Chapter V: æsthetics and Their Influence
The present chapter itself a kind of excursus 141
A parabasis on “philosophical” criticism 141
Modern Æsthetics: their fount in Descartes and its
branches 146
In Germany: negative as well as positive
inducements 147
Baumgarten 148
_De Nonnullis ad Poema Pertinentibus_ 148
And its definition of poetry 148
The _Aletheophilus_ 149
The _Æsthetica_ 149
Sulzer 150
Eberhard 151
France: the Père André, his _Essai sur le Beau_ 151
Italy: Vico 152
His literary places 152
The _De Studiorum Ratione_ 153
The _De Constantia Jurisprudentis_ 153
The first _Scienza Nuova_ 154
The second 154
Rationale of all this 155
A very great man and thinker, but in pure
Criticism an influence malign or null 156
England 157
Shaftesbury 157
Hume 159
Examples of his critical opinions 160
His inconsistency 162
Burke on the Sublime and Beautiful 163
The Scottish æsthetic-empirics: Alison 164
The _Essay on Taste_ 165
Its confusions 166
And arbitrary absurdities 167
An interim conclusion on the æsthetic matter 168
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A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismChapter V: æsthetics and Their Influence
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