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Chapter III: Book I: Facts (3)

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But when Aurelian had written all this out upon paper—when he had, as it were, prepared his brief—his shrewd sense told him that in truth it was very weak evidence. Any lawyer employed for the defence could easily find arguments to upset the whole.

Day by day, as he thought it over, his reliance upon the insanity resource grew less and less—and yet he could not see what else there was to do. He racked his brain. The man, like others, was in fact fascinated by the enormous property at stake: he could not get it out of his mind. It haunted him day and night. He ransacked his memory, called up all his reading, all his observation, all that he had heard—every expedient and plan that had come under his notice for gaining an end.

For a time, however, it was in vain. It is often the case that when we seek an idea it flies from us, and will not be constrained, not even by weeks of the deeply-pondering state. Often the more we think upon a subject, the less we seem to see our way clear. And so it was with him.

Sometimes a little change of scene, even a little manual exercise, will stimulate the imagination. So it was with him.

He had an important and serious case to attend—a rich patient underwent an operation at his hands, and the physician grew so absorbed with his delicate manipulation and in genuine delight in his own skill, that Lucia and the property passed for a day or two completely out of his memory. This was followed by profound slumber, and next morning he awoke with the answer to the great question staring him in the face.

If Sternhold was not mad enough now, why not drive him mad? If he was driven frantic and shut up in an asylum, Lucia’s son would to a certainty inherit the property. Possibly he (Aurelian) might be appointed trustee—he, as uncle, would be a guardian, and probably the only one. He might also have the pleasure of receiving Sternhold into his own retreat for lunatics; and so, while furthering the interests of his sister and nephew, do himself a good turn. The idea enraptured him.

Aurelian possessed the true scientific mind which is incapable of feeling. Some thinkers believe that the true artistic mind, the highest artistic mind, is also incapable of feeling. It is so absorbed in its own realisation of one idea, that it loses all consciousness of possible suffering in others. He never doubted for an instant that it was in his power to attain the proposed object—it was only to _let Lucia loose_. Let her loose—a little way. Let her loose under strict supervision—under the constant surveillance of himself, his son, a youth of twenty whom he was training up in the right road, and perhaps of other witnesses.

There was such a thing as divorce—this might not destroy the child’s right, but it would place him out of Lucia’s hands. There must be no handle for Lucia’s enemies to grasp at. She must be manoeuvred so as to make Sternhold frantic without committing herself.

Lucia was aflame for such a course. She had restrained herself for years. She was burning to be free, on fire for “life” and excitement; above all, for admiration, for praise—the intoxicating breath of the multitude that cheers to the echo! The Stage! the dance—music—the fiery gaze of a thousand eyes following each motion! There must have been something of the true artist in her. The grandest position, the most unlimited wealth, would not have satisfied her without the stage.

She had married Sternhold in the hope of appearing as other women did in the theatres owned by their lovers. She had tried to broach the subject to Sternhold; he had held up his hands in horror, and she constrained herself and bided her time.

Nearly four years now—four years! The coarse jests, the loud laughter, the shouts and screams and cat-calls of the low threepenny gaff or music hall from which she had been snatched—even such a life as that seemed to her far, far superior to this irksome confinement, this slavery which was not even gilded. Aurelian was right in his conjecture that she could not be much longer held in—she must burst out.

Half-formed schemes had been working themselves into shape in her mind for months past. She would leave her boy with Aurelian, take her jewels and sables, sell them, borrow money upon the estate which Sternhold had made hers by deed of gift, go to London or Paris, and plunge headlong into “life,” paying any price for the one grand ambition of her existence.

The craving—the _fury_, it might almost be called—the furious desire for admiration from men which seized upon her at times, would certainly, sooner or later, have hurled her on to a desperate step.

At this moment Aurelian came with his carefully-considered plan. She met him open-armed. With one blow she could avenge herself upon Sternhold, with one blow gratify herself and destroy him—destroy him body and soul. This moment—this hour!

But not so fast. First, Aurelian obtained the money—no small sum. Next, said he, this thing must not be done by halves. It was useless for her to appear on some small stage; she must at one bound become the talk of all the town. This required care, thought, and organisation. Those great successes that seemed so suddenly attained without an effort, as by a wave of the hand, had really been preceded by months and months of preparation, and depended in great part upon the matured judgment and clever advice of men who had watched the public for years.

Impatient as she was, Lucia again controlled herself, and did as she was bid. Aurelian made it his business first to discover where she could appear with most effect. He soon selected the place, Paris! he obtained an interview with the proper authorities, and confided to them a part of his secret. They saw their way to profit, and agreed.

The next thing was the character she should take, and the second, the season. This last the manager, or rather owner, who was in raptures with the thing, easily decided. It must be at the height of the Paris season. He was a popular man, who could gather together a mighty crowd of his own acquaintances.

If poor Sternhold, sitting in his apartment at Dodd’s Hotel, could have heard these “fast” young men discussing the approaching appearance of his wife, Aurelian would have gone no further.

The choice of character Aurelian insisted upon deciding, and he chose Lady Godiva. As has been stated, Lucia had extraordinary hair, both for length and abundance, and, unlike long hair generally, it was curly. Had it been fine and delicate hair she could have boasted that few women in Europe could equal her. The coarseness of its texture would not be visible upon the stage.

She had really a magnificent figure. The character of Lady Godiva was one exactly fitted for her. It is needless to say that there was little or no acting—no study of parts, no insight into the meaning required, as in the case of Shakespeare’s heroines. The piece was simply a spectacle devised to bring out one central figure into the boldest relief.

The greatest difficulty the conspirators—for so they may be fairly called—had to contend with was the necessity of keeping Sternhold completely in the dark, and yet at the same time getting together a large audience, which could only be done by advertising. But Aurelian was capable of dealing with more difficult dilemmas than this. His plan was very simple and yet effective. The manager had a piece in his _répertoire_ which, owing to the fame or infamy of a certain fascinating lady, was the rage of the town. Suddenly this creature disappeared—went off to Vienna with a titled gentleman—and after blazing as a meteor of the first water there for a short time, as suddenly dropped out of sight altogether.

The manager, at Aurelian’s suggestion, gave out that this lady had turned up, and was going to again act at his house on a certain night.

The excitement was intense. It was an awful falsehood, for the poor girl was in reality dead. (She met with her death under some strange and suspicious circumstances, which were, by influence, suppressed.) Her beauty, great as it was, had lost its charm in the tomb; yet her name, in flaring letters, was prominent all over Paris.

The deception was kept up to the very end; and the company of the theatre, by dint of double pay, were got to carry it out to perfection. An exceptional number of waiters were, however, hired, and no one but the manager and Aurelian had any idea what the object of this troop of apparently idle fellows could be.

The house filled to the last seat. The poor dead girl’s name was on every lip—her frailties were discussed with horrid flippancy; the orchestra began, and Lucia Marese Baskette robed, or rather unrobed, as Lady Godiva.

The owner of the theatre was there, and with him a whole host of men about town, most of whom were partly in the secret, but not quite.

Just before the time arrived for the curtain to rise, this troop of idle waiters entered the arena, swarmed into the boxes, into the galleries and pit, distributing to every single individual who had entered a handbill, announcing that, instead of Miss, “Mrs Sternhold Baskette, the beautiful wife of Sternhold Baskette, Esq, the richest man in the world, the owner of twenty millions sterling worth of property, would appear as Lady Godiva; a part for which her splendid physique and magnificent hair peculiarly fitted her.” At the same moment a large poster was put out in front of the curtain, bearing the same announcement.

The effect was singular. The house, which had been full of noise before, became as still as death. People were astounded. They could not believe it possible; yet, at the same time, they knew that the manager dared not play a trick. Theatres had been wrecked before now by indignant audiences. They waited in silence.

The curtain rose. I cannot pause to describe the gradual enthusiasm which arose, nor to draw a picture of the grand _tableau_. But there are many living who remember that memorable night, who declare that anything equal to it has never been seen upon the stage.

Lucia rode on a milk-white palfrey, and looked extraordinarily handsome. The house rose—the audience went mad. Recalled and recalled, again and again that white palfrey paced to and fro, and the mighty multitude would not allow the scene to pass.

The mesmeric influence of the excitement filled Lucia with a glowing beauty; with a brilliance which made her seem a goddess—of her order. No one remarked whether the piece was properly gone through after this. I think it was not. From all that I can learn, I believe the audience watched Godiva to and fro till the palfrey or its rider grew exhausted, and then left _en masse_.

Paris was aflame next day. The papers said nothing—they were wise. There is, however, something more powerful even than the newspaper—it is conversation. Lucia had got conversation—her name was heard everywhere. It was not only the acting, or show—it could not be called acting—it was the fact of her position as Sternhold’s wife. She stood upon the pinnacle of his fame for wealth, brazen and shameless in the eyes of the world. Brazen and shameless, yet secure; for Aurelian never left her. He watched her himself. His son—his paid servants—did the same; not from fear of her indiscretion, but in order to appear as witnesses if any proceedings should take place.

Next night and next night, and again on the third night, this extraordinary spectacle was repeated. The crowds that came to the doors could not be admitted. But by this time the leading papers had felt the pulse of the people—not the excitable populace, but the steady _people_. With one consent they rushed at the exhibition with lance in rest. Improper was the softest insinuation. They were undoubtedly right. The moment they took this tone all the press followed, and before the week was over those who had the power had prohibited the performance.

Chapter Nine.

The exhibition was stopped, but the end had been attained—Lucia was famous. The manager and Aurelian had foreseen the inevitable official veto, and had prepared for it. They had arranged for her to appear as Cleopatra; it was a part which could be made to suit her admirably by leaving Shakespeare’s text out of the question, and studying spectacle instead.

It is a singular fact that Sternhold had no idea of what was going on until the fourth or fifth day. He was told that Lucia had left Stirmingham with her brother for a short visit to Paris, and paid little or no attention to it. For the first day or two the papers had been silent. At last the news reached him.

What Dodd had previously feared now happened—he was struck down with a slight attack of paralysis, which affected one side. Some persons said it was a merciful infliction, as it prevented him from witnessing his wife’s disgrace with his own eyes. They were wrong. His body was bent, but his mind was torn with contending and frenzied passions. The sense of outrage—of outrage upon his dignity—was perhaps the strongest. That after all his labour and self-denial, after long, long years of slowly building up a property such as his, which rendered him in his own estimation not one whit inferior to a king; that he should be insulted, his name dragged in the dirt, his wife a spectacle for all Paris!

Sternhold had the vaguest ideas of stage proprieties and theatrical morality. He had not a doubt but that Lucia was already an abandoned woman. There were plenty who urged upon him to commence a suit for divorce, though in reality it was extremely doubtful whether there were sufficient grounds for anything beyond a judicial separation.

But Sternhold was filled with one consuming desire—to see her with his own eyes. Whether it was this passion, or whether it was the natural strength of his constitution, certain it is that in a marvellously short time after the attack, he had himself conveyed to Paris, and sat, a miserable, haggard, broken-down old man, in a box at the theatre the same night, watching his wife upon the stage. He did this night after night. A species of fascination seemed to carry him there to sit silent, brooding over the utter wreck of his great schemes.

After a while he went suddenly back to Stirmingham without a word, without so much as seeking an interview with Lucia, or issuing any instructions as to what was to be done. He went back to his old apartments at Dodd’s Hotel. He shut himself up, refusing to see even the wretched parasites who had sown the seed of this mischief. It was an instinctive attempt to return to the old, old habit, the ancient self-concentration, apart from the world. But it failed. So soon as ever he began to read his letters, to look into his accounts, every figure, every transaction reminded him of Lucia and her extravagance; the follies she had been guilty of, and the no less greater folly he had himself yielded to in granting her every wish, thereby involving his affairs in the most hopeless confusion. The attempt failed. He rushed again from his retreat to seek her. Then he heard that she was in Vienna performing. He got there, supported by his attendants. Doubtless the physical fatigue of the journey irritated his nerves; at all events, there seems no doubt that when he reached Vienna he was for the time absolutely mad.

He went to the theatre. He saw Lucia as Godiva, just as she had been seen in Paris. He was alone in his box. Deliberately he levelled a pistol, resting the barrel upon the edge of the balustrade. As the incense of praise and adulation rose up, as the pageant moved to and fro, the deadly weapon was aimed at the central figure. He fired, and the house was in commotion.

Those who know what happens when a full theatre is alarmed and excited will require no description; those who have not seen it cannot imagine it.

A second report, and the curling smoke caused a rush to the box, and the occupant was found upon the floor, as was thought, dead. Lucia alone was calm and cool. The bullet had not passed even near her; the distance was great and the aim unsteady; the ball had struck a screen, and did no injury. She dismounted and advanced to the footlights, extended her hands, and in a few words begged the audience to be calm. Speedily they saw her thus, as it were, in their very arms.

The theatre rang with acclamation. If it had been a scene prepared it could not have succeeded better.

There were threats and loud cries of rage against the man who had fired at her.

“Do not injure him,” she said, at the top of her full, deep voice; “he is mad!” For she guessed in a moment who it was.

In a few minutes the whole thing was understood. Continental people are quick at comprehending—an old husband, a young wife—bah! An attempt first at murder, then at suicide—bah! What could he have done better calculated to put Lucia upon the pedestal of fame?

Sternhold was not dead; not even injured. The ball he had fired at himself had not touched him. He had fallen exhausted. When he became physically conscious, he was raving mad.

There was no doubt about it this time. It was a pitiable sight.

Aurelian insisted upon seeing him: even he shuddered. The old man was muttering gibberish to himself. Half his grey hair was gone, for before he could be stayed he had dragged it out. His arms and limbs were pinioned, but his body shook with a trembling convulsive movement. The deed was done.

Aurelian braced himself up, and hastened at once to Lucia. He knew he should have a struggle with her, and hoped that in the conflict he should forget the sight he had left. He had determined to at once withdraw her from the stage. The victory was won; there must be no more risk.

The conflict between the brother and sister was terrible. She raged, her frame swelled; she had tasted triumph, and the draught is more intoxicating even than the taste of blood. She would go on.

But he was resolute, and he won. That very day he took her to England—took is the right word, for it was necessary to use physical force at times. He got her to her house at Stirmingham, and never left her till she had grown more composed.

Sternhold was in an asylum. Aurelian thought that he would surely die; but he did not.

Aurelian then began to scheme to get him in his own “retreat.” Possession was nine points of the law. He went to Vienna at once before any one guessed his object, obtained the proper permit, and in six days deposited the wretched being in his asylum in the suburbs of Stirmingham. Once there, thought Aurelian, let them get him out if they can.

The fact was soon known; and there was an excitement. The parasites, disappointed and raging, did their best to inflame the populace. There was a growl, and the police began to prepare for an attack upon the asylum; but, after all, the moment any of them reflected, they said, “Why, it’s all right; the poor fellow is mad. He could not be in better hands.” The plan of a popular tumult fell through.

The parasites next tried the law, but found that Aurelian had been before them: he had all the proper documents; he could not be touched.

Next the companies began to stir. They were uncertain what to do, and whether it was better for their interests that Sternhold should be in his brother-in-law’s custody or not.

That astute gentleman very soon learnt what was passing in their minds, and he had a very good conception of what could be effected by powerful combination.

He opened negotiations with them. He pointed out to them privately that the real point at issue was not Sternhold, but the boy—the heir—for no one doubted the legitimacy. Who was to have the custody of the heir?

Clever Aurelian hoped that by making friends with the companies who held the building leases that there would be no opposition to his holding the boy—to his guardianship of the estate. He had strong grounds to go upon. To all intents and purposes he was the nearest relation. If the boy died, and no son of the phantom brother of Romy turned up, _perhaps_ he might have a claim to the estate.

He gave the companies to understand that if he had the guardianship of the boy their interests should be most carefully studied.

They appeared favourable. The step was taken. The boy remained with his mother; his mother remained in her house, seeing Aurelian daily, and indeed watched by his _employés_.

No change took place. Aurelian congratulated himself that all was going on favourably. The boy, who had little or no idea of the meaning of the word “father,” was constantly at Aurelian’s residence—the asylum where his parent was confined—playing with Aurelian’s son, who was carefully instructed to please him, and indeed was sharp enough already to require little instruction.

Sternhold lingered in his melancholy state. He was no longer violent—simply dejected. He did not seem able to answer the simplest question. If asked if he was hungry, he would stare, and say something relating to his school-days.

And this was the man who had built Stirmingham. For five years he remained in this state, and then suddenly brightened up; and it was thought and _feared_ that he would recover the use of his faculties. It lasted but three days. In that short time he wrote three important documents.

The first was a statement to the effect that he had wronged Lucia. He now saw his folly—he had been led into his persecution of her by designing people, and blamed himself for his subsequent conduct. He earnestly entreated her forgiveness. The second was a species of family history, short but complete, refuting the claims of the American Baskettes. They were indeed of the same name, he wrote, but not of the same blood. The truth was that the cotters who had lived in the Swamp, now covered with mansions, had no name. They were half gipsies; they had no registered or baptismal name.

Will Baskette, who had been shot, was the chief man among them, and gradually they came by the country people to be called by his name. They were not blood relations in any sense of the term. This paper also gave the writer’s views of his transactions with the Sibbolds and the cotters or “Baskettes,” and concluded with the firmly expressed conviction—the honest statement of a man near his end—that his title was irrefutable, and he knew of no genuine claim.

The third document was his Will. For now it appeared that hitherto he had never made a will at all. It was extremely short, but terse and unmistakable. It left the whole of his property, real and personal (with the single exception of the gift to Lucia), to his son, John Marese Baskette.

The will Aurelian took care was properly attested, and by independent witnesses whom he sent for.

On the fourth day old Sternhold died, quietly and without a word. He was buried, and hardly was he in the tomb before the battle began. The companies at once cut off all connection with Aurelian. They had reckoned upon his managing to get their terms at all events extended, as he had promised. The Corporation refused any honours to the dead king, and all eagerly sought about for the means of dividing the spoil.

After all their consultations, not all the subtlety of twenty solicitors could suggest any feasible plan—the old man had baffled them at last. It was useless to plead that he was insane, and actually in an asylum at the moment of executing the will. What was the good even if such a plea was successful—if the will was upset, the property would descend to the boy just the same. There seemed no way of getting at it.

But at last a weak point was found. It was a time when a great deal of commotion was made about the Roman Catholic question and the religious education of minors. Now Lucia was certainly half a foreigner, and it was believed she was a Catholic. Aurelian was certainly a Catholic. With all his cunning he had not foreseen this, and he had allowed himself to become a somewhat prominent member of the Catholic community in Stirmingham. He had no religion, but it paid him. Catholics are rich people, and when rich people go insane they are profitable. So he was caught in his own trap.

There was an agitation got up among the ultra-Protestant community. Funds were started to release the heir from the clasp of Rome. The companies, the Corporation, all joined in the outcry. The question was made a national one by the newspapers. But there was one difficulty: the law required that there should be a person to sue. After much trouble this person was selected in one of the Baskettes of American origin, who had settled in Stirmingham, and claimed to be a nearer relation than Aurelian.

The battle was long and furious, and cost heavy sums. No expense was spared on either side, and the estate got still further encumbered. It promised to be a drawn battle; but at last, having passed all the tribunals, it began to approach the place of power, and to be discussed in the Ministerial Cabinet. There was a man there who desired to obtain the Catholic vote of Ireland, and the Aurelian party began to boast already of success. But this very boasting spoilt their game. The Ministry lost the confidence of the people, the House followed suit, a new Ministry came into place, and the final decision was against the Catholic, or, as they termed themselves, legitimate party—for they said the uncle and the mother were the legitimate guardians.

The result was in truth disappointing to all the parties. The boy was made a ward of Chancery, proper receivers of the estate were appointed, and the companies who had begun to exult were entrapped. The lad was taken from his mother and uncle, and sent to Eton to prepare for college.

Thus a new element of complexity was added to the already chaotic state of this vast estate.

Chapter Ten.

If ever there was a life that illustrated the oft-quoted phrase “poor humanity,” it was that of Sternhold Baskette. But this is not the place to moralise—we must hasten on. The orchestra has nearly finished the overture; the play will soon begin.

Lucia had now no longer any reason for restraint. Her boy was safe—safe as the laws of a great country could make him—certain to inherit a property which by the time he was forty would be of value surpassing calculation. She rejoiced in it, gloried in it. To her it was more welcome than the confirmed guardianship of Aurelian would have been, because it left her free.

The lad was at Eton, and happy—far happier than he could have been elsewhere. His mother immediately commenced a course which led her by a rapid descent to the lowest degradation.

She returned to Paris. Aurelian felt it was useless now to interfere, neither could he afford more expense.

She easily got upon the stage again, and became more popular than ever. At the age of forty she was even more handsome than in her youth. Her features had been refined by the passage of time and by the restraint to which she had been subjected. Her form was more fully developed.

It is unpleasant to linger on this woman’s disgrace. She formed a _liaison_ with a rich foreign gentleman, retired with him from Paris after a time, and the _Stirmingham Daily Post_, which pursued the Baskettes with unmitigated hatred year after year, did not fail to chronicle the birth of a son.

Aurelian, baffled, was not beaten. He was a resolute and patient man. Like the famous Carthaginian father, he brought up his son and educated him to consider the Baskette estates as the one object of his attention—only in this case it was not for destruction, but for preservation.

When young John Marese Baskette, the heir, after distinguishing himself at Eton, was sent higher up the Thames to Oxford, Aurelian immediately placed his son, Theodore Marese, at the same college.

The result was exactly as he had foreseen. The heir formed a bond of friendship—such as it is in these days—with Theodore. Their one topic of conversation was the estate.

John was full of the most romantic notions. He was in youth a really exemplary lad—clever, hard-working, winning to himself the good will of all men. Theodore had a genuine liking for his cousin—then, at all events, though probably in after life the attachment he professed was chiefly caused by self interest.

John was full of ambitious dreams. His vivid imagination had been worked upon by the talk among his companions about the famous owner of twenty millions sterling—his father. Upon an old bookstall he obtained a copy of “The Life of Sternhold Baskette,” now out of print. It inflamed him to the uttermost. There was good metal in the boy if he had only had friends and parents to put it to proper use. He formed the most extraordinary schemes as to what he would do with this wealth when he became of age, and stepped at one bound into the full enjoyment of it, as he supposed he should.

It was all to be used for the alleviation of the misery of the world, for the relief of the poor, for the succouring of the afflicted, the advancement of all means that could mitigate the penalties attaching to human existence.

As time wore on, however, these benevolent intentions received their first check.

He reached his twenty-first birthday. He claimed his birthright, and was refused. Briefly, the reason was because the companies and the American claimants had entered pleas, and because also the property was terribly encumbered, and would require long years of nursing yet before it could be cleared, and this nursing the higher Courts insisted upon.

Instead of the magnificent income he expected, the young man received two thousand pounds per annum only. It struck his nature a heavy blow, and did much to pervert it, for he looked upon it in the sense of a shameful injustice. With Theodore he left college; at all events he was now his own master, and entered “life.”

Every one knows what “life” is to a young man of twenty-one with two thousand a year certain—the power of borrowing to a wide margin, and no monitor to check and retard the inevitable course.

Theodore was much older—fully thirty at this time; but he was as eager for enjoyment, and perhaps more so.

To make the story short, they ran through every species of extravagance—visited Paris, Vienna, and all the continental centres of dissipation.

Ten whole years passed away. John Marese Baskette was by this time a thorough man of the world, deeply in debt, brilliant and fascinating in manner, false and selfish to the backbone. He inherited his mother’s beauty. A tall, broad, well-made man, dark curling hair, large dark eyes, and large eyelashes, bronzed complexion, which, when he was excited, glowed with almost womanly brilliance; strong as a lion, gentle in manner, and fierce as a tiger under the velvet glove. Polished and plausible, there were those who deemed him shallow and wholly concerned with the pleasure of the hour; but they were mistaken.

John Marese Baskette had rubbed off all the soft and good aspirations of his boyhood; but the ambition which was at the bottom of those schemes remained, and had intensified tenfold. He was burning with ambition. The hereditary mind of the Baskettes, their brain power, had descended to him in full vigour (though hitherto he had wasted it), and he also inherited their thirst for wealth. But his idea of obtaining it was totally opposed to the family tradition. The family tradition was a private life devoted with the patience and self-denial of a martyr to the accumulation of gold.

Marese’s one absorbing idea was power. To be a ruler, a statesman, a leader, was his one consuming desire. As a ruler he thought, as a member of the Cabinet, it would be easy for him to affect the market in his favour, for Marese was a gambler already upon a gigantic scale. The Stock Exchange and the Bourse were his arena.

The intense vanity of the man, which led him to seriously hope even for the English Premiership, was, doubtless, a _trait_ derived from his mother. “If I had my rights,” he was accustomed to say to Theodore, “I should be not only the wealthiest man in England, but in Europe and America. My father’s property has more than doubled in value. In England the wealthiest man at once takes a position above crowds of clever people who have nothing but their talents. Without any conceit, I can safely say that I am clever. A clever, wealthy man is so great a rarity that my elevation is a certainty. But nothing can be done without money. At present my wealth is a shadow only. The one thing, Theodore, is money. Our Stock Exchange labour is, in a sense, wasted; our operations are not large enough. What we make is barely sufficient to provide us with common luxuries (he did not pretend to say necessities) and to keep our creditors quiet. Nothing remains for bolder actions. I am thirty, and I have not yet entered the House.”

This last remark was always the conclusion of his reflections. In a sense, it was like Caesar lamenting upon seeing a statue of Alexander—that he had done nothing at an age when Alexander had conquered the world. He had not even the means to fight the enemies who withheld his birthright from him. The bitterness engendered of these wrongs, the constant brooding over the career that was lost to him, obscured what little moral sense had been left in him after the course of life he had been through; and the once gentle boy was now ripe for any guilt. The verse so often upon the lips of the tyrant was for ever in his mind, and perpetually escaped him unconsciously—

Be just, unless a kingdom tempt to break the laws, For sovereign power alone can justify the cause.

Like his father Sternhold, he looked upon the undisputed possession of such an estate as conferring powers and position nothing inferior to that of a monarch. His dislike to all things American—in consequence of the claims, now more loudly proclaimed than ever, of the Baskettes from the States—grew to be almost a monomania. He wished that the United States people had but one neck, that he might destroy them all at once—applying the Roman emperor’s saying to his own affairs.

His especially favourite study was “The Prince” of Machiavelli, which he always carried with him. His copy was annotated with a scheme for applying the instructions therein given to modern times—the outline of the original requiring much modification to suit the changes in the constitution of society. Some day he hoped to utilise the labours of the man whose name has become the familiar soubriquet of the Devil.

Theodore, whom Aurelian had made qualify as a surgeon, was imbued with an inherited taste for recondite research. He would return from a wild scene of debauchery at early dawn, and drawing the curtains and lighting his lamp to exclude daylight, plunge into the devious paths of forbidden science. Keen and shrewd as he was, he did not disdain even alchemy, bringing to the crude ideas of the ancients all the knowledge of the moderns. Cruel by nature, he excelled in the manipulation of the dissecting knife, and in the cities upon the Continent where their wanderings led them, lost no opportunity of practising with the resident medical men, or of studying those wonderful museums which are concealed in certain places abroad. Marese was the fiery charger, ready to dash at every obstacle Theodore was the charioteer—the head which guided and suggested. Yet all their concentrated thought could not devise a method by which Marese might obtain the full enjoyment of his estate. Briefly, this was the condition of Marese’s mind and his position, when the death of Aurelian took place, and a letter reached them written by him in his last hours, entreating their return to Stirmingham for reasons connected with the estate. They went, and a woman went with them as far as London—a woman whom we must meet hereafter, but who shall be avoided as much as possible.

They arrived at Stirmingham unannounced, and examined the papers which the deceased had particularly recommended to their study. Aurelian, as has been said, was baffled but not beaten. The fascination of the vast estate held his mind, as it held so many others, in an iron vice. The whole of his life was devoted to it. He had searched and searched back into the past, groping from point to point, and he had accumulated such a mass of evidence as had never been suspected.

He knew far more even than poor Sternhold, who had occupied himself exclusively with the future.

Marese and Theodore, living quietly in the residence attached to the asylum for the insane, which Aurelian had continued to keep, carefully studied these papers by the light of the lucid commentary the dead man had left. It is needless to recount the whole of the contents—most of them are known already to the reader. But the substance of it all was that three great dangers menaced the estate. The first was the claims of the Baskettes from America.

The evidence which Aurelian had collected was clear that the land they had occupied in the Swamp had been practically theirs, since they had paid no rent; but as to their power of handing it over to Sternhold, it was extremely questionable. The second great danger was the claim of a new tribe that had recently started up—the descendants of James Sibbold, who had also expatriated themselves.

It was doubtful if the transfer made by their ancestors could be maintained, and for this simple reason—it was doubtful whether James Sibbold himself had any right to the property his sons sold to Sternhold. He was not the eldest son. The eldest son, Arthur, had disappeared for a number of years; but there was not the slightest proof that he had died childless. Far from it. Aurelian, incessantly searching, had found out what no one else yet knew—that Arthur had married, had had children, and that one at least of his descendants was living but a short time since.

When Marese had read thus far his countenance turned livid, and Theodore feared he would have fallen in a fit. The savage passions inherited from his mother surged up in his frame, and overmastered him. He was ill for days, almost unconscious—the shock was so great, his passion so fierce—but presently recovering, read on.

Aurelian had traced Arthur in his wanderings, had traced his marriage—but there was one loophole. Do what he might, Aurelian could not discover _where_ Arthur had married. It was in London, but a minute search failed to discover the church, and the register could not be found.

This fact, and the fact of the long silence, the absence of any claim being put forward, led Aurelian to believe that there really was no legal marriage—that it was only reputed. He hoped as much, at all events.

There was another loophole—the deed which old Sibbold had so treasured in his padlocked oaken chest—the deed which settled the inheritance (on the female as well as the male)—had disappeared. Sternhold had searched for it and failed. It was lost. If the marriage could not be proved, and if the deed was really lost, then there was no danger from Arthur Sibbold’s descendants; but there remained those “ifs.” Also, if Arthur’s claim was put aside, then the succession would of course belong to his brother James Sibbold’s descendants: but then again came in the question—Could these Sibbolds sign away (to Sternhold) an inheritance which at the time was _entailed_?

Aurelian finished with several hints and schemes which need not be gone into here, and indeed were never carried out. But his one great point throughout was a warning against the living descendant of Arthur Sibbold, whose name and present address he had discovered and left for Marese, and against the companies who held the leases. “For,” said he, “these companies would foster any and every claim against the estate; anything to bar the succession of Marese, the heir, in order to obtain a grant or extension of time from the courts of law, to enable them to hold the property till the succession to the estate was established.” These companies were so rich and powerful that it was difficult to contend against them. Their strength was money, their weapons were the various claimants.

“Therefore,” wrote Aurelian, “the first thing is money, and I wish my property to be used freely for this end, convinced that you will do Theodore full justice; and I bid you, if possible, to take the _weapons_ of the companies out of their hands. Without the claimants they are powerless.”

These papers, and the facts and reflections they contained, made the deepest impression upon Marese and Theodore. In secret they walked through the city of Stirmingham, and marked its wealth, its vastness, its trade and population.

“And nearly all this is mine,” whispered Marese, pale as death in his subdued excitement. He had to hold Theodore’s arm to sustain his body, for, strong as he was, he trembled.

Next day they left for London, for Marese could not bear the Tantalus-like view of the wealth which was and was not his. In London they thought and planned as only such men seeking such an end can think and plan.

Chapter Eleven.

While Marese and Theodore are maturing their plans, it will conduce to the easier comprehension of the horrible, complicated events which followed, if the past history of the estate be briefly summed up in such a manner that this chapter can be used for reference.

In the commencement, nearly a century previous to the present time, we have seen old Sibbold, the morose miser, gloating over his money, and studying his title-deeds. These gave him an unquestioned right to the farm he occupied, and to the Swamp, or waste land, which had been squatted on by Will Baskette and his companions. This right mainly depended, though not entirely, upon a certain deed of entail. Without that deed Sibbold had still sufficient evidence to prove his right to his farm, but not to the Swamp; without that deed there was no fixed succession—that is to say, he could have devised it to any one he chose.

There was, therefore, just the possibility that, hating his eldest son Arthur, he had himself destroyed this deed, in order to prepare the way for his second son, James. But against this supposition there was the known character of the man, which led one to imagine that he would rather have died than give up the smallest fraction of his possessions. At all events, this deed was missing, as were several others of little or no value, such as expired leases of fields to tenants, which had once been kept in Sibbold’s oaken press, under padlock and key.

When Sibbold met with his death at the hands of highwaymen, the farm and waste lands, in the natural course of things, would have passed to his eldest son, Arthur, but he having disappeared, and not appearing to make a claim, James Sibbold, the younger son, took the property. The majority of people always thought, from the fact of Arthur’s not returning to claim his birthright, that he had had a hand in the slaughter of old Will Baskette, and that his conscience drove him away.

James Sibbold, after a while, married, and had several sons. In time he died, and these sons, though married, still all remained living on the farmstead, or in the outhouses; for as it was known that James’ right was doubtful, they could not agree about the succession, and preferred to live like pigs rather than go to law and have it settled, since the result was so uncertain. At the same time the squatters, basket-makers, reed-cutters, clothes-peg makers, etc, who resided in the Swamp which the rat had caused, had considerably increased in numbers, and were always called, after their former chief, by the name of Baskette.

This chief at the date of his death had two sons. The eldest went off with his mother, and joined the original gipsy tribe; the youngest, whose name or nickname was Romy, entered the service of the clergyman. The eldest was never heard of more; but Romy prospered, and in early middle age bought an estate and country mansion, not far from his birthplace.

It was he who opened up the concealed mineral wealth of coal and iron, and thus, as everything goes by contradiction in this world, it happened that the descendant of gipsies, notorious for their wandering habits and dislike of houses, was the founder of one of the largest cities in the world.

He married with every legal formality, and his son, Sternhold Baskette, imbued with the firmest convictions that in the future the young city would prosper to an unprecedented extent, employed the whole of the wealth he inherited in purchasing land and erecting houses.

In the course of his transactions he desired to purchase the Wick Farm, where old Sibbold had dwelt, and the Swamp where the Baskette tribe flourished. Finding the title of the vendors imperfect, he devised the strongest safeguard he could think of, which was to make all the Sibbolds then living or known, to sign one document, and all the reputed Baskettes to sign another. He then transhipped them all to America—first, to get complete possession; secondly, in the hope that they would never return to trouble him.

He proceeded to drain the Swamp, and to convert it into the Belgravia of Stirmingham. But this project required an enormous expenditure, and just at that moment the first railway to the place, which he had largely supported, came to a standstill, and ate up all his available capital. When, therefore, a return of commercial prosperity took place, he found it impossible alone to complete the vast scheme of streets, squares, etc, which had been commenced.

Then the building lease plan was resorted to—the very keystone of all this curious history. First, the Corporation of the city took a large slice of the uncompleted property of him on a building lease for a term of years, on the expiration of which the whole reverted to him or his heirs (practically his heirs, as he was not likely to live to the age of 120 years).

After they had commenced building some uncertainty arose as to whether or no they had the power to enter into such an agreement; they could bind themselves, but could they bind their successors in office? This took place, it must be remembered, long, long before the recent sanitary legislation, which gives such extensive powers to local bodies.

In order to confirm their proceedings they obtained a private Act of Parliament, which, when it was drawn up, seemed to be worded clearly enough. But every one knows that after the lapse of thirty years or less, words in an inexplicable manner seem to lose their meaning, and to become capable of more than one interpretation. This is perhaps because the persons who read them are influenced unconsciously by a series of circumstances which did not exist at the time the document was composed.

At any rate, at the date when Marese and Theodore were thinking and scheming, there had already been a great deal of contention over the precise scope of several sentences in this Act: a part of which arose over the question of repairs to the buildings, and partly as to whether, by a little straining, the seventy years of the lease might not be construed to mean practically for ever.

This little straining was managed in this way. When did the lease commence? Had not each successive Mayor got the right to say, “This lease, as interpreted by the Private Act, means, not seventy years from the days of my predecessor, but seventy years from the commencement of my term of office.” By this way of looking at it, so long as there was a Mayor the Corporation would always have seventy years to look forward to.

Of course all such reasoning was nothing but pure sophistry; but then most law is sophistry, and sophistry when supported by a rich body of men and called Vested Interest, is often much stronger than the highly belauded and really feeble truth.

Here was a tough Gordian knot, to add to the already difficult question of original title. But this was only the preface to the complications to follow. There still remained, after the Corporation had taken a part, a huge howling wilderness of streets with walls two feet high. Companies or syndicates were formed (eight companies in all)—perhaps they had better be called in modern parlance building societies—who took this howling wilderness on the same system of building leases, to fall in at a certain date.

Apparently in this case it was all plain, straightforward sailing; but not so. Sternhold Baskette got into difficulties over Railway Number 2, and had to borrow money. He also had to borrow money to complete portions of the estate which he had kept in his own hands, and to acquire lands just outside the city. Lastly, he had to borrow money to support the extravagance of his wife. In the aggregate these sums were something enormous.

At the moment of borrowing he was under the impression that he had dealt with independent persons—with financiers, in fact, of London, being so assured by his solicitors. These solicitors had had a pretty picking out of his railways and estates; they had grown fat and prosperous upon him, and might, one would have thought, have been trusted to serve him honestly.

But no—whenever was there a friendship formed in business? Ostensibly, the financiers who advanced the cash were independent; in reality, they acted for certain of these very aforesaid building societies who had taken the building leases! Four at least of them had their money thus out upon good security; and Sternhold, unknowingly at first, owed them a large fortune.

For their own interest they had proved easy creditors. They had not called in the loans; not a fraction of the original sums borrowed from them to complete Railway Number 2, to finish houses, buy fresh lands, to pay for Lucia’s extravagance, had been repaid. Very little of the interest had been cleared off; none while Sternhold lived. They knew that they were safe. The railway was now paying a fair dividend, the houses and lands had trebled in value; as for Lucia’s waste it was small in comparison—when they chose to call in their money they could seize upon property to twice the amount due, even with added interest.

But they did not choose to call in their money. The leases were now approaching the day of expiration. They knew that the trustees of Sternhold’s estate had not one tithe of the cash required to meet their demands: they would be compelled to submit to one of two things—first, they must yield up a good part of the estate, or they must grant an extension of the leases—either of which would suit the societies exactly.

They intended to push matters in such a way as to compel the trustees to extend the term, in order to retain both halves, as it were, of the estate under their control. This was Gordian knot Number 3. How was the heir to come by his own through all this? It was impossible, unless he could scrape together sufficient money to pay off the loans which had been contracted by his father. He would then be in a position to claim the property held by the trustees at the expiration of the leases, which was now fast approaching.

The other four companies had got wind of this nice little arrangement, and it upset them extremely. They had not been half so shrewd as their fellows, and that was a bitter reflection. They foresaw their valuable properties passing away from them, while the other societies held fast to their share. It was gall and wormwood.

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World's End: A Story in Three BooksChapter III: Book I: Facts (3)

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