Chapter III: Part 3
The infantry pushed out after it when it reached the barbed wire, and although they took little heed to keep cover--being much more concerned not to miss any of the grave and comic antics of their giant joke than to shelter from flying bullets--the line went on almost without casualties. "Mighty few bullets about this time," remarked Kentucky, who with Pug had moved out along with the others "to see the fun." "That's 'cos they're too busy with the old Pepper-pots, an' the Pepper-pots is too busy wi' them to leave much time for shootin' at us," said Pug gayly. It was true too. The Pepper-pots--a second one had lumbered into sight from the center of the horseshoe curve--were drawing a tearing hurricane of machine-gun bullets that beat and rattled on their armored sides like hail on a window-pane. They waddled indifferently through the storm and Here We Are, crawling carefully across a trench, halted half-way over and sprinkled bullets up and down its length to port and starboard for a minute, hitched itself over, steered straight for a fire-streaming machine-gun embrasure. It squirted a jet of lead into the loophole, walked on, butted at the emplacement once or twice, got a grip of it under the upward sloped caterpillar band, climbed jerkily till it stood reared up on end like a frightened colt, ground its driving bands round and round, and--fell forward on its face with a cloud of dust belching up and out from the collapsed dug-out. Then it crawled out of the wreckage, crunching over splintered beams and broken concrete, wheeled and cruised casually down the length of a crooked trench, halting every now and then to spray bullets on any German who showed or to hail a stream of them down the black entrance to a dug-out, straying aside to nose over any suspicious cranny, swinging round again to plod up the slope in search of more trenches.
The infantry followed up, cheering and laughing like children at a fair, rounding up batches of prisoners who crawled white-faced and with scared eyes from dug-out doors and trench corners, shouting jests and comments at the lumbering Pepper-pots.
A yell went up as the Here We Are, edging along a trench, lurched suddenly, staggered, side-slipped, and half disappeared in a fog of dust. The infantry raced up and found it with its starboard driving gear grinding and churning full power and speed of revolution above ground and the whole port side and gear down somewhere in the depths of the collapsed trench, grating and squealing and flinging out clods of earth as big as clothes-baskets. Then the engines eased, slowed, and stopped, and after a little and in answer to the encouraging yells of the men outside, a scuttle jerked open and a grimy figure crawled out.
"Blimey," said Pug rapturously, "'ere's Jonah 'isself. Ol' Pepper-pot's spewed 'im out."
IV--JONAH'S SHIP RECHRISTENED--"THE D.T.'S"
But "Jonah" addressed himself pointedly and at some length to the laughing spectators, and they, urged on by a stream of objurgation and invective, fell to work with trenching-tools, with spades retrieved from the trench, with bare hands and busy fingers, to break down the trench-side under Here We Are's starboard driver, and pile it down into the trench and under the uplifted end of her port one. The second Pepper-pot cruised up and brought to adjacent to the operations with a watchful eye on the horizon. It was well she did, for suddenly a crowd of Germans seeing or sensing that one of the monsters was out of action, swarmed out of cover on the crest and came storming down on the party. Here We Are could do nothing; but the sister ship could, and did, do quite a lot to those Germans. It sidled round so as to bring both bow guns and all its broadside to bear and let loose a close-quarter tornado of bullets that cut the attackers to rags. The men who had ceased digging to grab their rifles had not time to fire a shot before the affair was over and "Jonah" was again urging them to their spade-work. Then when he thought the way ready, Here We Are at his orders steamed ahead again, its lower port side scraping and jarring along the trench wall, the drivers biting and gripping at the soft ground. Jerkily, a foot at a time, it scuffled its way along the trench till it came to a sharp angle of it where a big shell hole had broken down the wall. But just as the starboard driver was reaching out over the shell hole and the easy job of plunging into it, gaining a level keel and climbing out the other side, the trench wall on the right gave way and the Here We Are sank its starboard side level to and then below the port one. She had fallen bodily into a German dug-out, but after a pause to regain its shaken breath--or the crew's--it began once more to revolve its drivers slowly, and to churn out behind them, first a cloud of dust and clots of earth, then, as the starboard driver bit deeper into the dug-out, a mangled débris of clothing and trench-made furniture. On the ground above the infantry stood shrieking with laughter, while the frantic skipper raved unheard-of oaths and the Here We Are pawed and hoofed behind, or caught on its driving band and hoisted in turn into the naked light of day, a splintered bedstead, a chewed-up blanket or two, separately and severally the legs, back, and seat of a red velvet armchair, a torn gray coat and a forlorn and muddy pair of pink pajama trousers tangled up in one officer's field boot. And when the drivers got their grip again and the Here We are rolled majestically forward and up the further sloping side of the shell-crater and halted to take the skipper aboard again, Pug dragged a long branch from the fascines in the trench débris, slid it up one leg and down the other of the pink pajamas, tied the boot by its laces to the tip and jammed the root into a convenient crevice in the Tank's stern. And so beflagged she rolled her triumphant way up over the captured redoubt and down the other side, with the boot-tip bobbing and swaying and jerking at the end of her pink tail. The sequel to her story may be told here, although it only came back to the men who decorated her after filtering round the firing line, up and down the communication lines, round half the hospitals and most of the messes at or behind the Front.
And many as came to be the Tales of the Tanks, this of the Pink-Tailed 'un, as Pug called her, belonged unmistakably to her and, being so, was joyfully recognized and acclaimed by her decorators. She came in due time across the redoubt, says the story, and bore down on the British line at the other extreme of the horseshoe to where a certain infantry C.O., famed in past days for a somewhat speedy and hectic career, glared in amazement at the apparition lurching and bobbing and bowing and crawling toad-like towards him.
"I knew," he is reported to have afterwards admitted, "I knew it couldn't be that I'd got 'em again. But in the old days I always had one infallible sign. Crimson rats and purple snakes I might get over; but if they had pink tails, I knew I was in for it certain. And I tell you it gave me quite a turn to see this blighter waddling up and wagging the old pink tail."
But this end of the story only came to the Stonewalls long enough after--just as it is said to have come in time to the ears of the Here We Are's skipper, and, mightily pleasing him and his crew, set him chuckling delightedly and swearing he meant to apply and in due and formal course obtain permission to change his land-ship's name, and having regretfully parted with the pink tail, immortalize it in the name of H.M.L.S. _The D.T.'s_.
FOOTNOTE:
[5] All numerals relate to stories herein told--not to chapters from original sources.
A NOVELIST AND SOLDIER ON THE BATTLE LINE
_Letters by Coningsby Dawson_
_British-American Author of Many Notable Books_
Coningsby Dawson, the brilliant young novelist, was 31 years of
age at the outbreak of the war. He was graduated with honors from
Oxford in 1905 and came to the United States to take a theological
course at Union Seminary. After a year at the Seminary, he reached
the conclusion that his life work lay in literature. His family
left England and established their home in Taunton, Massachusetts.
Here, young Dawson began the career which is to place him in the
front rank of modern novelists. At the outbreak of the Great War,
he laid his pen aside and took up his sword for his native country.
Enlisting with the gallant Canadians, he went to the front where
he soon became a lieutenant. His letters home have been collected
by his father and published in book form under the title "Carry
On--Letters in War Time" by _John Lane Company_: Copyright 1917.
These intimate letters written from dug-outs on the Somme battle
fronts in the intervals of incessant artillery fire reveal the
heart of the young man who embodies the elements of greatness.
They breathe the very spirit of heroism. Several of the most
inspirational of these letters are here reproduced.
[6] I--WITH 6,000 TROOPS AND A CONVOY
Ottawa, July 16th, 1916.
DEAREST ALL:
So much has happened since last I saw you that it's difficult to know where to start. On Thursday, after lunch, I got the news that we were to entrain from Petewawa next Friday morning. I at once put in for leave to go to Ottawa the next day until the following Thursday at Reveille. We came here with a lot of the other officers who are going over and have been having a very full time.
I am sailing from a port unknown on board the _Olympic_ with 6,000 troops--there is to be a big convoy. I feel more than ever I did--and I'm sure it's a feeling that you share since visiting the camp--that I am setting out on a Crusade from which it would have been impossible to withhold myself with honor. I go quite gladly and contentedly, and pray that in God's good time we may all sit again in the little shack at Kootenay and listen to the rustling of the orchard outside. It will be of those summer days that I shall be thinking all the time.
Yours, with very much love,
CON.
II--OFF FOR FRANCE--ACROSS THE CHANNEL
Shorncliff, August 30th, 1916.
MY DEARESTS:
I have just returned from sending you a cable to let you know that I'm off to France. The word came out in orders yesterday, and I shall leave before the end of the week with a draft of officers--I have been in England just a day over four weeks....
Selfishly I wish that you were here at this moment--actually I'm glad that you are away. Everybody goes out quite unemotionally and with very few good-byes--we made far more fuss in the old days about a week-end visit.
Now that at last it has come--this privileged moment for which I have worked and waited--my heart is very quiet. It's the test of a character which I have often doubted. I shall be glad not to have to doubt it again. Whatever happens, I know you will be glad to remember that at a great crisis I tried to play the man, however small my qualifications. We have always lived so near to one another's affections that this going out alone is more lonely to me than to most men. I have always had some one near at hand with love-blinded eyes to see my faults as springing from higher motives. Now I reach out my hands across six thousand miles and only touch yours with my imagination to say good-bye. What queer sights these eyes, which have been almost your eyes, will witness! If my hands do anything respectable, remember that it is your hands that are doing it. It is your influence as a family that has made me ready for the part I have to play, and where I go, you follow me.
Poor little circle of three loving persons, please be tremendously brave. Don't let anything turn you into cowards--we've all got to be worthy of each other's sacrifice; the greater the sacrifice may prove to be for the one the greater the nobility demanded of the remainder. How idle the words sound, and yet they will take deep meanings when time has given them graver sanctions. I think gallant is the word I've been trying to find--we must be gallant English women and gentlemen....
How far away the childish past seems--almost as though it never happened. And was I really the budding novelist in New York? Life has become so stern and scarlet--and so brave. From my window I look out on the English Channel, a cold, grey-green sea, with rain driving across it and a fleet of small craft taking shelter. Over there beyond the curtain of mist lies France--and everything that awaits me.
News has just come that I have to start. Will continue from France.
Yours ever lovingly,
CON.
III--"HERE I AM IN FRANCE--A SOLDIER"
France, September 1st, 1916.
DEAREST M.:
Here I am in France with the same strange smells and street cries, and almost the same little boys bowling hoops over the very cobbly cobble stones. I had afternoon tea at a patisserie and ate a great many gâteaux for the sake of old times. We had a very choppy crossing, and you would most certainly have been sick had you been on board. It seemed to me that I must be coming on one of those romantic holidays to see churches and dead history--only the khaki-clad figures reminded me that I was coming to see history in the making. It's a funny world that batters us about so. It's three years since I was in France--the last time was with Arthur in Provence. It's five years since you and I did our famous trip together.
I wish you were here--there are heaps of English nurses in the streets. I expect to sleep in this place and proceed to my destination to-morrow. How I wish I could send you a really descriptive letter! If I did, I fear you would not get it--so I have to write in generalities. None of this seems real--it's a kind of wild pretence from which I shall awake--and when I tell you my dream you'll laugh and say, "How absurd of you, dreaming that you were a soldier. I must say you look like it."
Good-bye, my dearest girl,
God bless you,
CON.
IV--"I HAVE SEEN MY FIRST BATTLEFIELD"
September 19th, 1916.
DEAREST FATHER:
I'm writing you your birthday letter early, as I don't know how busy I may be in the next week, nor how long this may take to reach you. You know how much love I send you and how I would like to be with you. D'you remember the birthday three years ago when we set the victrola going outside your room door? Those were my high-jinks days when very many things seemed possible. I'd rather be the person I am now than the person I was then. Life was selfish though glorious.
Well, I've seen my first modern battlefield and am quite disillusioned about the splendor of war. The splendor is all in the souls of the men who creep through the squalor like vermin--it's in nothing external. There was a chap here the other day who deserved the V. C. four times over by running back through the Hun shell fire to bring news that the infantry wanted more artillery support. I was observing for my brigade in the forward station at the time. How he managed to live through the ordeal nobody knows. But men laugh while they do these things. It's fine.
A modern battlefield is the abomination of abominations. Imagine a vast stretch of dead country, pitted with shell-holes as though it had been mutilated with smallpox. There's not a leaf or a blade of grass in sight. Every house has either been leveled or is in ruins. No bird sings. Nothing stirs. The only live sound is at night--the scurry of rats. You enter a kind of ditch, called a trench; it leads on to another and another in an unjoyful maze. From the sides feet stick out, and arms and faces--the dead of previous encounters. "One of our chaps," you say casually, recognizing him by his boots or khaki, or "Poor blighter--a Hun!" One can afford to forget enmity in the presence of the dead. It is horribly difficult sometimes to distinguish between the living and the slaughtered--they both lie so silently in their little kennels in the earthen bank. You push on--especially if you are doing observation work, till you are past your own front line and out in No Man's Land. You have to crouch and move warily now. Zing! A bullet from a German sniper. You laugh and whisper, "A near one, that." My first trip to the trenches was up to No Man's Land. I went in the early dawn and came to a Madame Tussaud's show of the dead, frozen into immobility in the most extraordinary attitudes. Some of them were part way out of the ground, one hand pressed to the wound, the other pointing, the head sunken and the hair plastered over the forehead by repeated rains. I kept on wondering what my companions would look like had they been three weeks dead. My imagination became ingeniously and vividly morbid. When I had to step over them to pass, it seemed as though they must clutch at my trench coat and ask me to help. Poor lonely people, so brave and so anonymous in their death! Somewhere there is a woman who loved each one of them and would give her life for my opportunity to touch the poor clay that had been kind to her. It's like walking through the day of resurrection to visit No Man's Land. Then the Huns see you and the shrapnel begins to fall--you crouch like a dog and run for it.
One gets used to shell-fire up to a point, but there's not a man who doesn't want to duck when he hears one coming. The worst of all is the whizz-bang, because it doesn't give you a chance--it pounces and is on you the same moment that it bangs. There's so much I wish that I could tell you. I can only say this, at the moment we're making history.
What a curious birthday letter! I think of all your other birthdays--the ones before I met these silent men with the green and yellow faces, and the blackened lips which will never speak again. What happy times we have had as a family--what happy jaunts when you took me in those early days, dressed in a sailor suit, when you went hunting pictures. Yet, for all the damnability of what I now witness, I was never quieter in my heart. To have surrendered to an imperative self-denial brings a peace which self-seeking never brought.
So don't let this birthday be less gay for my absence. It ought to be the proudest in your life--proud because your example has taught each of your sons to do the difficult things which seem right. It would have been a condemnation of you if any one of us had been a shirker.
"I want to buy fine things for you
And be a soldier if I can."
The lines come back to me now. You read them to me first in the dark little study from a green oblong book. You little thought that I would be a soldier--even now I can hardly realize the fact. It seems a dream from which I shall wake up. Am I really killing men day by day? Am I really in jeopardy myself?
Whatever happens I'm not afraid, and I'll give you reason to be glad of me.
Very much love,
CON.
V--"I AM IN THE TRENCHES--UNDER FIRE"
November 6th, 1916.
MY DEAR ONES:
Such a wonderful day it has been--I scarcely know where to start. I came down last night from twenty-four hours in the mud, where I had been observing. I'd spent the night in a hole dug in the side of the trench and a dead Hun forming part of the roof. I'd sat there reliving so many things--the ecstatic moments of my life when I first touched fame--and my feet were so cold that I could not feel them, so I thought all the harder of the pleasant things of the past. Then, as I say, I came back to the gun position to learn that I was to have one day off at the back of the lines. You can't imagine what that meant to me--one day in a country that is green, one day where there is no shell-fire, one day where you don't turn up corpses with your tread! For two months I have never left the guns except to go forward and I have never been from under shell-fire. All night long as I have slept the ground had been shaken by the stamping of the guns--and now after two months, to come back to comparative normality! The reason for this privilege being granted was that the powers that be had come to the conclusion that it was time I had a bath. Since I sleep in my clothes and water is too valuable for washing anything but the face and hands, they were probably right in their guess at my condition.
So with the greatest holiday of my life in prospect I went to the empty gunpit in which I sleep, and turned in. This morning I set out early with my servant, tramping back across the long, long battlefields which our boys have won. The mud was knee-deep in places, but we floundered on till we came to our old and deserted gun-position where my horses waited for me. From there I rode to the wagon-lines--the first time I've sat a horse since I came into action. Far behind me the thunder of winged murder grew more faint. The country became greener; trees even had leaves upon them which fluttered against the grey-blue sky. It was wonderful--like awaking from an appalling nightmare. My little beast was fresh and seemed to share my joy, for she stepped out bravely.
When I arrived at the wagon-lines I would not wait--I longed to see something even greener and quieter. My groom packed up some oats and away we went again. My first objective was the military baths; I lay in hot water for half-an-hour and read the advertisements of my book. As I lay there, for the first time since I've been out, I began to get a half-way true perspective of myself. What's left of the egotism of the author came to life, and--now laugh--I planned my next novel--planned it to the sound of men singing, because they were clean for the first time in months. I left my towels and soap with a military policeman, by the roadside, and went prancing off along country roads in search of the almost forgotten places where people don't kill one another. Was it imagination? There seemed to me to be a different look in the faces of the men I met--for the time being they were neither hunters nor hunted. There were actually cows in the fields. At one point, where pollarded trees stand like a Hobbema sketch against the sky, a group of officers were coursing a hare, following a big black hound on horseback. We lost our way. A drenching rainstorm fell over us--we didn't care; and we saw as we looked back a most beautiful thing--a rainbow over green fields. It was as romantic as the first rainbow in childhood.
All day I have been seeing lovely and familiar things as though for the first time. I've been a sort of Lazarus, rising out of his tomb and praising God at the sound of a divine voice. You don't know how exquisite a ploughed field can look, especially after rain, unless you have feared that you might never see one again....
Life, how I love you! What a wonderful, kindly thing I could make of you to-night. Strangely the vision has come to me of all that you mean. Now I could write. So soon you may go from me or be changed into a form of existence which all my training has taught me to dread. After death is there only nothingness? I think that for those who have missed love in this life there must be compensations--the little children whom they ought to have had, perhaps. To-day, after so many weeks, I have seen little children again.
And yet, so strange a havoc does this war work that, if I have to "Go West," I shall go _proudly_ and quietly. I have seen too many men die bravely to make a fuss if my turn comes. A mixed passenger list old Father Charon must have each night--Englishmen, Frenchmen, and Huns. To-morrow I shall have another sight of the greenness and then--the guns.
I don't know whether I have been able to make any of my emotions clear to you in my letters. Terror has a terrible fascination. Up to now I have always been afraid--afraid of small fears. At last I meet fear itself and it stings my pride into an unpremeditated courage.
I've just had a pile of letters from you all. How ripping it is to be remembered! Letters keep one civilized.
It's late and I'm very tired. God bless you each and all.
CON.
VI--LIVING WITH DEATH AS YOUR COMRADE
December 20th, 1916.
DEAR MR. A. D.:
I've just come in from an argument with Fritz when your chocolate formed my meal. You were very kind to think of me and to send it, and you were extraordinarily understanding in the letter that you sent me. One's life out here is like a pollarded tree--all the lower branches are gone--one gazes on great nobilities, on the fascinating horror of Eternity sometimes--I said horror, but it's often fine in its spaciousness--one gazes on many inverted splendors of Titans, but it's giddy work being so high and rarefied, and all the gentle past seems gone. That's why it is pleasant in this grimy anonymity of death and courage to get reminders, such as your letter, that one was once localized and had a familiar history. If I come back, I shall be like Rip Van Winkle, or a Robinson Crusoe--like any and all of the creatures of legend and history to whom abnormality has grown to seem normal. If you can imagine yourself living in a world in which every day is a demonstration of a Puritan's conception of what happens when the last trump sounds, then you have some idea of my queer situation. One has come to a point when death seems very inconsiderable and only failure to do one's duty is an utter loss. Love and the future, and all the sweet and tender dreams of bygone days are like a house in which the blinds are lowered and from which the sight has gone. Landscapes have lost their beauty, everything God-made and man-made is destroyed except man's power to endure with a smile the things he once most dreaded, because he believes that only so may he be righteous in his own eyes. How one has longed for that sure confidence in the petty failings of little living--the confidence to believe that he can stand up and suffer for principle! God has given all men who are out here that opportunity--the supremest that can be hoped for--so, in spite of exile, Christmas for most of us will be a happy day. Does one see more truly life's worth on a battlefield? I often ask myself that question. Is the contempt that is hourly shown for life the real standard of life's worth? I shrug my shoulders at my own unanswerable questions--all I know is that I move daily with men who have everything to live for who, nevertheless, are urged by an unconscious magnanimity to die. I don't think any of our dead pity themselves--but they would have done so if they had faltered in their choice. One lives only from sunrise to sunrise, but there's a more real happiness in this brief living than I ever knew before, because it is so exactingly worth while.
Thank you again for your kindness.
Very sincerely yours,
C. D.
VII--GLORY OF WAR IS IN MEN'S SOULS
February 2d.
The gramophone is playing an air from _La Tosca_ to which the guns beat out a bass accompaniment. I close my eyes and picture the many times I have heard the (probably) German orchestras of Broadway Joy Palaces play that same music. How incongruous that I should be listening to it here and under these circumstances! It must have been listened to so often by gay crowds in the beauty places of the world. A romantic picture grows up in my mind of a blue night, the laughter of youth in evening dress, lamps twinkling through trees, far off the velvety shadow of water and mountains, and as a voice to it all, that air from _La Tosca_. I can believe that the silent people near by raise themselves up in their snow-beds to listen, each one recalling some ecstatic moment before the dream of life was shattered.
There's a picture in the Pantheon at Paris, I remember; I believe it's called _To Glory_. One sees all the armies of the ages charging out of the middle distance with Death riding at their head. The only glory that I have discovered in this war is in men's hearts--it's not external. Were one to paint the spirit of this war he would depict a mud landscape, blasted trees, an iron sky; wading through the slush and shell-holes would come a file of bowed figures, more like outcasts from the Embankment than soldiers. They're loaded down like pack animals, their shoulders are rounded, they're wearied to death, but they go on and go on. There's no "To Glory" about what we're doing out here; there's no flash of swords or splendor of uniforms. There are only very tired men determined to carry on. The war will be won by tired men who could never again pass an insurance test, a mob of broken counter-jumpers, ragged ex-plumbers and quite unheroic persons. We're civilians in khaki, but because of the ideals for which we fight we've managed to acquire soldiers' hearts.
My flow of thought was interrupted by a burst of song in which I was compelled to join. We're all writing letters around one candle; suddenly the O. C. looked up and began, "God Be with You Till We Meet Again." We sang it in parts. It was in Southport, when I was about nine years old, that I first heard that sung. You had gone for your first trip to America, leaving a very lonely family behind you. We children were scared to death that you'd be drowned. One evening, coming back from a walk on the sand-hills, we heard voices singing in a garden, "God Be with You Till We Meet Again." The words and the soft dusk, and the vague figures in the English summer garden, seemed to typify the terror of all partings. We've said good-bye so often since, and God has been with us. I don't think any parting was more hard than our last at the prosaic dock-gates with the cold wind of duty blowing, and the sentry barring your entrance, and your path leading back to America while mine led on to France. But you three were regular soldiers--just as much soldiers as we chaps who were embarking. One talks of our armies in the field, but there are the other armies, millions strong, of mothers and fathers and sisters, who keep their eyes dry, treasure muddy letters beneath their pillows, offer up prayers and wait, wait, wait so eternally for God to open another door.
To-morrow I again go forward, which means rising early and taking a long plod through the snows; that's one reason for not writing any more, and another is that our one poor candle is literally on its last legs.
Your poem, written years ago when the poor were marching in London, is often in my mind:
"Yesterday and to-day
Have been heavy with labor and sorrow;
I should faint if I did not see
The day that is after to-morrow."
And there's that last verse which prophesied utterly the spirit in which we men at the Front are fighting to-day:
"And for me, with spirit elate
The mire and the fog I press through,
For Heaven shines under the cloud
Of the day that is after to-morrow."
We civilians who have been taught so long to love our enemies and do good to them who hate us--much too long ever to make professional soldiers--are watching with our hearts in our eyes for that day which comes after to-morrow. Meanwhile we plod on determinedly, hoping for the hidden glory.
Yours very lovingly,
CON.
VIII--MEN MARCHING TO "CALVARY"
February 4th, 1917.
DEAR MR. B.:
War's a queer game--not at all what one's civilian mind imagined; it's far more horrible and less exciting. The horrors which the civilian mind dreads most are mutilation and death. Out here we rarely think about them; the thing which wears on one most and calls out his gravest courage is the endless sequence of physical discomfort. Not to be able to wash, not to be able to sleep, to have to be wet and cold for long periods at a stretch, to find mud on your person, in your food, to have to stand in mud, see mud, sleep in mud and to continue to smile--that's what tests courage. Our chaps are splendid. They're not the hair-brained idiots that some war-correspondents depict from day to day. They're perfectly sane people who know to a fraction what they're up against, but who carry on with a grim good-nature and a determination to win with a smile. I never before appreciated as I do to-day the latent capacity for big-hearted endurance that is in the heart of every man. Here are apparently quite ordinary chaps--chaps who washed, liked theatres, loved kiddies and sweethearts, had a zest for life--they're bankrupt of all pleasures except the supreme pleasure of knowing that they're doing the ordinary and finest thing of which they are capable. There are millions to whom the mere consciousness of doing their duty has brought an heretofore unexperienced peace of mind. For myself I was never happier than I am at present; there's a novel zip added to life by the daily risks and the knowledge that at last you're doing something into which no trace of selfishness enters. One can only die once; the chief concern that matters is _how_ and not _when_ you die. I don't pity the weary men who have attained eternal leisure in the corruption of our shell-furrowed battles; they "went West" in their supreme moment. The men I pity are those who could not hear the call of duty and whose consciences will grow more flabby every day. With the brutal roar of the first Prussian gun the cry came to the civilized world, "Follow thou me," just as truly as it did in Palestine. Men went to their Calvary singing Tipperary, rubbish, rhymed doggerel, but their spirit was equal to that of any Christian martyr in a Roman amphitheatre. "Greater love hath no man than this, that he lay down his life for his friend." Our chaps are doing that consciously, willingly, almost without bitterness towards their enemies; for the rest it doesn't matter whether they sing hymns or ragtime. They've followed their ideal--freedom--and died for it. A former age expressed itself in Gregorian chants; ours, no less sincerely, disguises its feelings in ragtime.
Since September I have been less than a month out of action. The game doesn't pall as time goes on--it fascinates. We've got to win so that men may never again be tortured by the ingenious inquisition of modern warfare. The winning of the war becomes a personal affair to the chaps who are fighting. The world which sits behind the lines, buys extra specials of the daily papers and eats three square meals a day, will never know what this other world has endured for its safety, for no man of this other world will have the vocabulary in which to tell. But don't for a moment mistake me--we're grimly happy.
What a serial I'll write for you if I emerge from this turmoil! Thank God, my outlook is all altered. I don't want to live any longer--only to live well.
Good-bye and good luck.
Yours,
CONINGSBY DAWSON.
IX--AMERICA MUST SACRIFICE--OR DIE
February 6th, 1917.
MY VERY DEAR M.:
I read in to-day's paper that U. S. A. threatens to come over and help us. I wish she would. The very thought of the possibility fills me with joy. I've been lightheaded all day. It would be so ripping to live among people, when the war is ended, of whom you need not be ashamed. Somewhere deep down in my heart I've felt a sadness ever since I've been out here, at America's lack of gallantry--it's so easy to find excuses for not climbing to Calvary; sacrifice was always too noble to be sensible. I would like to see the country of our adoption become splendidly irrational even at this eleventh hour in the game; it would redeem her in the world's eyes. She doesn't know what she's losing. From these carcase-strewn fields of khaki there's a cleansing wind blowing for the nations that have died. Though there was only one Englishman left to carry on the race when this war is victoriously ended, I would give more for the future of England than for the future of America with her ninety millions whose sluggish blood was not stirred by the call of duty. It's bigness of soul that makes nations great and not population. Money, comfort, limousines and ragtime are not the requisites of men when heroes are dying. I hate the thought of Fifth Avenue, with its pretty faces, its fashions, its smiling frivolity. America as a great nation will die, as all coward civilizations have died, unless she accepts the stigmata of sacrifice, which a divine opportunity again offers her.
If it were but possible to show those ninety millions one battlefield with its sprawling dead, its pity, its marvellous forgetfulness of self, I think then--no, they wouldn't be afraid. Fear isn't the emotion one feels--they would experience the shame of living when so many have shed their youth freely. This war is a prolonged moment of exultation for most of us--we are redeeming ourselves in our own eyes. To lay down one's life for one's friend once seemed impossible. All that is altered. We lay down our lives that the future generations may be good and kind, and so we can contemplate oblivion with quiet eyes. Nothing that is noblest that the Greeks taught is unpractised by the simplest men out here to-day. They may die childless, but their example will father the imagination of all the coming ages. These men, in the noble indignation of a great ideal, face a worse hell than the most ingenious of fanatics ever planned or plotted. Men die scorched like moths in a furnace, blown to atoms, gassed, tortured. And again other men step forward to take their places well knowing what will be their fate. Bodies may die, but the spirit of England grows greater as each new soul speeds upon its way. The battened souls of America will die and be buried. I believe the decision of the next few days will prove to be the crisis in America's nationhood. If she refuses the pain which will save her, the cancer of self-despising will rob her of her life.
This feeling is strong with us. It's past midnight, but I could write of nothing else to-night.
God bless you.
Yours ever,
CON.
FOOTNOTE:
[6] All numerals relate to stories herein told--not to chapters from original sources.
STORIES OF THE WAR PHOTOGRAPHERS IN BELGIUM
_An American at the Battlefront_
_Told by Albert Rhys Williams, War Correspondent_
This narrator tells of his experiences with the spy hunters of
Belgium. He was swept into the war-stricken country where he was
arrested by the Germans, sweating under the German third degree,
spending a fearful night on a prison floor, suffering with his
fellow prisoners the torments of a trial as a spy in a German
military court in Brussels, and finally securing his liberty. He
has collected his experiences in a volume under title "In the Claws
of the German Eagle," thus preserving in book form his remarkable
articles which were first published in The Outlook. A few episodes
from his amazing adventures are here given by permission of the
publishers, _E. P. Dutton and Company_: Copyright 1917.
[7] I--STORY OF AN AMERICAN IN GHENT
In the last days of September, the Belgians moving in and through Ghent in their rainbow-colored costumes, gave to the city a distinctively holiday touch. The clatter of cavalry hoofs and the throb of racing motors rose above the voices of the mobs that surged along the streets.
Service was normal in the cafés. To the accompaniment of music and clinking glasses the dress-suited waiter served me a five-course lunch for two francs. It was uncanny to see this blaze of life while the city sat under the shadow of a grave disaster. At any moment the gray German tide might break out of Brussels and pour its turbid flood of soldiers through these very streets. Even now a Taube hovered in the sky, and from the skirmish-line an occasional ambulance rumbled in with its crimsoned load.
I chanced into Gambrinus' café and was lost in the babbling sea of French and Flemish. Above the mêlée of sounds, however, I caught a gladdening bit of English. Turning about, I espied a little group of men whose plain clothes stood out in contrast to the colored uniforms of officers and soldiers crowded into the café. Wearied of my efforts at conversing in a foreign tongue, I went over and said:
"Do you really speak English?"
"Well, rather!" answered the one who seemed to act as leader of the group. "We are the only ones now and it will be scarcer still around here in a few days."
"Why?" I asked.
"Because Ghent will be in German hands."
This brought an emphatic denial from one of his confrères who insisted that the Germans had already reached the end of their rope. A certain correspondent, joining in the argument, came in for a deal of banter for taking the war _de luxe_ in a good hotel far from the front.
"What do you know about the war?" they twitted him. "You've pumped all your best stories out of the refugees ten miles from the front, after priming them with a glass of beer."
They were a group of young war-photographers to whom danger was a magnet. Though none of them had yet reached the age of thirty, they had seen service in all the stirring events of Europe and even around the globe. Where the clouds lowered and the seas tossed, there they flocked. Like stormy petrels they rushed to the center of the swirling world. That was their element. A freelance, a representative of the Northcliffe press, and two movie-men comprised this little group and made an island of English amidst the general babel.
Like most men who have seen much of the world, they had ceased to be cynics. When I came to them out of the rain, carrying no other introduction than a dripping overcoat, they welcomed me into their company and whiled away the evening with tales of the Balkan wars.
They were in high spirits over their exploits of the previous day, when the Germans, withdrawing from Melle on the outskirts of the city, had left a long row of cottages still burning. As the enemy troops pulled out the further end of the street, the movie men came in at the other and caught the pictures of the still blazing houses. We went down to view them on the screen. To the gentle throbbing of drums and piano, the citizens of Ghent viewed the unique spectacle of their own suburbs going up in smoke.
At the end of the show they invited me to fill out their automobile on the morrow. Nearly every other motor had been commandeered by the authorities for the "Service Militaire" and bore on the front the letters "S. M." Our car was by no means in the blue-ribbon class. It had a hesitating disposition and the authorities, regarding it as more of a liability than an asset, passed it over.
But the correspondents counted it a great stroke of fortune to have any car at all; and, that they might continue to have it, they kept it at night carefully locked in a room in the hotel. They had their chauffeur under like supervision. He was one of their kind, and with the cunning of a diplomat obtained the permit to buy petrol, most precious of all treasures in the field of war. Indeed, gasoline, along with courage and discipline, completed the trinity of success in the military mind.
II--STORIES OF THE WAR PHOTOGRAPHERS IN BELGIUM
With the British flag flying at the front, we sped away next morning on the road to Termonde. At Melle we came upon the blazing cottages we had seen pictured the night before. Here we encountered a roving band of Belgian soldiers who were in a free and careless mood and evinced a ready willingness to put themselves at our disposal. Under the command of the photographers, they charged across the fields with fixed bayonets, wriggled up through the grass, or, standing behind the trenches, blazed away with their guns at an imaginary enemy. They did some good acting, grim and serious as death. All except one.
This youth couldn't suppress his sense of humor. He could not, or would not, keep from laughing, even when he was supposed to be blowing the head off a Boche. He was properly disciplined and put out of the game, and we went on with our manoeuvers to the accompaniment of the clicking cameras until the photographers had gathered in a fine lot of realistic fighting-line pictures.
One of the photographers sat stolidly in the automobile smoking his cigarette while the others were reaping their harvest.
"Why don't you take these too?" I asked.
"Oh," he replied, "I've been sending in so much of that stuff that I just got a telegram from my paper saying, 'Pension off that Belgian regiment which is doing stunts in the trenches.'"
While his little army rested from their manoeuvers the Director-in-Chief turned to me and said:
"Wouldn't you like to have a photograph of yourself in these war-surroundings, just to take home as a souvenir?"
That appealed to me. After rejecting some commonplace suggestions, he exclaimed: "I have it. Shot as a German Spy. There's the wall to stand up against; and we'll pick a crack firing-squad out of these Belgians. A little bit of all right, eh?"
I acquiesced in the plan and was led over to the wall while a movie-man whipped out a handkerchief and tied it over my eyes. The director then took a firing squad in hand. He had but recently witnessed the execution of a spy where he had almost burst with a desire to photograph the scene. It had been excruciating torture to restrain himself. But the experience had made him feel conversant with the etiquette of shooting a spy, as it was being done amongst the very best firing-squads. He made it now stand him in good stead.
"Aim right across the bandage," the director coached them. I could hear one of the soldiers laughing excitedly as he was warming up to the rehearsal. It occurred to me that I was reposing a lot of confidence in a stray band of soldiers. Some one of those Belgians, gifted with a lively imagination, might get carried away with the suggestion and act as if I really were a German spy.
"Shoot the blooming blighter in the eye," said one movie man playfully.
"Bally good idea!" exclaimed the other one approvingly, while one eager actor realistically clicked his rifle-hammer. That was altogether too much. I tore the bandage from my eyes, exclaiming:
"It would be a bally good idea to take those cartridges out first." Some fellow might think his cartridge was blank or try to fire wild, just as a joke in order to see me jump. I wasn't going to take any risk and flatly refused to play my part until the cartridges were ejected. Even when the bandage was readjusted "Didn't-know-it-was-loaded" stories still were haunting me. In a moment, however, it was over and I was promised my picture within a fortnight.
A week later I picked up the London _Daily Mirror_ from a news-stand. It had the caption:
BELGIAN SOLDIERS SHOOT A GERMAN SPY CAUGHT AT
TERMONDE ... PICTURE
I opened up the paper and what was my surprise to see a big spread picture of myself, lined up against that row of Melle cottages and being shot for the delectation of the British public. There is the same long raincoat that runs as a _motif_ through all the other pictures. Underneath it were the words:
"The Belgians have a short, sharp method of dealing with the Kaiser's rat-hole spies. This one was caught near Termonde and, after being blindfolded, the firing-squad soon put an end to his inglorious career."
One would not call it fame exactly, even though I played the star-rôle. But it is a source of some satisfaction to have helped a royal lot of fellows to a first-class scoop. As the "authentic spy-picture of the war," it has had a broadcast circulation. I have seen it in publications ranging all the way from _The Police Gazette to Collier's Photographic History of the European War_. In a university club I once chanced upon a group gathered around this identical picture. They were discussing the psychology of this "poor devil" in the moments before he was shot. It was a further source of satisfaction to step in and arbitrarily contradict all their conclusions and, having shown them how totally mistaken they were, proceed to tell them exactly how the victim felt. This high-handed manner nettled one fellow terribly:
"Not so arbitrary, my friend!" he said. "You haven't any right to be so devilish cock-sure."
"Haven't I?" I replied. "Who has any better right? I happen to be that identical man!"
But that little episode has been of real value to me. It is said that if one goes through the motions he gets the emotions. I believe that I have an inkling of how a man feels when he momentarily expects a volley of cold lead to turn his skull into a sieve.
III--HOW CAMERA MEN RISK THEIR LIVES
Most of the pictures which the public casually gazes on have been secured at a price--and a large one, too. The names of these men who go to the front with cameras, rather than with rifles or pens, are generally unknown. They are rarely found beneath the pictures, yet where would be our vivid impression of courage in daring and of skill in doing, of cunning strategy upon the field of battle, of wounded soldiers sacrificing for their comrades, if we had no pictures? A few pictures are faked, but behind most pictures there is another tale of daring and of strategy, and that is the tale concerning the man who took it. That very day thrice these same men risked their lives.
The apparatus loaded in the car, we were off again. Past a few barricades of paving-stones and wagons, past the burned houses which marked the place where the Germans had come within five miles of Ghent, we encountered some uniformed Belgians who looked quite as dismal and dispirited as the fog which hung above the fields. They were the famous Guarde Civique of Belgium. Our Union Jack, flapping in the wind, was very likely quite the most thrilling spectacle they had seen in a week, and they hailed it with a cheer and a cry of "_Vive l'Angleterre!_" (Long live England!) The Guarde Civique had a rather inglorious time of it. Wearisomely in their wearisome-looking uniform, they stood for hours on their guns or marched and counter-marched in dreary patrolling, often doomed not even to scent the battle from afar off.
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True Stories of the Great War, Volume 6 (of 6)Chapter III: Part 3
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