat and Arensen enjoyed their first great opera triumph together at the famous La Scala, in Milan, she was Gilda and he the Duke in "Rigoletto." Though both are of Russian birth, this was their first meeting. As La Scala is recognized throughout Europe as the final "acid test" of an opera singer's qualities, the status which both had attained separately in their own country was of comparatively small consequence. With nerves tense to the breaking point, each concentrated on the task of winning that cultivated, critical Milan audience.
At rehearsals their quarrels were rather fiercer than is usual between the principal tenor and the prima donna.
"At that time I could hardly endure him," says Mme. Legat. "We quarrelled terribly. He seemed so unreasonably insistent on certain details at the rehearsals that I considered him unbearable, insupportable."
But Mme. Legat confesses that this feeling did not survive the triumph which they won together. Shortly afterward, when he departed to fill an engagement with the Imperial Opera in Berlin and she was summoned back to Russia, they parted as friends. If they had developed a stronger feeling for each other, neither was aware of it.
They went about their separate opera affairs. The beginning of the European war found Arensen still an opera favorite in Berlin and Vienna. Mme. Legat was spending the Summer at Nice, after two years of distinguished success in Russia, upon which the Czar himself placed the imperial stamp. She wished to return at once to Petrograd, but hearing from her mother that the latter would come to her, she remained at Nice until the Russian Hospital at Monte Carlo was founded, when both became nurses there.
And, month after month, while the celebrated opera soprano was nursing wounded soldiers, not knowing nor caring about anything else, Arensen, the tenor with whom she had quarrelled so fiercely on the stage of La Scala, was virtually a prisoner of war in Germany. For ten days after the beginning of hostilities he continued his successful appearances in Berlin--and then, without warning, the blow fell.
Some said that rival singers, native Germans, directed suspicion against him, as though inquiring:
"Russia is our enemy. What is this Russian doing here?"
One night German soldiers arrested him at the opera house and he was interned as an enemy alien. He appealed to the Government for release, pointing out that he was above the fighting age--as he then was, which was before the Russian army age limit was raised--and Germany would lose nothing by letting him go home. The suggestion fell upon deaf ears. His subsequent efforts to obtain his release the tenor himself relates:
"I was a prisoner for twenty-four hours in the Hausvogter Gefangniss, which is the delightful name the Berlinese give to the institution where they intern aliens. I sent a letter to the Kaiser himself, before whom I have many times sung, asking my release.
"It was not long before I received an answer to the letter, granting my request--a communication from the Kaiser. Of course, there were conditions. I was to go to America as soon as it was practicable for me to do so, anyhow, but that was not sufficient guarantee for the meticulous German war office.
"No, indeed. It was really a very solemn procedure. I had to sign an oath in German and Russian that I would never take up arms in any way against Germany or her allies. My word, once given, was sufficient. The German military commander in charge of the prison camp gave me my freedom, and I received a passport that permitted me to leave the country. On my last night in Germany some German officers opened champagne in my honor.
"I went through Switzerland to Italy, where I remained for some time--in fact, during the greater part of the long conflict that finally broke down the barriers of neutrality and led to Italy's enlistment in the war against her former allies. Eventually I crossed the Piedmont to the border town of Mentone, where I contemplated entering France.
"Alas! Here misfortune began anew. I had barely entered the town when I was halted by a French frontier guard. From that time on I was treated pretty harshly.
"The French Government put me under strict surveillance. I was forced to report twice a day at the town police headquarters, and was really under suspicion at all times. The reason was, of course, that my associations with so many Berlin people were known--the French were aware that I had remained in the German capital after war broke out, and did not purpose to take any chances with me.
"I appealed to the Russian Ambassador in Paris for help, but was turned down pretty coldly. 'I can't do anything for you,' was the gist of his reply to my request, 'because I know that you have a lot of German friends.'
"The outlook was, then, that I should have to remain practically a prisoner until the war was over. It was a pretty black future. At almost any time, something might happen, I suppose, that would give the French reason to think that they had been too lenient in merely keeping me under surveillance. I might have been interned and placed in a real prison camp.
"But Providence intervened. One day last Spring, just after the first Russian troops had come to France, I met a Russian soldier while he was off duty and had the opportunity I longed for to talk with someone who used my native tongue. When he learned my identity, he was much interested, and he gave me some news that proved a godsend.
"'You are Arensen, the tenor!' he said. 'How remarkable! Mme. Legat, of the Imperial Opera at Petrograd, is only a short distance from this place--in the Russian hospital at Monte Carlo!'
"Imagine how the news delighted me! Here, at last, was a friend on whom I could count. I thanked the man profusely for the information he had given. Then I went to my lodgings and wrote an appeal to my country-woman."
The exact wording of that appeal has not been submitted for publication. Its effect upon Mme. Legat was electrical. For the first time in nearly two years she became oblivious to her immediate surroundings--shattered and bleeding war heroes and the gruesome accessories of a military hospital. In all those months she had hardly thought of the quarrelsome tenor who had shared her triumph at La Scala. Now, suddenly, he occupied her whole mental vision--the central innocent victim of an impending tragedy.
So intense was that vision that it overwhelmed her with the vividness of reality. She saw French soldiers dragging Arensen, her countryman, from his prison cell. She saw them place him with his back against a wall. She saw them blindfold him--and she could hear the tramp, tramp of the firing squad. Those grim human instruments of martial law! They turn face to face with the doomed prisoner--their musket butts ring upon the concrete pavement of the prison yard....
Suddenly another figure, that of a woman, rushes upon the scene and falls upon her knees before the commandant of the firing squad.
Mme. Legat recognized this figure as herself--and with the terrifying vision constantly before her eyes she rushed off to Paris to make her personal appeal to the Russian Ambassador.
In the quiet, severe, official atmosphere of the Russian Embassy Mme. Legat calmed herself, collected her wits and prepared to measure them with those of M. Isowsky, her country's chief representative at the French capital. The Russian Ambassador paid to her the homage due to a celebrated singer--and then resumed his frigid official aspect. At her mention of Arensen he froze.
"But, Monsieur Arensen is a fellow Russian--our countryman."
"Madame," said the Ambassador, curtly, "I am by no means positive that Arensen is a loyal Russian. For two years he has lived in Germany and Austria--our two most powerful enemies. He acquired hosts of German friends. He comes to France plastered over with German credentials. He bears the Kaiser's own signed permit to leave Germany. He--"
"Do you believe that I am a loyal Russian?" demanded Mme. Legat.
The Russian Ambassador smiled graciously. Ah, he had no doubt of Madame's loyalty.
That awful vision still obsessed her. She realized that there was nothing she would not do to save Arensen. She remembered that she was the daughter of a general in the Imperial Russian army. She drew herself up to her full height and looked the Russian Ambassador straight in the eyes. She said:
"I will vouch for M. Arensen. I will guarantee that he is a loyal Russian, and will remain so."
"Um----," pondered M. Isowsky. "Well, well--um--how can you be sure? How can you assure me?"
Right then and there Mme. Legat felt a sudden emotion, and knew what she was going to do--what she wanted to do--to dispel that tragic vision.
"I'll give you the assurance of a wife," she said. "I'll marry him!"
The Russian Ambassador was baffled--admitted it. He signed the papers that gave Arensen his freedom as a loyal Russian. The heroine herself relates the sequel:
"Like Tosca in the opera, I sped to him bearing freedom. I didn't have to tell him the whole story--not then. We found that our old acquaintance, begun at La Scala, had blossomed into love during our separation. So he did the proposing. We were married just an hour before the _Lafayette_ sailed, bringing us to the United States."
HOW WE STOLE THE TUG-BOAT
_The Story of a Sensational Escape from the Germans_
_Told by Sergeant "Maurice Prost," of the Belgian Army_
"Maurice Prost"--now a sergeant in the Belgian army, escaped from
Belgium, with a party of over forty men and two women, in very
romantic circumstances. How he and an Alsatian outwitted the Huns
is here narrated in his own words, as recorded by a correspondent
who met him in Paris. For obvious reasons all the names have been
disguised in this tale in the _Wide World Magazine_.
I--"I WAS IN A CAFE IN LIEGE"
The outset of the whole affair dates from one intensely cold day in the middle of December, 1916. I had slipped into an obscure _café_ in a small street in Liége as much in search of tranquility of mind as with the object of getting a comforting glass of hot coffee. With thousands of other Liégois I was trembling under the reign of terror caused by the daily slave-raids, which, ever since their inception a fortnight before by order of that arch-criminal, the Kaiser, had raised a mighty cry of anguish from the stricken city.
It was with a sigh of relief that I found the place was empty. Taking a seat at one of the little marble-topped tables, as near to the meagrely-heated circular stove as I could get, I prepared to snatch a brief spell of quietness from that day of sudden alarms and haunting fears.
But I had no sooner taken my first comforting gulp of the steaming hot liquid, served by a careworn woman in widow's weeds, than an incident occurred which sent a cold thrill to my heart. The _café_ door opened, and in walked a German soldier, dressed as a _feldwebel_. After taking in the interior with a quick glance he clanked straight up to the stove, rubbed his hands vigorously, and, calling for a "_Café bien chaud_," in excellent French, sat down opposite to me with a formal "_Bonjour!_"
I responded to his greeting with all the indifference I could summon up, but, eyeing him suspiciously, my inner self uttered the word "_Pincé_." There could be no doubt about it; I had "got dropped on" at last. Immediately my mind became once more engrossed with thoughts of the loathsome beast I had pictured the Huns to be--a huge octopus, faced by defeat and death, which had begun to suck the last drop of blood out of my unfortunate country by sending tens of thousands of men, women, and children into captivity. Now, at last, one of its tentacles had writhed my way and was about to seize me up! My heart was filled with a fierce hatred of the _feldwebel_ sitting opposite me. A cynical smile seemed to lurk in his eyes--that look of inexorable cruelty which I had seen so often on the faces of the Huns as they went from house to house, dragging sons and daughters from the arms of their aged parents and driving them off into exile with the butt-ends of their rifles. These daily and nightly scenes, terrifying though they were had fascinated me. Should I make a clean breast of it and drag the mask from the rascal's smiling face, or spring at his throat and shake the life out of him?
Whilst I was in the midst of these conflicting thoughts the _feldwebel_ drew forth a packet of cigarettes and, having pulled one half out held it towards me with a well-assumed air of good fellowship.
"Have a smoke?" he said. "It's a jolly cold day, _mon ami_. One's glad to be indoors to-day--even in a badly-warmed place like this. Mine's a particularly icy job, I can tell you."
I accepted his cigarette with the feelings of a condemned man who has been granted his last smoke.... "_Merci!_" I muttered. Then, becoming suddenly bolder, I added, not without a touch of scorn: "Yes; your job _must_ be particularly cold these nights, going from house to house between twelve and one in the morning. How many did you rake in yesterday?"
"House to house? How many did I rake in?" repeated the _feldwebel_, reflectively, as he lit his cigarette. His smile quickly developed into a laugh, which would have exasperated me beyond measure had he not hastened to add: "Ah! I see. _Eh bien_, my friend, you're quite on the wrong track. My job is on the water, thank goodness. I've nothing to do with the raids. I've not sunk so low as that yet--and I don't intend to, either. You're a Belgian, aren't you?"
"Yes," I replied, still somewhat defiantly. "And you're a German, I suppose?"
"_Malgré moi_--in spite of myself. As the saying goes: 'The cowl does not make the monk.' I'm an Alsatian--Baldens by name."
The man was frankness itself. His open manner and the declaration of his nationality disarmed me at once. Whatever my first suspicions may have been, there was no gainsaying the sincerity of his attitude, the cordiality of that phrase, "_mon ami_," with which he interlarded his confidences, for we had not been in conversation more than ten minutes before both he and I dropped into the confidential tone of old acquaintances.
"Quite an excusable mistake on your part, when one comes to think of it," continued Baldens. "Well, as I was going to tell you, I'm on the water--that is to say, on the tug-boat _Anna_, stationed on the canal leading into the Meuse at Devant-le-Pont-lez-Visé. Ugh! it's cold work when the wind's blowing from the north or east! There are four of us on board, including the captain, and we've been in charge of the _Anna_ ever since she was seized by the German Government. They're an uncongenial lot, and the captain's the worst of the three. If I were to tell you how deep my love is for France you'd be able to realize, _mon ami_, what my feelings are when I'm with those three Boches on a dark night on board the _Anna_. Many times, when on guard, I've thought of parting company with them. But that's easier said than done."
Baldens, the patriotic Alsatian, obliged to serve as a non-commissioned officer in the German army, proceeded to enlarge on his devotion to _la belle France_ and, growing still more confidential, told me of his dreams of attempted escape from Belgium. To make a long story short, he and I finally put our heads together, and, over many hot coffees and innumerable cigarettes, hit on a plan by means of which we hoped to gain our liberty and assist a number of others to gain theirs. How we managed it I will now explain.
II--THE KIDNAPPED CREW ON THE "ANNA"
Three days after this fortuitous meeting, Baldens and I met at Devant-le-Pont-lez-Visé, not far from Liége, in order to study the disposition of the land and water. At a short distance from the _Anna_--one of those massive, coal-black tug-boats so familiar to the inhabitants of the banks of our Belgian canals and rivers--was a public-house frequented by boatmen; and near to it we found an equally convenient private house, which, as it was to let furnished, we took on a monthly tenancy. You will comprehend the reason for this when I add that, having made these preliminary preparations, I returned to Liége and began getting together a party of citizens who, in hourly dread of deportation, were anxious to join in any well-thought-out scheme of escape. Presuming that we succeeded in getting possession of the _Anna_ and navigating her out of the canal into the Meuse, and thence to Dutch waters (for that was the ambitious plan we had in view), we had to have some place where we could temporarily harbour our fellow-adventurers before they went on board. I had no difficulty, I can assure you, in finding volunteers. No fewer than sixty people expressed their willingness to join us, and did, in fact, assemble at the house in question on the night fixed for carrying out our plans. True, eighteen of these got frightened at the last moment and returned home, on the plea that the risk was too great, as the boat would have to run the gauntlet past German sentries. Over forty, however, including two brave women, remained staunch and stuck to us.
It was a pitch-black night just five days before Christmas when Baldens and I got our little party of fugitives under that convenient roof and started active operations by sauntering in the direction of the _Anna_, with the object of inviting the captain and crew to have a glass at the neighbouring "pub." The three topers took the hook, daintly baited by Baldens, in splendid fashion, and--one bottle leading to another--we kept them at it until turning-out time. But it takes a lot of liquor to fuddle a Boche completely, and, though we arranged to mix their drinks pretty often and let them have the lion's share, they were still in possession of their senses when they started back for their cabins on the _Anna_. However, the far-seeing, ingenious Baldens was with them, and I knew he could be trusted to finish the job, especially when he whispered to me, after wishing me a boisterous good night in which the others joined:--
"Everything will be ready, Prost, in an hour's time. You can all of you come aboard then and assist in the finishing touches. _Au revoir!_"
Back with my flock in the furnished house, where I found them waiting in great anxiety, I explained how things were going, and an hour later (how the time did hang on our hands!) we all sallied forth. I led the party in single file through the darkness, and it was an immense relief to me on reaching the _Anna_ to find that Baldens was waiting for us--a clear proof he had succeeded in his object and that the coast was clear.
When we got below we found the captain and his two men stretched out on the floor, dead drunk, and chloroformed into the bargain.
"Now, quick's the word and sharp's the motion," said Baldens. "Off with their uniforms. And who'll volunteer to put them on? Prost, find three men who are about the same size as these fellows--three cool-headed men who don't mind facing danger."
It was not at all an easy task undressing and redressing those three helpless lumps of Boche humanity, but we managed it all right, in the dim light from a hanging lantern, and in a little over half an hour three Liégois, armed with Mausers, were impersonating the German guards on the deck of the _Anna_.
We were to be off on our voyage as soon as possible. Steam was to be got up without delay, so several of us, with the assistance of Baldens, who, of course, knew the tug-boat from end to end, set to work to do our best to light the furnaces. Whilst we were in the midst of this work, which required to be done with the greatest caution, in order not to arouse the suspicions of the German patrol, whose measured footsteps could be heard along the towpath every half-hour, a tremendous uproar arose in the cabin where we had left the three prostrate Germans. Baldens and I rushed in, with drawn revolvers, and were just in time to prevent the captain--who had come to his senses and taken in the situation at a glance--from dashing up on deck and raising the alarm. He was a powerfully-built man, and it took the two of us to master him. He fought like a tiger, literally with tooth and nail. Finally, however, we got him in a corner, and, whilst I was pinioning him from behind, Baldens kept him covered with his six-shooter, which he threatened to empty into his carcass if he moved another muscle. Thereupon the mastered man caved in and begged for mercy in the classic phrase: "_Kamarades! Kamarades! Nicht kaput!_"
III--"WE BOUND AND GAGGED THE GERMAN CAPTAIN"
When we had bound and gagged the obstreperous captain of the _Anna_ we completed our work as stokers, and, with infinite care, lest we should attract the attention of the sentinels of a neighbouring lock, began to manoeuvre the boat along the canal. It was necessary to pass through this lock in order to reach the channel which leads into the Meuse. The _Anna_, with its crew of over forty fugitives, drew more than two metres of water, so we were confronted with the problem of the depth of the water in this channel. Was it sufficiently deep to accommodate us? Please remember that amongst the members of our improvised crew there was not a single boatman, not a single _homme du métier_. And remember, too, that we knew that if we were caught in the act we should all of us be ranged in line against a wall and shot without mercy!
I must confess that at this juncture the situation began to look very black indeed; and a certain amount of panic reigned among our flock. Yet no one asked to be put ashore. On the contrary, when, after a little plain speaking, the German pilot and engineer (who had come to their senses and begged to be released from their bonds) consented to throw in their lot with ours and go to their respective posts, willing hands were ready on all sides to assist in opening the lock and measuring the water in the channel leading to the Meuse. The depth was found to be a little over two metres, and the lock was opened without difficulty.
Slowly and without any untoward incident the _Anna_ entered the lock. When it was being closed behind her, however, the gates were worked too rapidly, with the result that the water was thrown into violent commotion. The tug began to roll from side to side, as if on an angry sea, and two of the three boats moored alongside her were smashed to matchwood against the walls of the lock. This accident, however, was actually in our favour, since it prevented the sides of the tug itself from being stove in and helped to propel her into the free water of the channel.
There was now a very faint glimmering of daylight, and the two German sentries stationed on the towpath approached a little nearer to look on at our strange manoeuvres. Luckily, however, their curiosity did not lead them to utter a word of comment or even to make a gesture. When we got into the channel (known as the Canal de la Sucrerie) and began the second part of our long and difficult work--the steering of the _Anna_ into the river--these sentinels were joined by three or four other German soldiers, attracted by the unusual commotion at that early hour of the morning. They looked on, evidently quite amused at our efforts. Fortunately for us, it never occurred to them to put any questions to the singular _feldgrauen_ with spiked helmets who were busily handling boat-hooks and ropes; and thus it was that the good tug-boat _Anna_, flying the German flag, slowly floated in safety into the Meuse, between two Boche sentries with fixed bayonets.
What a relief it was to find ourselves in the river! The battle, we thought, was practically over. All we had got to do was to forge ahead at full speed towards Holland and liberty. But, as events proved, we were slightly mistaken in our calculations.
The boilers of the _Anna_ were now heated to fourteen atmospheres, and away we went at as great a speed as was prudent in the semi-darkness. After we had proceeded for several miles, Baldens, who had been making sure that the captain was in a more reasonable state of mind, joined me on deck, and, with a grave face, said:--
"Prost, we're not out of the wood yet. The captain's still inclined to foam at the mouth and make trouble, though I've granted him the favour of ungagging him. No sooner had I done that than he began to 'strafe' me and you and everybody, and swore we'd get caught yet, because of the electric cable which the Boches have stretched across the Meuse between Lanaye and Eysden. We must now be getting pretty near the danger zone. Keep your weather-eye open, Prost, for I'm told there's a motor-boat there with machine-guns aboard."
And, sure enough, a quarter of an hour later I spotted this electric cable. Instructions were at once given to the engineer to put on his utmost speed, and everybody save the man at the rudder, was ordered off the deck. The only thing to do was to try to cut through the obstacle.
There was no resisting the heavy weight of the _Anna_. She snapped the wire easily, but as it broke, with an immense flash like summer lightning, one end, unfortunately, got entangled with our screw and rudder, which broke as though it had been made of glass. However, the dreaded motor-boat did not put in an appearance (I suppose the men were still fast asleep), and the tug drifted slowly onwards.
The _Anna_ was now completely helpless, and before we had drifted very far she stuck in the mud--fortunately well within Dutch waters. Needless to say we lost no time in utilizing our third and last boat, and in about an hour everybody, including the still unruly Boche captain, whom Baldens disembarked last of all, was ashore. Meanwhile, the four German sentries in charge of the cable had awakened and, finding the line broken, had got their electric searchlights to work and ultimately located us. It was too late then, however, for them to think of capturing us. They dare not come on to Dutch territory, nor was it prudent for them to fire a shot in our direction. As to their searchlights, they were actually of use to us, since they lit up, here and there, the still dark and unknown ground on which, for a time, we wandered, ere we came to a friendly Dutch dwelling house, where we inquired our way to the nearest village.
After such an exciting and lucky adventure as this, Christmas, 1916, was the happiest I ever experienced. Baldens and I and a number of others who had shared in our dangers spent the day together. I will leave you to imagine the heartiness with which we toasted each other and our mental congratulations on our fortunate meeting in that Liége _café_.
THE RUSSIAN SUN--ON THE TRAIL OF THE COSSACKS
_"We Are the Don Cossacks--We Do Not Surrender!"_
_Told by Herr Roda Roda, the Austrian War Correspondent_
The story was written for the _Vienna Neue Freie Presse_ by
Herr Roda Roda, the most prolific and brilliant of the Austrian
war correspondents. It shows a high literary skill and a fine
simplicity of feeling. Unlike most war correspondents, Herr Roda
Roda can see both sides of the picture. He reproduces the real
experiences of the men who do the fighting, throwing into relief
their true humanity and their lack of hate; and it is out of such
material that the true history of the war on its human side will
have to be constructed. When the time for that work arrives Herr
Roda Roda will be rated as an invaluable authority. This story,
with editorial comment, is translated by William L. McPherson for
the _New York Tribune_.
I--A NIGHT MARCH WITH THE AUSTRIANS
Such a silent advance into gloomy, unknown Russia has its own beauty. The night is still, hanging like a dark veil over the land. One sees nothing of the villages which lie to the right and left; one has no idea of the depth of the woods which open before him and then close again; one feels only the sand or the clayey soil under his feet, and has but one measure for everything--the passing of time.
For two days past we have been out of touch with the enemy. On the whole front our machine guns have driven him out of his invisible positions. He has vanished, and only the trenches are there in which he sought again and again to carry on a rear-guard fight. They stretch on both sides of the road which we follow. Deep, black and wavering, the line runs in the dirty gray of the half-melted snow. And on the tops of the low ridges a tender, silvery light glimmers. It is the new day which pierces through the darkness.
Our brigadier trots by with his staff. The tall, big-boned bay which he has ridden for the last four months throws in our faces for a second the foam of his flanks. The old gentleman sits bent forward in the saddle, as if that forward lurch would help him to see further into the blackness.
No sound anywhere. An icy breeze from the north-east blows in light puffs over us and whistles through the bare branches. Our men move along, silent and patient. Occasionally one lifts his head and scans the sky. Have the heavy clouds which have obscured the night broken at last and will the sun appear? For the sun--that is their greatest longing. They have dreamed of it when the rain beat for hours and hours on the tin of their eating utensils and they have sighed for it in the dampness of the cramped trenches.
To-day the sun is coming. With a pale, irridescent glimmer it announces its imminence on the horizon, gladdening with its first light hundreds of thousands of hard, beard-covered countenances.
Presently day breaks. Again around about the marching column lies the monotonous, melancholy, rolling country which in the last weeks its feet have trodden and into which its spades have dug. These are the same windmills which reach their shattered arms into the air, the same poor frozen birches on the roadside, and on the right hand the same black, cloddy woods which we have so often encountered.
Suddenly there comes a shot--a short, slight report. Not one of our people turns his head. Only one of the munitions train animals which trot behind the company in long teams pricks up his ears for a moment.
The captain guides his horse up the left bank of the road and inspects the train. His square, creased face, which never smiles, extends to the men an unspoken morning greeting. Every day the company awaits that greeting. And evening never comes without the captain having looked for a second earnestly and curiously into the eyes of every one of his soldiers. His people know that and it makes them strong and tough.
Then the regimental adjutant comes on the jump.
"Herr Captain, take over the command of the battalion! The first battalion will form connection with the tenth division. Clear the wood and drive the enemy eventually toward the north-east!"
Our captain nods and salutes. As he rides on he studies the map and gives his commands simultaneously wherever he goes.
Four scouting patrols separate themselves from the column and swarm over the white and brown patches of open fields to the right. Behind them the companies, bending low to protect themselves, seek their way.
The captain has dismounted and leads. Again and again he signals "Down" with his riding stick to the neighboring detachments and looks through his field glasses. The other officers also inspect the wood's edge, which is now outlined sharply in the purple morning glow.
The patrols become smaller and smaller and vanish behind the first trees.
A minute of waiting and then we go ahead again. Almost at the same moment comes a short, sharp crackling from far ahead of us. The last report sounds like a sort of distant singing in the clear air. Then silence again.
"Forward," our commandant points with the riding stick. The first company spreads itself out. The others follow slowly in closer order. The situation is not yet cleared up. And again we are rooted for a quarter of an hour to the watery, slippery surface. The wet cold of the earth eats quickly into our bodies. A few of the men lie flat on their backs, using their equipment to protect them from the dampness.
II--"THE WOOD IS FULL OF COSSACKS"
But the sun is now up. With slender, blood-red fingers it grips the tops of the fir trees and casts warm, shining rays over the brown, sun-starved land.
The first news comes back. A lance corporal, with a medal for bravery on his breast, falls flat on the ground before the captain.
"I obediently report: Cossacks. The whole wood is full of Cossacks--all of them dismounted."
"Good!"
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True Stories of the Great War, Volume 4 (of 6)Chapter X: Part 10
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