Chapter XIX: Part II: Place-Names: the Place (4)

Since he refused to give any explanation, I tried to provide one for myself, but succeeded only in hesitating between several, none of which could be the right one. Perhaps he did not remember, or perhaps it was I who had failed to understand what he had said to me that morning. . . . More probably, in his pride, he did not wish to appear to have sought to attract people whom he despised, and preferred to cast upon them the responsibility for their intrusion. But then, if he despised us, why had he been so anxious that we should come, or rather that my grandmother should come, for of the two of us it was to her alone that he spoke that evening, and never once to me. Talking with the utmost animation to her, as also to Mme. de Villeparisis, hiding, so to speak, behind them, as though he were seated at the back of a theatre-box, he contented himself, turning from them every now and then the exploring gaze of his penetrating eyes, with fastening it on my face, with the same gravity, the same air of preoccupation as if my face had been a manuscript difficult to decipher.

No doubt, if he had not had those eyes, the face of M. de Charlus would have been similar to the faces of many good-looking men. And when Saint-Loup, speaking to me of various other Guermantes, on a later occasion, said: "Gad, they've not got that thoroughbred air, of being gentlemen to their finger-tips, that uncle Palamède has!" confirming my suspicion that a thoroughbred air and aristocratic distinction were not anything mysterious and new but consisted in elements which I had recognised without difficulty and without receiving any particular impression from them, I was to feel that another of my illusions had been shattered. But that face, to which a faint layer of powder gave almost the appearance of a face on the stage, in vain might M. de Charlus hermetically seal its expression; his eyes were like two crevices, two loopholes which alone he had failed to stop, and through which, according to where one stood or sat in relation to him, one felt suddenly flash across one the glow of some internal engine which seemed to offer no reassurance even to him who without being altogether master of it must carry it inside him, at an unstable equilibrium and always on the point of explosion; and the circumspect and unceasingly restless expression of those eyes, with all the signs of exhaustion which, extending from them to a pair of dark rings quite low down upon his cheeks, were stamped on his face, however carefully he might compose and regulate it, made one think of some incognito, some disguise assumed by a powerful man in danger, or merely by a dangerous--but tragic--person. I should have liked to divine what was this secret which other men did not carry in their breasts and which had already made M. de Charlus's gaze so enigmatic to me when I had seen him that morning outside the Casino. But with what I now knew of his family I could no longer believe that they were the eyes of a thief, nor, after what I had heard of his conversation, could I say that they were those of a madman. If he was cold with me, while making himself agreeable to my grandmother, that arose perhaps not from a personal antipathy for, generally speaking, just as he was kindly disposed towards women, of whose faults he used to speak without, as a rule, any narrowing of the broadest tolerance, so he shewed with regard to men, and especially young men, a hatred so violent as to suggest that of certain extreme misogynists for women. Two or three "carpet-knights", relatives or intimate friends of Saint-Loup who happened to mention their names, M. de Charlus, with an almost ferocious expression, in sharp contrast to his usual coldness, called: "Little cads!" I gathered that the particular fault which he found in the young men of the period was their extreme effeminacy. "They're absolute women," he said with scorn. But what life would not have appeared effeminate beside that which he expected a man to lead, and never found energetic or virile enough? (He himself, when he walked across country, after long hours on the road would plunge his heated body into frozen streams.) He would not even allow a man to wear a single ring. But this profession of virility did not prevent his having also the most delicate sensibilities. When Mme. de Villeparisis asked him to describe to my grandmother some country house in which Mme. de Sévigné had stayed, adding that she could not help feeling that there was something rather "literary" about that lady's distress at being parted from "that tiresome Mme. de Grignan":

"On the contrary," he retorted, "I can think of nothing more true. Besides, it was a time in which feelings of that sort were thoroughly understood. The inhabitant of Lafontaine's Monomotapa, running to see his friend who had appeared to him in a dream, and had looked sad, the pigeon finding that the greatest of evils is the absence of the other pigeon, seem to you perhaps, my dear aunt, as exaggerated as Mme. de Sévigné's impatience for the moment when she will be alone with her daughter. It is so fine what she says when she leaves her: 'This parting gives a pain to my soul which I feel like an ache in my body. In absence one is liberal with the hours. One anticipates a time for which one is longing.'" My grandmother was in ecstasies at hearing the Letters thus spoken of, exactly as she would have spoken of them herself. She was astonished that a man could understand them so thoroughly. She found in M. de Charlus a delicacy, a sensibility that were quite feminine. We said to each other afterwards, when we were by ourselves and began to discuss him together, that he must have come under the strong influence of a woman, his mother, or in later life his daughter if he had any children. "A mistress, perhaps," I thought to myself, remembering the influence that Saint-Loup's seemed to have had over him, which enabled me to realise the point to which men can be refined by the women with whom they live.

"Once she was with her daughter, she had probably nothing to say to her," put in Mme. de Villeparisis.

"Most certainly she had: if it was only what she calls 'things so slight that nobody else would notice them but you and me.' And anyhow she was with her. And Labruyère tells us that that is everything. 'To be with the people one loves, to speak to them, not to speak to them, it is all the same.' He is right; that is the only form of happiness," added M. de Charlus in a mournful voice, "and that happiness--alas, life is so ill arranged that one very rarely tastes it; Mme. de Sévigné was after all less to be pitied than most of us. She spent a great part of her life with the person whom she loved."

"You forget that it was not 'love' in her case; the person was her daughter."

"But what matters in life is not whom or what one loves," he went on, in a judicial, peremptory, almost a cutting tone; "it is the fact of loving. What Mme. de Sévigné felt for her daughter has a far better claim to rank with the passion that Racine described in _Andromaque_ or _Phèdre_ than the common-place relations young Sévigné had with his mistresses. It's the same with a mystic's love for his God. The hard and fast lines with which we circumscribe love arise solely from our complete ignorance of life."

"You think all that of _Andromaque_ and _Phèdre_, do you?" Saint-Loup asked his uncle in a faintly contemptuous tone. "There is more truth in a single tragedy of Racine than in all the dramatic works of Monsieur Victor Hugo," replied M. de Charlus. "People really are overwhelming," Saint-Loup murmured in my ear. "Preferring Racine to Victor, you may say what you like, it's epoch-making!" He was genuinely distressed by his uncle's words, but the satisfaction of saying "you may say what you like" and, better still, "epoch-making" consoled him.

In these reflexions upon the sadness of having to live apart from the person whom one loves (which were to lead my grandmother to say to me that Mme. de Villeparisis's nephew understood certain things quite as well as his aunt, but in a different way, and moreover had something about him that set him far above the average club man) M. de Charlus not only allowed a refinement of feeling to appear such as men rarely shew; his voice itself, like certain contralto voices which have not been properly trained to the right pitch, so that when they sing it sounds like a duet between a young man and a woman, singing alternately, mounted, when he expressed these delicate sentiments, to its higher notes, took on an unexpected sweetness and seemed to be embodying choirs of betrothed maidens, of sisters, who poured out the treasures of their love. But the bevy of young girls, whom M. de Charlus in his horror of every kind of effeminacy would have been so distressed to learn that he gave the impression of sheltering thus within his voice, did not confine themselves to the interpretation, the modulation of scraps of sentiment. Often while M. de Charlus was talking one could hear their laughter, shrill, fresh laughter of school-girls or coquettes quizzing their partners with all the archness of clever tongues and pretty wits.

He told us how a house that had belonged to his family, in which Marie Antoinette had slept, with a park laid out by Lenôtre, was now in the hands of the Israels, the wealthy financiers, who had bought it. "Israel--at least that is the name these people go by, which seems to me a generic, a racial term rather than a proper name. One cannot tell; possibly people of that sort do not have names, and are designated only by the collective title of the tribe to which they belong. It is of no importance! But fancy, after being a home of the Guermantes, to belong to Israels!!!" His voice rose. "It reminds me of a room in the Chateau of Blois where the caretaker who was shewing me over said: 'This is where Mary Stuart used to say her prayers; I use it to keep my brooms in.' Naturally I wish to know nothing more of this house that has let itself be dishonoured, any more than of my cousin Clara de Chimay after she left her husband. But I keep a photograph of the house, when it was still unspoiled, just as I keep one of the Princess before her large eyes had learned to gaze on anyone but my cousin. A photograph acquires something of the dignity which it ordinarily lacks when it ceases to be a reproduction of reality and shews us things that no longer exist. I could give you a copy, since you are interested in that style of architecture," he said to my grandmother. At that moment, noticing that the embroidered handkerchief which he had in his pocket was shewing some coloured threads, he thrust it sharply down out of sight with the scandalised air of a prudish but far from innocent lady concealing attractions which, by an excess of scrupulosity, she regards as indecent. "Would you believe," he went on, "that the first thing the creatures did was to destroy Lenôtre's park, which is as bad as slashing a picture by Poussin? For that alone, these Israels ought to be in prison. It is true," he added with a smile, after a moment's silence, "that there are probably plenty of other reasons why they should be there! In any case, you can imagine the effect, with that architecture behind it, of an English garden."

"But the house is in the same style as the Petit Trianon," said Mme. de Villeparisis, "and Marie Antoinette had an English garden laid out there."

"Which, all the same, ruins Gabriel's front;" replied M. de Charlus. "Obviously, it would be an act of vandalism now to destroy the Hameau. But whatever may be the spirit of the age, I doubt, all the same, whether, in that respect, a whim of Mme. Israel has the same importance as the memory of the Queen."

Meanwhile my grandmother had been making signs to me to go up to bed, in spite of the urgent appeals of Saint-Loup who, to my utter confusion, had alluded in front of M. de Charlus to the depression that used often to come upon me at night before I went to sleep, which his uncle must regard as betokening a sad want of virility. I lingered a few moments still, then went upstairs, and was greatly surprised when, a little later, having heard a knock at my bedroom door and asked who was there, I heard the voice of M. de Charlus saying dryly:

"It is Charlus. May I come in, sir? Sir," he began again in the same tone as soon as he had shut the door, "my nephew was saying just now that you were apt to be worried at night before going to sleep, and also that you were an admirer of Bergotte's books. As I had one here in my luggage which you probably do not know, I have brought it to help you to while away these moments in which you are not comfortable."

I thanked M. de Charlus with some warmth and told him that, on the contrary, I had been afraid that what Saint-Loup had said to him about my discomfort when night came would have made me appear in his eyes more stupid even than I was.

"No; why?" he answered, in a gentler voice. "You have not, perhaps, any personal merit; so few of us have! But for a time at least you have youth, and that is always a charm. Besides, sir, the greatest folly of all is to laugh at or to condemn in others what one does not happen oneself to feel. I love the night, and you tell me that you are afraid of it. I love the scent of roses, and I have a friend whom it throws into a fever. Do you suppose that I think, for that reason, that he is inferior to me? I try to understand everything and I take care to condemn nothing. After all, you must not be too sorry for yourself; I do not say that these moods of depression are not painful, I know that one can be made to suffer by things which the world would not understand. But at least you have placed your affection wisely, in your grandmother. You see a great deal of her. And besides, that is a legitimate affection, I mean one that is repaid. There are so many of which one cannot say that."

He began walking up and down the room, looking at one thing, taking up another. I had the impression that he had something to tell me, and could not find the right words to express it.

"I have another volume of Bergotte here; I will fetch it for you," he went on, and rang the bell. Presently a page came. "Go and find me your head waiter. He is the only person here who is capable of obeying an order intelligently," said M. de Charlus stiffly. "Monsieur Aimé, sir?" asked the page. "I cannot tell you his name; yes, I remember now, I did hear him called Aimé. Run along, I am in a hurry." "He won't be a minute, sir, I saw him downstairs just now," said the page, anxious to appear efficient. There was an interval of silence. The page returned. "Sir, M. Aimé has gone to bed. But I can take your message." "No, you have only to get him out of bed." "But I can't do that, sir; he doesn't sleep here." "Then you can leave us alone." "But, sir," I said when the page had gone, "you are too kind; one volume of Bergotte will be quite enough." "That is just what I was thinking." M. de Charlus walked up and down the room. Several minutes passed in this way, then after a prolonged hesitation, and several false starts, he swung sharply round and, his voice once more stinging, flung at me: "Good night, sir!" and left the room. After all the lofty sentiments which I had heard him express that evening, next day, which was the day of his departure, on the beach, before noon, when I was on my way down to bathe, and M. de Charlus had come across to tell me that my grandmother was waiting for me to join her as soon as I left the water, I was greatly surprised to hear him say, pinching my neck as he spoke, with a familiarity and a laugh that were frankly vulgar:

"But he doesn't give a damn for his old grandmother, does he, eh? Little rascal!"

"What, sir! I adore her!"

"Sir," he said, stepping back a pace, and with a glacial air, "you are still young; you should profit by your youth to learn two things; first, to refrain from expressing sentiments that are too natural not to be taken for granted; and secondly not to dash into speech to reply to things that are said to you before you have penetrated their meaning. If you had taken this precaution a moment ago you would have saved yourself the appearance of speaking at cross-purposes like a deaf man, thereby adding a second absurdity to that of having anchors embroidered on your bathing-dress. I have lent you a book by Bergotte which I require. See that it is brought to me within the next hour by that head waiter with the silly and inappropriate name, who, I suppose, is not in bed at this time of day. You make me see that I was premature in speaking to you last night of the charms of youth; I should have done you a better service had I pointed out to you its thoughtlessness, its inconsequence, and its want of comprehension. I hope, sir, that this little douche will be no less salutary to you than your bathe. But don't let me keep you standing: you may catch cold. Good day, sir."

No doubt he was sorry afterwards for this speech, for some time later I received--in a morocco binding on the front of which was inlaid a panel of tooled leather representing in demi-relief a spray of forget-me-not--the book which he had lent me, and I had sent back to him, not by Aimé who was apparently "off duty", but by the lift-boy.

M. de Charlus having gone, Robert and I were free at last to dine with Bloch. And I realised during this little party that the stories too readily admitted by our friend as funny were favourite stories of M. Bloch senior, and that the son's "really remarkable person" was always one of his father's friends whom he had so classified. There are a certain number of people whom we admire in our boyhood, a father with better brains than the rest of the family, a teacher who acquires credit in our eyes from the philosophy he reveals to us, a schoolfellow more advanced than we are (which was what Bloch had been to me), who despises the Musset of the _Espoir en Dieu_ when we still admire it, and when we have reached Leconte or Claudel will be in ecstasies only over:

A Saint-Biaise, à la Zuecca Vous étiez, vous étiez bien aise:

with which he will include:

Padoue est un fort bel endroit Où de très grands docteurs en droit. . . . Mais j'aime mieux la polenta. . . . Passe dans mon domino noir La Toppatelle

and of all the _Nuits_ will remember only:

Au Havre, devant l'Atlantique A Venise, à l'affreux Lido. Où vient sur l'herbe d'un tombeau Mourir la pâle Adriatique.

So, whenever we confidently admire anyone, we collect from him, we quote with admiration sayings vastly inferior to the sort which, left to our own judgment, we would sternly reject, just as the writer of a novel puts into it, on the pretext that they are true, things which people have actually said, which in the living context are like a dead weight, form the dull part of the work. Saint-Simon's portraits composed by himself (and very likely without his admiring them himself) are admirable, whereas what he cites as the charming wit of his clever friends is frankly dull where it has not become meaningless. He would have scorned to invent what he reports as so pointed or so coloured when said by Mme. Cornuel or Louis XIV, a point which is to be remarked also in many other writers, and is capable of various interpretations, of which it is enough to note but one for the present: namely, that in the state of mind in which we "observe" we are a long way below the level to which we rise when we create.

There was, then, embedded in my friend Bloch a father Bloch who lagged forty years behind his son, told impossible stories and laughed as loudly at them from the heart of my friend as did the separate, visible and authentic father Bloch, since to the laugh which the latter emitted, not without several times repeating the last word so that his public might taste the full flavour of the story, was added the braying laugh with which the son never failed, at table, to greet his father's anecdotes. Thus it came about that after saying the most intelligent things young Bloch, to indicate the portion that he had inherited from his family, would tell us for the thirtieth time some of the gems which father Bloch brought out only (with his swallow-tail coat) on the solemn occasions on which young Bloch brought someone to the house on whom it was worth while making an impression; one of his masters, a "chum" who had taken all the prizes, or, this evening, Saint-Loup and myself. For instance: "A military critic of great insight, who had brilliantly worked out, supporting them with proofs, the reasons for which, in the Russo-Japanese war, the Japanese must inevitably be beaten and the Russians victorious," or else: "He is an eminent gentleman who passes for a great financier in political circles and for a great politician among financiers." These stories were interchangeable with one about Baron de Rothschild and one about Sir Rufus Israels, who were brought into the conversation in an equivocal manner which might let it be supposed that M. Bloch knew them personally.

I was myself taken in, and from the way in which M. Bloch spoke of Bergotte I assumed that he too was an old friend. But with him as with all famous people, M. Bloch knew them only "without actually knowing them", from having seen them at a distance in the theatre or in the street. He imagined, moreover, that his appearance, his name, his personality were not unknown to them, and that when they caught sight of him they had often to repress a stealthy inclination to bow. People in society, because they know men of talent, original characters, and have them to dine in their houses, do not on that account understand them any better. But when one has lived to some extent in society, the silliness of its inhabitants makes one too anxious to live, suppose too high a standard of intelligence in the obscure circles in which people know only "without actually knowing". I was to discover this when I introduced the topic of Bergotte. M. Bloch was not the only one who was a social success at home. My friend was even more so with his sisters, whom he continually questioned in a hectoring tone, burying his face in his plate, all of which made them laugh until they cried. They had adopted their brother's language, and spoke it fluently, as if it had been obligatory and the only form of speech that people of intelligence might use. When we arrived, the eldest sister said to one of the younger ones: "Go, tell our sage father and our venerable mother!" "Puppies," said Bloch, "I present to you the cavalier Saint-Loup, hurler of javelins, who is come for a few days from Doncières to the dwellings of polished stone, fruitful in horses." And, since he was as vulgar as he was literary, his speech ended as a rule in some pleasantry of a less Homeric kind: "See, draw closer your pepla with fair clasps, what is all that that I see? Does your mother know you're out?" And the misses Bloch subsided in a tempest of laughter. I told their brother how much pleasure he had given me by recommending me to read Bergotte, whose books I had loved.

M. Bloch senior, who knew Bergotte only by sight, and Bergotte's life only from what was common gossip, had a manner quite as indirect of making the acquaintance of his books, by the help of criticisms that were apparently literary. He lived in the world of "very nearlies", where people salute the empty air and arrive at wrong judgments. Inexactitude, incompetence do not modify their assurance; quite the contrary. It is the propitious miracle of self-esteem that, since few of us are in a position to enjoy the society of distinguished people, or to form intellectual friendships, those to whom they are denied still believe themselves to be the best endowed of men, because the optics of our social perspective make every grade of society seem the best to him who occupies it, and beholds as less favoured than himself, less fortunate and therefore to be pitied, the greater men whom he names and calumniates without knowing, judges and despises without understanding them. Even in cases where the multiplication of his modest personal advantages by his self-esteem would not suffice to assure a man the dose of happiness, superior to that accorded to others, which is essential to him, envy is always there to make up the balance. It is true that if envy finds expression in scornful phrases, we must translate "I have no wish to know him" by "I have no means of knowing him." That is the intellectual sense. But the emotional sense is indeed, "I have no wish to know him." The speaker knows that it is not true, but he does not, all the same, say it simply to deceive; he says it because it is what he feels, and that is sufficient to bridge the gulf between them, that is to say to make him happy.

Self-centredness thus enabling every human being to see the universe spread out in a descending scale beneath himself who is its lord, M. Bloch afforded himself the luxury of being pitiless when in the morning, as he drank his chocolate, seeing Bergotte's signature at the foot of an article in the newspaper which he had scarcely opened, he disdainfully granted the writer an audience soon cut short, pronounced sentence upon him, and gave himself the comforting pleasure of repeating after every mouthful of the scalding brew: "That fellow Bergotte has become unreadable. My word, what a bore the creature can be. I really must stop my subscription. How involved it all is, bread and butter nonsense!" And he helped himself to another slice.

This illusory importance of M. Bloch senior did, moreover, extend some little way beyond the radius of his own perceptions. In the first place his children regarded him as a superior person. Children have always a tendency either to depreciate or to exalt their parents, and to a good son his father is always the best of fathers, quite apart from any objective reason there may be for admiring him. Now, such reasons were not altogether lacking in the case of M. Bloch, who was an educated man, shrewd, affectionate towards his family. In his most intimate circle they were all the more proud of him because, if, in "society", people are judged by a standard (which is incidentally absurd) and according to false but fixed rules, by comparison with the aggregate of all the other fashionable people, in the subdivisions of middle class life, on the other hand, the dinners, the family parties all turn upon certain people who are pronounced good company, amusing, and who in "society" would not survive a second evening. Moreover in such an environment where the artificial values of the aristocracy do not exist, their place is taken by distinctions even more stupid. Thus it was that in his family circle, and even among the remotest branches of the tree, an alleged similarity in his way of wearing his moustache and in the bridge of his nose led to M. Bloch's being called "the Duc d'Aumale's double". (In the world of club pages, the one who wears his cap on one side and his jacket tightly buttoned, so as to give himself the appearance, he imagines, of a foreign officer, is he not also a personage of a sort to his comrades?)

The resemblance was the faintest, but you would have said that it conferred a title. When he was mentioned, it would always be: "Bloch? Which one? The Duc d'Aumale?" as people say "Princesse Murat? Which one? The Queen (of Naples)?" And there were certain other minute marks which combined to give him, in the eyes of the cousinhood, an acknowledged claim to distinction. Not going the length of having a carriage of his own, M. Bloch used on special occasions to hire an open victoria with a pair of horses from the Company, and would drive through the Bois de Boulogne, his body sprawling limply from side to side, two fingers pressed to his brow, other two supporting his chin, and if people who did not know him concluded that he was an "old nuisance", they were all convinced, in the family, that for smartness Uncle Solomon could have taught Gramont-Caderousse a thing or two. He was one of those people who when they die, because for years they have shared a table in a restaurant on the boulevard with its news-editor, are described as "well known Paris figures" in the social column of the _Radical._ M. Bloch told Saint-Loup and me that Bergotte knew so well why he, M. Bloch, always cut him that as soon as he caught sight of him, at the theatre or in the club, he avoided his eye. Saint-Loup blushed, for it had occurred to him that this club could not be the Jockey, of which his father had been chairman. On the other hand it must be a fairly exclusive club, for M. Bloch had said that Bergotte would never have got into it if he had come up now. So it was not without the fear that he might be "underrating his adversary" that Saint-Loup asked whether the club in question were the Rue Royale, which was considered "lowering" by his own family, and to which he knew that certain Israelites had been admitted. "No," replied M. Bloch in a tone at once careless, proud and ashamed, "it is a small club, but far more pleasant than a big one, the Ganaches. We're very strict there, don't you know." "Isn't Sir Rufus Israels the chairman?" Bloch junior asked his father, so as to give him the opportunity for a glorious lie, never suspecting that the financier had not the same eminence in Saint-Loup's eyes as in his. The fact of the matter was that the Ganaches club boasted not Sir Rufus Israels but one of his staff. But as this man was on the best of terms with his employer, he had at his disposal a stock of the financier's cards, and would give one to M. Bloch whenever he wished to travel on a line of which Sir Rufus was a director, the result of which was that old Bloch would say: "I'm just going round to the Club to ask Sir Rufus for a line to the Company." And the card enabled him to dazzle the guards on the trains. The misses Bloch were more interested in Bergotte and, reverting to him rather than pursue the subject of the Ganaches, the youngest asked her brother, in the most serious tone imaginable, for she believed that there existed in the world, for the designation of men of talent, no other terms than those which he was in the habit of using: "Is he really an amazing good egg, this Bergotte? Is he in the category of the great lads, good eggs like Villiers and Catullus?" "I've met him several times at dress rehearsals," said M. Nissim Bernard. "He is an uncouth creature, a sort of Schlemihl." There was nothing very serious in this allusion to Chamisso's story but the epithet "Schlemihl" formed part of that dialect, half-German, half-Jewish, the use of which delighted M. Bloch in the family circle, but struck him as vulgar and out of place before strangers. And so he cast a reproving glance at his uncle. "He has talent," said Bloch. "Ah!" His sister sighed gravely, as though to imply that in that case there was some excuse for me. "All writers have talent," said M. Bloch scornfully. "In fact it appears," went on his son, raising his fork, and screwing up his eyes with an air of impish irony, "that he is going to put up for the Academy." "Go on. He hasn't enough to shew them," replied his father, who seemed not to have for the Academy the same contempt as his son and daughters. "He's not big enough." "Besides, the Academy is a salon, and Bergotte has no polish," declared the uncle (whose heiress Mme. Bloch was), a mild and inoffensive person whose surname, Bernard, might perhaps by itself have quickened my grandfather's powers of diagnosis, but would have appeared too little in harmony with a face which looked as if it had been brought back from Darius's palace and restored by Mme. Dieulafoy, had not (chosen by some collector desirous of giving a crowning touch of orientalism to this figure from Susa) his first name, Nissim, stretched out above it the pinions of an androcephalous bull from Khorsabad. But M. Bloch never stopped insulting his uncle, whether it was that he was excited by the unresisting good-humour of his butt, or that the rent of the villa being paid by M. Nissim Bernard, the beneficiary wished to shew that he kept his independence, and, more important still, that he was not seeking by flattery to make sure of the rich inheritance to come. What most hurt the old man was being treated so rudely in front of the manservant. He murmured an unintelligible sentence of which all that could be made out was: "when the meschores are in the room". "Meschores", in the Bible, means "the servant of God". In the family circle the Blochs used the word when they referred to their own servants, and were always exhilarated by it, because their certainty of not being understood either by Christians or by the servants themselves enhanced in M. Nissim Bernard and M. Bloch their twofold distinction of being "masters" and at the same time "Jews". But this latter source of satisfaction became a source of displeasure when there was "company". At such times M. Bloch, hearing his uncle say "meschores", felt that he was making his oriental side too prominent, just as a light-of-love who has invited some of her sisters to meet her respectable friends is annoyed if they allude to their profession or use words that do not sound quite nice. Therefore, so far from his uncle's request's producing any effect on M. Bloch, he, beside himself with rage, could contain himself no longer. He let no opportunity pass of scarifying his wretched uncle. "Of course, when there is a chance of saying anything stupid, one can be quite certain that you won't miss it. You would be the first to lick his boots if he were in the room!" shouted M. Bloch, while M. Nissim Bernard in sorrow lowered over his plate the ringleted beard of King Sargon. My friend, when he began to grow his beard, which also was blue-black and crimped, became very like his great-uncle.

"What! Are you the son of the Marquis de Marsantes? Why, I knew him very well," said M. Nissim Bernard to Saint-Loup. I supposed that he meant the word "knew" in the sense in which Bloch's father had said that he knew Bergotte, namely by sight. But he went on: "Your father was one of my best friends." Meanwhile Bloch had turned very red, his father was looking intensely cross, the misses Bloch were choking with suppressed laughter. The fact was that in M. Nissim Bernard the love of ostentation which in M. Bloch and his children was held in check, had engendered the habit of perpetual lying. For instance, if he was staying in an hotel, M. Nissim Bernard, as M. Bloch equally might have done, would have his newspapers brought to him always by his valet in the dining-room, in the middle of luncheon, when everybody was there, so that they should see that he travelled with a valet. But to the people with whom he made friends in the hotel the uncle used to say what the nephew would never have said, that he was a Senator. He might know quite well that they would sooner or later discover that the title was usurped; he could not, at the critical moment, resist the temptation to assume it. M. Bloch suffered acutely from his uncle's lies and from all the embarrassments that they led to. "Don't pay any attention to him, he talks a great deal of nonsense," he whispered to Saint-Loup, whose interest was all the more whetted, for he was curious to explore the psychology of liars. "A greater liar even than the Ithacan Odysseus, albeit Athene called him the greatest liar among mortals," his son completed the indictment. "Well, upon my word!" cried M. Nissim Bernard, "If I'd only known that I was going to sit down to dinner with my old friend's son! Why, I have a photograph still of your father at home, in Paris, and any number of letters from him. He used always to call me 'uncle', nobody ever knew why. He was a charming man, sparkling. I remember so well a dinner I gave at Nice; there were Sardou, Labiche, Augier," "Molière, Racine, Corneille," M. Bloch added with sarcasm, while his son completed the tale of guests with "Plautus, Menander, Kalidasa." M. Nissim Bernard, cut to the quick, stopped short in his reminiscence, and, ascetically depriving himself of a great pleasure, remained silent until the end of dinner.

"Saint-Loup with helm of bronze," said Bloch, "have a piece more of this duck with thighs heavy with fat, over which the illustrious sacrificer of birds has spilled numerous libations of red wine."

As a rule, after bringing out from his store for the entertainment of a distinguished guest his anecdotes of Sir Rufus Israels and others, M. Bloch, feeling that he had succeeded in touching and melting his son's heart, would withdraw, so as not to spoil his effect in the eyes of the "big pot". If, however, there was an absolutely compelling reason, as for instance on the night when his son won his fellowship, M. Bloch would add to the usual string of anecdotes the following ironical reflexion which he ordinarily reserved for his own personal friends, so that young Bloch was extremely proud to see it produced for his: "The Government have acted unpardonably. They have forgotten to consult M. Coquelin! M. Coquelin has let it be known that he is displeased." (M. Bloch prided himself on being a reactionary, with a contempt for theatrical people.)

But the misses Bloch and their brother reddened to the tips of their ears, so much impressed were they when Bloch senior, to shew that he could be regal to the last in his entertainment of his son's two 'chums', gave the order for champagne to be served, and announced casually that, as a treat for us, he had taken three stalls for the performance which a company from the Opéra-Comique was giving that evening at the Casino. He was sorry that he had not been able to get a box. They had all been taken. However, he had often been in the boxes, and really one saw and heard better down by the orchestra. All very well, only, if the defect of his son, that is to say the defect which his son believed to be invisible to other people, was coarseness, the father's was avarice. And so it was in a decanter that we were served with, under the name of champagne, a light sparkling wine, while under that of orchestra stalls he had taken three in the pit, which cost half as much, miraculously persuaded by the divine intervention of his defect that neither at table nor in the theatre (where the boxes were all empty) would the defect be noticed. When M. Bloch had let us moisten our lips in the flat glasses which his son dignified with the style and tide of "craters with deeply hollowed flanks", he made us admire a picture to which he was so much attached that he had brought it with him to Balbec. He told us that it was a Rubens. Saint-Loup asked innocently if it was signed. M. Bloch replied, blushing, that he had had the signature cut off to make it fit the frame, but that it made no difference, as he had no intention of selling the picture. Then he hurriedly bade us good night, in order to bury himself in the _Journal Officiel_, back numbers of which littered the house, and which, he informed us, he was obliged to read carefully on account of his "parliamentary position" as to the precise nature of which, however, he gave us no enlightenment. "I shall take a muffler," said Bloch, "for Zephyrus and Boreas are disputing to which of them shall belong the fish-teeming sea, and should we but tarry a little after the show is over, we shall not be home before the first flush of Eos, the rosy-fingered. By the way," he asked Saint-Loup when we were outside, and I trembled, for I realised at once that it was of M. de Charlus that Bloch was speaking in that tone of irony, "who was that excellent old card dressed in black that I saw you walking with, the day before yesterday, on the beach?" "That was my uncle." Saint-Loup was ruffled. Unfortunately, a "floater" was far from seeming to Bloch a thing to be avoided. He shook with laughter. "Heartiest congratulations; I ought to have guessed; he has an excellent style, the most priceless dial of an old 'gaga' of the highest lineage." "You are absolutely mistaken; he is an extremely clever man," retorted Saint-Loup, now furious. "I am sorry about that; it makes him less complete. All the same, I should like very much to know him, for I flatter myself I could write some highly adequate pieces about old buffers like that. Just to see him go by, he's killing. But I should leave out of account the caricaturale side, which really is hardly worthy of an artist enamoured of the plastic beauty of phrases, of his mug, which (you'll forgive me) doubled me up for a moment with joyous laughter, and I should bring into prominence the aristocratic side of your uncle, who after all has a distinct bovine effect, and when one has finished laughing does impress one by his great air of style. But," he went on, addressing myself this time, "there is also a matter of a very different order about which I have been meaning to question you, and every time we are together, some god, blessed denizen of Olympus, makes me completely forget to ask for a piece of information which might before now have been and is sure some day to be of the greatest use to me. Tell me, who was the lovely lady I saw you with in the Jardin d'Acclimatation accompanied by a gentleman whom I seem to know by sight and a little girl with long hair?" It had been quite plain to me at the time that Mme. Swann did not remember Bloch's name, since she had spoken of him by another, and had described my friend as being on the staff of some Ministry, as to which I had never since then thought of finding out whether he had joined it. But how came it that Bloch, who, according to what she then told me, had got himself introduced to her, was ignorant of her name? I was so much surprised that I stopped for a moment before answering. "Whoever she is," he went on, "hearty congratulations; you can't have been bored with her. I picked her up a few days before that on the Zone railway, where, speaking of zones, she was so kind, as to undo hers for the benefit of your humble servant; I have never had such a time in my life, and we were just going to make arrangements to meet again when somebody she knew had the bad taste to get in at the last station but one." My continued silence did not appear to please Bloch. "I was hoping," he said, "thanks to you, to learn her address, so as to go there several times a week to taste in her arms the delights of Eros, dear to the gods; but I do not insist since you seem pledged to discretion with respect to a professional who gave herself to me three times running, and in the most refined manner, between Paris and the Point-du-Jour. I am bound to see her again, some night."

I called upon Bloch after this dinner; he returned my call, but I was out and he was seen asking for me by Françoise, who, as it happened, albeit he had visited us at Combray, had never set eyes on him until then. So that she knew only that one of "the gentlemen" who were friends of mine had looked in to see me, she did not know "with what object", dressed in a nondescript way, which had not made any particular impression upon her. Now though I knew quite well that certain of Françoise's social ideas must for ever remain impenetrable by me, ideas based, perhaps, partly upon confusions between words, between names which she had once and for all time mistaken for one another, I could not restrain myself, who had long since abandoned the quest for enlightenment in such cases, from seeking--and seeking, moreover, in vain--to discover what could be the immense significance that the name of Bloch had for Françoise. For no sooner had I mentioned to her that the young man whom she had seen was M. Bloch than she recoiled several paces, so great were her stupor and disappointment. "What! Is that M. Bloch?" she cried, thunderstruck, as if so portentous a personage ought to have been endowed with an appearance which "made you know" as soon as you saw him that you were in the presence of one of the great ones of the earth; and, like some one who has discovered that an historical character is not "up to" the level of his reputation, she repeated in an impressed tone, in which I could detect latent, for future growth, the seeds of a universal scepticism: "What! Is that M. Bloch? Well, really, you would never think it, to look at him." She seemed also to bear me a grudge, as if I had always "overdone" the praise of Bloch to her. At the same time she was kind enough to add: "Well, he may be M. Bloch, and all that. I'm sure Master can say he's every bit as good."

She had presently, with respect to Saint-Loup, whom she worshipped, a disillusionment of a different kind and of less severity: she discovered that he was a Republican. Now for all that, when speaking, for instance, of the Queen of Portugal, she would say with that disrespect which is, among the people, the supreme form of respect: "Amélie, Philippe's sister," Françoise was a Royalist. But when it came to a Marquis; a Marquis who had dazzled her at first sight, and who was for the Republic, seemed no longer real. And she shewed the same ill-humour as if I had given her a box which she had believed to be made of gold, and had thanked me for it effusively, and then a jeweller had revealed to her that it was only plated. She at once withdrew her esteem from Saint-Loup, but soon afterwards restored it to him, having reflected that he could not, being the Marquis de Saint-Loup, be a Republican, that he was just pretending, in his own interest, for with such a Government as we had it might be a great advantage to him. From that moment her coldness towards him, her resentment towards myself ceased. And when she spoke of Saint-Loup she said: "He is a hypocrite," with a broad and friendly smile which made it clear that she "considered" him again just as much as when she first knew him, and that she had forgiven him.

As a matter of fact, Saint-Loup was absolutely sincere and disinterested, and it was this intense moral purity which, not being able to find entire satisfaction in a selfish sentiment such as love, nor on the other hand meeting in him the impossibility (which existed in me, for instance) of finding its spiritual nourishment elsewhere than in himself, rendered him truly capable (just as I was incapable) of friendship.

Françoise was no less mistaken about Saint-Loup when she complained that he had "that sort of" air, as if he did not look down upon the people, but that it was all just a pretence, and you had only to see him when he was in a temper with his groom. It had indeed sometimes happened that Robert would scold his groom with a certain amount of brutality, which proved that he had the sense not so much of the difference as of the equality between classes and masses. "But," he said in answer to my rebuke of his having treated the man rather harshly, "why should I go out of my way to speak politely to him? Isn't he my equal? Isn't he just as near to me as any of my uncles and cousins? You seem to think that I ought to treat him with respect, as an inferior. You talk like an aristocrat!" he added scornfully.

And indeed if there was a class to which he shewed himself prejudiced and hostile, it was the aristocracy, so much so that he found it as hard to believe in the superior qualities of a man in society as he found it easy to believe in those of a man of the people. When I mentioned the Princesse de Luxembourg, whom I had met with his aunt:

"An old trout," was his comment. "Like all that lot. She's a sort of cousin of mine, by the way."