Chapter VIII: Front Matter (8)

Now comes the noontide hour—of all the hours, nearest akin to midnight, for each has its own calmness and repose. Soon, however, the world begins to turn again upon its axis, and it seems the busiest epoch of the day, when an accident impedes the march of sublunary things. The draw being lifted to permit the passage of a schooner laden with wood from the Eastern forests, she sticks immovably right athwart the bridge. Meanwhile, on both sides of the chasm a throng of impatient travellers fret and fume. Here are two sailors in a gig with the top thrown back, both puffing cigars and swearing all sorts of forecastle oaths; there, in a smart chaise, a dashingly-dressed gentleman and lady, he from a tailor’s shop-board and she from a milliner’s back room—the aristocrats of a summer afternoon. And what are the haughtiest of us but the ephemeral aristocrats of a summer’s day? Here is a tin-pedler whose glittering ware bedazzles all beholders like a travelling meteor or opposition sun, and on the other side a seller of spruce beer, which brisk liquor is confined in several dozen of stone bottles. Here conic a party of ladies on horseback, in green ridings habits, and gentlemen attendant, and there a flock of sheep for the market, pattering over the bridge with a multitude nous clatter of their little hoofs; here a Frenchman with a hand-organ on his shoulder, and there an itinerant Swiss jeweller. On this side, heralded by a blast of clarions and bugles, appears a train of wagons conveying all the wild beasts of a caravan; and on that a company of summer soldiers marching from village to village on a festival campaign, attended by the “brass band.” Now look at the scene, and it presents an emblem of the mysterious confusion, the apparently insolvable riddle, in which individuals, or the great world itself, seem often to be involved. What miracle shall set all things right again?

But see! the schooner has thrust her bulky carcase through the chasm; the draw descends; horse and foot pass onward and leave the bridge vacant from end to end. “And thus,” muses the toll-gatherer, “have I found it with all stoppages, even though the universe seemed to be at a stand.” The sage old man!

Far westward now the reddening sun throws a broad sheet of splendor across the flood, and to the eyes of distant boatmen gleams brightly among the timbers of the bridge. Strollers come from the town to quaff the freshening breeze. One or two let down long lines and haul up flapping flounders or cunners or small cod, or perhaps an eel. Others, and fair girls among them, with the flush of the hot day still on their cheeks, bend over the railing and watch the heaps of seaweed floating upward with the flowing tide. The horses now tramp heavily along the bridge and wistfully bethink them of their stables.—Rest, rest, thou weary world! for to-morrow’s round of toil and pleasure will be as wearisome as to-day’s has been, yet both shall bear thee onward a day’s march of eternity.—Now the old toll-gatherer looks seaward and discerns the lighthouse kindling on a far island, and the stars, too, kindling in the sky, as if but a little way beyond; and, mingling reveries of heaven with remembrances of earth, the whole procession of mortal travellers, all the dusty pilgrimage which he has witnessed, seems like a flitting show of phantoms for his thoughtful soul to muse upon.

THE VISION OF THE FOUNTAIN

At fifteen I became a resident in a country village more than a hundred miles from home. The morning after my arrival—a September morning, but warm and bright as any in July—I rambled into a wood of oaks with a few walnut trees intermixed, forming the closest shade above my head. The ground was rocky, uneven, overgrown with bushes and clumps of young saplings and traversed only by cattle-paths. The track which I chanced to follow led me to a crystal spring with a border of grass as freshly green as on May morning, and overshadowed by the limb of a great oak. One solitary sunbeam found its way down and played like a goldfish in the water.

From my childhood I have loved to gaze into a spring. The water filled a circular basin, small but deep and set round with stones, some of which were covered with slimy moss, the others naked and of variegated hue—reddish, white and brown. The bottom was covered with coarse sand, which sparkled in the lonely sunbeam and seemed to illuminate the spring with an unborrowed light. In one spot the gush of the water violently agitated the sand, but without obscuring the fountain or breaking the glassiness of its surface. It appeared as if some living creature were about to emerge—the naiad of the spring, perhaps, in the shape of a beautiful young woman with a gown of filmy water-moss, a belt of rainbow-drops and a cold, pure, passionless countenance. How would the beholder shiver, pleasantly yet fearfully, to see her sitting on one of the stones, paddling her white feet in the ripples and throwing up water to sparkle in the sun! Wherever she laid her hands on grass and flowers, they would immediately be moist, as with morning dew. Then would she set about her labors, like a careful housewife, to clear the fountain of withered leaves, and bits of slimy wood, and old acorns from the oaks above, and grains of corn left by cattle in drinking, till the bright sand in the bright water were like a treasury of diamonds. But, should the intruder approach too near, he would find only the drops of a summer shower glistening about the spot where he had seen her.

Reclining on the border of grass where the dewy goddess should have been, I bent forward, and a pair of eyes met mine within the watery mirror. They were the reflection of my own. I looked again, and, lo! another face, deeper in the fountain than my own image, more distinct in all the features, yet faint as thought. The vision had the aspect of a fair young girl with locks of paly gold. A mirthful expression laughed in the eyes and dimpled over the whole shadowy countenance, till it seemed just what a fountain would be if, while dancing merrily into the sunshine, it should assume the shape of woman. Through the dim rosiness of the cheeks I could see the brown leaves, the slimy twigs, the acorns and the sparkling sand. The solitary sunbeam was diffused among the golden hair, which melted into its faint brightness and became a glory round that head so beautiful.

My description can give no idea how suddenly the fountain was thus tenanted and how soon it was left desolate. I breathed, and there was the face; I held my breath, and it was gone. Had it passed away or faded into nothing? I doubted whether it had ever been.

My sweet readers, what a dreamy and delicious hour did I spend where that vision found and left me! For a long time I sat perfectly still, waiting till it should reappear, and fearful that the slightest motion, or even the flutter of my breath, might frighten it away. Thus have I often started from a pleasant dream, and then kept quiet in hopes to wile it back. Deep were my musings as to the race and attributes of that ethereal being. Had I created her? Was she the daughter of my fancy, akin to those strange shapes which peep under the lids of children’s eyes? And did her beauty gladden me for that one moment and then die? Or was she a water-nymph within the fountain, or fairy or woodland goddess peeping over my shoulder, or the ghost of some forsaken maid who had drowned herself for love? Or, in good truth, had a lovely girl with a warm heart and lips that would bear pressure stolen softly behind me and thrown her image into the spring?

I watched and waited, but no vision came again. I departed, but with a spell upon me which drew me back that same afternoon to the haunted spring. There was the water gushing, the sand sparkling and the sunbeam glimmering. There the vision was not, but only a great frog, the hermit of that solitude, who immediately withdrew his speckled snout and made himself invisible—all except a pair of long legs—beneath a stone. Methought he had a devilish look. I could have slain him as an enchanter who kept the mysterious beauty imprisoned in the fountain.

Sad and heavy, I was returning to the village. Between me and the church-spire rose a little hill, and on its summit a group of trees insulated from all the rest of the wood, with their own share of radiance hovering on them from the west and their own solitary shadow falling to the east. The afternoon being far declined, the sunshine was almost pensive and the shade almost cheerful; glory and gloom were mingled in the placid light, as if the spirits of the Day and Evening had met in friendship under those trees and found themselves akin. I was admiring the picture when the shape of a young girl emerged from behind the clump of oaks. My heart knew her: it was the vision, but so distant and ethereal did she seem, so unmixed with earth, so imbued with the pensive glory of the spot where she was standing, that my spirit sunk within me, sadder than before. How could I ever reach her?

While I gazed a sudden shower came pattering down upon the leaves. In a moment the air was full of brightness, each raindrop catching a portion of sunlight as it fell, and the whole gentle shower appearing like a mist, just substantial enough to bear the burden of radiance. A rainbow vivid as Niagara’s was painted in the air. Its southern limb came down before the group of trees and enveloped the fair vision as if the hues of heaven were the only garment for her beauty. When the rainbow vanished, she who had seemed a part of it was no longer there. Was her existence absorbed in nature’s loveliest phenomenon, and did her pure frame dissolve away in the varied light? Yet I would not despair of her return, for, robed in the rainbow, she was the emblem of Hope.

Thus did the vision leave me, and many a doleful day succeeded to the parting moment. By the spring and in the wood and on the hill and through the village, at dewy sunrise, burning noon, and at that magic hour of sunset, when she had vanished from my sight, I sought her, but in vain. Weeks came and went, months rolled away, and she appeared not in them. I imparted my mystery to none, but wandered to and fro or sat in solitude like one that had caught a glimpse of heaven and could take no more joy on earth. I withdrew into an inner world where my thoughts lived and breathed, and the vision in the midst of them. Without intending it, I became at once the author and hero of a romance, conjuring up rivals, imagining events, the actions of others and my own, and experiencing every change of passion, till jealousy and despair had their end in bliss. Oh, had I the burning fancy of my early youth with manhood’s colder gift, the power of expression, your hearts, sweet ladies, should flutter at my tale.

In the middle of January I was summoned home. The day before my departure, visiting the spots which had been hallowed by the vision, I found that the spring had a frozen bosom, and nothing but the snow and a glare of winter sunshine on the hill of the rainbow. “Let me hope,” thought I, “or my heart will be as icy as the fountain and the whole world as desolate as this snowy hill.” Most of the day was spent in preparing for the journey, which was to commence at four o’clock the next morning. About an hour after supper, when all was in readiness, I descended from my chamber to the sitting-room to take leave of the old clergyman and his family with whom I had been an inmate. A gust of wind blew out my lamp as I passed through the entry.

According to their invariable custom—so pleasant a one when the fire blazes cheerfully—the family were sitting in the parlor with no other light than what came from the hearth. As the good clergyman’s scanty stipend compelled him to use all sorts of economy, the foundation of his fires was always a large heap of tan, or ground bark, which would smoulder away from morning till night with a dull warmth and no flame. This evening the heap of tan was newly put on and surmounted with three sticks of red oak full of moisture, and a few pieces of dry pine that had not yet kindled. There was no light except the little that came sullenly from two half-burnt brands, without even glimmering on the andirons. But I knew the position of the old minister’s arm-chair, and also where his wife sat with her knitting-work, and how to avoid his two daughters—one a stout country lass, and the other a consumptive girl. Groping through the gloom, I found my own place next to that of the son, a learned collegian who had come home to keep school in the village during the winter vacation. I noticed that there was less room than usual to-night between the collegian’s chair and mine.

As people are always taciturn in the dark, not a word was said for some time after my entrance. Nothing broke the stillness but the regular click of the matron’s knitting-needles. At times the fire threw out a brief and dusky gleam which twinkled on the old man’s glasses and hovered doubtfully round our circle, but was far too faint to portray the individuals who composed it. Were we not like ghosts? Dreamy as the scene was, might it not be a type of the mode in which departed people who had known and loved each other here would hold communion in eternity? We were aware of each other’s presence, not by sight nor sound nor touch, but by an inward consciousness. Would it not be so among the dead?

The silence was interrupted by the consumptive daughter addressing a remark to some one in the circle whom she called Rachel. Her tremulous and decayed accents were answered by a single word, but in a voice that made me start and bend toward the spot whence it had proceeded. Had I ever heard that sweet, low tone? If not, why did it rouse up so many old recollections, or mockeries of such, the shadows of things familiar yet unknown, and fill my mind with confused images of her features who had spoken, though buried in the gloom of the parlor? Whom had my heart recognized, that it throbbed so? I listened to catch her gentle breathing, and strove by the intensity of my gaze to picture forth a shape where none was visible.

Suddenly the dry pine caught; the fire blazed up with a ruddy glow, and where the darkness had been, there was she—the vision of the fountain. A spirit of radiance only, she had vanished with the rainbow and appeared again in the firelight, perhaps to flicker with the blaze and be gone. Yet her cheek was rosy and lifelike, and her features, in the bright warmth of the room, were even sweeter and tenderer than my recollection of them. She knew me. The mirthful expression that had laughed in her eyes and dimpled over her countenance when I beheld her faint beauty in the fountain was laughing and dimpling there now. One moment our glance mingled; the next, down rolled the heap of tan upon the kindled wood, and darkness snatched away that daughter of the light, and gave her back to me no more!

Fair ladies, there is nothing more to tell. Must the simple mystery be revealed, then, that Rachel was the daughter of the village squire and had left home for a boarding-school the morning after I arrived and returned the day before my departure? If I transformed her to an angel, it is what every youthful lover does for his mistress. Therein consists the essence of my story. But slight the change, sweet maids, to make angels of yourselves.

FANCY’S SHOW-BOX

A MORALITY

What is guilt? A stain upon the soul. And it is a point of vast interest whether the soul may contract such stains in all their depth and flagrancy from deeds which may have been plotted and resolved upon, but which physically have never had existence. Must the fleshly hand and visible frame of man set its seal to the evil designs of the soul, in order to give them their entire validity against the sinner? Or, while none but crimes perpetrated are cognizable before an earthly tribunal, will guilty thoughts—of which guilty deeds are no more than shadows,—will these draw down the full weight of a condemning sentence in the supreme court of eternity? In the solitude of a midnight chamber or in a desert afar from men or in a church while the body is kneeling the soul may pollute itself even with those crimes which we are accustomed to deem altogether carnal. If this be true, it is a fearful truth.

Let us illustrate the subject by an imaginary example. A venerable gentleman—one Mr. Smith—who had long been regarded as a pattern of moral excellence was warming his aged blood with a glass or two of generous wine. His children being gone forth about their worldly business and his grandchildren at school, he sat alone in a deep luxurious arm-chair with his feet beneath a richly-carved mahogany table. Some old people have a dread of solitude, and when better company may not be had rejoice even to hear the quiet breathing of a babe asleep upon the carpet. But Mr. Smith, whose silver hair was the bright symbol of a life unstained except by such spots as are inseparable from human nature—he had no need of a babe to protect him by its purity, nor of a grown person to stand between him and his own soul. Nevertheless, either manhood must converse with age, or womanhood must soothe him with gentle cares, or infancy must sport around his chair, or his thoughts will stray into the misty region of the past and the old man be chill and sad. Wine will not always cheer him.

Such might have been the case with Mr. Smith, when, through the brilliant medium of his glass of old Madeira, he beheld three figures entering the room. These were Fancy, who had assumed the garb and aspect of an itinerant showman, with a box of pictures on her back; and Memory, in the likeness of a clerk, with a pen behind her ear, an inkhorn at her buttonhole and a huge manuscript volume beneath her arm; and lastly, behind the other two, a person shrouded in a dusky mantle which concealed both face and form. But Mr. Smith had a shrewd idea that it was Conscience. How kind of Fancy, Memory and Conscience to visit the old gentleman just as he was beginning to imagine that the wine had neither so bright a sparkle nor so excellent a flavor as when himself and the liquor were less aged! Through the dim length of the apartment, where crimson curtains muffled the glare of sunshine and created a rich obscurity, the three guests drew near the silver-haired old man. Memory, with a finger between the leaves of her huge volume, placed herself at his right hand; Conscience, with her face still hidden in the dusky mantle, took her station on the left, so as to be next his heart; while Fancy set down her picture-box upon the table with the magnifying-glass convenient to his eye.

We can sketch merely the outlines of two or three out of the many pictures which at the pulling of a string successively peopled the box with the semblances of living scenes. One was a moonlight picture, in the background a lowly dwelling, and in front, partly shadowed by a tree, yet besprinkled with flakes of radiance, two youthful figures, male and female. The young man stood with folded arms, a haughty smile upon his lip and a gleam of triumph in his eye as he glanced downward at the kneeling girl. She was almost prostrate at his feet, evidently sinking under a weight of shame and anguish which hardly allowed her to lift her clasped hands in supplication. Her eyes she could not lift. But neither her agony, nor the lovely features on which it was depicted, nor the slender grace of the form which it convulsed, appeared to soften the obduracy of the young man. He was the personification of triumphant scorn.

Now, strange to say, as old Mr. Smith peeped through the magnifying-glass, which made the objects start out from the canvas with magical deception, he began to recognize the farmhouse, the tree and both the figures of the picture. The young man in times long past had often met his gaze within the looking-glass; the girl was the very image of his first love—his cottage-love, his Martha Burroughs. Mr. Smith was scandalized. “Oh, vile and slanderous picture!” he exclaims. “When have I triumphed over ruined innocence? Was not Martha wedded in her teens to David Tomkins, who won her girlish love and long enjoyed her affection as a wife? And ever since his death she has lived a reputable widow!”

Meantime, Memory was turning over the leaves of her volume, rustling them to and fro with uncertain fingers, until among the earlier pages she found one which had reference to this picture. She reads it close to the old gentleman’s ear: it is a record merely of sinful thought which never was embodied in an act, but, while Memory is reading, Conscience unveils her face and strikes a dagger to the heart of Mr. Smith. Though not a death-blow, the torture was extreme.

The exhibition proceeded. One after another Fancy displayed her pictures, all of which appeared to have been painted by some malicious artist on purpose to vex Mr. Smith. Not a shadow of proof could have been adduced in any earthly court that he was guilty of the slightest of those sins which were thus made to stare him in the face. In one scene there was a table set out, with several bottles and glasses half filled with wine, which threw back the dull ray of an expiring lamp. There had been mirth and revelry until the hand of the clock stood just at midnight, when Murder stepped between the boon-companions. A young man had fallen on the floor, and lay stone dead with a ghastly wound crushed into his temple, while over him, with a delirium of mingled rage and horror in his countenance, stood the youthful likeness of Mr. Smith. The murdered youth wore the features of Edward Spencer. “What does this rascal of a painter mean?” cries Mr. Smith, provoked beyond all patience. “Edward Spencer was my earliest and dearest friend, true to me as I to him through more than half a century. Neither I nor any other ever murdered him. Was he not alive within five years, and did he not, in token of our long friendship, bequeath me his gold-headed cane and a mourning-ring?”

Again had Memory been turning over her volume, and fixed at length upon so confused a page that she surely must have scribbled it when she was tipsy. The purport was, however, that while Mr. Smith and Edward Spencer were heating their young blood with wine a quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had flung a bottle at Spencer’s head. True, it missed its aim and merely smashed a looking-glass; and the next morning, when the incident was imperfectly remembered, they had shaken hands with a hearty laugh. Yet, again, while Memory was reading, Conscience unveiled her face, struck a dagger to the heart of Mr. Smith and quelled his remonstrance with her iron frown. The pain was quite excruciating.

Some of the pictures had been painted with so doubtful a touch, and in colors so faint and pale, that the subjects could barely be conjectured. A dull, semi-transparent mist had been thrown over the surface of the canvas, into which the figures seemed to vanish while the eye sought most earnestly to fix them. But in every scene, however dubiously portrayed, Mr. Smith was invariably haunted by his own lineaments at various ages as in a dusty mirror. After poring several minutes over one of these blurred and almost indistinguishable pictures, he began to see that the painter had intended to represent him, now in the decline of life, as stripping the clothes from the backs of three half-starved children. “Really, this puzzles me!” quoth Mr. Smith, with the irony of conscious rectitude. “Asking pardon of the painter, I pronounce him a fool as well as a scandalous knave. A man of my standing in the world to be robbing little children of their clothes! Ridiculous!”

But while he spoke Memory had searched her fatal volume and found a page which with her sad calm voice she poured into his ear. It was not altogether inapplicable to the misty scene. It told how Mr. Smith had been grievously tempted by many devilish sophistries, on the ground of a legal quibble, to commence a lawsuit against three orphan-children, joint-heirs to a considerable estate. Fortunately, before he was quite decided, his claims had turned out nearly as devoid of law as justice. As Memory ceased to read Conscience again thrust aside her mantle, and would have struck her victim with the envenomed dagger only that he struggled and clasped his hands before his heart. Even then, however, he sustained an ugly gash.

Why should we follow Fancy through the whole series of those awful pictures? Painted by an artist of wondrous power and terrible acquaintance with the secret soul, they embodied the ghosts of all the never-perpetrated sins that had glided through the lifetime of Mr. Smith. And could such beings of cloudy fantasy, so near akin to nothingness, give valid evidence against him at the day of judgment? Be that the case or not, there is reason to believe that one truly penitential tear would have washed away each hateful picture and left the canvas white as snow. But Mr. Smith, at a prick of Conscience too keen to be endured, bellowed aloud with impatient agony, and suddenly discovered that his three guests were gone. There he sat alone, a silver-haired and highly-venerated old man, in the rich gloom of the crimsoned-curtained room, with no box of pictures on the table, but only a decanter of most excellent Madeira. Yet his heart still seemed to fester with the venom of the dagger.

Nevertheless, the unfortunate old gentleman might have argued the matter with Conscience and alleged many reasons wherefore she should not smite him so pitilessly. Were we to take up his cause, it should be somewhat in the following fashion. A scheme of guilt, till it be put in execution, greatly resembles a train of incidents in a projected tale. The latter, in order to produce a sense of reality in the reader’s mind, must be conceived with such proportionate strength by the author as to seem in the glow of fancy more like truth, past, present or to come, than purely fiction. The prospective sinner, on the other hand, weaves his plot of crime, but seldom or never feels a perfect certainty that it will be executed. There is a dreaminess diffused about his thoughts; in a dream, as it were, he strikes the death-blow into his victim’s heart and starts to find an indelible blood-stain on his hand. Thus a novel-writer or a dramatist, in creating a villain of romance and fitting him with evil deeds, and the villain of actual life in projecting crimes that will be perpetrated, may almost meet each other halfway between reality and fancy. It is not until the crime is accomplished that Guilt clenches its gripe upon the guilty heart and claims it for his own. Then, and not before, sin is actually felt and acknowledged, and, if unaccompanied by repentance, grows a thousandfold more virulent by its self-consciousness. Be it considered, also, that men often overestimate their capacity for evil. At a distance, while its attendant circumstances do not press upon their notice and its results are dimly seen, they can bear to contemplate it. They may take the steps which lead to crime, impelled by the same sort of mental action as in working out a mathematical problem, yet be powerless with compunction at the final moment. They knew not what deed it was that they deemed themselves resolved to do. In truth, there is no such thing in man’s nature as a settled and full resolve, either for good or evil, except at the very moment of execution. Let us hope, therefore, that all the dreadful consequences of sin will not be incurred unless the act have set its seal upon the thought.

Yet, with the slight fancy-work which we have framed, some sad and awful truths are interwoven. Man must not disclaim his brotherhood even with the guiltiest, since, though his hand be clean, his heart has surely been polluted by the flitting phantoms of iniquity. He must feel that when he shall knock at the gate of heaven no semblance of an unspotted life can entitle him to entrance there. Penitence must kneel and Mercy come from the footstool of the throne, or that golden gate will never open.

DR. HEIDEGGER’S EXPERIMENT

That very singular man old Dr. Heidegger once invited four venerable friends to meet him in his study. There were three white-bearded gentlemen—Mr. Medbourne, Colonel Killigrew and Mr. Gascoigne—and a withered gentlewoman whose name was the widow Wycherly. They were all melancholy old creatures who had been unfortunate in life, and whose greatest misfortune it was that they were not long ago in their graves. Mr. Medbourne, in the vigor of his age, had been a prosperous merchant, but had lost his all by a frantic speculation, and was now little better than a mendicant. Colonel Killigrew had wasted his best years and his health and substance in the pursuit of sinful pleasures which had given birth to a brood of pains, such as the gout and divers other torments of soul and body. Mr. Gascoigne was a ruined politician, a man of evil fame—or, at least, had been so till time had buried him from the knowledge of the present generation and made him obscure instead of infamous. As for the widow Wycherly, tradition tells us that she was a great beauty in her day, but for a long while past she had lived in deep seclusion on account of certain scandalous stories which had prejudiced the gentry of the town against her. It is a circumstance worth mentioning that each of these three old gentlemen—Mr. Medbourne, Colonel Killigrew and Mr. Gascoigne—were early lovers of the widow Wycherly, and had once been on the point of cutting each other’s throats for her sake. And before proceeding farther I will merely hint that Dr. Heidegger and all his four guests were sometimes thought to be a little beside themselves, as is not infrequently the case with old people when worried either by present troubles or woeful recollections.

“My dear old friends,” said Dr. Heidegger, motioning them to be seated, “I am desirous of your assistance in one of those little experiments with which I amuse myself here in my study.”

If all stories were true, Dr. Heidegger’s study must have been a very curious place. It was a dim, old-fashioned chamber festooned with cobwebs and besprinkled with antique dust. Around the walls stood several oaken bookcases, the lower shelves of which were filled with rows of gigantic folios and black-letter quartos, and the upper with little parchment-covered duodecimos. Over the central bookcase was a bronze bust of Hippocrates, with which, according to some authorities, Dr. Heidegger was accustomed to hold consultations in all difficult cases of his practice. In the obscurest corner of the room stood a tall and narrow oaken closet with its door ajar, within which doubtfully appeared a skeleton. Between two of the bookcases hung a looking-glass, presenting its high and dusty plate within a tarnished gilt frame. Among many wonderful stories related of this mirror, it was fabled that the spirits of all the doctor’s deceased patients dwelt within its verge and would stare him in the face whenever he looked thitherward. The opposite side of the chamber was ornamented with the full-length portrait of a young lady arrayed in the faded magnificence of silk, satin and brocade, and with a visage as faded as her dress. Above half a century ago Dr. Heidegger had been on the point of marriage with this young lady, but, being affected with some slight disorder, she had swallowed one of her lover’s prescriptions and died on the bridal-evening. The greatest curiosity of the study remains to be mentioned: it was a ponderous folio volume bound in black leather, with massive silver clasps. There were no letters on the back, and nobody could tell the title of the book. But it was well known to be a book of magic, and once, when a chambermaid had lifted it merely to brush away the dust, the skeleton had rattled in its closet, the picture of the young lady had stepped one foot upon the floor and several ghastly faces had peeped forth from the mirror, while the brazen head of Hippocrates frowned and said, “Forbear!”

Such was Dr. Heidegger’s study. On the summer afternoon of our tale a small round table as black as ebony stood in the centre of the room, sustaining a cut-glass vase of beautiful form and elaborate workmanship. The sunshine came through the window between the heavy festoons of two faded damask curtains and fell directly across this vase, so that a mild splendor was reflected from it on the ashen visages of the five old people who sat around. Four champagne-glasses were also on the table.

“My dear old friends,” repeated Dr. Heidegger, “may I reckon on your aid in performing an exceedingly curious experiment?”

Now, Dr. Heidegger was a very strange old gentleman whose eccentricity had become the nucleus for a thousand fantastic stories. Some of these fables—to my shame be it spoken—might possibly be traced back to mine own veracious self; and if any passages of the present tale should startle the reader’s faith, I must be content to bear the stigma of a fiction-monger.

When the doctor’s four guests heard him talk of his proposed experiment, they anticipated nothing more wonderful than the murder of a mouse in an air-pump or the examination of a cobweb by the microscope, or some similar nonsense with which he was constantly in the habit of pestering his intimates. But without waiting for a reply Dr. Heidegger hobbled across the chamber and returned with the same ponderous folio bound in black leather which common report affirmed to be a book of magic. Undoing the silver clasps, he opened the volume and took from among its black-letter pages a rose, or what was once a rose, though now the green leaves and crimson petals had assumed one brownish hue and the ancient flower seemed ready to crumble to dust in the doctor’s hands.

“This rose,” said Dr. Heidegger, with a sigh—“this same withered and crumbling flower—blossomed five and fifty years ago. It was given me by Sylvia Ward, whose portrait hangs yonder, and I meant to wear it in my bosom at our wedding. Five and fifty years it has been treasured between the leaves of this old volume. Now, would you deem it possible that this rose of half a century could ever bloom again?”

“Nonsense!” said the widow Wycherly, with a peevish toss of her head. “You might as well ask whether an old woman’s wrinkled face could ever bloom again.”

“See!” answered Dr. Heidegger. He uncovered the vase and threw the faded rose into the water which it contained. At first it lay lightly on the surface of the fluid, appearing to imbibe none of its moisture. Soon, however, a singular change began to be visible. The crushed and dried petals stirred and assumed a deepening tinge of crimson, as if the flower were reviving from a deathlike slumber, the slender stalk and twigs of foliage became green, and there was the rose of half a century, looking as fresh as when Sylvia Ward had first given it to her lover. It was scarcely full-blown, for some of its delicate red leaves curled modestly around its moist bosom, within which two or three dewdrops were sparkling.

“That is certainly a very pretty deception,” said the doctor’s friends—carelessly, however, for they had witnessed greater miracles at a conjurer’s show. “Pray, how was it effected?”

“Did you never hear of the Fountain of Youth?” asked Dr. Heidegger, “which Ponce de Leon, the Spanish adventurer, went in search of two or three centuries ago?”

“But did Ponce de Leon ever find it?” said the widow Wycherly.

“No,” answered Dr. Heidegger, “for he never sought it in the right place. The famous Fountain of Youth, if I am rightly informed, is situated in the southern part of the Floridian peninsula, not far from Lake Macaco. Its source is overshadowed by several gigantic magnolias which, though numberless centuries old, have been kept as fresh as violets by the virtues of this wonderful water. An acquaintance of mine, knowing my curiosity in such matters, has sent me what you see in the vase.”

“Ahem!” said Colonel Killigrew, who believed not a word of the doctor’s story; “and what may be the effect of this fluid on the human frame?”

“You shall judge for yourself, my dear colonel,” replied Dr. Heidegger.—“And all of you, my respected friends, are welcome to so much of this admirable fluid as may restore to you the bloom of youth. For my own part, having had much trouble in growing old, I am in no hurry to grow young again. With your permission, therefore, I will merely watch the progress of the experiment.”

While he spoke Dr. Heidegger had been filling the four champagne-glasses with the water of the Fountain of Youth. It was apparently impregnated with an effervescent gas, for little bubbles were continually ascending from the depths of the glasses and bursting in silvery spray at the surface. As the liquor diffused a pleasant perfume, the old people doubted not that it possessed cordial and comfortable properties, and, though utter sceptics as to its rejuvenescent power, they were inclined to swallow it at once. But Dr. Heidegger besought them to stay a moment.

“Before you drink, my respectable old friends,” said he, “it would be well that, with the experience of a lifetime to direct you, you should draw up a few general rules for your guidance in passing a second time through the perils of youth. Think what a sin and shame it would be if, with your peculiar advantages, you should not become patterns of virtue and wisdom to all the young people of the age!”

The doctor’s four venerable friends made him no answer except by a feeble and tremulous laugh, so very ridiculous was the idea that, knowing how closely Repentance treads behind the steps of Error, they should ever go astray again.

“Drink, then,” said the doctor, bowing; “I rejoice that I have so well selected the subjects of my experiment.”

With palsied hands they raised the glasses to their lips. The liquor, if it really possessed such virtues as Dr. Heidegger imputed to it, could not have been bestowed on four human beings who needed it more woefully. They looked as if they had never known what youth or pleasure was, but had been the offspring of Nature’s dotage, and always the gray, decrepit, sapless, miserable creatures who now sat stooping round the doctor’s table without life enough in their souls or bodies to be animated even by the prospect of growing young again. They drank off the water and replaced their glasses on the table.

Assuredly, there was an almost immediate improvement in the aspect of the party—not unlike what might have been produced by a glass of generous wine—together with a sudden glow of cheerful sunshine, brightening over all their visages at once. There was a healthful suffusion on their cheeks instead of the ashen hue that had made them look so corpse-like. They gazed at one another, and fancied that some magic power had really begun to smooth away the deep and sad inscriptions which Father Time had been so long engraving on their brows. The widow Wycherly adjusted her cap, for she felt almost like a woman again.

“Give us more of this wondrous water,” cried they, eagerly. “We are younger, but we are still too old. Quick! give us more!”

“Patience, patience!” quoth Dr. Heidegger, who sat, watching the experiment with philosophic coolness. “You have been a long time growing old; surely you might be content to grow young in half an hour. But the water is at your service.” Again he filled their glasses with the liquor of youth, enough of which still remained in the vase to turn half the old people in the city to the age of their own grandchildren.

While the bubbles were yet sparkling on the brim the doctor’s four guests snatched their glasses from the table and swallowed the contents at a single gulp. Was it delusion? Even while the draught was passing down their throats it seemed to have wrought a change on their whole systems. Their eyes grew clear and bright; a dark shade deepened among their silvery locks: they sat around the table three gentlemen of middle age and a woman hardly beyond her buxom prime.

“My dear widow, you are charming!” cried Colonel Killigrew, whose eyes had been fixed upon her face while the shadows of age were flitting from it like darkness from the crimson daybreak.

The fair widow knew of old that Colonel Killigrew’s compliments were not always measured by sober truth; so she started up and ran to the mirror, still dreading that the ugly visage of an old woman would meet her gaze.

Meanwhile, the three gentlemen behaved in such a manner as proved that the water of the Fountain of Youth possessed some intoxicating qualities—unless, indeed, their exhilaration of spirits were merely a lightsome dizziness caused by the sudden removal of the weight of years. Mr. Gascoigne’s mind seemed to run on political topics, but whether relating to the past, present or future could not easily be determined, since the same ideas and phrases have been in vogue these fifty years. Now he rattled forth full-throated sentences about patriotism, national glory and the people’s right; now he muttered some perilous stuff or other in a sly and doubtful whisper, so cautiously that even his own conscience could scarcely catch the secret; and now, again, he spoke in measured accents and a deeply-deferential tone, as if a royal ear were listening to his well-turned periods. Colonel Killigrew all this time had been trolling forth a jolly bottle-song and ringing his glass in symphony with the chorus, while his eyes wandered toward the buxom figure of the widow Wycherly. On the other side of the table, Mr. Medbourne was involved in a calculation of dollars and cents with which was strangely intermingled a project for supplying the East Indies with ice by harnessing a team of whales to the polar icebergs. As for the widow Wycherly, she stood before the mirror courtesying and simpering to her own image and greeting it as the friend whom she loved better than all the world besides. She thrust her face close to the glass to see whether some long-remembered wrinkle or crow’s-foot had indeed vanished; she examined whether the snow had so entirely melted from her hair that the venerable cap could be safely thrown aside. At last, turning briskly away, she came with a sort of dancing step to the table.

“My dear old doctor,” cried she, “pray favor me with another glass.”

“Certainly, my dear madam—certainly,” replied the complaisant doctor. “See! I have already filled the glasses.”

There, in fact, stood the four glasses brimful of this wonderful water, the delicate spray of which, as it effervesced from the surface, resembled the tremulous glitter of diamonds.

It was now so nearly sunset that the chamber had grown duskier than ever, but a mild and moonlike splendor gleamed from within the vase and rested alike on the four guests and on the doctor’s venerable figure. He sat in a high-backed, elaborately-carved oaken arm-chair with a gray dignity of aspect that might have well befitted that very Father Time whose power had never been disputed save by this fortunate company. Even while quaffing the third draught of the Fountain of Youth, they were almost awed by the expression of his mysterious visage. But the next moment the exhilarating gush of young life shot through their veins. They were now in the happy prime of youth. Age, with its miserable train of cares and sorrows and diseases, was remembered only as the trouble of a dream from which they had joyously awoke. The fresh gloss of the soul, so early lost and without which the world’s successive scenes had been but a gallery of faded pictures, again threw its enchantment over all their prospects. They felt like new-created beings in a new-created universe.

“We are young! We are young!” they cried, exultingly.

Youth, like the extremity of age, had effaced the strongly-marked characteristics of middle life and mutually assimilated them all. They were a group of merry youngsters almost maddened with the exuberant frolicsomeness of their years. The most singular effect of their gayety was an impulse to mock the infirmity and decrepitude of which they had so lately been the victims. They laughed loudly at their old-fashioned attire—the wide-skirted coats and flapped waistcoats of the young men and the ancient cap and gown of the blooming girl. One limped across the floor like a gouty grandfather; one set a pair of spectacles astride of his nose and pretended to pore over the black-letter pages of the book of magic; a third seated himself in an arm-chair and strove to imitate the venerable dignity of Dr. Heidegger. Then all shouted mirthfully and leaped about the room.

The widow Wycherly—if so fresh a damsel could be called a widow—tripped up to the doctor’s chair with a mischievous merriment in her rosy face.

“Doctor, you dear old soul,” cried she, “get up and dance with me;” and then the four young people laughed louder than ever to think what a queer figure the poor old doctor would cut.

“Pray excuse me,” answered the doctor, quietly. “I am old and rheumatic, and my dancing-days were over long ago. But either of these gay young gentlemen will be glad of so pretty a partner.”

“Dance with me, Clara,” cried Colonel Killigrew.

“No, no! I will be her partner,” shouted Mr. Gascoigne.

“She promised me her hand fifty years ago,” exclaimed Mr. Medbourne.

They all gathered round her. One caught both her hands in his passionate grasp, another threw his arm about her waist, the third buried his hand among the glossy curls that clustered beneath the widow’s cap. Blushing, panting, struggling, chiding, laughing, her warm breath fanning each of their faces by turns, she strove to disengage herself, yet still remained in their triple embrace. Never was there a livelier picture of youthful rivalship, with bewitching beauty for the prize. Yet, by a strange deception, owing to the duskiness of the chamber and the antique dresses which they still wore, the tall mirror is said to have reflected the figures of the three old, gray, withered grand-sires ridiculously contending for the skinny ugliness of a shrivelled grandam. But they were young: their burning passions proved them so.

Inflamed to madness by the coquetry of the girl-widow, who neither granted nor quite withheld her favors, the three rivals began to interchange threatening glances. Still keeping hold of the fair prize, they grappled fiercely at one another’s throats. As they struggled to and fro the table was overturned and the vase dashed into a thousand fragments. The precious Water of Youth flowed in a bright stream across the floor, moistening the wings of a butterfly which, grown old in the decline of summer, had alighted there to die. The insect fluttered lightly through the chamber and settled on the snowy head of Dr. Heidegger.

“Come, come, gentlemen! Come, Madam Wycherly!” exclaimed the doctor. “I really must protest against this riot.”

They stood still and shivered, for it seemed as if gray Time were calling them back from their sunny youth far down into the chill and darksome vale of years. They looked at old Dr. Heidegger, who sat in his carved armchair holding the rose of half a century, which he had rescued from among the fragments of the shattered vase. At the motion of his hand the four rioters resumed their seats—the more readily because their violent exertions had wearied them, youthful though they were.

“My poor Sylvia’s rose!” ejaculated Dr. Heidegger, holding it in the light of the sunset clouds. “It appears to be fading again.”

And so it was. Even while the party were looking at it the flower continued to shrivel up, till it became as dry and fragile as when the doctor had first thrown it into the vase. He shook off the few drops of moisture which clung to its petals.

“I love it as well thus as in its dewy freshness,” observed he, pressing the withered rose to his withered lips.

While he spoke the butterfly fluttered down from the doctor’s snowy head and fell upon the floor. His guests shivered again. A strange dullness—whether of the body or spirit they could not tell—was creeping gradually over them all. They gazed at one another, and fancied that each fleeting moment snatched away a charm and left a deepening furrow where none had been before. Was it an illusion? Had the changes of a lifetime been crowded into so brief a space, and were they now four aged people sitting with their old friend Dr. Heidegger?

“Are we grown old again so soon?” cried they, dolefully.

In truth, they had. The Water of Youth possessed merely a virtue more transient than that of wine; the delirium which it created had effervesced away. Yes, they were old again. With a shuddering impulse that showed her a woman still, the widow clasped her skinny hands before her face and wished that the coffin-lid were over it, since it could be no longer beautiful.

“Yes, friends, ye are old again,” said Dr. Heidegger, “and, lo! the Water of Youth is all lavished on the ground. Well, I bemoan it not; for if the fountain gushed at my very doorstep, I would not stoop to bathe my lips in it—no, though its delirium were for years instead of moments. Such is the lesson ye have taught me.”

But the doctor’s four friends had taught no such lesson to themselves. They resolved forthwith to make a pilgrimage to Florida and quaff at morning, noon and night from the Fountain of Youth.

Legends of the Province-House