Chapter IV: Part 4

Dudley Pickering was not a self-starter in the motordrome of love. He needed cranking. He was that most unpromising of matrimonial material, a shy man with a cautious disposition. If he overcame his shyness, caution applied the foot-brake. If he succeeded in forgetting caution, shyness shut off the gas. At Reigelheimer's some miracle had made him not only reckless but un-self-conscious. Possibly the Dream of Psyche had gone to his head. At any rate, he had been on the very verge of proposing to Claire when the interruption had occurred, and in bed that night, reviewing the affair, he had been appalled at the narrowness of his escape from taking a definite step. Except in the way of business, he was a man who hated definite steps. He never accepted even a dinner invitation without subsequent doubts and remorse. The consequence was that, in the days that followed the Reigelheimer episode, what Lord Wetherby would have called the lamp of love burned rather low in Mr Pickering, as if the acetylene were running out. He still admired Claire intensely and experienced disturbing emotions when he beheld her perfect tonneau and wonderful headlights; but he regarded her with a cautious fear. Although he sometimes dreamed sentimentally of marriage in the abstract, of actual marriage, of marriage with a flesh-and-blood individual, of marriage that involved clergymen and 'Voices that Breathe o'er Eden,' and giggling bridesmaids and cake, Dudley Pickering was afraid with a terror that woke him sweating in the night. His shyness shrank from the ceremony, his caution jibbed at the mysteries of married life. So his attitude toward Claire, the only girl who had succeeded in bewitching him into the opening words of an actual proposal, was a little less cordial and affectionate than if she had been a rival automobile manufacturer.

Matters were in this state when Lady Wetherby, who, having danced classical dances for three months without a break, required a rest, shifted her camp to the house which she had rented for the summer at Brookport, Long Island, taking with her Algie, her husband, the monkey Eustace, and Claire and Mr Pickering, her guests. The house was a large one, capable of receiving a big party, but she did not wish to entertain on an ambitious scale. The only other guest she proposed to put up was Roscoe Sherriff, her press agent, who was to come down as soon as he could get away from his metropolitan duties.

It was a pleasant and romantic place, the estate which Lady Wetherby had rented. Standing on a hill, the house looked down through green trees on the gleaming waters of the bay. Smooth lawns and shady walks it had, and rustic seats beneath spreading cedars. Yet for all its effect on Dudley Pickering it might have been a gasworks. He roamed the smooth lawns with Claire, and sat with her on the rustic benches and talked guardedly of lubricating oil. There were moments when Claire was almost impelled to forfeit whatever chance she might have had of becoming mistress of thirty million dollars and a flourishing business, for the satisfaction of administering just one whole-hearted slap on his round and thinly-covered head.

And then Roscoe Sherriff came down, and Dudley Pickering, who for days had been using all his resolution to struggle against the siren, suddenly found that there was no siren to struggle against. No sooner had the press agent appeared than Claire deserted him shamelessly and absolutely. She walked with Roscoe Sherriff. Mr Pickering experienced the discomfiting emotions of the man who pushes violently against an abruptly-yielding door, or treads heavily on the top stair where there is no top stair. He was shaken, and the clamlike stolidity which he had assumed as protection gave way.

Night had descended upon Brookport. Eustace, the monkey, was in his little bed; Lord Wetherby in the smoking-room. It was Sunday, the day of rest. Dinner was over, and the remainder of the party were gathered in the drawing-room, with the exception of Mr Pickering, who was smoking a cigar on the porch. A full moon turned Long Island into a fairyland.

Gloom had settled upon Dudley Pickering and he smoked sadly. All rather stout automobile manufacturers are sad when there is a full moon. It makes them feel lonely. It stirs their hearts to thoughts of love. Marriage loses its terrors for them, and they think wistfully of hooking some fair woman up the back and buying her hats. Such was the mood of Mr Pickering, when through the dimness of the porch there appeared a white shape, moving softly toward him.

'Is that you, Mr Pickering?'

Claire dropped into the seat beside him. From the drawing-room came the soft tinkle of a piano. The sound blended harmoniously with the quiet peace of the night. Mr Pickering let his cigar go out and clutched the sides of his chair.

Oi'll--er--sing thee saw-ongs ov Arrabee,
Und--ah ta-ales of farrr Cash-mee-eere,
Wi-ild tales to che-eat thee ovasigh
Und charrrrm thee to-oo a tear-er.

Claire gave a little sigh.

'What a beautiful voice Mr Sherriff has!'

Dudley Pickering made no reply. He thought Roscoe Sherriff had a beastly voice. He resented Roscoe Sherriff's voice. He objected to Roscoe Sherriff's polluting this fair night with his cacophony.

'Don't you think so, Mr Pickering?'

'Uh-huh.'

'That doesn't sound very enthusiastic. Mr Pickering, I want you to tell me something. Have I done anything to offend you?'

Mr Pickering started violently.

'Eh?'

'I have seen so little of you these last few days. A little while ago we were always together, having such interesting talks. But lately it has seemed to me that you have been avoiding me.'

A feeling of helplessness swept over Mr Pickering. He was vaguely conscious of a sense of being treated unjustly, of there being a flaw in Claire's words somewhere if he could only find it, but the sudden attack had deprived him of the free and unfettered use of his powers of reasoning. He gurgled wordlessly, and Claire went on, her low, sad voice mingling with the moonlight in a manner that caused thrills to run up and down his spine. He felt paralyzed. Caution urged him to make some excuse and follow it with a bolt to the drawing-room, but he was physically incapable of taking the excellent advice. Sometimes when you are out in your Pickering Gem or your Pickering Giant the car hesitates, falters, and stops dead, and your chauffeur, having examined the carburettor, turns to you and explains the phenomenon in these words: 'The mixture is too rich.' So was it with Mr Pickering now. The moonlight alone might not have held him; Claire's voice alone might not have held him; but against the two combined he was powerless. The mixture was too rich. He sat and breathed a little stertorously, and there came to him that conviction that comes to all of us now and then, that we are at a crisis of our careers and that the moment through which we are living is a moment big with fate.

The voice in the drawing-room stopped. Having sung songs of Araby and tales of far Cashmere, Mr Roscoe Sherriff was refreshing himself with a comic paper. But Lady Wetherby, seated at the piano, still touched the keys softly, and the sound increased the richness of the mixture which choked Dudley Pickering's spiritual carburettor. It is not fair that a rather stout manufacturer should be called upon to sit in the moonlight while a beautiful girl, to the accompaniment of soft music, reproaches him with having avoided her.

'I should be so sorry, Mr Pickering, if I had done anything to make a difference between us--'

'Eh?' said Mr Pickering.

'I have so few real friends over here.'

Claire's voice trembled.

'I--I get a little lonely, a little homesick sometimes--'

She paused, musing, and a spasm of pity rent the bosom beneath Dudley Pickering's ample shirt. There was a buzzing in his ears and a lump choked his throat.

'Of course, I am loving the life here. I think America's wonderful, and nobody could be kinder than Lady Wetherby. But--I miss my home. It's the first time I have been away for so long. I feel very far away sometimes. There are only three of us at home: my mother, myself, and my little brother--little Percy.'

Her voice trembled again as she spoke the last two words, and it was possibly this that caused Mr Pickering to visualize Percy as a sort of little Lord Fauntleroy, his favourite character in English literature. He had a vision of a small, delicate, wistful child pining away for his absent sister. Consumptive probably. Or curvature of the spine.

He found Claire's hand in his. He supposed dully he must have reached out for it. Soft and warm it lay there, while the universe paused breathlessly. And then from the semi-darkness beside him there came the sound of a stifled sob, and his fingers closed as if someone had touched a button.

'We have always been such chums. He is only ten--such a dear boy! He must be missing me--'

She stopped, and simultaneously Dudley Pickering began to speak.

There is this to be said for your shy, cautious man, that on the rare occasions when he does tap the vein of eloquence that vein becomes a geyser. It was as if after years of silence and monosyllables Dudley Pickering was endeavouring to restore the average.

He began by touching on his alleged neglect and avoidance of Claire. He called himself names and more names. He plumbed the depth of repentance and remorse. Proceeding from this, he eulogized her courage, the pluck with which she presented a smiling face to the world while tortured inwardly by separation from her little brother Percy. He then turned to his own feelings.

But there are some things which the historian should hold sacred, some things which he should look on as proscribed material for his pen, and the actual words of a stout manufacturer of automobiles proposing marriage in the moonlight fall into this class. It is enough to say that Dudley Pickering was definite. He left no room for doubt as to his meaning.

'Dudley!'

She was in his arms. He was embracing her. She was his--the latest model, self-starting, with limousine body and all the newest. No, no, his mind was wandering. She was his, this divine girl, this queen among women, this--

From the drawing-room Roscoe Sherriff's voice floated out in unconscious comment--

Good-bye, boys!
I'm going to be married to-morrow.
Good-bye, boys!
I'm going from sunshine to sorrow.
No more sitting up till broad daylight.

Did a momentary chill cool the intensity of Dudley Pickering's ardour? If so he overcame it instantly. He despised Roscoe Sherriff. He flattered himself that he had shown Roscoe Sherriff pretty well who was who and what was what.

They would have a wonderful wedding--dozens of clergymen, scores of organs playing 'The Voice that Breathed o'er Eden,' platoons of bridesmaids, wagonloads of cake. And then they would go back to Detroit and live happy ever after. And it might be that in time to come there would be given to them little runabouts.

I'm going to a life
Of misery and strife,
So good-bye, boys!

Hang Roscoe Sherriff! What did he know about it! Confound him! Dudley Pickering turned a deaf ear to the song and wallowed in his happiness.

Claire walked slowly down the moonlit drive. She had removed herself from her Dudley's embraces, for she wished to be alone, to think. The engagement had been announced. All that part of it was over--Dudley's stammering speech, the unrestrained delight of Polly Wetherby, the facetious rendering of 'The Wedding Glide' on the piano by Roscoe Sherriff, and it now remained for her to try to discover a way of conveying the news to Bill.

It had just struck her that, though she knew that Bill was in America, she had not his address.

What was she to do? She must tell him. Otherwise it might quite easily happen that they might meet in New York when she returned there. She pictured the scene. She saw herself walking with Dudley Pickering. Along came Bill. 'Claire, darling!' ... Heavens, what would Dudley think? It would be too awful! She couldn't explain. No, somehow or other, even if she put detectives on his trail, she must find him, and be off with the old love now that she was on with the new.

She reached the gate and leaned over it. And as she did so someone in the shadow of a tall tree spoke her name. A man came into the light, and she saw that it was Lord Dawlish.

11

Lord Dawlish had gone for a moonlight walk that night because, like Claire, he wished to be alone to think. He had fallen with a pleasant ease and smoothness into the rather curious life lived at Elizabeth Boyd's bee-farm. A liking for picnics had lingered in him from boyhood, and existence at Flack's was one prolonged picnic. He found that he had a natural aptitude for the more muscular domestic duties, and his energy in this direction enchanted Nutty, who before his advent had had a monopoly of these tasks.

Nor was this the only aspect of the situation that pleased Nutty. When he had invited Bill to the farm he had had a vague hope that good might come of it, but he had never dreamed that things would turn out as well as they promised to do, or that such a warm and immediate friendship would spring up between his sister and the man who had diverted the family fortune into his own pocket. Bill and Elizabeth were getting on splendidly. They were together all the time--walking, golfing, attending to the numerous needs of the bees, or sitting on the porch. Nutty's imagination began to run away with him. He seemed to smell the scent of orange-blossoms, to hear the joyous pealing of church bells--in fact, with the difference that it was not his own wedding that he was anticipating, he had begun to take very much the same view of the future that was about to come to Dudley Pickering.

Elizabeth would have been startled and embarrassed if she could have read his thoughts, for they might have suggested to her that she was becoming a great deal fonder of Bill than the shortness of their acquaintance warranted. But though she did not fail to observe the strangeness of her brother's manner, she traced it to another source than the real one. Nutty had a habit of starting back and removing himself when, entering the porch, he perceived that Bill and his sister were already seated there. His own impression on such occasions was that he was behaving with consummate tact. Elizabeth supposed that he had had some sort of a spasm.

Lord Dawlish, if he had been able to diagnose correctly the almost paternal attitude which had become his host's normal manner these days, would have been equally embarrassed but less startled, for conscience had already suggested to him from time to time that he had been guilty of a feeling toward Elizabeth warmer than any feeling that should come to an engaged man. Lying in bed at the end of his first week at the farm, he reviewed the progress of his friendship with her, and was amazed at the rapidity with which it had grown.

He could not conceal it from himself--Elizabeth appealed to him. Being built on a large scale himself, he had always been attracted by small women. There was a smallness, a daintiness, a liveliness about Elizabeth that was almost irresistible. She was so capable, so cheerful in spite of the fact that she was having a hard time. And then their minds seemed to blend so remarkably. There were no odd corners to be smoothed away. Never in his life had he felt so supremely at his ease with one of the opposite sex. He loved Claire--he drove that fact home almost angrily to himself--but he was forced to admit that he had always been aware of something in the nature of a barrier between them. Claire was querulous at times, and always a little too apt to take offence. He had never been able to talk to her with that easy freedom that Elizabeth invited. Talking to Elizabeth was like talking to an attractive version of oneself. It was a thing to be done with perfect confidence, without any of that apprehension which Claire inspired lest the next remark might prove the spark to cause an explosion. But Claire was the girl he loved--there must be no mistake about that.

He came to the conclusion that the key to the situation was the fact that Elizabeth was American. He had read so much of the American girl, her unaffectedness, her genius for easy comradeship. Well, this must be what the writer fellows meant. He had happened upon one of those delightful friendships without any suspicion of sex in them of which the American girl had the monopoly. Yes, that must be it. It was a comforting explanation. It accounted for his feeling at a loose end whenever he was away from Elizabeth for as much as half an hour. It accounted for the fact that they understood each other so well. It accounted for everything so satisfactorily that he was able to get to sleep that night after all.

But next morning--for his conscience was one of those persistent consciences--he began to have doubts again. Nothing clings like a suspicion in the mind of a conscientious young man that he has been allowing his heart to stray from its proper anchorage.

Could it be that he was behaving badly toward Claire? The thought was unpleasant, but he could not get rid of it. He extracted Claire's photograph from his suit-case and gazed solemnly upon it.

At first he was shocked to find that it only succeeded in convincing him that Elizabeth was quite the most attractive girl he ever had met. The photographer had given Claire rather a severe look. He had told her to moisten the lips with the tip of the tongue and assume a pleasant smile, with the result that she seemed to glare. She had a rather markedly aggressive look, queenly perhaps, but not very comfortable.

But there is no species of self-hypnotism equal to that of a man who gazes persistently at a photograph with the preconceived idea that he is in love with the original of it. Little by little Bill found that the old feeling began to return. He persevered. By the end of a quarter of an hour he had almost succeeded in capturing anew that first fine careless rapture which, six months ago, had caused him to propose to Claire and walk on air when she accepted him.

He continued the treatment throughout the day, and by dinner-time had arranged everything with his conscience in the most satisfactory manner possible. He loved Claire with a passionate fervour; he liked Elizabeth very much indeed. He submitted this diagnosis to conscience, and conscience graciously approved and accepted it.

It was Sunday that day. That helped. There is nothing like Sunday in a foreign country for helping a man to sentimental thoughts of the girl he has left behind him elsewhere. And the fact that there was a full moon clinched it. Bill was enabled to go for an after-dinner stroll in a condition of almost painful loyalty to Claire.

From time to time, as he walked along the road, he took out the photograph and did some more gazing. The last occasion on which he did this was just as he emerged from the shadow of a large tree that stood by the roadside, and a gush of rich emotion rewarded him.

'Claire!' he murmured.

An exclamation at his elbow caused him to look up. There, leaning over a gate, the light of the moon falling on her beautiful face, stood Claire herself!

12

In trying interviews, as in sprint races, the start is everything. It was the fact that she recovered more quickly from her astonishment that enabled Claire to dominate her scene with Bill. She had the advantage of having a less complicated astonishment to recover from, for, though it was a shock to see him there when she had imagined that he was in New York, it was not nearly such a shock as it was to him to see her here when he had imagined that she was in England. She had adjusted her brain to the situation while he was still gaping.

'Well, Bill?'

This speech in itself should have been enough to warn Lord Dawlish of impending doom. As far as love, affection, and tenderness are concerned, a girl might just as well hit a man with an axe as say 'Well, Bill?' to him when they have met unexpectedly in the moonlight after long separation. But Lord Dawlish was too shattered by surprise to be capable of observing _nuances_. If his love had ever waned or faltered, as conscience had suggested earlier in the day, it was at full blast now.

'Claire!' he cried.

He was moving to take her in his arms, but she drew back.

'No, really, Bill!' she said; and this time it did filter through into his disordered mind that all was not well. A man who is a good deal dazed at the moment may fail to appreciate a remark like 'Well, Bill?' but for a girl to draw back and say, 'No, really, Bill!' in a tone not exactly of loathing, but certainly of pained aversion, is a deliberately unfriendly act. The three short words, taken in conjunction with the movement, brought him up with as sharp a turn as if she had punched him in the eye.

'Claire! What's the matter?'

She looked at him steadily. She looked at him with a sort of queenly woodenness, as if he were behind a camera with a velvet bag over his head and had just told her to moisten the lips with the tip of the tongue. Her aspect staggered Lord Dawlish. A cursory inspection of his conscience showed nothing but purity and whiteness, but he must have done something, or she would not be staring at him like this.

'I don't understand!' was the only remark that occurred to him.

'Are you sure?'

'What do you mean?'

'I was at Reigelheimer's Restaurant--Ah!'

The sudden start which Lord Dawlish had given at the opening words of her sentence justified the concluding word. Innocent as his behaviour had been that night at Reigelheimer's, he had been glad at the time that he had not been observed. It now appeared that he had been observed, and it seemed to him that Long Island suddenly flung itself into a whirling dance. He heard Claire speaking a long way off: 'I was there with Lady Wetherby. It was she who invited me to come to America. I went to the restaurant to see her dance--and I saw you!'

With a supreme effort Bill succeeded in calming down the excited landscape. He willed the trees to stop dancing, and they came reluctantly to a standstill. The world ceased to swim and flicker.

'Let me explain,' he said.

The moment he had said the words he wished he could recall them. Their substance was right enough; it was the sound of them that was wrong. They sounded like a line from a farce, where the erring husband has been caught by the masterful wife. They were ridiculous. Worse than being merely ridiculous, they created an atmosphere of guilt and evasion.

'Explain! How can you explain? It is impossible to explain. I saw you with my own eyes making an exhibition of yourself with a horrible creature in salmon-pink. I'm not asking you who she is. I'm not questioning you about your relations with her at all. I don't care who she was. The mere fact that you were at a public restaurant with a person of that kind is enough. No doubt you think I am making a great deal of fuss about a very ordinary thing. You consider that it is a man's privilege to do these things, if he can do them without being found out. But it ended everything so far as I am concerned. Am I unreasonable? I don't think so. You steal off to America, thinking I am in England, and behave like this. How could you do that if you really loved me? It's the deceit of it that hurts me.'

Lord Dawlish drew in a few breaths of pure Long Island air, but he did not speak. He felt helpless. If he were to be allowed to withdraw into the privacy of the study and wrap a cold, wet towel about his forehead and buckle down to it, he knew that he could draft an excellent and satisfactory explanation of his presence at Reigelheimer's with the Good Sport. But to do it on the spur of the moment like this was beyond him.

Claire was speaking again. She had paused for a while after her recent speech, in order to think of something else to say; and during this pause had come to her mind certain excerpts from one of those admirable articles on love, by Luella Delia Philpotts, which do so much to boost the reading public of the United States into the higher planes. She had read it that afternoon in the Sunday paper, and it came back to her now.

'I may be hypersensitive,' she said, dropping her voice from the accusatory register to the lower tones of pathos, 'but I have such high ideals of love. There can be no true love where there is not perfect trust. Trust is to love what--'

She paused again. She could not remember just what Luella Delia Philpotts had said trust was to love. It was something extremely neat, but it had slipped her memory.

'A woman has the right to expect the man she is about to marry to regard their troth as a sacred obligation that shall keep him as pure as a young knight who has dedicated himself to the quest of the Holy Grail. And I find you in a public restaurant, dancing with a creature with yellow hair, upsetting waiters, and staggering about with pats of butter all over you.'

Here a sense of injustice stung Lord Dawlish. It was true that after his regrettable collision with Heinrich, the waiter, he had discovered butter upon his person, but it was only one pat. Claire had spoken as if he had been festooned with butter.

'I am not angry with you, only disappointed. What has happened has shown me that you do not really love me, not as I think of love. Oh, I know that when we are together you think you do, but absence is the test. Absence is the acid-test of love that separates the base metal from the true. After what has happened, we can't go on with our engagement. It would be farcical. I could never feel that way toward you again. We shall always be friends, I hope. But as for love--love is not a machine. It cannot be shattered and put together again.'

She turned and began to walk up the drive. Hanging over the top of the gate like a wet sock, Lord Dawlish watched her go. The interview was over, and he could not think of one single thing to say. Her white dress made a patch of light in the shadows. She moved slowly, as if weighed down by sad thoughts, like one who, as Luella Delia Philpotts beautifully puts it, paces with measured step behind the coffin of a murdered heart. The bend of the drive hid her from his sight.

About twenty minutes later Dudley Pickering, smoking sentimentally in the darkness hard by the porch, received a shock. He was musing tenderly on his Claire, who was assisting him in the process by singing in the drawing-room, when he was aware of a figure, the sinister figure of a man who, pressed against the netting of the porch, stared into the lighted room beyond.

Dudley Pickering's first impulse was to stride briskly up to the intruder, tap him on the shoulder, and ask him what the devil he wanted; but a second look showed him that the other was built on too ample a scale to make this advisable. He was a large, fit-looking intruder.

Mr Pickering was alarmed. There had been the usual epidemic of burglaries that season. Houses had been broken into, valuable possessions removed. In one case a negro butler had been struck over the head with a gas-pipe and given a headache. In these circumstances, it was unpleasant to find burly strangers looking in at windows.

'Hi!' cried Mr Pickering.

The intruder leaped a foot. It had not occurred to Lord Dawlish, when in an access of wistful yearning he had decided to sneak up to the house in order to increase his anguish by one last glimpse of Claire, that other members of the household might be out in the grounds. He was just thinking sorrowfully, as he listened to the music, how like his own position was to that of the hero of Tennyson's _Maud_--a poem to which he was greatly addicted, when Mr Pickering's 'Hi!' came out of nowhere and hit him like a torpedo.

He turned in agitation. Mr Pickering having prudently elected to stay in the shadows, there was no one to be seen. It was as if the voice of conscience had shouted 'Hi!' at him. He was just wondering if he had imagined the whole thing, when he perceived the red glow of a cigar and beyond it a shadowy form.

It was not the fact that he was in an equivocal position, staring into a house which did not belong to him, with his feet on somebody else's private soil, that caused Bill to act as he did. It was the fact that at that moment he was not feeling equal to conversation with anybody on any subject whatsoever. It did not occur to him that his behaviour might strike a nervous stranger as suspicious. All he aimed at was the swift removal of himself from a spot infested by others of his species. He ran, and Mr Pickering, having followed him with the eye of fear, went rather shakily into the house, his brain whirling with professional cracksmen and gas pipes and assaulted butlers, to relate his adventure.

'A great, hulking, ruffianly sort of fellow glaring in at the window,' said Mr Pickering. 'I shouted at him and he ran like a rabbit.'

'Gee! Must have been one of the gang that's been working down here,' said Roscoe Sherriff. 'There might be a quarter of a column in that, properly worked, but I guess I'd better wait until he actually does bust the place.'

'We must notify the police!'

'Notify the police, and have them butt in and stop the thing and kill a good story!' There was honest amazement in the Press-agent's voice. 'Let me tell you, it isn't so easy to get publicity these days that you want to go out of your way to stop it!'

Mr Pickering was appalled. A dislike of this man, which had grown less vivid since his scene with Claire, returned to him with redoubled force.

'Why, we may all be murdered in our beds!' he cried.

'Front-page stuff!' said Roscoe Sherriff, with gleaming eyes. 'And three columns at least. Fine!'

It might have consoled Lord Dawlish somewhat, as he lay awake that night, to have known that the man who had taken Claire from him--though at present he was not aware of such a man's existence--also slept ill.

13

Lady Wetherby sat in her room, writing letters. The rest of the household were variously employed. Roscoe Sherriff was prowling about the house, brooding on campaigns of publicity. Dudley Pickering was walking in the grounds with Claire. In a little shack in the woods that adjoined the high-road, which he had converted into a temporary studio, Lord Wetherby was working on a picture which he proposed to call 'Innocence', a study of a small Italian child he had discovered in Washington Square. Lady Wetherby, who had been taken to see the picture, had suggested 'The Black Hand's Newest Recruit' as a better title than the one selected by the artist.

It is a fact to be noted that of the entire household only Lady Wetherby could fairly be described as happy. It took very little to make Lady Wetherby happy. Fine weather, good food, and a complete abstention from classical dancing--give her these and she asked no more. She was, moreover, delighted at Claire's engagement. It seemed to her, for she had no knowledge of the existence of Lord Dawlish, a genuine manifestation of Love's Young Dream. She liked Dudley Pickering and she was devoted to Claire. It made her happy to think that it was she who had brought them together.

But of the other members of the party, Dudley Pickering was unhappy because he feared that burglars were about to raid the house; Roscoe Sherriff because he feared they were not; Claire because, now that the news of the engagement was out, it seemed to be everybody's aim to leave her alone with Mr Pickering, whose undiluted society tended to pall. And Lord Wetherby was unhappy because he found Eustace, the monkey, a perpetual strain upon his artistic nerves. It was Eustace who had driven him to his shack in the woods. He could have painted far more comfortably in the house, but Eustace had developed a habit of stealing up to him and plucking the leg of his trousers; and an artist simply cannot give of his best with that sort of thing going on.

Lady Wetherby wrote on. She was not fond of letter-writing and she had allowed her correspondence to accumulate; but she was disposing of it in an energetic and conscientious way, when the entrance of Wrench, the butler, interrupted her.

Wrench had been imported from England at the request of Lord Wetherby, who had said that it soothed him and kept him from feeling home-sick to see a butler about the place. Since then he had been hanging to the establishment as it were by a hair. He gave the impression of being always on the point of giving notice. There were so many things connected with his position of which he disapproved. He had made no official pronouncement of the matter, but Lady Wetherby knew that he disapproved of her classical dancing. His last position had been with the Dowager Duchess of Waveney, the well-known political hostess, who--even had the somewhat generous lines on which she was built not prevented the possibility of such a thing--would have perished rather than dance barefooted in a public restaurant. Wrench also disapproved of America. That fact had been made plain immediately upon his arrival in the country. He had given America one look, and then his mind was made up--he disapproved of it.

'If you please, m'lady!'

Lady Wetherby turned. The butler was looking even more than usually disapproving, and his disapproval had, so to speak, crystallized, as if it had found some more concrete and definite objective than either barefoot dancing or the United States.

'If you please, m'lady--the hape!'

It was Wrench's custom to speak of Eustace in a tone of restrained disgust. He disapproved of Eustace. The Dowager Duchess of Waveney, though she kept open house for members of Parliament, would have drawn the line at monkeys.

'The hape is behaving very strange, m'lady,' said Wrench, frostily.

It has been well said that in this world there is always something. A moment before, Lady Wetherby had been feeling completely contented, without a care on her horizon. It was foolish of her to have expected such a state of things to last, for what is life but a series of sharp corners, round each of which Fate lies in wait for us with a stuffed eel-skin? Something in the butler's manner, a sort of gloating gloom which he radiated, told her that she had arrived at one of these corners now.

'The hape is seated on the kitchen-sink, m'lady, throwing new-laid eggs at the scullery-maid, and cook desired me to step up and ask for instructions.'

'What!' Lady Wetherby rose in agitation. 'What's he doing that for?' she asked, weakly.

A slight, dignified gesture was Wrench's only reply. It was not his place to analyse the motives of monkeys.

'Throwing eggs!'

The sight of Lady Wetherby's distress melted the butler's stern reserve. He unbent so far as to supply a clue.

'As I understand from cook, m'lady, the animal appears to have taken umbrage at a lack of cordiality on the part of the cat. It seems that the hape attempted to fondle the cat, but the latter scratched him; being suspicious,' said Wrench, 'of his _bona fides_.' He scrutinized the ceiling with a dull eye. 'Whereupon,' he continued, 'he seized her tail and threw her with considerable force. He then removed himself to the sink and began to hurl eggs at the scullery-maid.'

Lady Wetherby's mental eye attempted to produce a picture of the scene, but failed.

'I suppose I had better go down and see about it,' she said.

Wrench withdrew his gaze from the ceiling.

'I think it would be advisable, m'lady. The scullery-maid is already in hysterics.'

Lady Wetherby led the way to the kitchen. She was wroth with Eustace. This was just the sort of thing out of which Algie would be able to make unlimited capital. It weakened her position with Algie. There was only one thing to do--she must hush it up.

Her first glance, however, at the actual theatre of war gave her the impression that matters had advanced beyond the hushing-up stage. A yellow desolation brooded over the kitchen. It was not so much a kitchen as an omelette. There were eggs everywhere, from floor to ceiling. She crunched her way in on a carpet of oozing shells.

Her entry was a signal for a renewal on a more impressive scale of the uproar that she had heard while opening the door. The air was full of voices. The cook was expressing herself in Norwegian, the parlour-maid in what appeared to be Erse. On a chair in a corner the scullery-maid sobbed and whooped. The odd-job man, who was a baseball enthusiast, was speaking in terms of high praise of Eustace's combined speed and control.

The only calm occupant of the room was Eustace himself, who, either through a shortage of ammunition or through weariness of the pitching-arm, had suspended active hostilities, and was now looking down on the scene from a high shelf. There was a brooding expression in his deep-set eyes. He massaged his right ear with the sole of his left foot in a somewhat _distrait_ manner.

'Eustace!' cried Lady Wetherby, severely.

Eustace lowered his foot and gazed at her meditatively, then at the odd-job man, then at the scullery-maid, whose voice rose high above the din.

'I rather fancy, m'lady,' said Wrench, dispassionately, 'that the animal is about to hurl a plate.'

It had escaped the notice of those present that the shelf on which the rioter had taken refuge was within comfortable reach of the dresser, but Eustace himself had not overlooked this important strategic point. As the butler spoke, Eustace picked up a plate and threw it at the scullery-maid, whom he seemed definitely to have picked out as the most hostile of the allies. It was a fast inshoot, and hit the wall just above her head.

''At-a-boy!' said the odd-job man, reverently.

Lady Wetherby turned on him with some violence. His detached attitude was the most irritating of the many irritating aspects of the situation. She paid this man a weekly wage to do odd jobs. The capture of Eustace was essentially an odd job. Yet, instead of doing it, he hung about with the air of one who has paid his half-dollar and bought his bag of peanuts and has now nothing to do but look on and enjoy himself.

'Why don't you catch him?' she cried.

The odd-job man came out of his trance. A sudden realization came upon him that life was real and life was earnest, and that if he did not wish to jeopardize a good situation he must bestir himself. Everybody was looking at him expectantly. It seemed to be definitely up to him. It was imperative that, whatever he did, he should do it quickly. There was an apron hanging over the back of a chair. More with the idea of doing something than because he thought he would achieve anything definite thereby, he picked up the apron and flung it at Eustace. Luck was with him. The apron enveloped Eustace just as he was winding up for another inshoot and was off his balance. He tripped and fell, clutched at the apron to save himself, and came to the ground swathed in it, giving the effect of an apron mysteriously endowed with life. The triumphant odd-job man, pressing his advantage like a good general, gathered up the ends, converted it into a rude bag, and one more was added to the long list of the victories of the human over the brute intelligence.

Everybody had a suggestion now. The cook advocated drowning. The parlour-maid favoured the idea of hitting the prisoner with a broom-handle. Wrench, eyeing the struggling apron disapprovingly, mentioned that Mr Pickering had bought a revolver that morning.

'Put him in the coal-cellar,' said Lady Wetherby.

Wrench was more far-seeing.

'If I might offer the warning, m'lady,' said Wrench, 'not the cellar. It is full of coal. It would be placing temptation in the animal's way.'

The odd-job man endorsed this.

'Put him in the garage, then,' said Lady Wetherby.

The odd-job man departed, bearing his heaving bag at arm's length. The cook and the parlour-maid addressed themselves to comforting and healing the scullery-maid. Wrench went off to polish silver, Lady Wetherby to resume her letters. The cat was the last of the party to return to the normal. She came down from the chimney an hour later covered with soot, demanding restoratives.

Lady Wetherby finished her letters. She cut them short, for Eustace's insurgence had interfered with her flow of ideas. She went into the drawing-room, where she found Roscoe Sherriff strumming on the piano.

'Eustace has been raising Cain,' she said.

The Press-agent looked up hopefully. He had been wearing a rather preoccupied air.

'How's that?' he asked.

'Throwing eggs and plates in the kitchen.'

The gleam of interest which had come into Roscoe Sherriff's face died out.

'You couldn't get more than a fill-in at the bottom of a column on that,' he said, regretfully. 'I'm a little disappointed in that monk. I hoped he would pan out bigger. Well, I guess we've just got to give him time. I have an idea that he'll set the house on fire or do something with a punch like that one of these days. You mustn't get discouraged. Why, that puma I made Valerie Devenish keep looked like a perfect failure for four whole months. A child could have played with it. Miss Devenish called me up on the phone, I remember, and said she was darned if she was going to spend the rest of her life maintaining an animal that might as well be stuffed for all the liveliness it showed, and that she was going right out to buy a white mouse instead. Fortunately, I talked her round.

'A few weeks later she came round and thanked me with tears in her eyes. The puma had suddenly struck real mid-season form. It clawed the elevator-boy, bit a postman, held up the traffic for miles, and was finally shot by a policeman. Why, for the next few days there was nothing in the papers at all but Miss Devenish and her puma. There was a war on at the time in Mexico or somewhere, and we had it backed off the front page so far that it was over before it could get back. So, you see, there's always hope. I've been nursing the papers with bits about Eustace, so as to be ready for the grand-stand play when it comes--and all we can do is to wait. It's something if he's been throwing eggs. It shows he's waking up.'

The door opened and Lord Wetherby entered. He looked fatigued. He sank into a chair and sighed.

'I cannot get it,' he said. 'It eludes me.'

He lapsed into a sombre silence.

'What can't you get?' said Lady Wetherby, cautiously.

'The expression--the expression I want to get into the child's eyes in my picture, "Innocence".'

'But you have got it.'

Lord Wetherby shook his head.

'Well, you had when I saw the picture,' persisted Lady Wetherby. 'This child you're painting has just joined the Black Hand. He has been rushed in young over the heads of the waiting list because his father had a pull. Naturally the kid wants to do something to justify his election, and he wants to do it quick. You have caught him at the moment when he sees an old gentleman coming down the street and realizes that he has only got to sneak up and stick his little knife--'

'My dear Polly, I welcome criticism, but this is more--'

Lady Wetherby stroked his coat-sleeve fondly.

'Never mind, Algie, I was only joking, precious. I thought the picture was coming along fine when you showed it to me. I'll come and take another look at it.'

Lord Wetherby shook his head.

'I should have a model. An artist cannot mirror Nature properly without a model. I wish you would invite that child down here.'

'No, Algie, there are limits. I wouldn't have him within a mile of the place.'

'Yet you keep Eustace.'

'Well, you made me engage Wrench. It's fifty-fifty. I wish you wouldn't keep picking on Eustace, Algie dear. He does no harm. Mr Sherriff and I were just saying how peaceable he is. He wouldn't hurt--'

Claire came in.

'Polly,' she said, 'did you put that monkey of yours in the garage? He's just bitten Dudley in the leg.'

Lord Wetherby uttered an exclamation.

'Now perhaps--'

'We went in just now to have a look at the car,' continued Claire. 'Dudley wanted to show me the commutator on the exhaust-box or the windscreen, or something, and he was just bending over when Eustace jumped out from nowhere and pinned him. I'm afraid he has taken it to heart rather.'

Roscoe Sherriff pondered.

'Is this worth half a column?' He shook his head. 'No, I'm afraid not. The public doesn't know Pickering. If it had been Charlie Chaplin or William J. Bryan, or someone on those lines, we could have had the papers bringing out extras. You can visualize William J. Bryan being bitten in the leg by a monkey. It hits you. But Pickering! Eustace might just as well have bitten the leg of the table!'

Lord Wetherby reasserted himself.

'Now that the animal has become a public menace--'

'He's nothing of the kind,' said Lady Wetherby. 'He's only a little upset to-day.'

'Do you mean, Pauline, that even after this you will not get rid of him?'

'Certainly not--poor dear!'

'Very well,' said Lord Wetherby, calmly. 'I give you warning that if he attacks me I shall defend myself.'

He brooded. Lady Wetherby turned to Claire.

'What happened then? Did you shut the door of the garage?'

'Yes, but not until Eustace had got away. He slipped out like a streak and disappeared. It was too dark to see which way he went.'

Dudley Pickering limped heavily into the room.

'I was just telling them about you and Eustace, Dudley.'

Mr Pickering nodded moodily. He was too full for words.

'I think Eustace must be mad,' said Claire.

Roscoe Sherriff uttered a cry of rapture.

'You've said it!' he exclaimed. 'I knew we should get action sooner or later. It's the puma over again. Now we are all right. Now I have something to work on. "Monkey Menaces Countryside." "Long Island Summer Colony in Panic." "Mad Monkey Bites One--"'

A convulsive shudder galvanized Mr Pickering's portly frame.

'"Mad Monkey Terrorizes Long Island. One Dead!"' murmured Roscoe Sherriff, wistfully. 'Do you feel a sort of shooting, Pickering--a kind of burning sensation under the skin? Lady Wetherby, I guess I'll be getting some of the papers on the phone. We've got a big story.'

He hurried to the telephone, but it was some little time before he could use it. Dudley Pickering was in possession, talking earnestly to the local doctor.

14

It was Nutty Boyd's habit to retire immediately after dinner to his bedroom. What he did there Elizabeth did not know. Sometimes she pictured him reading, sometimes thinking. Neither supposition was correct. Nutty never read. Newspapers bored him and books made his head ache. And as for thinking, he had the wrong shape of forehead. The nearest he ever got to meditation was a sort of trance-like state, a kind of suspended animation in which his mind drifted sluggishly like a log in a backwater. Nutty, it is regrettable to say, went to his room after dinner for the purpose of imbibing two or three surreptitious whiskies-and-sodas.

He behaved in this way, he told himself, purely in order to spare Elizabeth anxiety. There had been in the past a fool of a doctor who had prescribed total abstinence for Nutty, and Elizabeth knew this. Therefore, Nutty held, to take the mildest of drinks with her knowledge would have been to fill her with fears for his safety. So he went to considerable inconvenience to keep the matter from her notice, and thought rather highly of himself for doing so.

It certainly was inconvenient--there was no doubt of that. It made him feel like a cross between a hunted fawn and a burglar. But he had to some extent diminished the possibility of surprise by leaving his door open; and to-night he approached the cupboard where he kept the materials for refreshment with a certain confidence. He had left Elizabeth on the porch in a hammock, apparently anchored for some time. Lord Dawlish was out in the grounds somewhere. Presently he would come in and join Elizabeth on the porch. The risk of interruption was negligible.

Nutty mixed himself a drink and settled down to brood bitterly, as he often did, on the doctor who had made that disastrous statement. Doctors were always saying things like that--sweeping things which nervous people took too literally. It was true that he had been in pretty bad shape at the moment when the words had been spoken. It was just at the end of his Broadway career, when, as he handsomely admitted, there was a certain amount of truth in the opinion that his interior needed a vacation. But since then he had been living in the country, breathing good air, taking things easy. In these altered conditions and after this lapse of time it was absurd to imagine that a moderate amount of alcohol could do him any harm.

It hadn't done him any harm, that was the point. He had tested the doctor's statement and found it incorrect. He had spent three hectic days and nights in New York, and--after a reasonable interval--had felt much the same as usual. And since then he had imbibed each night, and nothing had happened. What it came to was that the doctor was a chump and a blighter. Simply that and nothing more.

Having come to this decision, Nutty mixed another drink. He went to the head of the stairs and listened. He heard nothing. He returned to his room.

Yes, that was it, the doctor was a chump. So far from doing him any harm, these nightly potations brightened Nutty up, gave him heart, and enabled him to endure life in this hole of a place. He felt a certain scornful amusement. Doctors, he supposed, had to get off that sort of talk to earn their money.

He reached out for the bottle, and as he grasped it his eye was caught by something on the floor. A brown monkey with a long, grey tail was sitting there staring at him.

There was one of those painful pauses. Nutty looked at the monkey rather like an elongated Macbeth inspecting the ghost of Banquo. The monkey looked at Nutty. The pause continued. Nutty shut his eyes, counted ten slowly, and opened them.

The monkey was still there.

'Boo!' said Nutty, in an apprehensive undertone.

The monkey looked at him.

Nutty shut his eyes again. He would count sixty this time. A cold fear had laid its clammy fingers on his heart. This was what that doctor--not such a chump after all--must have meant!