Chapter VI: Part 6

“Yes, Caius Valerius, it is indeed to her I allude; and it is of the obstacle which—unwittingly, I doubt not—you yourself have been throwing in the way of that union, that I have now to make my complaint. Not such the service that I had expected from my kinsman. Rubellia is descended from a noble family, and, both in possession and expectation, her wealth is great. Two heavy fines laid upon me by Domitian, and the expense at which I have maintained my rank among the great patrons of Rome—these things together have impoverished me, and to an extent not altogether convenient. In this boy my hopes were placed; and see now how they are all likely to be blasted for a dimpled cheek and a pair of wanton eyes!—or rather, indeed, I should say, for the sake of the malignant pleasure that is derived from thwarting my purposes; for, if beauty were what the boy wanted, where should he find beauty beyond Rubellia? Perhaps, Caius, I should, before this time, have made you acquainted with my intentions from my own lips. But it is my own foolish indulgence which has made my degenerate boy quite forget, not only what is the duty of a son, but what is the power of a father.”

“I trust,” said I, “there is no need for all this seriousness. Sextus has only laid aside the garb of a stripling; it is too much to be despairing of his success in life, only because he is unwilling, at a period so early, to enter upon a permanent connection. Is it possible, that, if he really dislike Rubellia, you would wish to see him marry her—only to divorce her, without question, as soon as he should find it possible to do so without inconvenience?”—“Handsome, rich, noble, and almost as young as himself, why, in the name of all the gods, for what cause should he divorce Rubellia?”—“Sir,” said I, “he loves not Rubellia, nor will ever love her; and if you cause your son to marry this woman, look you well to it, that the unhappiness of both rest not on your head. Handsome, rich, noble, and young she may be; but I am sure, she has neither such a heart, nor such a mind, as should belong to the wife of your Sextus. A luxurious woman is Rubellia, and I have seen her find luxury in the contemplation of blood. Wed not Rubellia to your son.”—“Peace, Valerius,” he answered; “what boyish nonsense is this?—I _will_ wed Rubellia to my son; and let him see to it, that he tempts me not farther with his disobedience.”

Licinius said these last words in a voice of so much earnestness, that I knew not well what answer to make to him; but while I was hesitating, one of the little boys about the house, (I mean the children of the domestic slaves,) said, “If it please my lord, the same senator that was here in the morning is waiting in the hall.”—“Pontius Mamurra!” said the orator, leaving me.

I, for my part, when I heard the name of the visiter, began to understand somewhat of the channel through which my kinsman had been informed about what had passed at the Suburban. I had no leisure, however, to reflect long upon this hint; for I found Sextus waiting for me. “Come,” he said, “I was afraid I must set off without you. My father has been looking on me this morning with such an aspect of displeasure as I rarely before witnessed in him, and if I defer going to the painter about this likeness, he will be altogether enraged at supper-time. I know very well he means the ring, in which it is to be placed, for another present to Rubellia; but notwithstanding, what can I do? Any opposition to him in lesser matters would only tend to bring on some final explanation about the great affair itself, and that, whether it be weakness in me or not, I as yet have no courage to encounter. The man must be expecting me; and I am sure you will accompany me, for I have much need of you to keep up my heart. Xerophrastes, indeed, has been desired to go with me; but he will be no comfort, for I see plainly, from the drift of his harangues, that he is enlisted against me. Dear Caius, I have nobody in the whole world I can trust to but Dromo and yourself.”

He had scarcely said so, when we heard Xerophrastes pacing up and down with solemn strides in the gallery; so I knew not how to excuse myself, although I was very anxious to have staid at home for another purpose. Sextus had taken my gown from the nail; he threw it over my shoulders before I had time to say any thing, and we were soon on our way to his ungrateful destination.

_CHAPTER II._

We had to traverse a considerable part of the city; for this painter was one of those who exercise their art during the public hours of the day in the baths of the Palatine, where, as you have heard, in the wide circuit of the princely residence, abundant accommodation is set forth for all such ingenious persons. We proceeded along the edge of the river, and by the west of the Capitol, following the line of that great Triumphal Way which has been witness of so many glorious pageants; for so, they told me, we should most easily ascend into the Cæsarian courts. But when we had come thither, we found the whole open space, in front of the portico and stairs of Trajan, occupied by a detachment of the Prætorian cohorts, drawn up in splendid array to receive some promised donative; while the music, and the clamours of their mustering, had collected enough of spectators to render the passage onwards in some measure difficult. We were constrained to form part of their attendance, and stood gazing among the multitude. Even Xerophrastes caught some animation from the brilliancy of the spectacle; and the enamoured and perplexed Sextus himself, beating time on my shoulder, seemed to have forgotten, for a moment, the anxieties of his situation.

Some horsemen, however, riding along to keep the ground open in front of the soldiery, compelled us to shift to the eastward, where many chariots were drawn up—and in one of these Rubellia. The lady looked paler than I had before seen her, and had not the air of being in the smallest degree occupied with what was passing. I did not think it necessary to take any notice of her being there to my companions, and was willing, indeed, to keep myself turned away from the place where she sat, in order to avoid our being recognized. Yet there was something in her aspect and attitude, that, as by a sort of fascination, drew my eyes to the spot I wished to avoid. From time to time, therefore, I felt myself constrained to regard the melancholy lady; and by and by, Sextus perceived what it was that attracted my attention:—so I discovered, although he said not a word, from a fervent pressure upon my arm as I stood before him. At that moment there drew near a little ugly old woman, with no covering upon her head but long coarse gray clusters of hair hanging matted and twisted down upon her shoulders, who lifted up a basket of trinkets, and presented it; but Rubellia started on her seat, and, looking in the face of the old creature, manifested signs of no trivial emotion; for her colour returned with a sudden flush, and her eyes recovered all their animation, and it was evident she had something to say which could not regard the gaudy ornaments offered to her view. Whatever it was, however, she did not occupy much time in saying it; for scarcely a minute elapsed before the basket was lowered again, and the old woman began to move towards another part of the crowd; on which Rubellia sunk back in her chariot, and appeared to relapse into pensive abstraction.

Presently a low voice croaking out, “Rings, rings—amulets and rings!” amongst the crowd that stood immediately behind me; and I perceived the same woman pushing her basket between Xerophrastes and Sextus.—“Noble youth,” quoth the hag, leering, “lovely young gentleman—sweet Adonis, my charming lord, do now look into old Pona’s basket—do take a look at Ponula’s rings and amulets—her amulets and rings. Here is one that I could have sold a hundred times, but I was determined to keep it till I should see the prettiest young gentleman in Rome, and I will never go back to Naples without selling it, after this day; for this little amulet must be nobody’s but yours. You will break my heart, my prince, if you buy not my beautiful amulet.”

“And what,” said Sextus, blushing and laughing, “may be the virtues of your amulet?”

Then laying her yellow hand upon his shoulder, till she had made him stoop down so that she might get close to his ear, she began to pour out, with much mysterious volubility, all the story of its marvellous potencies; but what she said even I could not know, only I heard the words, “Æthiopian, Æthiopian,” and “Memnon, Memnon,” and something about “not a pretty lady in Rome.” But just as the woman was most earnest in her whisper, and Sextus, apparently at least, in listening, I found my gown plucked from behind, and behold, there was Dromo, with a countenance tremulously agitated, and white as a piece of dead parchment, pointing to his young master and the old hag, and beseeching me to separate them, by motions in nowise to be mistaken. How he had come thither, or what was the cause of this anxiety, I had no time to conjecture, for before I could say a word, he began to bellow out,—“The horses, the horses—make room for the horses;” and immediately those that stood near him began to move a little, and then, the cry being repeated, those that stood farther off mistaking the noise of their feet for the approach of some new squadron, there arose a sort of rushing among the crowd; and, in a twinkling, the voice of Pona was heard grumbling and croaking at a distance from the place to which our party were borne. Close, nevertheless, did the faithful Cretan stick to us; and no sooner was quiet in some measure restored, and the false alarm he had created at an end, than he whispered into my ear, “For the sake of all that is sacred, let not that foul hag speak another word to my young master—I will tell you more anon. Meantime, haste ye, haste ye. Make the best of your speed to the Palatine; it will be much easier for you to push your way thither, than it was for me to reach you.”

My friend being already weary of the heat and the pressure, we were ready to take advantage of an opening pointed out by the Cretan. It so happened, however, that in the same commotion the chariot of Rubellia also had changed its situation; for just as we had escaped, as I thought, and were about to place our feet on the magnificent flight of stairs that leads from the New Way to the Augustan Towers, there came to us a lad of that lady’s household, who told us she was near at hand, and desirous, if it so pleased us, of our company. Aware that we were in sight, how could we disobey? We found the lady in her chariot, but not such as we had seen her before. On the contrary, the liveliness of her aspect seemed now to be restored, and she received us with her usual gaiety of address. “Careless men,” said she, as we drew near; “I suppose I might have sat here till the Greek Kalends, before any one of you would have observed me.”

“Most noble lady,” quoth Xerophrastes, “bear it not indignantly, that amidst all the confusion of men and horses, and trumpets and shoutings, our attention was abstracted from that which was most worthy of notice. My young friends deserve to be excused, since even I, who am not in the habit of being much troubled by such vanities, was so bewildered that I scarcely knew my right hand from my left, in this human chaos.—Pardon, noble Rubellia; we have been unwitting offenders.”

“And was it so?” said the lady, not looking at the Stoic.—“But I did not call for you to hear useless apologies. What new sight is it that attracts you to the Palatine?—or is it only that you are desirous of exhibiting to Valerius the old-established wonders of the place? In either case, I have half a mind to accompany you. In spite of all they tell us about the Golden House, I can scarcely think the Palatine shewed more splendidly than it does now, even in the days of Nero.”

“Indeed,” said I, as we began to mount together the broad slabbed steps which rise up, tier above tier, from the portico on the street, to that which hangs on the brow—“Indeed, it is not easy for me to doubt that Rubellia is in the right.”—For now, on one side, were all the pillars and arches of the Forum stretched out below us, and, on the other, lay the great Circus, topped with its obelisk; while before rose the gray cliffs of the Capitoline, with their domes and proud pinnacles in the glow of noontide—the space between, radiant with arms and banners. Even Xerophrastes did not refrain from some ejaculations.—“Illustrious Rome! how great is thy sublimity!” And then, after a pause, he repeated, in a voice of much majesty, those verses from the Fury of Ajax:

“Oh! might I be where o’er the living deep
Lies the broad shadow of the Sounian cliff,
Waving with all its glorious garniture,
Of rock-sprung foliage: from old Ocean’s side,
That I might look on Athens once again!”

Some of the hints which had reached me concerning his nativity recurring to my recollection, I could not help echoing his quotation with another from the Æneid, about the wide tracts ploughed by the Thracians; of which impertinence the sage took no notice.

Nor was admiration diminished when, having gained the top of that massive staircase, or rather, as I should say, hill of marble, we passed beneath the sounding portal, the sole remnant of the original pile of Augustus, and found ourselves within the first of those great imperial quadrangles, by which the whole summit of that once so variously and multitudinously peopled region is now occupied. The light and airy porticoes—the domes—the princely towers—the universal profusion of marble, brass, ivory, flaming gold, lavished on arch, metope, and architrave—all conspired to dazzle the sight, and I stood still to gaze.

“Observe,” said Sextus, “those two equestrian statues of bronze on the left hand. I have heard my father say that they mark the sites of two houses, which, before Augustus began to enclose the whole Palatine in his walls, were inhabited, the one by Cicero, the other by Clodius; these are the only traces of their mansions.”

“What grim-looking figures!” said the lady; “yet, I dare say, they don’t cast half such fierce looks on each other, as the predecessors you mention. I should like to have seen the countenance of old Tully, the morning he went down the hill to deliver his harangue for Milo.”

“I am glad,” said I, “that Sextus has told me this; for in reading those famous philippics in time to come, I shall possess a new key to the bitterness of their phraseology, knowing, as I do, that the two lived just over the way from each other, and that the orator, when his spirits were flagging, could derive a new reinforcement of spleen from merely putting his head out of the window.”—“To hear you,” says Rubellia, “one would think you were studying the art of making philippics—I am afraid, that if it be so, my joining your party may prove to have been but an ill-judged thing; for if any of you be preparing to abuse me, my presence will serve to sharpen your weapons.”—“In that case, however,” interrupted the smiling Xerophrastes, “my noble lady will admit, that the converse also will hold good, and that if praise be in meditation, it will not be the feebler because the subject of the intended panegyric has passed before our eyes.”—“Most courteous of men,” replied the lady, “who talks of the stiffness of the Porch? To-day and yesterday you have paid me as many compliments as might give a lesson to the gayest trifler about these baths. If all,” she continued, (gazing as she spoke, with all her eyes upon Sextus,)—“if all were as profuse, I should be unable to sustain the weight of their civilities.”—“Nay, Oh! generous lady,” quoth the sage again, “it must be remembered, that, as the poet has expressed it, there are two kinds of shame—there is the wicked shame and the good shame. Why should it be doubted, that a modest Verecundity, not unsuitable to their age, has laid her finger on the lips of our young friends? I swear by the Victrix of Ida, that your presence itself is that which occasions their silence;—bear it not ill—bear it not harshly—the young will learn—not every one has seen Corinth.”—“No, truly,” answered the laughing lady; “but I doubt whether they that have been so fortunate, have ever seen any thing half so fine as what now awaits Valerius.”

She pointed to the solemn Doric columns which sustain the portico of the famous Temple of Apollo, whose shade lay far out upon the court before us; and, passing between those brazen horsemen, we soon began to ascend the steps that lead up to the shrine. Nor can I tell you how delightful was the fragrant coolness, which reigned beneath the influence of that massive canopy of marble, to us whose eyes had been so long supporting the meridian blaze. We entered with slow steps within the vestibule of the Temple, and stood there for some space, enjoying in silence the soft breath of air that played around the flowing fountains. Then passing on, the airy hall received us; and I saw the statue of Phœbus presiding, like a pillar of tender light, over the surrounding darkness of the vaulted place; for, to the lofty shrine of the God of day no light of day had access, and there lay only a small creeping flame burning thin upon his altar; but a dim and sweet radiance, like that of the stars in autumn, was diffused all upon the statue, and the altar, and the warlike trophies suspended in the inner recesses, from the sacred tree of silver that stands in the centre; amidst the trembling enamelled leaves and drooping boughs of which hung many lamps, after the shape and fashion of pomegranates: and out of every pomegranate flowed a separate gleam of that soft light, supplied mysteriously through the stem of the silver tree.

There appeared presently from behind the statue, a majestic woman, arrayed in long white garments, and having a fillet of laurel leaves twined above her veil. Venerable and stately was her mien, but haughty, rather than serene, the aspect of her countenance. Without looking towards us, she went up to the altar, and began to busy herself in trimming the sacred fire, which, as I have said, exhibited only a lambent flame. When, with many kneelings and other ceremonies, she had accomplished this service, the priestess turned again, as if to depart; and then first, as it seemed, observing the presence of strangers, she stood still before the altar, and regarding us attentively, began to recognize the Lady Rubellia; whom, forthwith advancing, she saluted courteously, and invited to come with the rest of us into her privacy, behind the shrine of the God.

She led the way, Rubellia and the rest of us in her train, through several folding-doors, and along many narrow passages all inlaid, on roof, wall, and floor, with snow-white alabaster and rich mosaic work; until at length we came to a little airy chamber, where three young maidens were sitting with their embroidering cushions, while one, taller than the rest, whose back was placed towards us, knelt on the floor, touching, with slow fingers, the strings of a Dorian lyre. Hearing the sound of her music as we entered, we stood still in the door-way, and the priestess, willing apparently that our approach should remain unknown, advancing a step or two before us, said, “Sing on—I have trimmed the flame; but remember, I pray you, that the precincts of Phœbus are not those of Pluto, and let not your chant be of such funereal solemnity. We solitaries have little need of depressing numbers.”

“Dear friend,” replied she that had been thus addressed, without changing her attitude, “you must bear with my numbers such as they are; for if you bid me sing only merry strains, I am afraid neither voice nor fingers may be able well to obey you.”

These words were spoken in a low and melancholy voice, which I well recognized. Sextus, also, perceived who spoke; but when he looked at me to signify this, I motioned to keep silence.

“Then please yourself,” said the priestess, laying her hand on Athanasia’s shoulders; “but do sing, for I should fain have my maidens to hear something truly of your music.” With that she again applied her fingers to the lyre, and stooping over it, began to play some notes of prelude, less sorrowful than what we had at first heard. “Ay, my dear girl,” says the priestess, “you could not have chosen better. Heavens! how many lordly choirs have I heard singing to that old Delian air. There are a hundred hymns that may be sung to it—give us whichsoever of them pleases your fancy the best.”—“I will try,” replied the maiden, “to sing the words you have heard before. If I remember, you liked them.” Then boldly at once, yet gently, did her voice rush into the current of that ancient strain that you have heard so often; but it was then that I myself for the first time heard it.

The moon, the moon is thine, O night,
Not altogether dark art thou;
Her trembling crescent sheds its light,
Trembling and pale, upon thine ancient brow.

The moon is thine, and round her orb
A thousand sweet stars minister,
Whose twinkling rays dark wells absorb,
And all the wide seas drink them far and near.

They kiss the wide sea, and swift smiles
Of gladness o’er the waters creep;
Old hoary rocks rejoice, and isles,
And there is glory on the slumbering deep

Afar. Along the black hill’s side,
Right blithe of heart the wanderers go,
While that soft radiance, far and wide,
Gleams on the winding streams and woods below.

And gaily for the fragile bark,
Through the green waves its path is shorn,
When all the murmurs of the dark
Cold sea lie calm’d beneath that gliding horn.

Yet hail, ye glittering streaks, that lie
The eastern mountain tops upon!
Hail, ye deep blushes of the sky,
That speak the coming of the bridegroom sun!

Hail to the healing beam of day,
That rouses every living thing!
The forest gulphs confess thy sway,
And upon freshening branches glad birds sing.

And loathsome forms, that crept unseen
Beneath the star-light faint and wan,
Cower in their brakes the thorns between,
Dreading that fervid eye, and its sure scan

Triumphant. Welcome life and light!
Sing rocks and mountains, plain and sea;
Fearful though lovely was the night;
Hail to more perfect beauty—hail to THEE!

“Why stop you, Athanasia?” said the priestess, finding that here she paused,—“why do you rise up, and take your fingers from the lyre, before you sing out the chorus?”—“No more, dear aunt—excuse me—no more. I have already sung all that I can,” replied Athanasia.—“Nay, then,” says she, “if you be fatigued, sing not; but join me, maidens, in the close—perhaps it rises too high for Athanasia.”

And with that the ancient lady herself, joined by the three damsels that had been embroidering, took up the strain, which, indeed, rose higher towards its end

Hail to thee Phœbus, son of Jove,
Glorious Apollo, Lord of Light,
Hail, lovely in thy Delian grove,
And terrible on Delphos’ haunted height!

Hail to thee here beneath the dome,
Great Phœbus, of thy Latian shrine;
All hail from Cæsar and from Rome;
Hail by thy dearest name, God Palatine!

But as they were singing the last verse of all, Rubellia also aided their melody with a rich strong gushing voice, which rose far above all the others; and the silent Athanasia turning round quickly, perceived, not without manifestation of alarm, by how many strangers her song had been overheard. On seeing who we were, she saluted Sextus and myself with modest courtesy, amidst her confusion; and it may be that my companion, as well as myself, blushed at the same moment; for he could not see Athanasia without thinking of Sempronia.

It seemed as if her confusion were not unconnected with some suspicion of having been recognized near the Prætorian guard-house; for, after the first glance, I in vain endeavoured to meet her eye; while on the contrary, to Sextus she directed both looks and words, enough to provoke visibly some not altogether benign movements in our Rubellia. Such, at least, was my interpretation of the fair widow’s aspect, and the tone of impatience in which she, after a minute or two had passed, began to urge the propriety of our proceeding to the part of the imperial edifice in which the painter was expecting us.

The priestess of Apollo hearing her say so, courteously offered to guide us beyond the precincts of the temple, and our whole party were again in motion; but Athanasia remained behind with the three young damsels, and I, who walked last, saw her, ere the portal received me, preparing again to handle the lyre, with fingers visibly trembling, and a pale countenance, not as I thought unstained with some yet more distinct traces of keen emotion. The sight of her agitation fixed my footstep for a moment, and it was then that, on her casting a sudden glance round to the place where I stood, I perceived truly that I had not been mistaken, and that the tears were gathered within her eyelids. It was no more, however, than one glance, for immediately she stooped again, and, dashing her fingers along the chords of the instrument, appeared to bury her thoughts in its harmony. I stood for a moment, and then ashamed of myself, and troubled with her troubles and with my own, I followed the rest into the great library which Augustus placed beneath the protection of the Palatine Apollo. The priestess parted from us at its entrance, after pointing out a low and massive door of bronze on the right hand, within which, as she told me, the remains of the Sybilline prophecies are preserved, unseen by profane eyes, watched over perpetually by the guardians of the place.

_CHAPTER III._

I had walked by the side of my young friend, and behind the Stoic, (who, I think, was expressing, in his pompous fashion, much admiration of the singing of Rubellia,) along one or two of the great halls in which the library is contained, before the novelty of the objects surrounding me made any impression even on my eyes; and even after these were in some measure engaged, my mind still continued to dwell on that troubled aspect, and on the notes of the uncompleted song. At length, however, the levity of youth, and natural curiosity revived; and I began to be present, not in body merely, in a place where there was much that might well interest the mind. Far-receding rows of columns conducted my eyes into the interminable recesses of that wide range of chambers, in which the records of the thought and spirit of all past ages are piled up together; and gazing on the loaded shelves which every where ascended into the galleries, I could not but be affected with many new emotions. I perused glorious names on the busts that seemed to preside over the different compartments. The high filletted front of Homer detained for the first time my contemplation; the eyes of the divine old man, even in sculpture, distinctly and visibly blind, while the serenity and sanctity of the towering forehead, revealed how the intense perception at once of the lovely and the great could compensate for visions of earthly beauty shut out. The mild Plato, and the imperious Stagyrite—Pindar—Simonides—Alcæus—and I know not how many more, succeeded as we passed along—each in his own sphere, reigning by himself; yet all connected together by a certain common air of greatness, like so many successive princes, or contemporary heroes of the same mighty empire.

From this main range, there diverged many lesser chambers, in which we saw studious persons engaged, each seated by himself, and having his eyes fixed on the parchment before him. Of these, some deigned not to intimate by the smallest movement their perception that any one had approached; but with others Xerophrastes exchanged, as he walked, lofty salutation, and one or two even entered, for a moment, into conversation with him. With one of these, indeed, (an ancient of bitter aspect,) to such a length did the colloquy extend, that we began to think we should never be able to get our Stoic away from him; till, as our fortune would have it, it became necessary for them to have a certain book for the purpose of reference, and then Xerophrastes began to make inquiries concerning Parmeno, who, as I gathered, must needs be one of those intrusted with the care of the library.

“I am afraid,” said the other, “if we must wait for him, we shall not be able to get that work either to-day or to-morrow; for his pupil, the son of Fabricius, is dead, and I suppose he will now change his quarters, and be no longer seen so often about these haunts of the muses.”

“Alas!” interrupted Sextus, “I met Fabricius in the Forum a few days ago, and he told me his son was ill; but little did I imagine my dear companion was so near his end! Is it indeed so?”

“Even so,” rejoined the other. “Rapid have been the shears of Atropos! It is but a few moments since Agaso, the painter passed; and, he told me he had been receiving orders to take a likeness, as well as he could, from the corpse.”

“If Agaso be so engaged,” replied Xerophrastes, “I am afraid we need not expect to find him neither in his usual place. Perhaps we had better make inquiry for him at the dwelling of Fabricius.”

To this Sextus assented; or rather, being lost in reflection concerning the death of his friend, he suffered himself to be conducted by the Stoic. Passing, therefore, through one or two more apartments, we issued forth, and drew near to the vestibule of Fabricius’ house, who, as they told me, was a noble Roman, having the chief superintendance of the whole library, and an intimate friend of Licinius—one whose domestic calamity could not fail to spread much affliction through a wide circle of patrician kindred.

At the vestibule, we found assembled not a few of the young man’s relations; but Xerophrastes immediately said, “Behold Parmeno, he is the most afflicted; and what wonder that it should be so?”

“Alas!” said Sextus, “the bier is set forth; the last rites are to be performed this evening.”

This Parmeno was a striking figure. Seated close by the bier, his head was involved in his cloak, so that only his eyes and his nose could be seen, but these of themselves expressed a decorous affliction; and the folds of the cloak fell down over the rest of his person in great order and dignity. On the pavement beside him was seen lying, half-unfolded, a book inscribed with the name of Heraclitus, which he appeared to have been reading. When Xerophrastes approached, this mourner stretched forth his hand, and shook his head, but he did not say any thing, nor even look towards the rest of us; and indeed to have done so, would have disturbed the attitude in which he had placed himself. Xerophrastes, on his part, received the proffered hand, and shaking his head in response, said, “Yes, my Ionian friend, I may still bid thee hail and live; but I must say farewell to the plant thou wast rearing. Farewell to the youthful promise of Fabricius!”

On hearing these words, the sitting philosopher drew his mantle quite over his face, and leant himself heavily against one of the fluted columns of the vestibule, for he seemed to be much shaken. In the meantime Sextus approached the bier, and contemplated his companion as he lay there wreathed with melancholy garlands; his countenance bearing a natural mixture of sadness and astonishment. Nor could I, who had never before seen the young man, behold the spectacle without similar emotions; for his age, as it seemed, could not have been much different from my own, and the pale features were interesting, their expression not less amiable than solemn.

“Alas!” said Sextus, “the last time I saw him, how differently did he appear! We rode out together with some others to Tibur, and spent all the day there; and as we returned by the moonlight, how joyous his conversation! Methinks I yet hear him laughing and speaking. We parted at the foot of the Capitoline, and never did I see him again till now.”

“Oh, fate of man!” quoth Xerophrastes; “how uncertain is life, how certain death! Without doubt, young Fabricius had as little thought of dying as any of your company; and yet, see now, he is arrayed for the last time, and this juvenile gown, which he should so soon have laid aside for the manly, is destined to be consumed with him.”

“A fine lad he was,” cries one of the standers by,—“a fine lad, and an excellent horseman. The Martian Field did not often behold such a rider in these degenerate days of the Roman youth.”

But while the rest were still contemplating the bier, Xerophrastes, turning to his brother philosopher, said, “Tell me now, my learned friend, do you still, after this mournful event, continue to reside with the elder Fabricius? Has that excellent man any more sons to be educated, or will he retain you only for the sake of the library, with which assuredly he will find few so conversant as yourself?”

To which Parmeno replied, “Your question, O Xerophrastes, shews that clear judgment concerning the affairs of men, for which you have always been celebrated. No, my friend, the gray-haired Fabricius no longer requires my residence here; for he is about to retire into one of his villas on the Campanian shore, and to bury for ever his affliction in the privacy of his woods. We are about to part, not without mutual tears; and several Patricians have already been applying to him for his influence with me, whom, although unworthy of so much research, they earnestly covet, and wish to engage as the instructor of their young men. I have been sitting here not unseen, beside this my former charge, and each is impatient to solicit me into his service.”

“Your reputation I well know is high,” replied Xerophrastes, “and deservedly so; more particularly, for that fine talent you have for giving metaphysical interpretations of mythology, and for explaining the obscure allegories of ancient poets. But for my own part, Parmeno, I find not so much delight in abstract ideas, or in the passive contemplation of the universe; but incline rather to study, as heretofore, that part of philosophy which relates to action, and the morality of duty.”

“Yes, worthy Xerophrastes,” returned he, with a most languid serenity; “and so far as I understand, you sort well in this with the stirring disposition of your friend Licinius.”

To which Xerophrastes made answer:—“My patron Licinius is fond of action, and I of the rules of action. He says, it is only in war, or in civil functions of a public nature, that a person can prove himself a man. The rest, he says, is visionary, and comes to nothing, or is a slumber of the mind in sensuality, without thought.”

“Does he think, then,” quoth Parmeno, his wobegone countenance relaxing into a smile,—“Does Licinius think, then, there is no sensuality in perpetual action, and declamation and noise? To me such things appear almost as trivial as the lazy enjoyments of Epicureans, besides being harsh and disagreeable, and not unfrequently ridiculous. But observe, O Xerophrastes! that I speak these things as it were abstractly, and not by any means in disparagement of Licinius, your excellent patron and friend.”

To which the stoic replied in astonishment—“What is this you have said? Do you assert that action is sensual?”

Then Parmeno, lifting from the pavement the book which he had been reading, or appearing to read, said, “It is even so, most erudite Xerophrastes. Indeed, I have always delighted in the most primitive and remote doctrines handed down from antiquity; and among others, in the riddles of this obscure Ephesian. Following the scope of his philosophy, I am led to believe, that, so often as the mind impels, or is impelled by other causes, it begins to lose sight of pure knowledge, and becomes in danger of thinking that every thing is vain, light, and evanescent, except what is perceived by the senses. Heraclitus well says, that Love and Hatred govern all things. Now, when the principle of Discord prevails, it subjects all things to the dominion of action, and to the gross perceptions of sense. But when that of Love is prevalent, it emancipates the struggling chaos of things from the yearning of compulsion, and from the darkness of sensual proximity; for, between things that struggle immediately against each other, light has no room to enter in and shine; and therefore it is, that, when Love gains the ascendency, a new arrangement is produced—an arrangement which, if I may so express it, is more serene, transparent, orderly and divine, and wherein things exist in safety from the danger of mutual destruction.”

After a preliminary cough:—“My opinion,” replied Xerophrastes, “coincides rather with that of Empedocles. The immortal Sicilian thinks that Discord is the only separating and arranging principle which marks the boundaries between things, and enables them mutually to act and repel, in such a way as to preserve order.”—“Nay, nay,” interrupted Parmeno, his hands being by this quite disentangled from his cloak, and his countenance lighted up,—“Nay, nay, to such doctrine I never shall assent. From Empedocles—even from Xerophrastes, I must differ for ever on this head. The order of which you and the Sicilian speak, is the order of darkness only, and of blind force,—a kind of order in which fierceness and cruelty always reign.” But Xerophrastes continued:—“And I farther concur with Empedocles in thinking, that Love is a principle of which the predominance is more fit to turn order into a chaos, than to produce the effects you have described.”—“Nay, speak not against Love,” quoth Parmeno—“Speak not against Love, nor believe that any respect is due to the dictates of Empedocles, who taught the worst that can be taught by any man—that is to say, the alternation of order and confusion succeeding each other throughout all time. To seek for truth in conceptions like these, is no better than to seek repose in the bosom of Ætna.”—“In reference to that point,” resumed Xerophrastes, “I agree with you in your disapprobation of Empedocles. But when you say, that Love is the source of knowledge, you much astonish me; for I have always thought rather that its tendency is to bring confusion upon the mind.”

“Once more,” said Parmeno—“once more, let me beseech you to say nothing against love. You are thinking of the love of particular objects. You speak of Cupid, and not of that heavenly Eros, who, so far from enchaining, or tyrannizing over the mind, rather enables it to escape into the tranquil freedom of far extended contemplation. But what is contemplation without the knowledge of permanent forms, on which the mind may find repose, and so keep itself from being perplexed by the shifting aspects of the many-coloured universe? And therefore it is, O Xerophrastes, that, sometimes laying aside Heraclitus, I study the ancient verses of the poet, Xenophanes, who shews, by the nature of abstract forms, that a certain unity pervades all things. Xenophanes mused of old at Colophon, looking through the blue ether of my native Ionia.—But why should I speak thus at length? Alas! what is the occasion of our being here!—I perceive the approach of the poet, who was to compose an inscription for the urn of my dear Fabricius. Yonder also is the architect, who comes with a design for the tomb. Oh! day of wo, that I should sit in judgment concerning the epitaph and tomb of my ingenuous youth!”

“It is, indeed, true,” replied Xerophrastes, “that even I, in the repercussions of our talk, had well-nigh forgotten this unhappy occurrence; but, perhaps, there is something not after all entirely excusable in our giving so much superiority to the affairs of philosophical discussion. Now, however, it is evident, that we must suspend our colloquy—And who, I beseech you, above all things, is he that now draws near to the place of this mournful assembly, holding a horse in his hand. Methinks I have seen his face before.”

“That you have indeed, Master,” quoth he that had come up,—“that you have; and no longer ago than yesterday neither, if you will be pleased to give yourself the trouble of recollecting. My name is Aspar—I am well known. If but my excellent friend, the noble Centurion Sabinus, were here, poor old Aspar would have no reason to complain of the want of a good word.”

“Good morrow to you, Aspar,” said Sextus; “but what is it that brings you hither just at this moment? And for what purpose have you brought your horse with you? for people of your sort do not in general ride in the courts of the Palatine.”

“Alas!” quoth Aspar, “and is it you, who seem to have been one of the contemporaries of that peerless youth—is it you that ask such a question as this? I did not, in truth, imagine that there was any friend of young Fabricius, who did not know his affection for little Sora. There is not such another within twenty miles of the Capitol; but I brought her hither merely out of regard for the family. As for myself, I should never bear to look on her again with pleasure, after knowing the sudden manner of his death. I wish to Heaven the filly were fairly lodged in one of the paddocks of the Lord Fabricius himself.”

“Lead the animal round into the stables,” says Parmeno, “and I doubt not care will be taken of her.—Yonder comes one of the buffoons of the theatre;—he, I doubt not, is here to disgrace, if he be permitted, this solemn scene, with ranting quotations from the tragic poets. Alas! alas! I cannot bear all this: There also advance the officiators from the Temple of Libitina; they have their cypress boughs ready in their hands. Oh, my learned friend, I cannot sustain these things; let me be gone into the mansion.”

The admirer of Heraclitus, picking up his scroll, and gathering together the folds of his mantle, moved slowly into the house, Xerophrastes following with similar gestures. Sextus and I also were about to take our departure; and he, having procured from one of the slaves of the house a myrtle garland, had already placed it upon the bier of the young Fabricius, as the last testimonial of his concern; when there drew near two young men, clad in long mantles of black, who, solemnly embracing my friend, began to exchange with him many expressions of grief.

While they were thus engaged, Rubellia, who had been standing all this while a little apart, sent a boy to inform us that the painter we were in search of had at last made his appearance, and was anxious to proceed with his portrait. I drew Sextus away, therefore, and soon joined the lady and the artist; but as we were moving off thus, one of the bystanding slaves, an old gray-headed man, came up and whispered to Sextus, “Sir, be not deceived; these two nephews of my bereaved master are to me the most disagreeable part of all this preparation. You have heard their lamentation, and seen their sweeping raiment of mourning; but, be sure, a principal subject of their reflection is the probability that one or other of them must be adopted by Fabricius. Alas! alas! so goes all between Lucina and Libitina. There was never a birth nor a marriage that did not create some sorrow, nor a funeral procession that did not give rise to some joy. Your rhetoricians talk, but what avails it all? Slaves and masters are alike subjected to the evils of the world, and of these death is both the last and the least.”

_CHAPTER IV._

Agaso, the painter, was a smart dapper little bandy-legged man of Verona, dressed in a Grecian mantle, and endeavouring to look as much as possible like a Greek. Had Xerophrastes not gone off with his brother of Ionia, I have no doubt this man would have made his presence a sufficient excuse for speaking nothing but Greek to us; but, even as it was, his conversation was interlarded with an abundant intermixture of that noble tongue. Nothing could be spoken of which Agaso did not think fit to illustrate, either by the narration of something he himself had seen or heard during his residence at Athens, or, at least, by some quotation from the Grecian poets. To judge from the square, and somewhat ponderous formation of the man’s features, Nature had not designed him for any of the most mercurial specimens of her workmanship; but he contrived, notwithstanding, by perpetual shrugging and grimacing, and, above all, by keeping his eyes and eyebrows continually in motion, to give himself an air of no inconsiderable life and vivacity.

Hopping before us with much alacrity, this artist conducted our steps through eight or ten galleries, until at length a curtain being withdrawn, which had covered the space between two pilasters, we found ourselves in a spacious apartment, which, from the courteousness wherewith he bowed us into it, there could be no difficulty in perceiving to be the customary sphere of his own exertions. It was not altogether deserted even when we entered, but the removal of the curtain attracted more of the loungers of the baths, and ere Sextus was fairly fixed before the table of the painter, the modest youth had the mortification to find himself surrounded with a very crowd of knowing and curious physiognomies. The presence of these, however, appeared not unwelcome to the master. On the contrary, there arose between the little man, as he was preparing his brushes, and those who had come to survey him at his work, such a gabble of compliments, remarks, and disquisitions, that it seemed to me as if he would have been disappointed had he not been favoured with their attendance.

“How noble,” cries one, “is that portrait you have just been finishing of Rupilius!—Heavens! with what felicity you have caught the air! Methinks I see him about to enter the Basilica, when he knows that some great cause is awaiting his decision. What solemnity in his aspect! what grandeur in the gown!—How finely the purple of the laticlave is made to harmonize with the colouring of the cheeks and chin! What beautiful handling about the fingers with which he grasps his tablets!—As for the head of the stylus, it is the very eye of the picture.”—“Exquisite indeed,” quoth another; “but who can look at it, or at any thing else, in the same room with this little jewel?—Heavens! what a beauty! who can it be? for I never saw her either at the Circus or the Amphitheatre. What an inimitable modesty!”

The painter heard this last piece of eulogy with an air of some embarrassment, and at the same time looked very cunningly towards the person who had uttered it. But the Lady Rubellia tossed her head, and whispered to me, “Pretty she may be, though I cannot say that style of dressing the hair is at all adapted for such features; but for modesty! hem. I asked Agaso two or three days ago who it was, and he told me—guess!—it is a little Spanish girl, whom that august-looking person, with the grand laticlave, and the purple cheeks and chin, and the glittering stylus, thought fit to bring home with him when he was relieved from the hard duties of the Pro-prætorship. I dare say, he takes care she shall not be seen either at Circus or Amphitheatre; and, indeed, I think it is sufficient impudence to shew her likeness in the company of so many portraits of respectability.”

“My dear lady,” quoth the painter, who overheard somewhat, “for the sake of all that is sacred, no word of this again! Wait, at least, till the canvass for the Augurship be over. There are always so many to exaggerate and misrepresent.”—“Exaggerate, indeed! I think Rupilius ought to be ashamed of himself; and at his time of life too. I think you said he was just the same age with my uncle?”—“Yes,” says the painter, “he must be of that standing; and I think he went to Spain just about the period of your marriage.”—“Filthy old fellow,” quoth she, very quickly; “and this is the treasure he has brought home with him! I have a great mind to tell his wife.”—“Hush, hush,” said Agaso, “this is the very day Rupilius spoke of bringing her to see his own portrait; and, indeed, I am sure that is the Senator’s cough. I rely on your prudence.”

And the portly original of the laticlaved portrait walked into the room, having his gown and every part of his dress arranged as represented in the picture; although in the living countenance it was easy to discover a few lines and spots which had been omitted in the copy. By his side moved a short woman, arrayed in the extremity of costly attire, whose swarthy complexion did not, in spite of cosmeticism, harmonize very well with the bright golden ringlets of her Sicambrian peruque; while behind the pair came a thin damsel, whose lineaments exhibited a sort of faint shadow of the same visage, the rudiments of which had been so abundantly filled up in that of the rubicund magistrate. The ex-pro-prætor, after saluting Agaso, stood still with dignity in the midst of the apartment, while the fond daughter, rushing close up to his picture, could with difficulty affix any limits to her expressions of satisfaction:—“O Jupiter! look at the ring. It is the very ring he wears!—the very images are engraved upon it; one can see the three Graces. I never saw such a picture—when will it be brought home?”—“Hush, hush, now, Primula,” quoth the mother. “It is certainly a likeness; but why will artists, now-a-days, always paint people older than they are? And besides, it wants something of his expression. Don’t you think so yourself, sir?” (turning to the painter) “Rupilius has surely been looking very gloomily when he sat.”