Chapter IV: Part 4

So there were many tests of these strangers' skill and strength in games and wrestling, but one by one they failed. At last there were only two left, Hercules who was strong enough to hold the sky on his broad shoulders, and Achelous, the river-god, who twisted and twined through the fields making them fertile with the brooks and the streams. Each thought himself the greater of the two, and it lay between them which by his prowess should gain the princess to be his wife.

Hercules was massive of limb and of powerful strength. Beneath his shaggy eyebrows, his eyes gleamed like balls of fire. His garment was of lions' skins and his staff was a young tree. But the clever Achelous was able to slip between the huge fingers of Hercules. He was as slender and graceful as a willow tree and his garment was of the green of foliage. He wore a crown of water lilies on his fair hair, and carried a staff made of twined reeds. When Achelous spoke, his voice was like the rippling of a stream.

"The Princess Dejanira shall be mine!" said Achelous. "I will make her the queen of the river lands. The music of the waters shall be always in her ears, and the plenty that follows wherever I go shall make her rich."

"No!" shouted Hercules. "I am the strength of the earth. Dejanira is mine. You shall not have her."

Then the river-god grew very angry. His green robe changed its color to that of the black of the sea in a storm, and his voice was as loud as that of a mountain cataract. Achelous could be almost as powerful as Hercules when he was angered.

"How do you dare claim this royal maiden?" he roared, "you, who have mortal blood in your veins! I am a god and the king of the waters. Wherever I take my way over the earth grains and fruits ripen and flowers bud and bloom. The Princess Dejanira is mine by right."

Hercules frowned as he advanced toward the river-god. "Your strength is only in words," he said scornfully. "My strength is in my arm. If you would win Dejanira, it must be by hand-to-hand combat." So the river-god threw off his garments and Hercules his lion's skin, and the two fought for the hand of the princess.

It was a brave and valorous battle. Neither yielded; both stood their ground. Achelous slipped in and out of Hercules' mighty grasp a dozen times, but at last the hero's powerful strength was too much for this god who had to depend upon adroitness only. Hercules gripped the river-god fast by his neck and held him, panting for breath.

Then Achelous resorted to the trickery that he knew. He suddenly changed his form through the magic arts he could practise to that of a long, slimy serpent. He twisted out of Hercules' grasp and darted a forked tongue out at him, showing his fangs. Hercules was not yet undone. He only laughed scornfully at the serpent and grasped the creature by the back of its neck, ready to strangle it.

Achelous struggled in vain to escape and at last resorted once more to sorcery. In a second the serpent had changed its form to that of a ferocious, roaring bull. It charged upon Hercules with lowered horns. But the hero was still unvanquished. He seized hold of the bull's horns, bent its head, gripped its brawny neck and threw it, burying its horns in the ground. Then he broke off one of the horns with his iron strong hand and held it up in the air shouting,

"Victory! Dejanira is mine!"

Achelous returned to his own shape and, crying with pain, ran from the castle grounds where the combat had taken place and did not stop until he had plunged into a cooling stream. It had been right that Hercules should triumph, for his was the strength of arm, not of trickery.

The Princess Dejanira came to him and with her the goddess of plenty, Ceres, to give the conqueror his reward.

Ceres took the great horn which Hercules had torn from Achelous' head and heaped it full to overflowing with the treasures of the year's harvest. Ripe grain, purple grapes, rosy apples, plums, nuts, pomegranates, olives and figs filled the horn and spilled over the edge. The wood-nymphs and the water-nymphs came and twined the horn with vines and crimson leaves and the last bright flowers of the year. Then they carried this first horn of plenty high above their heads and gave it to Hercules and the beautiful Dejanira as a wedding present. It was the richest gift the gods could make, that of the year's harvest.

And ever since that long-ago story time of the Greeks, the horn of plenty has stood for the year's blessing of us.

THE WONDER THE FROGS MISSED

Latona had very wonderful twin babies and the queen of the gods, Juno, was jealous of her on account of these little ones. Perhaps Juno had the power to look ahead through the years to the time when Latona's children should be grown up and take their places with the family of the gods on Mount Olympus.

Who were these twins? Oh, that is the end of the story.

So Juno, who could work almost any good or evil which she desired, decreed that this mother should never have any fixed home in which to bring up her babies. If Latona found a shelter and a cradle for the twins in the cottage of some hospitable farmer, a drought would descend at once upon his fields and dry up the harvest, or a hailstorm would destroy his fruit crop so that there would be no food for the family. If Latona stopped with the vine dressers, laying her babies in the cool shade of an arbor while she helped to pick the grapes, a gale might arise and sweep down upon the vineyard and all would have to flee for their lives.

She was obliged to wander up and down the land with her little ones, wrapping her cloak about them to shield them from the weather, and she grew very weary and despaired of ever raising her little boy and girl to be the fine man and woman she longed to have them.

One day in the heat of the summer Latona came to the country of Lycia in Greece and it really seemed as if she could not walk a single step farther. The babies were heavy and she had found no water for refreshing herself for a long time. By chance, though, she saw a pool of clear water just beyond in the hollow of a valley. Some of the country people of Lycia were there on the edge of the water gathering reeds and fine willows with which they were weaving baskets for holding fruits. Latona summoned all her strength and dragged herself to the pool, kneeling down on the bank to drink and dip up water for cooling the babies' heads.

"Stop!" the rustic people commanded her. "You have no right to touch our waters!"

"I only wish to drink, kind friends," Latona explained to them. "I thought that water was free to all, and my mouth is so dry that I can hardly speak. A drink of water would be nectar to me. The gods give us as common property the sunshine, the air, and the streams and I would only share your pool to revive me, not to bathe in it. See how my babies, too, stretch out their arms to you in pleading!"

It was quite true; Latona's little ones were holding out their arms in supplication, but the rustics turned their heads away. They did more than this. They waded into the pool and stirred up the water with their feet so as to make it muddy and unfit to drink. As they did this they laughed at Latona's discomfiture and jeered at her sorry plight.

She was a long suffering mother, but she felt as if this unkindness was more than she could bear. She lifted her hands toward the habitation of the gods and called to them for help.

"May these rustics who refuse to succor two children of your family be punished!" Latona begged. "May they never be able to leave this pool whose clear waters they have defiled!"

The company of the gods, and perhaps Juno also, heard Latona's entreaty and one of the strangest things of all mythology happened.

The rustics tried to leave the pool and return to their basket-making, but they discovered that their feet had suddenly grown flat and shapeless and were stuck fast in the mud. They called for help, but their voices were harsh, their throats bloated, and their mouths had stretched so that they were unable to form words. Their necks had disappeared and their heads, with great bulging eyes, were joined to their backs. Their flesh was turned to thick green skin and they could not stand erect.

It was as Latona had asked. These boorish, unseeing country clowns would never leave the slimy water into which they had stepped, for the gods had changed them into the first frogs.

"This is indeed a terrible punishment for so slight an offence as ridiculing a stranger," the people of Lycia said to each other as they visited the pools and rivers during the seasons that followed and listened to the continual, hoarse croaking of the frogs. The river god, Peneus, knew them also and so did the lovely nymph, Daphne, his daughter, who was never happier than when she was flying on her fairy like feet, her soft green garments fluttering about her, along the edge of some stream.

Daphne was more like a spirit of the woods than a girl. She would rather live within the shadow of leaves than under a palace roof, and she liked better to follow the deer and gather wild flowers than to have any intercourse with the boys and girls of the villages. But she was unmatched by the most beautiful daughter of all Greece, her long hair flung loose like a veil over her shoulders, her eyes as soft and shining as stars, and her body as graceful and well moulded as some rare vase.

At that time a strange youth was seen to haunt the forests and banks of the river god. He was as fair and well shaped as Daphne, and there was also something unusual about him. Whenever he was seen, there seemed to be more light along the paths where he walked. He made the daytime brighter and the gold rays of the sun shine more gloriously. When this youth stopped for a while with a shepherd, no wolves attacked the flock, and he kept herds safe from the mountain lions. He had made a lyre for himself, a musical instrument of many tuneful strings that had not been heard in Greece before. He was touching the strings into a song about the pastures and the woods in the spring one day when he suddenly saw the nymph, Daphne.

He had seen her before moving like a green bough blown by the wind along the shores of many waters. He thought that he had never seen so beautiful a creature or one so much to be desired, but whenever Daphne caught a glimpse of this strange, strong youth, she was frightened and was at once off and away. Now, though, he was determined to pursue Daphne and catch her. He dropped his lyre and ran after her, but she eluded him, running more swiftly than the wind.

"Stay, daughter of Peneus," he called. "Do not fly from me as a dove flies from a hawk. I am no rude peasant, but one of the gods and I know all things, present or future. It is for love that I pursue you, and I am miserable in the fear that you may fall and hurt yourself on these stones and I shall have been the cause of your hurt. Pray run slower and I will follow more slowly!"

But Daphne was deaf to the youth's entreating words. On she sped, the wind blowing her green garments, and her hair streaming loosely behind her. It was, at last, like the fleet running hound pursuing the hare; the youth was swifter and gained on her. His panting breath touched her neck. In her terror she did not stop to understand that he pursued her only because he loved her so much and that he would not do her any harm.

At last she came to the edge of a stream.

On one side of Daphne were the croaking frogs and the water reeds and the deeper waters beyond. On the other side was her pursuer. Daphne called to her father, the river god,

"Help me, Peneus! Open the earth to take me into it out of sight and sound!"

But the god of light and music knew what was better far for Daphne than this. He touched her fair form and it stiffened and her feet stood firmly upon the bank of the stream. Her body was suddenly enclosed in tender bark and her hair became leaves. Her arms were long, drooping branches and her face changed to the form of a tree top. There had never been a tree like the one into which Daphne was transformed, the green laurel tree.

The young god looked at her and saw how fair a work of his hands was this changing of a nymph. The tree would never fade, but would stretch its green top up toward the sky to feel the light that he would pour down on it. When the wind touched the laurel's leaves they would sing as his lyre sang.

"Come and see what beauty I have given to the nymph, Daphne, whom I loved," he called, and out of the forest came a brave young huntress, a deer walking quite unafraid at her side. It was Diana, his sister, and she hung her quiver of arrows on the laurel tree and led the deer to a shelter underneath its branches.

"This shall be my tree," he said putting his hands on the laurel. "I will wear it for my crown, and when the great Roman conquerors lead their troops to the Capitol in triumphal pomp it shall be woven into wreaths for their brows. As eternal youth is mine, the laurel shall always be green and its leaves shall never wither."

The sun began to sink behind the hills and the youth saw the light fade in terror. He could give the laurel the brightness of day but he had no power to keep it safe through the darkness of night. Just then a silver ball appeared in the purple sky rising higher and higher and sending down long white beams to brighten the dusk.

"Diana, see, there is a light in the evening sky!" the youth exclaimed, but his sister had disappeared. Diana, the huntress, was now Diana, the moon, the queen of the darkness and shedding her light on the laurel tree that her brother, Apollo, the god of the sun, loved so much.

The frogs along the river bank croaked harshly and could not understand any of these wonders that had come to pass right beside them. They had missed a wonder when they were rustics, too. There are some people like that. They, too, would see only a ragged, weary stranger with her tired babies, not worth the trouble of helping, when those little ones might be an Apollo and a Diana, the gods of the day and the night.

WHEN PHAETON'S CHARIOT RAN AWAY.

"You are only boasting, Phaeton. I don't believe for a moment that your father is Apollo, the god of light," Cycnus, one of his schoolmates, said to the lad who had just made this proud statement.

"It is true," Phaeton replied. "You won't believe me because I am alone here in Greece, cared for by one of the nymphs and learning the lessons that all Greek boys do. I shall show you, though. I will take my way to the home of the gods and present myself to my father."

That was indeed a bold plan on the part of this youth who had not been beyond the shores of his native land in all his life. But Phaeton set out at once for India, since that was the place where the sun which lighted Greece seemed to rise. He felt sure that he would find Apollo at the palace of the Sun, so he did not stop until he had climbed mountains and then beyond and higher through the steeps of the clouds. Suddenly he was obliged to stop, covering his eyes with his hands to shut out the brilliant light that dazzled him. There, in front of Phaeton, reared aloft on shining columns, stood the palace of the Sun.

It glittered with gold and precious stones, and Phaeton made his way inside through heavy doors of solid silver. He had heard of the beautiful workmanship of Vulcan who had designed Apollo's palace, but when he stood beneath the polished ivory ceilings of the throne room it was more wonderful than anything he had ever imagined.

Apollo, in a royal purple robe, sat on the throne that was as bright as if it had been cut from a solid diamond, and about him stood his attendants who helped him in making the earth a pleasant, fruitful habitation for men. On Apollo's right hand and on his left stood the Days, the Months, and the Years, and at regular intervals the Hours. Spring was there, her head crowned with flowers, and Summer who wore a garland formed of spears of ripened grain. Autumn stood beside Apollo, his feet stained with the juice of the grape, and there was icy Winter, his hair stiffened with hoar frost. There was nothing hidden from Apollo in the whole world and he saw Phaeton the instant he entered the hall.

"What is your errand here, rash lad?" he asked sternly.

Phaeton went closer and knelt at the foot of the throne.

"Oh, my father, light of the boundless world!" he said. "I want to be known as your son. Give me some proof by which I can show mortals and the gods as well that I am not of the earth but have a place with you on Mount Olympus!"

Apollo was pleased with the pleading of the youth and, laying aside the crown of bright beams that he wore on his head, stretched out his arms and embraced Phaeton.

"My son, you do not deserve to be disowned," he said. "To put an end to your doubts ask whatever favor you like of me and the gift shall be yours."

It was wonderful; Phaeton had never, in his dreams even, expected so great a boon as this. But he was as reckless and ambitious as many a boy of to-day who fancies himself able to carry on his father's work without all the skill and experience which earned his success. He knew at once the desire that was closest to his heart.

"For one day only, father, let me drive your chariot?" Phaeton begged.

Apollo drew back in dismay.

"I spoke rashly," he said. "That is the one request I ought to refuse you. It is not a safe adventure or suited to your youth and strength, Phaeton. Your arms are mortal and you ask what is beyond mortal's power. You aspire to do that which even the gods can not accomplish. No one but myself, not even Jupiter whose terrible right arm hurls the thunderbolts and the lightning, may drive the flaming chariot of day."

"Why is it so difficult a task?" Phaeton asked, determined not to give up.

Apollo explained to him with great patience.

"It is a difficult track to keep through the skies," he said. "The beginning of the way is so steep that the horses, even when they are fresh in the morning, can hardly be urged to climb it. Then comes the middle of the course, so high up in the heavens and so narrow that I myself can scarcely look below without giddiness at the earth and its waters. The last part of the course descends rapidly and calls for most expert driving. Add to all this the constant, dizzy turning of the sky with its sea of stars. I must be always on my guard lest their movement, which sweeps everything along with it, should hurry me or throw me out of my course. If I lend you my chariot, what can you, a boy, do? Can you keep the road with all the spheres in the universe revolving around you?"

"I am sure that I can, father," Phaeton replied boldly. "What you say, of course, does not deter me from starting along it. I have a strong arm and a steady eye for driving. There is no danger other than this on the way, is there?" he asked.

"There are greater dangers," Apollo said. "Do you expect to pass cool forests and white cities, the abodes of the gods, and palaces, and temples on the way? The road goes through the domain of frightful monsters. You must run the gauntlet of the Archer's arrows and pass by the horns of the Bull. The Lion's jaws will be open to devour you, the Scorpion will stretch out its tentacles for you, and the great Crab its claws. And you will find it no easy feat to manage the horses, their breasts so full of fire that they breathe it out in flame through their nostrils. I can scarcely hold them myself when they are unruly and resist the reins."

"I have driven a chariot at the games of Athens," Phaeton boasted, "when wild beasts were close to the arena, and my steeds were most unmanageable."

Apollo made one last plea.

"Look the universe over, my son," he entreated, "and choose whatever is most precious in the earth or on the sea. This will I give you in proof that you are my son, but take back your other, rash request."

"I have only one wish, to drive the chariot of the Sun," Phaeton answered stubbornly.

There was but one course left then for Apollo, because a god could never break his promise. Without a word he led Phaeton to the great stable where he kept his lofty chariot.

The chariot was a gift of Vulcan to Apollo, and made of gold. The axle was of gold, the pole and wheels also of gold, and the spokes of the brightest silver. There were rows of chrysolites and diamonds along the seat that reflected the rays of the sun. Apollo ordered the Hours to harness the horses and they led the steeds, full fed with ambrosia, from the stalls, and attached the reins. As Phaeton, full of pride, watched he saw that Dawn had thrown open the purple gates of the east and his pathway, strewn with roses, stretched before him. He seated himself in the chariot and took the reins.

Apollo anointed his son's face with a powerful unguent that would make it possible for him to endure the flaming heat of the sun. He set the rays of light on his head and said sorrowfully,

"If you will be so rash, I beg of you to hold the reins more tightly than you ever did before and spare the whip. The horses go fast enough of their own accord, and the difficulty is to hold them in. You are not to take the direct road, but turn to the left. You will see the marks of my wheels and these will guide you. Go not too high, or you will set the heavenly dwellings on fire, or so low as to burn the earth, but keep to the middle course which is best. Night is just passing out of the western gates so you can delay no longer. Start the chariot, and may your chance work better for you than you have planned."

Phaeton stood up in the gilded chariot, lifted the reins, and was off like a dart.

In an instant the snorting, fiery horses discovered that they were carrying a lighter load than usual and they dashed through the clouds as if the chariot had been empty. It reeled and was tossed about like a ship at sea without ballast. The bars of the sky were let down and the limitless plain of the universe lay before the horses. They left Apollo's travelled course and Phaeton was powerless to guide them. He looked down at the earth so far below him, and he grew pale and his knees shook with terror. He turned his eyes on the trackless heavens in front of him and was even more terrified to see the huge forms among which he rode as if he was driven by a tempest; the Archer, the Great Bear, the Lion and the Crab. All those monsters of whom Apollo had warned him were there, and others too.

Phaeton wished he had never left the earth, never made so bold a request of his father. He lost his self command and could not tell whether to draw the reins tightly or let them loose. He forgot the names of the steeds. At last, as he saw the Scorpion directly in his path, its two great arms extended and its fangs reeking with poison, he lost all his courage and the reins dropped from his hands. As the horses felt their loosened harness, they dashed away headlong into unknown regions of the sky, now up in high heaven among the stars and then hurling the chariot down almost to the earth.

The mountain tops took fire and the clouds began to smoke. Plants withered, the leafy branches of the trees burned, the harvests blazed and the fields were parched with heat. The whole world was on fire. Great cities perished with their beautiful towers and high walls, and entire nations with all their people were reduced to ashes. It is said that the river Nile fled away and hid its head in the desert where it still lies concealed. The earth cracked and the sea shrank. Dry plains lay where there had been oceans before and the mountains that had been covered by the sea lifted up their heads and became islands. Even Neptune, the god of the sea, was driven back by the heat when he tried to lift his head above the surface of the waters, and the Earth looked up to Mount Olympus and called to Jupiter for help.

It was indeed time for the gods to act. Jupiter mounted to the tall tower where he kept his forked lightnings and from which he spread the rain clouds over the earth. He tossed his thunderbolts right and left and, brandishing a dart of lightning in his right hand, he aimed it at Phaeton and threw it, tossing him from his chariot down, down through space. The charioteer fell in a trail of fire like a shooting star. One of the great rivers of the earth received him and tried to cool his burning frame, but he was never again to see the palace of the Sun. His recklessness had brought him, not honor, but destruction.

Phaeton's friend, Cycnus, stood beside the bank of the river mourning for him and even plunged beneath the surface of the water to see if he could bring him back to the earth. But this angered the gods and they changed Cycnus to the swan who floats always on the water, continually thrusting its head down as if it were still looking for the fated charioteer of the skies.

Even the sea shell tells the story of Phaeton. Hold it to your ear and listen to its plaintive singing of the lad who lost a place in the palace of the sun because he drove the chariot of light for his own pride and without thought of others.

WHEN APOLLO WAS HERDSMAN.

Apollo had incurred the anger of his father, Jupiter, and for the very good reason that this god of light had interfered with Jupiter's will.

It was Jupiter's privilege to throw thunderbolts about whenever he wished and to strike down anyone he chose. He kept the Cyclopes busy night and day forging his bolts down under the mountains so that he might have a never-failing supply. One day a thunderbolt directed by Jove hit Aesculapius, a man of the Greeks who could heal almost any sickness among mortals by means of his herbs. Apollo looked upon this physician as an adopted son, because his art of healing brought so much joy and light to men. He resented the injury done him by Jupiter's hand and he did what even mortals do when they are angry; Apollo vented his wrath on whoever was handiest. He aimed his arrows at those innocent workmen, the Cyclopes, and wounded several.

Jupiter could not have his authority put aside in this way and he knew that he must punish Apollo. So he commanded him to descend to the earth and offer his services as herdsman to Admetus, the king of Thessaly.

It was very humble work for a god to wear a shepherd's dark cloak and pasture his flocks in the meadows outside of Thessaly, particularly a god who was used to living in the sumptuous palace of the sun. Apollo's slender hands were little suited to the work of ploughing, sowing and reaping, but he took excellent care of his ewes and lambs and grew to enjoy his task. In his leisure time he found an empty tortoise-shell and stretched some cords tightly across it. Then he ran his slender finger tips across the cords and drew from them most beautiful music. That was the first lute, and Apollo played on it every day. King Admetus heard his music and came out to listen to the tunes his herdsman played, sitting beside Apollo on a mossy bank, but he looked very sorrowful. The sweet strains seemed to have no power to cheer him, or even rouse him from his sadness.

"Why do you mourn, O King?" Apollo asked Admetus at last.

"I long for the hand of the fair Alcestis, the princess of a neighboring kingdom, that I may make her my queen," King Admetus explained, "but she has expressed a strange desire. She demands that her suitor appear before her in a chariot drawn by lions and bears in which she will ride home with him. In no other way will Alcestis come to my court and it is impossible for me to harness wild beasts to any one of my chariots."

Apollo could not help but be amused at the foolish whim of this wayward princess, but he had a desire to bring happiness wherever he went so he decided to humor her. He went with his lute to the edge of the forest that lay just next to his pasture and he played a tune upon it so sweet as to tame any wild beasts. Then out of the forest came two lions and two bears, as quietly as if they had been sheep. The king fastened them to a gilded chariot and drove off for Alcestis with great rejoicing. And Apollo had the pleasure of seeing the two return and Alcestis crowned as the queen of Thessaly.

It seemed as if Admetus were destined to enjoy a long and prosperous reign, but shortly after he brought his queen home he fell ill of a very deadly plague. Aesculapius, the physician, was no longer able to come to the king's aid and it seemed as if there was no hope for him. But his celestial herdsman, Apollo, again befriended him. Apollo was not able to entirely remove the plague but he decreed that the king should live if someone, who cared enough for him, would die in his stead.

Admetus was full of joy at this hope. He remembered the vows of faith and attachment that bound all his courtiers to him and he expected that a score would at once offer themselves, willing to sacrifice their lives for their king. But not one was to be found. The bravest warrior, who would willingly have given his life for his king on the battlefield, had not the courage to die for him on a sick-bed. Old servants, who had known the king's bounty and that of his father from the days of their childhood, were not willing to give up the rest of their few days for their sovereign. Each subject wished someone else to make the sacrifice.

"Why do not the parents of Admetus give their lives for their son?" was asked, but these aged people felt that they could not bear to be parted from him for even a short time, and looked to others.

What was to be done about it. It was an irrevocable decree on the part of Apollo that he had wrested only by means of much persuasion from the Fates. There was no remedy for Admetus except this sacrifice.

Then a very strange and wonderful thing happened. Queen Alcestis, the fair princess who had wanted to ride behind lions and bears when she was a girl in her own kingdom, had grown very wise and gracious since she had attained to the throne of Thessaly. It had never for an instant entered the minds of anyone that she could be offered to the gods in the place of the king. But Queen Alcestis offered herself to save Admetus, and as she sickened the king revived and was restored to his old health and vigor.

Apollo was, of all the mourners of Thessaly, the saddest to see Alcestis so ill. She had often found her way to the pastures where he led his flock and had sat on a bank twining wreaths of wild flowers that she liked better to wear than a crown, while he entertained her with the music of his lute. And, for once, Apollo did not know what to do, banished as he was from the council of the gods for a while, and unable to summon the physician, Aesculapius, to his aid.

He knew that only great strength could bring Alcestis back from the stupor in which she now lay, neither moving or speaking, and with her rosy cheeks pale and her eyes closed. He knew, too, that of all the heroes Hercules was the strongest. Hercules had performed feats that no one had believed possible. Would he attempt to keep Alcestis safe from death, Apollo wondered, particularly when he was entreated by a lowly herdsman?

Hercules assented, however. He took his station at the gates of the palace and wrestled with Death, throwing him, just as he was about to enter and claim Alcestis. She lost her weakness, opened her eyes, the color came again to her cheeks and she was restored to Admetus by this last labor of Hercules.

So the matter which had bade fair to be so disastrous for a good many people turned out very well after all. Apollo returned to Mount Olympus when the period of his exile on the earth was up and he delighted the Muses much with the sweet tones of his lyre. He even pleaded with his father, Jupiter, to take pity on Aesculapius and the god at last made a place for the physician on the road of stars that leads across the sky.

HOW JUPITER GRANTED A WISH.

Each of the villagers in a town of Phrygia heard a knock at the door of his cottage one summer day in the long-ago time of the myths. Each, on opening it, saw two strangers, weary travellers, who sought food and a shelter for the night.

It was a part of the temple teachings that a man should succor a stranger, no matter how humble, but these Phrygians were a pleasure-loving, careless people, neglectful of hospitality and of their temple, even, which had fallen into decay.

So it happened that the same retort met the strangers at whatever door they stopped.

"Be off! We have only sufficient food for ourselves and no room for any but members of our own family."

There was not a single door but was shut in the faces of these travellers.

The afternoon was passing and it would soon be dusk. The strangers, tired and half famished, climbed a hill on the edge of the village and came at last upon a little cottage set there among the trees. It was a very poor and humble cottage, thatched with straw, and barely large enough for the two old peasants, Philemon and his wife, Baucis, who lived there. But it opened at once when the strangers knocked to let in the two strangers.

"We have come to-day from a far country," the one who seemed to be the older of the two explained.

"And we have not touched food since yesterday," added the younger one who might have been his son.

"Then you are welcome to whatever we have to offer you," said Philemon. "We are as poor as the birds that nest in the straw of our eaves, but my old wife, Baucis, can prepare a meal from very little which may perhaps serve you if you are hungry. Come in, and share with us whatever we have."

The two guests crossed the humble threshold, bowing their heads in order to pass beneath the low lintel, and Baucis offered them a seat and begged them to try and feel at home.

The day had grown chilly and the old woman raked out the coals from the ashes, covered them with leaves and dry bark, and blew the fire into flame with her scanty breath. Then she brought some split sticks and dry branches from a corner where she had kept them like a treasure and put them under the kettle that hung over the fire. Afterward, she spread a white cloth on the table.

As Baucis made these preparations, Philemon went out to their small garden and gathered the last of the pot-herbs. Baucis put these to boil in the kettle and Philemon cut a piece from their last flitch of bacon and put it in to flavor the herbs. A bowl carved from beech wood was filled with warm water that the strangers might be refreshed by bathing their faces, and then Baucis tremblingly made the preparations for serving the meal.

The guests were to sit on the only bench which the cottage afforded and Baucis laid a cushion stuffed with seaweed on it and over the cushion she spread a piece of embroidered cloth, ancient and coarse, but one that she used only on great occasions. One of the legs of the table was shorter than the other, but Philemon placed a flat stone under it to make it level, and Baucis rubbed sweet smelling herbs over the entire top of the table. Then she placed the food before the strangers, the steaming, savory herbs, olives from the wild trees of Minerva, some sweet berries preserved in vinegar, cheese, radishes, and eggs cooked lightly in the ashes. It was served in earthen dishes and beside the guests stood an earthenware pitcher and two wooden cups.

There could hardly have been a more appetizing supper, and the kindly cheer of the two old peasants made it seem even more delectable. The guests ate hungrily and when they had emptied the dishes Baucis brought a bowl of rosy apples and a comb of wild honey for dessert. She noticed that the two seemed to be enjoying their milk hugely and it made her anxious, for the pitcher had not been more than half full. They filled their cups again and again and drained them.

"They will finish the milk and ask for more," Baucis thought, "and I have not another drop."

Then a great fear and awe possessed the old woman. She peered over the shoulder of the older of the strangers into the pitcher and saw that it was brimming full! He poured from it for his companion and it was again full to overflowing as he set it down. Here was a miracle, Baucis knew. Suddenly the strangers rose and their disguise of age and travel stained garments fell from them. They were Jupiter, the king of the gods, and his winged son, Mercury!

Baucis and Philemon were struck with terror as they recognized their heavenly guests, and they fell on their knees at the gods' feet. With their shaking hands clasped they implored the gods to pardon them for their poor entertainment.

They had an old goose which they tended and cherished as the guardian of their cottage, and now they felt that they must kill it as a sacrifice and offering to Jupiter and Mercury. But the goose ran nimbly away from them and took refuge between the gods themselves.

"Do not slay the bird," Jupiter commanded. "Your hospitality has been perfect. But this inhospitable village shall pay the penalty for its lack of reverence. You alone shall remain unpunished. Come and look at the valley below."

Baucis and Philemon left the cottage and hobbled a little way down the hill with the gods. In the last light of the setting sun they saw the destruction which the people below had brought upon themselves. There was nothing left of the village. All the valley was sunk in a blue lake, the borders of it being wild marsh land indented with pools in which the fen-birds waded and called shrilly.

"There is no house left save ours," Philemon gasped.

Then, as they turned, they saw that their cottage, also, had disappeared. It had not been destroyed, though. It was transformed. Stately marble columns had taken the place of the wooden corner posts. The thatch had grown yellow and was now a golden roof. There were colored mosaic floors and wide silver doors with ornaments and carvings of gold. Their little hut, that had been scarcely large enough for two, had grown to the height and bulk of a temple whose gilded spires reached up toward the sky. Baucis and Philemon were too awed for words, but Jupiter spoke to them.

"What further gift of the gods would you like, good people? Ask whatever you wish and it shall be granted you."

The two old folks consulted for a moment and then Philemon made their request of Jupiter.

"We would like to be the guardians of your temple, great Jupiter. And since we have passed so much of our lives here in harmony and love, we wish that we might always remain here and never be parted for a moment."

As Philemon finished speaking, he heard Jupiter say, "Your wish is granted." And with these words the gods disappeared from earth. There was a long trail of purple light in the sky like Jupiter's robe, and beside it lay two wing-shaped clouds which marked the road Mercury had taken, but that was all.

Baucis and Philemon went into the temple and were its keepers as long as they were able. One day in the spring when the old couple had become very ancient indeed they stood on the temple steps side by side, looking at the new green the earth was putting forth. In that moment another miracle happened to them.

Each grew straight instead of bent with age, and their garments were covered with green leaves. A leafy crown grew upon the head of each and as they tried to speak, a covering of bark prevented them. Two stately trees, the linden and the oak, stood beside the temple door to guard it in the place of the two good old people who, for their reverence, had been thus transformed by the gods.

HOW HYACINTHUS BECAME A FLOWER.

Kings and athletes, country folk and the musicians, sages and merchants from the towns were all on their way toward the green hill of Parnassus, one of the long-ago days of the myths, where the city of Delphi stood. The kings rode in their gaily adorned chariots which were drawn by the fleetest steeds from the royal stables. The youths were dressed for running, or they carried flat, circular discs of stone for throwing at a mark, javelins and bows and quivers of arrows. The road that led to the white temple of Apollo at Delphi was choked with people on foot, people on horseback, and people riding in farm wagons, all going in the same direction. It was a very great occasion indeed, one that came but once in five years, the day when the Pythian games in honor of Apollo were held at Delphi.

They climbed the hill of Parnassus which was a very famous mount, because of all that had happened there. When the gods saw fit to destroy the earth, Parnassus, alone, had raised its head above the waters and sheltered man. There, too, Apollo had transformed his beloved, Daphne, into a laurel tree and ever since then the slopes of the hill had been green and pink with the branches and blossoms of the laurel. Now, Parnassus sheltered one of the most famed cities of Greece, Delphi, and on a wide plain, near a deep cleft in the rock where the oracle was supposed to speak, the games of the Greeks were held in honor of Apollo, who was the god of sports.

The ground about the game field and the tiers of stone seats surrounding it were soon filled with a crowd of onlookers in their holiday garments of white and purple and gold. Upon a carved marble pillar at the entrance of the field was hung a great wreath of laurel, the prize of the winner, and everyone was talking about who this would be.

"The greatest test of all is the discus throwing," a lad on the edge of the crowd said to another. "The stone that is hurled from a javelin, or a spear thrown by a trained soldier has a chance to go straight to the mark, but who can aim the thin discus with the wind waiting to turn it from its course and carry it wide of the mark?"

The other lad thought for a moment. Then he spoke.

"The youth, Hyacinthus, could," he said.

"Oh, Hyacinthus!" the first lad replied as if the name was a kind of spell to work magic. "Hyacinthus, of course, would win the prize, for is he not the friend of Apollo? It is said that the great god of sports has visited and played games with Hyacinthus ever since the lad was able to swing a javelin. He comes to him in the form of a youth like himself because he loves him so, and they run races and have contests of skill here on Parnassus, and roam the groves together. How great an honor to have a god for one's friend!" the boy said wistfully.

But both boys stepped back then and watched breathlessly as four war chariots, driven abreast, approached. The horses sweated and foamed, the drivers stood up perilously, shouting and gripping the reins as the chariots tipped and crashed along the course. Two chariots locked wheels and the drivers fell beneath the terrified, stamping steeds, but no one heeded them as the other two rolled and swayed past them, and one reached the goal heralded by a shout the crowd sent up as if from one giant throat.

"Now, the discus combat!" the boy who had spoken before said, as a slender youth in a robe of Tyrian dyes stepped proudly into the centre of the field holding the flat, round discus in his hand.

"Hyacinthus, by my word!" the second lad exclaimed, "but who is that beside him?" he asked, as another youth, dark eyed, straight limbed, and with a countenance that shone like fire appeared, as if he had dropped from the clouds, and took his place beside Hyacinthus.

"It is Apollo himself in the guise of a youth!" the awed whisper ran through the crowd. "He has come to guide the discus that his friend Hyacinthus carries straight to the mark."

That was the wonder that had happened. Those who had far-seeing eyes could discern in the strange youth on the game field the god Apollo, his crown of light showing in bright rays about his head. No one spoke. All faces were turned toward the two as Apollo grasped the discus, raised it far above his head, and with a strange power mingled with skill sent it high and far.

Hyacinthus watched the discus cut through the air as straight as an arrow shot from a bow. He was perfectly sure that it would skim, without turning, as far as the goal at the opposite end of the field and perhaps farther, for he had great faith in this heavenly youth who had been his companion in so many good times. As swiftly as the discus traveled, did Hyacinthus' thoughts wing their memories of Apollo's friendship. He had accompanied Hyacinthus in his tramps through the forest, carried the nets when he went fishing, led his dogs to the chase and even neglected his lyre for their excursions up to the top of Parnassus.

"I will run ahead and bring back the discus," Hyacinthus thought, and excited by the sport and the crowds, he leaped forward to follow the flight of the swift stone.

At that instant the discus, turned from its course by Zephyrous, the wind-god, who also loved Hyacinthus and was jealous of Apollo's affection for him, struck the earth and bounded back, hitting Hyacinthus' forehead.

Apollo, as pale as the fallen Hyacinthus, ran to his side, raised him, and tried with all his art to stop the bleeding of his wound and save his life. But the youth's hurt was beyond the power of all healing. As a white lily, when one has broken it, hangs its head in the garden and turns toward the earth, so the head of the dying Hyacinthus, too heavy for his neck, lay upon his shoulders.

"I have killed you, my dearest friend," Apollo cried, as the people pushed closer to see the tragedy and then turned their faces away from this grief of a god which was greater than a mortal could feel. "I have robbed you of your youth. Yours was the suffering and mine the crime. I would that I were able to mingle my blood with yours which is spilled here for me." Then Apollo was silent, looking at the ground where Hyacinthus' blood had stained the grass, for a wonder was happening.

The crimson stain on the leaves changed to royal purple, and the stem and foliage and petals of a new flower appeared, so sweetly fragrant that it filled the whole field with its perfume. There had never been so beautiful a blossom as this. Touching its wax-like flowers, Apollo knew that the gods had comforted him in his sorrow. His friend would live always in the flower that had sprung where he fell on Parnassus, our hyacinth, the promise of the spring.

HOW KING MIDAS LOST HIS EARS.

They needed a new king in the country of Phrygia in Asia and there was an old saying at the court that some day they would have a ruler who arrived at the palace in a farm wagon.

No one had thought very much about this prophecy but, to the surprise of all, a peasant and his wife drove into the public square one day in an ox cart, bringing their son, Midas, on the seat between them. The peasant's name was Gordius, and he dismounted, tying his wagon in such a hard knot that it looked as if he intended that the team should stay there. In fact it was called the Gordian knot and it was so hard a knot that it was reported that he who was able to untie it would be the ruler of all Asia.

The wagon remained there, just outside the palace gates, securely fastened, and Gordius and his wife walked home leaving Midas. It was so exactly an interpretation of the prophecy that Midas was made king and put upon the throne of Phrygia.

He had every opportunity of being a ruler of parts, for his humble birth would not have interfered at all, but Midas, from the very beginning of his reign, used his power to satisfy his own wishes instead of carrying out the will of the people.

Bacchus, with vine leaves twisted about his curling locks and a goblet of the purple juice of the grape always in his hand, was the god of the vineyards. King Midas made the acquaintance of Bacchus, who was a friendly, peaceful god and fond of human companionship. And Bacchus unexpectedly offered Midas his choice of any wish that he cherished.

What did King Midas ask but that whatever he touched might be turned to gold!