Chapter II: Appendix: , . . . . . . . . . . . . . . . 425

INDEX, . . . . . . . . . . . . . . . . 433

* * * * *

LIST OF PORTRAITS

SAINT FRANCIS OF ASSISI, DYING, is CONVEYED TO THE CHURCH OF SAINTE MARIE DE PORTIUNCULE, . . . . _facing title_.

After the painting by J.J. Weerts. Originally published by Goupil & Co. of Paris, and here reproduced by their permission.

[Jean Joseph Weerts was born at Roubaix (Nord), on May 1,
1847. He was a pupil of Cabanel, Mils and Pils. He was
awarded the second-class medal in 1875, was made Chevalier of
the Legion of Honor in 1884, received the silver medal at the
Universal Exposition of 1889, and was created an Officer of
the Legion of Honor in 1897. He is a member of the "Société
des Artistes Français," and is _hors concours_.]

SAINT BERNARD, . . . . . . . . . . . . . 192

After an engraving by Ambroise Tardieu, from a painting on glass in the Convent of the R.P. Minimes, at Rheims.

[Ambroise Tardieu was born in Paris, in 1790, and died in
1837. He was an engraver of portraits, landscapes and
architecture, and a clever manipulator of the burin. For a
time he held the position of "Geographical Engraver" to the
Departments of Marine, Fortifications and Forests. He was a
member of the French Geographical and Mathematical
Societies.]--_Nagler_.

SAINT DOMINIC, . . . . . . . . . . . . . 230

From a photograph of Bozzani's painting, preserved in his cell at Santa Sabina, Rome. Here reproduced from Augusta T. Drane's "History of St. Dominic," by courtesy of the author and the publishers, Longmans, Green & Co., of London and New York.

["Although several so-called portraits (of St. Dominic) are
preserved, yet none of them can be regarded as the _vera
effigies_ of the saint, though that preserved at Santa Sabina
probably presents us with a kind of traditionary
likeness."]--_History of St. Dominic_.

[In the "History of St. Dominic," on page 226, the author
credits the portrait shown to "Bozzani." We are unable to
find any record of a painter by that name. Nagler, however,
tells of a painter of portraits and historical subjects,
Carlo Bozzoni by name, who was born in 1607 and died in 1657.
He was a son of Luciano Bozzoni, a Genoese painter and
engraver. He is said to have done good work, but no other
mention is made of him.]

IGNATIUS DE LOYOLA, . . . . . . . . . . . 261

After the engraving by Greatbach, "from a scarce print by H. Wierz." Originally published by Richard Bentley, London, in 1842.

[W. Greatbach was a London engraver in the first half of the
nineteenth century. He worked chiefly for the "calendars" and
"annuals" of his time, and did notable work for the general
book trade of the better class.]

[A search of the authorities does not reveal an engraver
named "H. Wierz." This is probably intended for Hieronymus
Wierex (or Wierix, according to Bryant), a famous engraver,
born in 1552, and who is credited by Nagler, in his
"Künstler-Lexikon," with having produced "a beautiful and
rare plate" of "St. Ignaz von Loyola." The error, if such it
be, is easily explained by the fact that portrait engravers
seldom cut the lettering of a plate themselves, but have it
engraved by others, who have a special aptitude for making
shapely letters.]

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ENCYCLOPÆDIAS: McClintock and Strong, Schaff-Herzog, Brittanica,
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Many other authorities were consulted by the author, but only those works that are easily accessible and likely to prove of direct value to the student are cited above.

MONKS

AND MONASTERIES