Chapter XII: Introduction (11)

In early spring, when the storks flew again towards the North, beautiful Helga took off her golden bracelet, and scratched her name upon it; and beckoning to the stork-father, she placed the golden hoop around his neck, and begged him to deliver it to the Viking woman, so that the latter might see that her adopted daughter was well, and had not forgotten her.

"That's heavy to carry," thought the stork-papa, when he had the golden ring round his neck; "but gold and honour are not to be flung into the street. The stork brings good fortune; they'll be obliged to acknowledge that over yonder."

"You lay gold and I lay eggs," said the stork-mamma. "But with you it's only once in a way, whereas I lay eggs every year; but neither of us is appreciated--that's very disheartening."

"Still one has one's inward consciousness, mother," replied stork-papa.

"But you can't hang that round your neck," stork-mamma retorted; "and it won't give you a good wind or a good meal."

The little nightingale, singing yonder in the tamarind tree, will soon be going north too. Helga the fair had often heard the sweet bird sing up yonder by the wild moor; now she wanted to give it a message to carry, for she had learned the language of birds when she flew in the swan's plumage; she had often conversed with stork and with swallow, and she knew the nightingale would understand her. So she begged the little bird to fly to the beech wood, on the peninsula of Jutland, where the grave-hill had been reared with stones and branches, and begged the nightingale to persuade all other little birds that they might build their nests around the place, so that the song of birds should resound over that sepulchre for evermore. And the nightingale flew away--and time flew away.

In autumn the eagle stood upon the pyramid and saw a stately train of richly laden camels approaching, and richly attired armed men on foaming Arab steeds, shining white as silver, with pink trembling nostrils, and great thick manes hanging down almost over their slender legs. Wealthy guests, a royal prince of Arabia, handsome as a prince should be, came into the proud mansion on whose roof the stork's nests now stood empty: those who had inhabited the nest were away now, in the far north; but they would soon return. And, indeed, they returned on that very day that was so rich in joy and gladness. Here a marriage was celebrated, and fair Helga was the bride, shining in jewels and silk. The bridegroom was the young Arab prince, and bride and bridegroom sat together at the upper end of the table, between mother and grandfather.

But her gaze was not fixed upon the bridegroom, with his manly sun-browned cheeks, round which a black beard curled; she gazed not at his dark fiery eyes that were fixed upon her--but far away at a gleaming star that shone down from the sky.

Then strong wings were heard beating the air. The storks were coming home, and however tired the old stork pair might be from the journey, and however much they needed repose, they did not fail to come down at once to the balustrades of the verandah; for they knew what feast was being celebrated. Already on the frontier of the land they had heard that Helga had caused their figures to be painted on the wall--for did they not belong to her history?

"That's very pretty and suggestive," said stork-papa.

"But it's very little," observed stork-mamma. "They could not possibly have done less."

And when Helga saw them, she rose and came on to the verandah, to stroke the backs of the storks. The old pair waved their heads and bowed their necks, and even the youngest among the young ones felt highly honoured by the reception.

And Helga looked up to the gleaming star, which seemed to glow purer and purer; and between the star and herself there floated a form, purer than the air, and visible through it: it floated quite close to her. It was the spirit of the dead Christian priest; he too was coming to her wedding feast--coming from heaven.

"The glory and brightness yonder outshines everything that is known on earth!" he said.

And fair Helga begged so fervently, so beseechingly, as she had never yet prayed, that it might be permitted her to gaze in there for one single moment, that she might be allowed to cast but a single glance into the brightness that beamed in the kingdom.

Then he bore her up amid splendour and glory. Not only around her, but within her, sounded voices and beamed a brightness that words cannot express.

"Now we must go back; thou wilt be missed," he said.

"Only one more look!" she begged. "But one short minute more!"

"We must go back to the earth. The guests will all depart."

"Only one more look--the last."

And Helga stood again in the verandah; but the marriage lights without had vanished, and the lamps in the hall were extinguished, and the storks were gone--nowhere a guest to be seen--no bridegroom--all seemed to have been swept away in those few short minutes!

Then a great dread came upon her. Alone she went through the empty great hall into the next chamber. Strange warriors slept yonder. She opened a side door which led into her own chamber; and, as she thought to step in there, she suddenly found herself in the garden; but yet it had not looked thus here before--the sky gleamed red--the morning dawn was come.

Three minutes only in heaven and a whole night on earth had passed away!

Then she saw the storks again. She called to them, spoke their language; and stork-papa turned his head towards her, listened to her words, and drew near.

"You speak our language," he said; "what do you wish? Why do you appear here--you, a strange woman?"

"It is I--it is Helga--dost thou not know me? Three minutes ago we were speaking together yonder in the verandah!"

"That's a mistake," said the stork; "you must have dreamt all that!"

"No, no!" she persisted. And she reminded him of the Viking's castle, and of the great ocean, and of the journey hither.

Then stork-papa winked with his eyes, and said:

"Why, that's an old story, which I heard from the time of my great-grandfather. There certainly was here in Egypt a princess of that kind from the Danish land, but she vanished on the evening of her wedding-day, many hundred years ago, and never came back! You may read about it yourself yonder on the monument in the garden; there you'll find swans and storks sculptured, and at the top you are yourself in white marble!"

And thus it was. Helga saw it, and understood it, and sank on her knees.

The sun burst forth in glory; and as, in time of yore, the frog-shape had vanished in its beams, and the beautiful form had stood displayed, so now in the light a beauteous form, clearer, purer than air--a beam of brightness--flew up into heaven!

The body crumbled to dust; and a faded lotos-flower lay on the spot where Helga had stood.

* * * * *

"Well, that's a new ending to the story," said stork-papa. "I had certainly not expected it. But I like it very well."

"But what will the young ones say to it?" said stork-mamma.

"Yes, certainly, that's the important point," replied he.

THE LAST DREAM OF THE OLD OAK TREE.

A CHRISTMAS TALE.

In the forest, high up on the steep shore, hard by the open sea coast, stood a very old oak tree. It was exactly three hundred and sixty-five years old, but that long time was not more for the tree than just as many days would be to us men. We wake by day and sleep through the night, and then we have our dreams: it is different with the tree, which keeps awake through three seasons of the year, and does not get its sleep till winter comes. Winter is its time for rest, its night after the long day which is called spring, summer, and autumn.

On many a warm summer day the Ephemera, the fly that lives but for a day, had danced around his crown--had lived, enjoyed, and felt happy; and then rested for a moment in quiet bliss the tiny creature, on one of the great fresh oak leaves; and then the tree always said:

"Poor little thing! Your whole life is but a single day! How very short! It's quite melancholy!"

"Melancholy! Why do you say that?" the Ephemera would then always reply. "It's wonderfully bright, warm, and beautiful all around me, and that makes me rejoice!"

"But only one day, and then it's all done!"

"Done!" repeated the Ephemera. "What's the meaning of _done_? Are you _done_, too?"

"No; I shall perhaps live for thousands of your days, and my day is whole seasons long! It's something so long, that you can't at all manage to reckon it out."

"No? then I don't understand you. You say you have thousands of my days; but I have thousands of moments, in which I can be merry and happy. Does all the beauty of this world cease when you die?"

"No," replied the Tree; "it will certainly last much longer--far longer than I can possibly think."

"Well, then, we have the same time, only that we reckon differently."

And the Ephemera danced and floated in the air, and rejoiced in her delicate wings of gauze and velvet, and rejoiced in the balmy breezes laden with the fragrance of meadows and of wild roses and elder-flowers, of the garden hedges, wild thyme, and mint, and daisies; the scent of these was all so strong that the Ephemera was almost intoxicated. The day was long and beautiful, full of joy and of sweet feeling, and when the sun sank low the little fly felt very agreeably tired of all its happiness and enjoyment. The delicate wings would not carry it any more, and quietly and slowly it glided down upon the soft grass blade, nodded its head as well as it could nod, and went quietly to sleep--and was dead.

"Poor little Ephemera!" said the Oak. "That was a terribly short life!"

And on every summer day the same dance was repeated, the same question and answer, and the same sleep. The same thing was repeated through whole generations of ephemera, and all of them felt equally merry and equally happy.

The Oak stood there awake through the spring morning, the noon of summer, and the evening of autumn; and its time of rest, its night, was coming on apace. Winter was approaching.

Already the storms were singing their "good night, good night!" Here fell a leaf, and there fell a leaf.

"We'll rock you, and dandle you! Go to sleep, go to sleep! We sing you to sleep, we shake you to sleep, but it does you good in your old twigs, does it not? They seem to crack for very joy! Sleep sweetly, sleep sweetly! It's your three hundred and sixty-fifth night. Properly speaking, you're only a stripling as yet! Sleep sweetly! The clouds strew down snow, there will be quite a coverlet, warm and protecting, around your feet. Sweet sleep to you, and pleasant dreams!"

And the Oak Tree stood there, denuded of all its leaves, to sleep through the long winter, and to dream many a dream, always about something that had happened to it, just as in the dreams of men.

The great Oak had once been small--indeed, an acorn had been its cradle. According to human computation, it was now in its fourth century. It was the greatest and best tree in the forest; its crown towered far above all the other trees, and could be descried from afar across the sea, so that it served as a landmark to the sailors: the tree had no idea how many eyes were in the habit of seeking it. High up in its green summit the wood-pigeon built her nest, and the cuckoo sat in its boughs, and sang his song; and in autumn, when the leaves looked like thin plates of copper, the birds of passage came and rested there, before they flew away across the sea; but now it was winter, and the tree stood there leafless, so that every one could see how gnarled and crooked the branches were that shot forth from its trunk. Crows and rooks came and took their seat by turns in the boughs, and spoke of the hard times which were beginning, and of the difficulty of getting a living in winter.

It was just at the holy Christmas time, when the tree dreamed its most glorious dream.

The tree had a distinct feeling of the festive time, and fancied he heard the bells ringing from the churches all around; and yet it seemed as if it were a fine summer's day, mild and warm. Fresh and green he spread out his mighty crown; the sunbeams played among the twigs and the leaves; the air was full of the fragrance of herbs and blossoms; gay butterflies chased each other to and fro. The ephemeral insects danced as if all the world were created merely for them to dance and be merry in. All that the tree had experienced for years and years, and that had happened around him, seemed to pass by him again, as in a festive pageant. He saw the knights of ancient days ride by with their noble dames on gallant steeds, with plumes waving in their bonnets and falcons on their wrists. The hunting horn sounded, and the dogs barked. He saw hostile warriors in coloured jerkins and with shining weapons, with spear and halbert, pitching their tents and striking them again. The watch-fires flamed up anew, and men sang and slept under the branches of the tree. He saw loving couples meeting near his trunk, happily, in the moonshine; and they cut the initials of their names in the grey-green bark of his stem. Once--but long years had rolled by since then--citherns and Æolian harps had been hung up on his boughs by merry wanderers, now they hung there again, and once again they sounded in tones of marvellous sweetness. The wood-pigeons cooed, as if they were telling what the tree felt in all this, and the cuckoo called out to tell him how many summer days he had yet to live.

Then it appeared to him as if new life were rippling down into the remotest fibre of his root, and mounting up into his highest branches, to the tops of the leaves. The tree felt that he was stretching and spreading himself, and through his root he felt that there was life and motion even in the ground itself. He felt his strength increase, he grew higher, his stem shot up unceasingly, and he grew more and more, his crown became fuller, and spread out; and in proportion as the tree grew, he felt his happiness increase, and his joyous hope that he should reach even higher--quite up to the warm brilliant sun.

Already had he grown high above the clouds, which floated past beneath his crown like dark troops of passage-birds, or like great white swans. And every leaf of the tree had the gift of sight, as if it had eyes wherewith to see; the stars became visible in broad daylight, great and sparkling; each of them sparkled like a pair of eyes, mild and clear. They recalled to his memory well-known gentle eyes, eyes of children, eyes of lovers who had met beneath his boughs.

It was a marvellous spectacle, and one full of happiness and joy! And yet amid all this happiness the tree felt a longing, a yearning desire that all other trees of the wood beneath him, and all the bushes, and herbs, and flowers, might be able to rise with him, that they too might see this splendour, and experience this joy. The great majestic oak was not quite happy in his happiness, while he had not them all, great and little, about him; and this feeling of yearning trembled through his every twig, through his every leaf, warmly and fervently as through a human heart.

The crown of the tree waved to and fro, as if he sought something in his silent longing, and he looked down. Then he felt the fragrance of thyme, and soon afterwards the more powerful scent of honeysuckle and violets; and he fancied he heard the cuckoo answering him.

Yes, through the clouds the green summits of the forest came peering up, and under himself the Oak saw the other trees, as they grew and raised themselves aloft. Bushes and herbs shot up high, and some tore themselves up bodily by the roots to rise the quicker. The birch was the quickest of all. Like a white streak of lightning, its slender stem shot upwards in a zigzag line, and the branches spread around it like green gauze and like banners; the whole woodland natives, even to the brown plumed rushes, grew up with the rest, and the birds came too, and sang; and on the grass blade that fluttered aloft like a long silken ribbon into the air, sat the grasshopper cleaning his wings with his leg; the May beetles hummed, and the bees murmured, and every bird sang in his appointed manner; all was song and sound of gladness up into the high heaven.

"But the little blue flower by the water-side, where is that?" said the Oak; "and the purple bell-flower and the daisy?" for, you see, the old Oak Tree wanted to have them all about him.

"We are here--we are here!" was shouted and sung in reply.

"But the beautiful thyme of last summer--and in the last year there was certainly a place here covered with lilies of the valley! and the wild apple tree that blossomed so splendidly! and all the glory of the wood that came year by year--if that had only just been born, it might have been here now!"

"We are here, we are here!" replied voices still higher in the air. It seemed as if they had flown on before.

"Why, that is beautiful, indescribably beautiful!" exclaimed the old Oak Tree, rejoicingly. "I have them all around me, great and small; not one has been forgotten! How can so much happiness be imagined? How can it be possible?"

"In heaven, in the better land, it can be imagined, and it is possible!" the reply sounded through the air.

And the old tree, who grew on and on, felt how his roots were tearing themselves free from the ground.

"That's right, that's better than all!" said the tree. "Now no fetters hold me! I can fly up now, to the very highest, in glory and in light! And all my beloved ones are with me, great and small--all of them, all!"

That was the dream of the old Oak Tree; and while he dreamt thus a mighty storm came rushing over land and sea--at the holy Christmas tide. The sea rolled great billows towards the shore; there was a cracking and crashing in the tree--his root was torn out of the ground in the very moment while he was dreaming that his root freed itself from the earth. He fell. His three hundred and sixty-five years were now as the single day of the Ephemera.

On the morning of the Christmas festival, when the sun rose, the storm had subsided. From all the churches sounded the festive bells, and from every hearth, even from the smallest hut, arose the smoke in blue clouds, like the smoke from the altars of the druids of old at the feast of thanks offerings. The sea became gradually calm, and on board a great ship in the offing, that had fought successfully with the tempest, all the flags were displayed, as a token of joy suitable to the festive day.

"The tree is down--the old Oak Tree, our landmark on the coast!" said the sailors. "It fell in the storm of last night. Who can replace it? No one can."

This was the funeral oration, short but well meant, that was given to the tree, which lay stretched on the snowy covering on the sea shore; and over its prostrate form sounded the notes of a song from the ship, a carol of the joys of Christmas, and of the redemption of the soul of man by His blood, and of eternal life.

"Sing, sing aloud, this blessed morn--
It is fulfilled--and He is born,
Oh, joy without compare!
Hallelujah! Hallelujah!"

Thus sounded the old psalm tune, and every one on board the ship felt lifted up in his own way, through the song and the prayer, just as the old tree had felt lifted up in its last, its most beauteous dream in the Christmas night.

THE BELL-DEEP.

"Ding-dong! ding-dong!" It sounds up from the "bell-deep," in the Odense-Au. Every child in the old town of Odense, on the island of Fünen, knows the Au, which washes the gardens round about the town, and flows on under the wooden bridges from the dam to the water-mill. In the Au grow the yellow water-lilies and brown feathery reeds; the dark velvety flag grows there, high and thick; old, decayed willows, slanting and tottering, hang far out over the stream beside the monks' meadow and by the bleaching-ground; but opposite there are gardens upon gardens, each different from the rest, some with pretty flowers and bowers like little dolls' pleasure-grounds, often displaying only cabbage and other kitchen plants; and here and there the gardens cannot be seen at all, for the great elder trees that spread themselves out by the bank, and hang far out over the streaming waters, which are deeper here and there than an oar can fathom. Opposite the old nunnery is the deepest place, which is called the "bell-deep," and there dwells the old water spirit, the "Au-mann." This spirit sleeps through the day while the sun shines down upon the water; but in starry and moonlit nights he shows himself. He is very old: grandmother says that she has heard her own grandmother tell of him; he is said to lead a solitary life, and to have nobody with whom he can converse save the great old church bell. Once the bell hung in the church tower; but now there is no trace left of the tower or of the church, which was called St. Alban's.

"Ding-dong! ding-dong!" sounded the bell, when the tower still stood there; and one evening, while the sun was setting, and the bell was swinging away bravely, it broke loose and came flying down through the air, the brilliant metal shining in the ruddy beam.

"Ding-dong! ding-dong! Now I'll retire to rest!" sang the bell, and flew down into the Odense-Au where it is deepest; and that is why the place is called the "bell-deep." But the bell got neither rest nor sleep. Down in the Au-mann's haunt it sounds and rings, so that the tones sometimes pierce upward through the waters; and many people maintain that its strains forebode the death of some one; but that is not true, for then the bell is only talking with the Au-mann, who is now no longer alone.

And what is the bell telling? It is old, very old, as we have already observed; it was there long before grandmother's grandmother was born; and yet it is but a child in comparison with the Au-mann, who is an old quiet personage, an oddity, with his hose of eel-skin, and his scaly jacket with the yellow lilies for buttons, and a wreath of reed in his hair and seaweed in his beard; but he looks very pretty for all that.

What the bell tells? To repeat it all would require years and days; for year by year it is telling the old stories, sometimes short ones, sometimes long ones, according to its whim; it tells of old times, of the dark hard times, thus:

"In the church of St. Alban, the monk mounted up into the tower. He was young and handsome, but thoughtful exceedingly. He looked through the loophole out upon the Odense-Au, when the bed of the water was yet broad, and the monks' meadow was still a lake; he looked out over it, and over the rampart, and over the nuns' hill opposite, where the convent lay, and the light gleamed forth from the nun's cell; he had known the nun right well, and he thought of her, and his heart beat quicker as he thought. Ding-dong! ding-dong!"

Yes, this was the story the bell told.

"Into the tower came also the dapper man-servant of the bishop; and when I, the bell, who am made of metal, rang hard and loud, and swung to and fro, I might have beaten out his brains. He sat down close under me, and played with two little sticks as if they had been a stringed instrument; and he sang to it. 'Now I may sing it out aloud, though at other times I may not whisper it. I may sing of everything that is kept concealed behind lock and bars. Yonder it is cold and wet. The rats are eating her up alive! Nobody knows of it! Nobody hears of it! Not even now, for the bell is ringing and singing its loud Ding-dong! ding-dong.'

"There was a king in those days; they called him Canute. He bowed himself before bishop and monk; but when he offended the free peasants with heavy taxes and hard words, they seized their weapons and put him to flight like a wild beast. He sought shelter in the church, and shut gate and door behind him. The violent band surrounded the church; I heard tell of it. The crows, ravens, and magpies started up in terror at the yelling and shouting that sounded around. They flew into the tower and out again, they looked down upon the throng below, and they also looked into the windows of the church, and screamed out aloud what they saw there. King Canute knelt before the altar in prayer, his brothers Eric and Benedict stood by him as a guard with drawn swords; but the king's servant, the treacherous Blake, betrayed his master; the throng in front of the church knew where they could hit the king, and one of them flung a stone through a pane of glass, and the king lay there dead! The cries and screams of the savage horde and of the birds sounded through the air, and I joined in it also; for I sang 'Ding-dong! ding-dong!'

"The church bell hangs high and looks far around, and sees the birds around it, and understands their language; the wind roars in upon it through windows and loopholes; and the wind knows everything, for he gets it from the air, which encircles all things, and the church bell understands his tongue, and rings it out into the world, 'Ding-dong! ding-dong!'

"But it was too much for me to hear and to know; I was not able any longer to ring it out. I became so tired, so heavy, that the beam broke, and I flew out into the gleaming Au where the water is deepest, and where the Au-mann lives, solitary and alone; and year by year I tell him what I have heard and what I know. Ding-dong! ding-dong!"

Thus it sounds complainingly out of the bell-deep in the Odense-Au: that is what grandmother told us.

But the schoolmaster says that there was not any bell that rung down there, for that it could not do so; and that no Au-mann dwelt yonder, for there was no Au-mann at all! And when all the other church bells are sounding sweetly, he says that it is not really the bells that are sounding, but that it is the air itself which sends forth the notes; and grandmother said to us that the bell itself said it was the air who told it him, consequently they are agreed on that point, and this much is sure. "Be cautious, cautious, and take good heed to thyself," they both say.

The air knows everything. It is around us, it is in us, it talks of our thoughts and of our deeds, and it speaks longer of them than does the bell down in the depths of the Odense-Au where the Au-mann dwells; it rings it out into the vault of heaven, far, far out, for ever and ever, till the heaven bells sound "Ding-dong! ding-dong!"

THE PUPPET SHOWMAN.

On board the steamer was an elderly man with such a merry face that, if it did not belie him, he must have been the happiest fellow in creation. And, indeed, he declared he was the happiest man; I heard it out of his own mouth. He was a Dane, a travelling theatre director. He had all his company with him in a large box, for he was proprietor of a puppet-show. His inborn cheerfulness, he said, had been _purified_ by a Polytechnic candidate, and the experiment had made him completely happy. I did not at first understand all this, but afterwards he explained the whole story to me, and here it is. He told me:

"It was in the little town of Slagelse I gave a representation in the hall of the posting-house, and had a brilliant audience, entirely a juvenile one, with the exception of two respectable matrons. All at once a person in black, of student-like appearance, came into the room and sat down; he laughed aloud at the telling parts, and applauded quite appropriately. That was quite an unusual spectator for me! I felt anxious to know who he was, and I heard he was a candidate from the Polytechnic Institution in Copenhagen, who had been sent out to instruct the folks in the provinces. Punctually at eight o'clock my performance closed; for children must go early to bed, and a manager must consult the convenience of his public. At nine o'clock the candidate commenced his lecture, with experiments, and now I formed part of _his_ audience. It was wonderful to hear and to see. The greater part of it was beyond my scope; but still it made me think that if we men can find out so much, we must be surely intended to last longer than the little span until we are hidden away in the earth. They were quite miracles in a small way that he showed, and yet everything flowed as naturally as water! At the time of Moses and the prophets such a man would have been received among the sages of the land; in the middle ages they would have burned him at a stake. All night long I could not go to sleep. And the next evening, when I gave another performance, and the candidate was again present, I felt fairly overflowing with humour. I once heard from a player that when he acted a lover he always thought of one particular lady among the audience; he only played for her, and forgot all the rest of the house; and now the Polytechnic candidate was my 'she,' my only auditor, for whom alone I played. And when the performance was over, all the puppets were called before the curtain, and the Polytechnic candidate invited me into his room to take a glass of wine; and he spoke of my comedies, and I of his science; and I believe we were both equally pleased. But I had the best of it, for there was much in what he did of which he could not always give me an explanation. For instance, that a piece of iron that falls through a spiral should become magnetic. Now, how does that happen? The spirit comes upon it; but whence does it come? It is as with people in this world; they are made to tumble through the spiral of this world, and the spirit comes upon them, and there stands a Napoleon, or a Luther, or a person of that kind. 'The whole world is a series of miracles,' said the candidate; 'but we are so accustomed to them that we call them every-day matters.' And he went on explaining things to me until my skull seemed lifted up over my brain, and I declared that if I were not an old fellow I would at once visit the Polytechnic Institution, that I might learn to look at the sunny side of the world, though I am one of the happiest of men. 'One of the happiest!' said the candidate, and he seemed to take real pleasure in it. 'Are you happy?' 'Yes,' I replied, 'and they welcome me in all the towns where I come with my company; but I certainly have _one_ wish, which sometimes lies like lead, like an Alp, upon my good humour: I should like to become a real theatrical manager, the director of a real troupe of men and women!' 'I see,' he said, 'you would like to have life breathed into your puppets, so that they might be real actors, and you their director; and would you then be quite happy?' He did not believe it; but I believed it, and we talked it over all manner of ways without coming any nearer to an agreement; but we clanked our glasses together, and the wine was excellent. There was some magic in it, or I should certainly have become tipsy. But that did not happen; I retained my clear view of things, and somehow there was sunshine in the room, and sunshine beamed out of the eyes of the Polytechnic candidate. It made me think of the old stories of the gods, in their eternal youth, when they still wandered upon earth and paid visits to the mortals; and I said so to him, and he smiled, and I could have sworn he was one of the ancient gods in disguise, or that, at any rate, he belonged to the family! and certainly he must have been something of the kind, for my highest wish was to have been fulfilled, the puppets were to be gifted with life, and I was to be director of a real company. We drank to my success and clinked our glasses. He packed all my dolls into a box, bound the box on my back, and then let me fall through a spiral. I heard myself tumbling, and then I was lying on the floor--I know that quite well--and the whole company sprang out of the box. The spirit had come upon all of us: all the puppets had become distinguished artists, so they said themselves, and I was the director. All was ready for the first representation; the whole company wanted to speak to me, and the public also. The dancing lady said the house would fall down if she did not keep it up by standing on one leg; for she was the great genius, and begged to be treated as such. The lady who acted the queen wished to be treated off the stage as a queen, or else she should get out of practice. The man who was only employed to deliver a letter gave himself just as many airs as the first lover, for he declared the little ones were just as important as the great ones, and that all were of equal consequence, considered as an artistic whole. The hero would only play parts composed of nothing but points; for those brought him down the applause. The prima donna would only play in a red light; for she declared that a blue one did not suit her complexion. It was like a company of flies in a bottle; and I was in the bottle with them, for I was the director. My breath stopped and my head whirled round; I was as miserable as a man can be. It was quite a novel kind of men among whom I now found myself. I only wished I had them all in the box again, and that I had never been a director at all; so I told them roundly that after all they were nothing but puppets; and then they killed me. I found myself lying on my bed in my room; and how I got there, and how I got away at all from the Polytechnic candidate, he may perhaps know, for I don't. The moon shone upon the floor where the box lay open, and the dolls all in a confusion together--great and small all scattered about; but I was not idle. Out of bed I jumped, and into the box they had all to go, some on their heads, some on their feet, and I shut down the lid and seated myself upon the box. 'Now you'll just have to stay there,' said I, 'and I shall beware how I wish you flesh and blood again.' I felt quite light, my good humour had come back, and I was the happiest of mortals. The Polytechnic student had fully purified me. I sat as happy as a king, and went to sleep on the box. The next morning--strictly speaking it was noon, for I slept wonderfully late that day--I was still sitting there, happy and conscious that my former wish had been a foolish one. I inquired for the Polytechnic candidate, but he was gone, like the Greek and Roman gods; and from that time I've been the happiest of men. I am a happy director: none of my company ever grumble, nor my public either, for they are always merry. I can put my pieces together just as I please. I take out of every comedy what pleases me best, and no one is angry at it. Pieces that are neglected now-a-days by the great public, but which it used to run after thirty years ago, and at which it used to cry till the tears ran down its cheeks, these pieces I now take up; I put them before the little ones, and the little ones cry just as papa and mamma used to cry thirty years ago; but I shorten them, for the youngsters don't like a long palaver; what they want is something mournful, but quick."

THE PIGS.

Charles Dickens once told us about a pig, and since that time we are in a good humour if we only hear one grunt. St. Antony took the pig under his protection; and when we think of the prodigal son we always associate with him the idea of feeding swine; and it was in front of a pig-sty that a certain carriage stopped in Sweden, about which I am going to talk. The farmer had his pig-sty built out towards the high road, close by his house, and it was a wonderful pig-sty. It was an old state carriage. The seats had been taken out and the wheels taken off, and so the body of the old coach lay on the ground, and four pigs were shut up inside it. I wonder if these were the first that had ever been there? That point could not certainly be determined; but that it had been a real state coach everything bore witness, even to the damask rag that hung down from the roof; everything spoke of better days.

"Humph! humph!" said the occupants, and the coach creaked and groaned; for it had come to a mournful end. "The beautiful has departed," it sighed--or at least it might have done so.

We came back in autumn. The coach was there still, but the pigs were gone. They were playing the grand lords out in the woods. Blossoms and leaves were gone from all the trees, and storm and rain ruled, and gave them neither peace nor rest; and the birds of passage had flown. "The beautiful has departed! This was the glorious green wood, but the song of the birds and the warm sunshine are gone! gone!" Thus said the mournful voice that creaked in the lofty branches of the trees, and it sounded like a deep-drawn sigh, a sigh from the bosom of the wild rose tree, and of him who sat there; it was the rose king. Do you know him? He is all beard, the finest reddish-green beard; he is easily recognized. Go up to the wild rose bushes, and when in autumn all the flowers have faded from them, and only the wild hips remain, you will often find under them a great red-green moss flower; and that is the rose king. A little green leaf grows up out of his head, and that's his feather. He is the only man of his kind on the rose bush; and he it was who sighed.

"Gone! gone! The beautiful is gone! The roses have faded, and the leaves fall down! It's wet here! it's boisterous here! The birds who used to sing are dumb, and the pigs go out hunting for acorns, and the pigs are the lords of the forest!"

The nights were cold and the days were misty; but, for all that, the raven sat on the branch and sang, "Good! good!" Raven and crow sat on the high bough; and they had a large family, who all said, "Good! good!" and the majority is always right.

Under the high trees, in the hollow, was a great puddle, and here the pigs reclined, great and small. They found the place so inexpressibly lovely! "Oui! oui!" they all exclaimed. That was all the French they knew, but even that was something; and they were so clever and so fat!

The old ones lay quite still, and reflected; the young ones were very busy, and were not quiet a moment. One little porker had a twist in his tail like a ring, and this ring was his mothers's pride: she thought all the rest were looking at the ring, and thinking only of the ring; but that they were not doing; they were thinking of themselves and of what was useful, and what was the use of the wood. They had always heard that the acorns they ate grew at the roots of the trees, and accordingly they had grubbed up the ground; but there came quite a little pig--it's always the young ones who come out with their new-fangled notions--who declared that the acorns fell down from the branches, for one had just fallen down on his head, and the idea had struck him at once, afterwards he had made observations, and now was quite certain on the point. The old ones put their heads together. "Umph!" they said, "umph! The glory has departed: the twittering of the birds is all over: we want fruit; whatever's good to eat is good, and we eat everything."

"Oui! oui!" chimed in all the rest.

But the mother now looked at her little porker, the one with the ring in his tail, "One must not overlook the beautiful," she said. "Good! good!" cried the crow, and flew down from the tree to try and get an appointment as nightingale; for some one must be appointed; and the crow obtained the office directly.

"Gone! gone!" sighed the rose king. "All the beautiful is gone!"

It was boisterous, it was grey, cold, and windy; and through the forest and over the field swept the rain in long dark streaks. Where is the bird who sang, where are the flowers upon the meadow, and the sweet berries of the wood? Gone! gone!

Then a light gleamed from the forester's house. It was lit up like a star, and threw its long ray among the trees. A song sounded forth out of the house! Beautiful children played there round the old grandfather. He sat with the Bible on his knee, and read of the Creator and of a better world, and spoke of spring that would return, of the forest that would array itself in fresh green, of the roses that would bloom, the nightingale that would sing, and of the beautiful that would reign in its glory again.

But the rose king heard it not, for he sat in the cold, damp weather, and sighed, "Gone! gone!" And the pigs were the lords of the forest, and the old mother sow looked proudly at her little porker with the twist in his tail. "There is always somebody who has a soul for the beautiful!" she said.

ANNE LISBETH.

Anne Lisbeth had a colour like milk and blood; young, fresh, and merry, she looked beautiful, with gleaming white teeth and clear eyes; her footstep was light in the dance, and her mind was lighter still. And what came of it all? Her son was an ugly brat! Yes, he was not pretty; so he was put out to be nursed by the labourer's wife. Anne Lisbeth was taken into the count's castle, and sat there in the splendid room arrayed in silks and velvets; not a breath of wind might blow upon her, and no one was allowed to speak a harsh word to her. No, that might not be; for she was nurse to the count's child, which was delicate and fair as a prince, and beautiful as an angel; and how she loved this child! Her own boy was provided for at the labourer's, where the mouth boiled over more frequently than the pot, and where, in general, no one was at home to take care of the child. Then he would cry; but what nobody knows, that nobody cares for, and he would cry till he was tired, and then he fell asleep; and in sleep one feels neither hunger nor thirst. A capital invention is sleep.

With years, just as weeds shoot up, Anne Lisbeth's child grew, but yet they said his growth was stunted; but he had quite become a member of the family in which he dwelt; they had received money to keep him. Anne Lisbeth was rid of him for good. She had become a town lady, and had a comfortable home of her own; and out of doors she wore a bonnet, when she went out for a walk; but she never walked out to see the labourer--that was too far from the town; and indeed she had nothing to go for; the boy belonged to the labouring people, and she said he could eat his food, and he should do something to earn his food, and consequently he kept Matz's red cow. He could already tend cattle and make himself useful.

The big dog, by the yard gate of the nobleman's mansion, sits proudly in the sunshine on the top of the kennel, and barks at every one who goes by: if it rains he creeps into his house, and there he is warm and dry. Ann Lisbeth's boy sat in the sunshine on the fence of the field, and cut out a pole-pin. In the spring he knew of three strawberry plants that were in blossom, and would certainly bear fruit, and that was his most hopeful thought; but they came to nothing. He sat out in the rain in foul weather, and was wet to the skin, and afterwards the cold wind dried the clothes on his back. When he came to the lordly farmyard he was hustled and cuffed, for the men and maids declared he was horribly ugly; but he was used to that--loved by nobody!

That was how it went with Anne Lisbeth's boy; and how could it go otherwise? It was, once for all, his fate to be beloved by nobody.

Till now a "land crab," the land at last threw him overboard. He went to sea in a wretched vessel, and sat by the helm, while the skipper sat over the grog-can. He was dirty and ugly, half frozen and half starved: one would have thought he had never had enough; and that really was the case.

It was late in autumn, rough, wet, windy weather; the wind cut cold through the thickest clothing, especially at sea; and out to sea went a wretched boat, with only two men on board, or, properly speaking, with only a man and a half, the skipper and his boy. It had only been a kind of twilight all day, and now it became dark; and it was bitter cold. The skipper drank a dram, which was to warm him from within. The bottle was old, and the glass too; it was whole at the top, but the foot was broken off, and therefore it stood upon a little carved block of wood painted blue. "A dram comforts one, and two are better still," thought the skipper. The boy sat at the helm, which he held fast in his hard seamed hands: he was ugly, and his hair was matted, and he looked crippled and stunted; he was the field labourer's boy, though in the church register he was entered as Anne Lisbeth's son.

The wind cut its way through the rigging, and the boat cut through the sea. The sail blew out, filled by the wind, and they drove on in wild career. It was rough and wet around and above, and it might come worse still. Hold! what was that? what struck there? what burst yonder? what seized the boat? It heeled, and lay on its beam ends! Was it a waterspout? Was it a heavy sea coming suddenly down? The boy at the helm cried out aloud, "Heaven help us!" The boat had struck on a great rock standing up from the depths of the sea, and it sank like an old shoe in a puddle; it sank "with man and mouse," as the saying is; and there were mice on board, but only one man and a half, the skipper and the labourer's boy. No one saw it but the swimming seagulls, and the fishes down yonder, and even they did not see it rightly, for they started back in terror when the water rushed into the ship, and it sank. There it lay scarce a fathom below the surface, and those two were provided for, buried and forgotten! Only the glass with the foot of blue wood did not sink; for the wood kept it up; the glass drifted away, to be broken and cast upon the shore--where and when? But, indeed, that is of no consequence. It had served its time, and it had been loved, which Anne Lisbeth's boy had not been. But in heaven no soul will be able to say, "Never loved!"

Anne Lisbeth had lived in the city for many years. She was called Madame, and felt her dignity, when she remembered the old "noble" days in which she had driven in the carriage, and had associated with countesses and baronesses. Her beautiful noble-child was the dearest angel, the kindest heart; he had loved her so much, and she had loved him in return; they had kissed and loved each other, and the boy had been her joy, her second life. Now he was so tall, and was fourteen years old, handsome and clever: she had not seen him since she carried him in her arms; for many years she had not been in the count's palace, for indeed it was quite a journey thither.

"I must once make an effort and go," said Anne Lisbeth. "I must go to my darling, to my sweet count's child. Yes, he certainly must long to see me too, the young count; he thinks of me and loves me as in those days when he flung his angel arms round my neck and cried 'Anne Liz.!' It sounded like music. Yes, I must make an effort and see him again."

She drove across the country in a grazier's cart, and then got out and continued her journey on foot, and thus reached the count's castle. It was great and magnificent as it had always been, and the garden looked the same as ever; but all the people there were strangers to her; not one of them knew Anne Lisbeth, and they did not know of what consequence she had once been there, but she felt sure the countess would let them know it, and her darling boy too. How she longed to see him!

Now, Anne Lisbeth was at her journey's end. She was kept waiting a considerable time, and for those who wait time passes slowly. But before the great people went to table she was called in and accosted very graciously. She was to see her sweet boy after dinner, and then she was to be called in again.

How tall and slender and thin he had grown! But he had still his beautiful eyes, and the angel-sweet mouth! He looked at her, but he said not a word: certainly he did not know her. He turned round, and was about to go away, but she seized his hand and pressed it to her mouth. "Good, good!" said he; and with that he went out of the room--he who filled her every thought--he whom she had loved best, and who was her whole earthly pride. Anne Lisbeth went out of the castle into the open highway, and she felt very mournful; he had been so cold and strange to her, had not a word nor a thought for her, he whom she had once carried day and night, and whom she still carried in her dreams.