Chapter XLV: Back to the Mountains

In the cottage in Boney Street, one year later, two women were waiting. It was ten o'clock at night.

"Isn't it a shame to be disappointed like this?" complained Dicksie, pushing her hair impatiently back. "Really, poor George is worked to death. He was to be in at six o'clock, Mr. Lee said, and here it is ten, and all your beautiful dinner spoiled. Marion, are you keeping something from me? Look me in the eye. Have you heard from Gordon Smith?"

"No, Dicksie."

"Not since he left the mountains a year ago?"

"Not since he left the mountains a year ago."

Dicksie, sitting forward in her chair, bent her eyes upon the fire. "It is so strange. I wonder where he is to-night. How he loves you, Marion! He told me everything when he said good-by. He made me promise not to tell then; but I didn't promise to keep it forever."

Marion smiled. "A year isn't forever, Dicksie."

"Well, it's pretty near forever when you are in love," declared Dicksie energetically. "I know just how he felt," she went on in a quieter tone. "He felt that all the disagreeable excitement and talk we had here then bore heaviest on you. He said if he stayed in Medicine Bend the newspapers never would cease talking and people never would stop annoying you--and you know George did say they were asking to have passenger trains held here just so people could see Whispering Smith. And, Marion, think of it, he actually doesn't know yet that George and I are married! How could we notify him without knowing where he was? And he doesn't know that trains are running up the Crawling Stone Valley. Mercy! a year goes like an hour when you're in love, doesn't it? George said he _knew_ we should hear from him within six months--and George has never yet been mistaken excepting when he said I should grow to like the railroad business--and now it is a year and no news from him." Dicksie sprang from her chair. "I am going to call up Mr. Rooney Lee and just demand my husband! I think Mr. Lee handles trains shockingly every time George tries to get home like this on Saturday nights--now don't you? And passenger trains ought to get out of the way, anyway, when a division superintendent is trying to get home. What difference does it make to a passenger, I'd like to know, whether he is a few hours less or longer in getting to California or Japan or Manila or Hongkong or Buzzard's Gulch, provided he is safe--and you know there has not been an accident on the division for a year, Marion. There's a step now. I'll bet that's George!"

The door opened and it was George.

"Oh, honey!" cried Dicksie softly, waving her arms as she stood an instant before she ran to him. "But haven't I been a-waitin' for you!"

"Too bad! and, Marion," he exclaimed, turning without releasing his wife from his arms, "how can I ever make good for all this delay? Oh, yes, I've had dinner. Never, for Heaven's sake, wait dinner for me! But wait, both of you, till you hear the news!"

Dicksie kept her hands on his shoulders. "You have heard from Whispering Smith!"

"I have."

"I knew it!"

"Wait till I get it straight. Mr. Bucks is here--I came in with him in his car. He has news of Whispering Smith. One of our freight-traffic men in the Puget Sound country, who has been in a hospital in Victoria, learned by the merest accident that Gordon Smith was lying in the same hospital with typhoid fever."

Marion rose swiftly. "Then the time has come, thank God, when I can do something for him; and I am going to him to-night!"

"Fine!" cried McCloud. "So am I, and that is why I'm late."

"Then I am going, too," exclaimed Dicksie solemnly.

"Do you mean it?" asked her husband. "Shall we let her, Marion? Mr. Bucks says I am to take his car and take Barnhardt, and keep the car there till I can bring Gordon back. Mr. Bucks and his secretary will ride to-night as far as Bear Dance with us, and in the morning they join Mr. Glover there." McCloud looked at his watch. "If you are both going, can you be ready by twelve o'clock for the China Mail?"

"We can be ready in an hour," declared Dicksie, throwing her arm half around Marion's neck, "can't we, Marion?"

"I can be ready in thirty minutes."

"Then, by Heaven--" McCloud studied his watch.

"What is it, George?"

"We won't wait for the midnight train. We will take an engine, run special to Green River, overhaul the Coast Limited, and save a whole day."

"George, pack your suit-case--quick, dear; and you, too, Marion; suit-cases are all we can take," cried Dicksie, pushing her husband toward the bedroom. "I'll telephone Rooney Lee for an engine myself right away. Dear me, it is kind of nice, to be able to order up a train when you want one in a hurry, isn't it, Marion? Perhaps I _shall_ come to like it if they ever make George a vice-president."

In half an hour they had joined Bucks in his car, and Bill Dancing was piling the baggage into the vestibule. Bucks was sitting down to coffee. Chairs had been provided at the table, and after the greetings, Bucks, seating Marion Sinclair at his right and Barnhardt and McCloud at his left, asked Dicksie to sit opposite and pour the coffee. "You are a railroad man's wife now and you must learn to assume responsibility."

McCloud looked apprehensive. "I am afraid she will be assuming the whole division if you encourage her too much, Mr. Bucks."

"Marrying a railroad man," continued Bucks, pursuing his own thought, "is as bad as marrying into the army; if you have your husband half the time you are lucky. Then, too, in the railroad business your husband may have to be set back when the traffic falls off. It's a little light at this moment, too. How should you take it if we had to put him on a freight train for a while, Mrs. McCloud?"

"Oh, Mr. Bucks!"

"Or suppose he should be promoted and should have to go to headquarters--some of us are getting old, you know."

"Really," Dicksie looked most demure as she filled the president's cup, "really, I often say to Mr. McCloud that I can not believe Mr. Bucks is president of this great road. He always looks to me to be the youngest man on the whole executive staff. Two lumps of sugar, Mr. Bucks?"

The bachelor president rolled his eyes as he reached for his cup. "Thank you, Mrs. McCloud, only one after that." He looked toward Marion. "All I can say is that if Mrs. McCloud's husband had married her two years earlier he might have been general manager by this time. Nothing could hold a man back, even a man of his modesty, whose wife can say as nice things as that. By the way, Mrs. Sinclair, does this man keep you supplied with transportation?"

"Oh, I have my annual, Mr. Bucks!" Marion opened her bag to find it.

Bucks held out his hand. "Let me see it a moment." He adjusted his eye-glasses, looked at the pass, and called for a pen; Bucks had never lost his gracious way of doing very little things. He laid the card on the table and wrote across the back of it over his name: "Good on all passenger trains." When he handed the card back to Marion he turned to Dicksie. "I understand you are laying out two or three towns on the ranch, Mrs. McCloud?"

"Two or three! Oh, no, only one as yet, Mr. Bucks! They are laying out, oh, such a pretty town! Cousin Lance is superintending the street work--and whom do you think I am going to name it after? You! I think 'Bucks' makes a dandy name for a town, don't you? And I am going to have one town named Dunning; there will be two stations on the ranch, you know, and I think, really, there _ought_ to be three."

"As many as that?"

"I don't believe you can operate a line that long, Mr. Bucks, with stations fourteen miles apart." Bucks opened his eyes in benevolent surprise. Dicksie, unabashed, kept right on: "Well, do you know how traffic is increasing over there, with the trains running only two months now? Why, the settlers are fairly pouring into the country."

"Will you give me a corner lot if we put another station on the ranch?"

"I will give you two if you will give us excursions and run some of the Overland passenger trains through the valley."

Bucks threw back his head and laughed in his tremendous way. "I don't know about that; I daren't promise offhand, Mrs. McCloud. But if you can get Whispering Smith to come back you might lay the matter before him. He is to take charge of all the colonist business when he returns; he promised to do that before he went away for his vacation. Whispering Smith is really the man you will have to stand in with."

* * * * *

Whispering Smith, lying on his iron bed in the hospital, professed not to be able quite to understand why they had made such a fuss about it. He underwent the excitement of the appearance of Barnhardt and the first talk with McCloud and Dicksie with hardly a rise in his temperature, and, lying in the sunshine of the afternoon, he was waiting for Marion. When she opened the door his face was turned wistfully toward it. He held out his hands with the old smile. She ran half blinded across the room and dropped on her knee beside him.

"My dear Marion, why did they drag you away out here?"

"They did not drag me away out here. Did you expect me to sit with folded hands when I heard you were ill anywhere in the wide world?"

He looked hungrily at her. "I didn't suppose any one in the wide world would take it very seriously."

"Mr. McCloud is crushed this afternoon to think you have said you would not go back with him. You would not believe how he misses you."

"It has been pretty lonesome for the last year. I didn't think it _could_ be so lonesome anywhere."

"Nor did I."

"Have you noticed it? I shouldn't think you could in the mountains. Was there much water last spring? Heavens, I'd like to see the Crawling Stone again!"

"Why don't you come back?"

He folded her hands in his own. "Marion, it is you. I've been afraid I couldn't stand it to be near you and not tell you----"

"What need you be afraid to tell me?"

"That I have loved you so long."

Her head sunk close to his. "Don't you know you have said it to me many times without words? I've only been waiting for a chance to tell you how happy it makes me to think it is true."

ZANE GREY'S NOVELS

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THE LIGHT OF WESTERN STARS

A New York society girl buys a ranch which becomes the center of frontier warfare. Her loyal superintendent rescues her when she is captured by bandits. A surprising climax brings the story to a delightful close.

THE RAINBOW TRAIL

The story of a young clergyman who becomes a wanderer in the great western uplands--until at last love and faith awake.

DESERT GOLD

The story describes the recent uprising along the border, and ends with the finding of the gold which two prospectors had willed to the girl who is the story's heroine.

RIDERS OF THE PURPLE SAGE

A picturesque romance of Utah of some forty years ago when Mormon authority ruled. The prosecution of Jane Withersteen is the theme of the story.

THE LAST OF THE PLAINSMEN

This is the record of a trip which the author took with Buffalo Jones, known as the preserver of the American bison, across the Arizona desert and of a hunt in "that wonderful country of deep canons and giant pines."

THE HERITAGE OF THE DESERT

A lovely girl, who has been reared among Mormons, learns to love a young New Englander. The Mormon religion, however, demands that the girl shall become the second wife of one of the Mormons--Well, that's the problem of this great story.

THE SHORT STOP

The young hero, tiring of his factory grind, starts out to win fame and fortune as a professional ball player. His hard knocks at the start are followed by such success as clean sportsmanship, courage and honesty ought to win.

BETTY ZANE

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THE LONE STAR RANGER

After killing a man in self defense, Buck Duane becomes an outlaw along the Texas border. In a camp on the Mexican side of the river, he finds a young girl held prisoner, and in attempting to rescue her, brings down upon himself the wrath of her captors and henceforth is hunted on one side by honest men, on the other by outlaws.

THE BORDER LEGION

Joan Randle, in a spirit of anger, sent Jim Cleve out to a lawless Western mining camp, to prove his mettle. Then realizing that she loved him--she followed him out. On her way, she is captured by a bandit band, and trouble begins when she shoots Kells, the leader--and nurses him to health again. Here enters another romance--when Joan, disguised as an outlaw, observes Jim, in the throes of dissipation. A gold strike, a thrilling robbery--gambling and gun-play carry you along breathlessly.

THE LAST OF THE GREAT SCOUTS, By Helen Cody Wetmore and Zane Grey

The life story of Colonel William F. Cody, "Buffalo Bill," as told by his sister and Zane Grey. It begins with his boyhood in Iowa and his first encounter with an Indian. We see "Bill" as a pony express rider, then near Fort Sumter as Chief of the Scouts, and later engaged in the most dangerous Indian campaigns. There is also a very interesting account of the travels of "The Wild West" Show. No character in public life makes a stronger appeal to the imagination of America than "Buffalo Bill," whose daring and bravery made him famous.

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GRAUSTARK. Illustrated with Scenes from the Play.

With the appearance of this novel, the author introduced a new type of story and won for himself a perpetual reading public. It is the story of love behind a throne in a new and strange country.

BEVERLY OF GRAUSTARK. Illustrations by Harrison Fisher.

This is a sequel to "Graustark." A bewitching American girl visits the little principality and there has a romantic love affair.

PRINCE OF GRAUSTARK. Illustrations by A. I. Keller.

The Prince of Graustark is none other than the son of the heroine of "Graustark." Beverly's daughter, and an American multimillionaire with a brilliant and lovely daughter also figure in the story.

BREWSTER'S MILLIONS.

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COWARDICE COURT.

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"What's-His-Name" is the husband of a beautiful and popular actress who is billboarded on Broadway under an assumed name. The very opposite manner in which these two live their lives brings a dramatic climax to the story.

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"K." Illustrated.

K. LeMoyne, famous surgeon, drops out of the world that has known him, and goes to live in a little town where beautiful Sidney Page lives. She is in training to become a nurse. The joys and troubles of their young love are told with that keen and sympathetic appreciation which has made the author famous.

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THE CIRCULAR STAIRCASE. Illus. by Lester Ralph.

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THE STREET OF SEVEN STARS. Illustrated (Photo Play Edition.)

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MASTER OF THE VINEYARD.

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A SPINNER IN THE SUN.

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THE MASTER'S VIOLIN.

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THE HARVESTER. Illustrated by W. L. Jacobs.

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AT THE FOOT OF THE RAINBOW. Illustrations in colors.

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THE HAPPY FAMILY

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HER PRAIRIE KNIGHT

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THE RANGE DWELLERS

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THE LURE OF DIM TRAILS

A vivid portrayal of the experience of an Eastern author, among the cowboys of the West, in search of "local color" for a new novel. "Bud" Thurston learns many a lesson while following "the lure of the dim trails" but the hardest, and probably the most welcome, is that of love.

THE LONESOME TRAIL

"Weary" Davidson leaves the ranch for Portland, where conventional city life palls on him. A little branch of sage brush, pungent with the atmosphere of the prairie, and the recollection of a pair of large brown eyes soon compel his return. A wholesome love story.

THE LONG SHADOW

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STEWARD EDWARD WHITE

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THE BLAZED TRAIL. Illustrated by Thomas Fogarty.

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THE CALL OF THE NORTH. Ills. with Scenes from the Play.

The story centers about a Hudson Bay trading post, known as "The Conjuror's House" (the original title of the book.)

THE RIVERMAN. Ills. by N. C. Wyeth and C. F. Underwood.

The story of a man's fight against a river and of a struggle between honesty and grit on the one side, and dishonesty and shrewdness on the other.

RULES OF THE GAME. Illustrated by Lejaren A. Hiller.

The romance of the son of "The Riverman." The young college hero goes into the lumber camp, is antagonized by "graft," and comes into the romance of his life.

GOLD. Illustrated by Thomas Fogarty.

The gold fever of '49 is pictured with vividness. A part of the story is laid in Panama, the route taken by the gold-seekers.

THE FOREST. Illustrated by Thomas Fogarty.

The book tells of the canoe trip of the author and his companion into the great woods. Much information about camping and outdoor life. A splendid treatise on woodcraft.

THE MOUNTAINS. Illustrated by Fernand Lungren.

An account of the adventures of a five months' camping trip in the Sierras of California. The author has followed a true sequence of events.

THE CABIN. Illustrated with photographs by the author.

A chronicle of the building of a cabin home in a forest-girdled meadow of the Sierras. Full of nature and woodcraft, and the shrewd philosophy of "California John."

THE GRAY DAWN. Illustrated by Thomas Fogarty.

This book tells of the period shortly after the first mad rush for gold in California. A young lawyer and his wife, initiated into the gay life of San Francisco, find their ways parted through his downward course, but succeeding events bring the "gray dawn of better things" for both of them.

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NOVELS OF FRONTIER LIFE BY

WILLIAM MacLEOD RAINE

HANDSOMELY BOUND IN CLOTH. ILLUSTRATED.

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MAVERICKS.

A tale of the western frontier, where the "rustler," whose depredations are so keenly resented by the early settlers of the range, abounds. One of the sweetest love stories ever told.

A TEXAS RANGER.

How a member of the most dauntless border police force carried law into the mesquit, saved the life of an innocent man after a series of thrilling adventures, followed a fugitive to Wyoming, and then passed through deadly peril to ultimate happiness.

WYOMING.

In this vivid story of the outdoor West the author has captured the breezy charm of "cattleland," and brings out the turbid life of the frontier with all its engaging dash and vigor.

RIDGWAY OF MONTANA.

The scene is laid in the mining centers of Montana, where politics and mining industries are the religion of the country. The political contest, the love scene, and the fine character drawing give this story great strength and charm.

BUCKY O'CONNOR.

Every chapter teems with wholesome, stirring adventures, replete with the dashing spirit of the border, told with dramatic dash and absorbing fascination of style and plot.

CROOKED TRAILS AND STRAIGHT.

A story of Arizona; of swift-riding men and daring outlaws; of a bitter feud between cattlemen and sheep-herders. The heroine is a most unusual woman and her love story reaches a culmination that is fittingly characteristic of the great free West.

BRAND BLOTTERS.

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JACK LONDON'S NOVELS

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JOHN BARLEYCORN. Illustrated by H. T. Dunn.

This remarkable book is a record of the author's own amazing experiences. This big, brawny world rover, who has been acquainted with alcohol from boyhood, comes out boldly against John Barleycorn. It is a string of exciting adventures, yet it forcefully conveys an unforgettable idea and makes a typical Jack London book.

THE VALLEY OF THE MOON. Frontispiece by George Harper.

The story opens in the city slums where Billy Roberts, teamster and ex-prize fighter, and Saxon Brown, laundry worker, meet and love and marry. They tramp from one end of California to the other, and in the Valley of the Moon find the farm paradise that is to be their salvation.

BURNING DAYLIGHT. Four illustrations.

The story of an adventurer who went to Alaska and laid the foundations of his fortune before the gold hunters arrived. Bringing his fortunes to the States he is cheated out of it by a crowd of money kings, and recovers it only at the muzzle of his gun. He then starts out as a merciless exploiter on his own account. Finally he takes to drinking and becomes a picture of degeneration. About this time he falls in love with his stenographer and wins her heart but not her hand and then--but read the story!

A SON OF THE SUN. Illustrated by A. O. Fischer and C. W. Ashley.

David Grief was once a light-haired, blue-eyed youth who came from England to the South Seas in search of adventure. Tanned like a native and as lithe as a tiger, he became a real son of the sun. The life appealed to him and he remained and became very wealthy.

THE CALL OF THE WILD. Illustrations by Philip R. Goodwin and Charles Livingston Bull. Decorations by Charles E. Hooper.

A book of dog adventures as exciting as any man's exploits could be. Here is excitement to stir the blood and here is picturesque color to transport the reader to primitive scenes.

THE SEA WOLF. Illustrated by W. J. Aylward.

Told by a man whom Fate suddenly swings from his fastidious life into the power of the brutal captain of a sealing schooner. A novel of adventure warmed by a beautiful love episode that every reader will hail with delight.

WHITE FANG. Illustrated by Charles Livingston Bull.

"White Fang" is part dog, part wolf and all brute, living in the frozen north; he gradually comes under the spell of man's companionship, and surrenders all at the last in a fight with a bull dog. Thereafter he is man's loving slave.

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THE NOVELS OF

CLARA LOUISE BURNHAM

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JEWEL: A Chapter in Her Life.

Illustrated by Maude and Genevieve Cowles.

A story breathing the doctrine of love and patience as exemplified in the life of a child. Jewel will never grow old because of the immortality of her love.

JEWEL'S STORY BOOK. Illustrated by Albert Schmitt.

A sequel to "Jewel," in which the same characteristics of love and cheerfulness touch and uplift the reader.

THE INNER FLAME. Frontispiece in color.

A young mining engineer, whose chief ambition is to become an artist, but who has no friends with whom to realize his hopes, has a way opened to him to try his powers, and, of course, he is successful.

THE RIGHT PRINCESS.

At a fashionable Long Island resort, a stately English woman employs a forcible New England housekeeper to serve in her interesting home. Many humorous situations result. A delightful love affair runs through it all.

THE OPENED SHUTTERS.

Illustrated with Scenes from the Photo Play.

A beautiful woman, at discord with life, is brought to realize, by her new friends, that she may open the shutters of her soul to the blessed sunlight of joy by casting aside self love.

THE RIGHT TRACK.

Frontispiece in color by Greene Blumenschien.

A story of a young girl who marries for money so that she can enjoy things intellectual. Neglect of her husband and of her two step children makes an unhappy home till a friend brings a new philosophy of happiness into the household.

CLEVER BETSY. Illustrated by Rose O' Neill.

The "Clever Betsy" was a boat--named for the unyielding spinster whom the captain hoped to marry. Through the two Betsy's a delightful group of people are introduced.

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CHARMING BOOKS FOR GIRLS

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WHEN PATTY WENT TO COLLEGE, By Jean Webster. Illustrated by C. D. Williams.

One of the best stories of life in a girl's college that has ever been written. It is bright, whimsical and entertaining, lifelike, laughable and thoroughly human.

JUST PATTY, By Jean Webster. Illustrated by C. M. Relyea.

Patty is full of the joy of living, fun-loving, given to ingenious mischief for its own sake, with a disregard for pretty convention which is an unfailing source of joy to her fellows.

THE POOR LITTLE RICH GIRL, By Eleanor Gates. With four full page illustrations.

This story relates the experience of one of those unfortunate children whose early days are passed in the companionship of a governess, seldom seeing either parent, and famishing for natural love and tenderness. A charming play as dramatized by the author.

REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.

One of the most beautiful studies of childhood--Rebecca's artistic, unusual and quaintly charming qualities stand out midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record.

NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin. Illustrated by F. C. Yohn.

Additional episodes in the girlhood of this delightful heroine that carry Rebecca through various stages to her eighteenth birthday.

REBECCA MARY, By Annis Hamilton Donnell. Illustrated by Elizabeth Shippen Green.

This author possesses the rare gift of portraying all the grotesque little joys and sorrows and scruples of this very small girl with a pathos that is peculiarly genuine and appealing.

EMMY LOU: Her Book and Heart, By George Madden Martin. Illustrated by Charles Louis Hinton.

Emmy Lou is irresistibly lovable, because she is so absolutely real. She is just a bewitchingly innocent, hugable little maid. The book is wonderfully human.

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SEWELL FORD'S STORIES

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SHORTY McCABE. Illustrated by Francis Vaux Wilson.

A very humorous story. The hero, an independent and vigorous thinker, sees life, and tells about it in a very unconventional way.

SIDE-STEPPING WITH SHORTY. Illustrated by Francis Vaux Wilson.

Twenty skits, presenting people with their foibles. Sympathy with human nature and an abounding sense of humor are the requisites for "side-stepping with Shorty."

SHORTY McCABE ON THE JOB. Illustrated by Francis Vaux Wilson.

Shorty McCabe reappears with his figures of speech revamped right up to the minute. He aids in the right distribution of a "conscience fund," and gives joy to all concerned.

SHORTY McCABE'S ODD NUMBERS, Illustrated by Francis Vaux Wilson.

These further chronicles of Shorty McCabe tell of his studio for physical culture, and of his experiences both on the East side and at swell yachting parties.

TORCHY. Illus, by Geo. Biehm and Jas. Montgomery Flagg.

A red-headed office boy, overflowing with wit and wisdom peculiar to the youths reared on the sidewalks of New York, tells the story of his experiences.

TRYING OUT TORCHY. Illustrated by F. Foster Lincoln.

Torchy is just as deliriously funny in these stories as he was in the previous book.

ON WITH TORCHY. Illustrated by F. Foster Lincoln.

Torchy falls desperately in love with "the only girl that ever was," but that young society woman's aunt tries to keep the young people apart, which brings about many hilariously funny situations.

TORCHY, PRIVATE SEC. Illustrated by F. Foster Lincoln.

Torchy rises from the position of office boy to that of secretary for the Corrugated Iron Company. The story is full of humor and infectious American slang.

WILT THOU TORCHY. Illus. by F. Snapp and A. W. Brown.

Torchy goes on a treasure search expedition to the Florida West Coast, in company with a group of friends of the Corrugated Trust and with his friend's aunt, on which trip Torchy wins the aunt's permission to place an engagement ring on Vee's finger.

Grosset & Dunlap, Publishers, New York

KATHLEEN NORRIS' STORIES

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MOTHER. Illustrated by F. C. Yohn.

This book has a fairy-story touch, counterbalanced by the sturdy reality of struggle, sacrifice, and resulting peace and power of a mother's experiences.

SATURDAY'S CHILD.

Frontispiece by F. Graham Cootes.

Out on the Pacific coast a normal girl, obscure and lovely, makes a quest for happiness. She passes through three stages--poverty, wealth and service--and works out a creditable salvation.

THE RICH MRS. BURGOYNE.

Illustrated by Lucius H. Hitchcock.

The story of a sensible woman who keeps within her means, refuses to be swamped by social engagements, lives a normal human life of varied interests, and has her own romance.

THE STORY OF JULIA PAGE.

Frontispiece by Allan Gilbert.

How Julia Page, reared in rather unpromising surroundings, lifted herself through sheer determination to a higher plane of life.

THE HEART OF RACHAEL.

Frontispiece by Charles E. Chambers.

Rachael is called upon to solve many problems, and in working out these, there is shown the beauty and strength of soul of one of fiction's most appealing characters.

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JOHN FOX, JR'S.

STORIES OF THE KENTUCKY MOUNTAINS

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THE TRAIL OF THE LONESOME PINE. Illustrated by F. C. Yohn.

The "lonesome pine" from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the foot-prints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than "the trail of the lonesome pine."

THE LITTLE SHEPHERD OF KINGDOM COME

Illustrated by F. C. Yohn.

This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.

"Chad," the "little shepherd" did not know who he was nor whence he came--he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery--a charming waif, by the way, who could play the banjo better than anyone else in the mountains.

A KNIGHT OF THE CUMBERLAND. Illustrated by F. C. Yohn.

The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner's son, and the heroine a beautiful girl perversely christened "The Blight." Two impetuous young Southerners' fall under the spell of "The Blight's" charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.

Included in this volume is "Hell fer-Sartain" and other stories, some of Mr. Fox's most entertaining Cumberland valley narratives.

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THE NOVELS OF

WINSTON CHURCHILL

THE INSIDE OF THE CUP. Illustrated by Howard Giles.

The Reverend John Hodder is called to a fashionable church in a middle-western city. He knows little of modern problems and in his theology is as orthodox as the rich men who control his church could desire. But the facts of modern life are thrust upon him; an awakening follows and in the end he works out a solution.

A FAR COUNTRY. Illustrated by Herman Pfeifer.

This novel is concerned with big problems of the day. As The Inside of the Cup gets down to the essentials in its discussion of religion, so A Far Country deals in a story that is intense and dramatic, with other vital issues confronting the twentieth century.

A MODERN CHRONICLE. Illustrated by J. H. Gardner Soper.

This, Mr. Churchill's first great presentation of the Eternal Feminine, is throughout a profound study of a fascinating young American woman. It is frankly a modern love story.

MR. CREWE'S CAREER. Illus. by A. I. Keller and Kinneys.

A new England state is under the political domination of a railway and Mr. Crewe, a millionaire, seizes a moment when the cause of the people is being espoused by an ardent young attorney, to further his own interest in a political way. The daughter of the railway president plays no small part in the situation.

THE CROSSING. Illustrated by S. Adamson and L. Baylis.

Describing the battle of Fort Moultrie, the blazing of the Kentucky wilderness, the expedition of Clark and his handful of followers in Illinois, the beginning of civilization along the Ohio and Mississippi, and the treasonable schemes against Washington.

CONISTON. Illustrated by Florence Scovel Shinn.

A deft blending of love and politics. A New Englander is the hero, a crude man who rose to political prominence by his own powers, and then surrendered all for the love of a woman.

THE CELEBRITY. An episode.

An inimitable bit of comedy describing an interchange of personalities between a celebrated author and a bicycle salesman. It is the purest, keenest fun--and is American to the core.

THE CRISIS. Illustrated with scenes from the Photo-Play.

A book that presents the great crisis in our national life with splendid power and with a sympathy, a sincerity, and a patriotism that are inspiring.

RICHARD CARVEL. Illustrated by Malcolm Frazer.

An historical novel which gives a real and vivid picture of Colonial times, and is good, clean, spirited reading in all its phases and interesting throughout.

Grosset & Dunlap, Publishers, New York

GROSSET & DUNLAP'S

DRAMATIZED NOVELS

THE KIND THAT ARE MAKING THEATRICAL HISTORY

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WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. Charles Cooke.

This is a novelization of the immensely successful play which ran for two years in New York and Chicago.

The plot of this powerful novel is of a young woman's revenge directed against her employer who allowed her to be sent to prison for three years on a charge of theft, of which she was innocent.

WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes from the play.

This is a narrative of a young and innocent country girl who is suddenly thrown into the very heart of New York, "the land of her dreams," where she is exposed to all sorts of temptations and dangers.

The story of Mary is being told in moving pictures and played in theatres all over the world.

THE RETURN OF PETER GRIMM. By David Belasco.

Illustrated by John Rae.

This is a novelization of the popular play in which David Warfield as Old Peter Grimm, scored such a remarkable success.

The story is spectacular and extremely pathetic but withal, powerful, both as a book and as a play.

THE GARDEN OF ALLAH. By Robert Hichens.

This novel is an intense, glowing epic of the great desert, sunlit barbaric, with its marvelous atmosphere of vastness and loneliness.

It is a book of rapturous beauty, vivid in word painting. The play has been staged with magnificent cast and gorgeous properties.

BEN HUR. A Tale of the Christ. By General Lew Wallace.

The whole world has placed this famous Religious-Historical Romance on a height of pre-eminence which no other novel of its time has reached. The clashing of rivalry and the deepest human passions, the perfect reproduction of brilliant Roman life, and the tense, fierce atmosphere of the arena have kept their deep fascination. A tremendous dramatic success.

BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. Illustrated with scenes from the play.

A stupendous arraignment of modern marriage which has created an interest on the stage that is almost unparalleled. The scenes are laid in New York, and deal with conditions among both the rich and poor.

The interest of the story turns on the day-by-day developments which show the young wife the price she has paid.

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