Writing for Vaudeville
by OpenStories
Original author: Brett Page
"Writing for Vaudeville" by Brett Page is a practical guide on crafting comedy and performance material specifically for the vaudeville stage, likely written in the early 20th century. The book explores the intricate nature of vaudeville acts, historical context, and the essential elements required to succeed in this unique form of entertainment, focusing on the writer's role in the performance. Through its structured approach, it aims to educate aspiring writers on how to create engaging and effective vaudeville acts. The opening of the book introduces the purpose of vaudeville writing, emphasizing the necessity for both native talent and learned skills in this artistic field. Page discusses the historical roots of vaudeville, tracing it from its origins in France to its popularization in America. The text outlines the components of a vaudeville act, the role of the writer, and the collaborative nature of creating performances. Page emphasizes that a successful vaudeville show requires a complex understanding of audience psychology and stage mechanics, positioning the writer as a vital contributor to the act’s overall entertainment value. The foreword and introduction set the tone for a thorough examination of the craft, preparing readers for practical insights and guidance throughout the book.
Writing for Vaudeville, by Brett Page. Republished by OpenStories from Project Gutenberg eBook #5328.
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35 Chapters
- 1.Foreword345 words
- 2.Introduction213 words
- 3.Chapter I: The Why of the Vaudeville Act3,538 words
- 4.Chapter II: Should You Try to Write for Vaudeville?2,802 words
- 5.Chapter III: The Vaudeville Stage and Its Dimensions3,799 words
- 6.Chapter IV: The Scenery Commonly Found in Vaudeville Theatres996 words
- 7.Introduction: To Diagrams2,351 words
- 8.Chapter V: The Nature of the Monologue3,592 words
- 9.Chapter VI: Writing the Monologue3,609 words
- 10.Chapter VII: The Vaudeville Two-Act3,497 words
- 11.Chapter VIII: The Structural Elements of Two-Act Material2,757 words
- 12.Chapter IX: Putting the Two-Act on Paper3,233 words
- 13.Chapter X: The Playlet as a Unique Dramatic Form4,523 words
- 14.Chapter XI: Kinds of Playlet1,605 words
- 15.Chapter XII: How Playlets Are Germinated3,964 words
- 16.Chapter XIII: The Dramatic--The Vital Element of Plot5,909 words
- 17.Chapter XIV: The Structural Elements of Plot6,685 words
- 18.Chapter XV: The Characters in the Playlet3,284 words
- 19.Chapter XVI: Dialogue in the Playlet3,258 words
- 20.Chapter XVII: "business" in the Playlet3,677 words
- 21.Chapter XVIII: Writing the Playlet5,070 words
- 22.Chapter XIX: The Elements of a Successful One-Act Musical Comedy2,342 words
- 23.Chapter XX2,372 words
- 24.Chapter XXI: The Musical Elements of the Popular Song3,016 words
- 25.Chapter XXII: The Elements of a Successful Lyric5,843 words
- 26.Chapter XXIII: Writing the Popular Song5,248 words
- 27.Chapter XXIV: Manuscripts and Markets362 words
- 28.Act II: )182 words
- 29.Act I: )4,881 words
- 30.Chapter XXV: How a Vaudeville Act Is Booked4,296 words
- 31.Appendix: Nine Famous Vaudeville Acts Complete8,715 words
- 32.Prologue (1)8,558 words
- 33.Prologue (2)8,570 words
- 34.Prologue (3)8,525 words
- 35.Prologue (4)6,489 words