Chapter II: Part 2
And what a morning it was! Surely the bon Dieu must have loved Mimi an atom better than other mortals, for in the blue-black crucible of the night he fashioned a day as clear and glowing as a great jewel, and set it, blazing with warm light and vivid color, foremost in the diadem of the year. And it was something to see Mimi at the carriage window, with Pierre at her side and her left hand in his, and in her right a huge bouquet--Caffiard's contribution--while the _deus ex machina_ himself, breathing like a happy hippopotamus, beamed upon the pair from the opposite corner. So the train slipped past the fortifications, swung through a trim suburb, slid smoothly out into the open country. It was a Wednesday, and there was no holiday crowd to incommode them. They had the compartment to themselves; and the half hour flew like six minutes, said Mimi, when at last they came to a shuddering standstill, and two guards hastened along the platform in opposite directions, one droning "Poiss-y-y-y-y!" and the other shouting "Poiss'! Poiss'! Poiss'!" as if he had been sneezing. It was an undertaking to get Caffiard out of the carriage, just as it had been to get him in. But finally it was accomplished, a whistle trilled from somewhere as if it had been a bird, another wailed like a stepped-on kitten, the locomotive squealed triumphantly, and the next minute the trio were alone in their glory.
It was a day that Caffiard never forgot. They breakfasted at once, so as to have a longer afternoon. Mimi was guide and commander-in-chief, as having been to the Esturgeon before, so the table was set upon the terrasse overlooking the Seine, and there were radishes, and little individual omelettes, and a famous matelote, which Monsieur Jarry himself served with the air of a Lucullus, and, finally, a great dish of quatre saisons, and, for each of the party, a squat brown pot of fresh cream. And, moreover, no ordinaire, but St. Emilion, if you please, with a tin-foil cap which had to be removed before one could draw the cork, and a bottle of Source Badoit as well. And Caffiard, who had dined with the Russian Ambassador on Monday and breakfasted with the Nuncio on Tuesday, and been egregiously displeased with the fare in both instances, consumed an unprecedented quantity of matelote, and went back to radishes after he had eaten his strawberries and cream: while, to cap the climax, Pierre paid the addition with a louis,--and gave _all_ the change as a tip! But it was unheard-of!
Afterwards they engaged a boat, and, with much alarm on the part of Mimi, and satirical comment from Caffiard, and severe admonitions to prudence by Pierre, pushed out into the stream and headed for Villennes, to the enormous edification of three small boys, who hung precariously over the railing of the terrace above them, and called Caffiard a captive balloon.
They made the three kilometres at a snail's pace, allowing the boat to drift with the current for an hour at a time, and, now and again creeping in under the willows at the water's edge until they were wholly hidden from view, and the voice of Mimi singing was as that of some river nixie invisible to mortal eyes. She sang "Bonsoir, Madame la Lune," so sweetly and so sadly that Caffiard was moved to tears. It was her favorite song, because--oh, because it was about Pierrot! And her own Pierrot responded with a gay soldier ballad, a chanson de route which he had picked up at the Noctambules; and even Caffiard sang--a ridiculous ditty it was, which scored the English and went to a rollicking air. They all shouted the refrain, convulsed with merriment at the drollery of the sound:--
_"Qu'est ce qui quitte ses père et mère
Afin de s'en aller
S'faire taper dans le nez?
C'est le soldat d'Angleterre!
Dou-gle-di-gle-dum!
Avec les ba-a-a-alles dum-dum!"_
Caffiard was to leave them at Villennes after they should have taken their apéritifs. They protested, stormed at him, scolded and cajoled by turns, and called him a score of fantastic names--for by this time they knew him intimately--as they sat in Monsieur Bodin's arbor and sipped amer-menthe, but all in vain. Pierre had Mimi's hand, as always, and he had kissed her a half-hundred times in the course of the afternoon. Mimi had a way of shaking her hair out of her eyes with a curious little backward jerk of her head when Pierre kissed her, and then looking at him seriously, seriously, but smiling when he caught her at it. Caffiard liked that. And Pierre had a trick of turning, as if to ask Mimi's opinion, or divine even her unspoken wishes whenever a question came up for decision--a choice of food or drink, or direction, or what-not. And Caffiard liked _that_.
He looked across the table at them now, dreamily, through his cigarette smoke.
"Pierrot," he said, after he had persuaded them to let him depart in peace when the train should be due,--"Pierrot. Yes, that is it. You, with your garret, and your painting, and your songs, and your black, black sadness at one moment, and your laughter the next, and, above all, your Pierrette, your bon-bon of a Pierrette:--you are Pierrot, the spirit of Paris in powder and white muslin! Eigho! my children, what a thing it is, la belle jeunesse! Tiens! you have given me a taste of it to-day, and I thank you. I thought I had forgotten. But no, one never forgets. It all comes back,--youth, and strength, and beauty, love, and music, and laughter,--but only like a breath upon a mirror, my children, only like a wind-ripple on a pool; for I am an old man."
He paused, looking up at the vine-leaves on the trellis-roof, and murmured a few words of Mimi's song:--
_"Pierrette en songe va venir me voir:
Bonsoir, madame la lune!"_
Then his eyes came back to her face.
"I must be off," he said. "Why, what hast thou, little one? There are tears in those two stars!"
"C'est vrai?" asked Mimi, smiling at him and then at Pierre, and brushing her hand across her eyes, "c'est vrai? Well then, they are gone as quickly as they came. Voilà! Without his tears Pierrot is not Pierrot, and without Pierrot"--
She turned to Pierre suddenly, and buried her face on his shoulder.
"_Je t'aime!_" she whispered. "_Je t'aime!_"
The Next Corner
ANTHONY CAZEBY was a man whom the felicitous combination of an adventurous disposition, sufficient ready money, and a magnificent constitution had introduced to many and various sensations, but he was conscious that, so far as intensity went, no one of them all had approached for a moment that with which he emerged from the doorway of the Automobile Club, and, winking at the sting of the keen winter air, looked out across the place de la Concorde, with its globes of light, swung, like huge pearls on invisible strings, across the haze of the January midnight. He paused for a moment, as if he would allow his faculties to obtain a full and final grasp of his situation, and motioned aside the trim little club chasseur who stood before him, with one cotton-gloved hand stretched out expectantly for a supposititious carriage-check.
"Va, mon petit, je vais à pied!"
Afoot! Cazeby smiled to himself at the tone of sudden caprice which rang in his voice, and, turning his fur collar high up about his ears, swung off rapidly toward the Cours la Reine. After all, the avenue d'Eylau was only an agreeable stroll's length distant. Why not go home afoot? But then, on the other hand, why go home at all? As this thought leaped suddenly at Cazeby's throat out of the void of the great unpremeditated, he caught his breath, stopped suddenly in the middle of the driveway, and then went on more slowly, thinking hard.
It had been that _rarissima avis_ of social life, even in Paris, a perfect dinner. Cazeby had found himself wondering, at more than one stage of its smooth and imposing progress, how the Flints could afford to do it. But on each recurrence of the thought he dismissed it with a little frown of vexation. If there was one thing more than another upon which Cazeby prided himself, it was originality of thought, word, and deed, and he was annoyed to find himself, even momentarily, on a mental level with the gossips of the American and English colonies, whose time is equally divided between wondering how the Choses can afford to do what they do, and why the Machins cannot afford to do what they leave undone.
People had said many things of Hartley Flint, and still more of his wife, but no one had ever had the ignorance or the perversity to accuse them of inefficiency in the matter of a dinner. Moreover, on this particular occasion, they were returning the hospitality of the Baroness Klemftt, who had, at the close of the Exposition, impressed into her service the chef of the Roumanian restaurant, and whose dinners were, in consequence, the wonder and despair of four foreign colonies. After her latest exploit Hartley Flint had remarked to his wife that it was "up to them to make good," which, being interpreted, was to say that it was at once his duty and his intention to repay the Baroness in her own sterling coin. The fact that the men of the party afterwards commended Hartley's choice of wines, and that the women expressed the opinion that "Kate Flint looked _really_ pretty!" would seem to be proof positive that the operation of "making good" had been an unqualified success.
Now, Cazeby was wondering whether he had actually enjoyed it all. Under the circumstances it seemed to him incredible, and yet he could not recall a qualm of uneasiness from the moment when the maître d'hôtel had thrown open the doors of the private dining room, until the Baroness had smiled at her hostess out of a cloud of old Valenciennes, and said, "Now there are _two_ of us who give impeccable dinners, Madame Flint." Even now, even facing his last ditch, Cazeby was conscious of a little thrill of self-satisfaction. He had said the score of clever things which each of his many hostesses expected of him, and had told with great effect his story of the little German florist, which had grown, that season, under the persuasive encouragement of society's applause, from a brief anecdote into a veritable achievement of Teutonic dialect. Also, he had worn a forty franc orchid, and had left it in his coffee-cup because it had begun to wilt. In brief, he had been Anthony Cazeby at his extraordinary best, a mixture of brilliancy and eccentricity, without which, as Mrs. Flint was wont to say, no dinner was complete.
But the sublime and the ridiculous are not the only contrasting conditions that lie no further than a step apart, and Cazeby was painfully conscious of having, in the past five minutes, crossed the short interval which divides gay from grave. Reduced to its lowest terms, his situation lay in his words to the little chasseur. With the odor of the rarest orchid to be found in Vaillant-Rozeau's whole establishment yet clinging to his lapel, Anthony Cazeby was going home on foot because the fare from the Concorde to the avenue d'Eylau was one franc fifty, and one franc fifty precisely ninety centimes more than he possessed in the world. For a moment he straightened himself, threw back his head, and looked up at the dull saffron of the low-hanging sky, in an attempt to realize this astounding fact, and then went back to his thinking.
Well, it was not surprising. The life of a popular young diplomat with extravagant tastes is not conducive to economy, and the forty thousand dollars which had come to Cazeby at the beginning of his twenty-eighth year had proved but a bad second best in the struggle with Parisian gayety. His bibelots, his servants, Auteuil, Longchamp, his baccarat at the Prince de Tréville's, a dancer at the Folies-Marigny, Monte Carlo, Aix, Trouville,--they had all had their share, and now the piper was waiting to be paid and the exchequer was empty. It was an old story. Other men of his acquaintance had done the same, but they had had some final resource. The trouble was, as Cazeby had already noted, that, in his case, the final resource was not, as in theirs, pecuniary. Quite on the contrary, it was a tidy little weapon, of Smith and Wesson make, which lay in the upper right hand drawer of his marqueterie desk. He had looked long at it that same afternoon, with all his worldly wealth, in the shape of forty-two francs sixty, spread out beside it. That was before he had taken a fiacre to Vaillant-Rozeau's.
At the very moment when Cazeby was contemplating these doubtful assets, a grim old gentleman was seated at another desk, three thousand miles away, engaged upon a calculation of the monthly profits derived from a wholesale leather business. But Cazeby père was one of the hopeless persons who believe in economy. He was of the perverted opinion that money hardly come by should be thoughtfully spent, or, preferably, invested in government bonds, and he had violent prejudices against "industrials," games of chance, and young men who preferred the gayety of a foreign capital to the atmosphere of "the Swamp." Also he was very rich. But Anthony had long since ceased to regard his father as anything more than a chance relation. He could have told what would be the result of a frank confession of his extremity as accurately as if the avowal had been already made. There would have been some brief reference to the sowing of oats and their reaping, to the making of a metaphorical bed and the inevitable occupancy thereof, and to other proverbial illustrations which, in a financial sense, are more ornamental than useful,--and nothing more. The essential spark of sympathy had been lacking between these two since the moment when the most eminent physician in New York had said, "It is a boy, sir,--but--we cannot hope to save the mother." The fault may have lain on the one side, or the other, or on both, or on neither; but certain it is that to Anthony's imagination Cazeby senior had never appealed in the light of a final resource.
Somehow, in none of his calculations had the idea of invoking assistance ever played a part. Naturally, as a reasoning being, he had foreseen the present crisis for some months, but at the time when the inevitable catastrophe first became clear to him it was already too late to regain his balance, since the remainder of his inheritance was so pitifully small that any idea of retrieving his fortunes through its instrumentality was simply farcical. The swirl of the rapids, as he had then told himself, had already caught his boat. All that was left to do was to go straight on to the sheer of the fall, with his pennant flying and himself singing at the helm. Then, on the brink, a well-placed bullet--no bungling for Anthony Cazeby!--and the next day people would be talking of the shocking accident which had killed him in the act of cleaning his revolver, and saying the usual things about a young man with a brilliant future before him and everything in life for which to live.
And this plan he had carried out in every detail--save the last, to which he was now come; and his was the satisfying conviction that not one of the brilliant, careless men and women, among whom he lived, and moved, and had his being, suspected for a moment that the actual circumstances differed in the least from the outward appearances. He thought it all over carefully now, and there was no play in the entire game that he felt he would have liked to have changed.
Sentiment had no part in the makeup of Anthony Cazeby. Lacking from early childhood the common ties of home affection, and by training and profession a diplomat, he added to a naturally undemonstrative nature the non-committal suavity of official poise. But that was not all. He had never been known to be ill at ease. This was something which gained him a reputation for studious self-control. As a matter of fact it was due to nothing of the sort. No one had ever come fairly at the root of his character except Cazeby père, who once said, in a fit of passion, "You don't care a brass cent, sir, whether you live and are made President of the United States, or die and are eternally damned!" And that was exactly the point.
Something of all this had passed through Cazeby's mind, when he was suddenly aroused to an appreciation of his whereabouts by the sound of a voice, to find that the curious instinct of direction which underlies advanced inebriety and profound preoccupation alike, had led him up the avenue du Trocadéro, and across the place, and that he had already advanced some little way along the avenue d'Eylau in the direction of his apartment. The street was dimly lighted, but, just behind him, the windows of a tiny wine-shop gave out a subdued glow, and from within came the sound of a violin. Then Cazeby's attention came around to the owner of the voice. This was a youngish man of medium stature, in the familiar street dress of a French laborer, jacket and waistcoat of dull blue velveteen, peg-top trousers of heavy corduroy, a crimson knot at his throat, and a dark tam o'shanter pulled low over one ear. As their eyes met, he apparently saw that Cazeby had not heard his first remark, and so repeated it.
"I have need of a drink!"
There was nothing of the beggar in his tone or manner. Both were threatening, rather; and, as soon as he had spoken, he thrust his lower jaw forward, in the fashion common to the thug of any and every nationality when the next move is like to be a blow. But, for once, these manifestations of hostility failed signally of effect. Cazeby was the last person in the world to select as the object of sudden attack, with the idea that panic would make him easy prey. In his present state of mind he went further than preserving his equanimity: he was even faintly amused. It was not that he did not comprehend the other's purpose, but, to his way of thinking, there was something distinctly humorous in the idea of holding up a man with only sixty centimes to his name, and menacing him with injury, when he himself was on his way to the upper right hand drawer of the marqueterie desk.
"I have need of a drink," repeated the other, coming a step nearer. "Thou art not deaf, at least?"
"No," said Cazeby, pleasantly, "no, I am not deaf, and I, too, have need of a drink. Shall we take it together?" And, without waiting for a reply, he turned and stepped through the doorway of the little wineshop. The Frenchman hesitated, shrugged his shoulders with an air of complete bewilderment, and, after an instant also entered the shop and placed himself at the small table where Cazeby was already seated.
"A vitriol for me," he said.
Cazeby had not passed three years in Paris for nothing. He received this remarkable request with the unconcern of one to whom the slang of the exterior boulevards is sufficiently familiar, and, as the proprietor leaned across the nickled slab of his narrow counter with an air of interrogation, duplicated his companion's order.
"Deux vitriols!"
The proprietor, vouchsafing the phrase a grin of appreciation, lumbered heavily around to the table, filled two small glasses from a bottle of cheap cognac, and stood awaiting payment, hands on hips.
"Di-ze sous," he said.
There was no need to search for the exact amount. Cazeby spun his fifty-centime piece upon the marble, added his remaining two sous by way of pourboire, and disposed of the brandy at a gulp.
"Have you also need of a cigarette?" he inquired, politely, tendering the other his case.
For some minutes, as they smoked, the diplomat and the vagabond took stock of each other in silence. In many ways they were singularly alike. There was in both the same irony of lip line, the same fair chiseling of chin and nostril and brow, the same weariness of eye. The difference was one of dress and bearing alone, and, in those first moments of mutual analysis, Cazeby realized that there was about this street-lounger a vague air of the gentleman, a subtle suggestion of good birth and breeding, which even his slouching manner and coarse speech were not wholly able to conceal: and his guest was conscious that in Cazeby he had to deal with no mere society puppet, but with one in whom the limitations of position had never wholly subdued the devil-may-care instincts of the vagabond. The one was a finished model of a man of the world, the other a caricature, but the clay was the same.
"I am also hungry," said the latter suddenly.
"In that respect," responded Cazeby, in the same tone of even politeness, "I am, unfortunately, unable to assist you, unless you will accept the hospitality of my apartment. It is but a step, and I am rather an expert on bacon and eggs. Also," he added, falling into the idiom of the faubourgs, "there is a means there of remedying the dryness of the sponge in one's throat. My name is Antoine."
"I am Bibi-la-Raie," said the other shortly. Then he continued, with instinctive suspicion, "It is a strange fashion thou hast of introducing a type to these gentlemen."
"As a matter of fact," said Cazeby, "I do not live over a poste. But whether or not you will come is something for you to decide. It is less trouble to cook eggs for one than for two."
Bibi-la-Raie reflected briefly. Finally he had recourse to his characteristic shrug.
"After all, what difference?" he said. "As well now as another time. I follow thee!"
The strangely assorted companions entered Cazeby's apartment as the clock was striking one, and pressure of an electric button, flooding the salon with light, revealed a little tea-table furnished with cigarettes and cigars, decanters of Scotch whiskey and liqueurs, and Venetian goblets of oddly tinted glass. Cazeby shot a swift glance at his guest as this array sprang into view, and was curiously content to observe that he manifested no surprise. Bibi-la-Raie had flung himself into a great leather chair with an air of being entirely at ease.
"Not bad, thy little box," he observed. "Is it permitted?"
He indicated the table with a nod.
"Assuredly," said Cazeby. "Do as if you were at home. I shall be but a moment with the supper."
When he returned from the kitchen, bearing a smoking dish of bacon and eggs, butter, rye bread, and Swiss cheese, Bibi-la-Raie was standing in rapt contemplation before an etching of the "Last Judgment."
"What a genius, this animal of a Michel Ange!" he said.
"Rather deft at times," replied Cazeby, arranging the dishes on the larger table.
"Je te crois!" said Bibi, enthusiastically. "Without him--what? Evidently, it was not Léon Treize who built Saint Pierre!"
The eggs had been peculiarly obstinate, as it happened, and a growing irritability had taken possession of Anthony. As they ate in silence, the full force of his tragic position returned to him. Even the unwontedness of his chance encounter with Bibi-la-Raie had not wholly dispelled the cloud that had been gradually settling around him since he emerged from the Automobile Club, and, as they finished the little repast, he turned suddenly upon his guest, in a burst of irritation.
"Who are you?" he said. "And what does all this mean? Was I mistaken, when you first spoke to me, in thinking you a mere voyou? Surely not! You meant to rob me. You speak the argot of the fortifications. Yet here I find you discoursing on Michel Angelo as though you were the conservateur of the Uffizzi! What am I to think?"
Bibi-la-Raie lit another cigarette, blew forth the smoke in a thin, gray wisp, and thrust his thumbs into the arm-holes of his velveteen waistcoat.
"And _you_," he said, slowly, abandoning the familiar address he had been using, "who are _you_? No, you were not mistaken in thinking I meant to rob you. Such is my profession. But does a gentleman reply, in ordinary, to the summons of a thief by paying that thief a drink? Does he invite him to his apartment and cook a supper for him? What am _I_ to think?"
There was a brief pause, and then he faced his host squarely.
"Are you absolutely resolved to put an end to it all to-night?" he demanded.
Cazeby made a small sign of bewilderment.
"Ah, mon vieux," continued the other. "That, you know, is of no use with me. You ask me who I am. For one thing, I am one who has lived too long in touch with desperate men not to know the look in the eyes when the end has come. You think you are going to blow out your brains to-night."
"Your wits are wandering; that's all," said Cazeby, compassionately.
"Oh, far from it!" said Bibi-la-Raie, with a short laugh. "But one does not fondle one's revolver in the daytime without a good reason, nor does one leave it _on top_ of letters postmarked this morning unless one has been fondling it--quoi?"
Cazeby was at the marqueterie desk in two strides, tugging at the upper right hand drawer. It was locked. He turned about slowly, and, half seating himself on the edge of the desk, surveyed his guest coolly.
"The revolver is in your pocket," he said.
"No," answered Bibi, with an air of cheerfulness. "I have one of my own. But the key is."
"Why?" said Cazeby.
Bibi helped himself to yellow chartreuse, and appeared to reflect.
"I am not sure that I know why, myself," he said finally. "Perhaps, because you have done me a kindness and I would not like to have you burn your fingers in a moment of absent-mindedness. Perhaps, because we might disagree, and I should not care to take the chance of your shooting first!"
He squinted at the liqueur, swallowed it slowly and with extreme appreciation, smacked his lips, and then, cocking his feet up on Cazeby's brass club fender, began to smoke again, staring into the dwindling fire. His host watched him in silence, until he should be ready to speak, which he presently began to do, with his cigarette drooping from the corner of his month and moving in time to his words. He had suddenly and curiously become a man of the world--of the grand monde--and his speech had shaken off all trace of slang, and was tinged instead with the faint club sarcasm which one hears in the glass card-room of the Volney or over coffee on the roof of the Automobile. Moreover, it was beautiful French. Not Mounet himself could have done better.
"The only man to whom one should confide personal secrets," said Bibi-la-Raie, "is he whom one has never seen before and will, as is probable, never see again. I could tell you many things, Monsieur Cazeby, since that is your name,--I have seen your morning's mail, you know!--but, for the moment, let it suffice to say that the voyou who accosted you this evening is of birth as good as yours--pardon, but probably better! _Wein, weib, und gesang_--you know the saying. Add cards and the race-course, and you have, complete, the short ladder of five rungs down which I have been successful in climbing. I shall presume to the extent of supposing that you have just accomplished the same descent. One learns much thereby, but more after one has reached the ground. In many ways I am afraid experience has made me cynical, but in one it has taught me optimism. I have found, and I think I shall continue to find, that there is always something worth looking into around the next corner of even the darkest street. The rue des Sablons, for instance. It was very dark to-night, very damp, and very cold. Assuredly, as I turned into the avenue d'Eylau I had no reason to foresee a supper, Russian cigarettes, and chartreuse jaune. And yet, me voilà! Now what most of us lack--what you, in particular, seem to lack, Monsieur Cazeby--is the tenacity needful if one is to get to that next turning."
"There are streets darker than the rue des Sablons," put in Anthony, falling in with the other's whimsical humor, "and that have no turning."
"You speak from conjecture, not experience," said Bibi-la-Raie. "You can never have seen one."
He glanced about the room, with the air of one making a mental inventory.
"First," he added, "there come the pawnshop, the exterior boulevards, the somewhat insufficient shelter of the Pont Royal. No, you have not come to the last corner."
"All that," said Cazeby, "is simply a matter of philosophy. Each of us has his own idea of what makes life worth the while. When that is no longer procurable, then that is the last corner."
"For instance--?"
"For instance, my own case. You have analyzed my situation sufficiently well--though when you said I was about to blow out my brains"--
"It was a mere guess," interrupted Bibi, "founded on circumstantial evidence. Then I _thought_ so. Now I _know_ it."
"Let us grant you are right," continued Cazeby, with a smile. "I have my own conception of what I require to make existence tolerable. It includes this apartment, or its equivalent, a horse, two servants, two clubs, and a sufficient income to dress, eat, entertain, and amuse myself in the manner of my class,--an extravagant and unreasonable standard, if you will, but such is my conviction. Now, granted that the moment has come when it is no longer possible for me to have these things, and when there is no prospect of my situation being bettered, I cannot conceive what advantage there can be in continuing to live."
"I perceive you are a philosopher," said the other. "How about the religious view?"
Cazeby shrugged his shoulders.
"As to that," he said, "my religious views are, so far as I know, stored away in the little church which I was forced to attend three times on every Sunday of my boyhood. They did not come out with me on the last occasion, and I have never met them since."
"Excellent!" said Bibi. "It is the same with me. But I think you are mistaken in your conviction of what makes life worth living. I had my own delusions in the time. But I have had a deal of schooling since then. There are many things as amusing as luxury--even on the exterior boulevards. Of course, actual experience is essential. One never knows what one would do under given conditions."
He turned suddenly, and looked Cazeby in the eye.
"What, for example, would you do if you were in my place?" he asked.
"As you say, one never knows," said his host. "I _think_ that, in your place, I should improve the opportunity you find open, and carry out your late and laudable intention of robbing Monsieur Antoine Cazeby. I may be influenced by my knowledge that such a proceeding would not irritate or incommode him in the least, but that is what I think I should do.
"I shall not need these things to-morrow," he added, indicating his surroundings with a gesture. "You were quite right about the pistol. As to your prospective booty, I regret to say that I spent my last sixty centimes on our cognac, but there is a remarkably fine scarf-pin on the table in my dressing-room."
"A sapphire, surrounded by black pearls," put in the other. "You were rather long in cooking those eggs."
"A sapphire, surrounded by black pearls," agreed Cazeby. "Yes, upon reflection, I am quite sure that that is what I should do."
Bibi-la-Raie smiled pleasantly.
"I am glad to find we are of one mind," he said. "Of course, mine was made up, but it is more agreeable to know that I am causing you no inconvenience. I suppose it is unnecessary to add that resistance will be quite useless. I have the only available revolver, and, moreover, I propose to tie you into this extremely comfortable chair. It is not," he added, "that I do not trust you, although our acquaintance is, unfortunately, too recent to inspire complete confidence. No, I have my convictions as well as you, Monsieur Cazeby, and one of them, curiously enough, is that, in spite of appearances, I am doing you a kindness in putting it out of your power, for tonight, at least, to do yourself an injury. Who knows? Perhaps, in the morning, you may find that there is something around the next corner, after all. If not, there is no harm done. Your servants come in early?"
"At seven o'clock," said Anthony, briefly.
"Exactly. And I will leave the key in the drawer."
Bibi was expeditious. When he had bound Cazeby firmly, and with an art that showed practice, he disappeared into the dressing-room, returning in less than a minute with the sapphire scarf-pin and several other articles of jewelry in his hand.
"I should like to add to these," he said, going to the book-case, "this little copy of Omar Khayyám. He is a favorite of mine. There is something about his philosophy which seems to accord with our own. But--'the bird of time has but a little way to flutter'"--He paused at the door.
"Can I do anything for you before I go?" he inquired politely.
"Be good enough to turn off the light," said the other. "The button is on the right of the door."
"Good-night," said Bibi-la-Raie.
"Good-night,--brother!" said Cazeby.
Then he heard the door of the apartment close softly.
Anthony was awakened from a restless sleep by the sound of its opening. Through the gap between the window draperies the gray light of the winter morning was creeping in. His wrists and ankles were aching from the pressure of the curtain cords with which he had been bound, and he was gratified when, after a brief interval, the salon door was opened in its turn and the invaluable Jules came in, in shirt-sleeves and long white apron, carrying a handful of letters.
That impassive person was probably never nearer to being visibly surprised. For a breath he stopped, and the pupils of his round eyes dilated like those of a cat in a dim light. But his training stood him in good stead, and when he spoke his voice was as innocent of emotion as if he had been announcing dinner.
"Monsieur desires to be untied?"
Left to himself, Cazeby turned his attention to his letters, and from the top of the pile picked up a cablegram. He was still reflecting upon the singular experience of the night, in an attempt to analyze his present emotions. Was he in any whit changed by his enforced reprieve? He was glad to think not. Above all minor faults he abhorred vacillation of purpose. No, his situation and his purpose remained unaltered. But he was conscious, nevertheless, of an unwonted thrill at the thought that, but for the merest chance, it would have been for others to open the envelope he was even now fingering. Jules would already have found him--he wondered, with the shadow of a smile, whether Jules would still have been unsurprised!--and would have brought up the concierge and the police--
Suddenly the cable message jumped at him through his revery as if, at that moment, the words had been instantaneously printed on what was before blank paper, and he realized that it was from his father's solicitor.
Mr. Cazeby died eight o'clock this evening after making will your
favor whole property. Waiting instructions.
MILLIKEN.
Anthony straightened himself with a long sigh, and, putting aside the curtain, looked out across the mansardes, wet and gleaming under a thin rain. His hand trembled a little on the heavy velvet, and he frowned at it, and, going across to the table, poured himself out a swallow of brandy.
With the glass at his lips he paused, his eyes upon the chair where Bibi-la-Raie had sat and wherein he himself had passed five hours. Then, very ceremoniously, he bowed and dipped his glass toward an imaginary occupant.
"Merci, monsieur!" he said.
The Only Son of His Mother
IN the limited understanding of Pépin dwelt one great Fact, in the shadow of which all else shrank to insignificance, and that Fact was the existence of Comte Victor de Villersexel, the extremely tall and extraordinarily imposing person who was, first of all, Officier de la Légion d'Honneur, second, Membre de l'Académie Française, and, lastly, father to Pépin himself. It must be acknowledged that to the more observing of his limited kinsfolk and extensive acquaintance the clay feet of Pépin's idol were distinctly in evidence. How he had contrived to attain to the proud eminence which he occupied was, in the earlier days of his publicity, a matter of curious conjecture and not over-plausible explanation. Certainly no inherent merit or ability it was which formed the first step of the stairway he had climbed. In diplomacy the Comte de Villersexel had never bettered his first appointment as second secretary of legation at Belgrade; in literature his achievements were limited to one ponderous work on feudalism, remarkable chiefly for its surpassing futility; and in society his sole claim to consideration lay in his marriage to a Brazilian heiress, who had died within the year, leaving her husband an income of two hundred thousand francs--and Pépin. In all this it was difficult to find a sufficient reason for the crimson button and the green embroidered coat, unless it was that the family of de Villersexel went back to the Crusades. That is not always a prudent thing for a family to do, but the present instance was an exception.
Born to the heritage of a name which his predecessors had made notable, Comte Victor was one of those whose greatness is thrust upon them rather than achieved, one of the bubbles in the ferment of Paris which their very levity brings to the top, to show rainbow tints in the sunlight of publicity. It is probable that no one was more surprised than de Villersexel himself at the honors which fell to his share, but one thing even the most contemptuous had, perforce, to concede. Once secure of his laurels, he wore them with a confidence that was akin to conviction. His reserve was iron-clad, his dignity stupendous. It required considerable time for new acquaintances to probe the secret of his insufficiency. Victor de Villersexel was, as the irreverent young military attaché at the American Embassy once said of him, "a dazzling imitation of the real thing."
But to Pépin the idol was an idol without flaw. Through what shrewd appreciation of occasional words and chance comments he had contrived to grasp the significance of that speck of scarlet upon the Count's lapel and that apparently simple phrase, "de l'Académie Française," which, in formal introductions, was wont to follow his father's name, must be numbered among childhood's mysteries. But before he was seven, Pépin had solved these problems for himself, and the results of his reasoning were awestruck admiration and blind allegiance to the will of this wonderful creature who never smiled. His own small individuality was so completely overshadowed by that of his father that in the latter's presence the child was scarcely noticeable, dressed in his sober blouses, and creeping about the stately rooms of the great apartment in the avenue d'Iéna with an absolutely noiseless step. He was all brown, was Pépin: brown bare legs, and brown hands, very small and slender, brown hair, cropped short and primly parted, and deep brown eyes, eloquent of unspoken and unspeakable things. He was earnest, his tutor said, earnest and willing, but not bright, poor Pépin! He spoke English, to be sure, with a curious accent caught from his Cornish nurse, but that was due not so much to ability as to enforced association. In his French grammar and such simple arithmetic as was required of him he was slow and often stupid. But he was rarely scolded, and never punished. Once, indeed, the Comte had been about to strike him for some trifling fault, but somehow the blow, for which Pépin stood waiting, never fell.
"He is like his mother," the légionnaire had muttered, as he turned away, "an imbecile--but"--
Pépin, catching the unfinished phrase, grew sick with a great discouragement, mingled with profound pity for the man before him. It must be a dreadful thing for one so famous to be the father of an imbecile! From that day on the child was more inconspicuous than before.
Deliberately affected in the first instance, what was known in society as de Villersexel's "academic manner" came in course of time to be second nature. Practice made perfect the chill reserve which was originally assumed as a precaution against possible discovery of his vapidity; and as the image of what the academician had been, before his election, grew dimmer in society's recollection, his impressive solemnity, barely disguised by a veneer of superficial courtesy, did not fail of its effect. He was spoken of as a man in whom much lay below the surface, and his more recent acquaintances coupled their estimate of his character with the proverbial profundity of still waters, and the familiar gloved fist of steel. Others, more observant, smiled at the similes, but did not go to the pains of proving them ill applied. One of the most characteristic things about the Comte de Villersexel was that he inspired neither championship nor antagonism.
With all this, he was consistent, with that curious obstinacy which is sometimes made manifest in the shallowest natures. His rôle, once assumed, was, as we have said, played to perfection and never laid aside. The domestic threshold, which is, for the majority of men, a kind of uncloaking room, saw never an alteration, even of voice or expression, in his pose. The household affairs were regulated with almost military precision, and once a day, at noon, Pépin and his father met in the large salon,--the Comte in his tall satin stock and frock coat, and Pépin fresh from the careful hands of his nurse. They shook hands gravely, and then waited in silence, until the maître d'hôtel announced breakfast,--
"Ces messieurs sont servis!"
What meals they were, to be sure, those déjeuners, solemnly served, and more solemnly eaten, under the rigid observation of three menservants; de Villersexel, with his thin lips, his cold eyes, and his finely pointed gray mustache, barely moving save to raise his fork or break a morsel from his roll, and Pépin, all brown, perched like a mouse on the edge of a great chair, and nibbling at tiny scraps of food with downcast eyes!
At the very end, as the Comte was about to push back his chair, he would invariably raise his glass of champagne and Pépin his, wherein a few drops of red wine turned the Evian to a pale heliotrope, and together they would glance toward the full-length portrait which hung above the mantel.
"Ta mère!" said the Comte.
"Maman!" replied Pépin.
And so they drank the toast of tribute to the dead.
After breakfast, the father would read for an hour to the child, and Pépin, seated on another large chair, would listen, perfectly motionless, striving desperately to understand the long sentences which fell in flawlessly pronounced succession from the Academician's lips. De Villersexel had a fairly clear recollection of what books had been the companions of his childhood, and these he purchased in the rarest editions, and clothed in the richest bindings, and read to Pépin: only his remembrance did not extend to a very distinct differentiation between seven and fifteen, for it was at the latter age that he read "Télémaque" to himself, and at the former that he read "Télémaque" to his son.
Then would come a second formal handshake, and Pépin, pausing an instant at the door to make a slow, stiff bow, would creep off down the long corridor to the nursery, and the Comte turn again to his papers with a consciousness of paternal duty done.
How Pépin contrived to spend the long hours which his daily walk and his short lessons left at his disposal, only Pépin knew. He talked rarely with the servants,--"a thing," his father told him, "that no gentleman would wish to do;" and other children never entered at the de Villersexel door, "for," said the Comte, "children sow unfortunate ideas and spread disease."
But there were compensations. One was the full-length portrait over the chimney-piece in the dining-room. Pépin had no conception of how great was the signature it bore, or of the fabulous sum which it had cost, but he knew it was very beautiful, and, besides, it was his mother,--the sad-eyed, pale dream-mother he had never seen.
The portrait of the Comtesse de Villersexel had been one of the sensations at the Salon of seven years before. The young Brazilian was represented at the moment when the bow left the strings of her violin, and on her lips and in her eyes yet dwelt the spirit of the music she had been playing. A clinging gown of ivory-white silk emphasized rather than hid the lines of her figure, of strangely girlish slenderness, but straight and proud as that of a young empress. In its frailty lay the keynote of the portrait's charm. It was like a reflection in clear water that a touch might disturb, or a young anemone that a breath might destroy,--not a picture before which people disputed and proffered noisy opinions, but one which imposed silence, like the barely audible note of a distant Angelus. It stood before the memory of its original, as it had been a spirit, finger on lip, at the doorway of a tomb.
This portrait of his mother dominated the life of Pépin like the half-remembered substance of a dream. He had known nothing of her in the life, for the breath of being had passed from her lips to his at the moment of his birth, but with the intuition of childhood, he seemed to know that this was one who would have loved him and whom he would have loved. He spent hours before the picture, silent, spell-bound, gazing into the deep and tender eyes that shone with the same pathetic pleading that lay so eloquently in his own, and the only outbreak of rage which had ever stirred his simple serenity was on one occasion when his nurse had found him thus absorbed, and, receiving no response to her summons, half alarmed and half indignant, reproached him with wasting his time before a stupid picture. Then Pépin had whirled around upon her, his lips compressed, his small brown hands clenched, and a look in his eyes that terrified even the stout and prosaic Cornish-woman out of her accustomed attitude of fat complacency.
"A stupid picture?" he stormed. "But it is my mother, do you hear, my mother! You are a wicked woman, Elizabeth!"
It was when Pépin was nearing his seventh birthday that a wonderful thing happened. The Comte was giving a great reception to the Russian Ambassador, and on an impulse which, perhaps, even he himself could hardly have explained, sent for his son. The child was aroused from sleep, and, but half awake and totally uncomprehending, was submitted by the worthy Elizabeth to a veritable cyclone of washing, combing, and brushing, and finally, clad in spotless duck, was led by the maître d'hôtel down the long corridor to the door of the grand salon, which, at his approach, swung open under the touch of one of the under servants. Pépin, dazed by the radiance of many lights and a great clamor of voices, paused on the threshold, and, with a swift intuition of what was demanded of him, made his slow, stiff bow.
"Le Vicomte de Villersexel," said the maître d'hôtel in a loud voice at his side, and Pépin, seeing his father beckon to him from the group where he stood, slipped close to him through the crowd, and was surprised to find that the Comte took his hand in his, and bent forward to say in a whisper,--
"You are to hear Pazzini play the violin. That is why I sent for you. He was your mother's teacher."
Like all that had gone before, what followed was to Pépin like a dream--a beautiful dream, never to be forgotten. A great hush had settled upon the brilliant assemblage, for even in Paris there are still things which society will check its chatter to hear, and the tall, gray-bearded man, consulting with the pianist over there, was Pazzini, the great Pazzini, whose services had been more than once commanded by royalty in vain. De Villersexel had drawn Pépin nearer to the piano in the brief interval, and as the opening chords of the introduction were struck, he found himself but a few feet from the famous violinist, his hand still linked in that of his father, his eyes fixed in wonder upon this unknown man who had been his mother's teacher.
The first low note of the violin fell upon the silence like a faint, far voice, heard across a wide reach of calm water, and, as the marvelous melody swelled into the fullness of its motif, something new and strange stirred in Pépin's heart, mounted and tightened in his throat, ran tingling to his finger-tips. Through his half parted lips the breath tiptoed in and out, and his deep eyes grew every instant, could he have known it, more like those of the picture that he loved. So he stood entranced, seeing, hearing nothing but Pazzini and Pazzini's violin, till the sonata drew imperceptibly toward its close. Like the child, the great violinist seemed to be unconscious of all that surrounded him. Slowly, tenderly, he led his music through the last phrases, until he paused before the supreme high sweetness of the final note. How it was he could never have told, but, in that infinitesimal fraction of time, the training of years played him false. He knew that his finger-tip slipped an incalculable atom of space, but it was too late. The bow was on the string, and the imperceptibly flatted note swelled, sank, and died away, unrecognized, he thought, with a throb of thankfulness, by any save his master ear. And then--
"_Ah-h!_" said Pépin.
The long ripple of applause drowned the child's whisper, and for an instant the terror in his heart grew still, believing his exclamation unheard. Then it leaped to life again, for Pazzini was looking at him, his bow hovering above the instrument like his mother's in the picture. In the mysterious solitude of the crowded room the eyes of these two met, each reading the other's as they had been an open book, and in Pépin's was the pain of a wounded animal, and in Pazzini's a great wonder and sorrow, as of one who has hurt without intention, and mutely pleads for pardon.
As the applause ceased, the violinist turned to the Comte, and pointed to Pépin with his bow.
"Who is that child?" he asked.
The thaw in the de Villersexel's "academic manner" had been but momentary. With the renewed hum of conversation he was himself again, pale, proud, and immovable.
"It is my son, Pépin," he replied, with stiff courtesy. "How shall I thank you for your playing? It was the essence of perfection, as it has ever been, and ever will be."
But he could not know, as he turned away with Pépin, that in his heart the violinist said, "Her boy! I understand!"
The miracle of his summons to the salon that night was not, as it appeared, the actual climax of existence, for a new marvel awaited Pépin on the morrow. The doors of the dining-room had barely slid together behind them when the Comte turned to him.
"Yesterday was Christmas," he said.
Pépin made no reply. In fact, the stupor which descended upon him at this infraction of the usual routine of life effectually deprived him, for the moment, of the power of speech.
"It was Christmas," repeated the Comte, "and because of that you are invited to a--a--soirée to-day. Do you know the English children on the entresol?"
"I have seen them," faltered Pépin, "but we have never spoken. You told me"--
"I have changed my mind," broke in his father. "Monsieur 'Ameelton"--stumbling desperately over the English name--"has asked me to let you visit them this afternoon, and I have said yes to him. Elizabeth will dress you. Now you may go."
Barely conscious that Pépin had added a timid "Merci, papa!" to his customary bow, de Villersexel turned to his writing-table, as the door closed behind the little Vicomte, and, unlocking a drawer, took therefrom a letter which had come to him that morning, and, burying himself in his arm-chair, proceeded to its careful reperusal. It was in the fine Italian handwriting of Pazzini, and ran as follows:--
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Zut, and Other ParisiansChapter II: Part 2
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