Chapter XIII: Prologue (2)
LIN. Let me begin first, I beseech you; but if you will needs have the end first--thus 'tis: the commonwealth of Microcosm at this instant suffers the pangs of death, 'tis gasping for breath. Will you have all? 'tis poisoned.
PHA. What apothecary durst be so bold as make such a confection? ha, what poison is't?
LIN. A golden crown.
MEN. I mistake; or else Galen, in his book "De Sanitate Tuenda," commends gold as restorative.
COM. SEN. Lingua, express yourself.
MEN. Madam, if you want breath, let me help you out.
LIN. I prythee do, do.
MEN. My lord, the report is that Mercury, coming late into this country, in this very place left a coronet with this inscription, _that the best of the five should have it_, which the Senses thinking to belong unto them--
LIN. Challenge each other, and are now in arms, and't like your lordship.
COM. SEN. I protest it likes not me.
LIN. Their battles are not far hence; ready ranged.
COM. SEN. O monstrous presumption! what shall we do?
MEM. My lord, in your great grandfather's time there was, I remember, such a breach amongst them; therefore my counsel is that, after his example, by the strength of your authority you convene them before you.
COM. SEN. Lingua, go presently; command the Senses, upon their allegiance to our dread sovereign Queen Psyche, to dismiss their companies, and personally to appear before me without any pretence of excuse.
LIN. I go, my lord.
PHA. But hear you, madam? I pray you, let your Tongue's page[229] walk with us a little, till you return again.
LIN. With all my heart. [_Exit_ LINGUA.
PHA.[230] Hot youths, I protest: saw you those warlike preparations?
MEN, Lately, my lords, I sped into the army; But O, 'tis far beyond my reach of wit Or strength of utterance to describe their forces.
COM. SEN. Go to; speak what thou canst.
MEN. Upon the right hand of a spacious hill Proud Visus marshalleth a puissant army, Three thousand eagles strong, whose valiant captain Is Jove's swift thunder-bearer, that same bird, That hoist up Ganymede from the Trojan plains. The vanguard strengthened with a wondrous flight Of falcons, haggards, hobbies, terselets,[231] Lanards and goshawks, sparhawks, and ravenous birds. The rearward granted to Auditus' charge, Is stoutly follow'd with an impetuous herd Of stiff-neck'd bulls and many horn-mad stags, Of the best head the forest can afford.
PHA. I promise you, a fearful troop of soldiers.
MEN. Right opposite stands Tactus, strongly mann'd With three thousand bristled urchens[232] for his pikemen, Four hundred tortoises for elephants; Besides a monstrous troop of ugly spiders, Within an ambushment he hath commanded Of their own guts to spin a cordage fine, Whereof t'have fram'd a net (O wondrous work!) That, fastened by the concave of the moon, Spreads down itself to th'earth's circumference.
MEM. 'Tis very strange; I cannot remember the like engine at any time.
MEN. Nay more, my lord, the masks[233] are made so strong, That I myself upon them scal'd the heavens, And boldly walk'd about the middle region, Where, in the province of the meteors, I saw the cloudy shops of hail and rain, Garners of snow, and crystals full of dew; Rivers of burning arrows, dens of dragons, Huge beams of flames, and spears like firebrands. Where I beheld hot Mars and Mercury, With rackets made of spheres and balls of stars, Playing at tennis for a tun of Nectar. And that vast gaping of the firmament Under the southern pole is nothing else But the great hazard[234] of their tennis-court; The Zodiac is the line; the shooting stars, Which in an eye-bright evening seem to fall, Are nothing but the balls they lose at bandy. Thus, having took my pleasure with those sights, By the same net I went up I descended.
COM. SEN. Well, sirrah, to what purpose tends this stratagem?
MEN. None know directly; but I think it is T'entrap the eagles, when the battles join.
PHA. Who takes Tactus his part?
MEN. Under the standard of thrice-hardy Tactus, Thrice-valiant Gustus leads his warlike forces; An endless multitude of desperate apes; Five hundred marmosets and long-tail'd monkeys, All trained to the field, and nimble gunners.
PHA. I imagine there's old moving[235] amongst them: methinks a handful of nuts would turn them all out of their soldiers' coats.
MEN. Ramparts of pasty-crust and forts of pies, Entrench'd with dishes full of custard stuff, Hath Gustus made, and planted ordinance-- Strange ordinance, cannons of hollow canes, Whose powder's rape-seed, charg'd with turnip-shot.
MEM. I remember, in the country of Utopia[236] they use no other kind of artillery.
COM. SEN. But what's become of Olfactus?
MEN. He politicly leans to neither part, But stands betwixt the camps as at receipt, Having great swine[237] his pioneers to entrench them.
PHA. In my foolish imagination Olfactus is very like the Goddess of Victory, that never takes any part but the conqueror's.
MEN. And in the woods be[238] placed secretly Two hundred couple of hounds and hungry mastiffs; And o'er his head hover at his command A cloud of vultures, which o'erspread the light, Making a night before the day be done: But to what end not known, but fear'd of all.
PHA. I conjecture he intends to see them fight, and after the battle to feed his dogs, hogs, and vultures upon the murdered carcases.
MEN. My lord, I think the fury of their anger will not be obedient to the message of Lingua; for otherwise, in my conceit, they should have been here ere this. With your lordship's good liking, we'll attend upon you to see the field for more certainty.
COM. SEN. It shall be so; come, Master Register, let's walk.
[_Exeunt omnes_.
ACTUS TERTIUS, SCAENA PRIMA.
ANAMNESTES, _with a purse in his hand_.
ANA. Forsooth, Oblivio, shut the door upon me; I could come no sooner: ha! is he not here? O excellent! would I were hanged, but I looked for a sound rap on the pate, and that made me beforehand to lift up this excuse for a buckler. I know he's not at court, for here is his purse, without which warrant there's no coming thither; wherefore now, Anamnestes, sport thyself a little, while thou art out of the prison of his company. What shall I do? by my troth, anatomise his purse in his absence. Plutus send there be jewels in it, that I may finely geld it of the stones--the best, sure, lies in the bottom; pox on't, here's nothing but a company of worm-eaten papers: what's this? Memorandum that Master Prodigo owes me four thousand pounds, and that his lands are in pawn for it. Memorandum that I owe. That he owes? 'Tis well the old slave hath some care of his credit; to whom owes he, trow I? that I owe Anamnestes; what, me? I never lent him anything; ha, this is good, there's something coming to me more than I looked for. Come on; what is't? Memorandum that I owe Anamnestes------a breeching;[239] i'faith, sir, I will ease you of that payment. [_He rends the bill_.] Memorandum that, when I was a child, Robusto tripped up my heels at football: what a revengeful dizard[240] is this?
SCAENA SECUNDA.
MENDACIO, _with cushions under his arms,
trips up_ ANAMNESTES' _heels_.
MENDACIO, ANAMNESTES.
ANA. How now?
MEN. Nothing, but lay you upon the cushion, sir, or so.
ANA. Nothing, but lay the cushion upon you, sir.
MEN, What, my little Nam? By this foot, I am sorry I mistook thee.
ANA. What, my little Men? By this hand, it grieves me I took thee so right. But, sirrah, whither with these cushions?
MEN. To lay them here, that the judges may sit softly, lest my Lady Lingua's cause go hard with her.
ANA. They should have been wrought with gold; these will do nothing. But what makes my lady with the judges?
MEN. Pish! know'st not? She sueth for the title of a Sense, as well as the rest that bear the name of the Pentarchy.
ANA. Will Common Sense and my master leave their affairs to determine that controversy?
MEN. Then thou hear'st nothing.
ANA. What should I hear?
MEN. All the Senses fell out about a crown fallen from heaven, and pitched a field for it; but Vicegerent Common Sense, hearing of it, took upon him to umpire the contention, in which regard he hath appointed them (their arms dismissed) to appear before him, charging every one to bring, as it were in a show, their proper objects, that by them he may determine of their several excellencies.
ANA. When is all this?
MEN. As soon as they can possibly provide.
ANA. But can he tell which deserves best by their objects?
MEN. No, not only; for every Sense must describe his instrument, that is, his house, where he performs his daily duty, so that by the object and the instrument my lord can with great ease discern their place and dignities.
ANA. His lordship's very wise.
MEN. Thou shalt hear all anon. Fine Master Phantastes and thy master will be here shortly. But how is't, my little rogue? methinks thou look'st lean upon't!
ANA. Alas! how should I do otherwise, that lie all night with such a raw-boned skeleton as Memory, and run all day on his errands? The churl's grown so old and forgetful, that every hour he's calling, Anamnestes, Remembrance; where art, Anamnestes? Then presently something's lost. Poor I must run for it, and these words, _Run, boy; come, sirrah, quick, quick, quick_! are as familiar with him as the cough, never out on's mouth.
MEN. Alack, alack! poor rogue, I see my fortunes are better. My lady loves me exceedingly; she's always kissing me, so that I tell thee, Nam, Mendacio's never from betwixt her lips.
ANA. Nor I out of Memory's mouth,[241] but in a worse sort, always exercising my stumps, and, which is more, when he favours best, then I am in the worst taking.
MEN. How so?
ANA. Thus: when we are friends, then must I come and be dandled upon his palsy-quaking knees, and he'll tell me a long story of his acquaintance with King Priamus and his familiarity with Nestor, and how he played at blowpoint[242] with Jupiter, when he was in his sidecoats, and how he went to look bird-nests with Athous,[243] and where he was at Deucalion's flood, and twenty such old wives' tales.
MEN. I wonder he, being so old, can talk so much.
ANA. Nature, thou know'st, knowing what an unruly engine the tongue is, hath set teeth round about for watchmen. Now, sir, my master's old age hath coughed out all his teeth, and that's the cause it runs so much at liberty.
MEN. Philosophical!
ANA. O, but there's one thing stings me to the very heart--to see an ugly, foul, idle, fat, dusty cloghead, called Oblivio, preferred before me. Dost know him?
MEN. Who, I? Ay, but care not for his acquaintance. Hang him, blockhead! I could never abide him. Thou, Remembrance, are the only friend that the arms of my friendship shall embrace. Thou hast heard _Oportet mendacem esse memorem_. But what of Oblivio?
ANA. The very naming of him hath made me forget myself. O, O, O, O, that rascal is so made of everywhere!
MEN. Who, Oblivio?
ANA. Ay, for our courtiers hug him continually in their ungrateful bosoms, and your smooth-bellied,[244] fat-backed, barrel-paunched, tun-gutted drones are never without him. As for Memory, he's a false-hearted fellow; he always deceives them; they respect not him, except it be to play a game at chests,[245] primero,[246] saunt,[247] maw,[248] or such like.
MEN. I cannot think such fellows have to do with Oblivio, since they never got anything to forget.
ANA. Again, these prodigal swaggerers that are so much bound to their creditors, if they have but one cross about them, they'll spend it in wine upon Oblivio.
MEN. To what purpose, I prythee?
ANA. Only in hope he'll wash them in the Lethe of their cares.
MEN. Why, then, no man cares for thee.
ANA. Yes, a company of studious paperworms and lean scholars, and niggarly scraping usurers, and a troop of heart-eating, envious persons, and those canker-stomached, spiteful creatures that furnish up commonplace books with other men's faults. The time hath been, in those golden days when Saturn reigned, that, if a man received a benefit of another, I was presently sent for to put him in mind of it; but now, in these iron afternoons, save your friend's life, and Oblivio will be more familiar with him than you.
SCAENA TERTIA.
HEURESIS, MENDACIO, ANAMNESTES.
HEU. Phantastes not at court? Is't possible? 'Tis the strangest accident that ever was heard of. I had thought the ladies and gallants would never lie without him.
ANA. Hist, hist, Mendacio; I prythee observe Heuresis. It seems he cannot find his master, that's able to find out all things. And art thou now at a fault? Canst not find out thine own master?
HEU. I'll try one more way. O yes![249]
MEN. What a proclamation for him?
ANA. Ay, ay, his nimble head is always full of proclamations.
HEU. O yes!
MEN. But doth he cry him in the wood?
ANA. O good sir, and good reason, for every beast hath Phantasy at his pleasure.
HEU. O yes! If any man can tell any tidings of a spruce, neat, apish, nimble, fine, foolish, absurd, humorous, conceited, fantastic gallant, with hollow eyes, sharp look, swart complexion, meagre face, wearing as many toys in his apparel as fooleries in his looks and gesture, let him come forth and certify me thereof, and he shall have for his reward--
ANA. I can tell you where he is. What shall he have?
HEU. A box o' the ear, sirrah. [_Snap_.]
ANA. How now, Invention, are you so quick-fingered? I'faith, there's your principal, sirrah, [_snap_], and here's the interest ready in my hand [_snap. They fall together by the ears_.] Yea, have you found out scratching? Now I remember me--
HEU. Do you bite me, rascal?
MEN. Ha, ha, ha, ha, ha! Here's the lively picture of this axiom, _A quick invention and a good memory can never agree_. Fie, fie, fie: Heuresis! beat him, when he's down?
ANA. Prythee, let's alone: proud jackanapes, I'll--
HEU. What will you do?
ANA. Untruss thy points, and whip thee, thou paltry ----. Let me go, Mendacio, if thou lov'st me. Shall I put up the--
MEN. Come, come, come, you shall fight no more, in good faith. Heuresis, your master will catch you anon.
HEU. My master! where is he?
MEN. I'll bring you to him; come away.
HEU. Anamnestes, I scorn that thou shouldst think I go away for fear of anything thou canst do unto me. Here's my hand, as soon as thou canst pick the least occasion, put up thy finger, I am for thee.
ANA. When thou dar'st, Heuresis, when thou dar'st, I'll be as ready as thyself at any time. [_Exeunt_ MENDACIO _and_ HEURESIS.] This Heuresis, this Invention, is the proudest jackanapes, the pertest, self-conceited boy that ever breathed. Because, forsooth, some odd poet or some such fantastic fellows make much on him, there's no ho with him.[250] The vile dandi-prat will overlook the proudest of his acquaintance; but well I remember me, I learned a trick t'other day to bring a boy o'er the thigh finely. If he come, i'faith, I'll tickle him with it.
[MENDACIO _comes running back in great haste_.
MEN. As I am a rascal, Nam, they are all coming. I see Master Register trudging hither as fast as his three feet will carry up his four ages.
[_Exit_ MENDACIO.
SCAENA QUARTA.
MEMORIA, ANAMNESTES.
MEM. Ah, you leaden-heeled rascal!
ANA. Here 'tis, sir; I have it, I have it.
MEM. Is this all the haste you make?
ANA. An't like your worship, your cloghead Oblivio went before me, and foiled the trail of your footsteps, that I could hardly undertake the quest of your purse, forsooth.
MEM. You might have been here long ere this. Come hither, sirrah, come hither: what, must you go round about? Goodly, goodly, you are full of circumstances.
ANA. In truth, sir, I was here before, and missing you, went back into the city, sought you in every alehouse, inn, tavern, dicing-house, tennis-court, stews, and such like places, likely to find your worship in.
MEM. Ha, villain! am I a man likely to be found in such places, ha?
ANA. No, no, sir; but I was told by my Lady Lingua's page that your worship was seeking me; therefore I inquired for you in those places, where I knew you would ask for me, an it please your worship.
MEM. I remember another quarrel, sirrah; but--well, well, I have no leisure.
SCAENA QUINTA.
COMMUNIS SENSUS, LINGUA, PHANTASTES, MEMORY, ANAMNESTES.
COM. SEN. Lingua, the Senses, by our appointment, anon are to present their objects before us. Seeing, therefore, they be not in readiness, we license you in the meanwhile, either in your own person or by your advocate, to speak what you can for yourself.
LIN. My lord, if I should bring before your honour all my friends, ready to importune you in my behalf, I should have so many rhetoricians, logicians, lawyers, and (which is more) so many women, to attend me, that this grove would hardly contain the company; wherefore, to avoid the tediousness, I will lay the whole cause upon the tip of mine own tongue.
COM. SEN. Be as brief as the necessity of our short time requires.
LIN. My lord, though the _imbecillitas_ of my feeble sex might draw me back from this tribunal, with the _habenis_, to wit _timoris_ and the _Catenis pudoris_, notwithstanding being so fairly led on with the gracious [Greek: epiecheia] of your _justissime_ [Greek: dikaiosynaes]. Especially so _aspremente spurd' con gli sproni di necessita mia pugente_, I will without the help of orators commit the _totam salutem_ of my action to the _volutabilitati_ [Greek: ton gynaicheion logon], which _avec vostre bonne plaisir_, I will finish with more than _Laconicâ brevitate_.
COM. SEN. What's this? here's a gallimaufry of speech indeed.
MEM. I remember about the year 1602 many used this skew kind of language which, in my opinion, is not much unlike the man Platony,[251] the son of Lagus, king of Egypt, brought for a spectacle, half-white, half-black.
COM. SEN. I am persuaded these same language-makers have the very quality of cold in their wit, that freezeth all heterogeneal languages together, congealing English tin, Grecian gold, Roman latten[252] all in a lump.
PHA. Or rather, in my imagination, like your fantastical gull's apparel, wearing a Spanish felt, a French doublet, a Granado stocking, a Dutch slop, an Italian cloak, with a Welsh freeze jerkin.
COM. SEN. Well, leave your toying: we cannot pluck the least feather from the soft wing of time. Therefore, Lingua, go on, but in a less formal manner. You know an ingenious oration must neither swell above the banks with insolent words, nor creep too shallow in the ford with vulgar terms; but run equally, smooth and cheerful, through the clean current of a pure style.
LIN. My lord, this one thing is sufficient to confirm my worth to be equal or better than the Senses, whose best operations are nothing till I polish them with perfection; for their knowledge is only of things present, quickly sublimed with the deft[253] file of time: whereas the tongue is able to recount things past, and often pronounce things to come, by this means re-edifying such excellences as time and age do easily depopulate.
COM. SEN. But what profitable service do you undertake for our dread queen Psyche?
LIN. O, how I am ravished to think how infinitely she hath graced me with her most acceptable service! But above all (which you, Master Register, well remember), when her highness, taking my mouth for her instrument, with the bow of my tongue struck so heavenly a touch upon my teeth, that she charmed the very tigers asleep, the listening bears and lions to couch at her feet, while the hills leaped, and the woods danced to the sweet harmony of her most angelical accents.
MEM. I remember it very well. Orpheus played upon the harp, while she sung, about some four years after the contention betwixt Apollo and Pan, and a little before the excoriation of Marsyas.
ANA. By the same token the river Alpheus, at that time pursuing his beloved Arethusa, dischannelled himself of his former course, to be partaker of their admirable consort[254], and the music being ended, thrust himself headlong into earth, the next way to follow his amorous chace. If you go to Arcadia, you shall see his coming up again.
COM. SEN. Forward, Lingua, with your reason.
LIN. How oft hath her excellency employed me as ambassador in her most urgent affairs to foreign kings and emperors--I may say to the gods themselves? How many bloodless battles have my persuasions attained, when the Senses' forces have been vanquished? how many rebels have I reclaimed, when her sacred authority was little regarded? Her laws (without exprobation be it spoken) had been altogether unpublished, her will unperformed, her illustrious deeds unrenowned, had not the silver sound of my trumpet filled the whole circuit of the universe with her deserved fame. Her cities would dissolve, traffic would decay, friendships be broken, were not my speech the knot, mercury, and mastic, to bind, defend, and glue them together. What should I say more? I can never speak enough of the unspeakable praise of speech, wherein I can find no other imperfection at all, but that the most exquisite power and excellency of speech cannot sufficiently express the exquisite power and excellency of speaking.
COM. SEN. Lingua, your service and dignity we confess to be great; nevertheless these reasons prove you not to have the nature of a Sense.
LIN. By your ladyship's favour, I can soon prove that a Sense is a faculty, by which our queen sitting in her privy chamber hath intelligence of exterior occurrences. That I am of this nature, I prove thus. The object which I challenge is--
_Enter_ APPETITUS _in haste_.
APP. Stay, stay, my lord; defer, I beseech you, defer the judgment.
COM. SEN. Who's this that boldly interrupts us thus?
APP. My name is Appetitus, common servant to the pentarchy of the Senses who, understanding that your honour was handling this action of Lingua's, sent me hither thus hastily, most humbly requesting the Bench to consider these articles they allege against her, before you proceed to judgment.
COM. SEN. Hum, here's good stuff; Master Register, read them. Appetitus, you may depart, and bid your mistress make convenient speed.
APP. At your lordship's pleasure. [_Exit_ APPETITUS.
MEM. I remember that I forgot my spectacles; I left them in the 349th page of Hall's "Chronicles," where he tells a great wonder of a multitude of mice, which had almost destroyed the country, but that there resorted a great mighty flight of owls, that destroyed them. Anamnestes, read these articles distinctly.
ANA. Art. 1. Imprimis, We accuse Lingua of high treason and sacrilege against the most honourable commonwealth of letters; for, under pretence of profiting the people with translations, she hath most vilely prostituted the hard mysteries of unknown languages to the profane ears of the vulgar.
PHA. This is as much as to make a new hell in the upper world; for in hell they say Alexander is no better than a cobbler, and now by these translations every cobbler is as familiar with Alexander as he that wrote his life.
ANA. Art. 2. Item, that she hath wrongfully imprisoned a lady called Veritas.
Art. 3. Item, That she's a witch, and exerciseth her tongue in exorcisms.
Art. 4. Item, That she's a common whore, and lets every one lie with her.
Art. 5. Item, that she rails on men in authority, depraving their honours with bitter jests and taunts; and that she's a backbiter, setting strife betwixt bosom friends.
Art. 6. Item, that she lends wives weapons to fight against their husbands.
Art. 7. Item, that she maintains a train of prating pettifoggers, prowling sumners[255], smooth-tongued bawds, artless[256] empirics, hungry parasites, newscarriers, janglers[257], and such like idle companions, that delude the commonalty.
Art. 8. Item, that she made rhetoric wanton, logic to babble, astronomy to lie.
Art. 9. Item that she's an incontinent tell-tale.
Art. 10. Item (which is the last and worst), that she's a woman in every respect, and for these causes not to be admitted to the dignity of a Sense. That these articles be true, we pawn our honours, and subscribe our names.
1. VISUS. 4. OLFACTUS.
3. GUSTUS.
2. AUDITUS. 5. TACTUS.
COM. SEN. Lingua, these be shrewd allegations, and, as I think, unanswerable. I will defer the judgment of your cause, till I have finished the contention of the Senses.
LIN. Your lordship must be obeyed. But as for them, most ungrateful and perfidious wretches--
COM. SEN. Good words become you better; you may depart, if you will, till we send for you. Anamnestes, run, remember Visus; 'tis time he were ready.
ANA. I go. [_Exit_ ANAMNESTES _et redit_.] He stays here, expecting your lordship's pleasure.
SCAENA SEXTA.
_A page carrying a scutcheon argent, charged with an eagle displayed
proper: then_ VISUS, _with a fan of peacock's feathers: next_ LUMEN,
_with a crown of bays and a shield with a bright sun in it,
apparelled in tissue: then a page bearing a shield before_ COELUM,
_clad in azure taffeta, dimpled with stars, a crown of stars on his
head, and a scarf resembling the zodiac overthwart the shoulders:
next a page clad in green, with a terrestrial globe before_ TERRA,
_in a green velvet gown stuck with branches and flowers, a crown of
turrets upon her head, in her hand a key: then a herald, leading in
his hand_ COLOUR, _clad in changeable silk, with a rainbow out of a
cloud on her head: last, a boy_. VISUS _marshalleth his show about
the stage, and presents it before the Bench_.
VISUS, LUMEN, COELUM, PHANTASTES, COMMUNIS SENSUS, MEMORY.
VIS. Lo, here the objects that delight the sight! The goodliest objects that man's heart can wish! For all things, that the orb first movable Wraps in the circuit of his large-stretch'd arms, Are subject to the power of Visus' eyes. That you may know what profit light doth bring, Note Lumen's words, that speaks next following.
LUM. Light, the fair grandchild to the glorious sun, Opening the casements of the rosy morn, Makes the abashed heavens soon to shun The ugly darkness it embrac'd beforn;[258] And, at his first appearance, puts to flight The utmost relics of the hell-born night. This heavenly shield, soon as it is display'd, Dismays the vices that abhor the light; To wanderers by sea and land gives aid; Conquers dismay, recomforteth affright; Rouseth dull idleness, and starts soft sleep, And all the world to daily labour keep. This a true looking-glass impartial, Where beauty's self herself doth beautify With native hue, not artificial, Discovering falsehood, opening verity: The day's bright eye colours distinction, Just judge of measure and proportion. The only means by which each mortal eye Sends messengers to the wide firmament, That to the longing soul brings presently High contemplation and deep wonderment; By which aspirement she her wings displays, And herself thither, whence she came, upraise.
PHA. What blue thing's that, that's dappled so with stars.
VIS. He represents the heaven.
PHA. In my conceit 'Twere pretty, if he thundered when he speaks.
VIS. Then none could understand him.
COEL. Tropic, colures, the equinoctial, The zodiac, poles, and line ecliptical, The nadir, zenith, and anomalies, The azimuth and ephimerides, Stars, orbs, and planets, with their motions, The oriental regradations, Eccentrics, epicyctes, and--and--and--
PHA. How now, Visus, is your heaven at a stay, Or is it his _motus trepidationis_ that makes him stammer? I pray you, Memory, set him a-gate[259] again.
MEM. I remember, when Jupiter made Amphitryo cuckold, and lay with his wife Alcmena, Coelum was in this taking for three days space, and stood still just like him at a nonplus.
COM. SEN. Leave jesting; you'll put the fresh actor out of countenance.
COEL. Eccentrics, epicyctes, and aspects In sextile, trine and quadrate, which effects Wonders on earth: also the oblique part Of signs, that make the day both long and short, The constellations, rising cosmical, Setting of stars, chronic, and heliacal, In the horizon or meridional, And all the skill in deep astronomy, Is to the soul derived by the eye.
PHA. Visus, you have made Coelum a heavenly speech, past earthly capacity; it had been as good for him he had thundered. But I pray you, who taught him to speak and use no action? methinks it had been excellent to have turned round about in his speech.
VIS. He hath so many motions, he knows not which to begin withal.
PHA. Nay, rather it seems he's of Copernicus' opinion, and that makes him stand still.
[TERRA _comes to the midst of the stage, stands still
a while, saith nothing, and steps back_.
COM. SEN. Let's hear what Terra can say--just nothing?
VIS. And't like your lordship, 'twere an indecorum Terra should speak.
MEM. You are deceived; for I remember, when Phaeton ruled the sun (I shall never forget him, he was a very pretty youth), the Earth opened her mouth wide, and spoke a very good speech to Jupiter.
ANA. By the same token Nilus hid his head then, he could never find it since.
PHA. You know, Memory, that was an extreme hot day, and 'tis likely Terra sweat much, and so took cold presently after, that ever since she hath lost her voice.
HER. A canton ermine added to the field Is a sure sign the man that bore these arms Was to his prince as a defensive shield, Saving him from the force of present harms[260].
PHA. I know this fellow of old, 'tis a herald: many a centaur, chimaera[261], barnacle[262], crocodile, hippopotame, and such like toys hath he stolen out of the shop of my Invention, to shape new coats for his upstart gentlemen. Either Africa must breed more monsters,[263] or you make fewer gentlemen, Master Herald, for you have spent all my devices already. But since you are here, let me ask you a question in your own profession: how comes it to pass that the victorious arms of England, quartered with the conquered coat of France, are not placed on the dexter side, but give the flower-de-luce the better hand?
HER. Because that the three lions are one coat made of two French dukedoms, Normandy and Aquitain.
[PHA.][264] But I pray you, Visus, what joy is that, that follows him?
VIS. 'Tis Colour, an object of mine, subject to his commandment.
PHA. Why speaks he not?
VIS. He is so bashful, he dares not speak for blushing: What thing is that? tell me without delay.
BOY. That's nothing of itself, yet every way As like a man as a thing like may be: And yet so unlike as clean contrary, For in one point it every way doth miss, The right side of it a man's left side is; 'Tis lighter than a feather, and withal It fills no place nor room, it is so small.
COM. SEN. How now, Visus, have you brought a boy with a riddle to pose us all?
PHA. Pose us all, and I here? That were a jest indeed. My lord, if he have a Sphinx, I have an Oedipus, assure yourself; let's hear it once again.
BOY. What thing is that, sir, &c.
PHA. This such a knotty enigma? Why, my lord, I think 'tis a woman, for first a woman is nothing of herself, and, again, she is likest a man of anything.
COM. SEN. But wherein is she unlike?
PHA. In everything: in peevishness, in folly. 'St, boy?
HEU. In pride, deceit, prating, lying, cogging, coyness, spite, hate, sir.
PHA. And in many more such vices. Now, he may well say, the left side a man's right side is, for a cross wife is always contrary to her husband, ever contradicting what he wisheth for, like to the verse in Martial, _Velle tuum_.
MEM. _Velle tuum nolo, Dindyme, nolle volo_.
PHA. Lighter than a feather--doth any man make question of that?
MEM. They need not, for I remember I saw a cardinal weigh them once, and the woman was found three grains lighter.
COM. SEN. 'Tis strange, for I have seen gentlewomen wear feathers oftentimes. Can they carry heavier things than themselves?
MEM. O, sir, I remember, 'tis their only delight to do so.
COM. SEN. But how apply you the last verse? it fills no place, sir.
PHA. By my faith, that spoils all the former, for these farthingales take up all the room now-a-days; 'tis not a woman, questionless. Shall I be put down with a riddle? Sirrah Heuresis, search the corners of your conceit, and find it me quickly.
HEU. Eh, [Greek: heureka, heureka] I have it: 'tis a man's face in a looking-glass.
PHA. My lord, 'tis so indeed. Sirrah let's see it, for do you see my right eye here?
COM. SEN. What of your eye?
PHA. O lord, sir, this kind of frown is excellent, especially when 'tis sweetened with such a pleasing smile.
COM. SEN. Phantastes!
PHA. O sir, my left eye is my right in the glass, do you see? By these lips, my garters hang so neatly, my gloves and shoes become my hands and feet so well. Heuresis, tie my shoe-strings with a new knot--this point was scarce well-trussed, so, 'tis excellent. Looking-glasses were a passing invention. I protest the fittest books for ladies to study on--
MEM. Take heed you fall not in love with yourself. Phantastes, as I remember--Anamnestes, who was't that died of the looking disease?
ANA. Forsooth, Narcissus: by the same token he was turned to a daffodil, and as he died for love of himself, so, if you remember, there was an old ill-favoured, precious-nosed, babber-lipped, beetle-browed, blear-eyed, slouch-eared slave that, looking himself by chance in a glass, died for pure hate.
PHA. By the lip of my ---- I could live and die with this face.
COM. SEN. Fie, fie, Phantastes, so effeminate! for shame, leave off. Visus, your objects I must needs say, are admirable, if the house and instrument be answerable. Let's hear therefore in brief your description.
VIS. Under the forehead of Mount Cephalou,[265] That overpeers the coast of Microcosm, All in the shadow of two pleasant groves, Stand by two mansion-houses, both as round As the clear heavens: both twins, as like each other As star to star, which by the vulgar sort, For their resplendent composition, Are named the bright eyes of Mount Cephalon: With four fair rooms those lodgings are contrived, Four goodly rooms in form most spherical, Closing each other like the heavenly orbs: The first whereof, of nature's substance wrought, As a strange moat the other to defend, Is trained movable by art divine, Stirring the whole compacture of the rest: The second chamber is most curiously Compos'd of burnish'd and transparent horn.
PHA. That's a matter of nothing. I have known many have such bed-chambers.
MEM. It may be so, for I remember, being once in the town's library, I read such a thing in their great book of monuments, called "Cornucopia," or rather their "Copiacornu."
VIS. The third's a lesser room of purest glass; The fourth's smallest, but passeth all the former In worth of matter: built most sumptuously, With walls transparent of pure crystalline. This the soul's mirror and the body's guide, Love's cabinet, bright beacons of the realm, Casements of light, quiver of Cupid's shafts, Wherein I sit, and immediately receive The species of things corporeal, Keeping continual watch and sentinel; Lest foreign hurt invade our Microcosm, And warning give (if pleasant things approach), To entertain them. From this costly room Leadeth, my lord, an entry to your house, Through which I hourly to yourself convey Matters of wisdom by experience bred: Art's first invention, pleasant vision, Deep contemplation, that attires the soul In gorgeous robes of flowing literature: Then, if that Visus have deserved best, Let his victorious brow with crown be blest.
COM. SEN. Anamnestes, see who's to come next.
ANA. Presently, my lord.
PHA. Visus, I wonder that amongst all your objects, you presented us not with Plato's idea, or the sight of Nineveh,[266] Babylon, London, or some Stourbridge-fair monsters; they would have done passing well. Those motions, in my imagination, are very delightful.
VIS. I was loth to trouble your honours with such toys, neither could I provide them in so short a time.
COM. SEN. We will consider your worth; meanwhile, we dismiss you.
[VISUS _leads his show about the stage, and so goeth out with it_.
SCAENA ULTIMA.
AUDITUS, _&c_.
AUD. Hark, hark, hark, hark! peace, peace, O, peace! O sweet, admirable, swanlike, heavenly! hark, O most mellifluous strain! O, what a pleasant close was there! O fall[267] most delicate!
COM. SEN. How now, Phantastes! is Auditus mad?
PHA. Let him alone, his musical head is always full of old crotchets.
AUD. Did you mark the dainty driving of the last point, an excellent maintaining of the song; by the choice timpan of mine ear, I never heard a better! hist, 'st, 'st, hark! why, there's a cadence able to ravish the dullest stoic.
COM. SEN. I know not what to think on him.
AUD. There how sweetly the plain-song was dissolved into descant, and how easily they came off with the last rest. Hark, hark, the bitter'st[268] sweetest achromatic.
COM. SEN. Auditus!
AUD. Thanks, good Apollo, for this timely grace, Never couldst thou in fitter hour indulge it: O more than most musical harmony! O most admirable concert! have you no ears? Do you not hear this music?
PHA. It may be good; but, in my opinion, they rest too long in the beginning.
AUD. Are you then deaf? do you not yet perceive The wondrous sound the heavenly orbs do make With their continual motion? hark, hark, O honey-sweet!
COM. SEN. What tune do they play?
AUD. Why such a tune as never was, nor ever shall be heard. Mark now, now mark: now, now!
PHA. List, list, list.
AUD. Hark! O sweet, sweet, sweet.
PHA. List! how my heart envies my happy ears. Hist, by the gold-strung harp of Apollo, I hear the celestial music of the spheres, As plainly as ever Pythagoras did. O most excellent diapason! good, good. It plays _Fortune my foe_,[269] as distinctly as may be.
COM. SEN. As the fool thinketh, so the bell clinketh. I protest I hear no more than a post.
PHA. What, the Lavolta![270] eh? nay, if the heavens fiddle, Fancy must needs dance.
COM. SEN. Prythee, sit still, thou must dance nothing but the passing measures[271]. Memory, do you hear this harmony of the spheres?
MEM. Not now, my lord; but I remember about some four thousand years ago, when the sky was first made, we heard very perfectly.
ANA. By the same token, the first tune the planets played, I remember Venus the treble ran sweet division upon Saturn the bass. The first tune they played was Sellenger's round[272], in memory whereof ever since it hath been called "the beginning of the world."
COM. SEN. How comes it we cannot hear it now?
MEM. Our ears are so well acquainted with the sound, that we never mark it. As I remember, the Egyptian Catadupes[273] never heard the roaring of the fall of Nilus, because the noise was so familiar unto them.
COM. SEN. Have you no other objects to judge by than these, Auditus?
AUD. This is the rarest and most exquisite: Most spherical, divine, angelical; But since your duller ears cannot perceive it, May it please your lordship to withdraw yourself Unto this neighbouring grove: there shall you see How the sweet treble of the chirping birds, And the soft stirring of the moved leaves, Running delightful descant to the sound Of the base murmuring of the bubbling brook[274], Becomes a concert of good instruments; While twenty babbling echoes round about, Out of the stony concave of their mouths, Restore the vanished music of each close, And fill your ears full with redoubled pleasure.
COM. SEN. I will walk with you very willingly, for I grow weary of sitting. Come, Master Register and Master Phantastes.
[_Exeunt_ OMNES.
ACTUS QUARTUS, SCAENA PRIMA.
MENDACIO, ANAMNESTES, HEURESIS.
MEN. Prythee, Nam, be persuaded: is't not better to go to a feast, than stay here for a fray?
ANA. A feast? dost think Auditus will make the judges a feast?
MEN. Faith, ay. Why should he carry them to his house else?
ANA. Why, sirrah, to hear a set or two of songs: 'slid, his banquets are nothing but fish, all sol, sol, sol.[275] I'll teach thee wit, boy; never go thee to a musician's house for junkets, unless thy stomach lies in thine ears; for there is nothing but commending this song's delicate air, that ode's dainty air, this sonnet's sweet air, that madrigal's melting air, this dirge's mournful air: this church air, that chamber air: French air, English air, Italian air. Why, lad, they be pure camelions; they feed only upon air.
MEN. Camelions? I'll be sworn some of your fiddlers be rather camels, for by their good wills they will never leave eating.
ANA. True, and good reason, for they do nothing all the day but stretch and grate their small guts. But, O, yonder's the ape Heuresis; let me go, I prythee.
MEN. Nay, good-now, stay a little, let's see his humour.
HEU. I see no reason to the contrary, for we see the quintessence of wine will convert water into wine; why therefore should not the elixir of gold turn lead into pure gold? [_Soliloquises_.]
MEN. Ha, ha, ha, ha! He is turned chemic, sirrah; it seems so by his talk.
HEU. But how shall I devise to blow the fire of beechcoals with a continual and equal blast? ha? I will have my bellows driven with a wheel, which wheel shall be a self-mover.
ANA. Here's old turning[276]; these chemics, seeking to turn lead into gold, turn away all their own silver.
HEU. And my wheel shall be geometrically proportioned into seven or nine concave encircled arms, wherein I will put equal poises: ay, ay; [Greek: heureka, heureka] I have it, I have it, I have it.
MEN. Heuresis!
HEU. But what's best to contain the quicksilver, ha?
ANA. Do you remember your promise, Heuresis?
HEU. It must not be iron; for quicksilver is the tyrant of metals, and will soon fret it.
ANA. Heuresis? Heuresis?
HEU. Nor brass, nor copper, nor mastlin[277], nor mineral: [Greek: heureka, heureka] I have it, I have it, it must be--
ANA. You have, indeed, sirrah, and thus much more than you looked for.
[_Snap_.
[HEURESIS _and_ ANAMNESTES _about to fight,
but_ MENDACIO _parts them_.
MEN. You shall not fight; but if you will always disagree, let us have words and no blows. Heuresis, what reason have you to fall out with him?
HEU. Because he is always abusing me, and takes the upper hand of me everywhere.
ANA. And why not, sirrah? I am thy better in any place.
HEU. Have I been the author of the seven liberal sciences, and consequently of all learning, have I been the patron of all mechanical devices, to be thy inferior? I tell thee, Anamnestes, thou hast not so much as a point, but thou art beholding to me for it.
ANA. Good, good; but what had your invention been, but for my remembrance? I can prove that thou, belly-sprung invention, art the most improfitable member in the world; for ever since thou wert born, thou hast been a bloody murderer; and thus I prove it: In the quiet years of Saturn (I remember Jupiter was then but in his swathe-bands), thou rentest the bowels of the earth, and broughtest gold to light, whose beauty, like Helen, set all the world by the ears. Then, upon that, thou foundest out iron, and puttest weapons in their hands, and now in the last populous age thou taughtest a scabshin friar the hellish invention of powder and guns.
HEU. Call'st it hellish? thou liest! It is the admirablest invention of all others, for whereas others imitate nature, this excels nature herself.
MEM. True; for a cannon will kill as many at one shot as thunder doth commonly at twenty.
ANA. Therefore more murdering art thou than the light-bolt[278].
HEU. But to show the strength of my conceit, I have found out a means to withstand the stroke of the most violent culverin. Mendacio, thou saw'st it, when I demonstrated the invention.
ANA. What, some woolpacks or mud walls, or such like?
HEU. Mendacio, I prythee tell it him, for I love not to be a trumpeter of mine own praises.
MEN. I must needs confess this device to pass all that ever I heard or saw, and thus it was--first he takes a falcon, and charges it (without all deceits) with dry powder well-camphired[279], then did he put in a single bullet, and a great quantity of drop-shot both round and lachrymal. This done, he sets me a boy sixty paces off, just point blank over against the mouth of the piece. Now in the very midst of the direct line he fastens a post, upon which he hangs me in a cord a siderite of Herculean stone[280].
ANA. Well, well, I know it well, it was found out in Ida, in the year of the world ---- by one Magnes, whose name it retains, though vulgarly they call it the Adamant.
MEN. When he had hanged this adamant in a cord, he comes back, and gives fire to the touchhole: now the powder consumed to a void vacuum--
HEU. Which is intolerable in nature, for first shall the whole machine of the world, heaven, earth, sea, and air, return to the misshapen house of Chaos, than the least vacuum be found in the universe.
MEN. The bullet and drop-shot flew most impetuously from the fiery throat of the culverin; but, O, strange, no sooner came they near the adamant in the cord, but they were all arrested by the serjeant of nature, and hovered in the air round about it, till they had lost the force of their motion, clasping themselves close to the stone in most lovely manner, and not any one flew to endanger the mark; so much did they remember their duty to nature, that they forgot the errand they were sent of.
ANA. This is a very artificial lie.
MEN. Nam, believe it, for I saw it, and which is more, I have practised this device often. Once when I had a quarrel with one of my lady Veritas' naked knaves, and had 'ppointed him the field, I conveyed into the heart of my buckler an adamant, and when we met, I drew all the foins of his rapier, whithersoever he intended them, or howsoever I guided mine arm, pointed still to the midst of my buckler, so that by this means I hurt the knave mortally, and myself came away untouched, to the wonder of all the beholders.
ANA. Sirrah, you speak metaphorically, because thy wit, Mendacio, always draws men's objections to thy forethought excuses.
HEU. Anamnestes, 'tis true, and I have an addition to this, which is to make the bullet shot from the enemy to return immediately upon the gunner. But let all these pass, and say the worst thou canst against me.
ANA. I say, guns were found out for the quick despatch of mortality; and when thou sawest men grow wise, and beget so fair a child as Peace of so foul and deformed a mother as War, lest there should be no murder, thou devisedst poison.
MEN. Nay, fie, Nam, urge him not too far.
ANA. And last and worst, thou foundest out cookery, that kills more than weapons, guns, wars, or poisons, and would destroy all, but that thou invented'st physic, that helps to make away some.
HEU. But, sirrah, besides all this, I devised pillories for such forging villains as thyself.
ANA. Call'st me villain?
[_They fight, and are parted by_ MENDACIO.
MEN. You shall not fight as long as I am here. Give over, I say.
HEU. Mendacio, you offer me great wrong to hold me: in good faith, I shall fall out with you.
MEN. Away, away, away; you are Invention, are you not?
HEU. Yes, sir; what then?
MEN. And you Remembrance?
ANA. Well, sir, well?
MEN. Then I will be Judicium, the moderator betwixt you, and make you both friends; come, come, shake hands, shake hands.
HEU. Well, well, if you will needs have it so.
ANA. I am in some sort content.
[MENDACIO _walks with them, holding them by the hands_.
MEN. Why, this is as it should be; when Mendacio hath Invention on the one hand, and Remembrance on the other, as he'll be sure never to be found with truth in his mouth, so he scorns to be taken in a lie. Eh, eh, eh, my fine wags? Whist!
[COMMUNIS SENSUS _and the rest are seen to approach_.]
ANA. Whist!
HEU. Whist!
SCAENA SECUNDA.
COMMUNIS SENSUS, MEMORY, PHANTASTES, HEURESIS, ANAMNESTES,
_take their places on the bench as before_, AUDITUS _on the
stage, a page before him, bearing his target, the field Sable,
a heart Or; next him_ TRAGEDUS _apparelled in black velvet, fair
buskins, a falchion, &c.; then_ COMEDUS, _in a light-coloured
green taffeta robe, silk stockings, pumps, gloves, &c_.
COMMUNIS SENSUS, MEMORY, PHANTASTES, HEURESIS, ANAMNESTES, &c.
COM. SEN. They had some reason that held the soul a harmony, for it is greatly delighted with music; how fast we were tied by the ears to the consort of Voice's power! but all is but a little pleasure; what profitable objects hath he?
PHA. Your ears will teach you presently, for now he is coming. That fellow in the bays, methinks I should have known him; O, 'tis Comedus, 'tis so; but he has become nowadays something humorous, and too-too satirical up and down, like his great grandfather Aristophanes.
ANA. These two, my lord, Comedus and Tragedus, My fellows both, both twins, but so unlike, As birth to death, wedding to funeral. For this, that rears himself in buskins quaint, Is pleasant at the first, proud in the midst, Stately in all, and bitter death at end. That in the pumps doth frown at first acquaintance, Trouble in the midst, but in the end concludes, Closing up all with a sweet catastrophe. This grave and sad, distain'd with brinish tears; That light and quick with wrinkled laughter[281] painted; This deals with nobles, kings, and emperors, Full of great fears, great hopes, great enterprises. This other trades with men of mean condition: His projects small, small hopes, and dangers little. This gorgeous-broider'd with rich sentences: That fair and purfled round with merriments. Both vice detect and virtue beautify, By being death's mirror, and life's looking-glass.
COM[282]. _Salutem primum jam a principio propitiam. Mihi atque vobis, spectatores, nuntio_[283]--
PHA. Pish, pish, this is a speech with no action; let's hear Terence, _Quid igitur faciam, &c_.
COM. _Quid igitur faciam? non eam? ne nunc quidem, Cum arcessor ultro?[284]
PHA. Fie, fie, fie, no more action! lend me your bays, do it thus--_Quid igitur, &c_. [_He acts it after the old kind of pantomimic action_.
COM. SEN. I should judge this action, Phantastes, most absurd, unless we should come to a comedy, as gentlewomen to the Commencement[285], only to see men speak.
PHA. In my imagination, 'tis excellent; for in this kind the hand, you know, is harbinger to the tongue, and provides the words a lodging in the ears of the auditors.
COM. SEN. Auditus, it is now time you make us acquainted with the quality of the house you keep in, for our better help in judgment.
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A Select Collection of Old English Plays, Volume 09Chapter XIII: Prologue (2)
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