Chapter II: Part 2

Most men contemplate, at some period of life, the construction of a dwelling-house, but few deem it necessary to study their wants or prepare their plans until they have selected their site and made all other arrangements for building, and then proceed with all possible haste to plan a home. That which should have been the study of months or years, is hurried through in as many days, imperfectly done at the best, and the cause of frequent annoying and expensive changes after the work has commenced. It is true, that the site has very much to do with the distribution of rooms, but any ingenious architect can readily adapt a proper combination of rooms to suit the exposures and views of a particular site. It would be vastly better for those who prefer to arrange their own plan of rooms, (and there are but very few who do not,) that they take abundant time to consider well every thing relating to them; and although the hope of building may be very remote, it should not be considered time lost to begin to give one's thoughts a definite form of what he thinks a house should be; for if nothing else results, it may furnish a valuable hint for a friend, and will certainly enlarge one's information and experience in these matters. Almost every one is capable, with such hints as have been freely given in the volumes of the HORTICULTURIST, in the leading papers which treat on rural art, and the numerous valuable publications on rural architecture, to make such a combination of rooms as will best suit his peculiar wants, tastes, or fancies, and then, with the aid of an architect, it can readily be freed from mechanical impracticabilities, and put into a proportionate and harmonious form. Architecture, both in design and construction, is a profession that requires long years of study and practice to develop an expert, and those who really want a good thing at the least cost, usually seek such assistance; those who prefer to do their own designing and building, find out with absolute certainty the most expensive modes of erecting very ugly and ill-proportioned structures.

DESIGN No. 11.

A SUBURBAN SUMMER HOUSE.

In the adornment of ornamental grounds, some considerable attention has been given to summer houses, and similar structures; but these have been mainly _rustic_ in their design and finish, and in this respect well adapted to their purpose and surroundings. The good taste of these structures will not be called in question. There are locations, however, in the more immediate vicinity of our large cities, where a style less rustic would seem to be more in harmony with the architecture which is found to prevail. We refer to residences on the outskirts of our large cities, with inclosures containing a few city lots. Here the architecture, so far from being rural, is, on the contrary, stiff, sharp, and sometimes very ornate. A rustic summer house in such a place would be an incongruity. A rustic house is in itself a beautiful object; but there is a certain charm in association which can not be widely departed from without doing violence to our conceptions of the fitness of things; and hence a purely rustic house without rural surroundings is destitute of the chief elements which give rise to the beautiful. Most persons would say it was out of place.

The design herewith presented was prepared to meet the requirements of such a case; it is consequently somewhat elaborate. It is located on a small plot of ground within the city limits, and in full view from three streets. The grounds are laid out with a few rectangular walks, and such shrubs as the small size of the place would admit of. The house, we think corresponds with its surroundings. Its faults, if any, are a little too much ornament, but something of this kind seemed to be required in the absence of that more beautiful ornamentation produced by the drapery of Nature. The house is so located that it receives the morning sun for a few hours, but during the rest of the day is in the shade; it therefore constitutes a pleasant place of retreat for the family at all hours, and is used by the children freely as a play house. The floor is laid in narrow stuff, and is elevated a foot above the ground for the sake of dryness. Easy seats, a handsome centre table, and a hanging lamp complete the interior. Venetian blinds afford ample protection on a misty day or a chilly night, or admit the soft summer breeze on a hot and sultry eve.--_Horticulturist._

DESIGN No. 12.

STABLE AND CARRIAGE HOUSE.

This stable affords abundant accommodation for three horses, with carriage house, feed room, and a large harness room on the first floor, while the loft above may contain a coachman's room, and leave ample space for hay and straw.

If required, a shed and cow house can be extended on the side opposite the carriage house, thus adding considerably to the effect of the external appearance. Under the stable there should be a cellar for the storage of roots for feed, and, if desirable, the winter stock of vegetables for household use. This stable may be built of wood, or of stone or brick.

DESIGN No. 13.

This design is intended to cover, at a low cost, as much comfort and convenience as a moderate-sized family would require, and to distribute the same as much as possible on one floor.

The cellar or basement kitchen is dispensed with and only enough cellar room provided to meet the wants of those who occupy suburban places of a few acres in extent. Where large quantities of vegetables are stored, or where cellar room is required for farm purposes, we think it better to build cellars separate from the residence, (an arrangement much more healthful, as well as convenient and desirable.) For the preservation in warm weather of meats, milk, and other perishable articles, a refrigerator, or, better still, an ice closet, can be set up at one end of the laundry. This can be supplied with ice through an outside door, and is infinitely better and more convenient than any cellar or spring house.

The kitchen is without a fire-place, but is provided with a ventilator in the chimney near the ceiling. The cooking may be done by a stove, which, if properly contrived, is one of the most effective ventilators, and preferred by many housekeepers for all kitchen purposes. Or a range can be placed in the chimney, if desirable, or a fire-place, if it should be considered indispensable.

A door under the stair-way separates the front and rear halls, and disconnects the kitchen apartments from the rest of the house. All the doors opening into the rear hall should be hung with the new spiral spring butt, the best door spring that has come under our notice. It is entirely concealed, and works without a fault.

The closets in the dining room are finished to give an interior appearance of a bay window. The dining room and the two chambers above, are intended to be heated by a fire-place heater set in the chimney, thus warming three rooms, at pleasure, with one fire. A small stove in the library will keep that comfortable. Or, in place of all this, the whole house may be heated by any of the approved modes, in the use of hot air, hot water, or steam.

The library, parlor, or general living room in a country house--and we like these rooms in one--should have the cheerful, healthful luxury of an open fire-place, and we know of no more elegant, cleanly and effective contrivance for this purpose than Dixon's low down, Philadelphia Grate, in which wood, coal, or any other fuel can be used equally well. The advantages combined in this grate are these:--the fire flat on the hearth, and radiating the heat from an oval cast iron backing: cold air supplied from below, and ashes, dirt, &c., shaken down into an ash-pit in the cellar, beneath the grate. We speak confidently of this invention, after a trial of two winters, and do not hesitate to say that, compared with this, the ordinary grate is worthless. Large rooms can be kept perfectly comfortable in the coldest weather, without heat from any other source.

This house is supplied with a cistern, constructed with the utmost care, ten feet in diameter, and ten feet deep, holding 6,000 gallons of water. The roof is of slate, and the rain-water is therefore of great purity, free from color, and the woody taste usually imparted to it by falling on a shingle roof.

At the laundry sink is one of West's lift and force pumps, which draws the water from the cistern. This pump is a simple and effective affair, and works with remarkable ease, is always in order, and may be considered one of the best pumps known. We have given it a thorough trial, and speak from personal knowledge.

On one side of the laundry sink there is also one of Kedzie's large size rain-water filters, which holds several pails full of water, and which we commend as an admirable contrivance for the purposes intended. It possesses every merit claimed for it, and after more than a year's use, the water drawn from it is of such crystal purity and sweetness as to attract the attention of all to whom it is offered.

No well has been dug or contemplated on the premises connected with this cottage. About one-half the cost of a well has been expended upon a slate roof, a large and carefully-constructed cistern, West's pump and Kedzie's filter--the other half has been safely invested in U. S. 7-30's, and instead of hoisting water fifty feet, for household, garden, and stable uses, the turn of a croton water tap is not more easy and convenient, and the finest flow of a silver spring of soft water, is not more beautiful than that delivered by West's pump and Kedzie's filter, which supplies for all purposes of the cottage, stable, and garden, water unsurpassed in its pleasant and wholesome properties. Those who seek the most convenient and reliable modes of procuring the purest and sweetest water, will find this to be the least costly and the most satisfactory.

For a compact, convenient cottage, with every facility for doing the work of the household, with the least number of steps--in which all the essential modern conveniences are introduced, without the modern prices attached--for a low-priced, elegant cottage, we do not know of any plan more appropriate than this.

In the construction of this house a bay-window was introduced in front, in the parlor, (Fig. 43.) and the veranda was made half octagon. These alterations add much to exterior appearance, as well as to the capacity of the parlor. On the side of the parlor and dining room an addition is contemplated, which will relieve the apparent want of variety which now exists, and essentially improve the external appearance.

DESIGN No. 14.

Fig. 45 shows a design for a cottage stable, giving accommodations for a horse and cow, two carriages, one or two wagons, and two tons of hay. The main building is so proportioned, that three more stalls may be added, and it may then become the wing of a larger building, to be used for carriage room and other purposes. For those who keep but one horse and cow, this design affords abundant room.

DESIGN No. 15.

ICE HOUSE.

It is only within a few years that ice, in all seasons, has been classed among the necessaries of life. In large cities it is indispensable, but the cool spring-house or cellar in the country impresses many with the idea that ice, in summer months, can only be regarded as a luxury. Along with other conveniences in keeping with this progressive age, the ice-house has its place, and a country-seat of any pretensions is not complete without it.

It is simple in construction, and can be built very cheaply of rough materials, or made as elaborate as is desirable. It forms a pretty feature about the grounds, if treated with some architectural taste.

DESIGN No. 16.

This design, with the accompanying plans sufficiently explain themselves without minute description. The arrangement, as will be seen upon examination, secures a very large amount of accommodation, with good sized rooms, and ample store and closet conveniences. The building is compact, and at the same time presents a pleasing variety in its exterior appearance. By carrying up the library, two dressing rooms, for the two principal chambers, may be secured.

When one contemplates building, and has put his thoughts and wishes into a tangible form, the leading question asked is, how much will all this cost? for what price in dollars and cents, without extras or additional charges of any kind, can this dwelling be erected in a good and workmanlike manner, in accordance with plans and specifications, and satisfactory to the owner? This is precisely the plain English of what a business man wants to know; for we hold that it is right and proper, that every one should look right through all the connected links and complications that require a considerable expenditure of money, and see that he lands carefully in the place anticipated. To start with the intention of disbursing $5,000, and wind up with an expenditure of $12,000, is not only annoying in a money point of view, but an impeachment of one's judgment and good sense, not pleasant to hear outsiders reflect on; for however much one might wish to shift the responsibility on others, it is one of those things that time will always place where it belongs. As long as men consider the arts of designing and constructing buildings to be of no special importance, or that they are qualified, without instruction or experience, to practice them, expensive blunders will naturally result, and sooner or later it will be discovered that such wisdom is dearly bought. There are many, however, who prefer to manage their building affairs thus, and who can only learn more agreeable and less expensive modes by actual experience; some do it from ignorance, some from supposed economy, and others from the supposition that they are best qualified.

The design for a house or other building, and a plan of the interior arrangement of each floor, prepared by a professional man who makes such things the business of his life, is now very generally admitted by intelligent men to be essential; but the management or superintendence of the work by the party who has studied and designed it, does not seem quite so apparent. An architect prepares the drawings for a dwelling to cost $5,000; now whether it actually will cost $5,000, $8,000 or $10,000, in the hands of another superintendent, is an unanswered problem. A prevailing folly which we find very general, is to suppose that all men can build the same house, in all places, for precisely the same amount of money; and but few are willing to admit that they, of all others, are not the most competent to carry through the whole business of building at the lowest figure. Some must find out in the most expensive manner, that the profession of an architect, or the skill of a builder, can only be attained by long years of careful application.

What a house will cost to build is a question always asked with the utmost simplicity, and a prompt and reliable answer always expected, and if not forthcoming at once, gives rise to a suspicion that one's professional ability is not of the most thorough character. There are so many conditions to govern results in house building, that even an approximate estimate may fall very wide of the mark. Two houses may be built from the same plan, and we may also say, from the same specifications; one by day's work, and the other by contract, and they shall be so exactly alike in all respects when finished, that an unprofessional observer would detect no difference, and yet one may honestly cost just double the amount in money expended on the other; even the same builder may build two houses precisely alike in all respects, and yet the cost be quite unequal. On one site stone may be easily obtained, a sand bank on the premises, a running brook close at hand, saw mills, brick yards, and lime kilns within moderate distances and accessible by good roads. The other site may be quite the reverse in situation, or have some decided disadvantages in obtaining some very necessary materials. We once built a fine stone house where stone was abundant and close at hand, but all the lumber and brick had to be hauled thirteen miles over hilly roads; the cost of that house has nothing to do with the cost of a similar house in a different locality.

A competent business superintendent has a great deal to do with the cost of a house; one that understands all the tricks of every building trade, that knows the market well, and the value and quality of all building materials, and where inferior workmanship and materials can be used to an equal advantage with those of first class. To slight work and yet do it justice; to give it all the strength and endurance necessary, requires one of skillful acquirements. A mechanic may persuade a proprietor into many a long day's work, as it pays well to nurse good jobs when other work is slack, but an architect who understands such things would save the value of useless work.

The cost of a house depends on a well-studied plan; this plan does not consist alone in the arrangement of rooms, windows, doors, etc., but involves a careful study of the anatomy of construction. One may save by a proper distribution of timbers, as well as make a very great saving by the arrangement of rooms. Good management is of the greatest importance, not only as a matter of economy, but as securing the best class of workmanship, and the most judicious use of materials. Good or bad management produces the same results in building operations as in war or any other pursuit.

One takes up a capital work on rural architecture, written perhaps ten or fifteen years ago, before the general introduction of furnaces, steam pipes, gas, baths, marble basins, etc.; they find a house that suits them, which the book says will cost $6,000, and that is just the amount, by close figuring, that can be raised for building. The house is ordered, put in the hands of the best mechanic to finish all complete, and he goes ahead; he is unrestricted except by the book, and the author of it is a man of reputation. In the way of details perhaps nothing has been said; they are therefore extravagant in the use of materials, and elaborate in workmanship; as it is not considered good policy for a workman who has a good order, to make suggestions calculated to decrease the amount of work. When the bills to the amount of $6,000 have been settled, the house is found to be half finished, and an additional $6,000 is necessary to complete it; less that one year's interest of which would have amply sufficed to secure the services of one who has spent the best years of his life to learn how to design and to manage work to cost a specified price.

When an architect says a house can be built for a certain price, it is to be understood that materials delivered on the ground shall not exceed an average cost, that the payments made are to be in cash, and that he manages the work. To hold an architect responsible or blame him for blunders in the cost of work that he designed and did not superintend, is manifestly unjust, yet it is a frequent occurrence. The cost of work is a question easily answered, when one is fully acquainted with all its bearings and has it under his control, but no one can say at what price a novice in building operations can execute it.

DESIGN No. 17.

Fig. 53 is a design for a cottage stable, with stalls for two horses, and the necessary carriage room and other conveniences. This design, in its exterior, presents as great a degree of variety in the combinations of form and shadow as the price will admit of. It answers the purposes of comfortable protection and convenience, as well or even better than the most costly structures. A horse needs a dry, well-ventilated apartment, and enjoys fresh air, daylight, and sunlight as well as human beings. Unless these very inexpensive wants are provided, no compensation is afforded by elaborate detail and workmanship.

DESIGN No. 18.

SCHOOL HOUSE AT IRVINGTON, ON THE HUDSON.

Our architectural series would be by no means complete if devoted entirely to dwellings; and as the resources of an extensive professional practice in the arts which embellish and beautify our country may be largely made use of, we present here a design for another class of buildings.

A school-house is not a building which every one contemplates erecting, and yet a large proportion are, or ought to be, interested in developing in structures of this class such architectural principles as shall make their impressions in early life, and influence future tastes.

This building is designed to accommodate about fifty scholars, being 25 by 40 feet, with a front projection 10 by 18 feet. In the basement a large furnace and abundant accommodation for coal. The main floor is divided into school-room, two recitation rooms, hat and coat room, wash closet with sink, and water closet, above which is a large tank, supplied from the roof. An outside cistern supplies cool drinking-water, the purest and healthiest water known, and renders the use of ice unnecessary in summer. The height of all these ceilings is nearly fourteen feet, and each room is thoroughly ventilated; the belfry is provided with a one hundred pound bell; indeed, nothing has been left undone that is calculated to promote the health and comfort of the pupils.

The partition between the doors to the recitation rooms is made in sections, and can be easily removed, thus making one large room for exhibition and lecture purposes. The stage, in this case is to be placed at the left end of the room. The capacity of the building can be nearly doubled by occupying the entire floor as a school-room, and building an addition 12 by 24 feet directly in the rear, opposite to the front projection, for recitation rooms.

The situation of this building at Irvington, on the Hudson, some twenty-five miles above the city of New York, is in a charming, healthy, and delightful locality; one made famous by the pen and residence of Washington Irving, and noted for its magnificent scenery, its views of river and mountain, and the fine taste displayed in landscape and architectural embellishments by those who have made their homes in this vicinity.

We have always thought that those educational institutions possess the most attractions that are so situated that all surroundings shall have a favorable influence; and there is nothing like example in early training. Bring up and educate a boy among those who know nothing of the refinements of life, away from the progressive examples of art and taste, in a tumble-down, unplastered, ill-heated and ventilated apartment, and he never can become, with all the aid of books and teachers, as thoroughly cultivated and fitted for the duties of life, as one who has enjoyed associations of a higher order. School architecture has a meaning in it; there is value in proportion, harmony, beauty, light and shade, as applied to school buildings, that is not comprehended by all. A recent writer says better than we can say it, that "It is the duty of teachers, as well as parents and school committees, to see that the circumstances under which children study are such as shall leave a happy impression upon their minds; for whatever is brought under the frequent observation of the young must have its influence upon their susceptible natures for good or evil. Shabby school-houses induce slovenly habits. Ill-constructed benches may not only distort the body, but, by reflex influence, the mind as well. Conditions like these seldom fail to disgust the learner with his school, and neutralize the best efforts of his teachers. On the other hand, neat, comfortable places for study may help to awaken the associations enchaining the mind and the heart to learning and virtuous instruction with links of gold brightening forever."

DESIGN No. 19.

This design was prepared for erection in the vicinity of Goshen, Orange Co., N. Y., and the accommodation limited to a price not exceeding ----. It presents in hall, verandas, and large parlor, some of the very necessary attractions of a country house, and is a good example of what can be done for a limited sum. While the plan is a parallelogram, and the roof free from hips and valleys, the general arrangement is such as to show considerable variety in outline, and one, we think, that will have a pleasing effect.

Such houses, erected in the vicinity of New York, and many of our large cities, would add a large value to the ground they stand on, and pay a handsome rate of interest on their cost; better than any other class of building investments, as the supply is in nowise equal to the demand. It is so simple a matter, with present prompt and rapid railroad facilities, to invite a fair proportion of the young business men of our large cities to make their homes in the adjoining country, that we wonder capitalists and real estate owners do not more frequently make money for themselves and others by erecting tasteful, low-priced suburban homes.

In former times, a house of this class erected in the country, would be painted exteriorly a pure white, with no relief, except probably in the violent contrast of bright green venetian blinds to the windows. This sort of taste unfortunately still remains, although in the progress of rural taste and art, the country is much improved in this respect.

There is a variety of colors, known as neutral tints, which are suitable for exteriors, and the effect produced by them is altogether pleasing, while a house painted white can never be an agreeable object in any landscape, however admirable its architectural proportions and finish may be.

The tone of color for a house will depend upon its size, form, and situation, and it often requires a nice and cultivated eye to determine what would be most appropriate and effective.

For such a house as this, we should choose a light fawn color--not yellow--and paint the cornice, window-frames and other projecting and ornamental parts two or three shades darker than the body of the building. This will give a depth of shadow and expression which cannot be obtained in any other way.

Large houses, with massive features of construction, will bear to be painted with darker colors, but they should not be too sombre, so as to give a gloomy appearance to the house. The country, with its bright sunshine, its rich adornments of flowers, and its numberless forms of beauty and grace, is eminently cheerful. It often happens that the painter does all he can to mar this cheerfulness and beauty, by startling contrasts of colors, and by destroying the harmony which pervades the landscape.

DESIGN No. 20.

A COUNTRY CHAPEL.

We present in this design a plan for a substantial and permanent chapel, having capacity for seating about four hundred. For the purpose for which it was designed, no distinct chancel was required. Such a chancel could be arranged, if desired, in a recess taken off the lecture or class room in the rear of the chapel. It could be lighted at the roof, or on the sides.

This chapel, built of stone throughout, with an open timber roof and stained glass windows, would be an ornament to any country locality, and a credit to the taste and liberality of those who built it.

Every thing about such a chapel should be _real_, and no suspicion of sham or unreality should be tolerated in any part of the work. The practice of building the fronts of churches of stone, while the side and rear walls are constructed of rough brick, painted and marked off to resemble the stone, is very common, we know, both in town and country, but it is a species of deceit and false pretence which ought not to be. If the best and costliest material cannot be used for the entire structure, let the rougher and inferior material be fairly shown, in every part. If the means and liberality of the parish cannot provide oak or walnut for the interior finish, let the wood work be plainly painted, or what is better still, simply oiled, but there should be no cunning deception of graining, to represent the costlier wood. It is not _honest_, and, we take it, a church, built for religious worship, is the last place that should betray our human meanness and want of honesty.

DESIGN No. 21.

We show in this design what can be done with a substantial old farm house; how easily and beautifully it can be changed into a suburban home of elegant exterior, and comfortable and convenient interior appointments.

This class of spacious and substantial farm houses, with the gambrel, curb, or Mansard roof, as shown in Fig. 63, is very numerous about the suburbs of New York City, and more particularly in the "neighboring province of New Jersey," where one finds them nestled in the valleys or by the road side, as best fitting to the taste of our early Dutch settlers, who prized seclusion and protection above bleak exposure and far-reaching views.

As a general thing, the better class of New Jersey farm houses of this type were built of squared and hammered red sand-stone, laid up in regular courses, and in many instances the character of the work differed on all sides, the front being the most finely finished. And in many of the most pretentious of these houses, brick was substituted for the front, as being less common.

There is, perhaps, nothing more difficult in an architect's experience than to make a fine thing out of a subject so destitute of beauty of form or proportion, and yet preserve the substantial walls and other belongings, that have stood for half a century, and are now stronger, and promise a durability that exceeds those of other houses built in this progressive age; and yet here is a "presto change" that will almost defy the keen eyes of the old settlers to recognize any trace of the ancient landmark that for fifty years has overlooked the beautiful valley of the Tenakill.

There are very many of these old houses that are equally well adapted to wear a modern face, though but few purchasers can look through all such changes with the eye of a professional expert, and select that to which, at a low price, a certain beauty can be added, which, when done, shall indicate the wisdom of their choice. First impressions many times are sadly against all hopes of success.

"With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall."

But these difficulties are the least troublesome to adjust, if the walls are good, and ceilings of a fair modern height. It may then be a better choice to adapt such a house to the present cultivated tastes and requirements, than to build anew from the foundation.

In the plans, the dotted lines show the centers of the old partitions. Six feet have been added to the length of the wing, thus improving the kitchen accommodations.

This house is situated some fifteen miles from the great commercial metropolis, on one of the new lines of Railroad, and in a locality of easy access to New York business men.

DESIGN No. 22.

This stable may be constructed either of wood, or of stone. It contains stalls for four horses, and affords space for their accommodation, together with a harness room and a tool closet. This latter is a convenience very essential to the comfort of the owner, as well as to the proper care and preservation of such implements as belong especially to the carriage house and stable.

This building should be surrounded and screened with fruit trees and shrubbery, and then, with its evident architectural effects, it will become an attractive feature in the landscape of which it becomes a part, with the other accessories of the elegant country home.

DESIGN No. 23.

FENCES.

In spite of all laws to the contrary, cattle will intrude upon one's property, and each and all must at great expense build and maintain fences for their own protection. There has not as yet been devised any practicable mode by which the enormous sums annually spent in fencing might be saved. The theory advanced, that it is cheaper for each to fence his cattle in, than to fence his neighbor's out, has not as yet been practically illustrated, if we except a few suburban localities.

Fig. 69 represents a substantial fence, with a paneled base, of simple construction, and yet quite effective in appearance. In Fig. 70 the work is somewhat more elaborate, while the base is of stone, or brick. Each engraving shows two panels, with a gate in the centre.

With chestnut or cedar posts, the pickets cut from 1-1/2 inch plank, and the whole kept painted, such a fence would last many years.

DESIGN No. 24.

RESIDENCE OF CHARLES F. PARK, ESQ.

This residence of which we show only the floor plans, occupies a commanding position on the northern end of the Palisades, on the western side of the Hudson, some twenty miles above the city of New York, the river, mountain, and inland views from which are exceedingly fine, embracing the villages of Dobbs' Ferry, Irvington, Tarrytown, Sing Sing, Piermont, Nyack, and Tappan, as well as Tappan Zee and Haverstraw Bay, the distant Highlands of the Hudson, and the beautiful valleys of the Sparkill and the Hackensack, a section of country rich in historic associations, and highly appreciated by those who seek suburban homes.

This house was designed principally for a summer residence, being nearly fifty feet square, with wide halls and spacious verandah, and commodious and well ventilated sleeping apartments, the plans showing the arrangement of rooms. The style of architecture selected is that generally known as the Rural Gothic, which, perhaps, is the most useful and most beautiful of any that are adapted to the requirements of our climate. The almost square form of the plan is one of the most difficult to treat successfully in this style, yet has been carried out in the most satisfactory manner. This style admits of an almost never-ending variety of form and proportion, and in effects of light and shadow at all hours of day is unequaled. Its comparative expense but little exceeds the hipped and Mansard roofs.

The building is constructed in the most thorough and workman-like manner, and is as well adapted for a winter residence as for summer. The frame is built in the balloon style, (the strongest known form of framing,) with deep studding filled in with brick, having double air chambers, is thoroughly finished throughout, is covered with a slate roof, and fulfills all the requirements of a substantial and commodious country residence.

DESIGN No. 25.

CARRIAGE HOUSE AND STABLE.

The accompanying design for a carriage house and stable affords about the same amount of accommodation as Design 22. The arrangement, however, is somewhat different, and the exterior quite unlike it. In this plan the portion appropriated to the stalls is more ample, and the means for ventilation abundant.

DESIGN No. 26.

RESIDENCE OF THOS. H. STOUT, ESQ.,

IRVINGTON, ON THE HUDSON.

Irvington is a noted locality for the higher grades of country homes, there being many fine examples of substantial, roomy, and elegantly appointed mansions. Far within the gradually extending circle which limits the daily intercourse of the business man to the city of New York, it has become, in virtue of its position, healthfulness, fine scenery, and ease of access, one of the most favored of the suburbs of this city; a city whose rapid increase of population and corresponding decreasing comforts in conveyance from one portion to another, is turning the attention of those who like ease of transit, and the quiet and health of the country, to a residence among its beautiful and attractive suburbs. What the last ten years have accomplished in introducing rapid and reliable communication, and building up and improving the country about New York, will probably be repeated several times over in the next decade. An impetus has been given to rural life, that will increase with every facility that is offered, and it will not be many years before the suburbs of New York will compare with any city in the world; and we question, even now, if elsewhere can be found a suburban locality comparable with the east bank of the Hudson, from New York to the Highlands.

The accompanying engravings illustrate a country house that embraces many of the best features of exterior variety, and interior compactness and convenience. The workmanship and materials throughout have been of the best description, and no pains have been spared to make it first class in every respect.

Situated on the slope of the eastern bank of the Hudson, it overlooks the broad expanse of "Tappan Zee," and commands the views peculiar to this locality, that reach from the Highlands to the ocean.

To build well, and to do so at a low price, is always desirable; and to build artistically, imposingly, attractively, does not imply elaborate finish or profuse ornament. Sand paper and decoration will never make an ill-proportioned building attractive to an educated taste, while a rough exterior of harmonious lines and forms will pass current with those who have an eye to the artistic.

One of the most important lessons that the art student learns is that of effect; that effects can not be produced by smoothly finished surfaces or details; and that in architecture, as well as in sculpture or painting, there must be a strong bold manner of execution, when there is a desire to convey an impression of strength or power.

Where stone is conveniently obtained as a building material, its use in rural architecture deserves far more consideration than is usually bestowed on it; and in its unchiselled, quarried form it becomes desirable in an economical point of view. There is an imposing grandeur in the unhewn stone that asserts its presence in both near and distant views, and, with the proper combinations of proportion, and light and shade, will illustrate the finest architectural effects. Prevailing prejudices are too apt to consider it not only cheap, but inferior in protection and durability to finely wrought surfaces and smooth, close-fitting joints. We are too apt to estimate the value and beauty of a stone house by the amount of labor lavished on its exterior, as if the chisel possessed the power to make the joints more impenetrable, and bestowed an endurance commensurate with the story of expense that it tells. So long as we build well and honestly, with a proper regard to protection from the weather, in a substantial and workmanlike manner, good taste and sound sense will uphold the use of quarried rock, and discover a permanent strength and power in this Cyclopean masonry that elaborately finished surfaces and delicately wrought ornaments fail to express.

Dressed in squared blocks and hammered lines, stone becomes an expensive building material, and preference is then given to something else less costly; but if used in its quarried form, irregular in size and shape, it becomes, wherever conveniently obtained, among the economical materials used for building, and is unsurpassed for its impressiveness and durability. No paint is required to preserve it from the weather, and no color is so good as the color of the stone; time softens its tints, and the clambering vine that lays hold of the massive walls is a decoration beyond the resources of architecture.

"If a building," says Mr. Ruskin, "be under the mark of average magnitude, it is not in our power to increase its apparent size by any proportionate diminution in the scale of its masonry; but it may be often in our power to give it a certain nobility by building it of massy stones, or, at all events, introducing such into its make. Thus it is impossible that there should ever be majesty in a cottage built of brick; but there is a marked element of sublimity in the rude and irregular piling of the rocky walls of the mountain cottages of Wales, Cumberland, and Scotland.

"And if the nobility of this confessed and natural masonry were more commonly felt, we should not lose the dignity of it by smoothing surfaces and fitting joints. The sums which we waste in chiselling and polishing stones, which would have been better left as they came from the quarry, would often raise a building a story higher.

"There is also a magnificence in the natural cleavage of the stone to which the art must indeed be great, that pretends to be equivalent; and a stern expression of brotherhood with the mountain heart from which it has been rent, ill-exchanged for a glistering obedience to the rule and measure of men. His eye must be delicate indeed who would desire to see the Pitti Palace polished."

DESIGN No. 27.

A CHAPTER ON GATES.

We present in the following designs, several illustrations of the principle of the truss applied to wooden gates. It was described by us, several years ago in the _Country Gentleman_.

Since then, in our professional rambles, we have accidentally noticed some thirty gates erected after these designs in different sections of the country, and, for aught we know to the contrary, it is one of the most popular gates that swing. The principle of this gate is best shown in figure 80, and consists of four panels of braces crossing each other, and held firmly in position by five iron rods, which can be tightened by the screws at the bottom. The braces are not tenoned, and there are no nails about the gate. There can be no sagging under any circumstances; but should such a thing occur from unequal shrinkage, it can easily be remedied by placing a thin strip of wood or sheet lead under the foot of the braces running forward. There is economy in the construction of these gates, as they can be made with a less number of joints, and greater strength and stiffness secured with lighter materials, than in any other style of gate we know of. The principle is the one used in railroad bridges and roofs of great span, and our own experience with them, having built and tested all the gates here illustrated, is, that they possess very decided merits.

Fig. 81 is the principal entrance gate to one of the finest estates on the Hudson, above Tarrytown, and although similar in appearance to figure 82, has some very decided differences, the cross braces in this case reaching only to a second rail; the rods, however, pass through to the bottom; it is much more elaborate in workmanship, and the addition of a moulding on the top and bottom would increase its effect.

Fig. 84 is the entrance gate at the New Windsor, N. Y., Parsonage, and has been hanging six years without a perceptible change. The braces in this are one inch square and doubled; they are not halved, but cross each other, two one way and one the other, in the manner shown in figure 85.

There is no other mode of constructing gates in which rustic work can be made such good use of. The chief objection to all things made in the rustic manner is, that they soon fall to pieces, limbs shrink and twist, and nails do not hold; but a rustic gate held together by iron rods will remain good until the last brace has decayed.

Fig. 86 is the principal entrance gate to one of the most finely finished country seats on Newburgh Bay.

Figs. 87, 88, and 89, illustrate a novel style of hinge, peculiarly adapted to this gate, and is really stronger than any other. It requires less iron and less blacksmith work.

Fig. 87 shows the top hinge corner, and figure 88 the bottom hinge corner. The iron which secures this end of the gate, passes through both top and bottom hinge, and binds them and the gate securely together. The additional fastenings for hinge are made with carriage-bolts. Nothing but a power beyond the enormous tensile strength of iron and the compressible strength of wood, will cause the gates to yield in ordinary use.

Fig. 89 is a perspective view of the hinge, showing how it may be counter-sunk, and thus almost entirely concealed. Figs. 80, 81, 82, and 83, also show the hinge, and four different styles of stone gate piers.

Fig. 90 is intended for a farm gate. The cross rails are secured by carriage-bolts passed through them and the main braces. Each end of the gate has an iron rod only, which is made heavier than the others, and saves framing. The hinge is made by having the iron rod project beyond the bolt head and nut, and the upper end is passed into an eye, as shown in Fig. 91, which is screwed into the post; the lower end is pointed, and is placed in a stone as shown, or it may rest on solid iron of similar form to the eye. Any intelligent laborer, with an axe and auger, can, with the iron work, make these farm gates.

This principle of constructing gates admits of an infinite variety of designs; those given are merely suggestive. It admits of all classes of workmanship, from the plainest to the most elaborate, from the simplest farm gate to those required for the finished park, and in beauty, strength, and economy stands unequaled.

Fig. 92 and 93.--Plan and elevation of an entrance gate, which we have executed in oak, and presents an effective appearance.

DESIGN No. 28.

RESIDENCE OF TRISTRAM ALLEN, ESQ.,

RAVENSWOOD, N. Y.

The accompanying view of Mr. Allen's house is a good example of the method of adding to a dwelling which has ceased to be of sufficient capacity for the requirements of the family. By reference to the basement or cellar plan, the outline of the old house and the foundation of the new will be distinctly seen. The addition transforms the cottage to a villa, and in a manner which preserves the proportions as harmoniously as if the whole had been erected at one time and from one plan, thus illustrating a prominent advantage in this style of architecture, which admits more freely than any other, successive additions, which, when properly designed, add to the variety of outline, and its beauty of light and shade. The different floor plans show the arrangements of rooms and their connection with the original building, which, it will be seen, are convenient and compact.

Ravenswood is one of the most elegant of the suburbs of New York, being near at hand, and having frequent and rapid communication with the city. Situated on the Long Island shore, opposite the centre of Manhattan Island, overlooking the great metropolis and its outlying cities, of easy access to the Central Park by the Hell Gate Ferry, amid all the refinement of fine gardens, polished landscape scenery, and architectural taste, it presents at once all the enjoyments that a combination of city and country life can afford.

DESIGN No. 29.

RESIDENCE OF LINDLEY M. FERRIS, ESQ.,

NEAR POUGHKEEPSIE, N. Y.

The residence of Mr. Ferris, of which we give the plans only, is located south of the city of Poughkeepsie, and almost or quite within its suburbs. The surrounding estate, of 150 acres of handsomely rolling land, possesses all the attractions of beauty and fertility so generally awarded to the finer portions of Dutchess county. In the immediate vicinity are some of the highly finished and well-kept country seats which adorn this portion of the Hudson, and make up the attractions which taste and refinement always add to country life.

The object aimed at in the design of this house, was that of a substantial and commodious mansion, suited to the requirements of a large family, and that should express its purpose in the simplest manner at a moderate expense. It was therefore desirable to avoid all costly irregularity of form, and all the fanciful varieties of gimcracks.

The style selected as best illustrating this purpose is the Chateau roof, Louis XV style; the main building being 43 feet square, with a rear addition 25 by 29 feet; the plan illustrating the arrangement of rooms, verandah, etc. The first floor gives double parlors, (one of which may be used as a bed-room or library,) a sitting-room or reception-room, dining-room, and a large kitchen, with necessary closets, an inclosed verandah, water closets, etc. The second floor, main building, gives four large bed rooms and two smaller rooms for other purposes, and in the rear are four servants' rooms and a bath-room. The attic story, main building, has now five rooms, finished with closets, and two rooms more can be added by putting up two partitions. These upper rooms, in a roof of this character, are cool, well ventilated, well lighted, and agreeable in warm weather, there being roomy air chambers between the attic ceiling and the upper roof, and also between the walls of the rooms and the outer wall of the house. There is but little difference in the value of these rooms and those on the floor below, except convenience of access.

The house is built of brick, in a first class manner, the lower roof slate, the upper one being tin; is thoroughly finished throughout, and is in all respects a convenient, durable, and commanding structure, giving the largest amount of room in a desirable and attractive form, with the most economy of means. It is situated on a knoll overlooking all the surrounding grounds, which include a number of other fine sites, one or two of which, we think, even more desirable than the one selected. It is not, however, an easy matter to choose one from a dozen sites, each almost equally good.

A new road is now being laid through these and the adjoining premises, to connect two of the principal drives southward from Poughkeepsie, which when completed, will add a new attraction to the beautiful suburbs of this city. The views from the grounds, more particularly from the top of the house, are varied and extensive. The mountain panorama, which sweeps three-fourths of the horizon, beginning with the Fishkill mountains, and ending with the Catskills, is exceedingly fine. The eastern view embraces the Vassar Female College, the noble gift of Matthew Vassar, Esq., to the cause of female education. In the foreground and middle distance are the rich rolling landscapes of Dutchess and the fertile hillsides of Ulster counties, the glittering spires of Poughkeepsie, the lordly Hudson, and southerly are seen the famous Beacons and the Highland Pass,

"Where Hudson's wave o'er silvery sands
Winds through the hills afar."

DESIGN No. 30.

MODEL SUBURBAN COTTAGE--IN THE OLD ENGLISH OR RURAL GOTHIC STYLE.

BY FREDERICK S. COPLEY, ARTIST, TOMPKINSVILLE, S. I.

The general appearance of this Cottage, as seen from the road, is shown in the engraving, (Fig. 101.) which is a perspective view of the North and East Fronts.

It is situated at Montrose, on the lake-like shores of Hempstead Harbor, near the village of Roslyn, Long Island, a spot noted for its beauty and healthfulness.

Size of building, 44 by 38 feet. Principal Plan (Fig. 103.) 10 feet high. P. shows a recessed porch, with double doors of oak, (oiled) the outer ones open, to be closed only at night and stormy weather, behind the one on the right is a space for wet umbrellas, &c., the inner doors have glazed panels to give light within, and should always be closed. V. is the vestibule, containing a spiral staircase, with walnut steps and rail (oiled). The floor laid with encaustic tiles, with ceiling groined, and walls finished in imitation of stone in the sand coat. On the left (under the stairs) is a private door opening into a lobby, fitted with wash-basin, water, &c., and lighted by a narrow window, that also serves to light the front basement stairs, so that a servant could answer a call, at either front or back doors, without passing through the central hall; which would not only be more convenient for them, but would be to the family and guests, especially in time of company, when the hall would form a central room, by closing the doors that lead to the stairs: nor would this interfere in the least with the domestics, or their duties: as they can go from cellar to attic without disturbing the privacy of a single room: and the guests could ascend, unseen to the dressing rooms above, (from either entrance) or depart in the same manner.