Chapter XIII
The proposed riddle raised some scruples in Wilhelm’s mind; yet erelong he began to feel a still attraction in the matter, an impulse of longing to reach that appointed line, and follow its direction: as, indeed, we are wont to seize with eagerness any specific object that excites our imagination, our active faculties, and to wish that we might accomplish it and partake of it.
A child that, in asking alms of us, puts into our hand a card with five lottery numbers written on it, we do not lightly turn away unserved; and it depends on the moment, especially if it be shortly before the drawing, whether we shall not, with accidentally stimulated hope, quite against our usual custom, stake heavy shares upon these very numbers.
The wanderer now tried on a large map the little fragment which had been sent him, and stood surprised, amazed, affrighted, as he saw the needle pointing straight to Mignon’s native place, to the houses where she had lived. What his peculiar feelings were, we do not find declared; but whoever can bring back to memory the end of the _Apprenticeship_, will in his own heart and mind, without difficulty, call forth the like.
The chief cause, however, why we meet with scantier records of this excursion than we could have wished, may probably be this: that Wilhelm chanced to fall in with a young, lively companion of his journey, by means of whom it became easy to retain for himself and his friends a vivid and strong remembrance of this pious pilgrimage without any aid of writing. Unexpectedly he finds himself beside a painter,--one of that class of persons whom we often see wandering about the world, and still oftener figuring in romances and dramas, but, in this case, an individual who showed himself at once to be really a distinguished artist. The two very soon got acquainted, mutually communicated their desires, projects, purposes. And now it appears that this skilful artist, who delights in painting aquatical landscapes, and can decorate his pieces with rich, well-imagined, well-executed additions and accompaniments, has been passionately attracted by Mignon’s form, destiny, and being. He has often painted her already, and is now going forth to copy from nature the scenes where she passed her early years; amid these to represent the dear child in happy and unhappy circumstances and moments, and thus to make her image, which lives in all tender hearts, present also to the sense of the eye.
The friends soon reach the Lago Maggiore: Wilhelm endeavors by degrees to find out the places indicated. Rural palaces, spacious monasteries, ferries and bays, capes and landings, are visited; nor are the dwellings of courageous and kind-hearted fishermen forgotten, or the cheerfully built villages along the shore, or the gay mansions on the neighboring heights. All this the artist can seize, to all of it communicate, by light and coloring, the feeling suitable for each scene; so that Wilhelm passes his days and his hours in heart-searching emotion.
In several of the leaves stood Mignon represented on the foreground, as she had looked and lived: Wilhelm striving by correct description to assist the happy imagination of his friend, and reduce these general conceptions within the stricter limits of individuality.
And thus you might see the boy-girl set forth in various attitudes and manifold expression. Beneath the lofty portal of the splendid country-house she is standing, thoughtfully contemplating the marble statues in the hall. Here she rocks herself, plashing to and fro among the waters, in the fastened boat: there she climbs the mast, and shows herself as a fearless sailor.
But distinguished beyond all the other pictures was one which the artist, on his journey hither, and prior to his meeting with Wilhelm, had combined and painted with all its characteristic features. In the heart of the rude mountains shines the graceful seeming-boy, encircled with toppling cliffs, besprayed with cataracts, in the middle of a motley horde. Never, perhaps, was a grim, precipitous, primeval mountain-pass more beautifully or expressively relieved with living figures. The party-colored, gypsy-looking group, at once rude and fantastic, strange and common, too loose to cause fear, too singular to awaken confidence. Stout beasts of burden are bearing along, now over paths made of trees, now down by steps hewn in the rock, a tawdry, chaotic heap of luggage, round which all the instruments of a deafening music hang dangling to and fro, to affright the ear from time to time with rude tones. Amid all this the lovely child, self-collected without defiance, indignant without resistance, led, but not dragged. Who would not have looked with pleasure at this singular and impressive picture? Given in strong characters, frowned the stern obstruction of these rock-masses, riven asunder by gloomy chasms, towered up together, threatening to hinder all outgate, had not a bold bridge betokened the possibility of again coming into union with the rest of the world. Nor had the artist, with his quick feeling of fictitious truth, forgot to indicate the entrance of a cave, which you might equally regard as the natural laboratory of huge crystals, or as the abode of a fabulously frightful brood of dragons.
Not without a holy fear did our friends visit the marchese’s palace. The old man was still absent on his travels; but, in this circle also, the two wanderers, knowing well how to apply and conduct themselves, both towards spiritual and temporal authorities, were kindly received and entertained.
The absence of the owner also was to Wilhelm very pleasant; for although he could have wished to see the worthy gentleman, and would have heartily saluted him, he felt afraid of the marchese’s thankful generosity, and of any forced recompense of that true, loving conduct for which he had already obtained the fairest reward.
And thus our friends went floating in gay boats from shore to shore, cruising the lake in every direction. It was the fairest season of the year: and they missed neither sunrise nor sunset, nor any of the thousand shadings which the heavenly light first bounteously dispenses over its own firmament, and from thence over lake and land; not appearing itself in its perfect glory till imaged back from the waters.
A luxuriant vegetable world, planted by Nature, watched over and forwarded by Art, on every side surrounded them. The first chestnut forests they had already greeted with welcome; and now they could not restrain a mournful smile, as, lying under the shade of cypresses, they saw the laurel mounting up, the pomegranates reddening, orange and citron trees unfolding themselves in blossoms, and fruit at the same time glowing forth from the dark foliage.
Through means of his vivid associate, Wilhelm had another enjoyment prepared for him. Our old friend had not been favored by Nature with the eye of a painter. Susceptible of visual beauty only in the human form, he now felt, that by the presence of a companion, alike disposed, but trained to quite different enjoyments and activities, the surrounding world also was opened to his sight.
By viewing, under conversational direction, the changing glories of the region, and still more by concentrated imitation, his eyes were opened, and his mind freed from all its once obstinate doubts. Hitherto all copies of Italian scenery had seemed to him suspicious: the sky, he thought, was too blue; the violet tone of those charming distances was lovely, but untrue; and the abundant, fresh green too bright and gay; but now he united in his inmost perceptions with his new friend, and learned, susceptible as he was, to look at the earth with that friend’s eyes: and, while Nature unfolded the open secret of her beauty, he could not but feel an irresistible attraction towards Art as towards her most fit expositor.
But his pictorial friend quite unexpectedly anticipated his wishes in another point. The artist had already many times started some gay song, and thus, in hours of rest, delightfully enlivened and accompanied their movement when out in long voyages over the water. But now it happened, that, in one of the palaces they were visiting, he found a curious, peculiar stringed instrument,--a lute of small size, strong, well toned, convenient, and portable: he soon contrived to tune it, and then handled the strings so pleasantly, and so well entertained those about him, that, like a new Orpheus, he subdued by soft harmonies the usually rigorous and dry castellan, and kindly constrained him to lend the instrument for a time, under the condition, that, before departing, the singer should faithfully return it, and, in the interim, should come back some Sunday or holiday, and again gratify them by his music.
Quite another spirit now enlivened lake and shore: boat and skiff strove which should be nearest our friends; even freight and market barges lingered in their neighborhood; rows of people on the beach followed their course; when landing they were encircled by a gay-minded throng; when departing each blessed them with a heart contented, yet full of longing.
And now, at last, to any third party who had watched our friends, it must have been apparent enough that their mission was, in fact, accomplished: all scenes and localities referring to Mignon had been, not only sketched, but partly brought into light, shade, and color, partly in warm, mid-day hours, finished with the utmost fidelity. In effecting this they had shifted from place to place in a peculiar way, as Wilhelm’s vow frequently impeded them: this, however, they had now and then contrived to evade by explaining it as valid only on land, and on water not applicable.
Indeed, Wilhelm himself now felt that their special purpose was attained; yet he could not deny that the wish to see Hilaria and the fair widow must also be satisfied if he wished to leave this country with a free mind. His friend, to whom he had imparted their story, was no less curious, and already prided himself in the thought, that, in one of his paintings, there was a vacant space, which, as an artist, he might decorate with the forms of these gentle persons.
Accordingly, they now cruised to and fro, watching the points where strangers are wont first to enter this paradise. Their hope of meeting friends here had already been made known to the boatmen; and the search had not lasted long when there came in sight a splendid barge, which they instantly made chase of, and forbore not passionately to grapple with on reaching it. The dames, in some degree alarmed at this movement, soon recovered their composure as Wilhelm produced his little piece of chart; and the two, without hesitation, recognized the arrow which themselves had drawn on it. The friends were then kindly invited to come on board the ladies’ barge, which they did without an instant’s delay.
And now let us figure to ourselves these four, as they sit together in the daintiest apartment, the most blissful world lying round them, looking in each other’s faces, fanned by soft airs, rocked on glittering waves. Imagine the female pair, as we lately saw them described; the male, as they have together for weeks been leading a wayfaring life; and after a little reflection we behold them all in the most delightful, but also the most dangerous situation.
For the three who have before, willingly or unwillingly, ranked themselves in the number of renunciants, we have not the worst to fear: the fourth, however, may, probably enough, too soon see himself admitted into that order, like the others.
After crossing the lake several times, and pointing out the most interesting spots, both on the shore and the islands, our two wanderers conducted their fair friends to the place they were to pass the night in; where a dexterous guide, selected for this voyage, had taken care to provide all possible conveniences. Wilhelm’s vow was now a harsh but suitable master of the ceremonies; for he and his companion had already passed three days in this very station, and exhausted all that was remarkable in the environs. The artist, not restrained by any vow, begged permission to attend the dames on shore: this, however, they declined, and so the party separated at some distance from the harbor.
Scarcely had the singer stepped into his skiff, which hastily drew back from the beach, when he seized his lute, and gracefully began raising that strangely plaintive song which the Venetian gondoliers send forth in clear melody from land to sea, and from sea to land. Expert enough in this feat, which in the present instance proceeded with peculiar tenderness and expression, he strengthened his voice in proportion to the increasing distance; so that on the shore you would have thought you heard him still singing in the same place. He at last laid his lute aside, trusting to his voice alone, and had the satisfaction to observe that the dames, instead of retiring into their house, were pleased to linger on the shore. He felt so inspired that he could not cease, not even when night and remoteness had withdrawn every thing from view; till at last his calmer friend reminded him, that, if darkness did favor his tones, the skiff had already long passed the limits within which these could take effect.
According to promise, the two parties again met next day on the open lake. Flying along, they formed acquaintance with the lovely series of prospects, now standing forth in separate distinction, then gathering into rows, and seen behind each other, and at last fading away, as the higher eclipsed the lower; all which, repeating itself in the waters, affords in such excursions the most varied entertainment. Nor, in the course of these sights, did the copies of them, from our artist’s portfolio, fail to awaken thoughts and anticipations of what, in the present hour, was not imparted. For all such matters the still Hilaria seemed to have a free and fair feeling.
But, towards noon, singularity again came into play: the ladies landed alone; the men cruised before the harbor. And now the singer endeavored to accommodate his music to a shorter distance, where not only the general, soft, and quickly warbling tone of desire, but likewise a certain gay, graceful importunity might be expected to tell. And here now and then some one or other of the songs, for which we stand indebted to our friends in the “Apprenticeship,” would come hovering over his strings, over his lips; but out of well-meant regard to the feelings of his hearers, as well as to his own, he restrained himself in this particular, and roved at large in foreign images and emotions, whereby his performance gained in effect, and reached the ear with so much the more insinuating blandishment. The two friends, blockading the harbor in this way, would not have recollected the trivial concern of eating and drinking, had not the more provident fair ones sent them over a supply of dainty bits, to which an accompanying draught of wine had the best possible relish.
Every separation, every stipulation, that comes in the way of our gathering passions, sharpens instead of stifling them; and in this case, as in others, it may be presumed that the short absence had awakened equal longing in both parties. At all events, the dames in their gay, dazzling gondola were very soon to be seen coming back.
This word gondola, however, let us not take up in the melancholy Venetian meaning: here it signifies a cheerful, commodious, social bark; which, had our little company been twice as large, would still have been spacious enough for them.
Some days were spent in this peculiar way, between meeting and parting, between separation and social union; but, amid the enjoyment of the most delightful intercourse, departure and bereavement still hovered before the agitated soul. In presence of the new friends the old came back into the mind: were these new ones absent, each could not but admit that already they had taken deep root in his remembrance. None but a composed and tried spirit, like our fair widow, could in such moments have maintained herself in complete equilibrium.
Hilaria’s heart had been too deeply wounded to admit of any new entire impression: but as the grace of a fair scene encircles us of itself with soothing influences; so, when the mildness of tender-hearted friends conspires with it, there comes over sense and soul a peculiar mood of softness, that recalls to us, as in dreaming visions, the past and the absent, and withdraws the present, as if it were but a show, into spiritual remoteness. Thus, alternately rocked this way and that, attracted and repelled, approximated and removed, they wavered and wended for several days.
Without more narrowly investigating these circumstances, the shrewd, experienced guide imagined he observed some alteration in the calm demeanor of his heroines; and when at last the whimsical part of their predicament became known to him, he contrived here also to devise the most grateful expedient. For, as our two shipmen were again conducting the ladies to their usual place of dinner, they were met by another gay bark, which, falling alongside of theirs, exhibited a well-covered table, with all the cheerful invitations of a festive repast: the friends could now wait in company the lapse of several hours, and only night decided the customary separation.
Happily the artist and Wilhelm had, in their former voyagings, neglected, out of a certain natural caprice, to visit the most highly ornamented of all the islands, and had even yet never thought of showing to their fair friends the many artificial and somewhat dilapidated curiosities of the place, before these glorious scenes of creation were entirely gone through. At last, however, new light rose on their minds. They took counsel with the guide: he contrived forthwith to expedite their voyage, and all looked on it as the most blissful they had yet undertaken. They could now hope and expect, after so many interrupted joys, to spend three whole heavenly days assembled together in a sequestered abode.
And here we cannot but bestow on this guide our high commendation: he belonged to that nimble, active, dexterous class, who, in attendance on successive parties, often travel the same roads; perfectly acquainted with the conveniences and inconveniences on all of them, they understand how to use the one and evade the other, and, without leaving their own profit out of sight, still to conduct their patrons more cheaply and pleasantly through the country than without such aid would have been possible.
At this time, also, a sufficient female train, belonging to our dames, for the first time stepped forth in decided activity; and the fair widow could now make it one of her conditions, that the friends were to remain with her as guests, and content themselves with what she called her moderate entertainment. In this point, too, all prospered; for the cunning functionary had, on this occasion as on others, contrived to make so good a use of the letters and introductions which his heroines had brought with them, that, the owner of the place they were now about to visit being absent, both castle and garden, kitchen included, were thrown open for the service of the strangers,--nay, some prospect was held out, even of the cellar. All things co-operated so harmoniously, that our wanderers from the very first moment felt themselves as if at home, as if born lords of this paradise.
The whole luggage of the party was now carried to the island, an arrangement producing much convenience to all; though the chief advantage aimed at was, that the portfolios of our artist, now for the first time all collected together, might afford him means to exhibit in continuous sequence to his fair hostesses the route he had followed. This task was undertaken by all parties with delight. Not that they proceeded in the common style of amateur and artist, mutually eulogizing: here was a gifted man, rewarded by the most sincere and judicious praise. But that we fall not into the suspicion of attempting, with general phrases, to palm on credulous readers what we could not openly show them, let us here insert the judgment of a critic, who some years afterwards viewed with studious admiration both the pieces here in question, and the others of a like or similar sort by the same hand.
“He succeeds in representing the cheerful repose of
lake-prospects, where houses in friendly approximation, imaging
themselves in the clear wave, seem as if bathing in its depths;
shores encircled with green hills, behind which rise forest
mountains, and icy peaks of glaciers. The tone of coloring in
such scenes is gay, mirthfully clear; the distances, as if
overflowed with softening vapor, which, from watered hollows and
river valleys, mounts up grayer and mistier, and indicates their
windings. No less is the master’s art to be praised in views
from valleys lying nearer the high Alpine ranges, where
declivities slope down, luxuriantly overgrown, and fresh streams
roll hastily along by the foot of rocks.
“With exquisite skill, in the deep, shady trees of the
foreground, he gives the distinctive character of the several
species; satisfying us in the form of the whole, as in the
structure of the branches and the details of the leaves,--no
less so in the fresh green, with its manifold shadings, where
soft airs appear as if fanning us with benignant breath, and the
lights as if thereby put in motion.
“In the middle ground his lively green tone grows fainter by
degrees, and at last, on the more distant mountain tops, passing
into weak violet, weds itself with the blue of the sky. But our
artist is, above all, happy in his paintings of high Alpine
regions; in seizing the simple greatness and stillness of their
character; the wide pastures on the slopes, clothed with the
freshest green, where dark, solitary firs stand forth from the
grassy carpet; and from high cliffs foaming brooks rush down.
Whether he relieve his pasturages with grazing cattle, or the
narrow, winding, rocky path with mules and laden pack-horses, he
paints all with equal truth and richness: still introduced in
the proper place, and not in too great copiousness, they
decorate and enliven these scenes without interrupting, without
lessening, their peaceful solitude. The execution testifies a
master’s hand,--easy with a few sure strokes, and yet complete.
In his later pieces he employed glittering English, permanent
colors on paper: these pictures, accordingly, are of
pre-eminently blooming tone, cheerful, yet, at the same time,
strong and sated.
“His views of deep mountain chasms, where round and round
nothing fronts us but dead rock; where, in the abyss,
overspanned by its bold arch, the wild stream rages,--are,
indeed, of less attraction than the former; yet their truth
excites us: we admire the great effect of the whole, produced at
so little cost, by a few expressive strokes, and masses of local
colors.
“With no less accuracy of character can he represent the regions
of the topmost Alpine ranges, where neither tree nor shrub any
more appears; but only, amid the rocky teeth and snow summits, a
few sunny spots clothe themselves with a soft sward. Beautiful
and balmy and inviting as he colors these spots, he has here
wisely forborne to introduce grazing herds; for these regions
give food only to the chamois, and a perilous employment to the
wild-hay-men.
“We shall not deviate from our purpose of bringing the condition
of these waste scenes as close as possible to the conception of
our readers, if to this word, wild-hay-man, or _Wildheuer_, we
subjoin a short explanation. It is a name given to the poorer
inhabitants of the upland Alpine ranges, who occupy themselves
in making hay from such grassy spots as are inaccessible to
cattle. For this purpose they climb, with cramps on their feet,
the steepest and most dangerous cliffs; or from high crags let
themselves down by ropes when this is necessary, and so reach
these grassy patches. The grass once cut and dried to hay, they
throw it down from the heights into the deeper valleys; where,
being collected together, it is sold to cattle-owners, with
whom, on account of its superior quality, it finds a ready
market.”
These paintings, which must have gratified and attracted any eye, were viewed by Hilaria, in particular, with great attention; and from her observations it became clear, that, in this department, she herself was no stranger. To the artist, least of all, did this continue secret: nor could approval from any one have been more precious to him than from this most graceful of all persons. Her companion, therefore, kept silence no longer, but blamed Hilaria for not coming forward with her own accomplishment, but lingering in this case as she always did,--now where the question was not of being praised or blamed, but of being instructed. A fairer opportunity, she said, might not easily occur.
And now it came to light, when she was thus forced to exhibit her portfolios, what a talent was lying hid behind this still and most lovely nature: the capacity had been derived from birth, and diligently cultivated by practice. She possessed a true eye; a delicate hand, such as women, accustomed to use it in their dressing and decorating operations, find available in higher art. You might, doubtless, observe unsureness in the strokes, and, in consequence, a too undecided character in the objects: but you could not help admiring the most faithful execution; though the whole was not seized in its happiest effect, not grouped and adjusted with the skill of an artist. She is afraid, you would say, of profaning her object, if she keep not completely true to it: hence she becomes precise and stiff, and loses herself in details.
But now, by the great, free talent, by the bold hand of the artist, she feels rising, awakening within her, whatever genuine feeling and taste had till now slumbered in her mind: she perceives that she has but to take heart, and earnestly and punctually to follow some fundamental maxims which the artist, with penetrating judgment and friendly importunity, is repeating, and impressing on her. That sureness of stroke comes of its own accord; she by degrees dwells less on the parts than on the whole: and thus the fairest capability rises on a sudden to fulfilment; as a rosebud, which in the evening we passed by unobservant, breaks forth in the morning at sunrise before our face; and the living, quivering movement of this lordly blossom, struggling out to the light, seems almost visible before our eyes.
Nor did this intellectual culture remain without moral effects; for, on a pure spirit, it produces a magic impression to be conscious of that heartfelt thankfulness natural towards any one to whom it stands indebted for decisive instruction. In this case it was the first glad emotion which had risen in Hilaria’s soul for many a week. To see this lordly world lying round her day after day, and now at once to feel the instantly acquired, more perfect gift of representing it! What delight in figures and tints, to be approaching nearer the Unspeakable! She felt herself surprised as with a new youth, and could not refuse a peculiar kindliness to the man who had procured for her such happiness.
Thus did the two sit together: you could scarcely have determined whether he were readier in communicating secret advantages in art, or she in seizing them and turning them to practice. The happiest rivalry, such as too seldom rises between scholar and master, here took place. Many a time you might observe the friend preparing with some decisive stroke to influence her drawing; which she, on the other hand, would gently decline, hastening to do the wished, the necessary, of her own accord, and always to her master’s astonishment.
The fair widow, in the mean while, walked along the terraces with Wilhelm, under cypresses and pines, now under vine, now under orange groves, and at last could not but fulfil the faintly indicated wish of her new friend, and disclose to him the strange entanglement by which the two fair pilgrims, cut off from their former ties, and straitly united to one another, had been sent forth to wander over the world.
Wilhelm, who wanted not the gift of accurately noting what he saw, took down her narrative some time afterwards in writing: this, as he compiled it and transmitted it by Hersilia to Natalia, we purpose by and by communicating to our readers.
The last evening was now come; and a rising, most clear, full moon concealed the transition from day to night. The party had assembled and seated themselves on one of the highest terraces, to see distinct and unimpeded, and glittering in the sheen of east and west, the peaceful lake, hidden partly in its length, but visible over all its breadth.
Whatever in such circumstances might be talked of, it was natural once more to repeat the hundred times repeated; to mention the beauties of this sky, of this water, of this land, under the influences of a strong sun and milder moon,--nay, exclusively and lyrically to recognize and describe them.
But what none of them uttered, what each durst scarcely avow to himself, was the deep, mournful feeling which, stronger or weaker, but with equal truth and tenderness, was beating in every bosom. The presentiment of parting diffused itself over present union: a gradual stagnation was becoming almost painful.
Then at last the singer roused himself, summoned up his resolution; with strong tones, preluding on his instrument; heedless of the former well-meant reserve. Mignon’s figure, with the first soft song of the gentle child, were hovering before him. Passionately hurried over the limits, with longing touch awakening the sweetly sounding strings, he began to raise,--
“Dost know the land where citrons, lemons, grow,
Gold oranges ’neath dusky foliage”....
Hersilia rose in deepest agitation, and hurried away, veiling her face: our fair widow, with a motion of refusal, waved her hand towards the singer; while she caught Wilhelm’s arm with the other. The perplexed and half-unconscious youth followed Hilaria: Wilhelm, by his more considerate guide, was led after them. And now, when they stood all four under the high moonshine, the general emotion was no longer to be concealed. The women threw themselves into each other’s arms; the men embraced each other; and Luna was witness of the noblest, chastest tears. Some recollection slowly returned: they forced themselves asunder, silent, under strange feelings and wishes, from which hope was already cut off. And now our artist, whom his friend dragged with him, felt himself here under the void heaven, in the solemn, lovely hour of night, initiated in the first stage of renunciation, which those friends had already passed through, though they now saw themselves again in danger of being sharply tried.
Not till late had the young men gone to rest; awakening in the early morning, they took heart; thought themselves now strong enough for a farewell to this paradise; devised many plans for still, without violation of duty, at least lingering in the pleasant neighborhood.
While purposing to introduce their projects to this effect, they were cut short by intelligence, that, with the earliest break of day, the ladies had departed. A letter from the hand of our Queen of Hearts gave them more precise information. You might have doubted whether sense rather than goodness, love rather than friendship, acknowledgment of merit rather than soft, bashful favor, was expressed in it. But, alas! in the conclusion stood the hard request, that our two wanderers were neither to follow their heroines, nor anywhere to seek them; nay, if they chanced to see each other, they were faithfully to avoid meeting.
And now the paradise, as if by the touch of an enchanter’s rod, was changed for our friends into an utter desert; and certainly they would have smiled at themselves had they perceived at this moment how unjust and unthankful they were on a sudden become to so fair and remarkable a scene. No self-seeking hypochondriac could so sharply and spitefully have rated and censured the decay of the buildings, the neglected condition of the walls, the weathered aspect of the towers, the grassy obstruction of the walks, the perishing of the trees, the mossiness and mouldering of the artificial grottos, and whatever else of that sort was to be observed, as our two travellers now did. By degrees, however, they settled themselves as circumstances would admit: the artist carefully packed up his work; they both set sail; Wilhelm accompanying him to the upper quarter of the lake, where, by previous agreement, the former set forth on his way to Natalia, to introduce her by his fair landscape-papers into scenes which, perhaps, she might not soon have an opportunity of viewing with her eyes. He was at the same time commissioned to inform her confessionally of the late incident, which had reduced him to a state such that he might be received with hearty kindness by the confederates in the vow of renunciation, and with soft, friendly treatment in the midst of them, be comforted if he could not be healed.
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Wilhelm Meister's apprenticeship and travels, vol. 2 (of 2)Chapter XIII
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