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Chapter VI: Spanish Romance

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_THE ALHAMBRA_, _LEGENDS OF THE CONQUEST OF SPAIN_

For three or four months Irving lived in the ancient Moorish palace and fortress known as the Alhambra. In his own phrase he ‘succeeded to the throne of Boabdil.’ The place charmed him beyond all others in the Old World. His craving for antiquity, his love of the exotic, his passion for romance, his delight in day-dreaming were here completely satisfied. He loved the huge pile, so rough and forbidding without, so graceful and attractive within. The splendor of its storied past intoxicated him. He roamed at will through its courts and halls, steeping himself in history and tradition. He was amused at the life of the petty human creatures, nesting bird-like in the crannies and nooks of the vast edifice. To observe their habits, record their superstitious fancies, listen to their tales, sympathize with their ambitions or their sorrows, was occupation enough. The history of the place could be studied in the parchment-clad folios of the Jesuit library. As for the legends, they abounded everywhere. The scattered leaves were then brought together in the volume called _Tales of the Alhambra_.

It is a Spanish arabesque. No book displays to better advantage the wayward charm of Irving’s literary genius. Whether recounting old stories of buried Moorish gold and Arabian necromancy, or describing the loves of Manuel and bright-eyed Dolores, or extolling the grace and intelligence of Carmen, he is equally happy. There was a needy and shiftless denizen of the place, one Mateo Ximenes, who captured Irving’s heart by describing himself as ‘a son of the Alhambra.’ A ribbon-weaver by trade and an idler by choice, he attached himself to the newcomer and refused to be shaken off. If it was impossible to be rid of him, it was equally impossible not to like him. Life was a prolonged holiday for Mateo during Geoffrey Crayon’s residence. Whatever obligations he had, of a domestic or a business nature, were joyfully set aside that he might wait upon the visitor. He became Irving’s ‘prime-minister and historiographer-royal,’ doing his errands, aiding in his explorations, and between times unfolding his accumulated treasures of legend and tradition. He was flattered by the credence given his stories, and when the reign of el rey Chico the second came to an end, no one lamented more than Mateo, left now ‘to his old brown cloak, and his starveling mystery of ribbon-weaving.’

Though not published until after Irving’s return to America, _The Legends of the Conquest of Spain_ is a part of the harvest of this same period. The book describes the decline of the Gothic power under Witiza and Roderick, the treason of Count Julian, the coming of the Arabians under Taric and Muza, and the downfall of Christian supremacy in the Spanish peninsula. Irving was a magician in handling words, and this volume is rich in proof of it. Here may be found passages of the utmost brilliancy, such as the description of Roderick’s assault upon the necromantic tower of Hercules, and the opening of the golden casket.

The _Legends_ serves a double purpose. As a book of entertainment pure and simple it is unsurpassed. It is also a spur to the reader to make his way into wider fields, and to learn yet more of that people whose history could give rise to these beautiful illustrations of chivalry and courage.

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American literary mastersChapter VI: Spanish Romance

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