Chapter IV: Part 4

“I got a shave and dressed up quiet and decent. I was older-looking and more subdued like, and I'd got pretty grey in those few years that I'd been making a fool of myself; and, some how, I felt rather glad about it, because I reckoned she'd notice it first thing--she was always quick at noticing things--and forgive me all the quicker. Well, I waylaid the school kids that evening, and found out mine--a little boy and a girl--and fine youngsters they were. The girl took after her mother, and the youngster was the dead spit o' me. I gave 'em half a crows each and told them to tell their mother that someone would come when the sun went down.”

Bogan Bill nodded approvingly.

“So at sundown I went and knocked at the door. It opened and there stood my little wife looking prettier than ever--only careworn.”

Long, impressive pause.

“Well, Jack, what did she do?” asked Bogan.

“She didn't do nothing.”

“Well, Jack, and what did she say?”

Jack sighed and straightened himself up: “She said--she said--'Well, so you've come back.'”

“Painful silence.

“Well, Jack, and what did you say?”

“I said yes.”

“Well, and so you had!” said Tom Moonlight.

“It wasn't that, Tom,” said Jack sadly and wearily--“_It was the way she said it_!”

Lally Thompson rubbed his eyes: “And what did you do, Jack?” he asked gently.

“I stayed for a year, and then I deserted her again--but meant it that time.”

“Ah, well! It's time to turn in.”

ANOTHER OF MITCHELL'S PLANS FOR THE FUTURE

“I'll get down among the cockies along the Lachlan, or some of these rivers,” said Mitchell, throwing down his swag beneath a big tree. “A man stands a better show down there. It's a mistake to come out back. I knocked around a good deal down there among the farms. Could always get plenty of tucker, and a job if I wanted it. One cocky I worked for wanted me to stay with him for good. Sorry I didn't. I'd have been better off now. I was treated more like one of the family, and there was a couple of good-looking daughters. One of them was clean gone on me. There are some grand girls down that way. I always got on well with the girls, because I could play the fiddle and sing a bit. They'll be glad to see me when I get back there again, I know. I'll be all right--no more bother about tucker. I'll just let things slide as soon as I spot the house. I'll bet my boots the kettle will be boiling, and everything in the house will be on the table before I'm there twenty minutes. And the girls will be running to meet the old cocky when he comes riding home at night, and they'll let down the sliprails, and ask him to guess 'who's up at our place?' Yes, I'll find a job with some old cocky, with a good-looking daughter or two. I'll get on ploughing if I can; that's the sort of work I like; best graft about a farm.

“By and by the cocky'll have a few sheep he wants shorn, and one day he'll say to me, 'Jack, if you hear of a shearer knockin' round let me know--I've got a few sheep I want shore.'

“'How many have you got?' I'll say.

“'Oh, about fifteen hundred.'

“'And what d'you think of giving?'

“'Well, about twenty-five bob a hundred, but if a shearer sticks out for thirty, send him up to talk with me. I want to get 'em shore as soon as possible.'

“'It's all right,' I'll say, 'you needn't bother; I'll shear your sheep.'

“'Why,' he'll say, 'can _you_ shear?'

“'Shear? Of course I can! I shore before you were born.' It won't matter if he's twice as old as me.

“So I'll shear his sheep and make a few pounds, and he'll be glad and all the more eager to keep me on, so's to always have someone to shear his sheep. But by and by I'll get tired of stopping in the one place and want to be on the move, so I'll tell him I'm going to leave.

“'Why, what do you want to go for?' he'll say, surprised, 'ain't you satisfied?'

“'Oh, yes, I'm satisfied, but I want a change.'

“'Oh, don't go,' he'll say; 'stop and we'll call it twenty-five bob a week.'

“But I'll tell him I'm off--wouldn't stay for a hundred when I'd made up my mind; so, when he sees he can't persuade me he'll get a bit stiff and say:

“'Well, what about that there girl? Are you goin' to go away and leave her like that?'

“'Why, what d'yer mean?' I'll say. 'Leave her like what?' I won't pretend to know what he's driving at.

“'Oh!' he'll say, 'you know very well what I mean. The question is: _Are you going to marry the girl or not_?'

“I'll see that things are gettin' a little warm and that I'm in a corner, so I'll say:

“'Why, I never thought about it. This is pretty sudden and out of the common, isn't it? I don't mind marrying the girl if she'll have me. Why! I haven't asked her yet!'

“'Well, look here,' he'll say, 'if you agree to marry the girl--and I'll make you marry her, any road--I'll give you that there farm over there and a couple of hundred to start on.'

“So, I'll marry her and settle down and be a cocky myself and if you ever happen to be knocking round there hard up, you needn't go short of tucker a week or two; but don't come knocking round the house when I'm not at home.”

STEELMAN

Steelman was a hard case. If you were married, and settled down, and were so unfortunate as to have known Steelman in other days, he would, if in your neighbourhood and dead-beat, be sure to look you up. He would find you anywhere, no matter what precautions you might take. If he came to your house, he would stay to tea without invitation, and if he stayed to tea, he would ask you to “fix up a shake-down on the floor, old man,” and put him up for the night; and, if he stopped all night, he'd remain--well, until something better turned up.

There was no shaking off Steelman. He had a way about him which would often make it appear as if you had invited him to stay, and pressed him against his roving inclination, and were glad to have him round for company, while he remained only out of pure goodwill to you. He didn't like to offend an old friend by refusing his invitation.

Steelman knew his men.

The married victim generally had neither the courage nor the ability to turn him out. He was cheerfully blind and deaf to all hints, and if the exasperated missus said anything to him straight, he would look shocked, and reply, as likely as not:

“Why, my good woman, you must be mad! I'm your husband's guest!”

And if she wouldn't cook for him, he'd cook for himself. There was no choking him off. Few people care to call the police in a case like this; and besides, as before remarked, Steelman knew his men. The only way to escape from him was to move--but then, as likely as not, he'd help pack up and come along with his portmanteau right on top of the last load of furniture, and drive you and your wife to the verge of madness by the calm style in which he proceeded to superintend the hanging of your pictures.

Once he quartered himself like this on an old schoolmate of his, named Brown, who had got married and steady and settled down. Brown tried all ways to get rid of Steelman, but he couldn't do it. One day Brown said to Steelman:

“Look here, Steely, old man, I'm very sorry, but I'm afraid we won't be able to accommodate you any longer--to make you comfortable, I mean. You see, a sister of the missus is coming down on a visit for a month or two, and we ain't got anywhere to put her, except in your room. I wish the missus's relations to blazes! I didn't marry the whole blessed family; but it seems I've got to keep them.”

Pause--very awkward and painful for poor Brown. Discouraging silence from Steelman. Brown rested his elbows on his knees, and, with a pathetic and appealing movement of his hand across his forehead, he continued desperately:

“I'm very sorry, you see, old man--you know I'd like you to stay--I want you to stay.... It isn't my fault--it's the missus's doings. I've done my best with her, but I can't help it. I've been more like a master in my own house--more comfortable--and I've been better treated since I've had you to back me up.... I'll feel mighty lonely, anyway, when ycu're gone.... But... you know... as soon as her sister goes... you know.... ”

Here poor Brown broke down--very sorry he had spoken at all; but Steely came to the rescue with a ray of light.

“What's the matter with the little room at the back?” he asked.

“Oh, we couldn't think of putting you there,” said Brown, with a last effort; “it's not fined up; you wouldn't be comfortable, and, besides, it's damp, and you'd catch your death of cold. It was never meant for anything but a wash-house. I'm sorry I didn't get another room built on to the house.”

“Bosh!” interrupted Steelman, cheerfully. “Catch a cold! Here I've been knocking about the country for the last five years--sleeping out in all weathers--and do you think a little damp is going to hurt me? Pooh! What do you take me for? Don't you bother your head about it any more, old man; I'll fix up the lumber-room for myself, all right; and all you've got to do is to let me know when the sister-in-law business is coming on, and I'll shift out of my room in time for the missus to get it ready for her. Here, have you got a bob on you? I'll go out and get some beer. A drop'll do you good.”

“Well, if you can make yourself comfortable, I'll be only too glad for you to stay,” said Brown, wearily.

“You'd better invite some woman you know to come on a visit, and pass her off as your sister,” said Brown to his wife, while Steelman was gone for the beer. “I've made a mess of it.”

Mrs Brown said, “I knew you would.”

Steelman knew his men.

But at last Brown reckoned that he could stand it no longer. The thought of it made him so wild that he couldn't work. He took a day off to get thoroughly worked up in, came home that night full to the chin of indignation and Dunedin beer, and tried to kick Steelman out. And Steelman gave him a hiding.

Next morning Steelman was sitting beside Brown's bed with a saucer of vinegar, some brown paper, a raw beef-steak, and a bottle of soda.

“Well, what have you got to say for yourself now, Brown?” he said, sternly. “Ain't you jolly well ashamed of yourself to come home in the beastly state you did last night, and insult a guest in your house, to say nothing of an old friend--and perhaps the best friend you ever had, if you only knew it? Anybody else would have given you in charge and got you three months for the assault. You ought to have some consideration for your wife and children, and your own character--even if you haven't any for your old mate's feelings. Here, drink this, and let me fix you up a bit; the missus has got the breakfast waiting.”

DRIFTED BACK

The stranger walked into the corner grocery with the air of one who had come back after many years to see someone who would be glad to see him. He shed his swag and stood it by the wall with great deliberation; then he rested his elbow on the counter, stroked his beard, and grinned quizzically at the shopman, who smiled back presently in a puzzled way.

“Good afternoon,” said the grocer.

“Good afternoon.”

Pause.

“Nice day,” said the grocer.

Pause.

“Anything I can do for you?”

“Yes; tell the old man there's a chap wants to speak to him for a minute.”

“Old man? What old man?”

“Hake, of course--old Ben Hake! Ain't he in?”

The grocer smiled.

“Hake ain't here now. I'm here.”

“How's that?”

“Why, he sold out to me ten years ago.”

“Well, I suppose I'll find him somewhere about town?”

“I don't think you will. He left Australia when he sold out. He's--he's dead now.”

“Dead! Old Ben Hake?”

“Yes. You knew him, then?”

The stranger seemed to have lost a great deal of his assurance. He turned his side to the counter, hooked his elbow on it, and gazed out through the door along Sunset Track.

“You can give me half a pound of nailrod,” he said, in a quiet tone--“I s'pose young Hake is in town?”

“No; the whole family went away. I think there's one of the sons in business in Sydney now.”

“I s'pose the M'Lachlans are here yet?”

“No; they are not. The old people died about five years ago; the sons are in Queensland, I think; and both the girls are married and in Sydney.”

“Ah, well!... I see you've got the railway here now.”

“Oh, yes! Six years.”

“Times is changed a lot.”

“They are.”

“I s'pose--I s'pose you can tell me where I'll find old Jimmy Nowlett?”

“Jimmy Nowlett? Jimmy Nowlett? I never heard of the name. What was he?”

“Oh, he was a bullock-driver. Used to carry from the mountains before the railway was made.”

“Before my time, perhaps. There's no one of that name round here now.”

“Ah, well!... I don't suppose you knew the Duggans?”

“Yes, I did. The old man's dead, too, and the family's gone away--Lord knows where. They weren't much loss, to all accounts. The sons got into trouble, I b'lieve--went to the bad. They had a bad name here.”

“Did they? Well, they had good hearts--at least, old Malachi Duggan and the eldest son had.... You can give me a couple of pounds of sugar.”

“Right. I suppose it's a long time since you were here last?”

“Fifteen years.”

“Indeed!”

“Yes. I don't s'pose I remind you of anyone you know around here?”

“N--no!” said the grocer with a smile. “I can't say you do.”

“Ah, well! I s'pose I'll find the Wilds still living in the same place?”

“The Wilds? Well, no. The old man is dead, too, and--”

“And--and where's Jim? He ain't dead?”

“No; he's married and settled down in Sydney.”

Long pause.

“Can you--” said the stranger, hesitatingly; “did you--I suppose you knew Mary--Mary Wild?”

“Mary?” said the grocer, smilingly. “That was my wife's maiden name. Would you like to see her?”

“No, no! She mightn't remember me!”

He reached hastily for his swag, and shouldered it.

“Well, I must be gettin' on.”

“I s'pose you'll camp here over Christmas?”

“No; there's nothing to stop here for--I'll push on. I did intend to have a Christmas here--in fact, I came a long way out of my road a-purpose.... I meant to have just one more Christmas with old Ben Hake an' the rest of the boys--but I didn't know as they'd moved on so far west. The old bush school is dyin' out.”

There was a smile in his eyes, but his bearded lips twitched a little.

“Things is changed. The old houses is pretty much the same, an' the old signs want touchin' up and paintin' jest as had as ever; an' there's that old palin' fence that me an' Ben Hake an' Jimmy Nowlett put up twenty year ago. I've tramped and travelled long ways since then. But things is changed--at least, people is.... Well, I must be goin'. There's nothing to keep me here. I'll push on and get into my track again. It's cooler travellin' in the night.”

“Yes, it's been pretty hot to-day.”

“Yes, it has. Well, s'long.”

“Good day. Merry Christmas!”

“Eh? What? Oh, yes! Same to you! S'long!”

“Good day!” He drifted out and away along Sunset Track.

REMAILED

There is an old custom prevalent in Australasia--and other parts, too, perhaps, for that matter--which, we think, deserves to be written up. It might not be an “honoured” custom from a newspaper manager's or proprietor's point of view, or from the point of view (if any) occupied by the shareholders on the subject; but, nevertheless, it is a time-honoured and a good old custom. Perhaps, for several reasons, it was more prevalent among diggers than with the comparatively settled bushmen of to-day--the poor, hopeless, wandering swaggy doesn't count in the matter, for he has neither the wherewithal nor the opportunity to honour the old custom; also his movements are too sadly uncertain to permit of his being honoured by it. We refer to the remailing of newspapers and journals from one mate to another.

Bill gets his paper and reads it through conscientiously from beginning to end by candle or slush-lamp as he lies on his back in the hut or tent with his pipe in his mouth; or, better still, on a Sunday afternoon as he reclines on the grass in the shade, in all the glory and comfort of a clean pair of moleskins and socks and a clean shirt. And when he has finished reading the paper--if it is not immediately bespoke--he turns it right side out, folds it, and puts it away where he'll know where to find it. The paper is generally bespoke in the following manner:

“Let's have a look at that paper after you, Bill, when yer done with it,” says Jack.

And Bill says:

“I just promised it to Bob. You can get it after him.”

And, when it is finally lent, Bill says:

“Don't forget to give that paper back to me when yer done with it. Don't let any of those other blanks get holt of it, or the chances are I won't set eyes on it again.”

But the other blanks get it in their turn after being referred to Bill. “You must ask Bill,” says Jack to the next blank, “I got it from him.” And when Bill gets his paper back finally--which is often only after much bush grumbling, accusation, recrimination, and denial--he severely and carefully re-arranges theme pages, folds the paper, and sticks it away up over a rafter, or behind a post or batten, or under his pillow where it will safe. He wants that paper to send to Jim.

Bill is but an indifferent hand at folding, and knows little or nothing about wrappers. He folds and re-folds the paper several times and in various ways, but the first result is often the best, and is finally adopted. The parcel looks more ugly than neat; but Bill puts a weight upon it so that it won't fly open, and looks round for a piece of string to tie it with. Sometimes he ties it firmly round the middle, sometimes at both ends; at other times he runs the string down inside the folds and ties it that way, or both ways, or all the ways, so as to be sure it won't come undone--which it doesn't as a rule. If he can't find a piece of string long enough, he ties two bits together, and submits the result to a rather severe test; and if the string is too thin, or he has to use thread, he doubles it. Then he worries round to find out who has got the ink, or whether anyone has seen anything of the pen; and when he gets them, he writes the address with painful exactitude on the margin of the paper, sometimes in two or three places. He has to think a moment before he writes; and perhaps he'll scratch the back of his head afterwards with an inky finger, and regard the address with a sort of mild, passive surprise. His old mate Jim was always plain Jim to him, and nothing else; but, in order to reach Jim, this paper has to be addressed to--

MR JAMES MITCHELL,
c/o J. W. Dowell, Esq.,
Munnigrub Station--

and so on. “Mitchell” seems strange--Bill couldn't think of it for the moment--and so does “James.”

And, a week or so later, over on Coolgardie, or away up in northern Queensland, or bush-felling down in Maoriland, Jim takes a stroll up to the post office after tea on mail night. He doesn't expect any letters, but there might be a paper from Bill. Bill generally sends him a newspaper. They seldom write to each other, these old mates.

There were points, of course, upon which Bill and Jim couldn't agree--subjects upon which they argued long and loud and often in the old days; and it sometimes happens that Bill comes across an article or a paragraph which agrees with and, so to speak, barracks for a pet theory of his as against one held by Jim; and Bill marks it with a chuckle and four crosses at the corners--and an extra one at each side perhaps--and sends it on to Jim; he reckons it'll rather corner old Jim. The crosses are not over ornamental nor artistic, but very distinct; Jim sees them from the reverse side of the sheet first, maybe, and turns it over with interest to see what it is. He grins a good-humoured grin as he reads--poor old Bill is just as thick-headed and obstinate as ever--just as far gone on his old fad. It's rather rough on Jim, because he's too far off to argue; but, if he's very earnest on the subject, he'll sit down and write, using all his old arguments to prove that the man who wrote that rot was a fool. This is one of the few things that will make them write to each other. Or else Jim will wait till he comes across a paragraph in another paper which barracks for his side of the argument, and, in his opinion; rather knocks the stuffing out of Bill's man; then he marks it with more and bigger crosses and a grin, and sends it along to Bill. They are both democrats--these old mates generally are--and at times one comes across a stirring article or poem, and marks it with approval and sends it along. Or it may be a good joke, or the notice of the death of an old mate. What a wave of feeling and memories a little par can take through the land!

Jim is a sinner and a scoffer, and Bill is an earnest, thorough, respectable old freethinker, and consequently they often get a _War Cry_ or a tract sent inside their exchanges--somebody puts it in for a joke.

Long years ago--long years ago Bill and Jim were sweet on a rose of the bush--or a lily of the goldfields--call her Lily King. Both courted her at the same time, and quarrelled over her--fought over her, perhaps--and were parted by her for years. But that's all bygones. Perhaps she loved Bill, perhaps she loved Jim--perhaps both; or, maybe, she wasn't sure which. Perhaps she loved neither, and was only stringing them on. Anyway, she didn't marry either the one or the other. She married another man--call him Jim Smith. And so, in after years, Bill comes across a paragraph in a local paper, something like the following:

On July 10th, at her residence, Eureka Cottage, Ballarat-street,
Tally Town, the wife of James Smith of twins (boy and girl);
all three doing well.

And Bill marks it with a loud chuckle and big crosses, and sends it along to Jim. Then Bill sits and thinks and smokes, and thinks till the fire goes out, and quite forgets all about putting that necessary patch on his pants.

And away down on Auckland gum-fields, perhaps, Jim reads the par with a grin; then grows serious, and sits and scrapes his gum by the flickering firelight in a mechanical manner, and--thinks. His thoughts are far away in the back years--faint and far, far and faint. For the old, lingering, banished pain returns and hurts a man's heart like the false wife who comes back again, falls on her knees before him, and holds up her trembling arms and pleads with swimming, upturned eyes, which are eloquent with the love she felt too late.

It is supposed to be something to have your work published in an English magazine, to have it published in book form, to be flattered by critics and reprinted throughout the country press, or even to be cut up well and severely. But, after all, now we come to think of it, we would almost as soon see a piece of ours marked with big inky crosses in the soiled and crumpled rag that Bill or Jim gets sent him by an old mate of his--the paper that goes thousands of miles scrawled all over with smudgy addresses and tied with a piece of string.

MITCHELL DOESN'T BELIEVE IN THE SACK

“If ever I do get a job again,” said Mitchell, “I'll stick to it while there's a hand's turn of work to do, and put a few pounds together. I won't be the fool I always was. If I'd had sense a couple of years ago, I wouldn't be tramping through this damned sand and mulga now. I'll get a job on a station, or at some toff's house, knocking about the stables and garden, and I'll make up my mind to settle down to graft for four or five years.”

“But supposing you git the sack?” said his mate.

“I won't take it. Only for taking the sack I wouldn't be hard up to-day. The boss might come round and say:

'I won't want you after this week, Mitchell. I haven't got any more work for you to do. Come up and see me at the office presently.'

“So I'll go up and get my money; but I'll be pottering round as usual on Monday, and come up to the kitchen for my breakfast. Some time in the day the boss'll be knocking round and see me.

“'Why, Mitchell,' he'll say, 'I thought you was gone.'

“'I didn't say I was going,' I'll say. 'Who told you that--or what made you think so?'

“'I thought I told you on Saturday that I wouldn't want you any more,' he'll say, a bit short. 'I haven't got enough work to keep a man going; I told you that; I thought you understood. _Didn't I give you the sack on Saturday_?'

“'It's no use;' I'll say, 'that sort of thing's played out. I've been had too often that way; I've been sacked once too often. Taking the sack's been the cause of all my trouble; I don't believe in it. If I'd never taken the sack I'd have been a rich man to-day; it might be all very well for horses, but it doesn't suit me; it doesn't hurt you, but it hurts me. I made up my mind that when I got a place to suit me, I'd stick in it. I'm comfortable here and satisfied, and you've had no cause to find fault with me. It's no use you trying to sack me, because I won't take it. I've been there before, and you might as well try to catch an old bird with chaff.'

“'Well, I won't pay you, and you'd better be off,' he'll say, trying not to grin.

“'Never mind the money,' I'll say, 'the bit of tucker won't cost you anything, and I'll find something to do round the house till you have some more work. I won't ask you for anything, and, surely to God I'll find enough to do to pay for my grub!'

“So I'll potter round and take things easy and call up at the kitchen as usual at meal times, and by and by the boss'll think to himself: 'Well, if I've got to feed this chap I might as well get some work out of him.'

“So he'll find me, something regular to do--a bit of fencing, or carpentering, or painting, or something, and then I'll begin to call up for my stuff again, as usual.”

SHOOTING THE MOON

We lay in camp in the fringe of the mulga, and watched the big, red, smoky, rising moon out on the edge of the misty plain, and smoked and thought together sociably. Our nose-bags were nice and heavy, and we still had about a pound of nail-rod between us.

The moon reminded my mate, Jack Mitchell, of something--anything reminded him of something, in fact.

“Did you ever notice,” said Jack, in a lazy tone, just as if he didn't want to tell a yarn--“Did you ever notice that people always shoot the moon when there's no moon? Have you got the matches?”

He lit up; he was always lighting up when he was reminded of something.

“This reminds me--Have you got the knife? My pipe's stuffed up.”

He dug it out, loaded afresh, and lit up again.

“I remember once, at a pub I was staying at, I had to leave without saying good-bye to the landlord. I didn't know him very well at that time.

“My room was upstairs at the back, with the window opening on to the backyard. I always carried a bit of clothes-line in my swag or portmanteau those times. I travelled along with a portmanteau those times. I carried the rope in case of accident, or in case of fire, to lower my things out of the window--or hang myself, maybe, if things got too bad. No, now I come to think of it, I carried a revolver for that, and it was the only thing I never pawned.”

“To hang yourself with?” asked the mate.

“Yes--you're very smart,” snapped Mitchell; “never mind---. This reminds me that I got a chap at a pub to pawn my last suit, while I stopped inside and waited for an old mate to send me a pound; but I kept the shooter, and if he hadn't sent it I'd have been the late John Mitchell long ago.”

“And sometimes you lower'd out when there wasn't a fire.”

“Yes, that will pass; you're improving in the funny business. But about the yarn. There was two beds in my room at the pub, where I had to go away without shouting for the boss, and, as it happened, there was a strange chap sleeping in the other bed that night, and, just as I raised the window and was going to lower my bag out, he woke up.

“'Now, look here,' I said, shaking my fist at him, like that, 'if you say a word, I'll stoush yer!'

“'Well,' he said, 'well, you needn't be in such a sweat to jump down a man's throat. I've got my swag under the bed, and I was just going to ask you for the loan of the rope when you're done with it.'

“Well, we chummed. His name was Tom--Tom--something, I forget the other name, but it doesn't matter. Have you got the matches?”

He wasted three matches, and continued--

“There was a lot of old galvanized iron lying about under the window, and I was frightened the swag would make a noise; anyway, I'd have to drop the rope, and that was sure to make a noise. So we agreed for one of us to go down and land the swag. If we were seen going down without the swags it didn't matter, for we could say we wanted to go out in the yard for something.”

“If you had the swag you might pretend you were walking in your sleep,” I suggested, for the want of something funnier to say.

“Bosh,” said Jack, “and get woke up with a black eye. Bushies don't generally carry their swags out of pubs in their sleep, or walk neither; it's only city swells who do that. Where's the blessed matches?

“Well, Tom agreed to go, and presently I saw a shadow under the window, and lowered away.

“'All right?' I asked in a whisper.

“'All right!” whispered the shadow.

“I lowered the other swag.

“'All right?'

“'All right!' said the shadow, and just then the moon came out.

“'All right!' says the shadow.

“But it wasn't all right. It was the landlord himself!

“It seems he got up and went out to the back in the night, and just happened to be coming in when my mate Tom was sneaking out of the back door. He saw Tom, and Tom saw him, and smoked through a hole in the palings into the scrub. The boss looked up at the window, and dropped to it. I went down, funky enough, I can tell you, and faced him. He said:

“'Look here, mate, why didn't you come straight to me, and tell me how you was fixed, instead of sneaking round the trouble in that fashion? There's no occasion for it.'

“I felt mean at once, but I said: 'Well, you see, we didn't know you, boss.'

“'So it seems. Well, I didn't think of that. Anyway, call up your mate and come and have a drink; we'll talk over it afterwards.' So I called Tom. 'Come on,' I shouted. 'It's all right.'

“And the boss kept us a couple of days, and then gave us as much tucker as we could carry, and a drop of stuff and a few bob to go on the track again with.”

“Well, he was white, any road.”

“Yes. I knew him well after that, and only heard one man say a word against him.”

“And did you stoush him?”

“No; I was going to, but Tom wouldn't let me. He said he was frightened I might make a mess of it, and he did it himself.”

“Did what? Make a mess of it?”

“He made a mess of the other man that slandered that publican. I'd be funny if I was you. Where's the matches?”

“And could Tom fight?”

“Yes. Tom could fight.”

“Did you travel long with him after that?”

“Ten years.”

“And where is he now?”

“Dead--Give us the matches.”

HIS FATHER'S MATE

It was Golden Gully still, but golden in name only, unless indeed the yellow mullock heaps or the bloom of the wattle-trees on the hillside gave it a claim to the title. But the gold was gone from the gully, and the diggers were gone, too, after the manner of Timon's friends when his wealth deserted him. Golden Gully was a dreary place, dreary even for an abandoned goldfield. The poor, tortured earth, with its wounds all bare, seemed to make a mute appeal to the surrounding bush to come up and hide it, and, as if in answer to its appeal, the shrub and saplings were beginning to close in from the foot of the range. The wilderness was reclaiming its own again.

The two dark, sullen hills that stood on each side were clothed from tip to hollow with dark scrub and scraggy box-trees; but above the highest row of shafts on one side ran a line of wattle-trees in full bloom.

The top of the western hill was shaped somewhat like a saddle, and standing high above the eucalypti on the point corresponding with the pommel were three tall pines. These lonely trees, seen for many miles around, had caught the yellow rays of many a setting sun long before the white man wandered over the ranges.

The predominant note of the scene was a painful sense of listening, that never seemed to lose its tension--a listening as though for the sounds of digger life, sounds that had gone and left a void that was accentuated by the signs of a former presence. The main army of diggers had long ago vanished to new rushes, leaving only its stragglers and deserters behind. These were men who were too poor to drag families about, men who were old and feeble, and men who had lost their faith in fortune. They had dropped unnoticed out of the ranks; and remained to scratch out a living among the abandoned claims.

Golden Gully had its little community of fossickers who lived in a clearing called Spencer's Flat on one side and Pounding Flat on the other, but they lent no life to the scene; they only haunted it. A stranger might have thought the field entirely deserted until he came on a coat and a billy at the foot of saplings amongst the holes, and heard, in the shallow ground underneath, the thud of a pick, which told of some fossicker below rooting out what little wash remained.

One afternoon towards Christmas, a windlass was erected over an old shaft of considerable depth at the foot of the gully. A greenhide bucket attached to a rope on the windlass was lying next morning near the mouth of the shaft, and beside it, on a clear-swept patch, was a little mound of cool wet wash-dirt.

A clump of saplings near at hand threw a shade over part of the mullock heap, and in this shade, seated on an old coat, was a small boy of eleven or twelve years, writing on a slate.

He had fair hair, blue eyes, and a thin old-fashioned face--a face that would scarcely alter as he grew to manhood. His costume consisted of a pair of moleskin trousers, a cotton shirt, and one suspender. He held the slate rigidly with a corner of its frame pressed close against his ribs, whilst his head hung to one side, so close to the slate that his straggling hair almost touched it. He was regarding his work fixedly out of the corners of his eyes, whilst he painfully copied down the head line, spelling it in a different way each time. In this laborious task he appeared to be greatly assisted by a tongue that lolled out of the corner of his mouth and made an occasional revolution round it, leaving a circle of temporarily clean face. His small clay-covered toes also entered into the spirit of the thing, and helped him not a little by their energetic wriggling. He paused occasionally to draw the back of his small brown arm across his mouth.

Little Isley Mason, or, as he was called, “His Father's Mate,” had always been a favourite with the diggers and fossickers from the days when he used to slip out first thing in the morning and take a run across the frosty flat in his shirt. Long Bob Sawkins would often tell how Isley came home one morning from his run in the long, wet grass as naked as he was born, with the information that he had lost his shirt.

Later on, when most of the diggers had gone, and Isley's mother was dead, he was to be seen about the place with bare, sunbrowned arms and legs, a pick and shovel, and a gold dish about two-thirds of his height in diameter, with which he used to go “a-speckin'” and “fossickin'” amongst the old mullock heaps. Long Bob was Isley's special crony, and he would often go out of his way to lay the boy outer bits o' wash and likely spots, lamely excusing his long yarns with the child by the explanation that it was “amusin' to draw Isley out.”

Isley had been sitting writing for some time when a deep voice called out from below:

“Isley!”

“Yes, father.”

“Send down the bucket.”

“Right.”

Isley put down his slate, and going to the shaft dropped the bucket down as far as the slack rope reached; then, placing one hand on the bole of the windlass and holding the other against it underneath, he let it slip round between his palms until the bucket reached bottom. A sound of shovelling was heard for a few moments, and presently the voice cried, “Wind away, sonny.”

“Thet ain't half enough,” said the boy, peering down. “Don't be frightened to pile it in, father. I kin wind up a lot more'n thet.”

A little more scraping, and the boy braced his feet well upon the little mound of clay which he had raised under the handle of the windlass to make up for his deficiency in stature.

“Now then, Isley!”

Isley wound slowly but sturdily, and soon the bucket of “wash” appeared above the surface; then he took it in short lifts and deposited it with the rest of the wash-dirt.

“Isley!” called his father again.

“Yes, father.”

“Have you done that writing lesson yet?”

“Very near.”

“Then send down the slate next time for some sums.”

“All right.”

The boy resumed his seat, fixed the corner of the slate well into his ribs, humped his back, and commenced another wavering line.

Tom Mason was known on the place as a silent, hard worker. He was a man of about sixty, tall, and dark bearded. There was nothing uncommon about his face, except, perhaps, that it hardened, as the face of a man might harden who had suffered a long succession of griefs and disappointments. He lived in little hut under a peppermint tree at the far edge of Pounding Flat. His wife had died there about six years before, and new rushes broke out and he was well able to go, he never left Golden Gully.

Mason was kneeling in front of the “face” digging away by the light of a tallow candle stuck in the side. The floor of the drive was very wet, and his trousers were heavy and cold with clay and water; but the old digger was used to this sort of thing. His pick was not bringing out much to-day, however, for he seemed abstracted and would occasionally pause in his work, while his thoughts wandered far away from the narrow streak of wash-dirt in the “face.”

He was digging out pictures from a past life. They were not pleasant ones, for his face was stony and white in the dim glow of the candle.

Thud, thud, thud--the blows became slower and more irregular as the fossicker's mind wandered off into the past. The sides of the drive seemed to vanish slowly away, and the “face” retreated far out beyond a horizon that was hazy in the glow of the southern ocean. He was standing on the deck of a ship and by his side stood a brother. They were sailing southward to the Land of Promise that was shining there in all its golden glory! The sails pressed forward in the bracing wind, and the clipper ship raced along with its burden of the wildest dreamers ever borne in a vessel's hull! Up over long blue ocean ridges, down into long blue ocean gullies; on to lands so new, and yet so old, where above the sunny glow of the southern skies blazed the shining names of Ballarat! and Bendigo! The deck seemed to lurch, and the fossicker fell forward against the face of the drive. The shock recalled him, and he lifted his pick once more.

But the blows slacken again as another vision rises before him. It is Ballarat now. He is working in a shallow claim at Eureka, his brother by his side. The brother looks pale and ill, for he has been up all night dancing and drinking. Out behind them is the line of blue hills; in front is the famous Bakery Hill, and down to the left Golden Point. Two mounted troopers are riding up over Specimen Hill. What do they want?

They take the brother away, handcuffed. Manslaughter last night. Cause--drink and jealousy.

The vision is gone again. Thud, thud, goes the pick; it counts the years that follow--one, two, three, four, up to twenty, and then it stops for the next scene--a selection on the banks of a bright river in New South Wales. The little homestead is surrounded by vines and fruit-trees. Many swarms of bees work under the shade of the trees, and a crop of wheat is nearly ripe on the hillside.

A man and a boy are engaged in clearing a paddock just below the homestead. They are father and son; the son, a boy of about seventeen, is the image of his father.

Horses' feet again! Here comes Nemesis in mounted troopers' uniform.

The mail was stuck up last night about five miles away, and a refractory passenger shot. The son had been out 'possum shooting' all night with some friends.

The troopers take the son away handcuffed: “Robbery under arms.”

The father was taking out a stump when the troopers came. His foot is still resting on the spade, which is half driven home. He watches the troopers take the boy up to the house, and then, driving the spade to its full depth, he turns up another sod. The troopers reach the door of the homestead; but still he digs steadily, and does not seem to hear his wife's cry of despair. The troopers search the boy's room and bring out some clothing in two bundles; but still the father digs. They have saddled up one of the farm horses and made the boy mount. The father digs. They ride off along the ridge with the boy between them. The father never lifts his eyes; the hole widens round the stump; he digs away till the brave little wife comes and takes him gently by the arm. He half rouses himself and follows her to the house like an obedient dog.

Trial and disgrace follow, and then other misfortunes, pleuro among the cattle, drought, and poverty.

Thud, thud, thud again! But it is not the sound of the fossicker's pick--it is the fall of sods on his wife's coffin.

It is a little bush cemetery, and he stands stonily watching them fill up her grave. She died of a broken heart and shame. “I can't bear disgrace! I can't bear disgrace!” she had moaned all these six weary years--for the poor are often proud.

But he lives on, for it takes a lot to break a man's heart. He holds up his head and toils on for the sake of a child that is left, and that child is--Isley.

And now the fossicker seems to see a vision of the future. He seems to be standing somewhere, an old, old man, with a younger one at his side; the younger one has Isley's face. Horses' feet again! Ah, God! Nemesis once more in troopers' uniform!

The fossicker falls on his knees in the mud and clay at the bottom of the drive, and prays Heaven to take his last child ere Nemesis comes for him.

Long Bob Sawkins had been known on the diggings as “Bob the Devil.” His profile at least from one side, certainly did recall that of the sarcastic Mephistopheles; but the other side, like his true character, was by no means a devil's. His physiognomy had been much damaged, and one eye removed by the premature explosion of a blast in some old Ballarat mine. The blind eye was covered with a green patch, which gave a sardonic appearance to the remaining features.

He was a stupid, heavy, good-natured Englishman. He stuttered a little, and had a peculiar habit of wedging the monosyllable “why” into his conversation at times when it served no other purpose than to fill up the pauses caused by his stuttering; but this by no means assisted him in his speech, for he often stuttered over the “why” itself.

The sun was getting low down, and its yellow rays reached far up among the saplings of Golden Gully when Bob appeared coming down by the path that ran under the western hill. He was dressed in the usual costume-cotton shirt, moleskin trousers, faded hat and waistcoat, and blucher boots. He carried a pick over his shoulder, the handle of which was run through the heft of a short shovel that hung down behind, and he had a big dish under his arm. He paused opposite the shaft with the windlass, and hailed the boy in his usual form of salutation.

“Look, see here Isley!”

“What is it, Bob?”

“I seed a young--why--magpie up in the scrub, and yer oughter be able to catch it.”

“Can't leave the shaft; father's b'low.”

“How did yer father know there was any--why--wash in the old shaft?”

“Seed old Corney in town Saturday, 'n he said thur was enough to make it worth while bailin' out. Bin bailin' all the mornin'.”

Bob came over, and letting his tools down with a clatter he hitched up the knees of his moleskins and sat down on one heel.

“What are yer--why--doin' on the slate, Isley?” said he, taking out an old clay pipe and lighting it.

“Sums,” said Isley.

Bob puffed away at his pipe a moment.

“'Tain't no use!” he said, sitting down on the clay and drawing his knees up. “Edication's a failyer.”

“Listen at 'im!” exclaimed the boy. “D'yer mean ter say it ain't no use learnin' readin' and writin' and sums?”

“Isley!”

“Right, father.”

The boy went to the windlass and let the bucket down. Bob offered to help him wind up, but Isley, proud of showing his strength to his friend, insisted on winding by himself.

“You'll be--why--a strong man some day, Isley,” said Bob, landing the bucket.

“Oh, I could wind up a lot more'n father puts in. Look how I greased the handles! It works like butter now,” and the boy sent the handles spinning round with a jerk to illustrate his meaning.

“Why did they call yer Isley for?” queried Bob, as they resumed their seats. “It ain't yer real name, is it?”

“No, my name's Harry. A digger useter say I was a isle in the ocean to father 'n mother, 'n then I was nicknamed Isle, 'n then Isley.”

“You hed a--why--brother once, didn't yer?”

“Yes, but thet was afore I was borned. He died, at least mother used ter say she didn't know if he was dead; but father says he's dead as fur's he's concerned.”

“And your father hed a brother, too. Did yer ever--why--hear of him?”

“Yes, I heard father talkin' about it wonst to mother. I think father's brother got into some row in a bar where a man was killed.”

“And was yer--why--father--why--fond of him?”

“I heard father say that he was wonst, but thet was all past.”

Bob smoked in silence for a while, and seemed to look at some dark clouds that were drifting along like a funeral out in the west. Presently he said half aloud something that sounded like “All, all--why--past.”

“Eh?” said Isley.

“Oh, it's--why, why--nothin',” answered Bob, rousing himself. “Is that a paper in yer father's coat-pocket, Isley?”

“Yes,” said the boy, taking it out.

Bob took the paper and stared hard at it for a moment or so.

“There's something about the new goldfields there,” said Bob, putting his finger on a tailor's advertisement. “I wish you'd--why--read it to me, Isley; I can't see the small print they uses nowadays.”

“No, thet's not it,” said the boy, taking the paper, “it's something about--”

“Isley!”

“'Old on, Bob, father wants me.”

The boy ran to the shaft, rested his hands and forehead against the bole of the windlass, and leant over to hear what his father was saying.

Without a moment's warning the treacherous bole slipped round; a small body bounded a couple of times against the sides of the shaft and fell at Mason's feet, where it lay motionless!

“Mason!”

“Ay?”

“Put him in the bucket and lash him to the rope with your belt!”

A few moments, and--

“Now, Bob!”

Bob's trembling hands would scarcely grasp the handle, but he managed to wind somehow.

Presently the form of the child appeared, motionless and covered with clay and water. Mason was climbing up by the steps in the side of the shaft.

Bob tenderly unlashed the boy and laid him under the saplings on the grass; then he wiped some of the clay and blood away from the child's forehead, and dashed over him some muddy water.

Presently Isley gave a gasp and opened his eyes.

“Are yer--why--hurt much, Isley?” asked Bob.

“Ba-back's bruk, Bob!”

“Not so bad as that, old man.”

“Where's father?”

“Coming up.”

Silence awhile, and then--

“Father! father! be quick, father!”

Mason reached the surface and came and knelt by the other side of the boy.

“I'll, I'll--why--run fur some brandy,” said Bob.

“No use, Bob,” said Isley. “I'm all bruk up.”

“Don't yer feel better, sonny?”

“No--I'm--goin' to--die, Bob.”

“Don't say it, Isley,” groaned Bob.

A short silence, and then the boy's body suddenly twisted with pain. But it was soon over. He lay still awhile, and then said quietly:

“Good-bye, Bob!”

Bob made a vain attempt to speak. “Isley!” he said,”---”

The child turned and stretched out his hands to the silent, stony-faced man on the other side.

“Father--father, I'm goin'!”

A shuddering groan broke from Mason's lips, and then all was quiet.

Bob had taken off his hat to wipe his, forehead, and his face, in spite of its disfigurement, was strangely like the face of the stone-like man opposite.

For a moment they looked at one another across the body of the child, and then Bob said quietly:

“He never knowed.”