Chapter XXIV: Rome 353 (4)

Chiusi, the Clusium of Lars Porsena, the great Etruscan Prince who championed the Tarquinii after they were expelled from Rome, is a little self-contained city with an affectation of placing cypresses at becoming angles. She is rather a coquette this old town. She is not unconscious of the picturesqueness of her position as she rises above the shimmering olives which veil her hillsides; she knows the value of cypress spires when they soar above the bastions of ancient walls; she deliberately sets herself out to charm the stranger by filling the gardens of her _trattorie_ with flowering gourds and purple morning-glories. Her picturesque old cathedral has been so cleverly redecorated throughout with painted mosaics, that when we first stepped down into the cool dark nave we were deceived, and gasped to see such jewels outside Ravenna; and she has built herself a delightful museum, in the form of a classic temple, to house her Etruscan treasures.

I think she has never ceased to congratulate herself upon giving the lie to Dante's ill-omened prophecy, when he quoted her as an example of a city falling into decay--

'Mark Luni, Urbisaglia mark,
How they are gone, and after them how go
Chiusi and Sinigaglia; and 't will seem
No longer new or strange to thee to hear,
That families fail when cities have their end.'[14]

She may well have seemed a city doomed to him as he rode in haste through the pestilent marshes of the Val di Chiana, and saw her desolate towers above him stark against the evening sky, as he hurried from Rome to Siena to meet his fellow exiles and learn the story of his fall.

For eight centuries or more Chiusi was a plague spot, and the vapours of the maremma were more powerful to guard her from invaders than the strongest walls. So she has fewer mediaeval palaces, and fewer towers than other hill-cities, and these were long ago given to neighbouring churches to hang their bells in, and the ancient Rocca is a garden with a farm-house in its keep.

I have a tender spot in my heart for Chiusi. She is a happy town. In herself she is not very picturesque: her houses are the plain, white-washed, green-shuttered homes of modern Italy; there are few traces of her ancient greatness to be seen except the scanty Etruscan foundations of her mediaeval fortifications, a quantity of _cippi_ and reliefs built into walls, and the labyrinth of ancient sewers which honey-combs the hill.[15] And in comparison with the other cities of Umbria she contains nothing of the Middle Ages, certainly nothing Gothic, if we except the exquisite illuminated missals and psalters by Bindo Fiorentino and Girolamo da Cremona, which are kept in the sacristy of the cathedral, and which came originally from the monastery of Monte Oliveto. To the antiquary she is of the highest interest, for she marks the site of Clusium, one of the five Etruscan towns which combined against the first of the Tarquins, and of the earlier Camars, which may have been a city of the more ancient Umbrians. Her history shows her to have been one of the oldest and most powerful cities of the Etruscan League; and the country for miles round her walls has yielded, and still yields, a rich harvest of antiquities from scattered tombs. There is a slope to the east of the city which is called 'The Field of the Jewellers,' because so many _scarabaei_ have been discovered there by the chance furrow of a plough.

But I am no antiquary. It is not for me to discuss the possible site of that improbable mausoleum of Lars Porsena with its labyrinth and pyramids and windbells, which Varro described as glibly as Herodotus did the marvels of the labyrinth of Crocodilopolis. I have not seen the great necropolis of Poggio Gajella on the hill to the north of Chiusi, which Dennis tells us is a hive of tombs. To me the charm of Chiusi does not lie in her antiquity, though like every one else who visits her I have spent happy hours in her sunny museum, poring over inscriptions and sarcophagi, and cinerary urns and household implements, and all the strange paraphernalia of a vanished race which have been garnered from the fields of Clusium. Nor are the painted tombs of Etruria as much to me as the wonderful beauty of the olive-gardens through which we walked to find them, in the golden sunset or the clear cool dawn.

There are many tombs scattered round the hill of Chiusi. Some of them empty caves hollowed out of the rock, half full of water, abandoned to moths and bats; and others which have been opened and closed up again because the damp and thieves have robbed them of all interest. A few of the best are kept under lock and key to preserve them from wanton destruction, but even these are slipping reluctantly back to oblivion.

Such an one is the Tombe del Colle Casuccini, which is to be found in an olive-grove to the south-east of the town. It is hollowed in the rock, and is approached by a levelled path cut in the slope of the hill. The earth around is full of iris plumes and slender field flowers; there is a weather-beaten cippus over the lintel, and a solitary stone-pine which stretches out its branches as though Nature sought to render homage to the dead by yielding them a royal canopy. We had lingered so long in the silver olive-gardens that it was almost the hour of sunset when we reached the tomb. A melancholy evening wind moaned in the branches of the pine-tree, and rustled in the flowering yews which guarded the entrance of the passage.

Up and down the hillside we could see the peasants returning from their work in the fields, and the whole world was caught in the sudden glory of the setting sun. A woman came towards us with the key of the tomb; she had a baby in her arms, and on her head a great mottled pitcher, green and gold, full of spring water. The sunlight wove a halo round her till she seemed as radiant as one of Pinturicchio's Madonnas.

The great doors of travertine groaned as they swung slowly open on their stone pivots, and a scorpion fled from the light. Dennis says, 'There can be no doubt of the antiquity of these doors; it is manifest in their very arrangement; for the lintel is a huge mass of rock buried beneath a weight of superincumbent earth, and must have been laid _after_ the slabs were in their place.'

This sepulchre, like most Etruscan tombs of importance, is divided into several chambers. Its roof is curiously coffered, and was at one time painted red and black. But it is the wall paintings which are of supreme interest here. Unlike the other tombs of Chiusi the sandstone walls have been whitened, and even so the figures are hardly distinguishable. But look close. It is worth the trouble, for as your candlelight drives the shadows back, the story of an ancient world unfolds itself. Here, to the right, three charioteers urge their archaic steeds to the winning-post; here are the wrestlers; here the musicians with their doublepipes and lutes, and here a dancing girl. On the other wall you can trace the progress of a banquet, and see the languid youths of Etruria reclining on couches, toying with wreaths and flowers, and holding out their _paterae_ for the hurrying slaves to fill with wine.

But they are very faded. They are a world of shadows; they vanish with the months. Another generation will look for them in vain; then the athletes will no longer run their silent races to eternity, the music will be hushed, and the feet of the dancers stilled. And then, I suppose, the wonderful old doors will be taken away, and the angry scorpions will be left in possession. If you would see these ghosts, come soon. For if you come ten years after, perchance you will find nothing on the cold stone walls; their pictures will have gone the way of all the other antique graces which have been lost in Time's devouring maw!

In Italy, especially in the small cities, you have to bow to local convention. In Chiusi it takes the form of Etruscan tombs. Every one from tiny children to the oldest inhabitant volunteers to be your guide. A stranger would say that the Tomb of the Monkey or the Deposito del Gran Duca were topics of burning interest in the town, for the people will not rest until they are assured that he has visited them. It was for this reason that the sunrise next morning found us on our way to the Tomba della Scimmia, which lies a mile or so to the north-east of Chiusi. At first we followed the highroad where the gay painted ox-carts of Clusium, with their picturesque high-curved shafts, were already rolling up the hill. But our way soon turned off into a rough path which dipped down into the chilly sweetness of the olive-gardens. The sun had not yet risen high enough to penetrate these dewy hollows, but as we re-emerged from them and breasted the little oak-clad hills beyond, it slanted between the branches and made a halo round some young peasant girls, barefoot and with uncovered heads, who were carrying great pitchers of water to their cottages from an Artesian well. We dipped into more valleys and circled other hills, plucking the ripe blackberries as we passed, and gathering the flowers which made a tangle round our feet. The only people that we met were peasants at work below their olives, and every one of them gave us a smiling _buon giorno a loro_ as we passed. Presently we came out upon a wooded cliff and saw Chiusi, with her fair white houses and her grey ivied rocca, across the valley to our right, and on our left the little lakes of Montepulciano and Chiusi, like opals in the dawn. Umbria again! The flowers at our feet, the glint of water in the wide green valley, the purple hills, the soft blue sky, the breadth and depth, the holiness and peace of mystic Umbria.

The Tomb of the Monkey owes its name to the painted monkey chained to a tree in the midst of the athletes who wrestle and ride and box and perform their Pyrrhic dances round the walls. It is approached by a deep cut in the tufa, in the style of the mummy shafts of Egypt, but the steps which lead down to the door, and the door itself, are modern. By the help of our guttering candles we were able to decipher the solitary spectator who sits, like Nefertari in her rock-hewn tomb of Thebes, with foot on stool and umbrella over head, gazing into eternity. But we did not stay there long. It was too cold. The damp had eaten almost everything away. Down in the chill dark of the tomb we knew that the wrestlers, their naked red bodies fading into the tufa, wrestled continuously, and the chariots drove silently into the shadows before the solemn audience of one.

But up above we could hear the bells of Chiusi on the warm, scented air. And there were the wind, the limpid sunlight, the song of birds, the wooded hills and valleys, the yellow earth with its flowers and its trails of bramble covered with shining fruits--everything of warmth and sweetness and pleasure to the eye and ear. In the plain below we could see the little blue lake of Chiusi, called lovingly of the people, the 'chiaro di Chiusi,' which in the olden days was yearly espoused with a ring by the chief magistrate of the town, in the same manner as the Doge of Venice wedded the Adriatic. And beside it the towers of Béccati Questo and Béccati Quest'altro, which were put up in the fifteenth century by the rival provinces of Siena and Perugia, still shout defiance to each other across the valley.

After all, it was for her old-world charm that we loved Chiusi--the simple pastoral beauty of her _contado_, her forges glowing at night in deep caverns below her walls, her Bishop's palace with its ancient _cippi_, and its flowering agaves and cypresses. And most of all we loved the lichen-covered boy in the fountain of the Piazza del Duomo. For he was like the spirit of eternal youth, keeping the soul of things alive in this city of tombs. There were gold fish in the green shallows round his feet, the water spouted from his forehead, his arms were outstretched and his face upturned, as though he sang in rapture to the sun.

For it was in such little things as these that we found the hidden secret of Italy's charm. These little towns like Chiusi, perched each one on its hill, are sometimes commonplace enough in themselves, even though their foundations are inscribed by the years that have passed; but they look across valleys of unimaginable beauty to the mountains; they have genii singing in their springs; and the lives of their people have the classic simplicity of an older, unspoilt world.

HANNIBAL'S THRASYMENE

'Yea! sometimes on the instant all seems plain,
The simple sun could tell us, or the rain,
The world caught dreaming with a look of heaven
Seems on a sudden tip-toe to explain.'

'THE RUBAIYAT,' Le Gallienne's translation.

We came to Passignano from Chiusi, because we could not resist the beauty of Thrasymene. Most travellers in Italy only view it with passing admiration as they fly by in the express which takes them from Florence to Rome and Naples. It is to them merely another lovely incident in their journey through a landscape of surpassing beauty. Perchance they refer to their Baedekers, and find that it was the scene of Hannibal's great victory over Flaminius, and in a few minutes more their train is in Chiusi Junction, and the lake is lost behind the Umbrian hills. Others, who visit Perugia and Assisi, see more of its beauties, for when they leave the main line at Chiusi they have to make a semi-circular tour of the lake; and even from Terontola, the junction for Florence and Perugia, the line runs for miles along the lake-side, and crosses the actual site of Hannibal's battle-field.

Twice already, in the last month, we had traversed it, on the journey from Cortona to Perugia, and again on our way to Siena. Coming back we could no more resist it. Our intention had been to go straight from Chiusi to Assisi, but at Terontola the little philosopher put in a special plea for Thrasymene. He has a passion for lakes and rivers; no landscape is complete for him without them.

'Let us go down to Thrasymene,' he said. 'Not for the sake of Hannibal, but for the pleasure of its beauty. For I am sick of the petty wars of hill-towns, and am wearied for the moment of Etruscan tombs and Gothic palaces and churches. Let us go forth into the field; let us lodge in the villages. Let us get up early to the vineyards; let us see if the vine flourish, whether the tender grape appear and the pomegranates bud forth!'

So we came to Thrasymene and Passignano, which is a mere handful of brown houses pushed into the water at the foot of a rocky hill. Passignano has a flavour of its own. To begin with, its inn is different from any other albergo in Italy. It has an old-fashioned kitchen with a cowl chimney and rows of shining brass saucepans, and it opens on to the village street, where the people sit to gossip while the evening meal is cooking. Its low cottage windows look over the wide expanse of water to towered Castiglione, and the wooded islands of Thrasymene; but it is built so close into the hillside at the back that you can stretch your hand from an upper room and pluck the creepers which pour in a green cascade over the rocks. It is extremely primitive: the menu consists of soup, macaroni, eggs, fresh fish from the lake, and very lean chickens, supplemented by rough country bread, plenty of honey and fresh fruit, and cheese if the proprietor has lately been to market in Perugia. Meat there is none, at any rate in August, nor tea. But the rooms are spotlessly clean, with snowy beds, dainty white valances, curtains edged with hand-made lace, and the finest of linen towels; the daughter of the buxom landlady is as charming as she is elegant, and the serving girl is a beautiful Murillo.

Passignano is full of beautiful women; they form two-thirds of the population of this little lake-side town. There are hardly any men in it except the old fishermen, and a few young lads, apprentices to bootmakers and saddlers. All the rest have drifted away to the towns, or have farms out in the _paese_. And the women, from the pretty French wife of Signor Arturo of the Albergo Balducci, with her freshly laundered cotton dresses, to the little bareheaded girls whose mothers call to them at night, bidding them bathe their dusty feet in the lake before they come to bed, are all lovely. They are noted for it.

The only other visitor in Passignano that August was a young Apollo--so beautifully dressed in pale grey riding-clothes that he looked as if he must have slipped out of a George Edwards musical comedy. He was, according to the landlady, a student from the University of Perugia, spending his vacation in Passignano because the girls were so beautiful! Oh, young Italy! How natural and unaffected you are! I loved to see him strolling down the village street with a lordly air of indifference, running the gauntlet of eyes as the pretty girls, linked in groups like bouquets of flowers, passed him demurely; while their mothers, sitting on the doorsteps of their cottages, scanned the handsome boy with kindly humour.

Everybody lives out of doors in Passignano. The women are always sitting outside their houses; and their children, half-naked in the summer heat, with halos of sunburned curls, pillow their heads on the rough cobbles of the hilly streets, and sleep after their play, as baby angels might sleep in paradise, tired out with singing. The stables and bakeries and workshops are open to the road, and above them the shabby brown houses clamber up the hillside to the Fortezza, which rears its shaggy head above the highest of their pagoda-like chimneys.

'If we stay here we shall prolong our lives for always,' cried the philosopher. 'Already I have forgotten the world!'

And he fell to imitating the song of the cicalas.

Indeed for us the world was standing still. We were caught in a mesh of beauty as in a summer daydream. The waves of Time seemed to retreat, leaving us like swimmers resting on a golden shore after struggle and turmoil. It might have been Lethe whose waters sang to the stones at our feet: for we forgot the world: its voice became a dream; we found ourselves content to watch the changing lights as the hours drifted away.

We ate our meals in the unfinished dining-room which Signor Balducci is building out over the lake--a mere shell of white plaster with empty doors and windows through which the little breezes strayed. There were flowers on the cloth beside our plates, and a great bowl of oleanders, geraniums and white asters on the table. We breakfasted off golden bread and honey, and the pretty waiting girl brought tuberoses with our coffee. Outside, the lake was a tender morning blue; its surface rippled to the cool breath of the mountains, and sparkled in the sunlight. The bent and twisted sticks of the fishermen cast fantastic reflections in the water, and were beautified, as all humble and work-a-day things are beautified in Italy, by the magic of the sun. Further out two men in a rickety sampan were hauling in their nets.

It was a scene of infinite romance. The towers of Castiglione shone like ivory out of the violet mists, and many of the hills which rose above them bore turreted towns upon their crests. Behind them we knew lay Siena, Montepulciano and Chiusi, and to the right Cortona and Arezzo, and there Perugia, and Assisi there. History swept down upon us too. Thrasymene and its vine-clad slopes are full of memories of Hannibal, the stormy petrel who beat his wings round Rome in vain. Nor does it lack for gentler associations, for Saint Francis of Assisi, who had been preaching in one of the lake-side towns, was inspired, according to the author of the _Fioretti_, to spend Lent on an island in its midst. Which he did, in solitary prayer and meditation, eating only the half of one small loaf of bread, 'from reverence for the fast of Christ the blessed one, Who fasted forty days and forty nights without partaking any earthly food; but in this manner, with that half a loaf, chased far the venom of vain glory from him.'

Towards the hour of sunset, when the shadowed hills grew blue and misty, and the lake was a mirror of pale gold, we walked along the reedy shore of Thrasymene. The wind rustled in the silken leaves of the maize, and made a music like far-off singing in the emerald reeds. We went down to the edge of the water where the gardens sloped to the lake, and we found flowers there and herbs--mint and thyme and rosemary that scented the air, and purple vetches and clover, and the beautiful cow-parsley whose blossoms float like butterflies over every hedge and waste ground. And there we waited while the sky glowed from gold to rose, and Thrasymene seemed aflame with Hannibal's desire for Rome.

We dined in our alfresco dining-room, and afterwards we walked again by the still waters, where the frogs were shrilling a chorus to the night-crickets, whose song in the grass is like the sound of a curb-chain being rubbed in the hand. Except for these the world was still. There were no lights along that mysterious country road except the stars, and rarely have I seen them brighter, even in Africa.

'In a town we never see such stars as these,' said the philosopher. We never do. The Milky Way stretched like a girdle across the heavens, and was reflected in the lake like a pale moon. We stayed to watch it, and to listen to the voices of the night.

A train glared out of the tunnel which pierces the hill below Passignano, and tore along in the darkness beside the road, lightening our starlit gloom for a moment before its meteoric tail of windows was swallowed up by the night. Then we saw a glow-worm in a hole below the wall, and because in Italy you are pleased with little things, we stopped to look at it, and watch it turn round like a light-house lamp, now glowing clear as a star, now an indistinguishable mass of phosphorescence. And all the time the sky was growing lighter, and the mountains darker in the east.

It was the moon.

Slowly it rose. The Milky Way grew pale in the lake, and one great star which had twinkled like a will-o'-the-wisp among the reeds went out. The light grew and gathered behind the hills, and at last the miracle of moonrise came to us as we waited in the scented darkness of Thrasymene's shore, as it came to the young world on the eve of its creation. First the rim, and then the pulsing globe leaping from the shadows. For a moment it hung upon the hillside while two fantastic stone-pines, a fraction of an inch in height, swayed within its circle like neophytes bowing before Diana; then it rose into the heavens,--a stately ship steering among the stars.

A miracle no less because our darkness has been lightened thus since the beginning of the world. There are so many miracles every day, if we but knew them,--the scent of flowers, the webs of spiders, the subtle fragrance of the earth, a wayside weed, and, most beautiful of all, the sunrise and the moon. For sunsets, though they may fill a grey world with rose and gold, and though they are always so magnificent that words are pallid pictures and artists' colours impotent, never have the beauty of the dawn. A sunset may turn our joy to melancholy, so tender is it, so pregnant with regret for the vanished day, so full of splendours. But we are always happy in the dawn. What of the night? It is over and gone. A new world lies at our feet; a new beauty fills our eyes; the breath of the morning in our nostrils is as a flower after rain. For in the dawn we step from the valley of the Shadow of Death on to the rosy mountains of Hope.

And because you are in Italy you have time to notice these miracles of every day, time to be happy, time to watch things grow. The hours do not matter, for to-morrow is as yesterday, and to-day is but a little minute in a garden. If it should rain the butterflies will only seek their shelter, the cicalas will be still, and the pores of the thirsty earth will open. To-morrow the sun will shine again. Or the day after that.

Nor is Passignano devoid of interest for the sightseer whose pleasure is not to be found in green pastures or beside still waters. Magione, with its three mediaeval castles and its memory of the Baglioni, is within a drive. Picturesque Castiglione del Lago is well worth a visit. There is the island of St. Francis, with its ruined convent, now the villeggiatura of an Italian nobleman, and its exquisite views of Montepulciano. And lastly, there is the battle-field where Hannibal, the 'furious youth' of Publius Cornelius Scipio, defeated Flaminius, the maker of roads.

We did not go to Magione, but we let two old men of Passignano row us to St. Francis' Island in their weather-beaten fishing-boats. In an acacia grove down by the water's edge they showed us the block of stone whose surface was worn into two hollows by the knees of St. Francis. So they would have us believe. '_Ma, è vero!_' they exclaimed, as though they feared that we should doubt them; and we could but smile as they told us an old legend of the saint sailing miraculously across Thrasymene on his mantle, bearing a lighted candle in his hand, because the boatmen dared not put out in the tramontana which was lashing the waters to fury.

We almost missed seeing the battle-field of Hannibal, because we had left it to our last afternoon, and discovered too late that the only carriage in Passignano had been already commandeered.

It was Fortunato Rosso who came to our rescue, dear old man, with his dilapidated vehicle, which was no larger than a riksha, and so broken down that we expected the back to fall away every minute. The step did break when we tried to use it, and the axle bar was tied up with string. Fortunato Rosso is one of the characters of Passignano. He is a veteran of the Venti Settembre. As he has lost his teeth his conversation is difficult to follow, though he is an intelligent guide, having a soldier's eye for the possibilities of the land: his clothes are almost as dilapidated as his carriage, but he has a string of medal ribbons sewn across his scrupulously clean white waistcoat. The medals themselves are kept in a dirty scrap of paper in his pocket. He persisted in showing them to us before we started, and the villagers stood round and laughed indulgently. While he was eagerly pulling them out a cheap crucifix fell to the ground. A small boy picked it up, and pressed it to his lips as he handed it back, and Rosso himself gave it a resounding kiss before he put it into his pocket.

The spot where Hannibal entrapped the Roman army is as distinct as stage scenery. There is a semi-circle of mountains coming down to the lake at each end. Passignano clambers into the water at the southern extremity; and on the northern spur, close to the lake, there is an ancient road climbing between bluffs in an olive-garden. It is below the modern strada; and Fortunato Rosso, who takes a delight in propounding the stratagems of Hannibal, insists that Flaminius must have entered the plain through this pass. Half-way between the semi-circle and the lake is the hill of Tuoro, on which Hannibal's centre was conspicuously drawn up.

For the Punic general with his genius for guerilla warfare no better place for an ambuscade could be imagined. The Consul Flaminius lay at Arretium some miles to the north; and Hannibal, knowing his impetuous temper, determined to draw him out by laying waste the countryside from Cortona to Thrasymene under the very eyes of the Roman legions. As he anticipated, Flaminius, exasperated beyond endurance, left Arezzo and marched down to Thrasymene, paying no heed to the ill-omens which attended his setting forth. As a consequence his army had no enthusiasm. The name of Hannibal had turned even the heart of Rome to water, so that she spent her days in making sacrifices to the gods and consulting the oracles, but the fiery Flaminius would not allow his legions to make propitiation. 'Nay, rather,' said he with bitter sarcasm, 'let us lie before the walls of Arretium, for here is our country, here our household gods. Let Hannibal, slipping through our fingers, waste Italy through and through; and, ravaging and burning everything, let him arrive at the walls of Rome; nor let us move hence till the fathers shall have summoned Flaminius from Arretium, as they did Camillus of old from Veii.'[16]

Everything befell as Hannibal desired. Flaminius entered the pass. Seeing the Carthaginian army on the hill of Tuoro he advanced to give battle, not noticing the Baliares and light troops posted round the mountains, and unconscious of the fact that the Numidian cavalry had blocked his retreat by holding the pass when the last detachment of his army had come through. To add to his discomfiture a mist rose up from the lake and enveloped the lowlands, while the hills were in the sunlight above, and the enemy could watch for the preconcerted signal of attack.

It was given, and they poured down upon the Romans from all sides, taking them by surprise, and terrifying them by the unexpectedness of the assault. Even so the day might not have been lost if Flaminius had not fallen early in the engagement. After that it was a slaughter. There was no order. Each man fought for his own life, and when the legions attempted to escape by water, the only way left open to them, they were either drowned, or cut to pieces by the Carthaginian cavalry which followed them into the shallows. A band of some six thousand did indeed force their way to the hills, where they waited for the mist to rise, not being able to see how the day was going. And when at last the sun pierced through to the plain, and they could view the slaughter, they fled, taking their standards with them, only to fall prisoners on 'the following day when, Maharbal, who had followed them during the night with the whole body of cavalry, pledging his honour that he would let them depart with single garments if they would deliver up their arms, they surrendered themselves: which promise was kept by Hannibal with Punic fidelity, and he threw them all into chains' (Livy, xxii. 6).

So much for the battle, but the old tragedy that was enacted on these vine-clad plains has been forgotten. Many of the peasants have not even heard of the name of Hannibal, nor dream that where they gather their purple vintage to-day the earth was reddened once by Roman blood. The broad smooth road led us between ancient olives. White oxen yoked to clumsy wooden tumbrils rolled on and on towards us in a mist of sunlit dust; peasants in gay kerchiefs and skirts were working in the bearded corn which rose higher than their heads, so that we looked at them through a veil of stalks; a herd of black swine were nosing the yellow earth under the olives, with a little girl-child to keep them. And when we reached the summit of the pass above the turquoise lake we could see the road to Arezzo in a gap of the mountains, across a sea of vines. There was nothing to disturb the air of peace; the mediaeval towers and castles which crowned the hills were farms; and the Sanguinetto, whose sinister name is the one memento of that day of slaughter, was a river of stones agape for the September rains.

'Far other scene is Thrasymene now;
Her lake a sheet of silver, and her plain
Rent by no ravage save the gentle plough;
Her aged trees rise thick as once the slain
Lay where their roots are; but a brook hath ta'en--
A little rill of scanty stream and bed--
A name of blood from that day's sanguine rain;
And Sanguinetto tells you where the dead
Made the earth wet, and turn'd the unwilling waters red.'

CHILDE HAROLD.

ASSISI

Almost the first thing we noticed in Assisi was the Biblical simplicity of life. This little city, rose and white, upon the lower slopes of Subasio would be like a picture out of the Bible if it were not so Gothic. Its steep and rough-paved streets have grasses growing in between their stones; its grim and silent houses, built of Subasian rock, are as unresponsive as the East; at their barred gates stand mules and asses tethered, with clumsy wooden saddles on their backs, or sacks of grain thrown pannier-wise. It is not only Francis and his companions that you might see walking in this poor and humble town, but Jesus of Nazareth.

For Assisi still wears the thread-bare garment of her poverty, notwithstanding the great basilica on the hillside, which is rich out of all comparison with the poor little city of St. Francis. Long, long ago in the thirteenth century she dedicated her life to him, giving up her worldly vanities and espousing Lady Poverty, 'that Dame to whom none openeth pleasure's gate.' So that the story of the splendid young men of Assisi, whose magnificent equipages drew the eyes of Rome in the seventeenth century, comes as an echo of another place. I think she loved him from the first, when he was still gay Cecco of the midnight revels, Lord of Love, the boon companion of her merry youths. She listened to his songs--the soft Provençal songs which he had learnt from the lips of Madonna Pica, his mother--and smiled at his caprices, pleading his youth when others shook their heads. Later, when the world made a jest of the penitent, and his friends scorned him, and the hand of the people was against him, she wept for him, and gazed with wistful eyes down to the valleys where he ministered to her outcasts, and garnered in his soul that Peace of the Lord which passeth all understanding. She is like the bride of whom the poet of the Israelites sang, looking and listening for the voice of her beloved.

'The voice of my beloved! Behold he cometh, leaping upon the
mountains, skipping upon the hills.

My beloved is like the roe or a young hart: behold, he standeth
behind our wall, he looketh forth at the windows, showing himself
through the lattice.

My beloved spake, and said unto me, Rise up, my love, my fair
one, and come away.

For lo, the winter is past, the rain is over and gone;

The flowers appear on the earth; the time of the singing of birds
is come, and the voice of the turtle is heard in our land;

The fig-tree putteth forth her green figs, and the vines with the
tender grape give a good smell. Arise, my love, my fair one, and
come away.'

But if there had been no Saint Francis to raise her to the foremost rank of shrines, and sanctify her with a special crown of holiness, Assisi would still be one of the most lovely cities in the garden of Umbria. She has grown like a fair white flower upon the brown slope of Monte Subasio, whose shoulder is a bulwark between the ragged Appennines and the soft valleys of Umbria.

It is a sudden revelation, as though the landscape foreshadowed the history of Assisi, to stand on the windy height of her Rocca, and first to look down on the rolling Umbrian hills, clothed with the tender green of vines and olives, which have gentle streams meandering at their feet, and then to turn to the eastern slope of Subasio and see the brown and barren mountains ravening away to the horizon, like an angry sea, now towering into broken peaks, now falling back with steep, scarred sides, red as wounds where the ruddy limestone has been torn from them. On the one hand there is that Peace of God which St. Francis scattered through the turbulent thirteenth century, and which has lingered in the grass-grown streets of his native city; and, on the other, the bloody wars and revolutions which racked Assisi from the day that Rome first put its yoke upon her, to the sixteenth century, when she surrendered a second time to the Imperial city, and yielded up her keys to Paul III. For her history is one long tale of disasters. She fell a victim to so many conquerors--Totila, Charlemagne, Frederick Barbarossa, and the condottieri of her enemy Perugia--Biordo Michelotti, Braccio Fortebraccio, and Niccolò Piccinino. And from the sack of the terrible little man, Niccolò, Assisi never recovered: to this day there is a spacious olive-garden between the Rocca and the town itself, on which the disheartened Assisans had not the spirit to rebuild their ravished homes.

Assisi is full of forgotten charms. No other city in Umbria, except proud Spoleto, can boast as many traces of her Roman greatness. Though her amphitheatre has vanished underground, its lines are clearly preserved by the houses which are built above it; there is a wonderful Roman cistern below the cathedral; there are fragments of a theatre, and a drain of excellent masonry in the Canon's garden; and in the Piazza Vittore Emanuele is the exquisite portico of the Temple of Minerva, which, legend says, was built by Dardanus of Troy. Be that as it may, this temple of the Goddess of Wisdom, which was long ago dedicated to the Mother of Christ, and on whose steps St. Francis often stood to preach, is one of the most perfect Roman temple-façades extant, notwithstanding the mass of mediaeval buildings which crowd in upon it, or the foreshortening of its pronaos, half sunk below the pavement of the piazza.

It would be difficult to find a more completely Gothic place than Assisi. Except for the great hotels near San Francesco, the sixteenth-century church of Santa Maria degli Angeli, and the palaces of the Via Superba, in which the spendthrift nobles of the seventeenth century entertained Queen Christina of Sweden, there is hardly anything in Assisi that is not of the Gothic age. If all the bricked-up loggias and windows of Assisi were opened out, she would look like a city frescoed by Benozzo Gozzoli.

And she has many treasures which the hurried traveller does not dream of. Who, for instance, ever remembers the ancient cathedral of Santa Maria Maggiore, and the Bishop's Palace, where Saint Francis renounced his earthly heritage; or climbs the hill to see the cathedral of San Rufino, with its wonderful Romanesque façade, mystic with strange carvings, and its font in which not only Francis, but the great Emperor Frederick II., was baptized? How many people have lingered to look at the little loggia of the Comacine masters at the foot of one of the stair-streets of Assisi, which seem to have been created by the imagination of Albrecht Dürer? Or the sunken loggia of the Monte Frumentario, one of the most ancient municipal buildings in Assisi, which still carries on its original business and makes loans of money and seed to the peasantry, so that they shall not be ruined in the lean years of agriculture? How many have seen the little Chapel of the Pilgrims, founded by the Confraternity of St. Anthony in honour of their saint as a hospice for poor pilgrims, though it is frescoed by Matteo de Gualdo and Mesastris of Foligno?

There are few even who have visited the minor relics of St. Francis,--the Carcere; the cell in the garden of San Rufino in which the Miracle of the Fiery Chariot took place; the little parish church of San Giorgio; and the chapels scattered through the fields of Umbria in which he worked and prayed.

It is San Francesco which most people come to see; San Francesco, one of the most inspired Gothic buildings in Italy, made sacrosanct with the body of Francis, illuminated with all that Tuscany could yield of art in the far-back thirteenth century. So all those dreams of poverty and humility which were the moving spirit of the Early Companions have come to naught. It avails nothing that when the hand of death lay heavy upon Francis, he yielded up even the coarse rough robe, his last possession, and but for his hair-shirt lay naked upon the ground, until a brother covered him with another garment, given 'as to one who has made himself poor for the love of God.' Nor does his humility count for anything, for though his petition to be buried on the Collis Inferni among the criminals and malefactors was granted, he was not given the humble grave he sought; and it is probable that Pope Gregory, who changed the name of the hill from that day to Collis Paradisi, only yielded to the saint's request because there was no other spot near the city walls suitable for the huge monument which he and Brother Elias were preparing to build.

There is a story that the irresponsible Leo, the constant friend and companion of Francis, whom he so lovingly called 'the little sheep of God,' broke the porphyry vase for alms and collections which Brother Elias placed outside the church that all might contribute to its building. But it needed more than the simple Leo's protest to stem the flood of innovations which the ambitious Vicar-General was introducing into the Order. Even in his life-time St. Francis could not hold it back. Who, knowing the pathetic story of his home-coming from the East, and his disappointment at seeing the sumptuous Convent of the Brothers Minor in Bologna, can think that this splendid basilica does not weigh heavily upon the bones of the little poor man of Assisi? But it was inevitable. He had more to combat than the ambitions of individuals; there was the papacy to reckon with, the luxurious and effete Court of Rome, which saw well enough the moral of the Rule of Francis, but had no mind to make a bride of Poverty.

'Provide neither gold nor silver nor brass in your purses, nor scrip for your journey, neither two coats, neither shoes nor yet staves. And, as ye go, preach, saying, the Kingdom of Heaven is at hand.' Thus, literally, did Francis, the splendid Idealist of the Middle Ages, whose faith in human nature was second only to his faith in God, follow the teaching of Jesus of Nazareth. Only once in a hundred ages does such a star arise in the East to illumine the darkness of the world and oppose the primeval laws of disaster. We know how much he achieved, what a vista of purity and love he opened to the thirteenth century, and how signally even this fervent age failed to respond to the voice of the Herald of God who preached repentance, and sang the praises of his Maker through the sunlit fields and gardens of Italy. So that there is much pathos in this mighty temple on the western rock of Assisi, which is the mausoleum of all the beautiful impracticable dreams of Francis as well as the shrine on which devotion, art and wealth have lavished every resource to make it a worthy resting-place for the Messiah of the Middle Ages.

It was the hour of sunset when we first climbed up the slope of Monte Subasio, and Assisi and her great church were rose-red, as though they glowed with inward fires. We left our vettura at the city gates, telling the driver to take our luggage to the inn, and we ourselves turned up the hill to San Francesco. As we approached it through the long arcades of the lower piazza the great golden church with its towers and gables, its buttressed sides, its jewelled windows and gracious portico, and the noble steps which lead up to the Chiesa Superiore, had something of the eternal beauty of St. Mark's at Venice.

We passed through a group of the clamorous beggars who besiege the pilgrim at the door of San Francesco, like a canker at the heart of a perfect fruit, and plunged into the gloom of the Lower Church. After the gold splendour of the sunset our eyes could distinguish little except the royal tombs which line the vestibule, and the great barrel arches which span the vault. But as we groped our way through the vast dim nave the world of Giotto, Cimabue and the Lorenzetti loomed on us through the shadows like a memory. The walls of chapel and transept were held in the bondage of shadow, but here and there some sweet familiar face looked down upon us with its golden halo fired by the last light of day. It was very dark. Vespers were over. One little lamp hanging in the Cappella San Martino only emphasised the gloom, but our footsteps were lighted by a faint glare radiating from the lowest tier of the altar. We could not imagine whence it came, shining so low in our path, until we drew near and beheld through the grille a lamp, suspended below the floor above the tomb of Francis. It was as though the luminous presence of the saint himself was guiding our feet through the shadows.

I have been many times to see San Francesco since the first night I climbed Assisi's hill, but I have never passed from the sunlight, which the little Poor Brother loved so well, into that shadowy vault without feeling something pulling at my heart-strings, for there is an atmosphere of sadness in San Francesco. Below all this splendour Francis is crushed out of thought just as his body is crushed out of sight by his massive tomb. It is Brother Elias, not Francis, whom we meet in these dim rich chapels; and the fabric of the great church and convent is a monument to human frailty rather than to individual holiness. But it is so completely lovely, so full of memories, with its unbroken chain of faith and prayer to link it to the thirteenth century, that I would not have one jot or tittle of it altered. It is one of the chief gems in Italy's crown of beauty, an inexhaustible treasure-house.

Every day, although we were living at the other end of Assisi, our feet wandered down the hillside to San Francesco. Now it was to hear Mass in the dim Lower Church when clouds of incense veiled Giotto's canopy of allegories above the High Altar, and the peasants knelt humbly round the shrine of the little Poor One, who having nothing gained the whole world. Now to gaze upon the pitiful relics of the saint housed in the magnificent carved presses of the sacristy--the fragments of his death-clothes; the original register of Honorius III.; the Blessing of St. Leo in Francis' handwriting; and, most touching of all, the rough sandals which Saint Clare made with her own hands for the beloved Father, when his poor weary feet, with their sacred wounds, could no longer tread the stony Umbrian roads. Now we would wander through the chapels spelling out the frescoes of Martini and the lesser Tuscans, pausing awhile before the tomb of that forgotten Queen of Cyprus, who is only remembered for her priceless gift of ultramarine, presented in the porphyry vase which is still to be seen in the east transept; or by the shadowy tomb of Madonna Giacobba di Settisoli, the Roman lady who loved Francis, and ministered to him at the last, bringing him his shroud and the candles for his burying, and, pitiful and human touch, the little comfits which had pleased him when he lay sick in Rome.

Nor did we ever weary of the small cloister of San Francesco with its faded grey of bricks and mortar, its cypresses and lichens, and the _stemme_ of the nobles who lie below its pavement. It is a veritable home of peace. The walls are veiled in hanging creepers; there is a little box-hedge and a shower of sun-flecked acacias and lilacs from which the grey trunks of giant cypresses soar like the columns of a mighty temple. Dragon-flies flash through the warm, pine-scented air, and in the heart of it there is a crucifix to turn the thoughts of the brothers to holiness, lest they should be distracted by the sight of so much beauty, as they walk in the garden before their Mass.

And many a golden afternoon did we while away in the beautiful Gothic Chiesa Superiore, whose walls Giotto has illumined with the story of St. Francis. It would be hard to find two buildings in such strong contrast as the Upper and Lower churches of San Francesco. The Chiesa Inferiore, with its great barrel arches, its shadows and its dim frescoes, moves the world most, for it is full of the suggestion of beautiful unseen things; but the Upper Church has blossomed like the flowers of the field above the tomb of Francis. It is a miracle of light and spaciousness and colour, with rich stained windows and soaring arches; and the white cities of Giotto's frescoes, and the exquisite blues of his many heavens encircle the walls like a gay ribbon below the faded reds and yellows of Cimabue.

Here at least we cannot but feel grateful to Brother Elias, for from the beginning the Franciscans were patrons of the art of painting, and they were among the first to encourage the independent school of art as distinct from the work of Byzantium. Giunto da Pisa clothed the walls of the transept, and Cimabue and his pupils were called in to complete the decorations of the Upper Church. Thus it befell that, while Cimabue was painting some of his masterpieces on the walls above, Giotto, serving his apprenticeship and working with the other pupils of his Master's atelier, stretched out his hand to snatch the greater laurel.

'Cimabue thought
To lord it over painting's field; and now
The cry is Giotto's, and his name eclipsed.'[17]

Many years later, when his fame was assured, Giotto came back to paint his allegories in the place of honour over the High Altar of the Lower Church. What did he think of it all, I wonder, this Florentine, this lover of beautiful things, this shepherd who left his sheep and his poverty and lighted the difficult path of art by the torch of his genius? Did he too love the memory of Francis? Or was it beyond his understanding that a man should dream of giving up all the world to follow a vision of eternal life? Perhaps he shrugged his shoulders over the whole thing, and painted on, with little thought for the saint, but all his heart in his ambitions, and in the beautiful church which he was helping to adorn.

Truly it is a temple of Art this Franciscan Holy of Holies, but pilgrims who are questing for the gentle spirit of St. Francis should come away, nor hope to find it in the other great shrine of Assisi, Santa Chiara, the resting-place of Clare. Santa Chiara is inside the eastern gate of Assisi, close to the ancient palace of the Scifi in which the saint was born. It is a bare and empty church whose frescoes, according to the sacristan, were white-washed by a seventeenth-century bishop, because so many strangers came to disturb the nuns! But this Goth, who is said to have been of German extraction, left untouched some exquisite gold pictures of virgin saints over the High Altar, nor did he deem it worth while to destroy the frescoes which cover the walls of the ancient parish church of San Giorgio. For which we should be grateful, because half-hidden behind the gaudy trappings of its altar are two expressive and beautiful pictures of the Madonna and Saint Clare.