Chapter XIV
Alas! we were none of us capitalists. This pious pilgrimage to the temple of genius and our glorious sojourn there must be paid for, and the money must be earned.
We had undertaken to send to the different journals exhaustive accounts of the Munich Exposition, with letters of travel, and above all, items of news about Richard Wagner, who at that time was the subject of many discussions and disputes. Living, as he did, in strict seclusion, he aroused the curiosity of the people to the highest point.
Not without misgivings, I had written an article for _Le Rappel_, entitled "Richard Wagner at Home."
I did not enlarge upon this to the Master himself, and I sincerely hoped he would never hear of it; but someone, believing it would please him, sent him the article.
He was angry.
"A discord already!" he cried. Then he declared to Cosima that his house and all things relating to his private life, including the dogs, were to him like the mysterious jewel of his destiny, and that he experienced actual terror at seeing them mentioned in the papers.
Cosima did her utmost to excuse and defend me, and the Master was appeased. But a Lucerne leaflet, the _Journal des Étrangers_, took upon itself to reprint the article, thereby drawing to the vicinity of Tribschen a swarm of boats filled with inquisitive observers, and Wagner was freshly annoyed. He felt a real chagrin, he said, because he could not endure such things from his friends, and he wished to consider us his friends. At length, having given him my promise not to repeat the offence, he pardoned it; and a few days later, in order to amuse me, he gave me the following letter--to read and then destroy-- which had made them laugh heartily, and which a lady of Thonon had been inspired to write by my article, "Richard Wagner at Home."
"My dear Sir,
"Pray pardon me for writing to you in this way, but I have just seen, in a newspaper, an article about you, and it is with the deepest emotion that I have read all the eulogies it contains, for, my dear Sir, I see that you, also, have passed through evil days. Being myself, at the present time, in the same unfortunate position, I can the more deeply sympathise with you, my dear Sir.
"I was brought up amid the greatest luxury, and was the object of every care and consideration. Unhappily for me, family misfortunes and reverses came upon me, and we lost all. Those who used to call themselves our friends no longer know us.
"Thank God, I have had the best possible education. I am passionately fond of music, but, alas! since our misfortunes, I have not touched a piano, and the fact that I have not the means to procure one is an immense deprivation and a real grief to me.
"Why am I not close to you, my dear Sir! In that case, I feel sure that you would not refuse me admission to your house, and a place at your piano.
"As for me, I have five children, and I have not the means for a home, but if I could be near you, my dear Sir, it seems to me that I should be happy.
"I should be indifferent to all other privations, if I were able to cultivate the art which is so dear to me.
"I foresee your astonishment, my dear Sir, when you read my letter; but if I could only see you, you would no longer be surprised. I know beforehand that your house will be mine, and your piano will be mine...."
"Your piano will be mine...." That phrase remained famous for a long time at Tribschen.
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Wagner at HomeChapter XIV
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