Chapter XII: Old Age
Walt Whitman is not only the poet of childhood, of youth, of manhood, but, above all, of old age. He has not been soured by slander or petrified by prejudice; neither calumny nor flattery has made him revengeful or arrogant. Now sitting by the fireside, in the winter of life,
His jocund heart still beating in his breast,
he is just as brave and calm and kind as in his manhood's proudest days, when roses blossomed in his cheeks. He has taken life's seven steps. Now, as the gamester might say, "on velvet." He is enjoying "old age expanded, broad, with the haughty breadth of the universe; old age, flowing free, with the delicious near-by freedom of death; old age, superbly rising, welcoming the ineffable aggregation of dying days."
He is taking the "loftiest look at last," and before he goes he utters thanks:
For health, the midday sun, the impalpable air--for life, mere life,
For precious ever-lingering memories, (of you my mother
dear you, father--you, brothers, sisters, friends.)
For all my days--not those of peace alone the days of war the same,
For gentle words, caresses, gifts from foreign lands,
For shelter, wine and meat--for sweet appreciation,
(You distant, dim unknown--or young or old--countless, unspecified,
readers belov'd,
We never met, and ne'er shall meet--and yet our souls embrace,
long, close and long.)
For beings, groups, love, deeds, words, books--for colors, forms,
For all the brave strong men--devoted, hardy men--who've
forward sprung in freedom's help, all years, all lands,
For braver, stronger, more devoted men (a special laurel ere
I go, to life's war's chosen ones,
The cannoneers of song and thought--the great artillerists--the
foremost leaders, captains of the soul).
It is a great thing to preach philosophy--far greater to live it. The highest philosophy accepts the inevitable with a smile, and greets it as though it were desired.
To be satisfied: This is wealth--success.
The real philosopher knows that everything has happened that could have happened--consequently he accepts. He is glad that he has lived--glad that he has had his moment on the stage. In this spirit Whitman has accepted life.
I shall go forth,
I shall traverse the States awhile, but I cannot tell whither
or how long,
Perhaps soon some day or night while I am singing my
voice will suddenly cease.
O book, O chants! must all then amount to but this?
Must we barely arrive at this beginning of us?--and yet
it is enough, O soul;
O soul, we have positively appear'd--that is enough.
Yes, Walt Whitman has appeared. He has his place upon the stage. The drama is not ended. His voice is still heard. He is the Poet of Democracy--of all people. He is the poet of the body and soul. He has sounded the note of Individuality. He has given the pass-word primeval. He is the Poet of Humanity--of Intellectual Hospitality. He has voiced the aspirations of America--and, above all, he is the poet of Love and Death.
How grandly, how bravely he has given his thought, and how superb is his farewell--his leave-taking:
After the supper and talk--after the day is done,
As a friend from friends his final withdrawal prolonging,
Good-bye and Good-bye with emotional lips repeating,
(So hard for his hand to release those hands--no more will they meet,
No more for communion of sorrow and joy, of old and young,
A far-stretching journey awaits him, to return no more,)
Shunning, postponing severance seeking to ward off the last
word ever so little,
E'en at the exit-door turning--charges superfluous calling
back--e'en as he descends the steps,
Something to eke out a minute additional--shadows of nightfall
deepening,
Farewells, messages lessening--dimmer the forthgoer's visage
and form,
Soon to be lost for aye in the darkness loth, O so loth to depart!
And is this all? Will the forthgoer be lost, and forever? Is death the end? Over the grave bends Love sobbing, and by her side stands Hope and whispers:
We shall meet again. Before all life is death, and after all death is life. The falling leaf, touched with the hectic flush, that testifies of autumn's death, is, in a subtler sense, a prophecy of spring.
Walt Whitman has dreamed great dreams, told great truths and uttered sublime thoughts. He has held aloft the torch and bravely led the way.
As you read the marvelous book, or the person, called "Leaves of Grass," you feel the freedom of the antique world; you hear the voices of the morning, of the first great singers--voices elemental as those of sea and storm. The horizon enlarges, the heavens grow ample, limitations are forgotten--the realization of the will, the accomplishment of the ideal, seem to be within your power. Obstructions become petty and disappear. The chains and bars are broken, and the distinctions of caste are lost. The soul is in the open air, under the blue and stars--the flag of Nature. Creeds, theories and philosophies ask to be examined, contradicted, reconstructed. Prejudices disappear, superstitions vanish and custom abdicates. The sacred places become highways, duties and desires clasp hands and become comrades and friends. Authority drops the scepter, the priest the miter, and the purple falls from kings. The inanimate becomes articulate, the meanest and humblest things utter speech and the dumb and voiceless burst into song. A feeling of independence takes possession of the soul, the body expands, the blood flows full and free, superiors vanish, flattery is a lost art, and life becomes rich, royal, and superb. The world becomes a personal possession, and the oceans, the continents, and constellations belong to you. You are in the center, everything radiates from you, and in your veins beats and throbs the pulse of all life. You become a rover, careless and free. You wander by the shores of all seas and hear the eternal psalm. You feel the silence of the wide forest, and stand beneath the intertwined and over arching boughs, entranced with symphonies of winds and woods. You are borne on the tides of eager and swift rivers, hear the rush and roar of cataracts as they fall beneath the seven-hued arch, and watch the eagles as they circling soar. You traverse gorges dark and dim, and climb the scarred and threatening cliffs. You stand in orchards where the blossoms fall like snow, where the birds nest and sing, and painted moths make aimless journeys through the happy air. You live the lives of those who till the earth, and walk amid the perfumed fields, hear the reapers' song, and feel the breadth and scope of earth and sky. You are in the great cities, in the midst of multitudes, of the endless processions. You are on the wide plains--the prairies--with hunter and trapper, with savage and pioneer, and you feel the soft grass yielding under your feet. You sail in many ships, and breathe the free air of the sea. You travel many roads, and countless paths. You visit palaces and prisons, hospitals and courts; you pity kings and convicts, and your sympathy goes out to all the suffering and insane, the oppressed and enslaved, and even to the infamous. You hear the din of labor, all sounds of factory, field, and forest, of all tools, instruments and machines. You become familiar with men and women of all employments, trades and professions--with birth and burial, with wedding feast and funeral chant. You see the cloud and flame of war, and you enjoy the ineffable perfect days of peace. In this one book, in these wondrous "Leaves of Grass," you find hints and suggestions, touches and fragments, of all there is of life, that lies between the babe, whose rounded cheeks dimple beneath his mother's laughing, loving eyes, and the old man, snow-crowned, who, with a smile, extends his hand to death.
We have met to-night to honor ourselves by honoring the author of "Leaves of Grass."
ADDRESS AT THE
Funeral of Walt Whitman
BY ROBERT O. INGERSOLL,
At Harleigh, Camden, New Jersey, March 30, 1892.
Again, we, in the mystery of Life, are brought face to face with the mystery of Death. A great man, a great American, the most eminent citizen of this Republic, lies dead before us, and we have met to pay tribute to his greatness and his worth.
I know he needs no words of mine. His fame is secure. He laid the foundations of it deep in the human heart and brain. He was, above all I have known, the poet of humanity, of sympathy. He was so great that he rose above the greatest that he met without arrogance, and so great that he stooped to the lowest without conscious condescension. He never claimed to be lower or greater than any of the sons of men.
He came into our generation a free, untrammeled spirit, with sympathy for all. His arm was beneath the form of the sick. He sympathized with the imprisoned and despised, and even on the brow of crime he was great enough to place the kiss of human sympathy.
One of the greatest lines in our literature is his, and the line is great enough to do honor to the greatest genius that has ever lived. He said, speaking of an outcast: "Not until the sun excludes you will I exclude you."
His charity was as wide as the sky, and wherever there was human suffering, human misfortune, the sympathy of Whitman bent above it as the firmament bends above the earth.
He was built on a broad and splendid plan--ample, without appearing to have limitations--passing easily for a brother of mountains and seas and constellations; caring nothing for the little maps and charts with which timid pilots hug the shore, but giving himself freely with the recklessness of genius to winds and waves and tides; caring for nothing so long as the stars were above him. He walked among men, among writers, among verbal varnishers and veneerers, among literary milliners and tailors, with the unconscious majesty of an antique god.
He was the poet of that divine democracy which gives equal rights to all the sons and daughters of men. He uttered the great American voice; uttered a song worthy of the great Republic. No man has ever said more for the rights of humanity, more in favor of real democracy, of real justice. He neither scorned nor cringed; was neither tyrant nor slave. He asked only to stand the equal of his fellows beneath the great flag of nature, the blue and stars.
He was the poet of life. It was a joy simply to breathe. He loved the clouds; he enjoyed the breath of morning, the twilight, the wind, the winding streams. He loved to look at the sea when the waves burst into the whitecaps of joy. He loved the fields, the hills; he was acquainted with the trees, with birds, with all the beautiful objects of the earth. He not only saw these objects, but understood their meaning, and he used them that he might exhibit his heart to his fellow-men.
He was the poet of Love. He was not ashamed of that divine passion that has built every home; that divine passion that has painted every picture and given us every real work of art; that divine passion that has made the world worth living in and has given some value to human life.
He was the poet of the natural, and taught men not to be ashamed of that which is natural. He was not only the poet of democracy, not only the poet of the great Republic, but he was the poet of the human race. He was not confined to the limits of this country, but his sympathy went out over the seas to all the nations of the earth.
He stretched out his hands and felt himself the equal of all kings and of all princes, and the brother of all men, no matter how high, no matter how low.
He has uttered more supreme words than any writer of our century, possibly of almost any other. He was, above all things, a man, and above genius, above all the snow-capped peaks of intelligence, above all art, rises the true man.
He was the poet of Death. He accepted all life and all death, and he justified all. He had the courage to meet all, and was great enough and splendid enough to harmonize all and to accept all there is as a divine melody.
You know better than I what his life has been, but let me say one thing: Knowing as he did, what others can know and what they can not, he accepted and absorbed all theories, all creeds, all religions, and believed in none. His philosophy was a sky that embraced all clouds and accounted for all clouds. He had a philosophy and a religion of his own, broader, as he believed--and as I believe--than others. He accepted all, he understood all, and he was above all.
He was absolutely true to himself. He had frankness and courage, and he was as candid as light. He was willing that all the sons of men should be absolutely acquainted with his heart and brain. He had nothing to conceal. Frank, candid, pure, serene, noble, and yet for years he was maligned and slandered, simply because he had the candor of nature. He will be understood yet, and that for which he was condemned--his frankness, his candor--will add to the glory and greatness of his fame.
He wrote a liturgy for mankind; he wrote a great and splendid psalm of life, and he gave to us the gospel of humanity--the greatest gospel that can be preached.
He was not afraid to live; not afraid to die. For many years he and Death lived near neighbors. He was always willing and ready to meet and greet this king called Death, and for many months he sat in the deepening twilight waiting for the night; waiting for the light.
He never lost his hope. When the mists filled the valleys, he looked upon the mountain tops, and when the mountains in darkness disappeared, fixed his gaze upon the stars.
In his brain were the blessed memories of the day and in his heart were mingled the dawn and dusk of life.
He was not afraid; he was cheerful every moment. The laughing nymphs of day did not desert him. They remained that they might clasp the hands and greet with smiles the veiled and silent sisters of the night. And when they did come, Walt Whitman stretched his hand to them. On one side were the nymphs of day, and on the other the silent sisters of the night, and so, hand in hand, between smiles and tears, he reached his journey's end.
From the frontier of life, from the western wave-kissed shore, he sent us messages of content and hope, and these messages seem now like strains of music blown by the "Mystic Trumpeter" from Death's pale realm.
To-day we give back to Mother Nature, to her clasp and kiss, one of the bravest, sweetest souls that ever lived in human clay.
Charitable as the air and generous as Nature, he was negligent of all except to do and say what he believed he should do and should say.
And I to-day thank him, not only for you but for myself, for all the brave words he has uttered. I thank him for all the great and splendid words he has said in favor of liberty, in favor of man and woman, in favor of motherhood, in favor of fathers, in favor of children, and I thank him for the brave words that he has said of death.
He has lived, he has died, and death is less terrible than it was before. Thousands and millions will walk down into the "dark valley of the shadow" holding Walt Whitman by the hand. Long after we are dead the brave words he has spoken will sound like trumpets to the dying.
And so I lay this little wreath upon this great man's tomb. I loved him living, and I love him still.
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Walt Whitman: An AddressChapter XII: Old Age
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