Chapter II: Part 2

This particular memory never came to Johnny in broad daylight when he was wide awake. It came at night, in bed, at the moment that his consciousness was sinking down and losing itself in sleep. It always aroused him to frightened wakefulness, and for the moment, in the first sickening start, it seemed to him that he lay crosswise on the foot of the bed. In the bed were the vague forms of his father and mother. He never saw what his father looked like. He had but one impression of his father, and that was that he had savage and pitiless feet.

His earlier memories lingered with him, but he had no late memories. All days were alike. Yesterday or last year were the same as a thousand years--or a minute. Nothing ever happened. There were no events to mark the march of time. Time did not march. It stood always still. It was only the whirling machines that moved, and they moved nowhere--in spite of the fact that they moved faster.

When he was fourteen, he went to work on the starcher. It was a colossal event. Something had at last happened that could be remembered beyond a night's sleep or a week's pay-day. It marked an era. It was a machine Olympiad, a thing to date from. “When I went to work on the starcher,” or, “after,” or “before I went to work on the starcher,” were sentences often on his lips.

He celebrated his sixteenth birthday by going into the loom room and taking a loom. Here was an incentive again, for it was piece-work. And he excelled, because the clay of him had been moulded by the mills into the perfect machine. At the end of three months he was running two looms, and, later, three and four.

At the end of his second year at the looms he was turning out more yards than any other weaver, and more than twice as much as some of the less skilful ones. And at home things began to prosper as he approached the full stature of his earning power. Not, however, that his increased earnings were in excess of need. The children were growing up. They ate more. And they were going to school, and school-books cost money. And somehow, the faster he worked, the faster climbed the prices of things. Even the rent went up, though the house had fallen from bad to worse disrepair.

He had grown taller; but with his increased height he seemed leaner than ever. Also, he was more nervous. With the nervousness increased his peevishness and irritability. The children had learned by many bitter lessons to fight shy of him. His mother respected him for his earning power, but somehow her respect was tinctured with fear.

There was no joyousness in life for him. The procession of the days he never saw. The nights he slept away in twitching unconsciousness. The rest of the time he worked, and his consciousness was machine consciousness. Outside this his mind was a blank. He had no ideals, and but one illusion; namely, that he drank excellent coffee. He was a work-beast. He had no mental life whatever; yet deep down in the crypts of his mind, unknown to him, were being weighed and sifted every hour of his toil, every movement of his hands, every twitch of his muscles, and preparations were making for a future course of action that would amaze him and all his little world.

It was in the late spring that he came home from work one night aware of unusual tiredness. There was a keen expectancy in the air as he sat down to the table, but he did not notice. He went through the meal in moody silence, mechanically eating what was before him. The children um'd and ah'd and made smacking noises with their mouths. But he was deaf to them.

“D'ye know what you're eatin'?” his mother demanded at last, desperately.

He looked vacantly at the dish before him, and vacantly at her.

“Floatin' island,” she announced triumphantly.

“Oh,” he said.

“Floating island!” the children chorussed loudly.

“Oh,” he said. And after two or three mouthfuls, he added, “I guess I ain't hungry to-night.”

He dropped the spoon, shoved back his chair, and arose wearily from the table.

“An' I guess I'll go to bed.”

His feet dragged more heavily than usual as he crossed the kitchen floor. Undressing was a Titan's task, a monstrous futility, and he wept weakly as he crawled into bed, one shoe still on. He was aware of a rising, swelling something inside his head that made his brain thick and fuzzy. His lean fingers felt as big as his wrist, while in the ends of them was a remoteness of sensation vague and fuzzy like his brain. The small of his back ached intolerably. All his bones ached. He ached everywhere. And in his head began the shrieking, pounding, crashing, roaring of a million looms. All space was filled with flying shuttles. They darted in and out, intricately, amongst the stars. He worked a thousand looms himself, and ever they speeded up, faster and faster, and his brain unwound, faster and faster, and became the thread that fed the thousand flying shuttles.

He did not go to work next morning. He was too busy weaving colossally on the thousand looms that ran inside his head. His mother went to work, but first she sent for the doctor. It was a severe attack of la grippe, he said. Jennie served as nurse and carried out his instructions.

It was a very severe attack, and it was a week before Johnny dressed and tottered feebly across the floor. Another week, the doctor said, and he would be fit to return to work. The foreman of the loom room visited him on Sunday afternoon, the first day of his convalescence. The best weaver in the room, the foreman told his mother. His job would be held for him. He could come back to work a week from Monday.

“Why don't you thank 'im, Johnny?” his mother asked anxiously.

“He's ben that sick he ain't himself yet,” she explained apologetically to the visitor.

Johnny sat hunched up and gazing steadfastly at the floor. He sat in the same position long after the foreman had gone. It was warm outdoors, and he sat on the stoop in the afternoon. Sometimes his lips moved. He seemed lost in endless calculations.

Next morning, after the day grew warm, he took his seat on the stoop. He had pencil and paper this time with which to continue his calculations, and he calculated painfully and amazingly.

“What comes after millions?” he asked at noon, when Will came home from school. “An' how d'ye work 'em?”

That afternoon finished his task. Each day, but without paper and pencil, he returned to the stoop. He was greatly absorbed in the one tree that grew across the street. He studied it for hours at a time, and was unusually interested when the wind swayed its branches and fluttered its leaves. Throughout the week he seemed lost in a great communion with himself. On Sunday, sitting on the stoop, he laughed aloud, several times, to the perturbation of his mother, who had not heard him laugh for years.

Next morning, in the early darkness, she came to his bed to rouse him. He had had his fill of sleep all the week, and awoke easily. He made no struggle, nor did he attempt to hold on to the bedding when she stripped it from him. He lay quietly, and spoke quietly.

“It ain't no use, ma.”

“You'll be late,” she said, under the impression that he was still stupid with sleep.

“I'm awake, ma, an' I tell you it ain't no use. You might as well lemme alone. I ain't goin' to git up.”

“But you'll lose your job!” she cried.

“I ain't goin' to git up,” he repeated in a strange, passionless voice.

She did not go to work herself that morning. This was sickness beyond any sickness she had ever known. Fever and delirium she could understand; but this was insanity. She pulled the bedding up over him and sent Jennie for the doctor.

When that person arrived, Johnny was sleeping gently, and gently he awoke and allowed his pulse to be taken.

“Nothing the matter with him,” the doctor reported. “Badly debilitated, that's all. Not much meat on his bones.”

“He's always been that way,” his mother volunteered.

“Now go 'way, ma, an' let me finish my snooze.”

Johnny spoke sweetly and placidly, and sweetly and placidly he rolled over on his side and went to sleep.

At ten o'clock he awoke and dressed himself. He walked out into the kitchen, where he found his mother with a frightened expression on her face.

“I'm goin' away, ma,” he announced, “an' I jes' want to say good-bye.”

She threw her apron over her head and sat down suddenly and wept. He waited patiently.

“I might a-known it,” she was sobbing.

“Where?” she finally asked, removing the apron from her head and gazing up at him with a stricken face in which there was little curiosity.

“I don't know--anywhere.”

As he spoke, the tree across the street appeared with dazzling brightness on his inner vision. It seemed to lurk just under his eyelids, and he could see it whenever he wished.

“An' your job?” she quavered.

“I ain't never goin' to work again.”

“My God, Johnny!” she wailed, “don't say that!”

What he had said was blasphemy to her. As a mother who hears her child deny God, was Johnny's mother shocked by his words.

“What's got into you, anyway?” she demanded, with a lame attempt at imperativeness.

“Figures,” he answered. “Jes' figures. I've ben doin' a lot of figurin' this week, an' it's most surprisin'.”

“I don't see what that's got to do with it,” she sniffled.

Johnny smiled patiently, and his mother was aware of a distinct shock at the persistent absence of his peevishness and irritability.

“I'll show you,” he said. “I'm plum' tired out. What makes me tired? Moves. I've ben movin' ever since I was born. I'm tired of movin', an' I ain't goin' to move any more. Remember when I worked in the glass-house? I used to do three hundred dozen a day. Now I reckon I made about ten different moves to each bottle. That's thirty-six thousan' moves a day. Ten days, three hundred an' sixty thousan' moves. One month, one million an' eighty thousan' moves. Chuck out the eighty thousan'”--he spoke with the complacent beneficence of a philanthropist--“chuck out the eighty thousan', that leaves a million moves a month--twelve million moves a year.

“At the looms I'm movin' twic'st as much. That makes twenty-five million moves a year, an' it seems to me I've ben a movin' that way 'most a million years.

“Now this week I ain't moved at all. I ain't made one move in hours an' hours. I tell you it was swell, jes' settin' there, hours an' hours, an' doin' nothin'. I ain't never ben happy before. I never had any time. I've ben movin' all the time. That ain't no way to be happy. An' I ain't going to do it any more. I'm jes' goin' to set, an' set, an' rest, an' rest, and then rest some more.”

“But what's goin' to come of Will an' the children?” she asked despairingly.

“That's it, 'Will an' the children,'” he repeated.

But there was no bitterness in his voice. He had long known his mother's ambition for the younger boy, but the thought of it no longer rankled. Nothing mattered any more. Not even that.

“I know, ma, what you've ben plannin' for Will--keepin' him in school to make a book-keeper out of him. But it ain't no use, I've quit. He's got to go to work.”

“An' after I have brung you up the way I have,” she wept, starting to cover her head with the apron and changing her mind.

“You never brung me up,” he answered with sad kindliness. “I brung myself up, ma, an' I brung up Will. He's bigger'n me, an' heavier, an' taller. When I was a kid, I reckon I didn't git enough to eat. When he come along an' was a kid, I was workin' an' earnin' grub for him too. But that's done with. Will can go to work, same as me, or he can go to hell, I don't care which. I'm tired. I'm goin' now. Ain't you goin' to say goodbye?”

She made no reply. The apron had gone over her head again, and she was crying. He paused a moment in the doorway.

“I'm sure I done the best I knew how,” she was sobbing.

He passed out of the house and down the street. A wan delight came into his face at the sight of the lone tree. “Jes' ain't goin' to do nothin',” he said to himself, half aloud, in a crooning tone. He glanced wistfully up at the sky, but the bright sun dazzled and blinded him.

It was a long walk he took, and he did not walk fast. It took him past the jute-mill. The muffled roar of the loom room came to his ears, and he smiled. It was a gentle, placid smile. He hated no one, not even the pounding, shrieking machines. There was no bitterness in him, nothing but an inordinate hunger for rest.

The houses and factories thinned out and the open spaces increased as he approached the country. At last the city was behind him, and he was walking down a leafy lane beside the railroad track. He did not walk like a man. He did not look like a man. He was a travesty of the human. It was a twisted and stunted and nameless piece of life that shambled like a sickly ape, arms loose-hanging, stoop-shouldered, narrow-chested, grotesque and terrible.

He passed by a small railroad station and lay down in the grass under a tree. All afternoon he lay there. Sometimes he dozed, with muscles that twitched in his sleep. When awake, he lay without movement, watching the birds or looking up at the sky through the branches of the tree above him. Once or twice he laughed aloud, but without relevance to anything he had seen or felt.

After twilight had gone, in the first darkness of the night, a freight train rumbled into the station. When the engine was switching cars on to the side-track, Johnny crept along the side of the train. He pulled open the side-door of an empty box-car and awkwardly and laboriously climbed in. He closed the door. The engine whistled. Johnny was lying down, and in the darkness he smiled.

A WICKED WOMAN

It was because she had broken with Billy that Loretta had come visiting to Santa Clara. Billy could not understand. His sister had reported that he had walked the floor and cried all night. Loretta had not slept all night either, while she had wept most of the night. Daisy knew this, because it was in her arms that the weeping had been done. And Daisy's husband, Captain Kitt, knew, too. The tears of Loretta, and the comforting by Daisy, had lost him some sleep.

Now Captain Kitt did not like to lose sleep. Neither did he want Loretta to marry Billy--nor anybody else. It was Captain Kitt's belief that Daisy needed the help of her younger sister in the household. But he did not say this aloud. Instead, he always insisted that Loretta was too young to think of marriage. So it was Captain Kitt's idea that Loretta should be packed off on a visit to Mrs. Hemingway. There wouldn't be any Billy there.

Before Loretta had been at Santa Clara a week, she was convinced that Captain Kitt's idea was a good one. In the first place, though Billy wouldn't believe it, she did not want to marry Billy. And in the second place, though Captain Kitt wouldn't believe it, she did not want to leave Daisy. By the time Loretta had been at Santa Clara two weeks, she was absolutely certain that she did not want to marry Billy. But she was not so sure about not wanting to leave Daisy. Not that she loved Daisy less, but that she--had doubts.

The day of Loretta's arrival, a nebulous plan began shaping itself in Mrs. Hemingway's brain. The second day she remarked to Jack Hemingway, her husband, that Loretta was so innocent a young thing that were it not for her sweet guilelessness she would be positively stupid. In proof of which, Mrs. Hemingway told her husband several things that made him chuckle. By the third day Mrs. Hemingway's plan had taken recognizable form. Then it was that she composed a letter. On the envelope she wrote: “Mr. Edward Bashford, Athenian Club, San Francisco.”

“Dear Ned,” the letter began. She had once been violently loved by him for three weeks in her pre-marital days. But she had covenanted herself to Jack Hemingway, who had prior claims, and her heart as well; and Ned Bashford had philosophically not broken his heart over it. He merely added the experience to a large fund of similarly collected data out of which he manufactured philosophy. Artistically and temperamentally he was a Greek--a tired Greek. He was fond of quoting from Nietzsche, in token that he, too, had passed through the long sickness that follows upon the ardent search for truth; that he too had emerged, too experienced, too shrewd, too profound, ever again to be afflicted by the madness of youths in their love of truth. “'To worship appearance,'” he often quoted; “'to believe in forms, in tones, in words, in the whole Olympus of appearance!'” This particular excerpt he always concluded with, “'Those Greeks were superficial--OUT OF PROFUNDITY!'”

He was a fairly young Greek, jaded and worn. Women were faithless and unveracious, he held--at such times that he had relapses and descended to pessimism from his wonted high philosophical calm. He did not believe in the truth of women; but, faithful to his German master, he did not strip from them the airy gauzes that veiled their untruth. He was content to accept them as appearances and to make the best of it. He was superficial--OUT OF PROFUNDITY.

“Jack says to be sure to say to you, 'good swimming,'” Mrs. Hemingway wrote in her letter; “and also 'to bring your fishing duds along.'” Mrs. Hemingway wrote other things in the letter. She told him that at last she was prepared to exhibit to him an absolutely true, unsullied, and innocent woman. “A more guileless, immaculate bud of womanhood never blushed on the planet,” was one of the several ways in which she phrased the inducement. And to her husband she said triumphantly, “If I don't marry Ned off this time--” leaving unstated the terrible alternative that she lacked either vocabulary to express or imagination to conceive.

Contrary to all her forebodings, Loretta found that she was not unhappy at Santa Clara. Truly, Billy wrote to her every day, but his letters were less distressing than his presence. Also, the ordeal of being away from Daisy was not so severe as she had expected. For the first time in her life she was not lost in eclipse in the blaze of Daisy's brilliant and mature personality. Under such favourable circumstances Loretta came rapidly to the front, while Mrs. Hemingway modestly and shamelessly retreated into the background.

Loretta began to discover that she was not a pale orb shining by reflection. Quite unconsciously she became a small centre of things. When she was at the piano, there was some one to turn the pages for her and to express preferences for certain songs. When she dropped her handkerchief, there was some one to pick it up. And there was some one to accompany her in ramblings and flower gatherings. Also, she learned to cast flies in still pools and below savage riffles, and how not to entangle silk lines and gut-leaders with the shrubbery.

Jack Hemingway did not care to teach beginners, and fished much by himself, or not at all, thus giving Ned Bashford ample time in which to consider Loretta as an appearance. As such, she was all that his philosophy demanded. Her blue eyes had the direct gaze of a boy, and out of his profundity he delighted in them and forbore to shudder at the duplicity his philosophy bade him to believe lurked in their depths. She had the grace of a slender flower, the fragility of colour and line of fine china, in all of which he pleasured greatly, without thought of the Life Force palpitating beneath and in spite of Bernard Shaw--in whom he believed.

Loretta burgeoned. She swiftly developed personality. She discovered a will of her own and wishes of her own that were not everlastingly entwined with the will and the wishes of Daisy. She was petted by Jack Hemingway, spoiled by Alice Hemingway, and devotedly attended by Ned Bashford. They encouraged her whims and laughed at her follies, while she developed the pretty little tyrannies that are latent in all pretty and delicate women. Her environment acted as a soporific upon her ancient desire always to live with Daisy. This desire no longer prodded her as in the days of her companionship with Billy. The more she saw of Billy, the more certain she had been that she could not live away from Daisy. The more she saw of Ned Bashford, the more she forgot her pressing need of Daisy.

Ned Bashford likewise did some forgetting. He confused superficiality with profundity, and entangled appearance with reality until he accounted them one. Loretta was different from other women. There was no masquerade about her. She was real. He said as much to Mrs. Hemingway, and more, who agreed with him and at the same time caught her husband's eyelid drooping down for the moment in an unmistakable wink.

It was at this time that Loretta received a letter from Billy that was somewhat different from his others. In the main, like all his letters, it was pathological. It was a long recital of symptoms and sufferings, his nervousness, his sleeplessness, and the state of his heart. Then followed reproaches, such as he had never made before. They were sharp enough to make her weep, and true enough to put tragedy into her face. This tragedy she carried down to the breakfast table. It made Jack and Mrs. Hemingway speculative, and it worried Ned. They glanced to him for explanation, but he shook his head.

“I'll find out to-night,” Mrs. Hemingway said to her husband.

But Ned caught Loretta in the afternoon in the big living-room. She tried to turn away. He caught her hands, and she faced him with wet lashes and trembling lips. He looked at her, silently and kindly. The lashes grew wetter.

“There, there, don't cry, little one,” he said soothingly.

He put his arm protectingly around her shoulder. And to his shoulder, like a tired child, she turned her face. He thrilled in ways unusual for a Greek who has recovered from the long sickness.

“Oh, Ned,” she sobbed on his shoulder, “if you only knew how wicked I am!”

He smiled indulgently, and breathed in a great breath freighted with the fragrance of her hair. He thought of his world-experience of women, and drew another long breath. There seemed to emanate from her the perfect sweetness of a child--“the aura of a white soul,” was the way he phrased it to himself.

Then he noticed that her sobs were increasing.

“What's the matter, little one?” he asked pettingly and almost paternally. “Has Jack been bullying you? Or has your dearly beloved sister failed to write?”

She did not answer, and he felt that he really must kiss her hair, that he could not be responsible if the situation continued much longer.

“Tell me,” he said gently, “and we'll see what I can do.”

“I can't. You will despise me.--Oh, Ned, I am so ashamed!”

He laughed incredulously, and lightly touched her hair with his lips--so lightly that she did not know.

“Dear little one, let us forget all about it, whatever it is. I want to tell you how I love--”

She uttered a sharp cry that was all delight, and then moaned--

“Too late!”

“Too late?” he echoed in surprise.

“Oh, why did I? Why did I?” she was moaning.

He was aware of a swift chill at his heart.

“What?” he asked.

“Oh, I... he... Billy.

“I am such a wicked woman, Ned. I know you will never speak to me again.”

“This--er--this Billy,” he began haltingly. “He is your brother?”

“No... he... I didn't know. I was so young. I could not help it. Oh, I shall go mad! I shall go mad!”

It was then that Loretta felt his shoulder and the encircling arm become limp. He drew away from her gently, and gently he deposited her in a big chair, where she buried her face and sobbed afresh. He twisted his moustache fiercely, then drew up another chair and sat down.

“I--I do not understand,” he said.

“I am so unhappy,” she wailed.

“Why unhappy?”

“Because... he... he wants me to marry him.”

His face cleared on the instant, and he placed a hand soothingly on hers.

“That should not make any girl unhappy,” he remarked sagely. “Because you don't love him is no reason--of course, you don't love him?”

Loretta shook her head and shoulders in a vigorous negative.

“What?”

Bashford wanted to make sure.

“No,” she asserted explosively. “I don't love Billy! I don't want to love Billy!”

“Because you don't love him,” Bashford resumed with confidence, “is no reason that you should be unhappy just because he has proposed to you.”

She sobbed again, and from the midst of her sobs she cried--

“That's the trouble. I wish I did love him. Oh, I wish I were dead!”

“Now, my dear child, you are worrying yourself over trifles.” His other hand crossed over after its mate and rested on hers. “Women do it every day. Because you have changed your mind or did not know your mind, because you have--to use an unnecessarily harsh word--jilted a man--”

“Jilted!” She had raised her head and was looking at him with tear-dimmed eyes. “Oh, Ned, if that were all!”

“All?” he asked in a hollow voice, while his hands slowly retreated from hers. He was about to speak further, then remained silent.

“But I don't want to marry him,” Loretta broke forth protestingly.

“Then I shouldn't,” he counselled.

“But I ought to marry him.”

“OUGHT to marry him?”

She nodded.

“That is a strong word.”

“I know it is,” she acquiesced, while she strove to control her trembling lips. Then she spoke more calmly. “I am a wicked woman, a terribly wicked woman. No one knows how wicked I am--except Billy.”

There was a pause. Ned Bashford's face was grave, and he looked queerly at Loretta.

“He--Billy knows?” he asked finally.

A reluctant nod and flaming cheeks was the reply.

He debated with himself for a while, seeming, like a diver, to be preparing himself for the plunge.

“Tell me about it.” He spoke very firmly. “You must tell me all of it.”

“And will you--ever--forgive me?” she asked in a faint, small voice.

He hesitated, drew a long breath, and made the plunge.

“Yes,” he said desperately. “I'll forgive you. Go ahead.”

“There was no one to tell me,” she began. “We were with each other so much. I did not know anything of the world--then.”

She paused to meditate. Bashford was biting his lip impatiently.

“If I had only known--”

She paused again.

“Yes, go on,” he urged.

“We were together almost every evening.”

“Billy?” he demanded, with a savageness that startled her.

“Yes, of course, Billy. We were with each other so much... If I had only known... There was no one to tell me... I was so young--”

Her lips parted as though to speak further, and she regarded him anxiously.

“The scoundrel!”

With the explosion Ned Bashford was on his feet, no longer a tired Greek, but a violently angry young man.

“Billy is not a scoundrel; he is a good man,” Loretta defended, with a firmness that surprised Bashford.

“I suppose you'll be telling me next that it was all your fault,” he said sarcastically.

She nodded.

“What?” he shouted.

“It was all my fault,” she said steadily. “I should never have let him. I was to blame.”

Bashford ceased from his pacing up and down, and when he spoke, his voice was resigned.

“All right,” he said. “I don't blame you in the least, Loretta. And you have been very honest. But Billy is right, and you are wrong. You must get married.”

“To Billy?” she asked, in a dim, far-away voice.

“Yes, to Billy. I'll see to it. Where does he live? I'll make him.”

“But I don't want to marry Billy!” she cried out in alarm. “Oh, Ned, you won't do that?”

“I shall,” he answered sternly. “You must. And Billy must. Do you understand?”

Loretta buried her face in the cushioned chair back, and broke into a passionate storm of sobs.

All that Bashford could make out at first, as he listened, was: “But I don't want to leave Daisy! I don't want to leave Daisy!”

He paced grimly back and forth, then stopped curiously to listen.

“How was I to know?--Boo--hoo,” Loretta was crying. “He didn't tell me. Nobody else ever kissed me. I never dreamed a kiss could be so terrible... until, boo-hoo... until he wrote to me. I only got the letter this morning.”

His face brightened. It seemed as though light was dawning on him.

“Is that what you're crying about?”

“N--no.”

His heart sank.

“Then what are you crying about?” he asked in a hopeless voice.

“Because you said I had to marry Billy. And I don't want to marry Billy. I don't want to leave Daisy. I don't know what I want. I wish I were dead.”

He nerved himself for another effort.

“Now look here, Loretta, be sensible. What is this about kisses. You haven't told me everything?”

“I--I don't want to tell you everything.”

She looked at him beseechingly in the silence that fell.

“Must I?” she quavered finally.

“You must,” he said imperatively. “You must tell me everything.”

“Well, then... must I?”

“You must.”

“He... I... we...” she began flounderingly. Then blurted out, “I let him, and he kissed me.”

“Go on,” Bashford commanded desperately.

“That's all,” she answered.

“All?” There was a vast incredulity in his voice.

“All?” In her voice was an interrogation no less vast.

“I mean--er--nothing worse?” He was overwhelmingly aware of his own awkwardness.

“Worse?” She was frankly puzzled. “As though there could be! Billy said--”

“When did he say it?” Bashford demanded abruptly.

“In his letter I got this morning. Billy said that my... our... our kisses were terrible if we didn't get married.”

Bashford's head was swimming.

“What else did Billy say?” he asked.

“He said that when a woman allowed a man to kiss her, she always married him--that it was terrible if she didn't. It was the custom, he said; and I say it is a bad, wicked custom, and I don't like it. I know I'm terrible,” she added defiantly, “but I can't help it.”

Bashford absent-mindedly brought out a cigarette.

“Do you mind if I smoke?” he asked, as he struck a match.

Then he came to himself.

“I beg your pardon,” he cried, flinging away match and cigarette. “I don't want to smoke. I didn't mean that at all. What I mean is--”

He bent over Loretta, caught her hands in his, then sat on the arm of the chair and softly put one arm around her.

“Loretta, I am a fool. I mean it. And I mean something more. I want you to be my wife.”

He waited anxiously in the pause that followed.

“You might answer me,” he urged.

“I will... if--”

“Yes, go on. If what?”

“If I don't have to marry Billy.”

“You can't marry both of us,” he almost shouted.

“And it isn't the custom... what... what Billy said?”

“No, it isn't the custom. Now, Loretta, will you marry me?”

“Don't be angry with me,” she pouted demurely.

He gathered her into his arms and kissed her.

“I wish it were the custom,” she said in a faint voice, from the midst of the embrace, “because then I'd have to marry you, Ned dear... wouldn't I?”

JUST MEAT

He strolled to the corner and glanced up and down the intersecting street, but saw nothing save the oases of light shed by the street lamps at the successive crossings. Then he strolled back the way he had come. He was a shadow of a man, sliding noiselessly and without undue movement through the semi-darkness. Also he was very alert, like a wild animal in the jungle, keenly perceptive and receptive. The movement of another in the darkness about him would need to have been more shadowy than he to have escaped him.

In addition to the running advertisement of the state of affairs carried to him by his senses, he had a subtler perception, a FEEL, of the atmosphere around him. He knew that the house in front of which he paused for a moment, contained children. Yet by no willed effort of perception did he have this knowledge. For that matter, he was not even aware that he knew, so occult was the impression. Yet, did a moment arise in which action, in relation to that house, were imperative, he would have acted on the assumption that it contained children. He was not aware of all that he knew about the neighbourhood.

In the same way, he knew not how, he knew that no danger threatened in the footfalls that came up the cross street. Before he saw the walker, he knew him for a belated pedestrian hurrying home. The walker came into view at the crossing and disappeared on up the street. The man that watched, noted a light that flared up in the window of a house on the corner, and as it died down he knew it for an expiring match. This was conscious identification of familiar phenomena, and through his mind flitted the thought, “Wanted to know what time.” In another house one room was lighted. The light burned dimly and steadily, and he had the feel that it was a sick-room.

He was especially interested in a house across the street in the middle of the block. To this house he paid most attention. No matter what way he looked, nor what way he walked, his looks and his steps always returned to it. Except for an open window above the porch, there was nothing unusual about the house. Nothing came in nor out. Nothing happened. There were no lighted windows, nor had lights appeared and disappeared in any of the windows. Yet it was the central point of his consideration. He rallied to it each time after a divination of the state of the neighbourhood.

Despite his feel of things, he was not confident. He was supremely conscious of the precariousness of his situation. Though unperturbed by the footfalls of the chance pedestrian, he was as keyed up and sensitive and ready to be startled as any timorous deer. He was aware of the possibility of other intelligences prowling about in the darkness--intelligences similar to his own in movement, perception, and divination.

Far down the street he caught a glimpse of something that moved. And he knew it was no late home-goer, but menace and danger. He whistled twice to the house across the street, then faded away shadow-like to the corner and around the corner. Here he paused and looked about him carefully. Reassured, he peered back around the corner and studied the object that moved and that was coming nearer. He had divined aright. It was a policeman.

The man went down the cross street to the next corner, from the shelter of which he watched the corner he had just left. He saw the policeman pass by, going straight on up the street. He paralleled the policeman's course, and from the next corner again watched him go by; then he returned the way he had come. He whistled once to the house across the street, and after a time whistled once again. There was reassurance in the whistle, just as there had been warning in the previous double whistle.

He saw a dark bulk outline itself on the roof of the porch and slowly descend a pillar. Then it came down the steps, passed through the small iron gate, and went down the sidewalk, taking on the form of a man. He that watched kept on his own side of the street and moved on abreast to the corner, where he crossed over and joined the other. He was quite small alongside the man he accosted.

“How'd you make out, Matt?” he asked.

The other grunted indistinctly, and walked on in silence a few steps.

“I reckon I landed the goods,” he said.

Jim chuckled in the darkness, and waited for further information. The blocks passed by under their feet, and he grew impatient.

“Well, how about them goods?” he asked. “What kind of a haul did you make, anyway?”

“I was too busy to figger it out, but it's fat. I can tell you that much, Jim, it's fat. I don't dast to think how fat it is. Wait till we get to the room.”

Jim looked at him keenly under the street lamp of the next crossing, and saw that his face was a trifle grim and that he carried his left arm peculiarly.

“What's the matter with your arm?” he demanded.

“The little cuss bit me. Hope I don't get hydrophoby. Folks gets hydrophoby from manbite sometimes, don't they?”

“Gave you fight, eh?” Jim asked encouragingly.

The other grunted.

“You're harder'n hell to get information from,” Jim burst out irritably. “Tell us about it. You ain't goin' to lose money just a-tellin' a guy.”

“I guess I choked him some,” came the answer. Then, by way of explanation, “He woke up on me.”

“You did it neat. I never heard a sound.”

“Jim,” the other said with seriousness, “it's a hangin' matter. I fixed 'm. I had to. He woke up on me. You an' me's got to do some layin' low for a spell.”

Jim gave a low whistle of comprehension.

“Did you hear me whistle?” he asked suddenly.

“Sure. I was all done. I was just comin' out.”

“It was a bull. But he wasn't on a little bit. Went right by an' kept a-paddin' the hoof out a sight. Then I come back an' gave you the whistle. What made you take so long after that?”

“I was waitin' to make sure,” Matt explained. “I was mighty glad when I heard you whistle again. It's hard work waitin'. I just sat there an' thought an' thought... oh, all kinds of things. It's remarkable what a fellow'll think about. And then there was a darn cat that kept movin' around the house all' botherin' me with its noises.”

“An' it's fat!” Jim exclaimed irrelevantly and with joy.

“I'm sure tellin' you, Jim, it's fat. I'm plum' anxious for another look at 'em.”

Unconsciously the two men quickened their pace. Yet they did not relax from their caution. Twice they changed their course in order to avoid policemen, and they made very sure that they were not observed when they dived into the dark hallway of a cheap rooming house down town.

Not until they had gained their own room on the top floor, did they scratch a match. While Jim lighted a lamp, Matt locked the door and threw the bolts into place. As he turned, he noticed that his partner was waiting expectantly. Matt smiled to himself at the other's eagerness.

“Them search-lights is all right,” he said, drawing forth a small pocket electric lamp and examining it. “But we got to get a new battery. It's runnin' pretty weak. I thought once or twice it'd leave me in the dark. Funny arrangements in that house. I near got lost. His room was on the left, an' that fooled me some.”

“I told you it was on the left,” Jim interrupted.

“You told me it was on the right,” Matt went on. “I guess I know what you told me, an' there's the map you drew.”

Fumbling in his vest pocket, he drew out a folded slip of paper. As he unfolded it, Jim bent over and looked.

“I did make a mistake,” he confessed.

“You sure did. It got me guessin' some for a while.”

“But it don't matter now,” Jim cried. “Let's see what you got.”

“It does matter,” Matt retorted. “It matters a lot... to me. I've got to run all the risk. I put my head in the trap while you stay on the street. You got to get on to yourself an' be more careful. All right, I'll show you.”

He dipped loosely into his trousers pocket and brought out a handful of small diamonds. He spilled them out in a blazing stream on the greasy table. Jim let out a great oath.

“That's nothing,” Matt said with triumphant complacence. “I ain't begun yet.”

From one pocket after another he continued bringing forth the spoil. There were many diamonds wrapped in chamois skin that were larger than those in the first handful. From one pocket he brought out a handful of very small cut gems.

“Sun dust,” he remarked, as he spilled them on the table in a space by themselves.

Jim examined them.

“Just the same, they retail for a couple of dollars each,” he said. “Is that all?”

“Ain't it enough?” the other demanded in an aggrieved tone.

“Sure it is,” Jim answered with unqualified approval. “Better'n I expected. I wouldn't take a cent less than ten thousan' for the bunch.”

“Ten thousan',” Matt sneered. “They're worth twic't that, an' I don't know anything about joolery, either. Look at that big boy!”

He picked it out from the sparkling heap and held it near to the lamp with the air of an expert, weighing and judging.

“Worth a thousan' all by its lonely,” was Jim's quicker judgment.

“A thousan' your grandmother,” was Matt's scornful rejoinder. “You couldn't buy it for three.”

“Wake me up! I'm dreamin'!” The sparkle of the gems was in Jim's eyes, and he began sorting out the larger diamonds and examining them. “We're rich men, Matt--we'll be regular swells.”

“It'll take years to get rid of 'em,” was Matt's more practical thought.

“But think how we'll live! Nothin' to do but spend the money an' go on gettin' rid of em.”

Matt's eyes were beginning to sparkle, though sombrely, as his phlegmatic nature woke up.

“I told you I didn't dast think how fat it was,” he murmured in a low voice.

“What a killin'! What a killin'!” was the other's more ecstatic utterance.

“I almost forgot,” Matt said, thrusting his hand into his inside coat pocket.

A string of large pearls emerged from wrappings of tissue paper and chamois skin. Jim scarcely glanced at them.

“They're worth money,” he said, and returned to the diamonds.

A silence fell on the two men. Jim played with the gems, running them through his fingers, sorting them into piles, and spreading them out flat and wide. He was a slender, weazened man, nervous, irritable, high-strung, and anaemic--a typical child of the gutter, with unbeautiful twisted features, small-eyed, with face and mouth perpetually and feverishly hungry, brutish in a cat-like way, stamped to the core with degeneracy.

Matt did not finger the diamonds. He sat with chin on hands and elbows on table, blinking heavily at the blazing array. He was in every way a contrast to the other. No city had bred him. He was heavy-muscled and hairy, gorilla-like in strength and aspect. For him there was no unseen world. His eyes were full and wide apart, and there seemed in them a certain bold brotherliness. They inspired confidence. But a closer inspection would have shown that his eyes were just a trifle too full, just a shade too wide apart. He exceeded, spilled over the limits of normality, and his features told lies about the man beneath.

“The bunch is worth fifty thousan',” Jim remarked suddenly.

“A hundred thousan',” Matt said.

The silence returned and endured a long time, to be broken again by Jim.

“What in hell was he doin' with 'em all at the house?--that's what I want to know. I'd a-thought he'd kept 'em in the safe down at the store.”

Matt had just been considering the vision of the throttled man as he had last looked upon him in the dim light of the electric lantern; but he did not start at the mention of him.

“There's no tellin',” he answered. “He might a-ben gettin' ready to chuck his pardner. He might a-pulled out in the mornin' for parts unknown, if we hadn't happened along. I guess there's just as many thieves among honest men as there is among thieves. You read about such things in the papers, Jim. Pardners is always knifin' each other.”

A queer, nervous look came into the other's eyes. Matt did not betray that he noted it, though he said--

“What was you thinkin' about, Jim?”

Jim was a trifle awkward for the moment.

“Nothin',” he answered. “Only I was thinkin' just how funny it was--all them jools at his house. What made you ask?”

“Nothin'. I was just wonderin', that was all.”

The silence settled down, broken by an occasional low and nervous giggle on the part of Jim. He was overcome by the spread of gems. It was not that he felt their beauty. He was unaware that they were beautiful in themselves. But in them his swift imagination visioned the joys of life they would buy, and all the desires and appetites of his diseased mind and sickly flesh were tickled by the promise they extended. He builded wondrous, orgy-haunted castles out of their brilliant fires, and was appalled at what he builded. Then it was that he giggled. It was all too impossible to be real. And yet there they blazed on the table before him, fanning the flame of the lust of him, and he giggled again.

“I guess we might as well count 'em,” Matt said suddenly, tearing himself away from his own visions. “You watch me an' see that it's square, because you an' me has got to be on the square, Jim. Understand?”

Jim did not like this, and betrayed it in his eyes, while Matt did not like what he saw in his partner's eyes.

“Understand?” Matt repeated, almost menacingly.

“Ain't we always ben square?” the other replied, on the defensive because of the treachery already whispering in him.

“It don't cost nothin', bein' square in hard times,” Matt retorted. “It's bein' square in prosperity that counts. When we ain't got nothin', we can't help bein' square. We're prosperous now, an' we've got to be business men--honest business men. Understand?”

“That's the talk for me,” Jim approved, but deep down in the meagre soul of him,--and in spite of him,--wanton and lawless thoughts were stirring like chained beasts.

Matt stepped to the food shelf behind the two-burner kerosene cooking stove. He emptied the tea from a paper bag, and from a second bag emptied some red peppers. Returning to the table with the bags, he put into them the two sizes of small diamonds. Then he counted the large gems and wrapped them in their tissue paper and chamois skin.

“Hundred an' forty-seven good-sized ones,” was his inventory; “twenty real big ones; two big boys and one whopper; an' a couple of fistfuls of teeny ones an' dust.”

He looked at Jim.

“Correct,” was the response.

He wrote the count out on a slip of memorandum paper, and made a copy of it, giving one slip to his partner and retaining the other.

“Just for reference,” he said.

Again he had recourse to the food shelf, where he emptied the sugar from a large paper bag. Into this he thrust the diamonds, large and small, wrapped it up in a bandanna handkerchief, and stowed it away under his pillow. Then he sat down on the edge of the bed and took off his shoes.

“An' you think they're worth a hundred thousan'?” Jim asked, pausing and looking up from the unlacing of his shoe.

“Sure,” was the answer. “I seen a dance-house girl down in Arizona once, with some big sparklers on her. They wasn't real. She said if they was she wouldn't be dancin'. Said they'd be worth all of fifty thousan', an' she didn't have a dozen of 'em all told.”

“Who'd work for a livin'?” Jim triumphantly demanded. “Pick an' shovel work!” he sneered. “Work like a dog all my life, an' save all my wages, an' I wouldn't have half as much as we got tonight.”

“Dish washin's about your measure, an' you couldn't get more'n twenty a month an' board. Your figgers is 'way off, but your point is well taken. Let them that likes it, work. I rode range for thirty a month when I was young an' foolish. Well, I'm older, an' I ain't ridin' range.”

He got into bed on one side. Jim put out the light and followed him in on the other side.

“How's your arm feel?” Jim queried amiably.

Such concern was unusual, and Matt noted it, and replied--

“I guess there's no danger of hydrophoby. What made you ask?”

Jim felt in himself a guilty stir, and under his breath he cursed the other's way of asking disagreeable questions; but aloud he answered--

“Nothin', only you seemed scared of it at first. What are you goin' to do with your share, Matt?”

“Buy a cattle ranch in Arizona an' set down an' pay other men to ride range for me. There's some several I'd like to see askin' a job from me, damn them! An' now you shut your face, Jim. It'll be some time before I buy that ranch. Just now I'm goin' to sleep.”

But Jim lay long awake, nervous and twitching, rolling about restlessly and rolling himself wide awake every time he dozed. The diamonds still blazed under his eyelids, and the fire of them hurt. Matt, in spite of his heavy nature, slept lightly, like a wild animal alert in its sleep; and Jim noticed, every time he moved, that his partner's body moved sufficiently to show that it had received the impression and that it was trembling on the verge of awakening. For that matter, Jim did not know whether or not, frequently, the other was awake. Once, quietly, betokening complete consciousness, Matt said to him: “Aw, go to sleep, Jim. Don't worry about them jools. They'll keep.” And Jim had thought that at that particular moment Matt had been surely asleep.

In the late morning Matt was awake with Jim's first movement, and thereafter he awoke and dozed with him until midday, when they got up together and began dressing.

“I'm goin' out to get a paper an' some bread,” Matt said. “You boil the coffee.”

As Jim listened, unconsciously his gaze left Matt's face and roved to the pillow, beneath which was the bundle wrapped in the bandanna handkerchief. On the instant Matt's face became like a wild beast's.

“Look here, Jim,” he snarled. “You've got to play square. If you do me dirt, I'll fix you. Understand? I'd eat you, Jim. You know that. I'd bite right into your throat an' eat you like that much beefsteak.”

His sunburned skin was black with the surge of blood in it, and his tobacco-stained teeth were exposed by the snarling lips. Jim shivered and involuntarily cowered. There was death in the man he looked at. Only the night before that black-faced man had killed another with his hands, and it had not hurt his sleep. And in his own heart Jim was aware of a sneaking guilt, of a train of thought that merited all that was threatened.

Matt passed out, leaving him still shivering. Then a hatred twisted his own face, and he softly hurled savage curses at the door. He remembered the jewels, and hastened to the bed, feeling under the pillow for the bandanna bundle. He crushed it with his fingers to make certain that it still contained the diamonds. Assured that Matt had not carried them away, he looked toward the kerosene stove with a guilty start. Then he hurriedly lighted it, filled the coffee-pot at the sink, and put it over the flame.

The coffee was boiling when Matt returned, and while the latter cut the bread and put a slice of butter on the table, Jim poured out the coffee. It was not until he sat down and had taken a few sips of the coffee, that Matt pulled out the morning paper from his pocket.

“We was way off,” he said. “I told you I didn't dast figger out how fat it was. Look at that.”

He pointed to the head-lines on the first page.

“SWIFT NEMESIS ON BUJANNOFF'S TRACK,” they read. “MURDERED IN HIS SLEEP AFTER ROBBING HIS PARTNER.”