Chapter X

Sometime during that winter of 1860-61 Greeley himself paid us a visit in the _Journal_ office and volunteered a lecture on our misconduct of the paper, which he found the cause of its often infirmity. We listened with the inward disrespect which youth feels for the uninvited censure of age, but with the outward patience due the famous journalist (of such dim fame already!) sitting on the corner of a table, with his soft hat and his long white coat on, and his quaint child-face, spectacled and framed in long white hair. He was not the imposing figure which one sees him in history, a man of large, rambling ambitions, but generous ideals, and of a final disappointment so tragical that it must devote him to a reverence which success could never have won him. I do not know what errand he was on in Columbus; very likely it was some political mission; but it was something to us that he had read the _Journal_, even with disapproval, and we did not dispute his judgments; if we were a little abashed by them we hardened our hearts against them, whatever they were, and kept on as before, for our consciences were as clear as our hearts were light. No one at that time really knew what to think or say, the wisest lived from day to day under the gathering cloud, which somehow they expected to break as other clouds in our history had broken; when the worst threatened we expected the best.

Price was not the companion of my walks so much as Reed had been; he was probably of frailer health than I noticed, for he died a few years later; and I had oftener the company of a young man who interested me more intensely. This was the great sculptor, J. Q. A. Ward, who had come to the capital of his native state in the hope of a legislative commission for a statue of Simon Kenton. It was a hope rather than a scheme, but we were near enough to the pioneer period for the members to be moved by the sight of the old Indian Fighter in his hunting-shirt and squirrel-skin cap, whom every Ohio boy had heard of, and Ward was provisionally given a handsome room with a good light, in the State House, where he modeled I no longer know what figures, and perhaps an enlargement of his "Kenton." There I used to visit him, trying to imagine something of art, then a world so wholly strange to me, and talking about New York and the æsthetic life of the metropolis. My hopes did not rise so high as Boston, but I thought if I were ever unhorsed again I might find myself on my feet in New York, though I felt keenly the difference between the places, greater then than now, when literary endeavor is diffused and equally commercialized everywhere. Ward seemed to live much to himself in Columbus, as he always did, but I saw a great deal of him, for in the community of youth we had no want of things to talk about; we could always talk about ourselves when there was nothing else. He was in the prime of his vigorous manhood, with a fine red beard, and a close-cropped head of red hair, like Michelangelo, and a flattened nose like the Florentine's, so that I rejoiced in him as the ideal of a sculptor. I still think him, for certain Greek qualities, the greatest of American sculptors; his "Indian Hunter" in Central Park must bear witness of our historic difference from other peoples as long as bronze shall last, and as no other sculpture can. But the "Kenton" was never to be eternized in bronze or marble for that niche in the rotunda of the capital where Ward may have imagined it finding itself. The cloud thickened over us, and burst at last in the shot fired on Fort Sumter; the legislature appropriated a million dollars as the contribution of the state to the expenses of the war, and Ward's hopes vanished as utterly as if the bolt had smitten his plaster model into dust.

Before Ward, almost, indeed, with my first coming to Columbus, there had been another sculptor whom I was greatly interested to know. This was Thomas D. Jones, who had returned to Ohio from an attempt upon the jealous East, where he had suffered that want of appreciation which was apt, in a prevalent superstition of the West, to attend any æsthetic endeavor from our section. He frankly stood for the West, though I believe he was a Welshman by birth; but in spite of his pose he was a sculptor of real talent. He modeled a bust of Chase, admirable as a likeness, and of a very dignified simplicity. I do not know whether it was ever put in marble, but it was put in plaster very promptly and sold in many such replicas. The sculptor liked to be seen modeling it, and I can see him yet, stepping back a little from his work, and then advancing upon it with a sensitive twitching of his mustache and a black censorious frown. The Governor must have posed in the pleasant room which Jones had in the Neil House where he lived, how I do not know, for he was threadbare poor; but in those days many good things seemed without price to the debtor class; and very likely the management liked to have him there, where his work attracted people. One day while I was in the room the Governor came in and, not long after, a lady who appeared instinctively to time her arrival when it could be most largely impressive. As she was staying in the hotel, she wore nothing on her dewily disheveled hair, as it insists upon characterizing itself in the retrospect, and she had the effect of moving about on a stage. She had, in fact, just come up on some theatrical wave from her native Tennessee, and she had already sent her album of favorable notices to the _Journal_ office with the appeal inscribed in a massive histrionic hand, "Anything but your silence, gentlemen!" She played a short engagement in Columbus, and then departed for the East and for the far grander capitals of the Old World, where she became universally famous as Ada Isaacs Menken, and finally by a stroke of her fearless imagination figured in print as the bride of the pugilist Heenan, then winning us the laurels of the ring away from English rivalry. I cannot recall, with all my passion for the theater, that I saw her on any stage but that which for a moment she made of the sculptor's room.

Jones had been a friend from much earlier days, almost my earliest days in Columbus; it was he who took me to that German house, where I could scarcely gasp for the high excitement of finding myself with a lady who had known Heinrich Heine and could talk of him as if he were a human being. I had not become a hopeless drunkard from drinking the glass of eggnog which she gave me while she talked familiarly of him, and when after several years Jones took me to her house again she had the _savoir faire_ quite to ignore the interval of neglect which I had suffered to elapse, and gave me a glass of eggnog again. It must have been in 1859 that Jones vanished from my life, but I must not let him take with him a friend whose thoughtfulness at an important moment I still feel.

This was a man who afterward became known as the author of two curious books, entitled _Library Notes_, made up somewhat in the discursive fashion of Montaigne's essays, out of readings from his favorite authors. There was nothing original in them except the taste which guided their selection, but they distinctly gave the sort of pleasure he had in compiling them, and their readers will recall with affection the name of A. P. Russell. He was the Ohio Secretary of State when I knew him first, and he knew me as the stripling who was writing in his nonage the legislative letters of the Cincinnati _Gazette_; and he alone remembered me distinctly enough to commend me for a place on the staff of the _State Journal_ when Mr. Cooke took control of it. After the war he spent several years in some financial service of the state in New York, vividly interested in the greatness of a city where, as he was fond of saying, a cannon-shot could be heard by eight hundred thousand people; six million people could hear it now if anything could make itself heard above the multitudinous noises that have multiplied themselves since. When his term of office ended he returned to Ohio, where he shunned cities great and small, and retired to the pleasant town where he was born, like an Italian to his _patria_, and there ended his peaceful, useful days. It was my good fortune in almost the last of these days to write and tell him of my unforgotten gratitude for that essential kindness he had done me so long before, and to have a letter back from him, the more touching because another's hand had written it; for Russell had become blind.

Probably he had tried to help Ward in his hope, which was hardly a scheme, for that appropriation from the legislature for his "Simon Kenton." They always remained friends, and during Russell's stay in New York he probably saw more of Ward, so often sequestered with the horses for his equestrian groups, than most of his other friends. I who lived quarter of a century in the same city with him saw him seldom by that fault of social indolence, rather than indifference, which was always mine, and which grows upon one with the years. Once I went to dine with him in the little room off his great, yawning, equine studio, and to have him tell me of his life for use in a book of "Ohio Stories" I was writing; then some swift years afterward I heard casually from another friend that Ward was sick. "Would he be out soon?" I asked. "I don't think he'll be out at all," I was answered, and I went the next day to see him. He was lying with his fine head on the pillow still like such a head of Michelangelo as the Florentine might have modeled of himself, and he smiled and held out his hand, and had me sit down. We talked long of old times, of old friends and enemies (but not really enemies), and it was sweet to be with him so. He seemed so very like himself that it was hard to think him in danger, but he reminded us who were there that he was seventy-nine years old, and when we spoke about his getting well and soon being out again he smiled in the wisdom which the dying have from the world they are so near, and, tenderly patient of us, expressed his doubt. In a few days, before I could go again, I heard that he was dead.